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#The Necromancers Union
nugothrhythms · 7 months
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"The Ghost Inside You" by Niagara Falls, Ontario, Canada-based gothic doom rock one-man-band The Necromancers Union off of 2021 album Flesh of the Dead
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dallasbeltways · 7 months
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THE NECROMANCERS UNION —
[Flesh of the Dead, Vinyl LP - 2021]
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nemouris · 1 year
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THE NECROMANCERS UNION // THE GHOSTS INSIDE YOU
[Flesh of the Dead, 2021]
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clonerightsagenda · 4 months
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Yeah people usually envision haunted houses as older because there's more time for bad stuff to happen there, but given that 'the dead can't cross running water' is a pretty common lore element, I propose, modern houses with indoor plumbing have too many water pipes. In the Old Kingdom books it's even specified that the dead can't pass under aqueducts also so the waterway doesn't have to be open. When the Old Kingdom figures out showers it's over for necromancers
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toastghostbread · 3 months
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I AM THE GREATEST NECROMANCER ALIVE. Thats because most necromancers are either living corpses or don't have their zombies and skeletons unionized
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ctooliganlifetool · 2 years
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Hi here's my art
If you feel absolutely comfortable with donating with me for my art studio please cashapp me
Be a hater or donate to lovely art 🎨 SoulOwner
$Cstool
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blindbeholder · 5 days
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hey so... everyone knows Kabru is the opposite of Laios, but nobody talks about how the rest of their party members are also opposed,
scab criminal Mickbell against unionized worker Chilchuck
dogboy against catgirl
Rin the outlaw mage who hasn't actually done anything wrong against Marcille the highborn upper class mage who's secretly a necromancer
Dia the dwarf who distrusts dungeons against Senshi the naturalist who's lived in dungeons for decades
Holm the support mage who uses other creatures as a shield against Falin the cleric with a martyr complex
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sketchbot9000 · 8 months
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And on the final day of the final cycle the union of Goblin and Necromancer was made, and an Age of Darkness began.
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ashennightingale · 2 years
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my boy jack from a burning wheel campaign 💜 he was the squire of my pc, serafina grivaldi, as well as her adopted son & a member of her group dedicated to resurrecting the dead gods. i love him
(im posting old art! — may 2020)
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whereserpentswalk · 4 months
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vaguely-concerned · 8 months
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In light of the info about the properties of souls in The Unwanted Guest, I want to shout out that Gideon — with no grounding in the theoretical underpinnings of the subject whatsoever — actually makes basically the same observation about the permeability of the soul at the end of Harrow the Ninth, when she's in Harrow's body and (with some justification) is pretty sure she's about to die in the River:
Harrowhark, did you know that if you die by drowning, apparently your whole life flashes in front of your eyes? I didn't know, as I died and took you along with me—having kept you alive for what, a whole two hours?—whether it was going to show me both. Like, at the end of everything, if it was going to be you and me, layered over each other as we always were. A final blurring of the edges between us, like water spilt over ink outlines. Melted steel. Mingled blood. Harrowhark-and-Gideon, Gideon-and-Harrowhark at last.
‘As we always were’! ‘Melted steel, mingled blood’! (Also interesting that despite saying earlier in the book that all she ever wanted was for Harrow to eat her (oh Gideon), the metaphors Gideon reaches for here are not about consumption ala what Ianthe’s deal and thus traditional lyctorhood is presented as in TUG, it’s about similar and equal substances joining together to a new whole, more like what we see with Paul. I personally feel like a Paul-style merging for Harrow and Gideon is not in the cards and would not be a satisfying ending — it worked as a bittersweet conclusion specifically for Pal and Cam because those two are utterly nuts in all their sanity lol, but I don’t think the series means to present it as The definitive answer to the central question of individuation vs. connection. There is something so moving to me, though, in the fact that right at the end this is what Gideon wants for her and Harrow. Not for Harrow to eat her, not simply to be of use to her, but to be made together from the same stuff. It’s a longing for connection and union that’s finally at least in imagery free from the imbalance within the ultimately hierarchical roles of necromancer and cavalier that Gideon internalizes through her corruption arc in Gideon the Ninth, understandably so as it’s the only model she’s presented with in their society to understand intimacy and attachment and devotion through. But Gideon says Harrowhark-and-Gideon, Gideon-and-Harrowhark at last, mutually and equally. And I’ve written about this before, but at what must be almost exactly the same time, the same process is happening in Harrow’s mind through the evolution in the symbolism of her dream bubbles. Help I am emotions now) 
Palamedes is so right, Gideon is a lot smarter than most people -- including Gideon herself -- ever give her credit for.
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nugothrhythms · 1 year
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Niagara Falls, Ontario, Canada-based gothic rock band The Necromancers Union covered “Pet Sematary” by The Ramones
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sinner-as-saint · 1 year
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heartless
Incubus!Bucky x Witch!reader (fantasy au)
Run-through: You learnt about them when you were young. You had tomes filled with information about them, how to invite one, how to control one, etc. You also knew that if done right, union with an incubus was said to result in the birth of powerful witches. And now, after having spent years all alone following the unfortunate slaughter of your family you have two strong desires; to have a child and to continue the witch bloodline. Both of which can be fulfilled by summoning and making the right arrangements with the right incubus. And the best part of it all, incubi were known to be incapable of love and emotional attachment, so ending the arrangement once you conceived wouldn’t be hard for either parties involved. Except, it’s not always that easy, is it? And perhaps, not all incubi are heartless. 
Themes: breeding kink, smut, fluff, incubus!bucky, witch!reader, size difference, he has wings and a tail, some angst, HEA
a/n: nothing is folklore accurate whatsoever just excessive imagination and vibes hehe 
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You were prepared if ever it was not going to work the first time. 
You’d been told, when you were a young woman who had just begun learning about the art of witchcraft under your mother and grandmother’s supervision, that incubi were particularly stubborn and picky demons. They were strong, seductive with vigorous stamina. 
Given their power, they aren’t summoned. No. They are invited. And if they are feeling mischievous and generous, they accept the invitation. Sure, most incubi visited weak mortals of their own volition however they did avoid witches. Because the power dynamic there was more or less in equilibrium. Incubi couldn’t mess with witches like they did with mortals because witches were strong and smart enough to mess with them right back. 
Still, you had made sure that everything was just perfect. You had countless tomes and books and scrolls on your table, all containing multiple ways of inviting an incubus. So many rules to follow. But you had done everything right; every rune, every herb, every incantation, every offering - to complete the invitation you had always been taught to lure them with something they’d want. Other than sex. 
You had been told certain secrets other witch families did not know. Like how incubi, though ravenous, had a weakness for embellishment. Trinkets. Shiny things. So you offered this one a crown made of gilded animal bones. 
You had everything in place. All that was left to do was wait. So you sat there, in what you called your workshop. You had a quiet little home in the middle of the woods. Well away from the kingdom of the vile King who had your entire family eliminated after using your powers and cures to save his wife from a terrible disease. For years the King was kind to your family, but one day, his wife died of natural causes, none of your doing but still, the King went mad and ordered to have your family slain. You managed to escape, unfortunately your mother and grandmother couldn’t. 
So you ran far, far away from the kingdom. Got on a ship and travelled to a new country. Here people were welcoming and kind. No kings and queens, just people living together in harmony. So with what little money you had, you bought a plot of land and built a house. You had neighbours, but since you all had a large country all to yourselves, everyone was scattered rather far and wide from one another. 
This country was unlike anything you’d ever heard or dreamt about. You had friends here who did similar things like you; warlocks, necromancers. Then there were the mermaids in the lake, and the fae people living in the same woods as you, centaurs and wolf shifters lived deeper in the woods, and so many more you still had to meet. There were no wars here, just peace. 
But peace, after some years, started looking a lot like loneliness. During the initial years it seemed like you could do this forever, run your little shop, help your new friends when they needed you, socialise and learn about so many new people and animals, you thought you could spend a lifetime just being here and being happy. But then, as much as you adored your friends and neighbours, you missed family. Your own flesh and blood. And after years of living here and making sure that this was the happiest and safest place to have a family of your own, you wanted a child. And what better way of ensuring to pass on the gifts of your powerful bloodline than this. Besides, witches lived for a very, very long time and you couldn’t imagine spending centuries all alone. 
You had envisioned your dream life often. Since witches most often had daughters, you often dreamt of you and your daughter living in this lovely place. Your home was spacious enough to accommodate around five people easily so you’d have more than enough space. You would build your daughter her own little workshop table. You’d teach her everything your mother and grandmother taught you, and all that you learnt by yourself. You’d watch her grow up and make friends of her own, maybe she’d like the faeries and the mermaids more. Or maybe even the gnomes. Or the pegasus in the meadows. 
Maybe someday down the line you’d have another child. And you’d raise them both with the same kindness and love that your mother had with you. And life would be perfect then; with your girls, your friends, in this peaceful country. 
If only… 
“Such pretty dreams you’re having, little witch.” 
A deep, smooth voice said. Sounding like it wasn’t too far from where you were… sleeping? Had you actually fallen asleep at your desk while waiting? You woke up startled, blinking at the demon in the room who was casually lounging on the chair by the window. The same chair on which you sat and read during the afternoons. 
Except, the demon made the chair look smaller than it was. The chair still accommodated him well enough, but he was bigger. Broad shoulders, wide leathery wings folded behind him, long legs… he was surely taller than most of the people here. Shorter than the giants, but still. You had read that incubi were bigger in height and built and… other assets when compared to mortal men but seeing him in real life was still a little shocking. 
Every other feature of his was mortal-like. Deep blue eyes, slightly darker here in your candlelit workshop. Pretty face, you noticed, if not a little arrogant looking but it suited him. Well defined features. Soft mouth, perfect nose. And he was slightly tanned. You thought he’d be ghostly white, with near translucent skin given there wasn’t any sun in the depths of hell that he came from. He also had shadowy, near black markings all over his hands, chest and some creeping up his neck. Swirls and symbols, and it only made him look even more dangerously attractive. 
The candlelight reflected a little on the shinier parts of his large, leathery wings and you shivered a little before speaking, after clearing your throat. “You came.” You simply said and watched how his mouth twisted into a handsome smirk. 
“How could I not?” He said, sounding cocky. “You gave me a proper invitation. And offered me such a pretty crown,” He twirled the gilded crown between his fingers, and added, “And such soft, delicious bread.” 
Your face contorted in confusion at the sound of that. “Bread?” 
He nodded, still toying with the handmade crown, “Forgive me, I didn’t save you any. I was famished. Butter and honey, was it?” His voice sounded like a purr, like a lover’s caress. Dangerous he was, this one. The handsome ones usually are if you remember your notes correctly. 
You blinked at him once, twice and then looked down at your hand and sure enough, there it was - remnants of the butter. You had been nibbling on homemade bread as you waited earlier, but given that you fell asleep at your desk, the bread must have fallen out of your hand, rolled and landed near the runes. Had you messed up? You couldn’t have. He was here, wasn’t he? 
The demon gave you another arrogant grin, “I assume the bread was a mistake.” 
You stood up from your chair and thought well before speaking, “I apologise.” You said. Even though it is always said to never seem shy and docile in front of the likes of him. You were supposed to assert dominance. But… how could you when he was looking at you like that? Himself looking all regal in all his naked glory. 
He chuckled. Chuckled. Then said, “No matter.” You noticed he remained seated. He said, “I heard your invitation, heard what you wanted from me.” He paused for just a second and noticed the way you squirmed. Then continued, “I appreciate your gifts, witch.” He admitted. “So,” He spoke in the voice which was equivalent to a lover’s soft caress again, “A child?” 
“Yes,” You said firmly, finally able to stand your ground and act like the powerful witch that you were. “A child.” 
He nodded slowly, “I can’t say I’ve ever encountered a motherly sorceress before. Most of them are nasty and cruel.” He spoke with such honesty. It was refreshing almost. 
You managed a faint smile as you looked down at the rings on your fingers, many of them were passed down to you, the others you had handcrafted, “Most of us develop a hard exterior because of how we are treated by most mortals. Half of them are afraid of us and the other half despises us enough to hurt us for no reason.” 
He cocked his head to the side, “Who hurt you?” 
“A King. He… hurt my family.” You answered. 
“Hence the empty house.” He noted. 
“Yes.” You said, finally looking up to meet his deep blue stare. He was… devilishly handsome. Even as he sat there looking all princely which should’ve irritated you because it was your favourite chair. What if his devilishly strong body breaks it? 
But then… 
Then he stood up. Proud and tall. Other parts of him stood proud and tall as well so you couldn’t help but look down, following the many muscles on his broad chest, down to his navel and down to his jutting cock. 
Holy gods. 
He was very, very well endowed. It took some seconds before you moved your shamelessly leering gaze up to his eyes again. And then… holy gods, he was tall. Taking up much more room now that he was standing up in the middle of your, what now seemed cramped, workshop. 
He smirked as he looked down at you. Crossing his muscular arms over his chest he said, “I assume I am to your liking then?” He teased, obviously enjoying the way he had you tongue-tied. 
You looked up at him nervously. You’d never done this before. And now, standing in your dimly lit workshop, wearing your black flowy black robe, the demon did make you feel a little subservient. “I… um, yes.” You struggled to answer, struggled to hold his lordly stare. 
You mindlessly took a step back the moment he began approaching you. Steadily, slowly, letting you see all of him before he came to a stop only inches away from where you stood, near your desk. 
“Well then, little witch. Shall we?” He said, before placing his warm hands on either side of your waist and lifted you up to set you down on the edge of the desk with ease. You never quite realised how strong incubi were until now. They were some of the strongest demons of Hell. 
You were sat on the edge of your wooden desk, legs dangling off the edge as you looked up at him. Only then did you notice his slender tail, as it wrapped around your thigh which was now exposed due to the slit in your black robe. 
The demon seemed to inhale deeply before saying, “You smell absolutely delicious.” He stepped in between your legs, spreading them as he placed both of his hands on either one of your thighs. “May I have a taste?” He asked, slowly pushing your back down on the surface of the table so you lay on it, with your legs still hanging off the edge. 
You nodded. “Yes,” You murmured, watching him lean over you for a moment before he pulled your robe up to your waist, taking in the sight of your bare body under it. 
He hummed in appreciation which shouldn’t have made your body tingle the way it did. Then he grabbed you by the hips and lifted your lower body off the table with ease, enough so that he could comfortably bend and place his mouth right where you didn’t realise you’d been aching for him to touch. 
Your legs hooked easily over his shoulders as his ridiculously soft lips brushed against your inner thighs before you felt his warm, long tongue slide in between your wet lips. He somehow managed to spread your legs even more, leaving you completely at his monstrous mercy as his tongue teasing your entrance, lips sucking on your clit. Damn him. But at least now you understand why most people let incubi feed on them. It’s because their touch was this addicting. 
Your hands rested on either side of your head, limp on the table as you threw your head back and moaned, unable to stop yourself. He growled against you, sending pleasurable vibrations all over your body. His tail remained wrapped around your thigh, slithering along your skin in tandem with his devious tongue as he ate you out ravenously, savouring your taste while holding your heated stare. 
His strong body in contrast with your more mortal-looking one. His hands and arms, covered in those shadowy markings gripped your thighs securely, keeping you spread open for him. He almost made you forget the reason he was here was beyond just pleasuring you. “You taste exquisite, little witch.” 
He knew he could only take minimal energy from you. Mortals were left drained after incubi were done with them but you were stronger, and with your protective wards around you, you didn’t feel as drained. Neither did he feed on you like he would on a mortal. Still, you felt a little delirious, almost euphoric as he tasted you. 
You gasped and moaned as he almost made you come all over his tongue. You’d let yourself go under his irresistible touch. It was high time to get to business. “Don’t forget why you’re here, demon.” You managed to say before he slid his tongue inside you once more before pulling away and placing your lower body back on the wooden table. 
“Of course. You need more than just my tongue, little witch.” He teased, keeping your legs wide open for him as he reached down and easily tore the rest of your robe off your body. You noticed his eyes got darker as he grabbed and fondled your breasts. 
His shadow filled hands slowly trailed down your bare body. He reached your folds and once again teased your clit with his fingers, slowly sliding his one finger down your slit to your opening. His other hand grabbed his cock, guiding it over to your hole. You were drenched down there, he noticed. He was in a mood to play so instead of just sliding into you, he teased you by sliding his tip up and down your slit. 
He rather enjoyed watching you hiss, and whine and whimper, and squirm on the tabletop. “You are going to have to put in some effort to fit me inside you.” He said, purposely pushing his tip against your tight opening, just applying enough pressure to make you lose your mind but not quite enough to slide in just yet. 
Your voice trembled as you spoke, “Don’t… don’t play with me, demon.” You tried to sound as assertive as you could. But you ended up sounding like you were begging him to keep playing. 
“No?” He cooed, almost in a mocking tone. “But you make such pretty sounds when I play with you.” 
You arched your back, moving your hips forward, desperately trying to get his cock to slide inside you. You whimpered when he kept teasing you. “Please,” You murmured. Damn this demon and his enchanting touch. 
He smirked. “Very well then.” He slowly pushed the tip of his cock inside of you, carefully watching you to gauge your reaction to his size. You felt his length stretching you like no one ever did. You gasped and moaned as he filled you up.
He grabbed your bent legs and spread them open, pushing them as far back as they would go before burying his cock fully inside your tight, warm hole. He held your stare the entire time, even as he pulled out and pushed back into you. 
You gasped for air, the snugness of him feeling unbearably good. With your back flat against the wooden table top and you whined at the feeling of his cock moving swiftly in and out of you. You could feel your walls gripping him and milking him as he pounded into you. 
“You feel just as good as you taste, little one.” He whispered as you threw your head back and moaned, feeling him moving in and out of you to the point where the only thing you could focus on was the snug way he felt inside you. 
His large hands grabbed you by the hips, lifting your lower body just inches off the table and pulling you in each time he pushed inside you with enough force to drive you insane. Then… then you felt something pressing against your clit, rubbing it in sync with how he moved against you. His tail. The flat end of it, sliding across your sensitive clit while he fucked you. 
You cried out loud, somehow managing to hold his stare as you slowly felt your brain getting foggy with intense pleasure.
“Look,” He whispered, pounding into you relentlessly, as he lowered his gaze to your lower abdomen. You followed his gaze and let out a gasp of both surprise and bliss. You watched how each time he pushed into you, a soft bulge formed against your stomach. “You’re so soft and delicate.” He said, his voice steady and calm as if he wasn’t rutting into you like an animal. 
Mindlessly, you placed your hand right where the bulge formed each time and you felt it against the palm of your hand. You cried out in pleasure again.Your legs trembled as he held them spread open for him, not willing to let them go yet. 
You closed your eyes as you felt your walls clenching around him and the pressure around your lower body felt tight and hot. The handsome demon looked down to where you clenched around his cock. And he sped up, moving the desk along with his thrust and causing books and scrolls and pens to fall carelessly on the ground. 
Somehow, it felt like he fucked you deeper now. Faster. His damned tail moved against you in equal vigour, flicking your clit until you cried out again. He chuckled, watching you nearly come undone beneath him. So he leaned in and said, “Should I fill you up nicely now, little one?” 
His voice, the surprising warmth of his body, the feeling of him inside you, the candlelight which made him look like a wild god. You whined, and said, “Yes, please.” 
He smirked, letting go of your legs and instead leaned over your body so he could get close to your mouth. His hand grabbed your wrists and pinned them down on the table, above your head. This close, your breaths mingled. His heated stare, his warm body pressing against yours while his other hand reached up to toy with your breast. “So soft,” He whispered. 
For some reason, that was all that you needed to hear, all the stimulation you needed to come undone, clenching around him violently as you did. He held your stare through it all and soon after, he spilled inside you too, grunting and gasping for air. 
Your back arched off the wooden table as you felt his warm release filling you up. He pulled out a little and pushed inside you one more time before stopping, properly emptying himself inside you. You were still whimpering and moaning as he pulled out. You could feel his release slowly trickling out of you. 
You closed your eyes for a few moments. And you fully expected him to be gone by the time you caught your breath and opened your eyes. But there he still was. 
He picked you up from the table, cradled you in his arms and asked, “Where’s your bed?” 
You lifted a shaky hand and pointed in the general direction of your bedroom, just outside your workshop and he began walking towards it. He stopped outside the dark doors and nudged them open with his broad shoulder, walking into your bedroom. 
No one had ever been in here. Wherever you had your neighbours and friends over for dinner or the afternoon tea, you hosted them in the kitchen or the other rooms. He was the first person to ever walk into your bedroom and honestly, he didn’t look that out of place. 
Your bedroom was spacious, mainly dark except for some candles which thanks to your magic could be left unattended and would never burn your house down. 
“Here,” He placed you down in the middle of your bed and said, “I’ll take your leave now, little witch.” He spoke, smirking as he let his eyes roam your bare body one last time before turning around. 
You reached out and grabbed his wrist before he would fully turn away. You managed to say, voice a little raspier now after all that moaning and gasping earlier, “You… um, in case this doesn’t work the first time around,” You spoke, hoping he read in between the lines, “And if I find myself in need of your, uh, help again. Would you come if I call?” 
He grinned. “Of course. No need for shiny crowns next time, just leave out some warm bread.” He left you with a playful wink and a handsome smirk. And then just like that, as if the shadows of your room swallowed him whole, he disappeared. 
For the following week that passed by, you paid extra attention to your body and with the help of your magic, you’d know if conception occurred. But also, you couldn’t bring yourself to forget the demon. 
He’d been just as energetic and thorough as you expected him to be. But… he had also been much more gentle than you expected him to be. The bread incident made you giggle quietly to yourself now that you thought about it. And you did think about it each time you baked. 
You were extra nervous the next time you sent out an invitation to him. The conception hadn’t happened, as expected because they rarely work the first time. Which meant that you needed the demon again. So as you waited for him to show up, awake this time, you found yourself feeling unnecessarily giddy. 
You not only tried to lure him with your best bread this time, but also a cloak. Not that you minded his naked form but… you felt the need to give him something nice. Not quite like a payment, just a gift if you will. You had made the cloak in a way to accommodate his wings comfortably as well. And those broad shoulders, and strong limbs, and-
You were lost in thoughts of him when a voice spoke up from the corner of the room, “A cloak this time,” He noted, grinning already. “I think you like me quite a lot, little witch.” 
You smiled at him. Your heart almost skipped a beat at the sight of him. The handsome demon came wearing the crown you’d made him the last time. And he looked like a god. Naked, golden skin, shiny crown, dark wings and those shadowy markings all over his skin. 
“It’s just a way of thanking you for, you know, helping me.” 
You didn’t feel so nervous when he approached you this time. You let him come closer until he was standing in between your legs again as you sat on the edge of your desk. He placed his large, warm hands on your thighs as if it were a habit and his tail wrapped around your calf, squeezing just a little to remind you of last time. You shivered at the memory. 
“But do you?” He asked playfully. 
“What?” 
He gave you a cocky grin. “Like me?” 
Well that came out of nowhere. You chuckled, “Yes. I wouldn't have sought you out again if I didn’t.” 
He smirked. Then reached out to touch your face so gently that for a moment you forgot he was a demon from Hell. “I take it that you need me to fill you up again, little witch?” He asked so brazenly, while your face felt hot. 
You managed to say, despite your racing heart, “I do. And I’ve even come up with a plan in order to ensure that it works this time.” 
He raised an eyebrow at you, “What plan?” 
Your face heated up again as you said, “I suppose for it to work this time around, maybe you shouldn’t, um, pull away so soon after…” 
“Ah.” The demon’s smirk denoted that he understood. “I see.” He said, “So you wish for me to remain buried deep inside that tight warmth of yours after I’ve filled you up.” He said, purposely just so he could watch you squirm. “I can do that.” 
A sudden confidence shot through you, “Good. That is precisely why you are here, demon.” You sassed. 
The demon chuckled before reaching out to grab you carefully by the jaw. His actions were slow and gentle, as if worried he might accidentally hurt you. “Careful with that mouth of yours.” He hissed playfully, “Don’t you know what happens to pretty little witches when they run their mouths like this?” 
You held his stare, playing along, “No.” You whispered, “What happens to them?” 
He leaned in and whispered against the corner of your mouth in a sinful voice, “They get pinned to the wall and fucked until they cannot think straight.” 
You felt your heart racing faster. Your thighs desperately wanted to clench together but he wouldn’t let that happen. His tail slowly moved up and down your leg, stroking your skin and making you crave his touch even more. It wasn’t supposed to feel like this, right? You were supposed to just take what you needed from one another and that should’ve been it. But… you didn’t mind this. 
His mouth moved along your cheek and you lost your ability to speak. He kissed along your jaw and down your neck, then he said, “I can hear your heart racing, my little witch. Tell me, is that what you want?” He kissed along your collar bones and the top of your breasts. “Do you want to be pinned to the wall and fucked by a cruel, greedy demon like me? Hmm?” 
“Yes…” You managed to whimper. “Please.” 
He scoffed, kissing his way back up your neck before he reached your mouth again, “Alright, little one.” He breathed against your parted lips and moved the two of you with such ease and speed that all you did was blink and you found yourself away from the desk and now naked and pinned to the nearby wall, bare legs wrapped around his torso and his mouth pressed against yours. 
His wings spread wide behind him, blocking the candlelight from reaching the two of you and shrouding you both in unnatural shadows. Almost as if he couldn’t bear the thought of anything else touching you except for him and his darkness. Not even light. 
Your hands wrapped around his broad shoulders, pressing you tightly against his firm body as his mouth moved against yours. His tongue slipped into your mouth, making you moan into the kiss as he undid the tie of your robe, letting it slip down your body until it fell to the floor. 
His large hand cupped you in between your legs and he pulled away from the kiss, grinning at you like the Devil himself. “All that for me?” He asked, sliding his knuckles along your wet folds, smearing your arousal around. “How very immoral of you. Spreading your legs and getting all wet for someone like me.” 
You whined when he slid a finger inside you, followed by another before he curled his fingers inside of you, hitting all the right spots which make you weak in the knees. You bucked your hips against his hand involuntarily, and he chuckled as you moaned out loud while he touched you.
“Are you ready for me now?” He mumbled, kissing down your neck, nibbling on your skin around your collar bones. 
“Yes,” You cried out when he wrapped his mouth around your breast, sucking just enough to drive you wild, making you grind your hips against him, chasing whatever friction you could get. 
His cock briefly brushed against your wet folds in the process and you whimpered. You felt his body tense up against you as well and a quick moment later, he aligned his tip to your dripping wet hole and slowly pushed in. 
His fingers dug into your skin as he held you by your hips, and yours scratched at his shoulders as he filled you up like the previous time, making you whine and moan as he went. His body was familiar now. His heat, his scent. The sound of him breathing, his warm chest pressing against yours. And when you looked down, you already knew you’d find that bulge forming against your stomach each time he buried himself all the way inside of you. 
When he began rocking in and out of you, your body remembered. The stretch of his thickness, the snugness of him, the way he started out with slow strokes and then gradually sped up into you. It was all familiar. Except this time, you could feel his back muscles moving along with each thrust of his. Each movement of his reminding you of the sheer power his sinful body contained. 
“You feel even better than last time, little one.” He said as his devious tail reached up and wrapped around one of your breasts, pumping it before moving to the other one, and repeated. 
His strong arms supported you up by grabbing you at the curve of your ass, holding you against him, as he sped up into you. He fucked you relentlessly, with a little less caution this time. Your back hit the wall with each thrust and you couldn’t stop whimpering, whining and moaning as he fucked into you with the intensity only a demon like him could. 
Your hands somehow slid beyond his shoulders, grabbing onto the base of his large, dark wings. He stilled. Then supported you up with one hand thanks to his devilish strength, while the other pulled your sneaky hands away from his wings and pinned them above your head. He began fucking you again and said, flirtatiously warning you, “Wings are extremely sensitive.” 
That only intrigued you even more, but all that for later. You needed him right now. And you needed to come. 
He leaned in and nibbled at the skin under your ear and you lost all control you had left. Your thoughts became cloudy and all you could focus on was how his body brought you immense pleasure, your mind a foggy mess. Your clit rubbed against his stomach each time he buried himself completely in you, and he soon quickened his pace, earning even more moans and gasps from you.
Your legs started to shake around him as he quickened his pace, pounding into you relentlessly. The pleasure built nicely as he took you higher. The bulge in your stomach forming and disappearing quicker now. Your moans were wanton. 
“Ready for me to fill you up again, little one? Hmm? You’re going to be so full after this,” He whispered, leaning in just so his mouth would brush against yours as he spoke. “Perhaps you’ll still feel me in between your legs when you wake up tomorrow. Is that what you want? Huh? Is that why a pretty little witch like you invited a filthy beast like me? Because you wanted to be so full.” 
You couldn’t hold back anymore. So, you came undone around his thickness. Walls clenching around him, nails scratching down his shoulders and chest as loud moans escaped your mouth. He came right after you did, cock throbbing against your pulsating walls before he filled you up with his warm release. Pumped you full of it until you could feel it inside you. 
And just like you’d instructed him earlier, he didn’t pull away immediately. He caught his breath for a few moments before he moved, keeping you pressed against his chest, still buried deep inside you he pulled away from the wall and walked out of your workshop, towards your bedroom. 
You felt a soft pinch inside your chest at the thought of him being so comfortable with moving around in your house. 
He opened the bedroom door, still holding you close to him as he carefully laid the two of you in your bed. He barely fit in your bed which was in fact made to hold two people. He pressed closer to you as you both laid on your sides facing each other. “Are you alright, little one?” He asked softly. With genuine care. 
You blinked at him lazily, feeling boneless because he’d worn you out. “Hmm, I’m alright.” You whispered, feeling his tail stroking your leg as if comforting you while his hands held you close to him. 
He gave you a rare, soft smile. Then said, “Tell me about your shop.” 
You smiled and answered, “Well, it’s a typical witch shop. I sell crystals, candles, herbs, and medicine. The children get hurt often, especially when they play in these woods, so I sell stuff that heals them even quicker. I have special crystals, laced with magic to help my friends shift quicker. The mermaids love them. The dragon folks up on the mountains love them too. The wolves wear them around their necks like necklaces.” You paused, “Why do you ask?” 
He shrugged, the movement also moving him while he was inside you so you whimpered in pleasure. He pulled you closer, kissing your forehead as if apologising and answered, “I’m just curious about your community here. It all seems so… peaceful.” He said. 
“It is.” You gave him a faint smile. “Everyone is welcomed here. A family of moth people just moved in down the creek. They have the most adorable little children.” You giggled. “And-,” You stopped abruptly at the sight of the longing and slight envy in his eyes. “What is it?” You asked, sensing the shift in his demeanour. He seemed sad. 
He gave you a faint, fake smile. “I’m just thinking about how nice it must be. To be accepted for being whatever you are. To have friends and not have people look at you and run away screaming.” 
Your heart ached for the handsome demon. You reached out and laid a hand on his cheek. “I’m sorry.” You whispered, sincerely. “Is it that bad where you’re from?” 
“It’s lonely.” He answered truthfully. You knew the feeling all too well. 
Your thumb instinctively began stroking his smooth cheek. “And you can’t leave.” You stated, suddenly feeling very bad for the demon. 
“Oh we can leave. I know a few of my kind who have left and moved elsewhere, but it’s not common.” He said, “There are not many places where beings like me are accepted.” Then he smiled and said, “I’m not like you, little witch. I have no skills. There’s nothing I can do to contribute to a lovely community like this one and have its people accept me as one of their own.” 
You chuckled, “Well, I’m sure we could find something for you to do.” You said, “You have wings and can move at incredible speed, maybe you could be a mail carrier.” 
He laughed. Truly laugh, louder than he ever had. And he looked like a god while he did. His boyish laughter echoed around your bedroom and if you could bottle up the sound and keep it forever, you would. 
When he finally stopped and looked back at you, you could’ve sworn you saw something resembling affection in his eyes. “You truly are something, little witch. I’m very glad I met you.” For some reason, his words felt like goodbye. 
And then it hit you. If you managed to conceive this time, maybe this would be goodbye. You snuggled closer to him, refusing to think about that right now, and said, “And I’m glad I met you, demon.” His wing wrapped around you and you fell asleep some moments after, cocooned in the warmth of his body and wing. 
When you woke up in the morning, he was gone. The entire day went by in a blur. You worked at your shop, met up with your friends for afternoon tea, made yourself dinner and then you went back to bed. And repeat. 
It was only two days later, when you sensed something different about your body did you realise that it had happened. You were expecting. And your heart sank, solidifying the fact that you would never see the demon again. It shouldn’t have hurt as much as it did, but you couldn’t get rid of the sadness. 
But that was the initial plan, was it not? So what if you’d miss his handsome face, his cocky humour, and his touch. This is what you wanted, a baby. And now you were going to have one. And yet, you couldn’t help but miss him. 
You thought the absence of him would not matter in time, but weeks later, it felt the same. Each time you made your bed, each time you baked, each time you saw a couple walking hand in hand, everything reminded you of the surprisingly kind demon. 
But then one evening, as you returned home from your shop, you sensed something different in the air the moment you stepped inside your house. 
And something stirred inside you, that pinch in your chest, the way your heart fluttered. You knew. 
“You’re here.” You whispered, shutting the door behind you. You placed your basket down and waited. And then, as if he stepped out of shadow itself, one moment he was nowhere to be seen and the next, he was standing a few feet away from you. 
Wearing his dark cloak and his golden crown. He looked like a forgotten, ancient god. One so handsome anyone would willingly worship at his altar. “I am.” He answered, looking at you with sad eyes. 
You held his stare and both of you were quiet for a while. You hadn’t invited him tonight. It had been weeks since you last saw each other and seeing him right now, it hurt. It hurt even more because he seemed… lost, hurt and confused. And you didn’t know what to do. 
Then his eyes trailed down your body, stopping around your midsection. You smiled and placed a hand on your abdomen, even though you hadn’t started showing just yet. “It worked,” You told him. “I’m expecting.” 
“I see.” When he looked up to meet your eyes again he looked even more miserable. And heartbreakingly alone. 
“Well,” You said cheerfully, hoping to make him feel a little better. “I was going to make dinner, would you like to join me? I even made fresh bread.” You said, smiling up at him. 
He gave you a faint smile, noticing how you weren’t asking him what he was doing here. He nodded, following you to the kitchen and the cosy dining table. 
Dinner went well. The conversation flowed. He asked you about your neighbours and friends, and your shop. He laughed at your jokes and you laughed at his. Yet once you were both done with your food, the tense silence was back. 
Then, while he helped you put away the dishes he said, “I wanted to see you.” 
You placed the last plate down and then turned to look at him. “I’m glad you came.” He was so tall that you had to extend your arm up completely to be able to touch the shiny crown on his head. It warmed your heart that he wore it. You smiled and asked, “You really like that crown, don’t you?” 
He smiled back at you and said, “It’s my favourite gift I’ve ever been given.” 
“Do you show it off to everyone?” You asked, teasing him. 
His smile fell a little. “I have no one to show it off to.” He stated. 
Your heart broke at the sound of that. You couldn’t help but lean in and wrap your arms around his torso. He was warm, his body heat wrapping around you as you hugged him. “I’ve missed you too.” You said. 
He wrapped his arms around you, pulling you closer and kissed the top of your head. “Can I stay for a while?” He asked, and the softness of his voice made you tear up. 
“Of course you can stay,” You said, then pulled away to look up at his pretty face. “For as long as you wish to.” 
So you and the handsome demon found yourselves on that favourite chair of yours, with you on his lap. You tried to read but then ended up engaging in playful banters with him until you slowly drifted off to sleep right there on his lap, with your face nuzzling his neck. He had his arms wrapped protectively around you, reminding you a lot of how the dragons guarded their hoards. 
So you fell asleep, dreaming of random things until… 
You were in the meadows. The sun was about to set so the sky was nothing but golden and pink and purple. But you weren’t alone. A little girl was holding your hand tightly. 
Your daughter? 
You looked down and she was barely tall enough to reach your knees but she squealed in happiness, pointing up at the sky. You followed her small finger and found a dark spot in the pink and purple sky above. A dark spot, like shadows, that grew and grew until it looked like it was getting closer and closer to the ground. It was. He was. Mighty wings flapping in the wind as he flew above you in circles until he landed on the grass with a loud thud. 
Your daughter dropped your hand and ran to him, to her father. And he picked her up, holding her high up in the air, laughing as she giggled louder than ever, before hugging her close as he walked over to you. Once close enough, he bent down to kiss your forehead, curling a wing around you. As if it were a habit. As if he’d done it hundreds of times. 
“Let’s go home, my love.” 
You woke up, and immediately pulled away to meet his eyes. Incubi could infiltrate dreams with ease. And your handsome demon had done just that. 
You held his stare in silence for a while. Then you managed to ask, voice a little shaky, “Is that- what you just showed me, is that something you would want?” 
He grabbed you by the hips and pulled you even closer, “You are what I want.” He whispered, inches away from your lips. “You and…” He placed a hand on your not-showing-yet stomach. “Her. And however many more babies you would want from me. I want everything with you.” 
Your eyes watered, and you managed a faint smile as you said, “And here I was taught that demons were heartless.” 
He chuckled, and grabbed your hand and brought it up to his chest. He placed your palm down on the material of the cloak, right in the middle of his chest and said, “Feel that?” He pressed your palm against his chest. And you felt it, the steady beat of his heart. “I forgot it was even there. Until it began racing the other day when I thought of you.” 
You blinked away the wetness at your waterline, sniffled and said, “How poetic of you, demon.” Then you realised, “I don’t even know your name.” 
He laughed again, eyes filled with adoration as he looked at you. “I don’t have one. Then again, my name can be whatever you want it to be.” 
Your heart doubled in size just looking at him. “Are you sure you want this? You’ll have to pull your weight. I’ll make you do chores.” You teased. 
He smiled, leaning in to press a soft kiss to your cheek. “Anything you want me to do, I’ll do it.” He smirked then added, “I’ll even carry mail around if you want.” 
You couldn’t help but lean in for a kiss. A deep, passionate kiss. One that made him growl possessively against your mouth before he claimed it with enough passion that had you undoing the buttons in the front of your dress as quickly as you could. 
He helped you in getting rid of your long, flowy dress. Then as you straddled his lap properly, he shrugged off his cloak and dropped it on the ground. And all it took was one silent, pleading look from him and you bucked your hips against his, your wet core rubbing against his erection and he grunted. His hands rubbed up and down your sides lovingly. 
“Don’t tease me, little witch.” He whispered mischievously against your mouth, your warm breaths mingling. The fact that he was willing to just sit there and let you take whatever you wanted from him turned you ravenous. 
You lifted off his lap and slowly lowered yourself down on his cock, or tried to because you still had trouble taking him given his size. But with a little help, he grabbed you by the hips to keep you in place and he pushed up into you. Making you cry out as you finally began sinking down on him. Somehow, he felt bigger this way and your body resisted just a little to fit him inside. 
An arrogant smirk formed on his pretty face as he watched you struggle for a while. “Do you need help, little one?” He asked, and once you nodded, looking at him with pleading eyes, he grabbed your hips in place and gently began thrusting his hips up into you until you found a pleasurable pace. 
When you felt that your body could take it, you began moving against him. Lifting up just the slightest, before sliding back down on his cock, you whimpered as he groaned, snug inside of you. In this position, the tip of his cock reached sensitive places you never knew existed. 
“You’re so warm,” He whispered, his eyes locked in place where he disappeared inside you each time you moved. Lust-drunk, both of you. You leaned in closer, cradling his head as he took one of your breasts into his mouth while his tail wrapped around the other. 
Crying out in overwhelming pleasure, you moved faster, impaling yourself down on his cock each time. You whimpered shamelessly as you felt him filling you up completely each time, feeling him reach deeper into you with each thrust. 
His hand slipped between the two of you and he placed his palm against your abdomen. Your heart melted as you remembered the dream you just had. You cupped his face and he released your nipple to look up at you. Nothing needed to be said, the sincerity and adoration in his eyes spoke volumes. You leaned in for a soft kiss, moaning against his lips as his hand circled around your waist and he pulled your warm body closer to his. 
He felt warm from deep within. Warmth he had never felt before. Your lips brushed against his each time you moved up and down his cock. He mostly let you set the pace and he took whatever you gave him, only guiding you up and down his cock when you needed him to. 
You pulled away, bouncing on his cock as you stared into his pretty eyes. He whispered gently about how perfect you felt around him, wet and warm all for him. He panted against your cheek, kissing the side of your face and gripping your jaw with his hand. “You’re mine,” He whispered. 
“And you’re mine.” You didn’t slow down as you felt your orgasm wash over you, and he kept thrusting his hips up into you as your eyes rolled back and you moaned out loud as you came, hard, feeling your walls squeezing and clenching around him. 
He came right after you, his warm release filling you up once again as he wrapped his arms around you and pressed your warm body closer to him. “I’m gonna take care of you.” He promised.  
You smiled, pulling away to look into his eyes. “You’ll never be lonely again. I promise.” You sealed your promise with a kiss on his forehead and he couldn’t have smiled any bigger. 
“Do you have to go and bring back all your belongings?” You asked, kissing down his face until you could nuzzle his chest. Secretly not wanting him to leave even for just a minute. 
“I don’t have any. All I have is the crown and cloak you gave me.” Something about that made you tear up as you looked up at him. He smiled at you, pulling you closer. 
You sniffled, snuggling closer to him. “I'll make you a drawer full of clothes and cloaks. Some pants too. Maybe even a hat or two for when it gets cold.” 
He laughed, kissing the top of your head. No one had ever cared for him this much, let alone a fraction of this. And in that moment he knew there was nothing he wouldn’t do for you, and the family that you two would have soon. “I’ll love you till the end of time, little witch.” 
“And I you, demon.” You wrapped yourself around him, placing your ear right above where you thought his heart would be. In the middle of his chest and there it was, his steady and strong heartbeat. 
— 
Part 2  (just in case you wanna read more about these two)
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starberry-cupcake · 17 days
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This is a one chapter update because this chapter was 25 years long and I don't want my post to be also that long, even though you're all being super nice about it (thank you ♥).
previously, in harroweena the ninth:
this happened
now, chapter 6:
harrowbean wakes up and is taken somewhere in a wheelchair
we get no sleep in this ship
we get no face paint, no black robes, no sleep, no security from people who wanna suffocate you in your sleep, no explanations
lyctors need a union
as in unionization, not as in a combination of people, that they did when slurping their cavaliers
the person carrying her is very upset at everyone
turns out, she's a lyctor
her name is mercysomething
we have an ortus 2, a mercysomething and an augustine
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harrow mentions eyes again and says that Lyctors "kept their own faces, but the eyes they stole from someone else. You had been lucky that your own transition was not as startling"
Lucky, you say...
I don't know about that
anyway, this mercysomething is supposed to be the saint of joy
I'm assuming lyctors are given their names through the ancient art of sarcasm
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on that note
harrow: "if you had not of late become the Saint of Emesis"
me: wait, I gotta look something up real quick
me: yeah, that's funny
mercysomething is angry and in a hurry
a bunch of time is spent with mercysomething being angry and treating people like crap and being unpleasant
she's arguing with everyone she comes across and takes harrow to a hangar
yandere twin is sitting on a crate watching a necromancer make a ward with blood and bleeding to death in the process
harrow sits next to her and they are like sportscasters of blood-painted wards
according to the necrocasters, it's a ghost ward
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yandere twin updates harrow on the fact that they're at war and they've been attacked and they're down to three Old Lyctors and two Baby Lyctors
it would explain why mercysomething is upset all the time
mercysomething wants to take the emperor somewhere else and the guy commanding the ship doesn't want to let him leave
emperor guy comes in and kind of does this to mercysomething
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yandere twin and I are LIVING for all this pute/salseo/gossip/however you wanna call it
harrow isn't as interested
I complained in gideon because gideon wasn't interested in things I wanted to look into and now I'm gonna complain about harrow not being interested in Drama
emperor the fool says: "I know exactly who is behind this terrible blow, and they were fools to show their hand"
yandere twin and I
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when emperor guy sees the necromancer bleeding out he goes "for fuck's sake"
it's a quote, not me being funny ha ha
remember when I said this guy is a mess?
that's becoming exponentially more evident
I want to punch him in the face at all times
I don't know how people can be respectful to this dude
the reason there isn't any face paint for harrow in this ship is that the emperor uses it every morning to paint on his clown face
they've been alive like 1000 years or whatnot and they're all a fucking group project going off the rails
so emperor guy, mercysomething, not!dulcinea (now in a coffin package), yandere twin and harrow get in a ship inside the ship
a smaller ship inside the big ship where the emperor has been for the past bunch of years
the small ship has the blood ward for the ghosts
but, before going in, emperor the fool fixes the necro that's bleeding to death
I honestly think she would have preferred to just die
which, same, if he was my boss
necros also need to unionize
cavaliers more than anyone tbh
if cavaliers unionized, idk if there would be any lyctors
emperor guy and mercysomething argue about people they know and we don't yet know
and mercysomething was telling harrow previously that the former ninth was prettier than her (anastasia, heart don't fail me now, courage don't desert me) and telling yandere twin the former third was prettier than her (cyrus? cyril? something like that)
which, absolutely juvenile behavior for someone who's like a 1000+ years of age or whatever
why would we care who she finds prettier????
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ANYWAY, throughout this I was once again thinking
nobody here has G & P initials
it's been driving me mad this whole time
gideon and harrow found that former lyctor quarters
and it said "ONE FLESH, ONE END. G. & P."
that was before the note with gideon's name in it was read
and all this time I was thinking those were a set of necro-cav from the previous lyctors
but nobody here has those initials
the only P is the cavalier of Ortus 2 and there's no G
which is DRIVING ME MAD
if the G is the previous Gideon, the one not!dulcinea mentioned, it would explain why there was a note that mentioned a Gideon in the quarters
it would not, however, explain who the fuck that other gideon is, who P is and why they aren't in the list with the other combos
augustine is a former fifth because his cav's last name is quinque
mercysomething's from the eighth because her cav's last name is oct, and because she's annoying to be around
ortus 2 is from the second, because his cav's last name is dve
cyril cyrus whatev is from the third because the cav is trinit and mercysomething mentioned him to yandere twin, who is from the third
ulysses is from the fourth because the cav is tetra
not!dulcinea is seventh because the cav was heptane and because it was a very important thing in the previous book, as we've established
anastasia (dancing bears, painted wings) is from the ninth because the cav is novenary and she was mentioned to harrow
cassiopeia must be sixth, because it's what I have left, but I don't recognize the root of the last name to make a clear parallel from the top of my head
the emperor's guardian is A.L.
I'm taking note of an emperor's guardian who isn't around anymore
could it be ice cube barbie???? idk fam, she's looking at him a lot
giving me magic knight rayearth vibes again
this but with backstabbing instead of love
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ANYWAY, all of this to point out that there's no G & P and it's driving me up the wall
now, to a very important thing
VERY IMPORTANT
for me, maybe it's just me
the enemies or whatever are called "remnants" and their leader apparently has been gone for "nearly 20 years"
this is me desperately making timelines with gideon's mom and gideon's birth and the 2 details I know about gideon's mom and her birth
you know what, I'm gonna quote, since I went to fetch it
"One day eighteen years ago, Gideon's mother had tumbled down the middle of the shaft in the drag chute and a battered hazard suit, like some moth drifting slowly down into the dark. The suit had been out of power for a couple of minutes. The woman landed brain-dead. All the battery power had been sucked away by a bio-container plugged into the suit, the kind you'd carry a transplant limb in, and inside that container was Gideon, only a day old."
I'm gonna just...put a pin on that that in the cork board
I don't know you guys, I'm just gonna
let me pin that
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I'm probably being wrong a lot more than what I'm getting right but I'm just telling you what goes through my mind, if I'm making a fool of myself, it's too late to act like I'm not a fool
I am also putting my clown paint on like the emperor
MOVING ON
harrow thinks the emperor talks in plural about her at one point and idk if that's the case tbh
we then get emperor guy explaining how they need to go to their safe space base with a name I can't remember
a fancy name very lord-of-the-rings-y
let's call it emperor's mojo dojo casa house
and to get there as quick as they need to, they have to cut through the River
the one with the ghosties and ghoulies
that's what the ward was for
if they went through regular means, it'd take too long and, doing it this way, they could be there super fast, but they need to get in the River and come out the other way in the right spot
and intact
so it's this situation
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so, in order to do that, they have to hold on to their souls and their cav souls and whatever they've got using the skills from the first test
I want to point out, once again, WHO PLANNED CANAAN HOUSE AS A TOOL TO GET LYCTORS TO LEARN THINGS?????
THEY WERE NOT DOING ALL THE TESTS
THEY WERE FIGHTING FOR THE KEYS
SOME DIDN'T EVEN KNOW THERE WERE TESTS TO BEGIN WITH
JUDITH WAS LIVING IN LAW AND ORDER
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we didn't even get to all the tests, people started dropping like flies
because the emperor had one loose lyctor who thought she was in a telenovela
ANYWAY
the point is, if they drift too far while crossing the River, something else can come into their bodies
we did learn that, because it happened to duracell bunny nephew back in canaan house
but we learned it because mayonnaise uncle thought he was tough shit and ruined it, not because of the tests
harrow, doing her best, thinks "you felt alone in your head"
WHICH IS GREAT for our gideon notes
also, no camilla mention or appearance in this one
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(I'm having a lizzie bennet theme going on for Reasons for the time being)
so, we're leaving harrow and yandere twin trying to learn for the first time how to not die by crossing the River because the emperor plans things terribly and mercysomething is too preoccupied being upset at everything all the time
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perpetual-ash · 2 months
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one end is one empire: monogamy in the nine houses
in Harrow The Ninth we are told the origins of lyctorhood lie in research conducted by john's disciples in the hopes of establishing how best to serve alongside their lord without needing him to confer immortality—those who became the first adepts and first cavaliers, then the first lyctors. we know that ultimately the design of lyctorhood was, in reality, a way for john to ensure his loved ones would be something he could touch, for them to become his hands and his fingers. the disciples' collective legacy lived on in two ways: the fruits of the lyctoral process, his saints, and the institution of the cavalier-necromancer bond throughout the nine houses.
as we see specifically highlighted in A Sermon on Cavaliers and Necromancers, this bond is a cultural fixture of house society and is emphasised not only as “one flesh, one end” but also as the essential equation of “the one binds to the other”; the sanctity of this bond lies in the framing of the two as being complementary halves, necromancer and cavalier forming one, and this sanctity being threatened by the disruption of the essential equation of one necromancer and one cavalier. a single cavalier paired with multiple adepts is placed under the logistical burden of supplying thanergy to, and protecting, multiple individuals whilst an abundance of cavaliers would leave the necromancer ill-equipped to perform necromantic feats that require intimate understanding of another's thanergy. the complementary difference of each is also their undoing as individuals: the necromancer's art is impossible without a swordswoman, and they are rejected by thalergy planets, while a lone cavalier without the care or craft of an adept is vulnerable “amid the bullet-filled barbarism of other planets”.
the bond is characterised as a joining of complementary halves, a union of the two incomplete to form a whole one. its nature is defind by each using “one flesh, one end” as a maxim for their passion for each other; the other is their ideal and their completeness. it is said to be the underpinning of house society—without the acknowledgement of the cavalier and necromancer's duties to each other, the sanctity of one binding to the other being upheld, and the continued reproduction of the bond the houses will fail in their mission to uphold the values of the god who became man and man who became god.
“Those who hold the sword must hold it for the necromancer. Those who were born with thanergetic nervous systems ply their art only by the grace of the sword. The necromancer is weak, and the sword is strong. The sword is weak, and the necromancer is strong. Our pleasure at the bond unbroken between necromancer and cavalier is a Nine Houses acknowledgement of the equality granted to us by God.” — Tamsyn Muir, A Sermon on Cavaliers and Necromancers
lyctorhood: the marriage of flesh and spirit
though it is made clear throughout the series that literal marriage of the two is considered to be taboo, grotesque and even traitorous to the ideals of the necrolord prime—in harrow the ninth, it is explicitly said that there are many strictures against a necromancer marrying their own cavalier—the bond between the necromancer and cavalier itself is an overt parallel to the christian concept of marriage: it is the joining of two incomplete, complementary halves to become one flesh in the name of god. house society is divided into adepts and non-adepts: those who bear necromantic characteristics that make them resemble the emperor, and those who do not, but can join with those that do and become as one flesh—one in his image, and one who can join with those that resemble him.
despite their supposed nature as complementary halves, incomplete as individuals, it is also made clear that the taboo against marriage and romantic entanglement is one born out of the necessity of keeping the bond a meeting of complementary forces united in the name of god rather than a codependent loss of self. the erasure of the difference between them violates the sanctity of their bond, diminishes each before society and god: the two are united as one flesh, but must remain unfused and defined as halves. the joining of necromancer and cavalier is one that necessitates their continued division.
She didn’t have to tell me in so many words what we both knew, that the relationship between cavalier and necromancer could so easily curdle into codependency . . . a loss of self on both sides. An obsessive fusion of halves, not two complementary forces. —Tamsyn Muir, As Yet Unsent
the reality of this, of course, is that the loss of self on both sides is an unequal one: the adept resembles john where her swordswoman doesn't, is the one to serve as her house's heir as opposed to the heir's bodyguard and representative in duels. the eighth—illustrated as the most devout and orthodox of the houses—is the one that best illustrates this imbalance through their use of soul siphoning, a temporary displacement of the cavaliers soul for the deriving of power through the ensuing void. the difference between necromancer and cavalier is their strength, and to forget it is to become diminished, their complementary forces lost to obsessive fusion.
the cavalier's role in the lyctoral model is to be consumed, to become the furnace of their necromancer's lyctorhood. the body of a cavalier is a means to an end, the swordhand that is discarded once a necromancer can take up the weapon in their own, and their soul is a source of perpetual thanergy and a securement of legacy, immortality. a cavalier is trained to follow a half-step behind and wait upon their adept, to die for them if needs must, and is conditioned to accept that their duty is a sacrificial one. the cavalier facilitates the art and legacy of the adept; the adept is born into the art, and the cavalier is born into service in the name of that art.
the necromancer's role in the lyctoral model is to consume, to ply the art with the aid of their cavalier and to burn the cavalier to fuel the formation of their legacy, a literal immortality of self. their necromantic characteristics are seen to make them more like the emperor, as per A Sermon on Necromancers and Cavaliers, and drives expectant parents to concern themselves with ensuring that their children are born on a thanergetic planet or in proximity to thanergetic grave dirt. each house is ruled by a necromantic scion. the equality of cavalier and necromancer may be spoken of at length, but the supremacy of the necromancer in society is clear; the adept knows the art, is closer to god, due to being born with a gift only found on thanergetic worlds, the emperor's dominion. it is the necromancer who becomes the lyctor, and the cavalier who serves as their furnace.
you cannot separate the concept of lyctorhood from john and alecto, nor the concept of necromancer and cavalier—both concepts originated with john and alecto. in fact, lyctorhood was conceived as an emulation of their bond: “You let us think we’d cracked it [...] You had already done it yourself. But you had done it perfectly!!” “Then, when the disciples come to you and say the word Lyctor, she does not understand that they want the thing you did to her—she watches as you watch … watch them misunderstand the process.”
when john created alecto—his cavalier, the first cavalier—he ate soil, wrenched a rib from his own body, and conjured a labyrinthe to house her in: partook in her flesh and imprisoned her in a body composed of a comminglement of hers and his, hid him in her and her in him. a marriage of flesh and spirit. similarly, the petty lysis we are familiar with requires the literal consumption of the cavalier's flesh and the integration of their soul with the necromancer.
Then the LORD God said, “It is not good that the man should be alone; I will make him a helper fit for him.” — Genesis 2:18
those who hold the sword must hold it for the necromancer, just as the necromancer can only ply the art by the grace of the sword; a lyctor, a necromancer, can hold the sword for themselves, and ply the art by their own grace. a grace in the image of god.
john's saints invented the process that allowed them to go on to wield the sword and bring themselves closer to his image, but that process required the lives of their cavaliers. john ensured that it did. the echoes of this manipulation are what went on to form the basis for the necromancer-cavalier bond that permeates house society, and shaped the empire; just as he coerced his loved ones into becoming his fists and gestures, john instituted a societal binary composed of people in his image (necromancers) and a people who can live and die to serve them (cavaliers).
“But from the very beginning of creation, ‘God made them male and female.  ‘That is why a man leaves his father and mother and is joined to his wife and the two become one flesh.’ And so they are no longer two but one flesh. Therefore, what God has joined together, let no one separate.” — Mark 10:6-Mark 10:9
the monogamous implication of one end
as we have explored, the bond of necromancer and cavalier is one modelled on that of the lyctors, itself modelled on that of john and alecto, and serves the twofold purpose of compensating for the physical infirmity of the necromancer and facilitating lyctorhood—the cavalier's duties are that of bodily service and sacrifice. it is a joining of complementary halves, inadequate in their individuality, the necromancer who resembles john and the cavalier who serves them and dies for them; it is defined by an essential equation, the one binding to the other—one flesh, one end, one empire.
in this way, it is a union that parallels the christian marriage in a number of respects: it is founded on the belief in an oppositional delineation of peoples into two immutable categories, benefits one of these to the detriment of the other in accordance with the will of god—specifically the category said to resemble him most closely, ensures that the beneficiary's legacy may continue through their union and the bodily labour of the other, and the arrangement is thought to be foundational to and uphold the godliness of the society. to sour the sanctity of marriage, of cavaliership, is to betray the ideals of god; the pursuit of true equality contradicts his design and is limited by societal strictures. their union is to each other, but they must not be codependent, must remain aligned with their roles, and must serve their emperor faithfully—to forget their difference and their roles is to diminish themselves.
“Monogamy is formed, then, not as a relationship between just two people, but rather as a complex system of obligations and social and moral impositions - mainly governed by christian morality, in which the family is legitimized only by sacred marriage and by the values of capitalism, of propagating wealth from family generation to family generation and the maintenance of private properties – which has, as its scope, the guarantee of monopoly and concentration of wealth and power of the nobles to the detriment of division of inheritance with ���bastard” children. In this way, it is clear that, even before capitalism, monogamy is necessary for the management and maintenance of this system, serving as a support for the reproduction of power mechanisms in the social body - especially in the beginning and expansion of the capitalist formation - mainly through the family. Capitalism invests itself in the life, affections and sexualities of the population in order to use them as State apparatuses for the maintenance of relations of production and power through compulsory monogamy.” — @zapatism, Capitalism and monogamy
the exploitative nature of christian monogamous marriage, its role in ensuring the supremacy of the man, how it ensures the propagation of his legacy, marriage's contribution to the maintenance of other social institutions such as the nuclear family, and the institution's legacy of socially coercive mononormativity are all literalised by lyctorhood throughout the series. the necromancer is male and cavalier female, both in the societal sense and in the biblical sense, and this dynamic is made clearest by how lyctorhood is perfectly emblematic of patriarchal monogamy, a social arrangement that benefits the necromancer and wholly subsumes the cavalier.
“It is based on the supremacy of the man, the express purpose being to produce children of undisputed paternity; such paternity is demanded because these children are later to come into their father’s property as his natural heirs. It is distinguished from pairing marriage by the much greater strength of the marriage tie, which can no longer be dissolved at either partner’s wish. As a rule, it is now only the man who can dissolve it, and put away his wife [...] The Greeks themselves put the matter quite frankly: the sole exclusive aims of monogamous marriage were to make the man supreme in the family, and to propagate, as the future heirs to his wealth, children indisputably his own. Otherwise, marriage was a burden, a duty which had to be performed, whether one liked it or not, to gods, state, and one’s ancestors.” — Frederick Engels, Origins of the Family, Private Property, and the State
gideon, camilla, and naberius all demonstrate how the cavalier is pushed to sacrifice and conditioned to accept the supremacy of their necromancer while their respective necromancers showcase how the necromancer is bred and coerced into accepting the expendability of their cavalier. gideon justifies her own suicide, camilla pleads with pyrrha to lie to palamedes about how their incomplete lysis is steadily killing her, and naberius is murdered by his own necromancer; ianthe justifies the murder of her own cavalier from birth as an acceptable payment made with the life of a man born to die for her ambitions, palamedes is forced to pursue a 'truer' form of lyctorhood in the hopes of preserving camilla, and harrowhark's refusal to accept gideon's life results in her own incomplete lysis that is reponded to via corrective violence performed by g1deon at the behest of john.
the violence we see play out throughout the series overtly demonstrates the way societally enforced monogamy can foster and justify abusive dynamics, extreme levels of codependence, and corrective violence in response to abnormality. simultaneously, we see how the conditions necessary for normalising the necromancer-cavalier within society are, at their core, eerily familar systems of oppression and the construction of false homogenities such as monogamy itself;¹ the continued reproduction on the bond, like so many false homogenities, is reliant on societally instituted exploitation, coercion, and corrective violence that will hit close to home for a queer audience.
the union of necromancer and cavalier is descended from lyctorhood and is akin to marriage in a mononormative society, while lyctorhood itself represents the very height of how christian marriage functions to reify male supremacy and it and the ideals that reinforce it (delineation of the population into two supposedly indelibly distinct, complementary, oppositional groups that are coerced into the formation of supposedly equal unions that favour one that is a beneficiary of widespread societal privilege) aid in the maintenace of patriarchy and the reproduction of normative arrangements that contribute to the continued existence of the systems individuals live under. cavaliership maintains necromancer supremacy just as christian ideas of monogamy and marriage maintain male supremacy. john gaius' post-resurrection reconstruction of christianity does not stop at imagery and terminology: he has recreated a distinctly christian take on patriarchy and monogamy, based on thanergetic nervous systems instead of sex.
Malachi 2:10
those born on the houses think themselves to be fundamentally different to those born outside them; within house society necromancers reign supreme, and cavaliers' status is married to that of their necromancer's. the prejudice we see directed toward zombies and wizards is onscreen and blatant, horrific at times, but justified by the nine houses being known for their imperialism and brutal tactics. the discrimination toward those who lay outside the houses is much less overt, but nonetheless felt. we know from the beginning of Gideon the Ninth that the empire has enemies yet they are not characterised, humanised, or acknowledged in much capacity—and this remains consistent throughout the series until Nona the Ninth.
it is here we see, in detail, the treatment of non-house citizens: frequent planetary resettlement, bombarding, brutal violence that churns out waves of traumatised refugees, and a complete lack of acknowledgement of their plights. they are beneath notice. we do not see them until we, the readers, are placed on the ground of one such occupied planet and privy to ianthe's boredom as she rattles off a laundry list of horrific implications regarding how any individual or group who violates these conditions renders the entire agreement null and void, and the population will consequently represent a legal entity that has damaged property, acted unlawfully, committed or been accessory to murder, and performed a coup.
the people born outside the empire are subject to continual mass punishment for being born on thalergy planets, for being the descendants of those who turned their back on earth, for resisting resettlement and occupation, for the crime of their existence. they are cattle, to be herded and exterminated with little fanfare. they are fundamentally different to those born on thanergetic planets; the necromancy-cavalier binary is what separates house citizens from animals.
"One flesh" is the underpinning of our whole Empire. We are born necromancers, or we are not; yet we are one. The non-necromancer will still have necromantic children. The necromancer will have parents who lacked the aptitude. The possibility is within us. We live under the thanergenic light of Dominicus, are born, grow, and die in his thanergetic Houses; the Resurrection made us so. We are fundamentally different to those born on thalergy planets outside the Empire. Our anxiety drives the expectant parent to arrange to give birth back home, or concern themselves with the baby's proximity to grave dirt sourced from home. Our necromantic characteristics make us more like the Emperor. As he was once man, and became God, and was God and became man, so were we dead and became alive; so were we alive and became dead. — Tamsyn Muir, A Sermon on Cavaliers and Necromancers
john is a queer indigenous man who has created a neochristofascist empire, locked in a state of perpetual warfare and expansion, that is geared toward the mobilisation of violence against a population in diaspora, in the name of vengeance for an indelible sin committed by their ancestors. those within this empire differentiate themselves from the barbaric people their society subjects to constant displacing violence via a belief in their closeness to god, a closeness based on their position in a social arrangement that closely adheres to christian patriarchy and mononormativity. he has implemented the kind of violence wielded against indigenous people the world over throughout history in the name of punishment; john has taken up the tools of christian hegemony to oppress the descendants of the trillionaires.
the root of the problem with the nine houses is that it is an empire with concentrated theocratic power fueled by exploitation, and that theocratic power is explicitly modelled on christianity and the patriarchy that implies. cavaliership is one such example of where that leads. john's aims may have been supposedly noble, but the material results of his actions are the recreation of the same systems of oppression that have been used against those like him for all of history, and the ones we chafe under even now. nobody with truly noble aims and a firm stance against oppression would take up the exact oppressive systems he was subject to and turn them against another; is vengeance a truly noble cause when it hinges on the same oppressions that led to the conditions of the inciting incident?
similarly, we see the ways these false homogenities are indeed false: the enactor of corrective violence—g1deon—is himself an incomplete lyctor and was romantically entangled with both wake and pyrrha; john could be similarly said to be a subversion of this monogamy, but i would argue his case is instead an illustration of male/necromancer supremacy—his affairs with his saints come after he uses his power over alecto, gained through their ur-necromancer/cavalier bond, to 'put away his wife' in the name of maintaining the approval of his lyctors. i can't really elaborate on this anymore beyond recommending @familyabolisher's analysis of how the multiplicity of cavalierhood as a subject position casts the spectre of potential incest where Kiriona and Alecto are concerned as it is very much in the same vein as this
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personalmoshiakh · 2 months
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hey, so— i’ve been ~officially writing a web serial since 2021 (unofficially, since at least 2014). Updates are currently very irregular, but i’m definitely still working on it!
✨🧿 THE BITTER DROP 🧿✨
modern fantasy romance about gay/trans Eastern Bloc Jews, set in a secondary world counterpart of early Soviet communes
The lounge is nearly empty tonight; all the action is downstairs at the grinding workshop — in the basement discotheque; you if I’m to have any hope of pulling, that’s where I ought to go but … ekh, I’m foggy tonight, between the psychosis and the laudanum for the pain what likes to haunt nefilim and the horse pills they made me take at the Mamka — nu okay, I skipped tonight’s dose so I can drink but like, neuroleptics don’t let go that quick — and as the brainfog settles on my thoughts, it turns to hoarfrost and my will seizes up like a rusty hinge.
Lev/Lyubov Morgenshtern, a queeny bigender flamer who’d once been one of the Pale’s youngest-ever ordained rabbonim, has just returned to the Talons Ghetto sovyet — an autonomous workers-and-peasants commune of the kind that directly preceded the Soviet Union (and indeed the thing that the USSR named itself after).
Lev is fresh off a stint on a psych ward that’d followed a far longer stint living in the tzarist-held half of Svet Dmitrin with a bougie respectability-obsessed ex-boyfriend — he’s got nowhere to sleep, no assurance her old friends, Red Guard and civilian both, would want to see them and the only workable plan she’s got is to find someone willing and soft-hearted to take him home for the night …
… and what luck if their rescuer, a medical necromancer by the name of Anzu Menelikov (Nyura to friends and lovers) is a beautiful trans flamer from a prominent rabbinical family! who better to welcome Lyubov home than a fellow hothouse flower and dedicated scholar? and does it matter if Nyura did anything the White Guard might still bear a grudge about? after all, most of the old Ghetto walls are still safely intact, and it’s not like Reb Doktor Menelikov personally set the Winter Palace on fire, right?
i’d say if you liked the Baru Cormorant series, Michael Chabon’s The Yiddish Policemen’s Union and Gentlemen of the Road, Fallen London and its associated games, China Miéville’s oeuvre, and Disco Elysium, this’d probably be your thing!
content warnings
(under the cut)
reclaimed homophobic slurs
the narrator has a history of psychiatric institutionalisation
homophobia, transphobia, transmisogyny and antisemitism are environmental hazards in the setting, though by far not the focus
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