#There's gonna be a lot of foreshadowing in this chapter

[orphetos]

A little sneak peak at the first chapter of my fanfic

The path Duncan was treading was filled with rocks and glowing gems, the ground was covered in mist. The path winding and twisting, the environment becoming more and more distorted and eerie. It always leads him to the same end. 

To a castle that was made from death. People all around were hanged. Yet none of this scared Duncan, he kept that blank expression on his face as he walked the rocky bejeweled path, leading him to an arena and a throne room all in one.

There sat a large beast, with coal for skin, and horns that are like the devils. He held a large jagged sword in one of his hands. The beast rises from his throne made of bones and walks down a set of steps, its left eye bursting into a blue flame. Once at the bottom of the steps, the beast stood in place, towering over Duncan. He reaches his hand out to him, and Duncan does the same.

The beast pulls Duncan into an embrace, his sword dissipating in a blue mist as he wraps his arms around Duncan, who feels his life being drained away. Despite this, he felt at peace. It felt so comforting in these arms.

“Good Morning Arcadia Oaks!”

[lloydfrontera]

wait. did,, did they,, ommit the six white lancers that died trying to stop the mastodons? which then led to lloyd refusing to have more people sacrifice themselves in his place?? using his authority for iirc the first time to order sir blanc to retreat and leave him behind to deal with the problem?? which is one of the reasons javier is so pissed off later on??? the event that is one of lloyd's best character defining moments?? which resolution eventually leads to sir blanc implying he'd be willing to switch his loyalty to lloyd if he so asked???

did they just ommit that?!?!

[kirnet]

Hmmm… methinks I have to rework chap one of actium actually

[fixyourwritinghabits]

How to Tell If That Post of Advice Is AI Bullshit

Right, I wasn't going to write more on this, but every time I block an obvious AI-driven blog, five more clutter up the tags. So this is my current (April 2024) advice on how to spot AI posts passing themselves off as useful writing advice.

No Personality - Look up a long-running writing blog, you'll notice most people try to make their posts engaging and coming from a personal perspective. We do this because we're writers and, well, we want to convey a sense of ourselves to our readers. A lot of AI posts are straight-forward - no sense of an actual person writing them, no variation in tone or text.

No Examples - No attempts to show how pieces of advice would work in a story, or cite a work where you could see it in action. An AI post might tell you to describe a person by highlighting two or three features, and that's great, but it's hard to figure out how that works without an example.

Short, Unhelpful Definitions - A lot of what I've seen amount to two or three-sentence listicles. 'When you want to write foreshadowing, include a hint of what you want foreshadowed in an earlier chapter.' Cool beans, could've figured that out myself.

SEO/AI Prompt Language Included - I've seen way too many posts start with "this post is about..." or "now we will discuss..." or "in this post we will..." in every single blog. This language is meant to catch a search engine or is ChatGPT reframing the prompt question. It's not a natural way of writing a post for the average tumblr user.

Oddly Clinical Language - Right, I'm calling out that post that tried to give advice on writing gay characters that called us "homosexuals" the entire time. That's a generative machine trying to stay within certain parameters, not an actual person who knows that's not a word you'd use unless you were trying to be insulting or dunking on your own gay ass in the funniest way possible.

Too Perfect - Most generative AI does not make mistakes (this is how many a student gets caught trying to use it to cheat). You can find ways to make it sound more natural and have it make mistakes, but that takes time and effort, and neither of those are really a factor in these posts. They also tend to have really polished graphics and use the same format every time.

Maximized Tags (That Are Pointless) - Anyone who uses more than 10 one-word tags is a cop. Okay, fine, I'm joking, but there's a minimal amount of tags that are actually useful when promoting a post. More tags are not going to get a post noticed by the algorithm, there is no algorithm. Not everyone has to use their tags to make snarky comments, but if your tags look like a spambot, I'm gonna assume you're a spambot.

No Reblogs From The Rest of Writblr - I'm always finding new Writblr folks who have been around for awhile, but every real person I've seen reblogs posts from other people. We've all got other stuff to do, I'm writing this blog to help others and so are they, the whole point of tumblr is to pass along something you think is great.

While you'll probably see some variation in the future - as people get wise to obviously generated text, they'll try to make it look less generated - but overall, there's still going to be tells to when something is fake.

I don't have any real advice for what to do about this (other than block those blogs, which is what I do). Like most AI bullshit, I suspect most of these blogs are just another grift, attempting to build large follower counts to leverage or sell something to in the future. They may progress past these tattletale features, but I'm still going to block them when I see them. I don't see any value in writing advice compiled from the work of better writers who put the effort in when I can just go find those writers myself.

[erinwantstowrite]

Let me just quickly say, cross-overs can sometimes get REALLY difficult to map out and write in a cohesive way but you have absolutely NAILED IT!! I absolutely ADORE LoF!!! I usually don’t even bother reading fics with the ‘Richard Grayson is Richard Parker’ premise cause I felt like they were super confusing and overcomplicated but this fic?? SUPERB. ABSOLUTELY INCREDIBLE. OH MY GOD I ADORE IT. Everyone’s characterizations are so nice and wonderful aaaaaaah!!!! <33333

Ok ok I did actually have a question as well: would you be willing to share what your writing process looks like in terms of a chapter you’ve already posted? I was just wondering since I’m also currently working on my own fic (it’s been a few years but I managed to get fixated on an idea and it grew legs lol) and I’m currently fighting the organization of it haha.

How do you keep track of the plot points and/or foreshadowing you want to get a ‘lightbulb!’ moment for later? Do you have any tips?

Thank you so much! I absolutely adore your writing AND your art is so gorgeous omg it adds so much to the incredible story :DDD I hope you have a good day!!

I have a secret: I actually didn't like "Richard Grayson is Richard Parker' tag for a while for the same reason. Sometimes they felt like they missed the mark or it's just. A thing that's there? I almost didn't include it for LoF, but I'm glad I did because it changed the direction in such a big way.

Another secret: this made me incredibly happy because I have read so many wikis and scoured the internet to make sure that I had enough info on both fandoms so LoF could make sense to anyone who's reading it, whether they know Spider-Man, Batfam, or neither at all. Sometimes I worry a lot before I post that I'll miss a mark and will confuse people.

As for the question: I definitely am willing to share what my writing process looks like!

Be prepared for under the cut, I love to yap. It's in my blood to yap. And that's why it took a minute to get to this ask haha

(Spoilers for Leap of Faith!! Everything mentioned has already been published ((Chapters 1-11))

I had to go and find out which chapter I wanted to use as an example and I think we're gonna go with Chapter 5 for the most part :)

My writing process is, as described by alighterwood:

I think the description fits because while I'm all over the place, I have to be very detail oriented and I store everything in one spot.

Starting with the overall process, what I find is most helpful for me, when organizing, is having a notebook rather than doing it all digitally. I've been using a 70 sheet notebook that I had lying around waiting to be used, and as of yesterday, I officially filled the entire thing front to back. It's been an incredible help, for a lot of reasons, but mostly because it's a lot easier to remember something I physically wrote down than it is to remember something I typed. I'm now on to my second notebook for LoF, and I might even have to get a third.

In another ask, startupkat asked me this:

And I shared a little about my outline process there, but I'll try to go into a little more depth here. Emphasis on little because this is so long.

I write a truly insane amount of outlines in this notebook.

This is just what I can show you, but a good chunk of the notebook is just outlines. Over and over and over again. That's because they're always changing/adapting based on so many different factors. Sometimes I get to a chapter I thought I had fully planned out and then realize it just doesn't work anymore. Other times, I get to the chapter and realize I don't want to write that anymore/isn't as interesting as I thought it would be. A few times I got halfway through a POV of a scene I was struggling on and decided to switch POV's, which will change up the outline for a chapter every now and then.

Which is why I don't write incredibly detailed outlines and try to keep it vague until I actually get to that chapter. It's a lot less daunting to rewrite a chapter outline than it is to rewrite the entire outline.

Fic outlines and Chapter outlines look a lot alike.

This is what I said in the other ask, but I didn't elaborate on it all the way.

I make a list just like that, and then I try to put it in chronological order/in an order that makes sense. I keep the Fic outline vague by writing down "Goals" for a chapter rather than scenes. But I also keep notes to myself if I really think something is important. The more important I think a scene needs to be, the more details I write down to make sure my future self recalls what I had in mind when I thought it up.

Really simple example:

Chap 1 Goal: Peter gets to Gotham and meets Babs while running around. Meet Nightwing too? Get shelter.

Chapter 2 Goal: Bats are like "???" about Peter. Batfam dynamic important... Peter stalking Batfam back? Peter meet Batman >:)

When I get to a chapter, that's when I make a far more detailed list of wants/needs/goals. It's the Step 2 from the Step 1. Here are some examples from Chapter 5:

Needed to have:

More POV's from universe 1299 (Peter's home universe)

Tony's POV more specifically, how he's doing/feeling, what he's figured out

What they've figured out on 1299 side vs what's going on in 1300 (Gotham)

Explaining more about Peter's trauma/his past

Dick learning more about Peter, and vise versa

Wanted to have:

Ned being a more central character

Natasha :)

Loki being a little shit

Tony and Cap bickering

Peter talking to Nightwing again

The last name Grayson

Gymnastics!!

(This is the shortened list, because the chapters are so long)

When I looked at this list before writing my outline, I had to figure out how I could incorporate everything. If I needed more 1299 POV's, and I wanted Ned, Natasha, and Loki, there's one scene accounted for. I had to get their side of things and wanted that trio together. I needed a Tony POV, and I wanted Tony and Cap bickering, so those went together, plus I got 1299's POV of Ohnn and his plans explained.

I needed to have Peter explaining more about his trauma, and Dick and Peter to talk/get closer. I wanted a Nightwing POV, to have Peter say his last name, and them doing gymnastics. I knew Peter wouldn't willingly talk about that, so I had him have a nightmare. Not only did it give readers perspective but it made Peter more susceptible to talking to Nightwing because he was more emotionally vulnerable/lonely, and that's how that scene came together.

That's when I would write down the chronological order of these events by writing out "Scene Blocks." (This is what I wrote down but my handwriting was so bad I can't subject y'all to it):

scene 1- Ned talking to Loki. Natasha should be nearby and observing Loki's behavior. They are not on friendly terms. Ned is more worried about Peter than he is as to what Loki could be up to, so Natasha takes on that role.

scene 2- Tony is freaking out about Peter being in an alt dimension. He should attack Ohnn when he's not prepared for it. Beat his ass? Beat his ass. Cap there too.

scene 3- Peter's nightmare. "Ben, where do you go when you die?" "Where do you think?" "With you. Where you went."

scene 4- Nightwing and Peter.

Of course, things come to attention when writing. Like originally, Tony and Cap were arguing in the Tower. But it was a little too much like his and Natasha's argument, and I kept in mind that Tony is smart. Sometimes I forget that the characters are smarter than I am, so I have to account for what they would figure out. So Tony would have picked up the puzzle pieces and come to more conclusions than I originally thought about, and I figured he'd be way more proactive about it than just. Being in the Tower and waiting.

Which means that that scene ended up being as listed above: having a squabble with Cap, learning more about Peter's dynamic with the Avengers in this universe, and seeing how Tony is reacting to it by throwing himself head first into trying to capture Ohnn.

I'll realize I need something else to be mentioned or put in and I'll have to shimmy things around, but that's basically how it goes.

As for other forms of organization:

Keeping a timeline is so important because it tells you a lot about the environment your characters are in. It's also important to remember what a character has on them, what money they've spent, who they've met/who you have mentioned, every alias that is being used, to read your work and write down edits you want to make before you make them, to write down ideas beforehand of situations you can use, and, most importantly: MAKE A MAP!! This has saved me so many times. Sometimes your brain WILL trick you or make it harder on you to envision a scene. Make a map of where your characters are physically!! It will save you too!!

As for foreshadowing and plot points, I'll let you in on yet another secret:

Your subconscious is doing a lot more than you think it is.

Sometimes when I foreshadow something, I didn't even know I was until I got to it. I very often go back to read chapters that came before this to see what I've mentioned and what I haven't, and when I do, I'll see something and go "I have to bring this back" or "I almost forgot about that!"

Other times, I am very aware of what I'm foreshadowing, and that's because I follow a mystery plot formula. You have to keep in mind everyone's intentions, all the time. How are they feeling? What are their motivations? And: what are they doing right now, while this character is doing this?

Like Beck and Ohnn. From the very beginning, I knew I had to make sure that it was obvious Ohnn wasn't working alone. From there, I had to weave through the story and slowly build him up as someone who's working behind the scenes. Even from Ned's first POV, I made sure to mention that this person knows Tony and is tech savvy.

My biggest tip is to make sure you reread your work or at least skip through it, because sometimes you don't even know that you placed something there.

And sometimes, it's very purposeful. :)

I hope this helped! I really tried to keep it short but I am insane and the process is sooooo long. It sounds complicated but it really is simple when you're actually doing it I swear

[babyaiker]

I’m writing this at 5am but when @verdemoun “kieran duffy hyperfixation page” themself encourages you to talk about your now 5 month long obsession, you know you gotta,,, 

Mini break down of Kieran’s characterization in the Paying A Social Call mission, lets go

Before I get too far please know I genuinely have no beef with people who baby Kieran. He’s a fictional character and we’re all just having fun, I just really like analyzing the text ^^

In my last post where I talked about my favorite part of Kieran’s character, I briefly mentioned how the mission Paying a Social Call (the mission in chapter 2 where Kieran is freed) contains a lot of characterization for Kieran that a chunk of the fandom misses. It was when I was watching someone's random stream did I remember how much was getting left out. While I've seen plenty of people rant about Kieran's mischaracterization in the fandom, details from this mission were often left out of the discussions I personally saw. So while I really don't care WHO you interpret Kieran as, having an excuse to rant about the mission I could probably quote start to finish is fun.

Despite the circumstances Kieran finds himself in, he’s not a coward. He knows his worth and isn’t afraid to bite back at others for messing with him. The only reason he cowers and runs off is usually because he was physically hurt, threatened to be hurt, or knows the person he's talking to would gladly hurt him. We have evidence of him acting like this in maaany different ways through the hidden dialogue scenes in camp. His goddamn catchphrase “I ain’t no O’Driscoll” is an example in of itself, showing that he isn't just cowering and crying because of how he’s treated, he's actively fighting against it.

But now let’s actually get into Paying A Social Call, as the only thing Kieran does throughout the entire mission besides show the boys where Six Point Cabin is, is defend himself. 

The beginning of that quest is well… a beginning for sure. I’d probably be a mess too if I was starving and about to get my nuts ripped off. 

His whole “I ain’t no O’Driscoll” shtick only gets louder the second he’s untied. He’s as cooperative as he needs to be, but is gonna make sure everyone knows he isn’t happy about it. While there's a lot of snarky shit he can end up saying, the dialogue where he directly compares the Van Der Lindes to the O’Driscolls is something special. Like Jesus I would not be saying that shit in the predicament you're in right now! While you can still hear the unsureness in his voice, he’s not afraid to say it as it is. (I still find it interesting that even non Kieran fans will point back to that dialogue as foreshadowing and be like "aw shit the horseboy was right fellers")

Okok skipping ahead to the end cuz arughh there's a specific line said in the last scene that completely changed Kieran’s character for me. All I’ll say about the gunfight is that right before it, when John has his gun up against Kieran, while the camera pans to a group of O’Driscolls, you can see Kieran give Arthur a thumbs up when Arthur shushes him. It’s such a tiny detail but it amused me and my partner when we discovered it.

At the end of the mission, after Arthur realizes that Colm isn't there, he confronts Kieran at gunpoint, pretty much ready to kill him. Kieran of course acts like how we’d think he would,,, he promptly begs for his life. But once Arthur spares him and gives him the decency of running away, Kieran doesn't grovel back to him, begging to be taken back, he fuckin yells at him. He understandably points out that letting him go free is as good as killing him, as the rest of the O’Driscolls would likely have his head for this (didn’t like typing that). His very blunt, angry line of “So I’m one of YOU now!” genuinely made me rethink what I’d been assuming about him. It likely dawned on me while I was staring at the streamer’s “hose goat” cam, but just demanding a spot in the gang like that isn’t something a coward would do. He is incredibly firm in his “fuck you, you’re stuck with me now”.

Even his dialogue after is just more examples of him being very aware of his vicarious situation (Arthur: “Alright, but I’m warning you”, Kieran: “Oh, I know”) and being more than eager to start proving himself useful (Kieran: “See Arthur, I ain’t so bad!” ^^)

I genuinely think the whole “whiney useless baby” assumption comes from the fact we play as Arthur. Arthur VERY adamantly views Kieran this way, literally calling him a baby as a way of antagonizing him. And because most everyone loves Arthur, they’re bound to view Kieran the same way he does. Unreliable narrator kinda thing, though I'm not saying that's a bad thing in the slightest. And with the magic of RDR2’s actually good character writing, I can sit here for 700 words summarizing why Kieran’s actually kinda cool sometimes. 

So ya, I wouldn’t say Kieran’s a coward, but I’m also not gonna say he’s some crazy cool badass murderer outlaw. He’s a dude trying to survive who’s been kicked out of or lost every home he’s known. He’s still a silly guy I wanna lovingly snap over my knee like a twig. With the life he’s lived you can’t afford to be unable to stick up for yourself, he’s just smart enough to know when it’s time to lay low.

[atopvisenyashill]

why do you think jonsa is happening tho? jonerys is different bc they are going to be enemies, but i don’t see what jonsa does for the story

so let me first lay out roughly what i think is going to happen should jonsa become canon. I personally love going down meta and graphic spirals, so I'm including links to other people’s theories/explanations/graphics of events too - also I would like to shout out @istumpysk because half these metas and gifsets were stuff I found on their blog initially, and also was the one who really convinced me that jonsa is less of a crackship and more of a contender for an actual canon theory, and from there i really found my niche in this fandom. specifically this meta about jon being the mummer's dragon is what pulled me out of my "we're never getting twow and if we do it's just gonna be that stupid dany has jon's magical baby while tyrion watches, then they all die theory" slump and lit my brain on fire again. let's goooo:

The Ashford Tourney Theory - Something Shady goes down at the tourney Petyr has planned that requires Sansa to make a quick getaway, and likely causes her to run into Brienne while fleeing. This theory for me is about hinting at Sansa's romantic future, allies, and how she's getting the hell out of the Vale: both the dark haired, Not Targ Looking Targ Prince that is the son of A Great Prince That Never Was being her romantic endgame but also it's about Brienne (/Dunk) getting her the hell out of there and becoming Sansa's number one ally and protector (with Sansa's number two being Bronze Yohn!! But he's not fleeing with her - if he helps her get out of the Vale, it'll be to cause a distraction or a fight so Sansa can slip away unnoticed. Bronze Yohn is coming with the knights of the Vale later to help defend his girl!).

The Girl In Grey - Out of options on where to go, Sansa & Brienne makes a long, fast, and dangerous trek to the only family she knows is still alive: Jon Snow at the Wall. No, I don't think Alys Karstark is the girl in grey on a dying horse; I think she's a red herring, the same as the scene where Sweetrobin destroys the snow castle, and that the real girl in grey (who slays the savage giant) is Sansa. Melisandre says that she sees "Jon's sister" but doesn't specify more than that, or how she knows it's Jon's sister, even - why would she assume Alys is Jon's sister and not some random Northern girl? Why was she so sure that it was his sister? It's because Alys isn't the girl in grey, it's Sansa, her horse dying because she's traveled halfway across the continent with Brienne and Pod, desperately trying to keep ahead of the dozens of people hunting her down.

The Blood of Winterfell - Sansa and Jon will reclaim winterfell together. This one is similar to above; just like Alys was a red herring, the scene where Sansa rebuilds the castle has a lot of foreshadowing (imo) but that isn't the moment in the prophecy Arya hears. The Savage Giant is Littlefinger, the castle of snow is Winterfell, and Sansa is going to liberate her home alongside Jon and what's left of the Northern lords.

Stone and Snow Remains - THIS is where Sansa and Jon will fall in love while fighting for the North. This is also the part where you lose a lot of people, because they think the evidence is real weak sauce but like, I also think the Jonerys "evidence" is weak af too (and no wonder, we have at minimum 2k pages left to get through!!). There's several believed foreshadowing points to this one, bare with me for this weird ass formatting because I can't do sub bullet points on tumblr:

1. Sansa's linking of snow with love and affection - "drifting snowflakes brushed her face as light as lover’s kisses, and melted on her cheeks...She could feel the snow on her lashes, taste it on her lips. It was the taste of Winterfell. The taste of innocence. The taste of dreams." along with her snow maiden and snow knight.

2. Bael the Bard and the Rose of Winterfell - the chapter where Sansa gets her period for the first time, Cersei refers to it as “flowering” a dozen times, linking being a maiden (a young girl, not quite of age or just barely of age) to flowers and several people refer to sex as ~plucking. Also notice the one who stole her from KL is Lord BAELish.

3. Aemon the Dragonknight & Queen Naerys - Sansa compares herself to Naerys, Joffrey to Aegon, and wishes for an Aemon, among the many similarities between her life and Naerys'. Jon not only calls himself Aemon, he has a deep connection with a different Aemon Targaryen. And if you’re thinking “Sansa isn’t Naerys, X is Naerys” I would remind you that Sansa as a character existed first, George purposefully had her compare herself to Naerys, and parallels don't belong to just one character.

4. Jenny of Oldstones and The Prince of Dragonflies - there's honestly a lot of parallels between them but like the Aemon/Naerys parallel, the Jenny/Duncan one stands out to me.

5. Janos Slynt - I mean. Iconic. This was the scene that made me first think about what their relationship could be in the future and there’s a reason Jonsas fixate on it. It’s about Sansa being desperate for a hero and the hero she dreamed about being Jon the whole time. 6. Societal Alienation - There's the bastard parallels here, the "it would be so sweet to see him again", the "Winterfell belongs to my sister, Sansa." It's about how Jon, through circumstances of his birth, finds himself alienated from the rest of society and reconnects with his prim and proper sister Sansa, who finds herself alienated from the rest of society as well but for vastly different reasons.

Robb’s Will - Howland is going to show up in the North, along with Maege and Galbert, with some WILD news about why Jon can’t rule Winterfell. There’s a lot of contention around this. Bran probably shows up around this time too, and Arya gets to the Riverlands to discover Lady Stoneheart and give her the gift of mercy. This is where all the inheritance stuff is going to happen and I have no idea how it's going to go down besides it's going to be messy as all fuck.

The Pact Of Ice And Fire - Jon & Sansa get secret married bc they’re in love, not siblings, & jon is the only man she trusts not to steal her claim. This isn't the only possible foreshadowing instance of a marriage either - some believe the Sandor/Sansa scene during the Battle of the Blackwater is foreshadowing as well (personally I feel that's a bit of a stretch but I wanted to include it anyway).

Jon As An Envoy - I talked about this in my "what's Jon's ending" a little but I believe Jon will act as an envoy for either Sansa or Bran to Aegon VI, essentially playing out a similar story that he does in the show with Daenerys. By which I mean, Jon is not the King because the ruler themselves do not go as an envoy, that’s stupid and dangerous, but he goes as an ambassador for Sansa or Bran, to treat with a new claimant to the Iron Throne that is gaining support - Aegon VI & Jon Connington. They will probably clash, Jon will probably have yet another identity crisis, there had BETTER be gay incest subtext, then Aegon dies, and Jon has his sixth quarter life crisis in a row.

“King” of the Gift - again, something I touched on in my Jon meta is that I think he’s going to have a hand in resettling the Gift. Personally, I think it's likely that Jon leaves to protect the claims of his siblings (see: Duncan and Jenny) and goes to the Gift to help resettle it to keep out of the way. This ending is typically referred to as the "bael the bard" ending but i like to think of it as the "brandon's gift" ending instead - though he is not physically with his family, Jon feels fulfilled having confirmed his family loves him through reclaiming Winterfell and marrying Sansa, being reunited with Arya, and being given the Gift by Bran. Sansa claims her children were fathered by a wolf.

So…what does all this do for the story?

Well, in my opinion, several things.

I think the main barrier here is that most people in the greater fandom describe Sansa's story as ~growing past childish wants~ and Jon's as ~rejecting love~ and I do not agree with either of those takes even a little bit. This is where (imo) the dividing line between Jonsas and the rest of the fandom is. I don’t think the answer to Sansa’s question “will anyone ever marry me for love” is going to be “nah" - that's not just a sad story to me (wanting to be married isn't childish! craving intimacy and understanding isn't childish! it's also not wrong for a child to be childish!), I think the idea that Sansa (or Jon) will not find another love just doesn't line up with how George approaches his story. Who Sansa's husband will be has been such a big question, and her story is so heavy into the more romantic tropes like courtly love and chivalry and the line between politics and love and identity, that the question of Sansa's hand in marriage will be plot relevant. I also think it's kinda naive of people to pretend like George isn't very interested in the sexual dynamics of the characters he writes about (yeah, sure, no woman needs a man but "needing a man" is not what this is about. look at everything this man wrote in F&B and tell me he is going to write a female character that longs for sex and desire and doesn't get it!).

After AGOT, nearly every time Sansa thinks about marriage involves her longing for love but believing she will never get it because a man will only ever love her for her claim. Giving her a man - like Jon - who not only will not steal her claim and in fact has defended it twice over already, who will love her for who she is and not what she can give him, is a really important aspect of her story in my opinion.

As for Jon, I am even more firmly against the opinion that his story is about rejecting love; Jon’s story is about wanting to be a good man, to measure up to his father ~despite~ his bastard blood. When Aemon asks if Ned would choose honor over love and Jon stubbornly says yes, Jon is wrong and it’s important to not forget that. Ned has never once in his entire life chosen honor over love; he chooses his daughter’s life over his honor, he chooses his sister & her son’s life over honor, he chooses Arya & Nymeria over honor, and on and on!!! Ned chooses love at almost turn but none of his children know that just yet - look at Robb choosing Jeyne’s honor over his own and how upset he is at the idea that Ned would be disappointed despite the fact that Ned would have understand Robb’s decision! Jon's whole arc is tied up in realizing that it is not wrong or dirty to feel and choose love, passion, and desire and if he never has another romantic arc again, I think you lose the second part of that lesson which is "you are responsible for how you act when you feel love but that doesn't mean that simply choosing love makes you a bad person."

There's also the fact that George has talked a lot about "who lives, who dies, who gets married" and yet we have not one marriage at the end of the show AND there's not a lot of guesses at what "who gets married" means besides Jon/erys (and even if Jonsa doesn't happen, I simply do not see Jon/erys happening. they are not similar enough, they will not be in the same space for long enough, and they are on wildlly different trajectories for their story, they are not getting married let alone having sex). I think Jonsa fits that bill very well.

These various theories - from Sansa being queen, Jon living in exile, The Ashford Tourney Theory, the secret marriage, every one of them - are ideas and themes that I have really been thinking about for about 12 years now. I think Jon and Sansa's relationship could fit with the themes in their stories, the overarching themes in the books, and my own personal opinions. I think it gives George a great opportunity to delve into the courtly love aspects he enjoys so much, as well as delve into inheritance, legacy, legitimacy, honor, incest (yes, that too), and above all, what George himself has said the whole series is about - love. The human heart in conflict with itself is what I think Jon and Sansa as a romantic couple does for the series.

[somerandomdudelmao]

i was writing this all out in the tags of one of your recent updates (part 9 of 'donatello') when i realized i might as well just send it to you directly before i hit tag limit. (i hope you don't mind haha) this recent comic really reminded me of a concept that i've seen in your work that i haven't seen commented on a lot (though i could be wrong.)

casey jr and donatello's relationship as you've portrayed it is interesting in a number of ways. one i've been thinking about recently is the aspect of physical touch, and how you use that to represent the underlying themes/ideas behind their dynamic (and the story as a whole).

in the series, donnie is generally the least physical of his brothers, in that he prefers to be the one to initiate contact. (as a fellow autistic, i relate to this on a visceral level /lighthearted.) however, in your portrayal, this rule bends for casey's sake.

you've been setting up casey to follow in donatello's metaphorical footsteps for a while now, with this coming to fruition (to an extent) in recent storylines.

but going back a bit further. there's this major theme of... i guess i would call it 'responsibility?' that has been weaved through the story from... basically, day one.

in the first comic, his conversation with f!leo following leo's brief foray as a nugget (one of my favorite lines from this series overall is "...and leo-nugget." amazing, genuinely), casey admits to him that it was scary being responsible for someone that could get hurt so easily.

in one of the following chapters, we see the question asked: 'but who is there to save you?' (this chapter being a bit of a microcosm of the theme/story as a whole haha.)

though it was a chapter i had originally assumed was just for funsies and angst opportunities, i now realize i was wrong (though, i don't know exactly how intentional you were being with all of this, so i could be missing the mark here.) it actually sets up his arc rather nicely -- with casey being the one to save donatello when he was injured/knocked unconcious.

now, bringing this all back around to the original intent of this ask: how physical touch is used to represent their narrative dynamic (is that a thing? 'narrative dynamic'? am i just making shit up right now? whatever its fine /rehtorical)

taking everything in account, i want to return to a specific moment that really struck me in the comics leading up to donatello's death. it's the time where the resistance is being attacked, and donnie, despite being sick, goes out and uhhh... extirpates the problem (its always fun to see donnie go apeshit with dangerous weaponry /positive.)

during his dramatic reveal and attack, casey is by his side, clutching onto him not to cling, but to physically support him (at least, that's how i think that moment was supposed to be interpreted? i could be totally wrong here.)

i can't help but feel this is emblematic of the larger themes at play here-- i.e., casey's arc in relation to donatello.

i can't help but find it interesting how donatello, backbone of the resistance--

(despite his soft shell... which is why him no longer wearing his battle shell when he got sick was actually symbolic foreshadowing of-- *sound of gunshots*)

[editors note: i'm gonna stop myself right there, before this goes from ungodly long to "will break your dash and ask box if allowed to continue further"]

-- and certified plot mechanic (oh, so that's why he named it convenient plot-twist serum... finally, the mystery has been solved /joking /lighthearted), who is a very independent/self-sufficient character, allows casey jr to subvert his rules with casual touch. enough so, that when he is so weak that he can barely stand, he trusts casey jr to keep him upright.

out of everyone, he trusts casey.

casey jr, who, at the very beginning of the comic, saved donatello's life, physically carrying him back to the base. and casey jr, the one who, now, has rescued donatello from a fate worse than death, only to once again bring him back to safety.

(...can you tell i'm a little bit obsessed with your comic? lmao)

[also to note those most recent panels: a return to the "norm," with casey clinging to donatello's side, also providing a nice parallel. i know it's because he is very much reunited with his uncle who has been dead for two years, but c'mon. let me have this /joking.)]

anyway, i hope this made sense, and if you did manage to get through my pretentious (and probably somewhat far-fetched) rambles about the "symbolic narrative significance of touch" in a fanwork about the teenage mutant ninja turtles (/lighthearted), may i just say: i am in love with your work, and can only aspire to tell a story as engaging, heartfelt, and clever as the one you have woven.

you are a blessing to this fandom, and i am so excited to see where you go with this story.

I have to say that I didn't specifically do the mental planning for all of this. Most of this theme is simply because I do what I feel will be right. It's more of an intuitive desire than a prescribed plan, so it was pretty surprising to me to see this thought actually being formulated haha

Thank you:>

[padfootagain]

UPDATE!

Hi friends!

As I've made the official announcement for my next Hozier series Love in Verses, I reckon that I need to make an update to tell you how far I am in this project!

But first, I want to thank all of you for your enthusiasm towards this project and all the love you're already giving this series! Thank you so much for your support!!

Okay, so... this is where we're at atm:

Long fic already, as you can see! (The slow burn guys jfzejfozezif)

So far, after some planning (I know, it's surprising coming from me, but I need planning at this stage...) we are aiming for a fic that's gonna be around 43-chapters long (this may change as I'm writing, but it should be around 40-45 chapters).

So far, I've completed 23 chapters, I've started 10 chapters but they are not complete (only some scenes are already written but they need either to be connected to the rest of the story or additional scenes), and 10 chapters need to be entirely written still as I haven't started working on them at all. So, as you can see, I'm more than halfway through!

I'm genuinely hoping to start posting before the end of August! I cannot promise anything yet, as I want to fully finish the first draft before starting posting. This will allow me to:

Update regularly (twice a week, in a similar way I did for OaA), and make sure that you get the full story quickly

Woven in many motifs and foreshadowing some things I've already planned

Add some constant details in the chapters (titles, quotes...)

Vary the povs as I've decided to alternate in this fic between Andrew and Y/N (as opposed to OaA where I wrote only from Andrew's pov), and make it balanced

Add some minor storylines (additional characters...)

So... as you can see, I'm getting some serious work done and am still progressing well! But I still have a lot of work to do!

Stay tuned for more info... and for the fic to drop, hopefully before the end of summer!

I hope you have a lovely day, and thank you again <3

And don't hesitate to drop by if you want to have a chat!

[moonshynecybin]

what would you consider essential marc and rosquez watching? i don’t mean races but the stuff happening around it, there seems to be so much and idk where to start 😭

BIG ass question. i think it depends what you want outta this and how you best interact with content slash consume information. for me (not to brag but. winner of multiple historical essay writing competitions in high school. for context on the kind of freak i am bringing to the table here.) the research is kind of the fun part ! like i just started googling shit! i would go to inactive blogs and just search 'marquez' on them to see what would happen ! a lot of the times that works ! but it also takes a lotttt of time lol so i'll chuck some good resources your way, why not...

okay im not sure how basic we're talkin here but um. background. so the documentaries are, i think. the best place to start. theyre entertaining and offer a good amalgamation of clips to provide context for the actual racing. and like i know you de-emphasized racing (which is fine lol who cares) but it really is like the most important thing in the world to these fools and its a pretty visual sport so i think its at least helpful. like yes sepang IS about the press conference, but its also about the conversation they have ON the race track using their motorcycles. which is also somewhat a conversation that they HAVE been having all year long...

i'd start with hitting the apex (2013), its a GREAT introduction to the "characters" that does a lot of legwork to contextualize everything. lays the scene for where vale is at coming into his relationship with marc (both personally, wrt to marco simoncelli, and career-wise concerning his flop at ducati), and also how insane marc's whole deal is in general. the second half is. materially a study on what him entering the premiere class did to the sport as a whole. the introductory chapter in many respects

marc marquez: all in. MY introduction and blissfully free online. marc comma in his own words, with all the implications of that. a self-produced documentary where he is giving feedback about the edit of said documentary straight to camera and no less vulnerable because of it which is very marc imo. revealing both intentionally AND unintentionally about his whole deal with injury, vale, and his image.

motogp unlimited. im gonna be real kind of boring. like i would still watch it ! but do it kind of later, once you know the major players so youre automatically more invested. it doesnt really give you more than marc says himself in all in tbh, and i get the sense him and vale were NAWWWT interested in doing more than the bare minimum for it.

marc's rookie doc. free and subtitled on the youtubes. the first half of this is deadass just him wanting to fuck vale so bad while every comment from vale has me saying GIRL. out loud because the foreshadowing would be genuinely shocking if this was fiction. anyways the laguna seca of it all....

next i would hit up PODCASTS ! i think it makes sense after the documentaries, because these are all podcasts that arent strictly about rosquez (even if they are in many ways the main characters lmao) and personally it helps to put faces to lesser known names that might pop up before i listen to a purely audio product and get lost in the soup of sounds. the paddock pass podcast has two retrospective episodes about the 2015 season that are really good at context, oxley bom pod has a fun recent episode on valentino that i love, again just poke around a lil

videos. these guys have never filmed a lot of content together tragically. what i wouldnt give for someone to make them do an escape room. anyways ranch visit HERE (post explaining the ranch visit here). sepang presscon (sowwy) here. vale unhinged podcast interview the month after marc's documentary came out here. vale retirement interview where he gets asked about marc here. vale talking about asking marc to the ranch here. vale postrace at argentina 2018 here. UCCIO postrace at argentina 2018 here. theres a lot moreeeee just go on my blog archive and filter for rosquez and vids its easier lol

journalism. hello. okay so you should genuinely spend some time reading through mat oxley's stuff he can write (theres a paywall but you can run that shit through wayback machine). he also loves an insane comparison which i do enjoy.... again this is one that can be solved by googling his name and tacking on 'marquez' or 'rossi' or a specific time period or race it will probably reap some dividends. in terms of specific ass articles this one is kind of load bearing in terms of sepang and some of the interpersonal competitive tensions at play. that being said there are manyyyyyy crazy interviews and snippents of articles from other journos floating around motogp tumblr (like literally too many to link) adn its fun to dig around to find them, but mat oxley gets a shoutout because i was reading this article TODAY !

other content. honestly one of the best resources I'VE found for plotting out the arc of their relationship is @kingofthering's everyrosquezpodium series. you can REALLY see it play out lol. also her tagging system rules she very neatly lays out years and races... so if something jumps out at you, CLICK ITTTT ! also all of @ricciardoes fave presscon moments series. insane.

all this to say a small little rpf fandom like this rewards some digging! i would just recommend following narrative threads that interest you ! its also a small fanbase that is pretty research oriented, so if youre ever confused about somethin, just shoot an ask or run a search on someone's blog (@kwisatzworld has endless vale resources and @batsplat is one of the most thorough researchers ive ever seen, for example) like for real theres so much... i also have a primer that i made forever ago that has some links on it so you can peruse that if you so wish. but frankly a lot of it is just using those research muscles and being sufficiently deranged enough to be screenshotting reddit threads at one am so you can post them to tumblr because they mentioned marc and vale in the same sentence and that lit up some of the neurons in your brain

(and i know you said outside of races but i think theyre good benchmarks as turning points soooo you should do some diggin on laguna seca 2013, jerez 2015, argentina 2015, ASSEN 2015, sepang 2015 obvi, argentina 2018, and misano 2019. those are the big tentpoles of insane rosquez relationship drama imo. i mean theres many more but. im limiting myself.)

[quinnonimp]

We Watch the Clouds & Stars: an OriginsSMP TNTduo Comic ☁️💫 | Anecdote: Awake or Alive [part 1/?]

content warning: discussion of death and afterlife

read left to right

NEXT

hello !!!!!!!!! im back on the grid again and with a bang, here to deliver a comic ive been working on since september ! its gonna be pretty messy, inconsistent, and just purely me having fun . therell be a lot of things ive thought through thoroughly, and therell be some things i forgot to even existed ! all in all this is a comic about a character whos been gone for a year and one that doesnt even exist, so its all built from me being silly

there will be sensitive topics discussed or depicted ! those will have a warning placed beforehand for each update, even though many of these things are meant to be up to interpretation or implied . some anecdotes ive written have been quite heavy though, so if i end up finishing them, listen to the content warnings

this will be a non-linear story, so instead of chapters i have named them anecdotes . they will be moreso bits and pieces of my o!quackity and o!wilbur's lives, specifically of them together, so some parts will be before or after others . some parts will reference each other, or foreshadow, but u likely wont need to read the anecdotes in any specific order

^ and so, because of this, the dynamics of wwtc&s!tntduo will change and will be inconsistent, just as what happens with real people if u look into random pockets of their life . some anecdotes theyll be more comfortable with each other, some theyll be more spiteful, some theyll be more awkward, etc. especially since oquackity has no character and owilbur is underdeveloped

this comic is a lot about change but also keeping familiarity in said change, which is totally not just an excuse for my inconsistent ass nope nuh-nuh. this time its actually relevant to the characters !!!!

and YEAH . i am doing all this just bc cc!quackity mentioned in the 2021 wine stream that he was in the originssmp discord and wanted to actually play but never did . im still mad abt it so ive decided to just make shit up now 👍

by the way !!!!!!!!! the big wings wilbur has on the cover r actually not canon anymore . Lol . i drew that before i had a more concrete idea of the comic and its concepts, but i really didnt feel like editing it (the tail is also missing), so i kept it cause idrc FDKDFKJ

i may draw him with wings again sometime just bc i really like it, but for the sake of story - know that theyre not canon, and that his cloak compensates for his lack of wings

there is likely more for me to explain, but rn im all over the place so i dont really remember what ! the next part will probs be up tomorrow or so, im not sure . really hope u guys enjoy

[somewhere-in-the-rain]

Ok, I wanna talk about Garrick’s signet

So there’s been a lot of discussion in the fandom about what Garrick’s signet could be, as it’s never been mentioned in FW or IF but he of course has to have one.

This was only added to recently, when Rebecca Yarros said in an interview when asked about Garrick’s signet: “It’s very much in book three, I love it.”

I’m not gonna pretend I’ve thought a lot about this, but something just hit me regarding something Xaden said in one of the bonus chapters in Fourth Wing.

Garrick started joking about Xaden having feelings for Violet, and Xaden replies: “Sometimes I hate how fucking observant you are.”

Okay, so it could just be nothing. Maybe Garrick is just naturally observant. But Rebecca Yarros is the queen of foreshadowing and this line has always stuck out to me for some reason. Xaden, as Garrick’s best friend and wingleader, would of course know what Garrick’s signet is, even if it was classified.

So it has something to do with observation then? Signets in the Empyrean series are often incredibly specific, like Imogen being able to wipe memories or Liam having heightened senses.

Maybe he can notice details more easily than other people, or sense emotions (hence knowing Xaden’s feelings for Violet). It’s also something that would be used a lot in Onyx Storm. We know Garrick’s dragon has the unique ability to detect runes (I think, although I can’t remember what it is he can detect only that it’s something lol) so maybe that ties in with his signet? Lmk if anyone else has any ideas.

Or maybe he just has the ability to perfectly toast marshmallows every time and I’ve just been rambling for nothing. 🤷‍♀️

[citruscitrushope]

Why Ken Shiraishi is Still Written OK (aka why Vivid BAD SQUAD will never surpass RAD WEEKEND, and why that's a good thing)

An essay I wrote in someone's Twitter DMs as we discussed their belief that Ken's writing has been becoming out of character ever since On Your Feet, and my attempt to present a counter-argument that turned into an analysis of VBS stories up to this point.

1,089 words, warnings for swearing, spoilers, and the fact that this is barely formatted like an essay at all but was just a ramble I thought I gave some good points in and wanted to share.

So bro is openly going against the things that made rw what it was ("ok Toya make all the songs" <- that is not what happened with radder)" and I doubt bro would be full on ignoring it (nor clpl full on ignoring it seeing as they have all of the group's full stories planned from the beginning) and I personally theorize that it's to emphasize the four's strengths as well as to make them come face to face with their weaknesses to grow stronger (I think concerto is the most obvious case of this). Nagi's goal with rw wasn't to make something to be surpassed, it was to pass radder's dream to the next generation to reach the heights they couldn't (i.e. worldwide popularity) and I very much feel like the vbs story has enough backing them going in that direction (Toya's wl chapter, what I've seen of radder flashbacks, even Ken's whole reason for opening weekend garage).

For context, the preceding conversation was about how Ken has been going against a lot of his initial things (Running weekend garage to help the next generation, helping them not work as hard, etc), how he knew Taiga was gonna tell vbs the truth of RAD WEEKEND and that he should first but he didn't, and then how he's been overworking the kids and going against the team effort rw was by radder

Again, clpl kinda suck at writing vbs sometimes but dammit they ain't bad at foreshadowing, they teased Nagi stuff for a year or two before lutf and stuff after all. Plus they've never had a sudden decline with a character, it took two years for Mafuyu's mom to fully be revealed as bad, and even with Taiga that was a solid year. (Now what they do do a lot of are sudden "redemption arcs", sure the Otori brothers' was decent but all the times they've tired to have Shinodad or Toya's dad grow as people has been so bad like bro some people are just shit).

Plus vbs' story has been slower than most of the other units until this current arc (hell they took the longest to end their first arc), slow building blocks to surpassing RAD WEEKEND. So for this current arc to have them saying "our next event will surpass them" so suddenly just doesn't add up. It has to be a red herring. And again, Taiga's been this game's only true betrayal arc, others have been characters going from neutral to bad (Mafumom, one-off characters) or ones meant to be bad that eventually become allies to their respective groups (Arata, Iori, Otori brothers). Taiga going from an explicit ally to an enemy is an outlier, and I've noticed that they usually won't repeat plots and stuff in this game (well outside of Smile of a Dreamer and Our Happy Ending but I think that was on purpose).

I highly doubt that vbs' ending will involve them surpassing RAD WEEKEND, they're probably the only group who's initial goal hadn't changed over time (L/n "I wanna be with my friends again" -> "We wanna be pros that touch others with music". WxS "Let's save this stage" -> "let's travel the world to make our dreams come true" n25 "i need to save mafuyu" -> "she's seemingly saved but shits still tucked"). Even MMJ's which has seemed to always be "Let's be idols and give hope to others" has had steps to go through, it wasn't instantly "Let's perform in the dome" it was "Let's be idols" -> "let's do a live show" -> "let's do a solo show" -> "let's perform in the dome". VBS hasn't been like that, it's always been "let's surpass RAD WEEKEND" and never been anything but that, so their progression has just been them saying "this'll get us closer to surpassing RAD WEEKEND" with little to actually show for it.

It's a lofty, impossible task, and I think Ken and Taiga know that, but they view it in different ways. Taiga sees it as "you'll never live up to it give up stop trying" while Ken's is "you'll never live up to it but that doesn't change that you're still talented performers". Even though how characters always compare each other to radder (An and Taiga seeing Nagi in Kohane, Taiga seeing Ken in Akito) , they're not radder, they'll never be them, and I feel like that's what the story wants to have them and the audience eventually realize. That's what Nagi wanted, right? To have the next generation do what she and the rest of radder couldn't, to keep singing and to be known around the world. They've already contrasted how both Taiga and Ken have attempted to keep Nagi's wishes alive before (i.e. the whole "Don't tell An until she's ready" thing), and Ken handled this better than Taiga but both weren't the best at it, and vbs had to find the strength themselves to keep going. Taiga did it in a brutal and dream-crushing way, while Ken's was gentler and more honest but came too late, and I feel that they wouldn't get rid of that contrast with Nagi's other dream. Taiga ran off and became famous overseas, but never fully processed his grief. Ken is encouraging the next generation, but still isn't doing it perfectly.

So I feel that Ken's plan is to show vbs *their* strengths. The ones only they have. Not in the context of reaching radder's level, but in reaching their own, and truly fulfilling Nagi's wish. He's not doing it perfectly, he's overworking them severely, but I highly doubt that this is purposeful. Again, I just don't think they'd make the dilf have a villain arc.

But nothing anyone has done in response to vbs's dream has been perfect. Even from the main story with akitoya and Kotarou sabotaging Kohane, to Arata in sbd, to Taiga to Arata in bfby, and then lutf is obvious. It's a messy tale of unprocessed grief and unfiltered dreams, things that can lead to both triumph and tragedy. But I truly can't see any malice in Ken's actions, or even Taiga's to an extent. While there obviously was some there, to him I assume it was to protect the legacy of his sister and to not tarnish her swansong.

I don't fully know where I was going with this but all in all I think Ken has good intentions albeit with unintentional extreme expectations, VBS was never meant to surpass RAD WEEKEND, and the vbs story's messy pacing lately is purposeful

[b3achysurfer]

I really wanna talk about this scene where “Logan saves Ashlyn” because I really believe it’s more than just that

I’m gonna be referencing mostly episodes 34, 35, 43, and 44 just in case you want to do your own digging 😋!

for starters I kinda bugs me when people brush this whole scene off as ‘Logan saving ash’ because 3 things:

1.) Logan saving Ashlyn didn’t really feel natural! mans was allllll the way in the graveyard, he was scared, it was dark, and he didn’t have any prior experience with using guns. but he still somehow did it in 1 shot. I honestly feel like that bit was so that he can’t be excluded from the later celebration and so that him being left behind had a purpose.

2.) ASHLYN WOULDVE SURVIVED WHETHER OR NOT HE MADE THE SHOT!!!!! if anything we’d probably learn a lot more about the phantoms if Logan had never shot his gun.

3.) I feel like Logan making the shot was suppose to distract us from the important lore aspect we see during the scene. we already know red loves throwing in foreshadowing and small hints for us. Especially when these hints get covered by other scenes so that we only notice them after we get the new information and we re-read old chapters. We can see an example of this in the same episode when Taylor offers to go see why Aiden was screaming and Tyler quickly takes action instead and sends her upstairs. it’s obvious that going back outside was the more dangerous option which is why Tyler told her she shouldn’t do it. But at the time many people brushed this off as Tyler caring about his sister as much as any brother would, and a part of his ‘jock/I’m bigger and better than everyone’ attuide seeping through. then later on in chapter 49, we learn about Tyler’s promise to always take care of Taylor and their mom, and we see how their safety is always his priority even if it’s to much for him. Taylor’s frown makes a lot more sense after we get this context.

Anyways what I’m trying to say is that I think Logan saving ash was suppose to draw away our attention to the whole reason he was even able to get the shot in the first place.

Ashlyn is convinced she’s gonna die here and this is her last effort to live. So very strong emotion. But pay attention to her voice box thing. It’s black and has the red streaks around it.

The phantom immediately pauses, as if it understands her. Also, it’s aggression vanished as soon as she spoke. This being LITERALLY TRYING TO KILL HER pauses and starts to question her!! In some twisted way Ashlyn can communicate with phantoms, or at the very least they can tell there is also a connection between her and them. This is literally so important and it’s not talking about enough. Even though no one has ever tried speaking directly to the phantoms before this, I do think this trait only belongs to ashlyn. For starters we already know that she has the strongest connection to the phantom world, and she’s the only one who can actually hear them. Her parents also said that they saw the phantoms after ashlyn was born. This is important for later on.

The only other time we ever see the black text bubble is here when Logan is mad (chapter 42) his shadow has also changed to his phantom world-self. Notice that even though his actions are connected to the phantom there is no red streaks next to his text box?

The fight obviously shows again that they affect the real world because their emotions and phantom and blah blah. This is all stuff we know. But hear me out! View their actions as if they are part phantom.

Ashlyn’s commanding them to do something while feeling strong emotions. Her text box is black with the red streaks again. Just like it was during the scene that ‘Logan saves her’.

And just like the phantom, all of them freeze and their violent behavior disappears. The fact that it’s all in sync and they all stop immediately shows that they didn’t just stop because their friend told them to. They stopped because Ashlyn’s commands have some strength to them. And remember earlier when I said think of them as part phantom? It makes sense why her commands would work, because it’s frozen a phantom before.

AND LOOK!!!! THEY SOUND JUST LIKE THE PHANTOMS! The fact that this guy doesn’t react to that statement means that his organization already knows this. They already know that the kids are partly related to the phantoms. Ashlyn’s especially.

I guess this can split into two ideas:

1.) Ashlyn’s becoming part phantom the fastest. And I don’t mean that she’ll eventually become a full phantom but idk how else to phrase it. Her words can already be understood by phantoms and they have enough impact to confuse and stop phantoms in place. The phantom tilting their head at Ashlyn was kinda like ‘how did you do that?’ .

2.) Ashlyn’s connection gives her semi-control over phantoms. This could be a skill she has to develop over time but the fact that her words were able to break that main cast out of their anger and brought them back into reality shows that they CAN listen to her commands. Either she’s not strong enough yet to control real phantoms or she can only stun them, ash was still able to communicate with the phantom.

That scene is such an important building block that people just brush over. I just don’t see a lot of people talking about the fact that Ashlyn can talk/control phantoms in a way. Or maybe she can’t and all of this means smth else but it’s still so important.

Also before ppl jump on me for saying Ash would’ve lived w/ or w/o logan:

Aiden was literally two seconds away from getting to ash. Plus the phantom was stunned. We don’t know if this hesitation would’ve lasted long or not, but it would’ve been enough time for Aiden to crawl to the top of the roof or for Ashlyn to kick it away. Ashyln was also in shock though so I’m not sure she would’ve been able to do much. But if Aiden saw the phantom on her he would’ve went crazy bro. Do not touch his girl ❌🙅‍♀️❌ All jokes aside though, we definitely would’ve learn more about the connection between Ashlyn and phantoms if Logan didn’t shoot. Not blaming him or anything but I’m just saying.

ANYWAYS THATS ALL THANKS FOR READING!!

[unordinary-diary]

Arlo’s Ability Potential

Arlo could actually be so fucking OP and I’m not kidding.

In my last entry, I mentioned that Arlo could do so much more with his ability: things ranging from very unlikely to happen in the story, to things that are foreshadowed enough that I genuinely think he’ll be getting a powerup soon.

I’m gonna start with the most reasonable stuff and then wander out into speculation.

First of all: Disks. Do y’all remember Lennon from episode 196-ish?

^ this fucker.

Currently, Arlo’s fighting style is to put up a strong barrier around himself, and watch his enemies hurt themselves with their own recoil damage. His only offensive technique is to put his enemy in a barrier and make it smaller. Now, this has changed in recent chapters, with him developing that softer kind of barrier that he hits people with like a shockwave, but ultimately, his offensive power isn’t very diverse.

However, Lennon up there^ uses his disks in many ways.

He throws them, they’re very sharp, he can use them to fly, and therefore attack from the air. Blyke had a LOT of trouble against this guy.

How is this relevant? Because Arlo can make these disks too.

When Sera, Leilah and Arlo are fighting Spectre agents under the dampener, Arlo conjures one of these disks as a substitute for his usual barrier.

Not only do we know that he can make these, we know that they are significantly easier for him to make and maintain. So, in theory, Arlo should be able to do all of the things Lennon can and more.

With him currently being able to make three regular barriers at once, how many disks could he make? And how many disks could he make while having a full barrier up? I imagine that the future holds lots of fights against large groups of people, so Arlo learning these techniques would be extremely convenient and very well-timed. Especially since being able to attack from the air is super effective against opponents who can’t fly (which is most of them let’s be real) since they usually can’t hit back.

But there’s more things that I think these disks can do.

Imagine him practicing with a ball—

Pick it up, bounce it up and down.

Add another disk, make it ping-pong.

but he could also just put the ball in a regular barrier and just... move it around. Move that sucker to a different location.

he could pick the ball up, carry it really high, then drop it.

Now imagine the ball is a person.

... yeah.

but there’s more that he could do.

say that someone is coming at him with enough strength to break his barrier

If aimed right, the opponent shouldn’t hit the third barrier head on, but rather at an angle. The angle should be enough to prevent the barrier breaking, but still cause significant recoil damage. In this particular scenario, the recoil damage will go straight to the head and neck, using all their force against them. Depending on how much force is coming at him, the third barrier could still break, but it isn’t his main line of defense at least. With practice, Arlo should be able to use disks to divert attacks, and control where his opponent aims. The only person this wouldn’t work against is probably Seraphina bc Arlo can’t react in time.

Another thing to consider is: how small can he make the disks? Could he make little shurikens? If so, would making them very small allow him to make more? Could he stand behind his full barrier, while sending out a flurry of tiny chakrams? And if so, wouldn’t that be dope as fuck? Especially against a large crowd.

And since, in theory, he should be able to fly, he should also be able to make other people fly. Imagine all of them flying on top of a disk with Blyke and Isen loudly singing I Can Show You the World. I see zero reasons why this can’t happen.

Moving away from disks, Arlo should start filling his barrier with stuff. Now, we rarely see characters weaponizing things that aren’t abilities or their bare hands, but it does happen. This is where the idea of water balloons comes in. Fill that sucker in the sink, throw it, then pop it whenever he wants to.

But it’s not just water, he could put anything in there. He could put a shit ton of glitter. He could put sewing needles, caltrops, a big rock, anything. He could probably even put a barrier over his stove, gather steam, compress that shit and make smoke bombs!

But enough with that bitch baby shit.

What about chemicals?

Make water balloons but instead of water it’s hydroflouric acid. Or fill that shit with liquid nitrogen. Make smoke bombs but instead of steam it’s mustard gas— he and his friends will be protected inside a full barrier. There is any number of chemical weapons he could use, and some gases could even be made at home by mixing the wrong cleaning materials.

But what about insects? Go to the woods, find a beehive and yoink that shit.

The main problem with the “putting things in barriers” idea is that he’d have to prepare ahead of time, and keep those barriers up and his ability active until he uses them. That means it isn’t useful unless he knows the fight is gonna happen, and has enough time to prepare before it, but not so much time that he loses energy keeping them up. It’s also not useful if he wants to be non threatening at first, because his ability will need to be active. And also, unlike other weapons, A lot of these can’t be stored. He has to use all of them before the end of the fight— especially since gases can’t be released without using them. So, not very convenient or practical most of the time, but it would be super cool and effective in certain circumstances.

The next unlikely technique for Arlo to develop is vacuums. Arlo could make a really tiny, spherical barrier. Airtight. EXPAND that sucker. Make it real big- a near vacuum inside. Then make a tiny hole in it. Depending the size, that could create some insane suction. Suction is something so versatile that it could actually be a whole ability in its own right. That’s a whole ass mid tier added to Arlo’s already dope skill set. Possibly more.

Seriously, just think about suction for a second. You could bring anything close to you— Arlo actually has an easier method of telekinesis as we’ve gone over, but still— you could probably break and bend things with enough force, divert an attack by sucking it, or your opponent’s body in a different direction, you could cause some severe damage by sucking directly on someone’s skin. (I’m trying so fucking hard not to make a sex joke oh my god)

Here’s where Arlo’s capabilities get… gruesome.

My brother suggested that he could suck someone’s brain out through their skull. I was incredulous, but with enough force and with the tiny suction hole placed on an eye or nose, he definitely could.

But there’s an easier method of killing right there: put the vacuum over someone’s head. It doesn’t have to be an intense enough vacuum to explode their head (it could be though), just enough to suffocate them. Even without killing, suffocation could be used for intimidation or to knock them out.

But if we ARE killing… Arlo could put someone’s whole body in a vacuum and have the same effect as throwing them into space. They explode, their blood boils, it’s fuckin freaky what happens when a person depressurizes.

Even without a vacuum, (or any of these, really) it’s a good thing Arlo isn’t willing to kill because there are about a million ways he easily could.

The question that inspired the whole idea of a vacuum to begin with is: could Arlo make a barrier inside of someone, then expand it? The answer? Probably yes.

This gruesome shit is the reason I imagine Arlo at his full potential to be like… a villain au. Also because having an OP villain doesn’t have the same narrative pitfalls as an OP protagonist.

What’s Arlo’s range like? Could he expand his range with practice? How far out could he shoot a disk? Could he puncture the hull of an empire class battle ship leaving thousands to drown at sea? You know, because it’s so sharp?

Seriously though, could he take down airplanes?

Making barriers bigger or smaller doesn’t seem to affect his energy at all, considering that he never has to shrink it to save energy even when it would make sense (like with the dampener— Arlo just warned that he couldn’t keep it up, then took it down and switched straight to a disk even though there was plenty room to shrink it). So if the size of it doesn’t matter, then how big could he make it? Could he make Atlantis? Pick up a city and put it underwater with a barrier as an air dome? Could he make a dome around the earth and block meteors? Could he crush the core of the earth and blow up the planet if he wanted to??

Sadly, the answer to all of those questions is “probably not”.

Arlo is already super OP, they don’t call it a god tier for nothing. But he could be so much more godlike. I know I got really crazy at the end there, but back up just a little bit and he could realistically be a god among gods with just a little creativity. Especially at the top where the images are. Most of this stuff would not be hard.

[onyichii]

My Reply to you Cocogum

This is a response to @cocogum post! Since it is SUPER LONG! Imma start doing this instead of reblogging if I have a lot to say.

OG Post by COCOGUM:

YES COCOGUM!! I am LOVING YOUR ENTIRE POST! I have a few thoughts to add...

A) I'm happy her hair is growing out too! I hope she eventually has hair as long as her mothers.

I want her to look like a forest goddess.

I think the growth is a symbol of just (as you said) being happy or at peace. In TV/movies people cut their hair as a symbol of change (freedom from the past) and grow it out again (sometimes) when they're at a new happy place. As we have seen, her hair and that green leaf she sports now are a symbol of her new found happiness.

B) I too was not expecting the "adult fun time" scene but i am hoping we get A TON more especially if this series is gonna be 100 chapters. I want more fluff, more hugs, more kisses, more f--ks! lol Put a baby (or three) in her Yugo! Give the Sadida kingdom an heir!

I can see where you are coming from that Yugo was having a wet dream. If that's the case, that is funny because he (presumably) had just pollinated his flower queen and he is dreaming of doing it again! 😀😀 And he called her tireless!? LMAO. Whether it was a dream or they were interrupted before the nut we can agree that they are BOTH hungry for each others touch/warmth (based on that scene alone).

I still think they were interrupted before they...made sap🌳and fell from the air.

I think the "adult fun time" positions you were suggesting are accurate and I can see Yugo switching too. I think it would depend on who initiates it. When she initiates she's top but when he initiates he'd top....sometimes (not all the time because as you said—he loves the view)! lol

C) For the open room. I think the construction of the floor (or level) gives them privacy. Like a long corridor before the room entrance. And at the entrance to the corridor there'd be a magical cotton bell (as seen in s3) that rings when pulled to let the royals know when servants want to enter. BUT if there is no magical door bell (OR ANYTHING) that is bold of them!! lol.

Rereading your post...if the doorway is open like that it makes me think of this quote (the last quote at 1:40) from the film Scary Movie (watch from 1:30 to 1:42 for context)

D) So I am GLAD people have been bringing up Draconiros. I am not deep into the WAKFU/KROZMOS/DOFUS universe and had NO IDEA who he was nor any of the other primordial dragons.

I got into Wakfu for Amalia. I thought she and Yugo would be cute from all the hugs she gave him. When they canonized a potential Yumalia (in the OVA) I STANNED for their star-crossed lover romance that could never be. I love the whole cast but Amalia's character design is so cute/fun (it drew me into Wakfu).

Anyway, I am curious if Draconiros is ALSO responsible for Nora's daydream in ep 4 of season 4. THIS SCENE ALWAYS THREW ME OFF!

I feel like this scene was added for two three purposes... 1) to introduce the audience to Efrim (in a foreshadowing way) 2) to add to what Oropo says in episode 1. Questioning Yugo's "good" intentions and actions which have caused (and WILL CAUSE) trouble for the World of Twelve. 3) To sneakily, introduce Draconiros (without the audience knowing).

The reason why I think this is Draconiros and NOT Efrim is because—how would Efrim know any of what was said in that scene? Efrim is in the Necroworld at this moment. He and Nora were in the Krozmos away from the World of Twelve for a long time. There is NO WAY Efrim would know about YUGO's effects on the World of Twelve. At none, that I can think of...

Which also brings to question, how did the Goddess Eliatrope know the Brotherhood of the Tofu and everyones names when they entered the temple? Did I miss something? I mean Quilby could have told them some things. From before his imprisonment...but I digress...

Anyway, I think Draconiros took on Efrims form/voice in s4. And now he is making an official appearance in the manga.

If they had shown Draconiros in season 4, it would be a loose end. And Tot wanted to wrap the animation up without any loose ends. So (to me) it'd make sense not to show Draconiros' true form at all in s4 and have him take on Efrims form/voice.

E) I think this dude is gonna be a problem. But I may be over thinking 🤷‍♀️. And shouldn't he be referring to her as QUEEN Amalia instead of LADY Amalia? Does he have some passive aggressive beef with her? Or is it okay to refer to a Queen as Lady instead. I feel like the Sadida's are more chill about titles (compared to other kingdoms) but...idk.

His character design (in this scene) is just giving...bad guy or pawn to me. If I am right, he could play a betrayal role (if the plot takes that turn). I do not see him being a fan of the Eliatropes either.

F) And I agree that the Sadida kingodm is tense with it's new residence. I'm glad you brought up the perspective from the Sadida but let's talk about it a little more with a Eliatrope in mind...

The Eliatrope have NEVER had to live with another race before. EVER. They had their OWN PLANET. No other race existed on there but them.

Thanks to Baltazar (in s2) they had been watching Yugo through the Eliacube, but have they been taking notes on the customs of the world around him?

Being on a new planet with so many races must be a SHOCK to them. ADDITIONALLY, they haven't interreacted with anyone but each other for goddess knows how long!!! So the communication, customs, cultures, and everything probably hit them like a TON OF BRICKS. I would assume that they don't (quite) understand what tolerance and acceptance of other cultures is thanks to their isolation too.

However, it is something they are gonna have to learn. Starting with the Sadida race.

Since they're teens I think (...well, I hope) it'll be easier for them to learn and integrate into the world of twelve via the Sadida Kingdom.

ALSO...It will take time for the Sadida's to be comfortable with the Eliatropes too. I mean...people have been trying to take their homeland (via possess the tree of life) for a long time. It's no surprise that they are weary/tense of some alien race residing on said homeland. They may know Yugo, but they don't know his people. They probably think they'll take over....IDK.

But I am here for the tea! 🫖🍵

FRIDAY NEEDS TO HURRY UP!!