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thewulf · 5 months

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In the Arms of Fate || Aragorn

Summary: Request - During the war with Sauron, she gets kidnapped and tortured badly by Saruman. Aragorn and the others immediately get on a mission to rescue her and eventually find her barely alive... Read Rest Here

A/N: This was tough to write but I really like how it turned out. Thank you for the amazing requests anon, hope you all enjoy!

Pairing: Aragorn x Female Reader

Word Count: 4,600 +

TW: talks of torture, pain, reader gets taken, general LOTR triggers

In the middle of the raging war against Sauron you found yourself drawn to the Fellowship not only by fate but by your own unique blend of skills and qualities that made you an indispensable member of the group. Aragorn quickly recognized your unwavering loyalty and the depth of your courage. He insisted on your inclusion in the Fellowship. He saw in you a kindred spirit as someone who shared his determination to see the quest through to the end.

Your skills were varied and essential to the success of the Fellowship. As a seasoned fighter you were proficient in various forms of combat. You sported weapons with precision and grace. But it wasn't just your prowess on the battlefield that set you apart. It was also your keen intellect and quick thinking that made you invaluable to the group. You possessed a sharp mind and a strategic approach to problem-solving, often providing crucial insights and solutions during moments of peril. Even Legolas looked to you for guidance from time to time.

Gimli was initially skeptical of your presence in the Fellowship. But even he soon came to appreciate the depth of your skills and the strength of your character. Your friendship with him grew as you shared stories of battles fought and victories won. You formed a bond that transcended the differences between your races. Together you and Gimli formed a formidable duo. Your strengths complementing each other in ways that made the Fellowship stronger as a whole.

With Legolas, your relationship was characterized by playful banter and teasing exchanges. From the moment you met there was a natural rapport between you. It was like a shared understanding that lent itself to lighthearted jests and witty banter. Legolas never missed an opportunity to tease you. His playful remarks eliciting laughter and smiles even in the darkest of times. Despite the teasing there was a deep form of friendship between you. Formed through shared experiences and mutual respect. He loved to tease you, especially about a certain ranger that had captured your heart with ease. It was on one particular eve that Legolas had let you know that he knew too. He wasn’t blind. He caught your longing looks. But he too caught Aragorn staring right back at you.

The evening was alive with the crackling of the campfire and the soft rustle of the forest around you. As you sat beside the fire completely lost in thought, Legolas approached with his characteristic grace, a playful glint in his eyes.

"Ah, Y/N, lost in thought again?" he remarked. A teasing smile playing at the corners of his lips as if he knew exactly what you were thinking. And he likely did.

You chuckled softly turning to face him. "Just contemplating our next move," you replied, though your thoughts were anything but focused on strategy. Instead, they drifted to a certain ranger sitting across the way who occupied far too much space in your mind.

Legolas arched an eyebrow, his keen gaze fixing on you with knowing amusement. "Or perhaps," he suggested with a knowing smirk, "you're pondering a particular king’s pining for you?"

Your cheeks flushed crimson at his words, and you sputtered in protest. "Wha—no, Legolas, you're imagining things," you stammered. It was a terrible attempt to brush off his teasing with a nervous laugh.

But Legolas only chuckled. His soft laughter mingling with the gentle crackle of the fire. "Oh, come now, Y/N,” he teased, his tone light and playful. "Even the trees can see the way he looks at you. And you him. It's as clear as the stars in the night sky."

You rolled your eyes. Though a part of you couldn't help but wonder if there was a kernel of truth to Legolas's jests. Aragorn's lingering glances and subtle gestures had not gone unnoticed by you. Though you had dismissed them as mere figments of your imagination. "He's just... concerned for my well-being, that's all," you insisted, though doubt lingered in the back of your mind. "We're friends, nothing more."

Legolas's smile widened as his eyes sparkled with mischief. "Of course, Y/N," he replied. His tone dripping with elvish sarcasm. "Just friends."

As he walked away quiet as ever leaving you to figure out you conflicting emotions, you couldn't help but wonder if perhaps there was more truth to Legolas's teasing than you dared to admit. But for now, you pushed aside your doubts instead focusing on the task at hand and the challenges that lay ahead. You couldn’t let that distract you of all things. You had Hobbits to find after all.

As for Aragorn, the dynamics of your relationship were markedly different. From the moment he laid eyes on you Aragorn was captivated by your strength, courage, and insane determination. He found himself drawn to you in a way he couldn't fully explain. His heart skipping a beat whenever you were near. Despite his stoic demeanor Aragorn found himself unable to hide his feelings for you. His affection and admiration shining through in subtle gestures and meaningful glances. Whether it was a reassuring touch on the shoulder or a lingering gaze across the campfire Aragorn's love for you was evident to all who knew him. Maybe except for you.

And though you tried to hide it, the effect he had on you was undeniable. Your cheeks would flush with color whenever he spoke. Your heart deciding to skip a beat at the mere sound of his voice. Despite your best efforts to maintain a facade of composure Aragorn had a way of unraveling your defenses. His presence stirring emotions within you that you struggled to contain.

The Battle of Helm's Deep raged on with unrelenting ferocity. The clash of steel and the roar of orcs echoing through the valley. As darkness descended upon the fortress you stood shoulder to shoulder with Aragorn, Legolas, and Gimli. Your heart was pounding with adrenaline, determination, and a touch of fear.

Together, you fought valiantly against the relentless tide of enemies. Your blades flashing in the dim light as you defended the walls of Helm's Deep with all your strength. But as the battle wore on fatigue began to set in and the odds seemed increasingly insurmountable. In the chaos of the fray the enemy's forces surged forward with renewed fury. You were overwhelmed. The defenders of Helm's Deep were overwhelmed with their sheer numbers. Aragorn, Legolas, and Gimli fought with unmatched skill and valor. Their resolve unbroken even in the face of seemingly insurmountable odds.

In the middle the chaos and confusion tragedy struck for you. As the defenders of Helm's Deep rallied for one final stand you found yourself separated from your companions. Unfortunately surrounded by a horde of wargs and orcs. With grim determination you fought with all your might. Every strike of your blade a desperate attempt to fend off the encroaching darkness.

But it was not enough.

As the enemy closed in around you completely overwhelming you with their sheer numbers, you felt a surge of despair wash over you. Your strength faltered and your movements began growing sluggish as exhaustion threatened to consume you whole. And then in a moment of cruel fate you were seized by the snarling jaws of a warg. You were dragged away from the safety of the fortress just as the offenders began to retreat. You were a prize.

Aragorn's heart constricted with dread as he watched helplessly from afar. His voice lost amidst the din of battle as he called out your name in desperation. His pleas were a cruel reminder of how quickly things could change. With every fiber of his being he longed to rush to your aid. To fight tooth and nail to rescue you from the clutches of the enemy. But the tide of battle had turned, and he had no time to rush after you for he would likely die in the cause.

And so, as Helm's Deep fell silent in the wake of the enemy's retreat. Aragorn's heart weighed heavy with grief and guilt. For though the battle had been won. The cost had been immeasurable. And the fate of his beloved remained uncertain, lost amidst the darkness that lurked beyond the walls of Helm's Deep.

In the grim depths of Saruman's fortress, you endured unspeakable torment at the hands of your captors. From the moment they laid hands on you their cruelty knew no bounds. Their twisted minds delighting in the suffering they inflicted upon you. They reveled in your screams of agony. Their laughter echoing off the cold stone walls as they subjected you to unimaginable pain and suffering. Every blow, every cut, every moment of pain was a sickening game to them. A twisted form of entertainment that they relished with sadistic glee.

But despite their best efforts to break your spirit you refused to fold. With every fiber of your being you clung to life with a tenacity that defied comprehension. You endured their tortures with a steely resolve. Your will to survive burning bright even in the darkest of moments. They tried their best to break you. To strip away your humanity and reduce you to nothing more than a shell of your former self. But still you fought on. Your spirit unbroken even as your body bore the scars of their cruelty.

In the depths of despair, you found a flicker of hope—a tiny ember of defiance that refused to be extinguished. And though they tried to snuff it out. To drown it in a sea of pain and despair, still it burned bright within you. It was Aragorn. He was your salvation. Your thoughts that brought light within your darkness. You couldn’t break. Not when you knew was alive and fighting to see you again.

And so, as the minutes turned into days and the days turned into weeks, you clung to life with a determination that seemed to defy reason. For though they sought to destroy you. To crush your spirit beneath their heel. Still, you refused to surrender, your will to survive burning bright even in the face of unspeakable evil. You began to worry they may tire of you. That they may get bored and kill you despite your efforts to survive.

In the grim confines of Saruman's fortress sustenance was a meager and scarce commodity, doled out sparingly by your captors. Each day you received barely enough to sustain your frail body. The meager rations serving as a cruel reminder of your dire circumstances. The food was tasteless. The water stagnant and foul. Yet you choked it down with grim determination. You did it in hopes of seeing Aragorn again. Maybe just maybe you could confess your love to him for this journey made you finally realize your feelings for him.

You couldn't bear the thought of leaving this world laying bare the depths of your heart and soul to him. And so, even as your body grew weak and your spirit faltered, you held fast to the hope that one day, somehow, you would find your way back to him.

As the news of Saruman's demise spread throughout Middle earth a small bit of hope rose within the hearts of those who had suffered under his tyranny. For you, however, trapped within the depths of Orthanc's dungeons, the passing of the once-great wizard brought no relief from your torment.

Barely clinging to life as your body was ravaged by weeks of unspeakable suffering. You lay in darkness your breaths shallow and labored. Each passing moment felt like an eternity as you teetered on the brink of oblivion. Your spirit beginning to falter by the weight of despair.

But in the cruelty of the shadows that engulfed you a faint whisper of hope stirred within your soul—a feeling, a sensation that you couldn't quite explain. It was as if a part of you knew deep down that your salvation was at hand. That somehow, someway, your beloved Aragorn was close and would come for you.

And come for you he did.

Driven by a gnawing sense of unease. A feeling that he couldn't shake, Aragorn ventured into the depths of Orthanc. His heart weighed heavy with dread and determination. Guided by instinct and a love that knew no bounds he searched tirelessly for any sign of your presence. His footsteps echoing through the cold stone corridors as it laid eerily quiet at Saruman’s demise.

And then, at long last, he found you.

Tucked away in the darkest recesses of the dungeons, barely visible amidst the shadows, lay your frail form. Your breaths barely there, faint. Aragorn's heart constricted with anguish at the sight of you, his beloved, so close to the brink of death.

With trembling hands and a voice choked with emotion. Aragorn gathered you into his arms. He cradled you against his chest as if he could shield you from the darkness that threatened to take you from him. Tears pricked at the corners of his eyes as he whispered words of love and reassurance. His voice was a soothing balm to your battered soul.

As he held you in his arms as gently as he could he broke down. "Gandalf! Legolas! Gimli! Anyone, help!" His cries reverberated through the silent halls of Orthanc. Each plea in desperation for your salvation. He cried for someone to come to your aid.

Tears streamed down his cheeks as he cradled you against his chest, his heart breaking at the sight of you—so frail, so vulnerable, so close to slipping away from him forever. He whispered for you to hold on. His voice raw with emotion as he begged you to stay with him just a little while longer. But you remained unconscious. Your breaths shallow and labored, your life hanging by the slimmest of threads.

As Aragorn's desperate calls for help echoed through the halls of Orthanc. His heart broke with fear and anguish. Though finally his cries were answered. Gandalf, Legolas, and Gimli came running, drawn by the urgency and desperation in Aragorn's voice. Their faces paled at the sight that greeted them. Your frail form cradled in Aragorn's arms, barely clinging to life.

Gimli, his usually stoic demeanor crumbling in the face of such tragedy, sank to his knees beside you. His heart heavy with sorrow. "By the beard of Durin," he murmured, his voice choked with emotion. "What have they done to you, lass?"

Legolas with eyes wide of shock and horror, approached tentatively. His usual grace replaced by a raw vulnerability as tears welled in his eyes. "Nay, this cannot be," he whispered. His voice trembling with grief. "Not Y/N... not like this."

Gandalf had a grave expression on his face as he stepped forward. His gaze piercing as he took in the extent of your injuries. "We must act swiftly," he declared. His voice commanding. "There is still hope, but time is of the essence."

With a sense of urgency, they rallied together. Their hearts heavy with grief but their resolve unyielding. With shaking hands Aragorn carried you from the depths of Orthanc, his footsteps echoing heavy through the silent halls as they emerged into the light of day.

As time grew short and the urgency of the situation became increasingly apparent, Gandalf knew that swift action was needed to save you. With a wave of his staff and a word of command he called forth one of the Great Eagles. Ancient creatures who served as allies to the free peoples of middle earth.

As Gandalf summons the Great Eagle to take you to Lothlórien Aragorn's determination to stay by your side remained unyielding. With a glance at the rest of the Fellowship he knew that their journey will be swift on horseback as the Great Eagle could not carry them all.

"Aragorn," Gandalf begins, his voice carrying a sense of urgency, "time is of the essence. We must act swiftly to save Y/N."

Aragorn nods solemnly, his gaze unwavering as he turns to Gandalf. "I will take her on the eagle to ensure she receives the care she needs. The rest of you must ride with haste to Lothlórien. I will meet you there." Gandalf and the others exchange a knowing look. Understanding the weight of Aragorn's decision. With a nod of agreement Gandalf turned to the rest of the Fellowship.

"We ride for Lothlórien," Gandalf declares, his voice echoing with authority. "May the Valar watch over us all."

As Aragorn carries you in his arms and mounts the Great Eagle the rest of the Fellowship saddles their horses and sets off towards Lothlórien knowing it would delay their plans to get to Mordor. But for you they knew they had to. With a sense of urgency driving them forward they rode with haste. Their hearts heavy with worry yet filled with hope that you will receive the care and healing you so desperately need.

After what felt like a lifetime to Aragon Great Eagle descended upon the lush treetops of Lothlórien. Aragorn's urgent pleas for help echo through the elven realm. Celeborn alerted by the urgency in Aragorn's voice, rushed forward from the heart of Lothlórien.

With swift steps, Celeborn reaches Aragorn's side just as the eagle touched down. He sees the urgency in Aragorn's eyes and the battered state of your body and without a moment's hesitation he takes you from Aragorn's arms. His expression a mix of concern and determination.

"Bring her to me," Celeborn commands. His voice carrying an air of authority.

Aragorn watches with a mixture of relief and apprehension as Celeborn rushes towards the healing chambers of Lothlórien. His skilled hands cradling you gently. With each step Aragorn's heart pounds with worry, but he knows that you are in good hands.

As Celeborn disappears into the depths of Lothlórien Aragorn's thoughts turn to the rest of the Fellowship who are still traveling on horseback. He knows that they will arrive soon with their hearts heavy with concern for you. He worried for you. For Frodo and Sam who were continuing their journey ahead. For the delay all of this brought. But he couldn’t seem to care about that all knowing the woman he loved was on the brink of death. The woman who was always so full of life may be taken from him far too soon. Before he could confess his true feelings.

With a silent prayer on his lips, he followed Celeborn into the healing chambers. His determination to see you healed burning brighter than ever. And as he stands vigil by your side surrounded by the gentle beauty of Lothlórien, he knows that though the road ahead may be long and fraught with peril. But together you will face whatever challenges come your way

As hours pass in Lothlórien, Celeborn's efforts to heal you are met with frustratingly little progress. Despite his skill and knowledge your condition remains unchanged. Leaving both him and Aragorn filled with growing despair. Realizing that more drastic measures are needed, Celeborn calls upon his wife, Galadriel, for assistance. Together they work tirelessly through the and night. Their combined powers focused on bringing you back from the darkness of unconsciousness.

Aragorn watched with a heavy heart as Galadriel joins Celeborn in the healing chambers. Her presence a glimmer of hope amidst the peril that threatened to consume him. He knows that if anyone can help you it is the Lady of the Wood, with all her wisdom and grace.

Days turn into nights and still you remain unresponsive. You were lost in a realm of unconsciousness from which you seem unable to awaken. Aragorn's faith began to waver. His heart heavy with doubt and fear as he watches Galadriel and Celeborn work tirelessly to save you. But just when all seems lost, a miracle occurred. After a few days of ceaseless effort, Galadriel kneels beside your bedside and offers a rare prayer to the Valar. Her voice is soft but filled with conviction as she calls upon their aid. Her plea echoing through the halls of Lothlórien.

And then as if in response to her prayer, you stir from your slumber. Your eyes fluttering open for the first time in what felt like an eternity. Aragorn's heart leapt with joy as he watches you awaken. His faith restored in the power of love.

With tears of relief streaming down his cheeks, Aragorn gathers you into his arms. Holding you close as he whispers words of gratitude and love. As you lay there finally awake but still weak and fragile, Aragorn's emotions overwhelm him. Tears stream down his face as he gathers you into his arms holding you close with a fierce, desperate grip but gentle so not to hurt you further.

"I love you," he whispers, his voice choked with emotion. "I love you more than words can express, my love. You cannot leave me again. Please, never leave me again. Please."

His words are a plea. A prayer whispered into the stillness of the healing chambers. His heart ached with the fear of losing you. The fear of facing a world without the light of your presence beside him. And as he holds you close, his tears mingling with yours. He knew that he would give anything to keep you safe. To protect you from harm. As he pours out his heart to you, he realizes just how much you mean to him—how much he needs you by his side, now and always.

"You love me?" you whisper. Your voice barely above a breath as you look up at him, your eyes searching his for confirmation.

Aragorn's laughter fills the air. A warm and comforting sound that washes over you like sunlight breaking through the clouds. He brushes a strand of hair from your face, his touch gentle and reassuring.

"Did I not make it so obvious my wayward love?" he replies, his voice teasing yet tender as he meets your gaze with a smile.

Your cheeks flush with embarrassment at his words. You can't help but feel a flutter of excitement in your chest. Galadriel and Celeborn who have been observing the exchange with amusement, share a knowing look, their eyes twinkling with mirth of the love unfolding before them.

But in that moment as you gaze into Aragorn's eyes and share a laugh together all your worries and fears seem to melt away. For in his arms surrounded by the love and support of your companion, you know that no matter what challenges lie ahead you will face them with him. Your beloved.

And as the laughter fades into a comfortable silence, you rest your head against Aragorn's chest, feeling the steady rhythm of his heartbeat beneath your ear. With his arms wrapped around you, you know that you are home.

As Celeborn and Galadriel summon the rest of the Fellowship, the healing chambers soon fill with the familiar faces of your companions. Their expressions a mix of relief and joy at the sight of you awake, alive and with that smile adorning your soft features.

Gimli with his gruff exterior softened by the depth of his concern, rushes forward to your side. His eyes were brimming with tears. "By Durin's beard, lass! I thought I'd never see you awake again," he exclaims, his voice trembling with emotion as he clasps your hand tightly in his own.

Gandalf had his wise eyes shining with warmth, approaches with a gentle smile. "It is good to see you awake, my dear friend," he spoke. His voice filled with genuine relief. "You have faced darkness and emerged victorious. You are stronger than you will ever know."

Legolas, his fair face radiant with joy, stepped forward with a soft smile. "I am glad to see you awake, mellon nin," he smiled to you. His voice gentle and sincere. "The world is a brighter place with you in it."

Merry and Pippin, their youthful exuberance infectious as always rush to your side with wide smiles on their faces. "You had us worried there for a moment," Merry says, his voice filled with relief. "But you're back with us now and that's all that matters."

Pippin nods eagerly as his eyes shining with unshed tears. "We thought we'd lost you," he admits, his voice wavering with emotion. "But you're a fighter, just like Aragorn said. You'll always come back to us."

As the Fellowship gathers around you with their voices filled with laughter and tears. You felt a profound sense of gratitude wash over you. As you were surrounded by the love and support of your friends you know that no matter what trials may come your way you will always have each other.

As the night descended upon Lothlórien after you woke, Aragorn remained by your side as the rest of the Fellowship retired. His love and devotion unwavering as he tends to your every need.

With gentle hands he washes away the grime and dirt of your ordeal away. His touch tender and reassuring against your skin. He cleanses away the scars of battle as his fingers trace each line and mark with care, as if trying to erase the memories of pain that linger there.

As he helps you change into fresh clothes his gaze never strays from yours. His eyes were filled with an intensity of emotion that took your breath away. He spoke softly. His voice a soothing melody that fills the silence of the healing chambers.

"You are my light in the dark," he whispered softly to you. His words a declaration of love that echoes in the stillness of the night. "You are the reason I fight, the reason I endure. Without you I am lost my love."

Tears fill your eyes at his words. The depth of his love overwhelming in its intensity. "And you are mine," you reply, your voice barely above a whisper as you reach out to touch his face. "You are the reason I am alive, the reason I kept going. Even in the worst of times."

As the soft glow of moonlight filters through the canopy of leaves above Aragorn's adoration for you seems to shine even brighter. With every touch, every whispered word, he worships you as if you were a goddess descended from the heavens themselves.

He kneels before you, his eyes alight with reverence. He places gentle kisses upon your hands, your cheeks, your forehead, as if each kiss is a silent prayer to the gods, thanking them for blessing him with your presence. Thanking them for letting you live.

"I am unworthy of your love," he murmurs. His voice filled with sincerity as he gazes up at you with awe. "But I swear to you, I will spend every moment of my life trying to prove myself worthy of you."

His words melt your heart. Filling you with a warmth that spreads from the tips of your fingers to the depths of your soul. You reach out to cup his face in your hands, tracing the lines of his jaw with your fingers. Feeling the roughness of his stubble beneath your touch.

"You are more than worthy," you whisper, your voice barely a breath as you gaze into his eyes, seeing the depth of his love reflected back at you. "You are my everything, Aragorn. Without you I am nothing."

As you hold each other close surrounded by the quiet beauty of the elven realm. You know that nothing in this world could ever tear you apart. For in each other's arms, you have found a love that transcends time and space. A love that is as boundless as the stars themselves and as enduring as the ages to come.

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leavesdriftinginthewind · 2 years

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I think what pisses me off most about the Wednesday fandom is that so many are intentionally ignoring the fact that Tyler is MEANT to be a tragic character because he is a Hyde. We basically have it beaten over our heads that Hydes are the outcasts of outcasts, deemed too difficult to help, and therefore abandoned and left to their own devices, basically giving them no way to NOT be tortured into being someone’s slave or ultimately having something tragic or awful happen to them that forces out their Hyde and leaving them to become a monster and/or get killed.

So many people blame Tyler for every bad thing that happened in this first season when he LITERALLY had no option but to do exactly as Laurel wished. He was TOLD to go murder the people he murdered, he was TOLD to get Wednesday to trust him, he was TOLD to go after Eugene, he had no CHOICE but to obey, it’s literally in the show’s lore. And we are both told AND shown what lengths Laurel went to to literally torture this teenage boy into becoming a monster that was FORCED to obey her. Not only that, but all that “mama” talk and physical touch is gag-worthy. SHE is the true monster who wanted everyone dead, and she ruined that boy’s life to try and get what she wanted. And the show INTENTIONALLY shows AND tells you all that.

We are SHOWN how Tyler was chained, beaten, poisoned to bring the Hyde out, to become Laurel’s perfect slave. And still so many see HIM as the “true villain,” stating that if he was truly “good” he never would’ve done all he did. Meanwhile the lore has TOLD you, Hydes have no choice. But WAY too many disregard this plot point entirely simply because they see it as something to cling to for their preferred ship to happen. That’s infuriating to me, truly. Not only from a standpoint of really loving Tyler as a character, but also from a standpoint of it being apparent to ME of where the story is going, and knowing that so much of the fandom is gonna be pissed off about it because it’s Tyler-centric.

We are given so much information about “Hydes have been banned from Nevermore for 30 years,” “Faulkner was studying Hydes but he died before he could finish his research,” “nobody knows for sure if, once unlocked, Hydes are only monsters or if the person they were is still in there.” Between all this within the narrative itself and Hunter talking about how he’s excited to explore the duality of the Real Tyler versus the Hyde next season, I think it’s obvious that Wednesday and Tyler are basically going to get to the bottom of this “are Hydes all 100% bad and dangerous” problem themselves, and the result of their research will probably get Hydes accepted back into Nevermore.

Wednesday already knows how unjust the whole system is, she mentions it FREQUENTLY in the first season. Once she gets past feeling betrayed by what happened in season one, it’s likely going to weigh on her that someone she cared about deeply enough to bring her walls down for, to actually seek out to KISS, was so hurt by this system that he ended up doing all he did. And Tyler is inevitably returning, the writers have talked about how we’re going to learn more about Tyler and explore his true feelings for Wednesday. They’ll be brought back together, no doubt. And thus, the deep dive on Hydes will probably begin.

I don’t care what you ship, I don’t even care if you really LIKE Tyler as a character, but I DO care that so many have made him out to be a pure villain simply because that suits their own personal narrative better, and makes them feel like it’s more likely their preferred ship will win the “war.” Like, try and WATCH a show, actually WATCH it, and not simply cling to bits and pieces that suit the storyline you’ve made up in your head. You’re SUPPOSED to hate LAUREL, you’re supposed to, at the very least, wonder if the Real Tyler is still in there, if he can be helped, and you are SUPPOSED to feel some pity for the boy who was forced into becoming an enslaved monster.

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hotdaemondtargaryen · 2 months

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TOM GLYNN-CARNEY INTERVIEWED FOR NERDIST MAGAZINE.

I'M TOLD YOU'RE ON HOLIDAY IN A REMOTE AREA, SO I HAVE TO ASK THE OBVIOUS QUESTION: ARE YOU CURRENTLY VACATIONING IN BRAVOS?

"[Laughs] No."

"No, I’m not."

INTERVIEWER: I’m in [actual location] — which Nerdist can confirm is beautiful — withheld so Aemond Targaryen doesn’t find out.

DO YOU KNOW EXACTLY WHERE LARYS IS TAKING AEGON? IS IT REALLY BRAAVOS?

"Can’t disclose that information at this point, I don’t think."

"But wherever it is, it’s somewhere."

"Sorry, I just made that up. I don’t know."

DOES AEGON HAVE ANY DOUBTS ABOUT LARYS OR DOES HE FULLY TRUST HIM AT THIS POINT?

"He’s the best of a bad bunch in the Red Keep."

"I think there is a certain amount of trust that he has towards Larys just because there’s common ground."

"They’re both physically impaired now, and Larys has lived his entire life in that state."

"So there’s some sort of connectivity going on there, but also it seems like he does have Aegon’s best interests at heart at this point."

"I don’t think Aegon wants to look too much into that at the moment."

"He will find cracks in the woodwork."

"So yeah, he’s a lifeline at the moment."

"And he shall be used accordingly."

AT THIS POINT HOW DOES AEGON FEEL ABOUT HIS MOTHER ALICENT?

"That’s a good question."

"I think he feels there’s this undying love that he has for Alicent."

"Aegon, he’s her first born son, and yet there’s never been this kind of understanding or eye-to-eye that they’ve had."

"He knows she’s flawed, and she knows he’s flawed, and I think they expect a lot from each other that neither of them are able to give."

"But at this point, he’s not thinking that rationally."

"He likes to point the finger and he needs to find somebody to blame."

"He blames Aemond, of course."

"But also for it to get to this point, Alicent has sort of steered the ship in a certain way."

"So yeah, there’s a lot going on there."

"It’s quite a complex relationship."

I KNOW AS AN ACTOR YOU HAVE TO FIND AEGON'S HUMANITY, BUT DOES THE KING HIMSELF RECOGNIZE, IN ANY WAY, HE'S A MONSTER?

"I think he’s dancing with the idea of being loved and feared at the same time."

"I know I’ve said that in interviews before, but I think it’s a good way of putting it."

"Those two things don’t really go together."

"He’s trying to work out a way for his approach to being the king and to ruling."

"He’s trying to strike a balance where he remains effective, but also people listen to him."

"At the moment he hasn’t been listened to, which is kind of why he’s had to force himself into this position of being proactive in a way that he was not ready to do."

"So, no, I don’t think he thinks he’s a monster because I don’t think he is a monster."

"I think he’s somebody who’s very tortured and traumatized by his own making really."

"But I also think it makes somebody more dangerous when they don’t realize potential."

"I don’t think he does quite just yet."

CONSIDERING I KNOW HOW IMPORTANT AEGON IS TO THE STORY, I WAS VERY FRUSTRATED BY HOW LITTLE THE SHOW FEATURED YOU IN SEASON ONE. DID YOU KNOW BACK THEN JUST HOW BIG YOUR ROLE WOULD BE IN SEASON TWO?

"I was warned it was an introduction."

"Just in terms of the time jump."

"We couldn’t really have the older versions of our characters, myself and Helaena and Aemond and the likes, because of the time jump we were making."

"I understood season one was always more of an introduction to our versions of these characters, and season two would really lift off."

"And season three and onwards would just get tastier and tastier as time went on."

"So no, I didn’t feel shortchanged or let down or anything."

"I was always updated with the plan."

THE SHOW IS CHARTING IT'S OWN COURSE AND MAKING SOME BIG CHANGES TO THE DANCE OF THE DRAGONS. HAVE (SHOWRUNNER) RYAN CONDAL AND THE WRITERS GIVEN YOU A HEADS UP ON WHAT AWAITS AEGON IN SEASONS THREE AND FOUR?

"Yeah, I’ve spoken to Ryan and writers Sara Hess and David Hancock a lot about their ideas, about the trajectory that they want Aegon to go on."

"They have been quite… there’s been details, but not too detailed because of giving things away and not locking things in the writing room."

"It’s exciting to listen to and it’s exciting to understand where their thoughts are and include me in that as well, which is great."

"It feels very collaborative that they want to know my thoughts and the rest of the actors on their own characters journeys really."

"It’s great."

I THINK THIS IS REALLY SAYING SOMETHING ON A SHOW THIS WELL ACTED: YOUR PERFORMANCE THIS YEAR WAS A REVELATION FOR MANY AND HAS RIGHTFULLY EARNED VERY HIGH PRAISE. WHAT'S IT BEEN LIKE PERSONALLY HEARING THAT KIND OF RESPONSE TO YOUR WORK?

"It’s very kind."

"Thank you."

"To be honest, I try and stay away from all of the conversations about it."

"It feels like my work, for now anyway, has been done."

"And I want to sort of put it to bed and move on and not really dwell on it."

"I think if I get too engaged with what people are saying, and the noises people are making, I’ll get too in my head."

"That’s not really the way I like to work."

"But I’m really glad to hear that people are responding well and they’re seeing lots of different colors to Aegon that they didn’t anticipate."

"That was my job from the first day on set, to bring this character to life in a multidimensional, varied, color palette kind of way."

"And he’s an absolute gift to play."

"I think you’d do well to do a bad job of a character like Aegon."

"He’s a gift that keeps on giving."

YOU HAD TO DO A LOT THIS YEAR AS AEGON. WHAT IS MORE CHALLENGING AS A PERFORMER: THE BIG PHYSICAL, LOUD, EMOTIONAL SCENES FROM EARLIER IN THE SEASON OR THE QUIETER ONES AFTER AEGON'S INJURIES?

"Both for different reasons."

"I dunno, that’s like comparing badminton with tennis, two very different sports."

"In terms of stamina, probably the louder, more kind of theatrical scenes."

"They require a lot of focus and a lot of energy and usually emotional depth and agility."

"But saying that, when I’m in the bed, covered in all the prosthetics and stuff, that’s tiring in its own way and difficult to remain focused on the task at hand."

"So yeah, both have their own challenges, but I revel in both arenas."

MY LAST QUESTION, AND I WOULD NOT FORGIVE MYSELF IF I DIDN'T ASK THIS, WHAT HAPPENED TO AEGON'S TERRIBLE LITTLE MUSTACHE FROM FIRE & BLOOD?

"[Laughs] Good question."

"You know what? I had this conversation with Amanda Knight, the wonderful hair and makeup designer on the show."

"We spoke about this at the start, about whether we could bring that to life, because I remember seeing pictures of him."

And she was like, 'You know what? You might not want to sustain that for the amount of time that we do this show. So maybe let’s go clean shaven and see where we get from there.'

"But that’s not to say that it might not come at some point, even though he has had his face burned, it might be half a mustache, but we’ll see."

#house of the dragon #hotd #hotd s2 #tv shows #team green #aegon ii #king aegon ii targaryen #aegon ii targaryen #tom glynn carney #the greens #hotd aegon #hotd s2 spoilers #hotd spoilers #interview #aegon x larys #larys strong #hotd larys #aegon x alicent

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nekohime19 · 2 months

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Macaque study # S2

Alright, let's go for Macaque analysis in season 2!!

After Macaque's introduction episode we got a pretty one dimensional frame with a very manipulative villain who got some past with the Monkey King. This is our impression of Macaque, and the fact he's cool (at least that's my impression).

Shadow powers are cool and Macaque animation, imagery, soundtrack and fight sequences are very cool!

Let's see what season 2 brings to this one dimensional frame. Do we get to see some nuances already? Or is he still the same villain?

Season 2 ep7

Season 2 is the continuation of season 1 in the sense that the show keeps its episodic nature and keeps introducing MK's new powers, even if we do have an underlying plot with LBD.

Macaque appears in episode 7 (“Shadow Play”) which already by the title, if you remember Macaque gimmick in s1, you can get an inkling about who's gonna be the focus here without watching the episode in itself. But what is interesting this time is that MK's friends are involved with Macaque. Whereas in season 1 Macaque's episode was focused on MK, Wukong and Macaque and the other characters only made a brief one minute apparition, this time more of the main cast is here!

What I think is interesting from the start is, very much like s1 ep8, the episode starts with MK having a confrontation. This time it's not with Wukong but with Mei and Tang who mainly complain about how MK don't spend much time with them anymore. It's interesting how Macaque's episodes in s1 and s2 always start with MK arguing with the people he cares about and somehow creating a wedge between him and those people. In s1, Macaque used the wedge and tried to widen it, we'll see what he does about the wedge this time.

Also, even as a joke, I think it was so funny to have this parallel :

Wukong being the action-phased movie and Macaque the more traditional theater play is such a funny contrast. It goes with what they're portraying of themselves to others really.

What I really like about this episode is how Macaque's aesthetic with the shadows is emphasized, the animation really delves deeper in the unsettling, almost creepy feels of the shadows. We got doors that close by themselves, things that move in the dark and under the seats, puppets that move by themselves. We really dig into the horror movie aesthetic with this one and even the characters feel it, they're scared of this.

Macaque without even being on the screen yet already puts the mood. What I find interesting is that contrary to other villains like LBD who are naturally scary because of the way they are

Macaque is scary because of what he's doing with his shadows, because of the shows he creates. Without the moving shadows, the doors which close by themselves, Macaque is not that scary, by that I mean the way he's animated, the way he carries himself is not as scary as let's say LBD. Macaque put on a show to be scary. In my opinion, that shows how Macaque put on a mask to be something he's really not, to appear as a villain when in reality he's way more nuanced than that. He's acting. In s1 he was acting and lying the whole time, acting like a hero in front of MK, acting like Wukong's comments didn't bother him during the final confrontation.

He's always acting. And he keeps doing so in s2. You can see in both seasons he's smiling a lot but in the later season his smile will be more and more rare, making you wonder if this cruel smile he had since the beginning is also just a part of the act. I'll go back to Macaque's smile in s3 bc oh boy this monkey smiles a lot even when he's tortured by LBD.

Now, let's talk about the shadow play and what we can get out of it, and what it means.

The first part of the shadow play :

Macaque : Welcome viewers to a shadow play the likes of which have never been seen. It follows the tragic tale of a legendary warrior and how those who bring light in this world inevitably bring darkness to those they hold dear. Like light heroes bring warmth, hope and friendship but they also give life to the darkness.

So, a lot to unpack already.

First the fact that Macaque qualifies Wukong as a “legendary warrior” when the word “warrior” is more or less reserved to Macaque, makes you wonder if in this particular sentence Macaque is not talking about Wukong but himself. “It follows the tragic tale of a legendary warrior and how those who bring light in this world inevitably bring darkness to those they hold dear.”, if we go with the interpretation that the legendary warrior here is Macaque (despite the image showing Wukong) then the connotation “tragic tale” makes more sense, considering Macaque perspective is skewed and he will sees what happened to him as “tragic”and it is less likely for him to qualify what happened to Wukong as “tragic” when he has so much trouble recognizing what Wukong endured in the first place.

Of course, the mention of light and darkness is a reference for both Wukong and Macaque. Macaque is always insisting on how Wukong is not perfect, how the hero is not flawless, how light cannot exist without darkness. Macaque wants to destroy this image of the flawless hero Wukong portrayed for so long but he does not take into account that mayhaps this image wasn't created by Wukong himself but by the people around him. And perhaps, in a way, he tries to connect himself to Wukong by saying that light and darkness goes hand in hand, even if unconsciously.

The mention of “those who bring light in this world inevitably brings darkness to those they hold dear” is, I think , a very salty line. It's the world vs loved one conflict for heroes. The “I'll sacrifice you for the world” type of thing that I think Macaque is very salty about. Wukong chose the world instead of him. On the contrary Macaque is personally more of a “I'll sacrifice the world for you” type, and that's why he's so salty about this. There is a clear confrontation between the terms “world” and “those they hold dear”, Macaque is putting “bringing darkness” to the heroes' loved ones as a consequence of “bringing light to the world”. For him it's inevitable, which speaks volume of how he thinks his relationship with Wukong went, he's putting the blame on what happened between them on Wukong hero status.

The idea that Macaque said of heroes giving life to the darkness is clearly an implicit way to say that Wukong created him. Which is not wrong, if we go with the interpretation that Wukong killed Macaque, but Macaque is denying so much of what Wukong lived through right now. His perspective is really skewed.

Macaque : The hero and the warrior were like the sun and the moon. Their light a protective glow shining upon the world. Together there was nothing that could stop the two of them. Either in the celestial realms or on earth. As time went on the hero attained power beyond comprehension as the hero’s light grew so too did his shadow and soon the warrior was cast in that shadow. In the darkness the warrior was forgotten by the hero.

Again, a lot to unpack. Macaque stops trauma dumping through theater.

Clearly, Macaque's view of his past relationship with Wukong is very unhealthy. He qualifies them as the “sun” and the “moon”, as two being in perfect harmony. We can see how the “world” is separated from this balanced duo. Macaque, in his head, didn't need anyone but Wukong. They were two beings against the rest. It was Macaque and Wukong against the world. The brotherhood is not even mentioned which spoke volumes about how Macaque felt, he never valued the brotherhood, we'll see that more in s4. What causes the imbalance between the hero and the warrior is “power”. I think we can easily agree that Macaque is talking about Wukong's search for immortality and the battle against the Jade Emperor. Wukong's search for power broke the balance between Macaque and Wukong. Again Macaque mentions the darkness and how Wukong casted him there, I think it's a lil unfair to say this because Macaque was naturally placing himself in Wukong's shadow already (but we'll see that in s4 again). We can see Macaque's fear here : being forgotten by Wukong. And I think he still has this fear inside of him and perhaps that's one of the reasons why he tries to get Wukong's attention so much by taunting him and trying to rile him up.

Also, calling someone the “sun”obviously speaks volumes about how much you admire this person. You can't call someone the sun without at least putting them on some sort of pedestal (perhaps it's because I love shadowpeach but I see some romantic implications in there, but again you do you).

In between the shadow play we can see how Wukong's absence is putting pressure on MK, he believe he sees Wukong when in reality it's just one of Macaque's shadows.

After the play, we have a montage of MK with the Shadow play in the background and MK relating to the warrior.

This shot of MK touching his shadow is clearly a way to convey how MK relates to the warrior casted in the shadows. Monkey King leaving makes MK feel as if he's inadequate, MK deals with a lot of insecurities about this, about being right and worthy and it pushes him away from his friends.

When Macaque confronts MK and MK realizes that, yes, it was Macaque all along, what I find interesting is that once again Macaque brings Wukong in the conversation. Saying how now that Wukong is not here Macaque should teach MK a lesson. Macaque cannot help himself but brings Wukong into this even when Wukong is not here. There is also the “one and only” line that Macaque uses to reveal himself, a call back to Wukong's “one and only” line in the pilot episode when he introduced himself.

After this, Macaque and MK fight and once again the choreography of the fight is so cool. But once again, Macaque is stealing so much of the spotlight. He cannot help but comment on everything even when he's not in the frame, his voice is always ringing. Really, each time we got a scene with Macaque this guy is at the center of it, he's acting, and he's acting so good he grabs your attention.

Now what Macaque says is pretty self explanatory : MK is abandoning his friends. The “classic hero manœuvre” comment really shows how bitter Macaque is about heroes because of what happened with Wukong.

Now, while there are parallels between Macaque and Wukong, there are also a lot between Wukong and MK.

First the way they're both pressed down by shadow clones and uses golden vision to escape :

Second is when MK pounced on Macaque. The images used here are actually also used in season 5 during the very brief flashbacks we get about Wukong and Macaque fight.

So while Macaque's lesson is more than shady, there is some basis of truth in his accusations. MK really ressemble Wukong on a lot of things. They both really care about the people they love and will do anything for them. Wukong lost himself with this purpose and in some very asshole-y way Macaque is trying to prevent this with MK.

What I think is also interesting to consider in this episode is if Macaque planned this so-called lesson or if he simply took the opportunity when he saw MK and his friends and perhaps eavesdropped on their conversation at the beginning of the episode (where MK's friends were complaining about MK distancing himself). We know the team went to the Shadow Play because they saw a poster and the play was always going to be about the “hero and the warrior” considering the illustration on the poster. But did Macaque manipulate them into coming or was it just a lucky coincidence is never really answered. At the beginning of the episode we see other people in the theater so I might be inclined to think it was a coincidence. Would Macaque really create a whole shadow play and advertise it to the town just for teaching a lesson to MK? If Macaque simply took the opportunity to teach MK a lesson it might explain why he feels so confusing in this episode : the lesson was not planned but the result of an impulsive action after hearing that MK was distancing himself from his friends and perhaps seeing the shadow of Wukong in his behavior. In fact, Macaque might not even know why he's doing this but hides it really well.

MK also has some flashbacks of LBD during the fight with Macaque, while I think it's a form of PTSD I also suppose it could mean the way Macaque took away his friends and are controlling them reminds him of LBD and his fear of LBD doing this.

What confuses MK and us as an audience and makes us think : Okay maybe Macaque wasn't doing this just to be a jerk. Is when Macaque blocks MK's staff. He could have easily won here but instead he chose to stand down and free MK's friends which is a very confusing thing to do for a supposed villain.

Even MK doesn't understand Macaque's motivations.

In truth, Macaque never really gave away his motivations even if we can heavily speculate about it. The only thing he says is : “I kinda wanted to do the whole watching the hero be tormented by their own mistakes thing but seems like you’re already doing this by yourself”. But if Macaque's only goal was to torment MK then why would he talk about “potential”.

Macaque (at the end of the fight) : you're right, that is enough. You know you really are that bit too much like him but it's good to see that there is some potential.

I think this line betrays Macaque's true intentions, it's not all about tormenting MK (even if he pretends it is minutes after the “potential line”) it's about MK not taking the same path as Wukong, if it’s out of care for MK or out of fear of another Wukong being created is still debatable.

Unlike in s1 where Macaque used the wedge between Wukong and MK to his advantage and tried to widen it, here instead Macaque is trying to make MK realize the wedge between him and his friends, no matter how badly and how asshole-y he does it.

It's perhaps here that MK realizes Macaque is a more confusing individual than he initially thought and that's why he goes after him even after getting his friends back. MK is still very snarky with Macaque but there is some sort of comprehension when he points out how Macaque was the warrior in the story. Macaque even warns MK about LBD in his own very ambiguous way, he even does a call back to s1 with the “You can never have too many teachers” line, again a lil spite directed towards Wukong when Wukong is not even here.

I think this is a very important detail, MK realizing Macaque is confusing and maybe not as one-dimensional as he thought he was. It's important for MK and for the audience.

While Macaque is still very much a jerk AND a villain here, the fact that he did not finish MK, that he did not finish the fight despite having the ability to do so. The fact he's trying to teach a lesson, no matter how shady it might be, the fact he's even warning MK about LBD makes you think : yeah, he's maybe not fully bad.

Macaque said there is some potential in MK, well when you see this episode you say to yourself maybe there is some potential in Macaque too, to become better.

At the end of the episode you get Macaque’s reaction against the not-mayor. Again I think this scene is pretty telling on Macaque's relationship with LBD.

The purple who was the dominant color quickly turns blue to indicate that Macaque is not in control anymore despite this being his domain, his episode. In image 2, the smile Macaque has can fool you if you don't see the lil sweat on his forehead, this is a sign of nervousness. For the first time since we have been introduced to Macaque in LMK, Macaque is nervous. Macaque wasn't nervous against Wukong yet he is right now against the not-mayor, not because of the not-mayor but because of LBD behind him. The fact that Macaque is smiling as a sign of nervousness really hints you already about his coping mechanism. It'll be more relevant and more present in s3 but it is interesting to notice how Macaque works to keep fear at bay (I'll talk more about it in s3). The not-mayor literally strangles Macaque. I think there is no better way than this physical act of violence to show that Macaque is not very willing to go with LBD. The use of colors, blue background/blue not-mayor and purple Macaque, really highlight Macaque's feelings about the situation and how he's very unwilling to go but is not in control anymore, everything around him turned blue. This is an important fact, and of course Macaque not being willing doesn't excuse his actions later in s3, but it does add to Macaque potential for redemption.

So what can we say about this episode? We learned a lot about Macaque's feelings for Wukong and their past relationship, at least what he thought happened. And while Macaque still acts like a villain, he does show potential for being better. Showing this potential is really important for the redemption processus, because without these tiny hints of Macaque hidden goodness, or at least the start of goodness within him, the redemption wouldn't have felt genuine.

Macaque is confusing for MK and for us, but he showed us something there, a spark, as tiny as it is.

He's more nuanced than we thought he was in s1 ep8.

It's a lil step in the grand scheme of things, potential without action is wasted, but the fact that the potential is here is to be noted regardless because it will be important in the redemption processus later on.

Also, I like that in this episode MK has parallels with both Wukong and Macaque. He relates to the warrior (Macaque) and fears that Wukong is leaving him behind, but also MK fights like Wukong and acts a lot like him. It shows how MK is really a merge between the two monkeys, he's not exactly like them, but he has some common traits with both of them, which I think is why he will be greater than the both of them at the end of this. After all, the mentee has to surpass the mentors one day or another.

Like the previous post, this is my interpretation of LMK, you can disagree, no problem!

I'll post Macaque analysis in season 3 in another post.

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#lmk #shadowpeach #six eared macaque #lmk macaque #macaque #Macaque study #lmk theory #lmk thoughts #Macaque study s2

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lovelyo · 3 months

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Cressida Torture Porn

RANT INCOMING: What the absolute fuck is wrong with this show and their love for torturing Cressida? Do they get off in making this girl suffer? If I was in her position, I would go apeshit too.

All this girl wants is a genuine connection, to be valued and all people do is knock her down. She lashes out horribly on people just like Penelope, but she’s punished while Penelope is considered a girlboss even though Cressida’s home environment is shittier than Penelope’s. Her hope from her suffocating fate was Eloise only for Eloise to push her to the side for a friend who lied to her for years and screwed her over. Got called a viper (EVEN THOUGH ELOISE KNOWS WHO LW IS! 🤬🤡) by the person she always wanted to befriend even before Eloise fell out with Penelope.

Cressida saved Eloise from loneliness but Eloise didn’t reciprocate when Cressida was in need. Even then, she liked Eloise so much that before she left to get shipped away to even a more emotionally absent relative, she wanted to reconcile with Eloise, but Eloise closed the chapter. She tried to say goodbye to Eloise before she left. Eloise didn’t even bother to look Cressida’s way when she left.

All for Penelope who has done considerably more damage to her than anyone. 😐😑

It was the first time ever I was genuinely upset at Eloise. Eloise knew about Cressida’s ordeal but still vilified her and abandon her like she was a side piece(ain’t far from the truth really). Eloise unfortunately had to drink the OOC Koolaid for Penelope to get her HEA. This made me despise Penelope more btw. While everyone is in a damn romantic sitcom catering to Pen, Cressida is fighting for her life in this SAW trap where it’s do or get fucked.

Cressida was a bitch throughout the show until we came upon her reasonings in S3 which made her more of a sympathetic character than Penelope ever was. We should feel bad for this “woe is me” jackass who’s more privileged than anyone in this goddamn show but not the one who has parents that are emotional as a spiked bat?

The one who’s been indoctrinated heavily by her mother to treat other women like enemies?

The one where it’s her 3rd time on the marriage mart, got the guy she had her sights on get taken away just for Penelope to say sike and marry Colin and for Lord Debling to go MIA?(the same happened to her with the fucking prince in season 1!)

The one who’s being forced to marry an old man cause rarely anyone wants her?

The one who lost a friendship she thought was genuine while that friend is going around dunking on her name?

The one who is actually looked down by the ton because they can’t take her seriously?

Her life pretty much sucks but the show keeps trying to shove in our faces that Cressida is a bully so she got what she deserved. Fuck Cressida Cowper, amirite?

Oh Christ.

I’m not justifying her rude and sometimes cringe actions, but if people can “understand” why Penelope does what she does, why can’t people extend the same courtesy to Cressida? Oh yes, she was mean to the show’s golden child so she gets the hammer.

Cressida didn’t expose Penelope to the queen even though she could have. She wasn’t even the one who wrote the fake Bridgerton slander, it was her mom and she even confronted her mom and made her displeasure known about it!

All she wanted was money to be free from her fate. She was desperate but the Bridgertons are like “haha u stupid and u suck. Speaking of suck, time to go suck on Penelope’s toes.”

Yeah, Cressida isn’t clever, she’s stupid right? Stupid enough to quickly figure out who LW was before you Bitchgertons. You hacks didn’t even figure it out when Colin and Penelope’s engagement was printed THE NEXT DAY!

They did Cressida so dirty this season like it’s really heartbreaking, no joke. Cressida is the true victim, not the redhead who got an undeserved HEA cause self-inserters and favoritism.

P.S. Penelope keeping her persona but just using her real name is SO FUCKING STUPID

#Bridgerton #cressida cowper #creloise #eloise how could you #so tragic wtf man #The show lives to kiss Penelope’s ass and I’m tired of it #Colin shut yo clown ass up you self absorbed loser you will never understand Cressida’s situation #Imma need a HEA for her or else

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eisforeidolon · 5 months

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Question: I want to know what was your most favorite unscripted scene or your least favorite scripted scene or moment?

Jared: Oh wow. Great question. I'm thinking about a moment where -

Jensen: Wait, let me guess - I punched you?

Jared: Yep, where Sam gets possessed by the Meg demon and finally gets exorcised, but he had been like, kinda torturing Dean? And so Dean reaches over, after Sam is back to Sam, like 'What happened?' and just punches him? That was in season two, Jesus.

Jensen: That wasn't scripted.

Jared: That wasn't scripted. There's so much that wasn't necessarily scripted, you know? Certain moments - one of my least favorite things, maybe my least favorite thing that any writer can put into a script? Is like, Dean cries, Sam breaks down, Dean tears up, Sam and you know, whatever, do this. 'Cause there were so many, if you were to go through all of the scenes of Supernatural, which there are many? And then watch the episodes, rarely was there a sequence where it was like they get emotional where we did and there was so many where they don't even mention that we get emotional, but you just feel it. You're just there and you're like - I hate it where it's like, this is where I'm supposed to cry [derisive noise]. 'Cause sometimes you don't even know, you'll go through a scene and you'll go, like, oh shit, like, that's hittin' deep. And it's not because it's scripted. So offhand, God -

Jensen: I think there's a lot of moments, especially some of the emotional moments. One comes to mind, which is the barn scene -

Audience: Which one?

Jensen: [slightly incredulous tone] Which one?

Jared: The most recent one.

Jensen: Yeah.

Jared: Genius.

Jensen: Where I'd be interested to go back and look - and I can't remember if - maybe they didn't use it, go back and read that scene on the script and see how word for word it was on the performance. Because I feel like there were takes where I know I would maybe repeat myself, or I would say some things that I thought were, you know, dove into the emotion even more. And it wasn't something I'd planned, it's just like - felt it, you just feel something and if - when you've worked with somebody for so long, and you're so comfortable with the character, and you know the story so well, you can be available for those things to hit and you can act on them, and you can say those words, and you can say something that just makes it feel more real. And I feel like we did that in that scene, there was some dialogue that maybe was added -

Jared: It's a lot. I know, yeah.

Jensen: or massaged, or you know.

Jared: I don't know if it was ever added to a revision, or if we just did it, but the callback of, like, I can't do this alone, yes you can, well I don't want to? It's the exact same words that Dean said to Sam and vice versa. So there was stuff that wasn't scripted initially - and that goes back to an earlier question, about if there's stuff like Jensen do whatever you want. Like the feeling of that scene was like, here guys, we know this intense -

Jensen: Here's the template.

Jared: here's the template, make it y'all's. Like, y'all know Sam and Dean more than anybody ever will, you make it yours. And so he and I had a couple months because then COVID happened, the pandemic, and so we made it ours. It was so hard to rehearse that scene.

Jensen: Well, even the - like it was scripted where I was on the ground. [Jared: Yeah.] And Jared comes up and kind of cradles me and I'm, you know, like, effectively dying in his arms.

Jared: Which would have been so long to try and carry your ass.

Jensen: And I just felt really strongly, and I've told this story before, and I went to Bob Singer, who directed that episode, I went to him a couple days prior just thinking about that scene, because it was a monster, and it was looming. And I just - it didn't feel right, to die laying down. And I said, hey, is there any way - because they were still building the set - I was like, is there any way, can we figure out a way for me to die on my feet? And Bob was like, [curmudgeonly voice] how the hell are you gonna do that? Who dies on their feet? And I'm like, Dean Winchester dies on his feet. And he made it work brilliantly, because he came, I think he came up with the idea that the impalement was so severe that if you removed it - and then we had to add that dialogue in, so it made me stay there on my feet and I think it was just such a much more powerful visual, to see these two brothers face to face in that moment. And so, you know, that was certainly one big thing that was totally unscripted that I fought for and I'm really happy I did, because -

Jared: Hell yes.

Jensen: I think it just made that scene that much more powerful.

Jared: Also I'm grinning to myself because I've watched a lot of the 15x20 reaction videos, the finale? And there's some really savvy tv viewers out there who've seen a lot of different television shows, a lot of different episodes of them. And you'll watch some and they'll be like, 'Oh, yeah, oh Sam's takin' on the big guy, oh yeah take that blah blah blah!' And then when Dean goes to the post and then runs out where it shows, they'll be like, 'Yeah - oh no. Oh c'mon now, no no no, they just showed that for too long - Oh shit! And then, like, turn it off because I'm crying.

Jensen: I still love the fact that the stunt guy, who is awesome, he's like ex-military, giant, one of the biggest guys we've ever had on our show, his name was Heidi. And he killed Dean Winchester [laughs]. But he's an awesome guy and in fact I was just in Vancouver and working with Jesse and Jesse and Heidi are like super close buds now, so it was good to kinda reminisce with those guys a little bit.

#jibcon 2024 #j2 saturday morning panel #long post

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chuplayswithfire · 2 years

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thinking about ofmd again and one reason i think season 2 will be angsty about emotional stuff more than physical violence is that. this show doesn't really much care about violence, or our casts capacity for inflicting violence. it cares about how characters feel about their capacity for violence and how they engage with their own violence, but it doesn't generally impact moral value to violence.

roach tortures people for relaxation. buttons is actively seeking opportunities to practice cannibalism. frenchie has thorough suggestions on how to torture and mutilate prisoners. spanish jackie keeps a nose jar (and other body part jars). stede watches an entire crew of innocent people be murdered and their corpses ransacked and mostly notes "the gusto!" of it all. lucius beams jim over the head with a stick and knocks them out cold. jim traps lucius in a trunk for days (which oluwande knows about and doesn't interfere in).

the framing of the toe scene is striking because its so dark and serious, but it's not because the show is suddenly saying that violence is wrong. its because the show is pointing out something wrong with the emotional beat of the characters. it's the same reason the scene of stede being pelted with rocks is serious, the same reason jim's recounting of their family's murder is serious, the reason the scene of ed killing his father is serious.

using violence is not inherently a great evil in the narrative world of ofmd. it's people's reactions to and motivations around the violence that tends to be important.

#ofmd #edward teach #stede bonnet #our flag means death #ofmd meta

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moonstrider9904 · 7 months

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One of the main purposes I'm spotting in Crosshair's character arc is owning up to the consequences of your own choices.

Something I tried to say in this post that I couldn't quite articulate as much as I wanted to was that Wrecker and Hunter are not wrong for being wary of Crosshair and receiving him the way they did. Other posts have expressed this beautifully, saying that they have not seen what we have seen on screen.

Yes, Crosshair has defected from the Empire. He killed an officer over Mayday's death, solidifying his choice to turn on the Empire. He was tortured. He's yielded to Omega, accepted the shots she's called, done things her way, but this is something that Hunter and Wrecker are not aware of. Maybe Omega's going to tell them all that Crosshair's been through since, or maybe Crosshair will get the chance to explain himself.

But, back to my initial point - the point (or one of the major points) of Crosshair is ownership. He chose to remain with the Empire, and he dealt with the loneliness that came with that along with being treated like he was expendable. He chose to defect from the Empire by killing an officer, and he dealt with it by becoming a prisoner. He chose to leave his family in pursuit of a different goal, a decision that hurt their relationship, and now it looks like he's going to struggle rebuilding that relationship.

Dealing with the consequences of our own choices and actions is what helps us learn and grow.

I think that based on what we've seen so far of Season 3, Corbett and the showrunners are doing a really good job making a point of this. He's not just the guy who was unlucky enough to have his chip activated, he's not just the poor lonely man we've seen him to be, as much as those things did happen to him, they weren't everything. We are what we do with what's given to us, and Crosshair has had one big journey in that department. The things he's chosen as a result of what's happened to him are what's hindered his relationship with his brothers, but many of those choices have also turned him into a man with a heart of gold in the process.

He's not black or white, he never has been.

And lastly, for the record, as a huge Crosshair girlie, I do not blame Hunter or Wrecker for their reaction. Like I said before, it is warranted. It was painful to watch, given how tangible the tension from that scene was and how much I just want them to be together as a family, how much I relate that to my own desire to just return home to my family and have things be alright whilst knowing it cannot and will not be that simple (my folks and I are on good terms but there's other stuff).

What's going to be really interesting to see is how they emerge from that.

We as viewers still don't know when the chip was removed (part of me still wants to die on the hill that it's still in there) but I think that's going to play a huge role in this entire arc as well.

#tbb crosshair #tbb hunter #tbb wrecker #the bad batch #tbb spoilers #tbb season 3 spoilers #the bad batch spoilers #the bad batch s3 spoilers #clone force 99 #tbb omega

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tornoleander · 1 year

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Jay’s been through it

CW: Sexual assault Implications brief discussion of sexual predators + lotta swearing

(Please let me know if I missed any content warnings and Check if you are ok to hear this theory before reading. This type content has potential to help or hurt you depending on who you are as is the nature of problematic themes. Safety over curiosity.)

This is cannon compliment. Uhh kids show?! Yeah I know shouldn’t really have these themes but they’re there hear me out. Spoilers for season 6/8 I guess.

I’m bothered by this scene and how It connect to certain events so I’ll cautiously share

Sons of Garmadon Episode 7:

Here is the clip

Kelo asks “Where’s the green Ninja”

WHAT THE FUCK! Dude the double take I had when first watching this.

So he looked at Kelo’s… lower half and basically said ‘Cole shut up that man’s crotch is too close’. And not in Jay joking tone, he’s like dead serious and stressed. (The scene just cuts away after)

Jay you ok? Why is it implied some guy might have tried something?! Why else would he say that?! Who the FUCK touched my boi? What even is this scene?!

The fact it’s Jay that said it out of everyone is bad because it’s been implied to him before.

So let’s talk about the darkest Ninjago theory that’s been quietly circulating for a while in fan content. For simplicity I’ll call it captains quarters theory, If you’re unfamiliar I’ll explain.

Basically some speculation happened because of a certain villain that displayed subtle ongoing predatory behavior. And a part when Jay was his prisoner that caused people to worry what happened before the scene started.

As some of you have caught on It’s the scene where Cole rescues Jay from Misfortunes Keep.

He didn’t find Jay in his cell where he should have.

Cole found him beaten as ninjago has ever depicted except when literally dying.

Alone

no explanation given.

In the corner of Captains Quarters.

Nadakhan’s room.

Dude :(

And his concern afterwards.

And thinking he didn’t deserve saving.

“Thank you for trying to save me,-

It’s Just a lot.

Doing awful things to make Jay wish it all away is terrifyingly in Nadakhan’s character. Not just the sadistic torture part.

Nadakhan has many behaviors similar to a sexual predator. I’ll go over it briefly but see my last post for a detailed analysis.

He Seeks out vulnerable people for victims. The Ninja are teens and he waits till or makes them emotionally vulnerable. The way he talks about gifting his wishes and giving his victims anything they desire can be read as grooming behavior. His secrecy in getting all the ninja alone and doesn’t even talk to his crew about his plans. Manipulative and Controlling obviously.

And the most glaring issues he’s WAY tooo fucking touchy all the time. Like watch his body language during Skybound and see how uncomfortable it is

“Too slow junkyard boy”

Not to mention how explicitly he doesn’t care about consent….

And “If you don’t come willingly Nya, I will take you regardless” followed by a forced marriage.

Side note he doesn’t refers to Jay with his name and the things he calls him…uggh “What lies is our little canary whistling now, hmm?”

So… It’s cannon compliant that something was attempted or happened to Jay. Bruh wtf.

Well if you feel like you resonate with this or it may help there a few great fanworks that explore this I can recommend if interested. Mmm comfort angst.

(Note don’t bother anyone for enjoying Nadakhan as a character. It’s fiction and it hurts no one)

#captain’s quarters theory #ninjago #ninjago jay #ninjago ninja #ninjago nadakhan #ninjago nya #ninjago thoughts #ninjago theory #ninjago angst #tw sex abuse #cw swearing #tw predator #tw implied abuse #cw sa implied #cw language #ninjago skybound #Oli speaks #Oli’s Skybound insanity #skybound slander

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thetruthwilloutsworld · 10 months

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If anyone knows a thing or two about sex scenes, it’s Sam Heughan. Over the past decade, the 43-year-old Scottish star of Outlander, the cult-hit historical drama, has filmed hours of notoriously raunchy footage in his role as Jamie Fraser, the dashing 18th-century Highland rebel, with his wife, Claire – a time-traveller from the 20th century, played by Caitríona Balfe.

Yet two years ago, Heughan, as one of the executive producers (with Balfe), introduced an intimacy co-ordinator to choreograph such scenes, which had been criticised by many as excessively violent.

“The industry’s completely changed since Outlander started,” Heughan says, sitting in a Soho bar on a visit to London from his home outside Glasgow. “Not just our show but also shows like Game of Thrones were very graphic, with no room for the imagination, in a way that’s quite jarring now. As young, keen actors, we were just expected to get naked and go at it. Caitríona and I formed a bond and trusted each other, but there were times when we were pushed too far.” He was especially troubled by a scene involving full-frontal nudity in season one, when Jamie was tortured and raped by his rival, Black Jack Randall (Tobias Menzies). “That really didn’t sit well.”

Everything changed following the MeToo scandal, leading Heughan to employ Vanessa Coffey to choreograph the sex scenes. “So now everyone knows what the boundaries are, like in a football or rugby match. It’s been so helpful and freeing, and it was because I didn’t want younger actors to go through what we’d gone through. Now, the scenes are sexually charged, but not gratuitous.”

Despite his heartthrob status, Heughan – who’s 6ft 2in, with the strapping physique his role necessitates – is modest and thoughtful company. He also had Coffey enlisted to co-ordinate his latest project, Channel 4’s erotic thriller The Couple Next Door, filmed during the short break between Outlander’s seasons nine and 10, in which he plays Danny, a policeman living in a Leeds suburb in an open marriage with Becka (Jessica De Gouw).

“We didn’t want to make a salacious or seedy show about swingers,” Heughan says. “It’s about the psychology behind it – what is it to be in an open relationship where two characters love each other so much that they can invite people into that relationship? I think it’s possibly the greatest form of romance to allow your partner this, if it’s the itch they need to scratch. My character struggles with it.

The couple’s (initially) strait-laced neighbours are played by Alfred Enoch and Eleanor Tomlinson, who in 2019 finished five seasons as Demelza in Poldark. With Outlander about to start filming its final season, she and Heughan compared notes on moving on from a huge, long-running costume drama.

“It’s emotional. For me, the prospect’s hugely bittersweet. It feels like getting out of an institution. Outlander’s like a family, it literally defines who I am.” After all, Heughan has created an empire of Outlander spin-offs, including books, television travelogues and his spirits brand, The Sassenach – named after Jamie’s nickname for the English Claire – not to mention his charity, My Peak Challenge, which has raised nearly £5 million to fund a variety of causes, including hunger relief and blood-cancer research. “I’m ready for new challenges, but also nervous about what it’s like in the real world,” he says.

Still, he felt now was the right time to wrap. “Outlander could have finished after the ninth season, but, personally, I felt we hadn’t quite got there. So now we have the problem of pushing the writers to do something that’s hopefully satisfying for the audience, but also exciting.” So Heughan doesn’t yet know how Outlander ends? “No idea, and it’s really tough because Diana [Gabaldon, the author on whose novels the series is based] has written so many books.”

The show has a vast international fanbase; VisitScotland has cited a 67 per cent rise in visits to the show’s locations, such as Culloden and Inverness. “I do feel like I’m an unofficial ambassador for Scotland, and sometimes I don’t think the show is given enough credit for what it’s done for Scottish tourism,” Heughan says. “I think the numbers are even bigger than they say, because reams of Americans are just making their own itineraries. Doune Castle’s numbers are up 800 per cent, it’s been completely renovated as a result.”

The show has also transformed the local film industry. “For 10 years, we’ve been employing people at over 200 Scottish locations, we’ve started an intern scheme, we’ve built a studio with five sound stages where there was nothing before. So it’s going to leave a legacy.”

The son of an artist single mother (his father walked out when he was a baby), Heughan spent his early childhood in the Borders, his teens in Edinburgh, before studying at Glasgow’s Royal Scottish Academy of Music and Drama, where his mentor was third-year student James McAvoy.

Having worked in London and Los Angeles, Heughan fell back in love with Scotland when he was cast in Outlander. Initially against independence, filming the first season in the run-up to the 2016 referendum transformed him into a vocal advocate. “Scottish politics right now is a bit of a mess, which is a shame, but maybe they’ll find a new rallying cry. We’re a great wee country with amazing resources, most of which are controlled by the British. Similar small European countries have great identities.”

Initially, Heughan is hesitant to discuss the issue, aware taking either side will provoke a social-media backlash, but then he decides: “Why can’t actors have opinions? The problem is you have to come down on one side, there is no room for debate. Everything has become so aggressive and then social-media algorithms mean you only get to see one side of the argument.”

He had his fingers burnt when last month he signed an open letter from Artists for Palestine UK, alongside the likes of Tilda Swinton and Steve Coogan, which accused the Government of “aiding and abetting” Israeli war crimes, but failed to condemn Hamas’s terrorism. The following day, Heughan rescinded, saying he hadn’t “fully understood” what he was signing.

“I was maybe naively calling for peace, which is what we all want, but, unfortunately, that situation is so complex, I can’t understand it all,” he says now. “As an actor, you have a platform, but if you put your thoughts out there, you upset people, but you’re also damned if you don’t say anything.”

Heughan’s taking time to navigate a potential post-Outlander career path. “I’m a workaholic, but I have to be discerning. Whatever I do next, I have to feel really passionate about.” Possible plans include directing and exploring a different side to Scotland than misty heather and bagpipes. “I think that underbelly you see in [Ian Rankin’s] Rebus and Irvine Welsh is very interesting, there are still pockets that are very hard and gritty.”

Back in 2005, he auditioned for James Bond in Casino Royale – the role that eventually went to Daniel Craig. Now, there’s a new vacancy. “I’ll throw my hat in the ring,” he says, grinning. “I’d be a brilliant Bond, I’m good at action and I’d bring a lot of emotional intelligence.”

There might even be space for a personal life. Heughan’s mystified by “facts” he reads about his private life online. “There’s so much nonsense that’s completely false – apparently, I have a daughter. News to me!” he says, flushing. The truth, he says, is that Outlander leaves no time for relationships.

“It’s insane hours and takes over everything. Caitríona’s carved out a beautiful family for herself that she protects very well, but I’ve seen how hard it is for her to do that. I want a cat, but I’m too scared even for that, how would I look after it? One day, maybe,” Heughan says, dreamily.

Posting again as some people had difficulty opening the previous link.

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