#This isn’t how I talk.”

[queermania]

i think before you marry someone, you should sit down and go through the AITA subreddit with them and see what their take on those situations is

[royaltea000]

“A thousand generations serve to praise…”

[chimerafeathers]

i really love how intensely Mirabelle reacts to act 5 Siffrin botched friendquest.

Isabeau is mostly operating out of concern and, eventually, hurt. he already knows something’s up before Siffrin gets to him. he knows something truly awful must be wrong for Siffrin to be lashing out like they are, and as soon as he can’t handle the situation anymore, he leaves and asks (with strained cheer) for time apart to cool off.

most of Bonnie’s anger comes from being upset and afraid that Siffrin would willingly put themself in danger for no reason, when that’s exactly why they’ve been so unsettled since the eye incident. they hate that Siffrin values their own life so little, they hate that they’re the cause of any pain or loss for him, and here he is, putting himself in that situation AGAIN. on purpose. it’s loud and explosive, but it’s familiar, too, being “hated” by Bonnie for this reason.

Odile pushes, and keeps pushing, until her concern overwhelms Siffrin and they strike where they know she’s most vulnerable. she gets physical, just for a moment, grabbing his collar before controlling herself and letting go. her fury shuts down into cold detachment, and she walks away.

but Mirabelle—dear, sweet, gentle, loving Mirabelle, “the most wonderful being on earth,” with her secret “ruthless side” that largely involves lightly badmouthing people behind their backs and then apologizing—slaps them. immediately.

and then COMPLETELY RENOUNCES THEIR FRIENDSHIP.

not just “we’re not friends anymore,” but “we were never friends in the first place.”

that’s!!! pretty extreme!!!!

of course, she ALSO starts by asking what’s wrong. something must have happened for him to act like this. but as soon as Siffrin brushes her off, she jumps past that line of questioning and dives headfirst into re-evaluating everything she thought she knew about them as a a person.

if he could say something like that to her and not see anything wrong with it, then she was wrong to treat him as a friend, wrong to read camaraderie into his teasing, wrong to think they must care about them all under their aloof demeanor.

that’s how Mirabelle phrases it—“I was wrong about you”—but i think that there’s a hidden layer of I was right about you, too.

she talks about the way they tease her like she had to convince herself that he was doing it in a friendly way. she says they talk like they “know better than her” like that’s a thought she’s had for a LONG time.

“Always soooo mysterious, Siffrin, always talking as if you're better than me! As if you know me!!! But you don't, Siffrin!!! You're just as lost and useless as I am!!! So stop!!! Talking!!! As if you know me!!!!!!”

none of this comes across as a new, sudden way to view Siffrin for her. it doesn’t shock or confuse her. it makes her angry, defensive, almost like she was waiting for something like this to happen at some point. the feeling of resentment, frustration, jealousy, being patronized and condescended to—this is something she’s been actively pushing down and rejecting this entire time, but they’ve given her ample reason for it all to boil to the surface. violently.

Mirabelle’s kindness is not inherent or easy. it’s a choice she’s making. she treats Siffrin warmly because she gives him the benefit of the doubt—refusing to act based on anxiety-fueled, cynical speculation, and reassuring herself that his actions are driven by care and friendship even if she can’t quite see it.

“I was wrong about you” doesn’t mean she always and without question believed them to be a fundamentally kind, caring person from the beginning—it’s that her first, colder instincts were right, and she was wrong to convince herself otherwise.

never mind that she asked what was wrong at first. she barely gives them time to speak in their own defense, to explain what they really meant by what they said. all of her suppressed doubts and frustrations are getting aired out now, now that all the trust she’d so deliberately placed in him has been betrayed. her pain feels bigger than this singular moment, so when she hurts him back, she makes sure it extends back through the entirety of their relationship for him, too.

“You're awful. You're not my friend, not my ally, not anything. You never were.”

like the others, she goes back to the clocktower and tells Siffrin not to come back until later. but there’s a finality to the way she ends this confrontation that isn’t quite there with the others. Isabeau and Odile reach their breaking point and remove themselves from the situation, asking for space to cool off but still somewhat leaving the door open for Siffrin to tell them what’s really going on at some point. Mirabelle is the only one who tries to fully cut ties—after everything else she says, her “I don’t want to see you until tonight” reads to me somewhat as “I don’t want to see you anymore unless I have to.”

I can’t wait to never see you again.

even back at the clocktower, Mirabelle doesn’t really defend Siffrin’s place in the party when Odile suggests leaving them behind out of concern for their trustworthiness on the most important day of the journey. Isabeau and Bonnie protest out of sentimentality and faith in Siffrin’s abilities and connection to them, and Mirabelle agrees, but…

“I agree, but... B-But would he even agree to come with us, still? Maybe they won't even come back tonight...”

she doesn’t say much outside of that. maybe the stutter and hesitation here are signs of regret about how things happened, but she lacks Isabeau and Bonnie’s confidence that Siffrin even wants to come back to them in the first place. she doesn’t trust that their bond was real anymore. maybe it never was in the first place, or maybe she broke whatever was there herself.

and she’s still mad when they finally catch up to Siffrin at the King! and she makes sure Siffrin knows that—after saving them, assuring him that he no longer needs to fight, that they’re all there for him. she still cares, of course she still cares—she’s still hurt, too, but they can figure that part out once there’s less world-ending stuff going on.

she’s the first to say that they all reserve the right to still be angry at Siffrin later—and that they’ve already forgiven him.

she’s also the first to say we want to stay with you, too. it’s not just you.

she was wrong! she thought they didn’t care but they care so much, it’s overwhelming, it’s world-ending.

i think she’s gonna be wallowing in guilt post-canon the moment she remembers what she said and did TO SIFFRIN and not just what Siffrin said to her. especially now that she knows Siffrin’s exact hangups, and especially especially if she figures out what Siffrin was trying to say.

they put themself through hell out of loneliness and fear that none of the others cared about him the way he cared about them, he was going insane from repetition and exhaustion and hunger and trying to keep them all safe and together, and all they did in the midst of all that was say something kind of mean to her one time (that turned out to not even be MEANT to be mean it was supposed to be HELPFUL they just SAID IT ALL WRONG) and she SLAPPED THEM? and told him that they WEREN’T FRIENDS AT ALL??? how could she!!! she should have known better!! what they said hurt a lot but still!!!

so when they eventually manage to try to talk about it, they end up almost in, like, a guilt competition.

Mirabelle apologizing for how she reacted, that she shouldn’t have yelled or hit him, that she doesn’t want to be the kind of person who acts that way out of anger and she’s sorry that she made Siffrin expect that reaction from her, she should have known better and believed in him more and they only messed up like that because they were losing their mind in a time loop but what’s HER excuse—

and Siffrin going nononono stop I deserved it—(HUH DON’T SAY THAT NO YOU DIDN’T)—and that he should never have said such awful things to her, ever, and she was under so much pressure already with the weight of the country and everyone’s lives and futures and her religion and their whole party counting on her to do this impossible task because she’s the only one who can, all this unbearable expectation and hope crushing her, and they KNEW that but they thought they could skip to the ending as though her feelings didn’t matter at all, like helping her wasn’t as important as saving a little time—

until they’re just. in tears together, apologizing for all the horrible things they did in between complimenting each other’s strength and kindness and resilience and how much they admire each other and saying that no, everything you did was completely understandable, actually, the only one who sucks here is me. which neither of them will accept coming from the other!!

they’re so similar, in ways they couldn’t really understand, before.

warm, affectionate, perfect Mirabelle, the resolute hero, a beacon of compassion and hope for all those around her, who wears her heart on her sleeve, her fear making her courage shine all the brighter—nothing like the insignificant, forgettable Siffrin, too terrified to be known, too fragile to touch, too selfish and disgusting to bear letting go.

cool, mysterious, unflappable Siffrin, the worldly traveler, as charming and silly as they are confident and skilled, who brushed off losing an eye like it was nothing, accepting the risks of this journey with barely more than a shrug—nothing like the anxious, stagnant, undeserving Mirabelle, a fraud and a nobody crumbling under the weight of a mission too important to be entrusted to someone like her, doubting herself, doubting her friends, doubting her mentor, doubting her faith, too weak and brittle to bend and change the way the world needs her to without breaking.

not worth bothering others with their problems. they should be able to handle this alone. stay positive, stay calm. breathe in, and out.

they’ll struggle with it, still—the hiding, the minimizing—but now, they understand each other a little better. they can hold each other accountable for what they leave unsaid.

it’ll get easier, eventually. they have plenty of time.

[chloesimaginationthings]

FNAF Afton kids got interesting coping mechanisms

[keferon]

Some midnight doodles of them :>

Drawing Jazz with the doorwings feels so weird haha I kinda want to animate them doing flap-flap thing

[littlefankingdom]

Seeing all those posts and fanfics where the batkids, especially Dick, calls Clark "uncle Clark", made me think.

If Dick calls Clark "uncle Clark", he probably started doing it BEFORE he ever referred to Bruce as his father. After all, another uncle doesn't erase any existing one, but accepting Bruce as his father was erasing John Grayson in Dick's mind, for multiple years. It makes sense for Dick's confused feelings about his situation to call Clark "uncle" before calling Bruce "dad".

So, I present you: Bruce being envious of Clark because Dick refers to him with a family's title but Bruce is just "B".

And in the same continuity: Dick being envious of Jason calling Bruce "dad" so easily.

For Dick, it feels as if the word is stuck in his throat. He can say it to joke around with others ("let's steal dad's car" he tells Jason), but to Bruce's face? He's afraid the world would end.

[thejadecount]

To anyone who wants to talk shit about bad story/character development in Deadpool & Wolverine CAN SHUT THE FUCK UP! I CAME TO SEE 2 HOURS OF DEADPOOL MAKING META & SEX JOKES AND HAVING HOMOEROTIC TENSION WITH WOLVERINE AND MARVEL DELIVERED EXACTLY THAT

[puppetmaster13u]

Prompt 261

“So is no one going to talk about the eldritch space child or…” 

“I mean, do you want to get between a child and Batman? I think the only one who could even get close right now is Superman…” 

“No you’re right, I think- oh my god the eldritch space child is playing with batman’s bat-ears and he’s not doing anything about it what the fuck I thought only Robins could get away with that-” 

[soulbrand]

man you all were not kidding abt the therapyspeak in veilguard.

[fifthnailinstevesbat]

steve “cant get out of bed till middle of the day, barely leaves his house or is never home, isolating himself from everyone, never takes time for himself anymore, depressed and is slowly losing more and more of himself every single day” harrington post 1986’

robin “i know you loved her, and it must’ve killed that she wouldn’t take you back, but nancy is happy steve and she still loves you. she’s not the only one out there for you, and you’ve gotta get over it. we miss you” buckley post 1986’, trying to help her best friend

steve “…this isn’t about nancy” harrington.

robin “wha-?… oh. oh steve.” buckley.

he still wears the vest.

[rystiel]

shipping chart thoughts

(billford always happens and they always break up. ford was obsessed when bill was his muse, then bill is obsessed after they’re no longer together and he realizes what he lost) (this dynamic is just canon, really)

(fiddauthor is always present at some point but in one route they end up together after canon events, and in another route fidd moves on) (it’s possible that they had a thing in college but consider it “typical college experimentation” because it’s the 70s and denial is strong. they still go through canon events)

(fiddlestan only happens during the fiddlestan route. otherwise canon events stay the same and they barely actually interact with each other. in the fiddlestan route they work together in the 80s and grow old together)

(billstan isn’t really romantic but it is a one-sided obsession. bill just can’t stop obsessing over the stans… for very different reasons…) (dare i say an unrequited kismesis dynamic?)

(ford and stan are brothers. that’s it. leave them out of the shipping dynamics.)

(fiddlebill isn’t really included here but i feel like the only way this would happen is if bill was possessing ford and wanted to fuck with fidd by using his crush on ford against him) (this one’s basically only possible if it’s fiddauthor-adjacent)

[torglives]

can i stand up and say that ros AND yellow are completely irredeemable from lukeys pov or will the audience not like that one. because it’s honestly just been something that’s been bothering me a little bit. the way they talk about him like he’s less than human gets under my skin. can i just rant for a minute. is this okay with everyone.

like imagine you’re thrown into this new world and someone you’ve never met hates you for hearing your voice in a pocket dimension. and then murders you for it like an hour into your life. and then everyone acts like it’s okay because she’s going through a real rough time. and yeah she is, but how does that make it okay? they defend it, because she was scared, but you were scared too. what about your fear? you didn’t even do anything. she keeps threatening to kill you, and you can’t do anything, and you’re powerless. and then you join the opposing faction, because why wouldn’t you. and then her factionmate kills you a few days later. and it’s all one big joke. the entire faction hates you and they believe you’re evil, because they have to justify themselves somehow. no enemy of the kingdom can be innocent, so you must be evil, but you don’t even know who you are yet. and the king takes responsibility for all of it, willingly.

and you’re not perfect, but you try to remain kind. you ask her if she’s comfortable with you attending her event, and as you’re leaving, she calls you back and tries to murder you. again. and she’s friends with the guy you’ve sworn your life to, who’s likewise sworn to keep you safe. and she tells him it was just a little tap, like it was nothing. later, you try to stick up for yourself, defend your innocence, and she tells you that she doesn’t view you as an equal, much less a human being. your death does not matter to her because she doesn’t believe you deserve to live. she doesn’t believe you’re anything at all. "you’re nothing to me, lukey," and everyone lets it happen.

she continues to berate and belittle you, and threaten your life, and so does everyone else, because they’ve decided you’re evil. and it’s funny. and you’re weak. sneeg, and ros, and tina, and zam—and foolish lets them. and then ros dies. and she comes back weird and wrong, and people say to you try to start over, so you try, bitterly. but you’re evil. she calls you a dog. a pet. mocks you. says you make her want to be violent.

"like, i hardly touched lukey, and he hasn’t stopped whining about it."

and something’s got to give. someone has to take responsibility, so,

"i didn’t plan this, foolish. but i’m letting it happen. much like you did."

and everyone screams, see! we knew he was evil all along! we were right! — but this was never your decision to begin with. it’s never mattered what you truly are, because they’d already decided for you.

[vacantgodling]

ngl i get that people hype up hating writing for the bit but like. idk. yall i Do actually really like writing. it is so satisfying and fun and rewarding and i get to look back what i made over and over again and get joy every single time.

yes writing is hard but if you hate it more than you love it im kinda like. idk. find another hobby?

[chocostrwberry]

Adrien dressed by Nathalie, Marinette, and himself!! ☕️🌞🧦

[keferon]

Just want to say, love your mimick au. I only found it like, an hour ago and I've devoured everything in the tag and I'm planning to do the same to the spellbound and monster hunter aus.

That said, in one of the mimick fanfics, Orion tells Prowl to leave him alone and to find a hobby, but a comic that (presumably) happens after this conversation when Orion meets Jazz, Orion seems to be back to working with Prowl. I thought the whole "leave me alone" order would go on infinitely because Orion didn't seem to have his goal locked down and he also never specified when to come back. So how did they return to working together? Did Orion find Prowl post-meltdown, or was it Prowl who just set an arbitrary amount of time before going back to Orion and going "so, how do you feel about defying god?" I just find Orion and Prowl's relationship so interesting in this au, simply because of how Orion doesn't seem to apply his morals about freedom and coexistence to Prowl despite the fact he's the one who points out that Prowl didn't include himself in his calculations, but at the same time, if he doesn't recognize Prowl's autonomy and only sees him as a tool (chatGPT style), he would have to accept that he's the one responsible for Prowl's actions because he's the one using him. But also also, Prowl encourages him to not take responsibility for all the immoral actions (like killing monsters to keep the Council's favor), which I think Orion does take up, but that would indirectly be accepting Prowl as a individual capable of making his own decisions, you know? It also the fact that Orion and Prowl both have different (and somewhat incompatible) ways of communicating. I was thinking when Orion asked Prowl to what he'd do to make the most amount of mechs happy, Prowl understood it literally: the majority of the population are non-monsters, so statistically, he'd focus on making non-monsters happy. But Orion doesn't want to make most mechs happy; he wants a diverse and equitable society, and that doesn't necessarily lead to happiness, especially in transition phases. Even in the academy, monsters are learning to compromise to live in a non-monster society; compromises are about restriction, which often aren't a source of happiness. But Orion equates that vision to happiness, and probably gets a bad impression of Prowl given "free reign" from his answer. It's great, it's so juicy.

And contrasts so well with how Prowl and Jazz interact and communicate with each other. Like how Prowl makes an attempt to learn hand language for Jazz in the same way he attempts to comfort Orion post-Shockwave demonification. But unlike Orion who has "Prowl is not alive" at the core of their dynamic, Jazz doesn't know and sees Prowl's attempt to learn as a genuine attempt to understand/communicate. You can argue that Prowl is just "programmed" to try and get more information and it's just efficient to ensure Jazz doesn't get carpal tunnel while working together, but you can also argue that we're all programmed to do that as well; small talk or bids for attention are behaviors/actions to build connection through information exchange that we are trained to do from formative years and general society. Which is to say, even if Prowl learns and tries to accommodate Jazz for mission purposes, it doesn't negate the fact that he is investing effort into communicating and building the foundation for a meaningful connection in the same way other people do. It's great, I'm having a blast with the whole AU.

Orion despite being afraid to continue his mission still has responsibilities in his Order so him and Prowl. Yeah hahah they just keep working together but purely on their usual legal tasks. I didn’t talk about the whole situation enough yet but basically Prowl never informed Orion about his new quest of suing God. Primarily because he knows that Orion definitely will try to stop him.

It’s kind of like. “What isn’t forbidden can automatically be considered allowed” mentality.

Also MY GOD YES. My favourite part of this au is reading asks like yours:0 Prowl exists in that thin line between being and not being a person capable of his own choices. Orion exists on the thin line between considering him being one of those options. He can’t see Prowl as a “real mech” because he knows for a fact it’s not true. But then seeing him as a tool means accepting that all questionable things he does are Orion’s responsibility.

At the end of the day Prowl is a metaphorical piece of fabric Orion uses to clean his consciousness. In his eyes Prowl isn’t alive enough to be fully blamed for all the bad things he does but he is also alive just enough for Orion to say “it was your fault. Not mine.”

Jazz doesn’t have that dilemma. Uh. Yet haha he will discover the truth eventually of course~. He thinks Prowl is obviously a real mech because in his world magic isn’t alive. It can create an illusion of a mech, sure, this is what all usual golems are, but it’s not smart or believable enough. It’s like one of those tests where all people think they can tell if they’re talking to an AI chat bot because “duh I would obviously know” and then fail to distinguish AI from a real person. Jazz is perceptive but he doesn’t know what to look for. All he knows is that Prowl is somehow doesn’t love anyone but seems to care about of things that aren’t people.

Also it’s a bit unrelated but I find it soooo interesting playing with the usual concepts of magic and technology. Because usually magic is perceived as something more “coming from your heart” and “connected with emotions” while technology tends to be more “soulless” and “emotionless”. And then we have the entire world of robots who think they are alive and magic isn’t :)

[biasomnia]

1st image is stolen from Twitter, 2nd and 3rd are stolen from my instagram. As someone that was excited for Ibuki, I was disappointed (but as a HiiroP and just Amagi bro fan, unsurprised) and it was egregious enough to need to demand change. As a RyuseitaiP, this hurts me so deeply. These are the characters I can see myself most in, the unit based on holding onto what you love and never letting go of it, and protecting it. Shinobu would not wave it off, his unit wouldn’t wave it off. Not only does it mischaracterize Shinobu, but it a way that mischaracterizes the rest of the unit.

Give the superhero unit their autism back, let him love his interest deeply and cry when it’s hurt or taken away. Let us love enstars deeply and cry when you hurt it, Happy Elements.