#Thus is actually kind of not good what kind of person am I to leave you not having fun forever.....

[judesmoonbeauty]

Love Begins From a Mean Lie: Victor Collection Event Story

Fan translation only. Not 100% accurate. Please expect grammatical errors. Cybird owns everything. Feel free to re-blog, but please do NOT post my translations elsewhere. What I obtain is what will be translated. Translation notes are marked with *** Dividers: @/natimiles

It was one day when I went to submit a report to Victor........

Victor: This is a grave situation!

Victor looked through the documents and let out a curt voice.

Kate: Huh, is there something wrong...?

Victor: No Kate, your work is perfect as usual! It’s just……

Victor: WILIAROGJUDROGALELHARIWILJUDELL!

(Uh, is that some kind of spell…?)

Victor: ....This is the order of the cursed people you wrote in your most recent report.

Victor: Do you notice anything?

Kate: Notice?

Victor: I’m not in it!

Kate: Ah, that's true.

Victor often has a busy schedule as the Queen's aide…….

He can't put in as many Crown assignments as the others.

Besides, I had not written a report on Victor recently, as I was accompanying the others on missions.

Victor: ……. Actually, Her Majesty the Queen told me that she didn't have enough information about me.

Victor: So, Kate! Will you write about me with your own hand?

Kate: I'll leave it to me, that's what I do!

Kate: But ..... Is there any mission that you can participate in from now on, Victor?

Victor: That's the thing. Crown assignments are allocated based on everyone's abilities.

Victor: Adding me after the fact would please everyone, but I can't deny that it will detract from the mission.

Victor: Besides, even though Her Majesty the Queen wants the information, the Queen's aide's job is not going away.

Kate: As usual, you've been busy……

Victor: …..Yes! How about you interview me?

Victor: I'm sure Her Majesty will be pleased if you put it all together and give it to her.

Kate: An interview....... Okay, I will! I look forward to working with you.

…….Thus began the interview to write down Victor's information.

Victor: My name is Victor. I am a the Queen's aide and a member of the Crown!

Victor: Height 183.5cm! Birthday is February 20th!

Victor: If you deliver any presents to Crown Castle, I'll be grateful for them!

Victor: Charming points? There are many, but if I had to choose just one, it would be the mole on my mouth.

Victor: This is also one of the "Seven Wonders of Vic," where if you press it, the left and right sides will be switched the next day!

Victor: I’m a cheerful person, who loves everyone at Crown and is loved by everyone at Crown. (👀??? That last bit is news to me.)

Victor: ……Come to think of it, we were talking about how Crown doesn't have a mascot.

Victor: I guess you could say I'm the mascot!

Victor began speaking without pause, and I took notes earnestly so as not to miss a single word.

(…..Hmmm. There's a lot of subjectivity in Victor's work, so we'll have to separate that properly.)

(Any other questions…….)

Kate: Victor……when do you usually sleep? I feel like you’re always awake.….

On sleepless nights, I wander into the kitchen and find Victor busy making sweets.

Early in the morning, I woke up for some reason and was taking a walk in the garden, and I saw Victor watering the flowers……

Victor was always there when I noticed it, so I wondered when he slept….. 

Victor: I'm just like everyone else. Sleep at night and get up in the morning! That's the secret to good health!

Kate: That’s right. When we met in the morning, you didn’t even have bedhead, so I thought you weren’t sleeping.

Victor: No way! I'm a normal human being. I need my sleep.

Victor: I have naturally good hair, but I don't miss taking care of it every night, so it's hard for me to have bedhead.

Victor: But, it’s not like I don’t sleep at all alright? If you don’t mind, why don’t you come wake me up?

Kate: Eh…..

Victor: If I could see your face when I woke up,…….I would be so happy that day.

Kate: …..Ah, I’ll think about it.

Victor: Hehe, you’re always welcome!

Watching someone wake up makes me feel like I'm trespassing on their private life, which makes me feel a bit uneasy…..

(The only people who are allowed to see that kind of thing are the people who are really close to you.)

(….. I wonder if even the always energetic Victor is a bit languid when he wakes up from sleep.)

Even though I refused, I couldn't help but imagine Victor waking up.

(....should not. I need to concentrate on the interview! Next question is....)

Kate: Recently, have you done anything bad Victor?

Victor: Hehe...there's always evil in Crown! Good question.

Victor: Bad things…….I guess so. I lied to an innocent child for my own personal greed.

Victor: As an apology, I'm going to prepare a delicious royal cake for the child! That’s usual news.

Kate: Victor is preparing a cake to apologize! That’s new.

Victor: Of course, it depends on the degree of lying....... By the way Kate, what kind of cake do you like?

Kate: I’m torn...... I like anything with chocolate, and strawberry shortcake too....

Kate: Oh, and items made with seasonal fruits are also hard to give up.

Kate: .... But I'm not being lied to by you now Victor, am I?

Victor: …..Do you believe so? Maybe without you even realizing it, I could be telling a terrible lie.

Kate: Then let's go to a cake shop together.

Kate: I have a lot of questions and choices to make, so please bear with me.

Victor: Hehe……You're so cute and confused, I might just buy the whole store.

(Victor would really buy everything …..)

Victor: Now, what's the next question?

Kate: Next, yes….

Kate: Victor is full of himself and cheerful……

Kate: You don’t seem to have anything to be afraid of, but is there anything?

Victor: Afraid of…..huh.

Victor: ……Everyone at Crown.

Kate: Oh, maybe that’s why you’re “afraid of cake”? ***

Victor: "Afraid of cake"?

Kate: By telling people that you’re scared of what you like……

Kate: It's an oriental story where….. you can get what you like from someone who scared you.

Kate: Victor, I think you intentionally said you were scared because you love everyone in the Crown.

Victor: Hehe, that’s an interesting story.

Victor: It's true that I cherish and love everyone at Crown……but what I just said is true.

Victor: If the Crown follows its path to the end and conquers evil with evil…..

Victor: ……Someday I will be judged by them.

Kate: What…..?

Victor: …..I think there is such a possibility.

I didn't think Victor had any crimes that would warrant being judged by the Crown…..

I don't know everything about him, so I couldn't deny it.

Kate: Because you're afraid of being judged... Are you afraid of Crown?

(Like God announcing death, the Crown announces destruction to evil.)

(Victor may also fear Crown as a symbol of his own destruction.…)

Victor: ….It’s a little different.

Victor: If I'm guilty, I think I deserve to be judged. There’s no fear there.

Victor: Just…

Victor: I'm so happy now that I'm spending time with everyone...I'm sad and scared that it will end someday.

(Victor isn't afraid of being punished...he's sad that his days are coming to an end.)

(In that case….)

Kate: …. I don't know what crime you’re guilty of Victor.

Kate: That sin, if it can be atoned for in some way….I don’t know.

Victor: ….Yeah.

Kate: But ……I, too, want these days to continue!

Kate: So if I can help, please give me a shout.

Kate: I will always help you Victor, just as you always do!

Before I knew it, I told Victor that I wanted to help him, and he smiled kindly at me.

Victor: …..Thank you, Kate.

-Then I asked many other questions and finished the interview with Victor.

Kate: Hmmm ........ I wrote a lot, but….

Kate: Does Her Majesty the Queen really want this information .....?

There are some parts where Victor's way of thinking and personality are well written.

Even if Her Majesty the Queen were to read it, it would contain information that would be neither harmful nor helpful.

Victor: Of course, I’m very happy! I'll be sure to give it to Her Majesty the Queen later!

Victor's jewel-like eyes sparkled as he picked up my report and smiled.

Victor: ……Thank you for writing about me, Kate.

When I returned to Crown Castle after the interview, I met William.

In the color of the setting sun shining into the hall, his red eyes that never lose their edge find me, and they flicker happily.

William: …. It seems it took quite a while to submit the report today.

William: Did you have afternoon tea with Victor?

Kate: No, it seems that Her Majesty the Queen actually wanted information about Victor…..

Kate: I interviewed Victor and compiled it into a report.

William: Hmm? …..that’s an odd story.

Kate: What…?

William: Her Majesty the Queen knows Victor better than anyone. She wouldn’t say she doesn’t have enough information.

Kate: What…? Does that mean Victor lied? Why?

William: Regarding Victor's lie this time...Is there anything that concerns you?

Kate: Concerned about…..

FLASHBACK

Victor: ….. Thank you for writing about me, Kate.

What left a particularly strong impression on me was the happy look on Victor's face when he saw my report after the interview.

FLASHBACK ENDS

(Could it be….)

Kate: Victor lied…..

Kate: …..Because he wanted me to write about himself?

William didn't confirm or deny my guess, and smiled leisurely.

William: …..Our work must not be known to others.

William: Only those who walk under the light are etched into Britain's glorious history.

William: There's no need to complain about it. But….

William: Sometimes you may wish to carve it with your own hands and leave it behind.

William: -As Britain flourishes and shines brightly, there is a dark shadow that falls over it.

(Victor wants me to write it down…..?)

(….If so, he’d be happy.)

As a fairytale keeper, I can record Victor's steps and make him happy.

Thinking like that, I became even more motivated.

(Besides, I would like to continue to write about it.)

(…If I do that, I'm sure I'll be able to get closer to Victor.)

***Just a note about the "afraid of cake" scene and being linked to a story or tale in the East. I couldn't find anything myself and I'm 100% sure I translated this scene inaccurately. So, take it with a grain of salt.

[Master Lists]

[froggyrights]

hi charlie :(( i would never have fun without you,,,

HI sappy 💗 do you promise...

[emkini]

WELL my best bro and I watched the first episode of the live action A:TLA series and suffice to say we will not be watching any more of them (except maybe if I want to torture myself writing a full comparison analysis).

The writing is atrocious and I felt no emotional punch from any of the scenes. This show wants to be Game of Thrones and is failing— aside from action scenes there is little to no attempt at crafting interesting shots. Aside from the very first opening scene there are zero creative changes to the story that actually improve it or even add interest, and somehow the pacing is so off that even with a whole hour of runtime it still feels rushed. I get the distinct impression that this show is more worried about being a new, crowd-pleasing take on the original than about being faithful to the original's themes and characterization.

Speaking of characterization, it leaves a lot to be desired. Now I'm not going to be too hard on the younger actors, because they are children and they're not doing a bad job for their age. Most of the actors so far do also seem to have made a decent attempt at understanding their roles, but in some cases they....absolutely failed. Iroh immediately comes to mind– he feels exceptionally callous thus far and ironically his bright and dismissive encouragement of Zuko's firebending is the most egregious example. Iroh in the original show is established early on to have depth and steel to his kindness and his reprimands of Zuko have a consistent undertone of care. This Iroh is a military general who doesn't want to be here and occasionally puts on a forced kind uncle veneer that feels more jarring than authentic. Honestly Sokka is the only character so far who has captured ANY of the original charm for me and even he's been so watered down it's laughable.

The CGI isn't....horrendous, I guess, but it's terribly overused. Bending has no subtlety and is only used for shows of skill or power. There are some impressive landscapes and locations, but a lack of atmosphere and even just good cinematography does them no favors. Wolf Cove especially feels so oddly sterile for what's supposed to be quite a small, close-knit society that I couldn't like it nearly as much as I wanted to. GranGran's exposition scene made me want to pull my hair out for how badly it was done.

In summary, the first episode was downright offensive to my personal sensibilities and I have a feeling it's not going to get better. On the upside, however, when we watched the first episode of the original show it really highlighted jut how spectacularly done it was. In just 20 minutes you get a perfect feel for the characters, something the live action couldn't seem to do even with triple the runtime.

Also Zuko's scar is just face paint and I, as an eye horror enthusiast, am extremely mad about that.

[thecarnivorousmuffinmeta]

If a version of Midnight Sun existed for each following instalment of the Twilight series (New Moon, Eclipse, Breaking Dawn), what do you think they’d be called/what would you call them and what (new) scenes would be in them?

Anon, you speak my greatest dream. I want this in my life. If no one else does, then I am the sole person who does. If there is not one person who wants this, it means that I have died.

I need this.

But for now, I can only imagine (and no doubt fail miserably to what it would be in actuality).

New Moon

The thing is that Meyer would also want to call this New Moon for the reason that she called it New Moon for Bella: this is a book about hopelessness. Edward leaves, Bella's soulmate, she literally cannot survive without him and this book is her discovering "oh, yeah, I literally cannot survive without him" (and making friends with Jacob but let's be real Meyer was never that into that).

It's a book where the moon, the light, is gone.

For Edward, we have the same narrative, he tries to leave Bella for her own good, fails, has a miserable time, and comes crawling back only to find that he's made everything worse.

But because Edward is more dramatic, and to thematically work with Midnight Sun (named thus as Bella is the unexpected sunlight in what should be the darkest of Edward's nights) we have Polar Night which is the phenomenon opposite of Midnight Sun where instead of the sun never setting at all we have the night never ending.

As for what would be in it. My friend, my beautiful friend, everything would be in it.

We'd get the scene where Edward bullies his family into leaving, many of them having reservations, and then steals all Bella's photographs and tries and fails to steal the stereo out of her car. We'd get scenes of Edward fantasizing about Bella marrying and holding hands with MiKe NEWtoN and it being entirely too much for him. We get all of the birthday party, period, which from Edward's point of view would no doubt be insane.

We have Edward so fucking depressed that he feels he's bringing the family down and chooses to leave on the vague pretext of catching Victoria. Then he doesn't catch Victoria and loses her in Mexico but is so depressed he just keeps going south until he hits Brazil.

Where he stays, and per what he says to Bella (which is undoubtedly not the entire truth) he was fucking miserable and did nothing for months. Did he have a Hallucination Bella who told him not to eat human food because it'd make him sick? Did he write a rock opera about Bella Swan only to realize it didn't live up to real life and burn it in a fit of despair and anger? What about the family calling to check in? We know that happened, Rosalie could reach Edward and he answered, so did they just call and quietly try to ask if Edward's coming back home or not? You know? Anytime? Edward?

And then of course his pleading for death with the Volturi, being told no, planning his elaborate massacre-suicide before settling on good old suicide without any murder and Bella being alive and that whole debacle from his point of view including "OH NO OTHER MAN MOVED IN" when he realizes Jacob's... kind of... a thing...

Everything would be new in part because we see so little of Edward and given the insanity in Midnight Sun that was never in Twilight I can't even guess to what Edward got up to for months in Rio.

It could be fucking anything.

Eclipse

Or "Edward did a bad thing and is now very nervous" the novel. As for what it's call, this is less clear as we have to go with the sun/moon themes here, and Eclipse is already taken. If we're allowed weather related events maybe "Eye of the Hurricane" as there's a storm out there and this book is about Edward barely holding his shit together. This is his nightmare scenario in every way.

Bella has a new love interest, a friend she believes is platonic who is very interested in her, and worse, Edward actually does admire and is hands down in Edward's opinion the better man for her to be with. Bella's changed when he was gone and is now an adrenaline junky, what else about her has changed? How much did he miss? She's involved in werewolves who all hate Edward, for good reason, and want her to leave him, for good reason. Edward has discovered that he actually can't leave Bella, Alice was right, even though he wants to be that strong desperately. Bella got the family to agree to turn her and they'll do it, Edward's barely gotten her to agree to be turned by him instead, but she's hemming and hawing about marrying and committing to him and she wants him to bang him (which will likely lead to her death)

Edward is straight up not having a good time, bro.

So, we'd get Edward's insane plans to keep Bella and Jacob apart, his meeting Bella in the road after her looking like he'd love nothing more than to pull The Terminator where he chases her car down. We get Edward's increasing nervousness that Bella "wants to be with him forever" but "doesn't want to marry him" (which for Edward, understandably as he doesn't have Bella's background, is something that just doesn't compute). And there's Jacob, kissing Bella, warming her up at night, thinking very dirty things when Edward's sitting right there internally screaming.

And of course, offscreen things with the family, likely venting about the Denali who are leaving them to die because they won't let them kill the children Native Americans, wondering if they're all going to die in this fight, even more of the tent scene with Jacob (which I'm sure, somehow, I'm sure, got very homoerotic in there). Probably sobbing to Alice "I fucked up" and then hating Rosalie BECAUSE THIS IS ALL HER FAULT HISS HISS.

And of course, what we know he sees from Bree and perhaps the discussion with the family that Bella never got to be privy to.

And I imagine a lot of fantasies of Bella pregnant with Jacob's beautiful babies.

Breaking Dawn

I'm going to bow out for this one too, Meyer would want to name it that. Maybe we get "Hailey's Comet" or something, in that Edward has related Bella to a comet streaking across the bleak sky of his life and this is him learning to accept to be happy and perhaps good things are allowed to happen to him.

But anyways.

I mean.

We get Breaking Dawn.

We get Edward gearing himself up for sex and asking the family how to bang a woman. We know he did this. Canonically he confesses to Bella, in the weirdest manner possible, that he asked his entire family how to do it (and it made it clear that Carlisle didn't really approve and was pretty :/ and "don't do it" about all of it). We get the family probably watching Alice like hawks because they're waiting for her to tell them if Bella lived or died through intercourse. We get Edward interrogating the maid in Portuguese and god knows what they even said to one another but it had to be wild.

We get Edward planning Bella's abortion, the betrayal by Rosalie yet again, and then more planning of her forced abortion with Jacob and his opinion on Jacob turning from "respected rival" into "my only friend".

Then we get Edward's complete flip on Renesmee which must have been... I don't even know. But he'd be thinking she's the spawn of Satan before that (in the most Edward manner possible) and then that she's Jesus after that (in the most Edward manner possible).

Then of course there's "my son, Jacob" and honestly probably fantasizing about an adult Renesmee pregnant with Jacob's beautiful babies. Let's be real here. and just...

Look.

I can't predict this.

What we saw of Breaking Dawn was already insane and this would only be more so because it's Edward. There's so much we don't see as Bella pays 0 attention to the other vampires and to the family at large and Edward would just...

I have no idea.

It would just be madness.

TL;DR

I need this.

[solomons-finest-rum]

Hello to one of my favourite Alfie fic writers! Since you're taking requests, I'd like to make one as well.

I don't know how it works but how about a scenario/imagine where Tommy gets in some kind of trouble (as always) and Alfie suggests that his lovely gangster wife could help and goes to introduce them but as it turns out it's none other than the Shelby's sister/cousin/relative/friend/or maybe even an ex? (Your call one this one) who they thought was dead or something?

Idk if it's even worth your time and effort but I just wanted to make a request ;) No pressure, of course!

Love you and your writing a lot!

“As The Crow Flies” (Alfie Solomons x fem!Reader) — PART 1

SUMMARY — By all accounts Anna Gray died in Australia and had no business standing in Alfie’s living room, nor calling the man “darling” for that matter. But there you were, identical to the picture they took when they shipped you off to the colonies.

AUTHOR’S NOTE — Thank you to @zablife for being the most gracious beta!💗💗💗💗💗 and thank you Anon for this request, because actually it inspired a full-blown multi-chapter idea! So this is set around... Season 5 I suppose? But I'm going to ignore everything in it and Season 6 too. Let's pretend none of it happened and just focus on the fun part! That is driving Tommy insane and making Alfie say outrageous lines.

WORD COUNT — 2,286

Masterlist

In retrospect, Tommy Shelby felt he should have known better. He should have fucking known that the moment, the moment, he came to Margate to sort the bloody situation out, exactly two things would happen.

One, he would have to sit and listen with a straight face to Alfie’s inspired monologue, the subject of which had swerved from elephants to bank robbery in about two and a half minutes, and then managed to touch upon just about everything else under the sun.

Tommy remained quite sure that the sense of Alfie’s rambling had been long lost to history and the point of it all was just to talk him to death, really. Put him out of his misery with nonsense alone.

“Now then, Tommy, as I said, right, I ain’t the vindictive type, I really ain’t, so I am gonna help ya out just this once, right, outta the goodness of my own heart.”

Tommy managed not to roll his eyes. Barely.

“‘Cause I am a changed man these days, Tommy, an’ it can be that the old man that I am, I’m goin’ soft on ya, right, an’ so tradition dictates, mate, to ask for more than ten thousand for my troubles.”

Tommy raised a brow.

“But as things currently stand with the medical bills, on the account of bein’ shot in the face by some cunt, right… Fifteen would sound proper fair, mate.”

Thank fuck for small mercies, Tommy thought, then lit another cigarette and promptly got up to leave. Alfie apparently managed to settle both sides of the conversation, negotiations included, and their American problem could very well sort itself out all on his own—thus proving to Tommy once more that the only thing he could really count on in this world had always been lunatics.

“Right, the fuck you’re doin’ now, sit down!”

Tommy frowned and remained standing, cigarette in the corner of his mouth and sheer outrage emanating from his entire person. The question of “what in fuck’s name do you want now, you crazy bastard?” overtook his face.

“Right, I need to make a bloody phone call,” Alfie said then, which explained exactly nothing.

Yes, that was the second thing Tommy had been so sure would happen. Alfie would first go on a tangent, then formulate a plan that involved three separate layers of deception, a bribe, and a crate of dynamite (probably).

Then Tommy would get caught in the middle as bloody always and Polly would have his head for going along with Alfie’s plan in the first place.

What he didn’t expect was for Alfie to change his tone of voice completely as soon as the person picked up on the other end:

“Yeah, darlin’, it’s me. Come to the house, alright? Right, ‘cause I need ya here for somethin’. No, not like the— Bloody hell, woman, just don’t fuckin’ argue with me for once, alright?”

Sometimes a rare occasion would present itself for Tommy Shelby to become fucking speechless. Truth be told, he remained rather surprised that two such occasions had also involved Alfie Solomons, undoubtedly purely for the Devil’s bloody amusement.

“Who was that then, Alfie?”

“None of ya fuckin’ business.”

Tommy had a sneaky feeling there wasn’t a clever enough question in existence that could have pushed Alfie to say anything more. He looked smug as hell for having pulled that stunt off so Tommy was willing to see it through.

For old time’s sake.

The sun was setting and they had another drink, then Tommy let Alfie go on another tangent about… Tea import. Perhaps. Who knew, he wasn’t really listening.

On drink three Tommy was alerted by a car pulling up to the house, followed by a door slam and a rhythmic clacking of high heels on the porch. Tommy looked to Alfie, but the man remained infuriatingly calm.

Just as Tommy was about to reach for his gun, the door to Alfie’s study opened unceremoniously and a scent of expensive perfume wafted across the room. Tommy turned around and tried his best to keep up the indifferent facade, but failed miserably. Nothing could have prepared him for you walking through that door, with a giant bodyguard no less, following you like a second shadow.

“Alright there, Billy?” Alfie greeted the bodyguard casually and the man grunted in response. “Right then, might ya wait in the car for us, mate? This whole bloody business will take a minute.”

Tommy then watched as Alfie approached you and planted an affectionate kiss to your cheek, at which point Tommy stood up abruptly.

For a moment he just stood there and stared; a state he didn’t find himself in too often these days. 

“Darling, are we having guests?” you asked Alfie in a tone so familiar to Tommy; so like your mother. Pleasant, on the verge of sarcastic. 

By God, either that Camden bastard was a magician or you had a twin sister that Polly never mentioned. Because it wasn’t possible… It couldn’t be you. Not according to the file he stole from the parish. By all accounts Anna Gray died in Australia and had no business standing in Alfie’s living room, nor calling the man “darling” for that matter. But there you were, identical to the picture they took when they shipped you off to the colonies. 

“Right then, Tommy, might I present my lovely wife,” Alfie said. “Sweetie, this here is Tommy Shelby, right, all the way from the ungodly place they call Birmingham—”

“Tommy Shelby?” you interrupted and looked at Tommy with a smile so like Polly’s that Tommy nearly lost his composure again. “My, my… And there you went and promised you were done with the life, Alfie.”

“Right, an’ how could that—”

“Anna,” Tommy interrupted what he was sure was a budding monologue from Alfie. 

“Yes?” you asked. “You know my name?”

“I… Know your mother.”

“Know?” There it was again. That curious smirk of yours that could really mean anything. Tommy found it harder and harder to keep up the charade.

“But that’s not possible, Mr. Shelby.”

“What’s not possible?”

Your tone remained polite, but your dark eyes said it all. The expression of quiet resolve Tommy thought only one person capable of delivering with such resentment.

“I’m an orphan, Mr. Shelby.”

Tommy said nothing to that, because what in hell could he even say? All of a sudden the American issue faded into nothingness, replaced solely by the phantom standing before him.

“So you did not lie, I see,” you turned to your husband with a quizzical expression, seeing as Tommy went quiet again. “He really is as strange as the papers make him. No matter, though, Mr. Shelby, I hope you like chicken? My husband insists I’m a terrible cook, but you must stay for dinner.”

Tommy nodded mechanically and put out his cigarette just to busy his hands with something. When he looked at Alfie, though, Tommy noticed how the man’s mouth twitched, clearly indicating the scheme was playing exactly how he wanted it to. Mad bastard, Tommy thought. There was no saying if he was being played or tricked or helped. Probably all at once, but solely for Alfie’s benefit of course.

“Right, curious as I am, luv, what delectable fuckin’ option you maimed and butchered for dinner, Tommy isn’t stayin’—” Alfie then stopped himself when two sets of identical Shelby scowls got directed his way.

Tommy did stay for dinner and made sure to clean his plate, too. He didn’t mind the food at all; it reminded him of Polly’s simple cooking back in the day when she would take care of Tommy and his siblings in Small Heath.

The more he listened to you talk and bicker with Alfie, the more of your mother he saw in you and the angrier he got at seeing you here of all places, as Alfie’s wife, unable to speak to you in plain terms. Tommy wasn’t exactly sure which made him angrier, though—the fact that you were Alfie’s wife or the fact that the sly bastard had kept you from your true family for who knows how many years. How did he even find you?

All the questions he had were still swirling around in Tommy’s head and he wasn’t particularly paying attention to anything else, besides staring daggers at Alfie. He was hoping there would be a moment to talk to you alone, but of course your husband would never allow it. He watched Tommy like a hawk the entire evening, sometimes with just a hint of a smile to suggest he was still three steps ahead of everyone else.

“See you never got accustomed to that fancy cookin’ they’re offerin’ ya at the mansion these days, Tommy,” Alfie said, undoubtedly truly enjoying the charade. “Tommy’s an MP, darlin’, right about two steps from gettin’ a knighthood I reckon. Yeah, a real prince he is.”

The way Alfie said the word was so clearly a jab at Tommy’s ancestry that he didn’t even flinch. What he was curious about was your reaction, but you remained perfectly pleasant: 

“Don’t tease, love, we haven’t had guests in ages and I’m not letting you drive this one away.”

When the maid took away the plates, you lit a cigarette in a swift overdone gesture and Tommy was once more taken aback with your resemblance to Polly. 

“Well, I’ll leave ya both to it,” you announced as you got up. “It was a pleasure, Mr. Shelby.” You extended your hand and Tommy shook it. “I know you tried your best with the chicken and I appreciate it,” you paused and tilted your head to the side as if sizing Tommy up.

“I rarely trust your husband’s judgement,” he replied.

The way you smiled reminded Tommy of a cat that got into the pantry. He decided not to think about it too much.

“I see. Goodnight then, Mr. Shelby.”

As soon as Tommy heard you got upstairs, he turned to Alfie who, unsurprisingly, already had a gun pointed at him. It was a casual way of it that was the most infuriating—Alfie’s hand was more so resting on the table and the gun just happened to be there, pointing at Tommy. 

“Now then, Tommy, let’s be reasonable about this, mate.”

Tommy clenched his jaw and remained silent, but his murderous glare said it all.

“There are four people at the house, right, includin’ you, me, my wife, then the maid… Then there’s Billy outside, right, who’s gonna be rightly worried once he doesn’t get my dismissal for the night. So I want ya to be real cold an’ calculated about it, Tommy, just like I know ya can be, ‘cause if ya decide to off me for no reason now…”

“No reason.”

“Right.”

“You’re old enough to be her father.”

“Yeah an’ fortunately I’m not, ‘cause that’d be right fuckin’ awkward at the temple, mate.”

“Temple?”

“What’d ya think, Tommy, that I smacked her over the head and dragged her into my cave?”

“Somethin’ like that.”

“Right, we’ll have to show ya the pictures then, she looked stunnin’.” Alfie leaned back in his chair. “Tell ya what, mate, why don’t ya come by for tea one day?”

“Tea.”

“Yeah. We have it, Tommy, we’re not animals.”

Tommy said nothing to that. He was still reviewing his options, but as he wasn’t a fan of spontaneous action, the patient approach seemed appropriate. The offer, though, just like everything else about the situation, was fucking infuriating.

“Cat got your tongue?”

“Fuck you, Alfie.”

That finally made Alfie smile and for some reason he lowered the gun.

“Right, so seein’ as we’re family, Tommy, and what a happy coincidence this is, I must say, I feel like we should talk fuckin’ proper. None of that shit.” Alfie then gestured between them as if he hadn’t been responsible for “that shit” in the first place.

“We’ve been talking, Alfie,” Tommy deadpanned.

“Yeah, but then there’s still somethin’ ya haven’t told me about your American troubles, isn’t there, mate, so I’m expectin’ you’ll be more honest with me in the future. Now that I’ve brought the right arguments to the table…”

The hint of a threat in that statement almost made Tommy wish he still had his razor cap around.

“She’s Polly’s only daughter, Alfie.”

“Right, I’m aware of that.”

Tommy nodded, feigning understanding between them. As always, handling Alfie very much resembled handling a live grenade without a pin.

“This can’t be the way to end things.”

“Who’s endin’ things, Tommy?”

“I’m just saying.”

“Yeah, an’ I’m going to let this one slide, Tommy, ‘cause you just got a lot to process, mate, so I’m prepared to be understandin’.”

Tommy shook his head and reached into his jacket pocket, at which Alfie uncocked the gun. Tommy slowly pulled out his cigarette box, but Alfie never even flinched. It was gruesomely reassuring to still have been right, even in the position that Tommy currently found himself in. 

Alfie Solomons would always remain Alfie Solomons, even with the whole song and a dance about getting old and senile. He was still the same mad bastard Tommy came to know all those years ago, and as things stood, Tommy found himself wondering if this time he shouldn’t try poison instead of a bullet.

“Tommy,” Alfie sighed, “with three good eyes workin’ between us, mate, I really would greatly mind if I somehow acquired a fuckin’ tumour in my lungs, too.”

Tommy said nothing and he knew Alfie hated it.

“Which means put that shit out, mate, and listen to what I’m about to say, ‘cause I got a feeling you’ll really wanna hear it.”

[starlight-bread-blog]

My Interpetation of The Southern Raiders: Part 3 – Katara

Part 1 Part 2

Hello! Welcome to the final part of my series navigating through the discourse surrounding The Southern Raiders. In the first part I discuss A\ang and in the second part I discussed Zuko. Now that we've understood the people around Katara, I can discuss how they affected her and her choices. So, without further ado, let's begin!

——————

1. Where did this side of Katara come from?

Katara didn’t just become more intense and angry for an episode out of nowhere. It came from years of fury and grief simmering in her.

Kya’s death was a very defining moment for her. As opposed to her brother, whose defining moment was his father leaving him, it molded her as a character. It’s who she sees at the swamp, whereas Sokka just sees Yue. It’s how she connected with Jet, Haru, Hama and even Zuko.

Ever since that dark day, her mother’s death was looming over her, while also being an integral part of her. She lived her life knowing that incredible injustice had been done, and she was furious. At the same time, she wanted to be like her mother, taking care of everyone’s needs. But her anger festered inside of her, and her grief didn’t let go. This anger is what we see in The Southern Raiders.

Additionally, some of the anger she displayed during her arguments with Aang and Sokka can be traced back to Aang’s insensitive behavior I discussed in part 1. Katara is notorious for her maternal emotional labor, especially for Aang. In The Desert she puts herself in danger in order to pull him out of the avatar state, and she always offers her help when needed.

Now she wants to do something that goes against his personal beliefs and that’s how he’s treating her. Still, she doesn’t insult him. “I knew you wouldn’t understand” is what she said. His disapproval is to be expected. Then, her brother, who suffered the same loss, backs him up. And when combined with her anger at Yon Rha, she lashed out.

——————

2. Why did she spare Yon Rha?

Because it was never in her to kill in the first place. That’s not who she is. The anger was in her all along, but murder wasn’t. She was given a choice, and she chose not to. Zuko’s offer sounds bad, but there was never any danger of Katara killing Yon Rah in the first place, she simply wouldn’t do it.The only things that were on the cards were seeing him. The supposed dangers of it weren’t actually going to come to fruition, and in the end, Katara is in a better place after the trip.

But I do think it goes deeper than that. Katara is an idealist, often to the point of naivety. It’s why she trusted Jet over her brother, it’s why she was going to use the spirit water on Zuko back in the crystal catacombs and it’s why she thought blowing up the factory in The Painted Lady was a good idea.

For years the ideal of the perfect revenge on the Fire Nation who took her mother burned inside her. Suddenly she has a chance to execute this ideal, but reality smacks her in the head.

Katara: I always wondered what kind of person could do such a thing, but now that I see you, I think I understand. There's just nothing inside you, nothing at all. You're pathetic and sad and empty.

The man isn’t some scary boogeyman, and she will not kill him.

——————

3. How did her trip affect her?

Katara: [Rises from boardwalk.] But I didn't forgive him. I'll never forgive him. [Smiles at Zuko and walks up to him.] But I am ready to forgive you.

As I previously established, seeing Yon Rha was somewhat a reality check for her. It was her final step in her arc of becoming less naive. With this final ideal gone, she no longer holds this pent up anger at the Fire Nation. Thus, her arc is concluded, and she is ready to accept that the Prince of the Fire Nation can be her friend. (None of this would’ve happened if Zuko hadn’t made the offer. And that’s why ultimately, their trip was a good thing).

——————

In conclusion, Katara's anger stemmed both from years of it building up and a lack of support from her peers. But when it came down to go through with murdering Yon Rha, she couldn't do it. Because even if she forgot it, he is a person. She had a reality check and lets go of black and white notions of the world. Thus, she could forgive Zuko.

[piratekane]

i love hearing about you and your wife it gives me so much warmth and hope - if your comfortable, do you have a first meeting or first date story? totally ok if you'd not share! i hope you and your wife have a wonderful anniversary, 11 years is quite a feat!

oh ho ho you've unlocked my special interest. i love talking about our first meeting/date.

(a read more because i did not make this short)

we actually "met" on tumblr! we both signed up for this penpal blog where you got matched with someone who had similar interests as you. i verified with my wife this morning and we both said we liked cats-i'm assuming that's what they matched us over. i dropped a joke in her inbox that went unanswered for days despite her reblogging and posting and was like welp, that was a good shot, champ, but you messed it up. no friends for you.

now, this was in the days when tumblr's inbox system (which limited you to 10 asks a day) ate every other message. so it's not that she didn't think it was funny, she just didn't get it. i found this out when i dropped the same joke a second time in her inbox and lo and behold! she thought it was funny. (i have recycled this joke many times over the year and always get an eye roll. like, babe. it's a classic. it's the thundapants joke!)

she did not think it was funny when i told her i was a transplant living in the the armpit of massachusetts because-lo and behold a second time-that's where she grew up and was also still living! it was an auspicious start for me, truly. we figured out that we had a bunch of things in common-i did my student teaching at her high school when she was a senior there, i was a substitute teacher for her little sister's 8th grade class, we missed each other in college by a couple of classes, my roommate and best friend worked at the PT office my wife frequented. we kind of went around each other for a while before we finally landed in the same place.

it took me a month and a half of my best jokes to convince her to go on a date with me because, as she said, she was super nervous. i was like, you have not truly met me yet because i am the stupidest person on earth and not worthy of nervousness. but she finally said yes! and we went out to a local chinese restaurant for crab rangoons. it shared a parking lot with the diner i worked at so i ate there all the time and the people there were so surprised i was (a) sitting down to eat and (b) eating with somebody!

(thus began our tradition of ending up on someone else's first date. the couple behind us was clearly meeting for the first time. he was telling her his credit score and that she could order whatever she wanted off the menu, no worries because he could pay for it. we cringed each time he opened his mouth but it was kind of perfect in a way because it gave us something to whisper about. we have since ended up on way too many first dates to count. it is kind of just a thing that happens to us, no matter where we go.)

our date was really, really good. we had talked A LOT via tumblr inbox (messages didn't exist yet) and the conversation just kind of picked up in person. so much so that 4 hours went by and they were putting up the chairs. and then we talked for a while in the parking lot too until my roommate hit me with the "are you alive or did she murder you and dump your body somewhere?" text. i left her on read and kept talking until the restaurant locked up and all the people went home. i just didn't want to leave. i felt like i knew my wife already, you know? like things just clicked. she was funny and intelligent and she listened when i went on the first of many, many tangents. her patience for me is unmatched and started out that way.

we spent the rest of the summer we lived there spending as much time as we could together. i distinctly remember doing short order cook shifts at the diner i worked at and then rolling up to her house to pick her up and drive around. we had to drive with the windows down because my clothes just effused grease from the fryers. we watched so many movies at my apartment-which is hilarious because about a year into our relationship she informed she was NOT a movie person, she just wanted to spend time together. we have watched maybe ten movies together since that first year.

then i got a full-time job on the other side of the mountain, we moved, bought a house, got married, and the rest is history. but we get crab rangoons on every anniversary and do a lame-o instagram post about each other and i continue to be the stupidest person in the room, just very stupid over her.

[pianostarinwonderland]

Hellooooo! I’m so glad that you’re still active and making insightful posts. Piggybacking off a thought from the recent tsum event, do you think Jade also has thoughts regarding individuality? Like, it’s obvious from Floyd that he wants to be seen as his own person and not always compared to his brother. But Jade? I’m guessing that he doesn’t care, but I think it’s partly because a lot of people who don’t know him personally think he’s the better twin and doesn’t need to compare him to Floyd because why would they?

Also, do you think that’s why the twins bonded to Azul in middle school? Not just because of his deals and magical prowess, but because he was clever and observant enough to tell them apart? Or do you think he learned to tell them apart after they had several chance meetings that later evolved into friendship?

It’s an important aspect of their relationship that I don’t think gets enough attention because I’ve seen fics or headcanons where the tweels switch and no one can tell them apart—not even Azul! This is just a nice crumb that I think really delves deep into their relationship without meaning to, but still leaves us wanting more.

Apologies for the ramble! I just wanted to know what your thoughts were!

rubs hands gleefully ohhh my dear, i am so glad you asked. :) And thank you so much for the kind words, even though I haven't been too active. I'm trying to get posts up and asks answered while things are much more free at this time.

It's been months since this ask came in oops, and iirc this ask is referring to tsum 2. In one of the stories in the main event, Floyd and Azul talked about when Azul and Jade found their respective tsums. That time, Azul was like, "Oh, did Floyd's tsum come back? No wait, upon closer inspection, that's Jade." Floyd then asked Azul how he was able to tell them apart, and his answer was something like, "I'm a businessman, I have to be good at knowing people." And Floyd's like, "Suuuuure."

Now, Floyd cares about individuality, that much is established. You see this in Floyd's School Uniform vignette and even in the beginning of his Platinum Jacket vignette.

But what about Jade?

So we don't really have a lot to go for since Jade is not the type to be open about these things. But I do agree that individuality is not in Jade's interest, not like Floyd. Rather, what I think is happening here is the "different yet the same" theme that has been at constant play with the tweels.

Okay, let's explain what this "different yet the same" theme is. Basically, it's Jade and Floyd doing different things, having different desires, yet it all connects to the same thing.

This is explicitly seen in Beans Day 1 and 2. Jade challenged Azul by making him think that Jade would shoot from there and thus lure him away from the harp. However, when he reached the tower and met Jade, Azul found that he had an empty bean shooter, and the real target was actually Yuu. Nevertheless, because he had no beans, Azul was able to tap him out.

Meanwhile, Floyd went fuck the rules and fought Azul (and Jamil) with empty bean shooters. It was against the rules, so it ended up being a fight where the harp no longer mattered. He ended up being caught by Azul as well.

And after capturing Floyd, Azul makes this comment:

Azul: Seriously, though. I can't believe BOTH of you challenged me to battle with empty bean blasters, just in different ways. You and your brother really are two peas in a pod. [From EN localization of Beans 2-38]

Jade and Floyd went about challenging Azul in different ways, Jade using mind games while Floyd was more of a physical brawl. But the commonality is that they used unconventional and even rule-breaking means: by using empty bean shooters.

You also see this theme in their Platinum vignettes. In particular, this is about what they do when they're interested in something and what pushes them to toss things away.

Platinum Jade vignette reveals that Jade disposes of things when he loses interest in them. It's also revealed that his interest in something is manifested in collecting numerous things of a fixation.

Jade: I suppose so. I don’t often choose to wear accessories as much anymore. Jade: Although, I do recall collecting a few hundred pieces… Riddle: A few hundred!? If you had collected that much, then I’m sure there would be some that still suit your tastes now… Jade: Perhaps. However, I have since disposed of all those accessories I collected back then. Riddle: Disposed all of them…? Even though you had so fervently collected them? Jade: Correct. Keeping things that no longer interest you is simply a waste of space, wouldn’t you say?

Jade: Ah yes, actually, there was something that caught my attention when I came to the surface, as well. Jade: It is nothing unusual, and in fact can be found pretty much anywhere on land… Jade: Once I took note of them, I could really feel the intention behind those that made them, as well as their various designs. It is profoundly fascinating. Riddle: Hmmm, nothing comes to mind. What is it that caught your attention that much? Jade: Fufu, well, that would be… manhole lids. Jade: Some lids are designed to show off local specialties or attractions. Jade: Of course, there are no manholes in the ocean. So my interest was piqued as I was searching up on what use they could possibly serve… Jade: For a little while, I did find myself collecting a few hundred various merchandise of manhole lids with unusual designs, as well. [TL by @mysteryshoptls]

Meanwhile, Platinum Floyd vignette (sort of) reveals that Floyd loses interest in something when it breaks. He also opens up that his interest really comes out when he's hunting for something that's hard to find.

Floyd: I once found this silver ring online that looks like an eel is wrapped around your finger. Kalim: Woah! I've never seen a ring that looks like that before! I bet it'd look good on you. Floyd: Riiight? But the manufacturers had already discontinued it. I wouldn't be able to find it so easily. Floyd: And when something is hard to get… doesn't it just make you want it more? Floyd: So, after that, I went looking for it, big time. Floyd: I went 'round to a bunch of second-hand shops that carry the brand, and even asked my pops to reach out to some of his connections who'd know about stuff like that. Floyd: I get bored pretty easily, so I usually don't try that hard trying to find just one thing. Cool, huh?

Floyd: When I put it on, it totally felt like the ring was made just for me! And I got super attached to it. Floyd: So then, I wore it pretty much all the time after that, even when I exercised or took showers… Floyd: It ended up getting a ton of scratches, and got all tarnished, man��

Floyd: Silver stuff tends to degrade pretty quickly if you don't take care of it, but the ring's design was a bit complicated, so it was way too annoying to clean. Kalim: Then, what if you remake it in platinum or white gold? They don't tarnish that easily. I can introduce you to one of my family's craftsmen! Floyd: Naaah. Kalim: Eh, why? I thought that was a pretty good idea… Floyd: C'mon, Sea Otter-chan. I was all happy because it was hard to get my hands on. Floyd: If I had someone make it for me, then that's not the same thing. Floyd: It's 'cause it took a ton of hard work and searching for it was fun that I like that specific ring. Floyd: Maybe it's a pain to clean, but I like it. So I'll use it until it breaks. [TL by @mysteryshoptls]

They like to find the thing(s) that pique their interest, just that Jade collects many, while Floyd hunts for one thing that's difficult. They stop caring or dispose of those things when they are no longer interesting. It's just that Floyd loses interest when it's broken, which may take a while. Jade loses interest rather quickly, and then he disposes of those things or abandons it if it's a hobby. Different ways of going about it, but the same at their core.

So now that we established that, what does this mean about what Floyd and Jade value? And what does this say about their relationship with Azul?

So we know Floyd values individuality and doesn't understand how people mix up him and Jade, as seen in his Platinum vignette. The way that I'd interpret it, he wants to be accepted as his own individual, as his own person. I think he values Azul for being able to recognize the person that he is, rather than just being Jade's twin. Floyd wants to be recognized and accepted as who he is.

Jade, on the other hand, I don't think he values individuality. Rather, I think he values connection and community. There are plenty of reasons why I think this is the case, and it needs its own post to be honest. But to make it short, the best proofs of this is, funnily enough, the game itself and the Platinum vignettes. Jade and Azul have been together in four events: Beans 1, Halloween 1, Camp 2, and Tsum 2. And in the current New Year event, Jade's card not only shows him wearing an outfit resembling Azul's uniform, but his elements are double Water, the same elements as Dorm Azul card. As for the Platinum vignettes, notice how Floyd describes having interest in one object that's hard to find, which may allude to individuality. Meanwhile, Jade collects multiple of the same thing, alluding to community.

And I think Jade values closeness with another because it means that the other has accepted him enough to allow him within their inner circle. And Jade in turn would allow that other person within his own inner circle. Thus, it creates a community that may be small but is trustworthy.

In short, where Floyd may value being seen as his own individual, Jade would value connection. But in the end, I think they both want one thing: acceptance. And Azul can and does give them that.

I also find that Azul is such a nice balance for the tweels who tend to sit on opposite ends of a spectrum.

Floyd, who tends to do things more physically, can connect to Azul, whose strength under the sea is admirable. Floyd, who enjoys obtaining things that require hard work, can connect with Azul, who works hard to obtain the things he wants. Floyd, who values his individuality, is interested in Azul, who wants to become the best version of himself.

Jade, whose energy is more focused on plotting and mind games, can connect with Azul, who's witty and able to manipulate things to his favor. Jade, who collects various things that interest him, is interested in Azul, who has his own growing collection of coins that has stayed until now. Jade, who values connection, wants to connect with Azul, who also wishes to connect with others, not just in a business sense, but also on a personal level with select folks.

It's a big part of why their teamwork works so seamlessly. Azul being able to connect with both of the twins allows him to make plans and schemes that can be done with both of them by his side. And while he acknowledges that he can't control the twins, Azul is able to get them to follow him willingly because of that connection they share.

[gremoria411]

How to get into Gundam

Because fuck it, I was gonna do one of these sooner or later anyway.

So you want to know what this Gundam thing’s about, maybe you like the mecha design, maybe you caught part of an episode one time and want to catch up, or maybe you saw a nice piece of Chamuro fanart and want to go to the source.

But there’s so many shows and timelines that it can be quite daunting on first look, so this guide is intended to give a rough overview.

I would however like to stress two four things beforehand however:

This guide is not intended as “The One True Way” or anything. There’s no harm it coming into it a different way, and these are only my own opinions.

There’s nothing stopping you from just watching one show and leaving it there. You don’t have to watch every single show going, even I’ve only seen most of these, not all. Gundam typically has variations on similar themes - it’s very nice watching multiple shows because they complement one another, but it’s not necessarily required.

I am very much an insider looking out here, so let me know if there’s any details I’ve missed.

I’m not gonna recommend these on a “if you like X, then watch Y basis”, mostly because I don’t personally find genre recommendations helpful, so I’d recommend picking based on promotional material (vibes, if you will).

I’ll be using this chart, supplied by the excellent@l-crimson-l, to illustrate everything.

Gundam as a whole can principally be divided into three sections: Universal Century (or UC), the Alternate Universes (AU’s) and the Build Series.

The AU’s are below the light blue line, near the bottom of the Chart, the Build Series is within the bright green line at the top-right corner of the chart and UC is the big line in the middle. We’ll talk about each of them individually.

The AU’s

The Alternate Universes were conceived as a way to get away from the continuity-heavy nature of Universal Century and provide an easy jumping-on point for new fans. The AU’s are standalone and require no prior knowledge, and are thus an excellent place to start. Honestly, I’d recommend quickly searching some promotional materials (like posters) and just going with the one you find most appealing based on that. They are (in production order):

Mobile Fighter G Gundam (1994)

New Mobile Report Gundam Wing (1995)

After War Gundam X (1996)

Turn A Gundam (1999)

Mobile Suit Gundam SEED (2002)

Mobile Suit Gundam 00 (2007)

Mobile Suit Gundam AGE (2011)

Gundam: Reconguista in G (2014)

Mobile Suit Gundam: Iron Blooded Orphans (2015)

Mobile Suit Gundam: The Witch From Mercury (2022)

There’s side series and movies and other things besides, but these are the mainline shows, if you will. I have specific notes on a few of them:

Witch From Mercury - It’s of a shorter length than is usual for mainline shows, so consequently it’s a much smaller time investment than the others.

Mobile Fighter G Gundam - While undeniably rad as hell, I would recommend watching another AU first. G Gundam differs from its stablemates in a few key areas, and I find it helps to have a contrast to fully appreciate those differences.

Gundam AGE - is probably the only one I wouldn’t recommend. I didn’t like the art style and the technical explanations just got on my nerves, so I stopped watching.

Turn A and G-Reconguista are technically part of UC as well, but it’s not really crucial information so don’t feel like you have to watch UC first (I’m only including this detail for completionism).

I’ve found all the AU’s I’ve seen to be pretty good, so I’d say that which one you start with really just comes down to personal taste.

The Build Series

Is just kind of doing its own thing. The Build series is basically Buy Our Toys: the series. It’s got a far lighter tone, and I’ve had cause to compare it to pokemon prior. It’s also chock full of references and in-jokes to the other series.

Build Fighters and Build Fighters Try are the ones I’d recommend - they’ve got actual stakes and the fight scenes are really good.

Build Divers and Build Divers Re:rise I can’t recommend - I just find Build Divers aggressively boring. Build Divers Re:Rise is just okay - neither standout good or particularly bad. Its main flaw is that it’s a sequel to Build Divers.

The OVA’s are pretty much bad across the board - I’d particularly recommend avoiding Gundam Build Metaverse.

Universal Century

Universal Century is the big main timeline of Gundam, and is the timeline the original Mobile Suit Gundam from 1979 takes place in. There’s a tendency among certain fans to place UC as the one-above-all of Gundam, but I wouldn’t really go that far. It’s all pretty good, but I wouldnt really say one timeline is better than another (save personal preference, anyway).

Because UC is so big, it can be subdivided a couple times. The primary division is “Mainline” UC versus everything else. Basically there’s four-five shows in Universal Century from which everything else flows. As long as you know roughly what happens in these shows, then you can watch basically anything else in UC and have a good idea of what’s going on. These are (in order):

Mobile Suit Gundam (1979) - sometimes called Mobile Suit Gundam 0079.

Mobile Suit Zeta Gundam (1985)

Mobile Suit Gundam ZZ (1986)

Mobile Suit Gundam: Char’s Counterattack (1988)

With Mobile Suit Gundam Unicorn (2010) as a nominal fifth (honestly I feel like you could argue either way).

The rest of the shows are:

Mobile Suit Gundam 0080: War in the Pocket (1989 Three-Episode OVA)

Mobile Suit Gundam F91 (1991 Movie)

Mobile Suit Gundam 0083: Stardust Memory (1991 Thirteen-episode OVA)

Mobile Suit Victory Gundam (1993)

Mobile Suit Gundam: The 08th MS Team (1999 Twelve-episode OVA)

G-Saviour (2000 Live Action Movie) - nobody ever talks about or acknowledges this one, it’s just here for completionism.

Mobile Suit Gundam MS Igloo (2004-2009 Three OVA’s with three Episodes each)

Mobile Suit Gundam: The Origin (2015 Six-Episode OVA, adapted from the Manga of the same name)

Mobile Suit Gundam Thunderbolt (2015 Eight-Episode Series, adapted from the Manga of the same name)

Mobile Suit Gundam: Twilight Axis (2017 episode, adapted from a light novel of the same name. Later rereleased as Gundam Twilight Axis Red Trace, with additional footage)

Mobile Suit Gundam Narrative (2018 sequel movie to Gundam Unicorn)

Mobile Suit Gundam Hathaway (2021 ongoing movie series, very much adapted from the novel Hathaway’s Flash)

Most of the other series relate to events in the aforementioned “mainline” shows in some way, but a lot of the sidestories set during the One Year War require very little introduction (Thunderbolt, 0080 and 08th MS Team). Similarly, works set in “Late UC” (F91 and Victory Gundam) carry on from the other series thematically but don’t have any plot connections, so they can all be watched without any background knowledge of the rest of the Universal Century.

Compilation Movies

Just a quick note here - many of the Gundam series have compilation movies, where either a whole series or part of one are compressed down into a movie. While each movie compares differently, they usually boil down to this: Compilation Movies usually have worse pacing, but really nice animation.

One of the great things about Gundam is that different shows offer variations on themes, so seeing how different characters react to similar situations, or how different settings change their approaches can make it incredibly rewarding.

I haven’t seen enough of SD Gundam to make any sort of recommendations there, and Manga is something I might touch on another day.

EDIT: Oh hey also: You can watch a good chunk of these on YouTube, for free, officially. The Official Gundam.Info YouTube channel rotates the series shown on its channel periodically. I think it’s got F91 and SEED on there currently? But it’s had Wing, 00 and Witch From Mercury before. Also all of the Build Fighters series are there.

So yeah, that’s a thing.

[yandere-daze]

Congratulations on the 3k milestone!! Your writing is so lovely, you completely deserve it ❤️❤️

Could I request Shu and Ibara with a male or gn s/o out on a date and they offer to buy every thing Shu/Ibara even just glance at in shops? And despite the idols’ protests, s/o bought a good half of the things for them anyways. And the next day after the date, they find the rest of the stuff on their doorstep. S/o is just absolutely smitten for them, but does put in actual effort to the relationship besides materialistic matters. Thank you!

Heya, thank you!! ☺️ Sorry for the wait, I hope you enjoy!

gn reader

no warnings

Buying out the whole store!

You´ve been dating Shu for quite some time and thus you´ve learned of Shu´s passion for the arts and anything that includes. You love watching him admire different fabrics in his favorite shops and listening to him rant about all the little details that make them special. You´re just happy seeing your boyfriend in his element and you can´t help but want to support him in his endeavors

Though Shu comes from a wealthy family, he doesn´t have a very good relationship with his parents and thus would hate having to call them up for any favors because he´s in need of money. Because of this, you would often have to watch him part ways with a certain piece of fabric he had been fascinated with or an especially beautiful antique doll that had caught his eye, muttering about how he would have to focus on what Valkyrie needs at the moment

You can see how painful it is for him to part with these things he clearly wants and so one day, you decide to indulge him as best as you can. You do have quite a lot of money to spend like this and there´s nothing else you would rather spend it on than making your boyfriend happy

So when Shu´s about to leave the collection of antique dolls that had been abandoned by their owners, shouting about how this is a giant tragedy? You pull him back by his hand and lead him back into the store, ignoring his little shout about why you´re pulling his hand like that

His eyes go wide when you walk up to the counter and cheerfully tell the store owner that you would like to buy all the dolls on display. He´s completely in disbelief, not sure that what he´s seeing is actually happening

He´s definitely happy to have the dolls, seeing as he really wanted them, but he will ask you if you really want to spend that much money on him. He´s a bit concerned but will utter that in his own Shu-way

"I cannot believe you bought all of these dolls just like that. Do you truly have enough money to be spending it like this? Well, I presume I am quite grateful that you would do this to me..."

He´s definitely blushing a bit when you reassure him that this is what you want to do with your money. You want him to be happy

He´s a bit awkward when he tells you that he would still love you even if you didn´t have this sort of money

Buying out the whole store!

If this had been anyone else, Ibara would have been very wary of the possible motives of buying him whatever he wanted. He would have taken as much advantage of the situation as he could while anticipating some kind of scheme the other person might be trying to pull. He´s well-versed in the business world and how crummy CEOs or investors operate and so he´s certain he would be able to see through a scheme like that. After all, who would ever spend a lot of money on someone without expecting anything in return?

You, apparently.

It had taken a long time for Ibara to come to terms with the fact that there were people who were looking out for him and wanting the best for him the goodness of their heart and not to get some sort of benefit out of it. Both Eden and of course you have become very important parts of his life, people that he could rely on and that he knows are on his side.

He doesn´t like to expose this vulnerable side to others though, his childhood in the military still making him averse to showing any kind of weakness to anybody. A weakness can be exploited.

And yet, when you walk up to him with a big smile on your face, telling him that you bought him the item he had secretly been eyeing all week, he can´t help but let a genuine smile slip as well.

The money wasn´t the issue. He would have been more than capable of buying it himself with the amount of money he had amassed running Cospro. But in this, it´s the thought that matters.

You had been paying attention to him, you had noticed what he had been interested in and you went out of your way to go back and buy it for him without expecting anything in return. You had truly spent a lot of money just now buying all these things for him, but for once the actual monetary value was not what mattered to Ibara

You had done that for him, not because of some ulterior motive, but because you wanted to do something nice for him.

It´s a foreign feeling to him, to know that someone genuinely wishes for his happiness every day, and the thought makes him feel weak.

But Ibara doesn´t mind feeling weak if he can be by your side

[dandydingo]

Why I’m Leaving Freelance Commission Work An essay about doing furry commissions by DandyDingo

Preamble  First and foremost I’d like to state that this is not a post geared toward complaining about commissioners or fellow artists in my industry. I’ve simply noticed a concerning disconnect between commissioners and artists about several topics and wanted to make something that explains, clarifies, and elaborates on some of those issues.

I love the community I’m a part of and would like to see it do better! Though it’s a meme that if you want to make money as an artist you should become a furry, it’s actually a double edged sword that I’ll be trying my best to pick apart and display. The following points I’ll be rambling about are also based on my personal experiences working in this type of career for 3 years. I am by no means the most qualified but I’m not the least qualified either; this to say please take what I say with a grain of salt. It won’t apply to all situations!

With those disclaimers out of the way, get ready for a whole lot of reading!

What is this job and how does it work? Typically when someone is referring to a furry artist they mean an artist selling illustration commissions on a freelance basis. There are many different kinds of independent creators though and this could include someone who sells merchandise, makes a living off patreon with comic work, or does fursuits. For the sake of staying focused we’re discussing artists who specifically sell illustrations and work one-on-one with commissioners to accomplish this.

As any seasoned commissioner knows, the way an artist’s process works can be varied but typically involves:

buying an open slot for a commission type (ex: a painting)

handing over your references, requests, and paying 

waiting for a work in progress image to approve 

receiving the final product

This process is the basic premise, an industry standard if you will. The artist gets the benefit of controlling when they can take on work and the commissioner has the opportunity to communicate what they want at multiple stages of the project.

But why are there so many variations to what projects an artist will even accept, what’s in their TOS, and how long it takes them to do it?

Specialization  The thing about many furry artists is we’re independent creators with little to no formal education in illustration. We’re not the type of artists you see putting together Magic the Gathering cards or developing a big title game. To expect that level of industrial standard with speed and quality would be ludicrous! This is what makes us appealing to commission though- you’re not going to find our product anywhere else and you’re supporting an artist you like directly. 

In fact, every furry artist is a unique snowflake with their own specializations. This is partially since art takes a ridiculous amount of time to get good at. An artist is almost forced to choose what they can offer and what they’re going to invest in trying to sell. This can even be out of our control! For example, one of the running jokes with my slice of community is the fact that after drawing a single bird furry there was suddenly an entire flock asking me to draw their bird sonas. 

Specialization directly rewards furry artists with more steady income / clients and thus they might have to restrict what they can offer. Again, learning to draw something new takes a lot of time. An artist who has never touched backgrounds will struggle a lot to suddenly try and include them in their work. This doesn’t mean it can’t be done or that an artist doesn’t want to. I would even argue this hyper specialization can often leave artists in a depressing loop they feel they can never escape from. If they suddenly draw something else it won’t sell, their personal interests have been buried by what actually works on the market.

Some artists do break this mold though and either enjoy the specialization they’re in or are experienced enough to draw whatever they fancy at a high quality. Perhaps even, their audience expects and celebrates an experimental approach from them which is something that’s true in my case. One of my most successful commissions were “surprise bags” where requests and edits weren't even allowed! Others are not fortunate enough to have that option though.

In any case, this is not the sole reason for the insane variety we see in furry artists and why their commission processes vary so much but it is a huge part of it. For context, the level of skill you see in my art took 5 years to get to and I would consider myself intermediate at best. It’s truly an underrated skilled trade.

Prices - Part 1 Cost of Living Money, everyone’s favourite non-controversial topic! So why is furry art so expensive? 

It costs a lot to be a living breathing creature with a roof over your head and food in your belly. We all feel the current effects of inflation and ridiculously high rent. This is definitely a big reason why art can / should cost a lot and believe it or not MOST artists do not make minimum wage.

This doesn’t just apply to furry artists of course and I would be beating a dead horse on something we all already know, the economy is in a terrible state right now. It depends on what country / area you live in, what your living situation is, if you have any pets or health issues, etc.

In general though, that $200 price tag for a reference sheet doesn’t make the cut in most places. It might be the single biggest reason why I cannot continue this work anymore, the price I can sell something for is only so high but my workload will remain the same. That reference sheet will take me 2-4 days to complete no matter what if I want to maintain the good quality a commissioner is (understandably) paying me for. 

Depending on what you're selling and where your experience level is at (the more experienced you are the less time it takes to complete something at an acceptable quality) a commission can take 1 hour to finish or it can take 12 hours. So… just do a lot of smaller cheaper stuff right? 

Prices - Part 2 The Great Artist Killer, BURNOUT If an artist cannot manage to sell a few big things to meet their monthly bills they might instead switch gears to sell lots of small affordable things. This can mean doing 20-40 commissions a month at a back breaking pace. While all jobs slowly drain the life out of your soul, art demands a level of mental focus that is often overlooked and in the case of this career, you only have you to do the work that is required. 

There is no one to cover your shift, there is no one to assist you, and if you don’t make your deadlines your reputation is at stake. The very same reputation of good work ethic that keeps your commissioners coming back the next opening. You must push through the burnout! You must work until your hand aches and bleeds! You must- there is no one to save you from this Hell!

If you try to be an affordable or high production artist this is the life you have to look forward to. Desperately churning out product as you retrofit your creativity and passions into a well oiled machine. Often to try and prevent this artists will raise their prices to something they can live off without breaking themselves or have a mix of high / low prices. A middle ground if you will, something that still doesn’t make the standard of living but isn’t a death march either. It’s a precarious and strange limbo with financial insecurity but hey… at least you’re not dead. It should be noted as well that most artists struggle with some form of mental illness and selling commissions might even be the only career open to them. This is not a topic I feel qualified to speak on but it does play an enormous role in experiencing burnout and the general struggles of this career. 

Prices - Part 3 Afterthoughts While I wish artists could push for an appropriate living wage, I understand the commissioners' side as well. Spending $100 that could go toward groceries is just not feasible for the vast majority of us and so when we see something that is actually in our range, a $20 headshot or $10 sketch, we often hop on it without a second thought on the ethics of paying that low. It is okay to buy a treat for yourself that is within a price range you can afford though! You should never spend what you can’t nor should you ever feel pressured or guilty to buy something.

If a commissioner is concerned about paying enough I would recommend saving up and giving as big of a tip as you can! Artists are almost always underselling themselves and even just a $5 tip covers the cut that Paypal takes or buys them a coffee to get through the day. Buying what’s reasonable for you is absolutely still supporting them and a little goes a long way!

NOTE : any artist can experience burnout or struggle with meeting minimum wage no matter what they’re selling; this is a hard topic to pick apart Making Art - Part 1 The Process So how does making art work? That might seem like a silly question but it’s hard to understand when you’re not the one creating it. Given how closely a commissioner and artist must work together in order to achieve a desired result I think it’s worth breaking down what goes into making a piece. Of course every illustrator is different but here’s how it generally works:

Hope You’re Mentally Well Art requires mental concentration, particularly for something complex such as a city. Often a bad mental state can be worked around but sometimes the process stops here- you’re just not able to focus enough to measure out that perspective or break down the complex anatomy that goes into drawing a hand.

Find References An artist may need to take an hour or so to find the right references or to make thumbnail sketches. Especially if your client asked for something specific (like a particular brand of whisky) you need to know what it looks like and how it will fit into the piece. For small quick pieces though this is usually a waste of time and skipped.

Sketching Here is often where the commissioner sees the first glimpse of work done- the sketch! Some artists are messy, some are neat and tidy. They might be drawing you a reference sheet or a headshot but either way you typically get to take a glimpse at their blueprint and ask for changes before the rest happens. Sketches are easy to change and can be redone from scratch with the least amount of time lost if needed. It is the optimal step to work with the client on making sure expectations are met.

Rough Render To keep it across the board for all types of art (painting, cell shading, lineless, etc) we’ll call this part the rough render. A commissioner may be shown the flatcolor swatch to ensure markings were drawn accurately, the lineart to double check all requested details have been included, the rough lighting to give an idea of the mood… the list goes on and on! Some artists skip this step entirely if it’s not needed, there is such a thing as oversaturation when it comes to communication.

Final Product This is simply where the commissioner and artist part ways once everything has been approved, the final product! It may have taken hours or days to get to this step but either way it’s been completed.

Making Art - Part 2 When It Doesn’t Go Smoothly Sometimes an artist’s workflow is so rigid even a single missed day from bad mental health or a life event can have a cascade effect that puts them behind schedule. Quite literally an artist can only draw for so many hours before their hand (or body in general) physically gives out. I’ve had work days where I’ve tried to push myself in order to catch up, to the point of rubbing the skin off my finger enough to make it bleed. In the long run this can mean career-ruining cases of carpal tunnel in the wrist or hand and like with any other desk job; your neck and back aren't very happy about the workload either. Artist work days are often shorter than what’s considered normal which adds to the general difficulty of the career as well. While some artists can certainly work that full 8-10 hour shift, others might only be able to handle 3-6 hours before they can’t concentrate or are in too much pain to continue (speaking in long term for that one, it took a few years of regular work before I started having real physical issues from drawing too much). Given most are stuck at certain price points for selling their art it’s almost impossible to charge more in order to compensate for these possible missed days. It’s an issue with other careers as well which I do want to acknowledge; missing even one day of work could mean less groceries that week or cost someone their job in extreme cases. We truly live in a society! It should be noted though that keeping an impossible schedule is a huge stressor for artists who are stuck having to produce more than they can mentally or physically take on. They often know they can’t do it but what other choice is there- not buying the medication you need that month? This always seems to lead to something public and discussed a lot in the community; the instances of being issued a refund out of the blue or seeing a lengthy mental breakdown post about suffocating in the stress of it all. The wear and tear on creativity is visible as well. An artist’s work may become monotone or lifeless as they sink further from the weight of impossible to meet expectations. They might struggle to produce what they used to be able to as time marches on or simply feel unbearably hopeless. If the unsustainable workflow continues for too many years passion becomes strangled and real physical consequences are apparent. 

Some are able to escape this or don’t have this issue! Others suffer in silence or might not be aware of the strain they are being put through, as is the case with plenty of other careers.

How Can I Support Artists? If you’re interested in making life easier for your favourite artist there are a few simple things you can do; specifically in regards to the commission process!

Read the Terms of Service This is not something you should skip over as it could detail how edits are handled, what an artist is willing to draw, etc. It's beneficial for everyone that the TOS is read.

Look Before You Buy Take a peek at an artist’s gallery and decide if you like their style before you purchase anything OR buy a small sample to see if you enjoy how they draw your character! I feel some commissioners don’t understand that an artist cannot change how they stylize on a whim (for example a semi-realistic artist isn’t going to suddenly draw anime). If you’re indifferent or you like experimentation then this isn’t something you need to worry about.

Have A Reference Sheet Although reference sheets are expensive, if you frequently commission artists and are able to afford it BUY ONE! It saves a huge amount of time and frustration- so much so that some artists won’t even consider accepting your commission without a proper reference sheet. Having to guess the body type or colors takes a lot of time and can easily be prevented!

Leave Wiggle Room Give an artist some room to breathe with a bit of artistic freedom! Do not expect them to get that exact #CCE5FF shade of blue you want or draw every single marking of a complex pattern. Lower your expectations if they’re that high, you’ll enjoy the piece more when you do!

Tip Particularly if you’re commissioning a character with a lot of detail or have very specific requests, leave a tip. Again all it takes is a $5 tip to make a difference!

Advice For Artists If you’re truly looking to get into this industry or have been in it for a while, here are some tips that can (hopefully) help make your job a little easier or get started. I don’t want to discourage people from this job by any means! We wouldn’t have the community we do without freelance artists. NEW ARTISTS

Start Small If you’re just starting out you’ll want to aim for the $10 - $50 price range with marketable pieces such as icons or chibis. You may have to heavily undersell yourself for a while to grow a client base. If you don’t sell anything at first don’t be discouraged! It’s perfectly normal to struggle for a while (even years) before you have anything steady.

Experiment Now is the perfect time to experiment and see what works and what doesn’t, what you like and what you hate. Try different platforms, different commission types and styles, whatever you fancy! The goal is to find a niche you can wedge yourself into, feel happy with, and work towards; not to fish around for immediate results.

Focus On Studying The more experience and tools in your belt, the better. For the first while you should be focusing on improving your art if you’re not at an intermediate level. Once hands don’t feel like such a struggle you know you’re at the right place! This will set you up to be more efficient and feel less frustrated down the road.

EXPERIENCED ARTISTS

Personal Time For the sake of your mental health you need to set aside time to do personal art, experiment, and relax. This could mean having a consistent day off, finding a new hobby, or making vent art just for yourself. Also, don’t be afraid to post personal art! You should not be apologizing for taking reasonable time to yourself.

Experimental Commissions Allow yourself to open weirder commission types from time to time. Maybe lately you’ve been really into drawing beach scenes, you could open a 2 slot commission that promises summer vibes. These could be filler between your bigger pieces or replace them every now and then depending on what you can get away with. Other examples I’ve seen are selling goretober calendar slots or $10 artistic freedom sketches. Just try to get yourself out of that repetitive loop if you feel like you need to, worse case it doesn’t sell!

It’s Okay To Quit Not all of us have this option given personal circumstances but there is no shame in leaving this career. Doing commissions even as a casual filler can rob you of the passion you once had for your hobby. If you feel genuinely unhappy with this job and come across the opportunity to safely leave, go for it! In my case I’m going from commission work to comic work, something within the same general field that I can do at my own pace. 

Afterword Although I tried to cover as much as I could with this, I know not every issue of the relationship between commissioners and artists was addressed. There are artists who take large amounts of money and then ghost their commissioner. There are commissioners who negatively nitpick at every step of the process and leave an artist feeling like a beaten down dog. The furry community is huge with lots of different folks, there will of course be bad eggs that make things harder for both sides. 

I simply hope this leaves commissioners with a better understanding of an artist's perspective and gives some well deserved compassion to the creative people that breathe so much life into our community. We as artists should also appreciate the clients that support us with positive enthusiasm. This special relationship doesn’t exist in a lot of places and I hope I've offered something to help furries have a better understanding of one of the biggest aspects of our community. 

Written with much love for the wonderful people that have cheered me on over the years and the community that has always shown it's full support toward me.

[emmathemandelaresident]

My final statement on the Kister vs Ven drama.

I have read all of the documents word by word, and initially, I had nothing to say about it, but re-reading all of them again, even Ven's new document before they deleted their Twitter/X account, I now finally got something to say about it.

Just to note, this statement is my full over opinion on the Kister vs Ven situation. I'd love to hear what you overall thing about this drama that had been all going around for nearly a month.

For those who don't know:

On March 12, Alex Kister, the creator of one of the most popular and well known analog horror series, the Mandela Catalogue, as well as his other series called Mystifying Oracle, was accused of predatory behavior by Twitter user STIRRINGJUICE (or Ven). I am not gonna go into too much detail, but the doc mainly states the accused problems Alex did while he had been with them and been friends with other fans.

A week or so later, Alex Kister has made a long response towards the accusations. In the doc, he provided plenty of evidence to justify his claim that overall that the doc Ven made is moreover wrong, but at the same time, he admitted that he had been friends and boyfriend with the fans and even trauma dumped to them. I will tell you, person reading this blog, about my personal opinion on this kind of action Kister has admitted too.

Later on, Ven made a pubic apology about them making the doc and their wording, saying that it is "transmisogynistic" and that what they did to him as an actual person was "excruciating". A day after they posted this apology, they have since deactivated their Twitter/X account, thus possibly putting an end to this drama.

Now that you all know about the history of the Kister vs Ven drama, lemme tell you my final opinion/statement.

When I first heard the allegations, I instantly felt devastated and upset over this and I had thought that Alex Kister was a good being. As a result, I felt some sort of heavy resentment towards the dude, but I never stopped loving his series, the Mandela Catalogue. I still do and I continue to write it (Wattpad is emmathemandelaresident; I digress).

Later, I began to move on and when I saw Alex's response, I was initially unsure of what to say or what to feel about it, but I will admit though, the way he has written the doc and provided much evidence to justify his claim is not really that bad at all.

But lemme tell you my overall opinion with his admitted actions. Being together romantically with a fan is not a great idea at all! These are your FANS that love your work and you should appreciate them, not go too far to be together with them, and ESPECIALLY not trauma dumping towards them! These are people that look up to you and your work, and venting towards them as well as dating them is fucked up in my personal opinion. These actions Alex had are inappropriate and I hope that Alex learned a very important lesson over that!

Overall, I will admit that he proved himself innocent, but I was still skeptical about this, so I continued to have some resentment towards him (though by a little bit).

Then when Ven's document came up, I legit had enough of this shitty drama. I kept asking to myself, when is this gonna end? Then I decided to read their doc. I honestly had no idea who I can trust anymore, cause at this rate, it looks like Alex Kister has won against the allegations in the most impressive way possible.

But I do believe that Ven's actions to get back on the dude and deplatform him was wrong and it should never be taken this kind of way to make an accusatory doc. Also the sentence "I did not expect crew members would leave because of how some of them responded initially" is kinda stupid. Like dude, your document had a WHOLE LOT OF SHIT AND "EVIDENCE" AGAINST KISTER. How could you possibly not expect crew members and actors to leave the Mandela Catalogue!?

I feel like this whole thing should have been kept in private and behind closed doors to avoid any kind of drama and other problems that escalated into something big! This would've been simple and easy, but Kister and Ven didn't do it.

Now just like Alex's response to the situation, I didn't have anything else to say or feel with Ven's new doc. But now I know that what they did was wrong as Alex's admitted actions to his fans.

So overall, I believe that both sides are mainly at fault. Alex's admitted actions are inappropriate and wrong and Ven's "goal" to deplatform the former is abhorrent. Now do I still love the Mandela Catalogue? Of course I do and like I said, I continue to write my crappy fanfic on the series. I believe Ven's decision to delete their Twitter account was good enough considering his actions, but I also think that Alex SHOULD learn something from his actions of dating people who looked up to and venting towards them.

I will continue to be active in the Mandela Catalogue fandom without traces of the drama barging into my brain and my Wattpad life.

But that's all for this giant statement! God, this was a lot to type on my laptop but that's my overall opinion on this Kister vs Ven situation.

I'd love to hear what you think about this drama!

Okay, now time to go sink into a mud puddle.

[fuck-customers]

hey gang! me again (from /post/741038774641983488, bitching about the two coworkers and the filthy deli slicer), and i guess we couldn’t go three days/two shifts without more bullshit from J1! as i write this it’s currently the morning after the shift described below. thankfully, i have the day off today, due to a prior appointment, so i might be able to wind down again before going in again tomorrow afternoon.

so before Chef C left on the hell shift prior, he asked me to be there at noon, when the first folks are showing up for their prep. good thing, too, because shortly after i arrive, before i even clock in, the head line cook (M) that showed up the same time i did informs me that he’s just gotten a text from C saying that both the sous chef S and the pantry cook J1 have called out for the day, leaving me as (currently) the only person available with any experience on pantry.

before i switched mostly to dish, this was fine, because i could rest assured that the old pantry lead (name irrelevant; no longer works there) would have as much as possible done and prepped for the next shift, even with the one day off we had between. the only time she wouldn’t is if the store was going to be closed for 3-4+ days straight and we needed to be concerned about spoilage. thus i would be left with minimal prep actually needed to be done and could just focus on the essentials.

considering this prior prep cook is the one who trained me and J1, it’d be safe to assume that she’d follow the same practices, right? well, clearly, that’s giving her too much credit, because again, i never got trained to any degree on how to make the vast majority of what gets “cooked” for pantry, and apparently she’s incapable of planning ahead even if for no other reason than to simply make her own job easier.

to make matters worse, we had just gotten a shipment, so the walk-in was packed full without any room to get around; i’d have put it away myself, but i don’t know where the vast majority of the shit goes, and i don’t want to fuck up the already tenuous inventory log situation that C constantly grouses about. i’m resultantly unable to get counts for anything we already have, so for the time being i focus on what i am able to easily access to get done, which is mostly plating desserts.

after a couple hours, a temp (E) comes in to help. there is a language barrier and she has never worked pantry before, only line, so i have to train her (through translation apps and my own rudimentary kitchen spanish) while also trying to figure out what the hell i’m doing myself. chef doesn’t get around to teaching me how to make two of the items we need until about half an hour before service starts, meaning i once again did not get a break and had to rush through making them myself, while i also try to get E set up with making sure everything she could put together was ready for service.

as you can probably imagine, this doesn’t go particularly well! E does great with the actual prep stuff, with dressing the cold cured meat dish and this that and the other, but as soon as we get to service it becomes an absolute shitshow. apparently nobody taught E on line that you need to send dishes out in the order the tickets come in, so we’re 15 tickets deep with more printing, and she’s ignoring things i specifically showed her how to make while we were slow to, instead, pull from the end of the queue to make salads that i keep having to drop what i’m doing to coach her on how to make correctly when they have a special request applied.

ultimately this results in me getting scolded by the GM/service lead to send tickets out in order, to which i just respond that “i’m trying,” and M comes to my defense when i can’t hear it to point out that i really wasn’t set up for success today, and folks kind of back off. thankfully we only end up with one extra dish (to my knowledge? something was said about extra carrot cakes but they were never brought back) and it’s just like. a half salad that E didn’t prep right so we couldn’t send it out.

insult to injury is that there were actually others present who had worked pantry before. one of the expo cooks (D) actually comes back to help J1 all the time, but because of S being absent he had to focus on expo—and he ended up leaving before dinner service without raising a finger or even pausing to ask to make sure i was going to be okay with just me and the temp. D’s got a problem habit of leaving without doing everything that needs done, anyway, which ended up resulting in J2 getting forced into overtime to pick up his and J1’s slack on that front, which is why he wasn’t there for this shift. probably ultimately for the better but i really would have appreciated the extra pair of hands.

due to the string of buffoonery that resulted in us missing no less than 3 kitchen staff and damn near everyone who knew how to do anything of substance on pantry, i wasn’t really given an opportunity to call for help. thankfully M had my back and nobody seems to have any hard feelings now that it was made clear to them that i wasn’t given room to do anything but struggle, and the GM and service staff took it pretty well when i apologized for how much of a shitshow pantry became, but i really should not have been left drowning like that in the first place.

Posted by admin Rodney.

[ryuichirou]

Apologies if someone's already asked previously and I've missed it, but as a fellow enjoyer of the threesome of Trey, Riddle, and Che'nya, I'd love to hear your general idea of the dynamic on these three as well as any headcanons you may have! (I'm someone who adored TreyRiddle first and am just genuinely surprised that it's such a far and inbetween ship in terms of popularity so it's always just very refreshing to see and hear other's views on it!)

I talked about both of these ships, but I don’t remember talking about them together! this is an interesting topic, Anon. Sorry for the wait, it took me some time to think about this.

I do have some headcanons! But I kind of got carried away a bit lol so the first three are focusing on the psychology of it all… in a way. I can’t help it, these guys’ brains are too fun to examine:( I ended the list with a couple of lighter/hornier ones though.

Also, it might seem like there is a Trey/Riddle bias, but it depends on how you look at it I guess. It’ll make sense after the first one. Hopefully! I guess.

Their dynamic is pretty balanced, but not really symmetrical: Che’nya loves Riddle, but he isn’t someone to be committed to one person or get jealous at all; and Trey has been in love with Riddle ever since they were kids and wasn’t able to move on even during the years of their separation. Che’nya wouldn’t mind stepping aside at some point and leaving these two together, but for that to happen he needs Trey to fully admit his feelings and directly confess to Riddle and ask Che’nya to leave. That doesn’t happen, so nothing is stopping Che’nya from having fun with Riddle~ Che’nya sleeps around, but Riddle is one of his favourite boys.

Their first time together happened pretty spontaneously, Che’nya pretty much provoked the other two. I picture something similar to this drawing, but these three had a lot of moments of mutual tension prior to this. Che’nya just started appearing at their dorm more and more often at some point and teasing Riddle, both to enjoy himself and to poke Trey towards facing his own feelings. What a friend!

Riddle is very confused about the whole thing and doesn’t want to think about it. Because if he starts to think, it falls apart in his head: he can’t have relationship with both Che’nya and Trey, he shouldn’t be doing these things even with just one of them, let alone both at the same time. Whenever Riddle is with them, he gets this nasty feeling in his heart that he is prohibited from having fun with them (ah nice memories), but at the same time, he mentally returns to his happy place… I’m not sure if this whole thing is therapeutic or traumatic to him lol It feels right, but as if it’s too good to be true. Thus, he just shuts his mind off whenever they start making out.

And it’s surprisingly easy for Riddle to stop thinking when he is with these two! It honestly surprised Trey and even Che’nya a little bit, even though Che’nya was like “of course he is like that, who wouldn’t melt when his chin is getting scratched?” as if what he does is exactly that… In actuality Che’nya just touches Riddle everywhere and licks his body with his rough tongue until he starts whimpering.

Riddle was very surprised when he got bitten for the first time, but he figured that it’s probably natural for Che’nya who is a beastman. What he didn’t expect is that he would find not only Che’nya’s bite marks, but also Trey’s. Riddle is usually to aroused to notice what exactly is going on, so he had no idea that Trey was biting his sides, arms and chest too…

Che’nya is kinky, and he knows that Trey is kinky too but is too afraid to scare Riddle away, so a lot of times he just starts messing with Riddle and pushing his buttons to show that even if Riddle protests and gets all red, he enjoys things that Trey would’ve never even considered as acceptable. Riddle also wouldn’t…… but there he is, getting all hot and bothered because he got aggressively tickled.

[cake-by-thepound]

After I saw the ask about Andy’s reaction to Danai calling herself bossy I came across an extract from an interview she gave, talking about how Andy was really the one who told her she needs to be a part of the (then) movies, he always wanted her to be a part of the Rick Grimes story and what a man! And I wanna be “careful“ and not fall into the trap of praising a man for something that should be a given or anything like that but it‘s still quite remarkable how he IS the lead of TWD and, especially considering how absolutely massive that show was, there doesn‘t seem to be too much ego at play there? During the whole run of the show, several cast members have talked about how he was always down to split the screen time if you will and have other people shine. It wasn‘t about making sure Rick (and thus, him) is at the center of everything. After fiftyleven seasons of being part of an ensemble cast (yes, the lead but still… and that cast kept growing and growing too), to get his own spin off? And instead of him being like yes, all Rick all the time, he actually goes, how do we bring Danai/Michonne in this?!

Sorry to say this during BHM 😂 but one of my white man fr fr ! It‘s not about wearing rose tainted glasses and thinking the guy is perfect, absolutely not, he has undoubtedly done wrong and has his faults, like everybody else, but from everything we do glimpse from the the “real“ person, Andy seems like a genuinely good guy?! I know I ultimately dont know him but if we ever found out something terrible about him, that would genuinely break my heart a bit.

I’m sorry, sis, I had to wait until February was over to post this one. 😂 But mainly because I absolutely agree. I love that Craig Tate called him a unicorn (respectfully) and remember when Danai used to say he hatched from an egg? I believe them! I also just love hearing more about how they work and how this show came into existence. (The story about Danai encouraging Matthew Jeffers, knowing she wanted to hire him? Ugh, my heart. 🥹) Andy knowing he was leaving the show, but not leaving behind these characters and Richonne’s story really does make me like him even more. I’m glad I don’t know any more about him than I do; I really wouldn’t want to. (I am so glad he’s not on social media.) But it’s nice when someone you admire and enjoy also seems to be genuinely thoughtful and kind and supportive of the people around him.

[spop-romanticizes-abuse]

I would like to share my perspective about Horde Prime’s dinner scene and showing colonization via food in SPOP’s final season. 

Horde Prime is further seen as evil for serving food from a planet that he colonized and destroyed, and it’s supposed to be a thoughtful and deep but subtle insight into Horde Prime as a villain who should be condemned. Catra has no problem eating this food, and I think the writers meant this to signify that she wouldn’t initially succumb to Horde Prime’s mind games like Glimmer, who starts hyperventilating in horror (You know, before Horde Prime told her that she’s not even a player in his game, but with the writers’ favoritism of character and shipping, as per usual, with Catra clawing the table and that talk about “elevated heart rate” and “dilated pupils” for Adora when she was shown on Horde Prime’s live robot feed).

It really reads to me that, like Horde Prime, Catra feels no weight of guilt from taking lives and what those lives once owned (unlike Glimmer, who actually cares about the colonization of her planet, as well as that planet that was destroyed by Horde Prime), as a fellow colonizer and destroyer. Like, it’s not because she has a better poker face than Glimmer, it’s because she literally does not care, and thus does not react to Horde Prime’s statement. 

This “sensitivity” to colonization via food is another double standard. This perspective of colonization and consequence is completely blind to Catra, despite it being highlighted via Horde Prime; I am specifically referring to when Catra joins the others in the spaceship to eat the food that Glimmer said she and Angella used to make together. Catra does not deserve to partake in anything positive pertaining to Angella’s memory: she attempted to destroy the Moonstone, colonize Bright Moon, and killed Angella. She does not deserve to eat the food that Angella used to make with Glimmer, and she does not deserve to live in Bright Moon (a disgusting implication shown in Adora’s supposed dream of the future).

That’s all for now 💞.

i never thought of this but yes, that describes catra's character perfectly. we only see her feeling mildly guilty about the way she treated adora, scorpia and entrapta. we never see her considering the weight of what she did in the horde, the lives she ruined. she never cared about the civilians and she certainly did not care about what horde prime did to them, because at their core, they were the same kind of person. controlling, apathetic and cruel.

again, we can take zuko for comparison here. zuko isn't just guilty about trying to capture aang. he is shown to be very clearly guilty about the way he harmed other innocent civilians and about what the fire nation did as a whole. even though he didn't take part in the war directly, he still takes responsibility for what the fire nation did. his confrontation with ozai says it all. he could have just been like "i'm leaving to join the avatar" but he stayed and pointed out the effects of the war and how the fire nation has brainwashed its citizens into thinking that they were doing something good.

and there's build up to this. throughout the series, zuko meets and interacts with various civilians, all with their own story of how the fire nation ruined their lives. song shows him a scar she got during an attack, jet confides in him about how his family was killed when he was little, lee (the little boy in zuko alone) is almost recruited into the army forcibly, just like his brother was. ATLA does a fantastic job of showing us how war affected everyone, not just the heroes and villains. and through this, zuko's conscience is unraveled more and more until he decides to take a stand.

meanwhile, spop has the theme of war as a pretty backdrop. they give no importance to it whatsoever and catra, who did way more damage than zuko ever did, isn't even shown to be guilty of partaking in the war. she doesn't have to answer to how she conquered salineas or how she invaded a village in s1, nothing. it really makes me wonder what the civilians in spop thought of her. is it just "oh she's she-ra's girlfriend now so i guess we can't say anything"?