#Tooling Blocks

[thewriteadviceforwriters]

Weekly Grammar Tip: Power of the Period (Literally)

Ever wondered how a tiny dot can make or break your writing? That's the power of the period! This punctuation mark does more than just end sentences. It adds rhythm, clarity, and even drama to your prose. Here are some tips:

 Keep It Short and Simple

Long sentences can confuse readers and water down your message. Break up complex ideas with periods for bite-sized, easy-to-digest chunks.

Example:

Before: The alchemist worked tirelessly in his dimly lit laboratory, mixing potions, consulting ancient texts, and conducting experiments late into the night.

After: The alchemist worked tirelessly in his dimly lit laboratory. He mixed potions, consulted ancient texts, and conducted experiments late into the night.

Dodge the Run-Ons

Run-on sentences happen when independent clauses are strung together without proper punctuation or conjunctions. Periods help you avoid these and keep your grammar game strong.

Example:

Before: Lady Isabella entered the room she surveyed the scene with a keen eye.

After: Lady Isabella entered the room. She surveyed the scene with a keen eye.

 Spotlight Key Points

Short sentences can emphasize important details and add a dramatic flair. Periods create natural pauses to let your key information shine.

Example:

Before: In the heart of London, amidst the chaos and noise, a secret meeting took place that would change everything.

After: In the heart of London, amidst the chaos and noise, a secret meeting took place. It would change everything.

Mix It Up for Rhythm

A blend of short and long sentences creates an engaging rhythm in your writing. Periods allow you to control this flow and keep readers hooked.

Example:

Before: Elizabeth Thorn, a skilled herbalist, used her knowledge to heal the sick during the Great Plague, her potions and remedies providing much-needed relief to those who were suffering.

After: Elizabeth Thorn, a skilled herbalist, used her knowledge to heal the sick during the Great Plague. Her potions and remedies provided much-needed relief to those who were suffering.

[hayatheauthor]

The Anatomy of Punching a Character in the Face

Punching scenes are a staple of action sequences in many genres. Whether it’s an intense brawl, a quick defense, or an emotional outburst, a punch can carry a lot of weight both physically and narratively. As a writer, it’s essential to understand what really happens when a fist meets a face—from the immediate impact to the longer-lasting effects on both the person getting punched and the one throwing the punch.

This guide will help you craft authentic, detailed, and believable punch scenes by exploring different areas of the face, types of punches, and the aftermath of such an impact.

1. Target Areas of the Face and Their Vulnerabilities

A punch isn’t a one-size-fits-all situation. Depending on where the fist lands, the consequences will vary significantly. Different parts of the face have varying levels of vulnerability, and targeting these areas produces different effects, from knockouts to broken bones.

A. Jawline: The Knockout Zone

The jawline is a classic target in many fight scenes, especially when knockout punches are involved. This area is highly vulnerable because a hit here causes the head to snap to the side, leading to a sharp rotational movement of the brain inside the skull. This movement disrupts the brain’s communication and often results in a temporary loss of consciousness—what we commonly refer to as a "knockout."

Common Effects: Dislocation or fracture of the jaw, loss of consciousness, slurred speech, and severe pain.

Visual Aftermath: Swelling around the jawline, bruising, and possible misalignment of the jaw if broken.

B. Nose: Breaking and Bleeding

The nose is another vulnerable target, known for being easily broken. It’s not just a fragile bone structure, but it’s also connected to many blood vessels, meaning a direct punch to the nose often results in immediate bleeding. The nasal bone can fracture, causing difficulty in breathing, and in some cases, the nose may need surgical intervention to reset.

Common Effects: Intense pain, bleeding, difficulty breathing, potential for a broken nose.

Visual Aftermath: Blood running from the nostrils, swelling, and significant bruising around the nose and eyes.

C. Cheekbones (Zygomatic Bones): Bruising and Fractures

The cheekbones are one of the more solid structures in the face but are still susceptible to breaks, particularly from a heavy blow. Damage here can lead to not just bruising, but potentially severe injuries that can affect the entire facial structure.

Common Effects: Fractures of the zygomatic bone, swelling, bruising, and pain extending to the eye socket.

Visual Aftermath: Black eyes, noticeable swelling on one side of the face, and a sunken appearance if the bone is fractured.

D. Forehead: A Hard Target

The forehead is much harder than most parts of the face and is less vulnerable to severe damage. However, punches to the forehead can still cause pain, disorientation, and dazing of the recipient. While it’s less likely to result in a knockout, it’s effective in dazing an opponent, especially if the puncher’s goal is to create an opening for another strike.

Common Effects: Swelling, redness, and potential concussions if hit with enough force.

Visual Aftermath: Redness, minimal bruising, and a dazed expression.

E. Eyes: Black Eyes and Swelling

A punch to the eyes is particularly brutal because the area around the eyes is delicate, and the skin is thin. It’s not just about swelling but also potential damage to the orbital bones. The impact can cause "black eyes," characterized by intense bruising and swelling that may close the eye shut for days.

Common Effects: Swelling, black eyes, potential orbital bone fractures, temporary blurred vision.

Visual Aftermath: Discoloration that starts purple and turns yellowish-green as it heals, swollen shut eyes.

2. Types of Punches

Not all punches are created equal. The type of punch thrown can drastically change the outcome of the scene, both in terms of damage and realism. Understanding these different types of punches will allow you to convey more varied and dynamic fight sequences.

A. Jab: Speed and Precision

A jab is a quick, straight punch, usually thrown with the non-dominant hand. It’s not meant to be a knockout punch but more of a setup punch to create an opening or keep the opponent at a distance. Jabs are fast and can be disorienting, especially if they repeatedly land in quick succession.

Common Effects: Light bruising, potential cuts, and swelling in the area hit.

B. Cross: Power and Impact

The cross is a powerful, straight punch delivered with the dominant hand. It’s often aimed at vulnerable spots like the jaw or nose. Unlike a jab, the cross is meant to deliver a significant amount of force, and when landed properly, it can cause serious damage.

Common Effects: Knockouts, broken bones, severe swelling, and bruising.

C. Hook: Lateral Devastation

A hook is a wide, circular punch that targets the side of the head, particularly the jaw or temple. It’s one of the most powerful punches and is often used with the intent of knocking the opponent out.

Common Effects: Knockouts, severe disorientation, potential for concussions, and jaw dislocations.

D. Uppercut: Lifting from Below

The uppercut is thrown upward, usually aimed at the chin. It’s a devastating punch that can lift the opponent’s head and jolt their brain, leading to knockouts. Uppercuts are especially dangerous when they land cleanly on the jaw or chin.

Common Effects: Knockouts, broken teeth, jaw fractures, and disorientation.

E. Haymaker: Risky but Powerful

A haymaker is a wild, swinging punch delivered with as much force as possible. It’s often thrown with reckless abandon and is easy to dodge, but if it connects, it can deal significant damage. Because of its wide arc, it leaves the puncher exposed to counterattacks.

Common Effects: Knockouts, severe bruising, and possible fractures if landed correctly.

3. Punch Wounds: What They Look Like and Healing

Punches to the face leave lasting marks, some immediately visible and others taking days to fully form. Understanding the aftermath of a punch will help you describe the physical toll on your characters more accurately.

A. Immediate Effects

Swelling and Redness: Swelling can begin almost instantly, particularly in areas with soft tissue like the eyes and lips.

Bruising: Bruises start off as red, then turn purple, blue, and eventually fade into yellow or green as they heal.

Bleeding: Punches to the nose, lips, and even cheeks can result in bleeding, either from the skin breaking or from internal damage like a broken nose.

B. Long-Term Injuries

Black Eyes: Punches near the eyes can lead to bruising that darkens the skin around the eyes, giving it a purplish hue.

Fractures: Broken bones, such as the nose or jaw, may require weeks to heal, and in severe cases, surgery may be necessary.

Scarring: If the skin is cut open, there’s the potential for scarring, especially if stitches are required.

C. Healing Process

Bruises: These typically take about a week to two weeks to heal, with the colors shifting as the body absorbs the blood trapped under the skin.

Fractures: Healing from fractures can take several weeks to months, depending on the severity.

Swelling: Swelling can last anywhere from a few hours to a few days, with cold compresses helping to reduce it.

4. How the Punch Affects the Puncher

While we often focus on the person receiving the punch, it’s important to remember that throwing a punch can also take a toll on the puncher.

A. Physical Strain

Knuckle Damage: Hitting a hard surface, like a jaw or forehead, can cause damage to the puncher’s knuckles. This is known as a “boxer’s fracture,” where the small bones in the hand break due to impact.

Wrist Injury: If the punch is not aligned correctly, the wrist can absorb too much force, leading to sprains or breaks.

Fatigue: After multiple punches, especially in a drawn-out fight, the puncher can become fatigued, leading to less powerful or accurate strikes.

B. Emotional and Psychological Effects

Adrenaline Rush: For inexperienced fighters, throwing a punch can lead to an adrenaline surge, which can cause tunnel vision or reckless behavior.

Moral Conflict: If the puncher is not used to violence, they may experience guilt or shock at the damage they’ve caused, especially if the recipient is significantly injured.

5. Psychological Impact of Receiving a Punch

A punch to the face doesn’t only cause physical damage. For the recipient, it can have a lasting psychological effect, especially if the punch was unexpected or in a vulnerable situation. Writing this aspect adds depth to your characters and shows that a punch is more than just physical pain.

A. Shock and Fear

Fight or Flight Response: Getting punched can immediately trigger a fight-or-flight reaction. Some characters might freeze or retreat, especially if they’ve never been in a physical altercation before.

Loss of Confidence: For characters not used to violence, being punched in the face may cause a significant loss of confidence. They may question their own strength, bravery, or ability to defend themselves.

Increased Aggression: Alternatively, the punch may trigger a rage-fueled response, pushing the character into aggressive, reckless action.

B. Embarrassment and Humiliation

Public Fights: If the punch occurs in front of others, there’s often an added layer of humiliation. Characters might feel embarrassed, even if they weren’t at fault.

Internalizing the Event: The recipient of the punch may carry the emotional impact for a long time, replaying the event in their mind, feeling shame, or seeking revenge.

C. Post-Traumatic Stress

Lingering Anxiety: In extreme cases, receiving a punch can cause anxiety or even post-traumatic stress disorder (PTSD). Characters who’ve experienced significant trauma might relive the event through flashbacks or become hyper-vigilant, avoiding confrontations in the future.

Fear of Future Confrontations: A character who’s been severely beaten might actively avoid scenarios where they could be hit again, making them overly cautious or paranoid.

6. Writing Tips: Making It Believable

Writing a punch scene isn't just about describing the physical action. To make the moment believable and impactful, you’ll need to consider various elements—from pacing and sensory details to character psychology and aftermath. Here’s how to make your punch scenes authentic:

A. Build Tension Before the Punch

Foreshadowing Conflict: Build up the tension before the punch is thrown. Is the character agitated? Are there verbal warnings or body language that suggests things are escalating? By slowly ramping up the tension, the eventual punch feels earned and inevitable.

Use Dialogue: A heated exchange of words can make a punch more meaningful. If the punch follows a particularly cutting remark or threat, it adds weight to the action.

B. Focus on Sensory Details

Physical Sensations: Describe not just the punch itself, but how it feels. Does the skin split? Does the puncher’s knuckles scrape against teeth or bone? Is there an immediate sting or delayed throbbing pain?

Sound: The sound of a punch can enhance the realism of the scene. A dull thud as a fist connects with soft tissue, the crack of a bone breaking, or the splatter of blood hitting the floor are all effective auditory details.

C. Show Immediate and Delayed Reactions

Physical Reaction: After being punched, characters rarely shake it off immediately. Staggering, falling, or momentarily losing their vision are realistic reactions. You can also show how the puncher feels—did their hand hurt from the impact?

Emotional Fallout: Punches are often emotional events. Show how your characters feel right after—whether it’s satisfaction, regret, or shock. The emotional weight of a punch can be just as impactful as the physical consequences.

D. Consider the Aftermath

Healing Process: Don’t forget that punches have a lasting impact. A black eye will take days to heal, and a broken nose could require medical attention. Characters might have to deal with soreness, swelling, or difficulty talking and eating.

Ongoing Tension: A punch can dramatically shift relationships. A once-trusting friendship could be shattered, or a bitter rivalry could be born. Make sure to carry the emotional weight of the punch forward in your story.

7. Common Misconceptions About Punching

Many writers fall into the trap of perpetuating unrealistic portrayals of punches. These misconceptions can make your scenes feel less authentic or overly cinematic. Here’s how to avoid them.

A. The Myth of the "Clean Knockout"

Reality: A punch to the jaw might cause a knockout, but it’s not always instant. In real life, knockouts are often messy and unpredictable. The recipient might stagger or struggle before finally losing consciousness, and they could wake up with serious concussions, memory loss, or nausea.

B. Punches Always Cause Immediate Bleeding

Reality: While a punch to the nose often causes immediate bleeding, not all punches result in visible blood. Even when skin splits, it might take a moment for blood to pool and become visible. Bruising and swelling often take hours to fully appear.

C. Punching Doesn’t Always Lead to a Win

Reality: Throwing a punch doesn’t guarantee victory. The puncher could hurt themselves, miss entirely, or end up escalating a fight they weren’t prepared for. Additionally, punches to the forehead or temple might not have the knockout effect portrayed in movies—they could just make the puncher’s hand hurt more than the opponent.

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Quillology with Haya Sameer; a blog dedicated to writing and publishing tips for authors! While you’re at it, don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 

[pinkyjulien]

x

[d8tl55c]

[unboundprompts]

Describing Facial Expressions

-> feel free to edit and adjust pronouns as you see fit.

Eyes and Eyebrows:

His eyes widened

Her eyes went round

Their eyes narrowed

His eyes lit up

Her eyes darted

They squinted

He blinked

Her eyes twinkled with...

Their eyes gleamed with...

His eyes flashed with...

Her eyes burned with...

Their eyes blazed with...

- glowed in his eyes

The corners of her eyes crinkled

They rolled their eyes

He winked

Tears filled her eyes

Their eyes welled with tears

His eyes swam with tears

Tears flooded her eyes

Tears shimmered in their eyes

Tears shone in his eyes

Her eyes were glossy

They were fighting back tears

Tears ran down his cheeks

She squeezed her eyes shut

Their lashes fluttered

She batted her lashes

His brows knitted

Their forehead creased

She furrowed her brows

A line appeared between his brows

Their brows drew together

She raised a brow

His eyebrows rose

They lifted a brow

She wagged her eyebrows

He gave them a once-over

They sized

Her eyes bore into them

He took in the sight of...

They glared

She peered

He gazed

They glanced

She stared

He scrutinized

They studied

She gaped

He observed

They surveyed

She gawked

He leered

Their pupils dilated

Nose:

Her nose crinkled

His nose wrinkled

They sneered

Her nostrils glared

He stuck his nose up

They sniffed

She sniffled

He scrunched his nose

Mouth:

She smiled

He smirked

They grinned

She simpered

He beamed

Their mouth curved into a smile

The corners of his mouth turned up

The corner of her mouth quirked up

A corner of their mouth lifted

Her mouth twitched

He gave a half-smile

They gave a lopsided grin

His mouth twisted

She plastered a smile on her face

They forced a smile

He faked a smile

Her smile faded

Their smile slipped

He pursed his lips

She pouted

Their mouth snapped shut

His mouth set in a hard line

Their lips were pressed into a thin line

She pressed her lips together

They bit their lip

He drew his lower lip between his teeth

She chewed on her bottom lip

Their jaw set

His jaw clenched

Their jaw tightened

A muscle in her jaw twitched

He ground his jaw

They snarled

Her lips drew back in a snarl

His mouth fell open

Their jaw dropped

Her jaw went slack

He gritted his teeth

They gnashed their teeth

Her lower lip trembled

His lower lip quivered

[hrokkall]

panda panda circus circus

[trix1erose]

golden hour in the office

(plus line art + flat colours + only shading under the cut)

[mailb0xbunii]

eggs that i miss a normal amount

alt version n the other stuff

[thecomfywriter]

How to Write Narration/Dialogue in a Child’s Perspective:

navigation post preorder my book! buy me a ko-fi? discord! ToV community!

Heyyo! Welcome to a new #thecomfywritertoolbox post! This question came up in discord (this is for you, @the-letterbox-archives) so I thought I’d write a post about it, since I haven’t done one of those in a while.

Before we get into it—as you can tell, I have a new blog post setup!!! I’m really happy with how it turned out, since i wanted to organize my posts better without having all the links bombarding the bottom. So yes, check out the links above ☝️

Now, without further ado… On writing children’s voices.

｡ ₊°༺❤︎༻°₊ ｡

Age and Developmental Stages:

Children have a very unique perspective in this world, especially since age and time in terms of childhood works completely different to how it works with adults. A two year age gap between a twelve-year-old and a fourteen-year-old can feel monumental due to the development, life stage, and experience each child has. Twelve-year-olds are still newbies in middle school, probably forking around with their friends, going to recess twice a day and needing to ask permission to get something out of their desk (this is based on the Canadian experience lol. Obviously, it differs between countries). Whereas fourteen-year-olds are freshman in high school. TOTALLY DIFFERENT.

so when writing from a child’s perspective, really consider their age as a determining factor.

a kid trying to fit into their new high school and impress their older classmates will talk far more differently than a preschooler, or a middle schooler.

Listen to audios with children of said demographic speaking:

You’ll notice children tend to have a different cadence and pattern of speech. They hesitate on some words, stutter on others, drift off into though mid-sentence, or jump ship and talk about something completely different. The younger they are, the smaller their attention span, and the more filterless they become, because younger children don’t yet have a grasp on social norms, so they’ll tend to speak their mind and ask more questions.

Another thing to consider here, however, is how they were raised. were they raised to be priss and proper, and speak without stuttering? Do they have a speech coach for that?

Questions to consider when addressing the cadence, tone, and patterns of speech of children:

Do they have a lisp that needs addressing?

Do they speak really quickly and forget to take pauses, meaning they have a lot of run on sentences?

Are they emotionally reactive and yell a lot, or switch between moods fairly quickly?

Vocab and grammar!!!

Again, this is highly dependent on the age demographic of your kid, but younger kids are shit at grammar!!! Especially the funky rules of irregular English verbs. It’s harder for a child, who is taught to recognize the conjugation patterns of ‘-ed’ to signal past tense, all of a sudden be told that saying “telled” is wrong. They might make mistakes like that until they are corrected otherwise.

But again, that’s for the younger kids.

Elementary school kids will chipper chapper with their friends and family a lot. They seek to impress most of the time. They’ll get excited over things they know really well and most kids giggle a lot/get excited when it comes to talk about them (some kids have social anxiety and won't, but instead go quiet). When I worked summer camp, the kids would always try to grab me and smile really bright whenever attention was on them and whatever they wanted to talk about. They made a lot of silly jokes, but acted mighty proud whenever people laughed at them. So they’d repeat the joke louder. Again. And again. And again.

It’s an age of asking approval from adults and peers. But also an age when the idea of authority inspires submission, because they regard those authority figures in a higher esteem. So the way an elementary kid will be boisterous and laugh amongst friends is probably not how they’ll talk to adults. Until that adult earns their trust, they might just shrink into themselves and be as small as possible.

Then you have the defiant age group. The preteens to teenagers. They have their own slang, oftentimes. A way to differentiate those from the “in-group” and those on the “out-group”. if the out-group uses their slang, “Eww… that’s so weird. Why are you talking like that? Look at her, she’s trying to be cool, oh my god. That’s so embarrassing.”

Yeah, this is the age where passive aggressive bullying is strong lmao.

Younger kids trying to be mean will be blunt with it: “Your mom smells like old socks!”

Older kids? Older kids will give you stank eyes, lock gazes with their friends, try to fight off a laugh, and then look back at you all sobered up. There’s more exclusivity at this age, but also a wider range of vocab. That vocab is used creatively, as a means to express oneself in a unique way, or as representative to the group they identify with. So bear that in mind.

And then you have young adults but womp womp this is about kids LMAO.

Perspective:

LASTLY… Consider perspective. How does a child see the world? Bright and colourful? Hopeful? Do they notice the butterflies that flutter across the sky, the ones that adults have gotten used to, so their eyes glaze over? Do they smile at every stranger because their parents taught them to always be kind? Do they spot an ice cream truck down the street and LOCK IN before proceeding to plead their parents for money to go buy some?

What are the things the child values? What are the things that they haven’t wrapped their head around yet? if you’re trying to write in the perspective of a child, these are the things to consider.

Oh yeah. Bonus point. Children gets embarrassed TEN TIMES easier than adults do. Specifically preteens and teenagers. Younger children are a bit more shameless, because again… No concept of social norms. But preteens have started to develop this shame and insecurity and MY GOD it burns.

So TLDR:

Consider age demographic (SPECIFIC AGE)

Consider grammar mistakes and vocabulary limitations

Differences in peer-peer interactions vs adult-child interactions

Consider perspective

Cadence, tone, and speech patterns

Watch videos and observe the way children speak in different contexts

｡ ₊°༺❤︎༻°₊ ｡

That’s all folks! Have a mighty bopping Saturday!

Happy Writing!

[thewriteadviceforwriters]

The Mini Guide to Crafting Compelling Royal Characters for Fiction Writers

Creating royal characters can be both exciting and challenging. These regal figures often play pivotal roles in stories, capturing readers' imaginations with their power, privilege, and the weight of responsibility they carry. Whether you're writing historical fiction, fantasy, or contemporary novels featuring monarchs, this comprehensive (mini) guide will help you develop authentic, multi-dimensional royal characters that will resonate with your readers.

Understanding the Basics of Royalty

Before diving into character creation, it's essential to have a solid grasp of what royalty entails. Royalty typically refers to members of a ruling family, including kings, queens, princes, princesses, and other nobles within a monarchical system. These individuals are often born into their roles, though some may ascend to power through marriage or other means.

Key aspects to consider:

Hierarchy and succession

Royal duties and responsibilities

Protocol and etiquette

The concept of divine right (in some cultures)

The relationship between royalty and their subjects

Remember, while these elements are common in many royal systems, you have the creative freedom to adapt or reimagine them for your fictional world.

Developing Your Royal Character's Background

Every character, royal or not, needs a rich backstory. For royal characters, this background is particularly crucial as it shapes their worldview, values, and decision-making processes.

Consider the following:

a) Lineage: What is your character's family history? Are they from a long-standing dynasty or a newly established royal house?

b) Upbringing: How were they raised? Were they groomed for leadership from birth, or did they have a more sheltered upbringing?

c) Education: What kind of education did they receive? Was it formal, focusing on statecraft and diplomacy, or more well-rounded?

d) Relationships: How do they relate to their family members, courtiers, and subjects?

e) Personal experiences: What significant events have shaped their character and outlook on life?

Crafting a Unique Personality

Avoid the trap of creating one-dimensional royal stereotypes. Your character should be as complex and nuanced as any other well-developed protagonist or antagonist.

Consider these aspects:

a) Strengths and weaknesses: What are your character's admirable qualities? What flaws do they struggle with?

b) Motivations: What drives them? Is it a sense of duty, personal ambition, or something else entirely?

c) Internal conflicts: What personal struggles do they face? How do these conflicts affect their rule and relationships?

d) Hobbies and interests: What passions do they pursue outside of their royal duties?

e) Sense of humor: How do they express humor, if at all? Is it dry wit, sarcasm, or something else?

Balancing Power and Vulnerability

One of the most intriguing aspects of royal characters is the juxtaposition between their immense power and their human vulnerabilities. This balance can create compelling internal and external conflicts for your character.

Consider:

The weight of responsibility and its impact on their personal life

The isolation that often comes with a royal position

The constant scrutiny they face from the public and court

The struggle between personal desires and duty to the crown

Creating a Believable Royal World

Your royal character doesn't exist in a vacuum (I hope not). They're part of a larger royal ecosystem that includes family members, advisors, courtiers, and subjects. Developing this world adds depth and authenticity to your story.

Key elements to consider:

Court dynamics and politics

Relationships with other noble houses or kingdoms

The role of advisors and how they influence decisions

Traditions and customs specific to your royal setting

The economic and social structure of the kingdom

Addressing the Challenges of Royal Life

Royal characters face unique challenges that can drive your plot and character development. Some common themes include:

a) Succession disputes b) Balancing personal happiness with duty c) Navigating political alliances and conflicts d) Managing public opinion and maintaining legitimacy e) Dealing with threats to their rule or life

Use these challenges to create tension and drive your story forward while revealing more about your character's personality and values.

The Impact of Historical Context

If you're writing historical fiction or a fantasy inspired by real-world monarchies, it's crucial to consider the historical context. Research the time period and culture you're drawing from to ensure authenticity in your character's behavior, beliefs, and challenges.

Key areas to research:

Social norms and expectations of the time

Political systems and power structures

Technology and its impact on governance

Religious beliefs and their influence on royalty

Gender roles and how they affect royal duties and succession

Avoiding Common Pitfalls

When creating royal characters, be mindful of these common mistakes:

a) Making them too perfect or too villainous b) Ignoring the realities of royal life (e.g., lack of privacy, constant duties) c) Overlooking the impact of their decisions on their subjects d) Failing to show growth or change over the course of the story e) Relying too heavily on stereotypes or clichés

Incorporating Royal Etiquette and Protocol

Royal characters often adhere to strict codes of conduct and protocol. While you don't need to become an expert in royal etiquette, incorporating some of these elements can add authenticity to your story:

Forms of address (Your Majesty, Your Highness, etc.)

Court ceremonies and rituals

Dress codes and regalia

Rules of precedence in social situations

Diplomatic protocols when interacting with other royals or dignitaries

Exploring Different Types of Royal Characters

Remember that not all royal characters need to be ruling monarchs. Consider exploring other royal roles, such as:

The rebel prince or princess who rejects their royal duties

The reluctant heir thrust into power unexpectedly

The exiled royal fighting to reclaim their throne

The royal spouse adapting to life in the palace

The illegitimate child discovering their royal heritage

Each of these archetypes offers unique storytelling opportunities and challenges for character development.

Balancing Historical Accuracy and Creative License

If you're writing historical fiction featuring real royalty, you'll need to strike a balance between historical accuracy and creative interpretation. While it's important to respect known facts and timelines, you also have the freedom to explore the inner lives and motivations of these historical figures.

Tips for balancing accuracy and creativity:

Thoroughly research the historical figure and their time period

Clearly differentiate between historical fact and fictional interpretation

Use author's notes to explain any significant departures from known history

Focus on filling in the gaps in the historical record rather than contradicting established facts

Developing Royal Character Arcs

Like any well-rounded character, your royal protagonist should undergo growth and change throughout your story. Consider how their experiences might challenge their beliefs, alter their perspective, or force them to confront their flaws.

Possible character arcs for royal characters:

From naive idealist to pragmatic ruler

From reluctant heir to confident leader

From isolated monarch to connected leader who understands their subjects

From power-hungry tyrant to benevolent ruler (or vice versa)

Remember, character growth doesn't always have to be positive. Sometimes, the most compelling stories involve characters who face moral decline or tragic falls from grace.

Remember, while the trappings of royalty may be grand, at their core, your royal characters are still human. They love, fear, hope, and struggle like anyone else. It's this humanity, set against the backdrop of power and responsibility, that makes royal characters so fascinating to read and write about.

Happy writing, - Rin T

Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!

[hayatheauthor]

Writing Rage: How To Make Your Characters Seem Angry

Anger is a powerful emotion that can add depth and intensity to your character's personality. If you're facing issues realistically expressing your characters' rage, here are some quick tips to help you get the ball rolling. Whether your character is seething with quiet rage or exploding in a fit of fury, these tips will help you convey their emotions vividly to your readers.

This is blog one in my writing different emotions series. Go check it out to explore more emotions!

Facial Expressions

Furrowed Brows: Describe the deep lines between their eyebrows, signaling frustration or intensity.

Tightened Jaw: Mention their clenched jaw, indicating suppressed anger or tension.

Narrowed Eyes: Highlight how their eyes narrow, showing suspicion, irritation, or anger.

Raised Upper Lip: Note the slight curl of the lip, suggesting disdain or contempt.

Flared Nostrils: Describe how their nostrils flare, indicating heightened emotions like anger or aggression.

Body Language and Gestures

Crossed Arms: Show their defensive stance, portraying resistance or defiance.

Pointing Finger: Describe them pointing accusatively, conveying aggression or assertion.

Fist Clenching: Mention their clenched fists, symbolizing anger or readiness for confrontation.

Hand Gestures: Detail specific hand movements like chopping motions, indicating frustration or emphasis.

Aggressive Posturing: Describe them leaning forward, invading personal space to intimidate or assert dominance.

Posture

Tense Shoulders: Highlight their raised or tense shoulders, indicating stress or readiness for conflict.

Upright Stance: Describe their rigid posture, showing control or a desire to appear strong.

Stiff Movements: Mention their jerky or abrupt movements, reflecting agitation or impatience.

Eye Contact

Intense Stares: Describe their intense or prolonged gaze, signaling confrontation or challenge.

Avoiding Eye Contact: Note how they avoid eye contact, suggesting discomfort or a desire to disengage.

Glaring: Mention how they glare at others, conveying hostility or disapproval.

Dialogue

Raised or strained tone with variations in pitch reflects heightened emotions.

Short, clipped sentences or abrupt pauses convey controlled anger.

Use of profanity or harsh language intensifies verbal expressions of anger.

Volume increase, from whispers to shouts, mirrors escalating anger levels.

Monotonous or sarcastic tone adds layers to angry dialogue.

Interruptions or talking over others signify impatience and frustration.

Aggressive verbal cues like "I can't believe..." or "How dare you..." express anger explicitly.

Reactions

Physical Reactions: Detail physical responses like increased heart rate, sweating, or trembling, showing emotional arousal.

Defensive Maneuvers: Describe how they react defensively if someone tries to touch or talk to them, such as stepping back or raising a hand to ward off contact.

Object Interaction

Aggressive Handling: Show them slamming objects, throwing things, or gripping items tightly, reflecting anger or aggression.

Use of Props: Mention how they use objects to emphasize their emotions, like slamming a door or clenching a pen.

Descriptive Words:

Verbs:

Roared with fury, expressing unbridled anger.

Snapped in frustration, indicating sudden irritation.

Shouted angrily, releasing pent-up emotions.

Glared fiercely, showing intense displeasure.

Slammed objects in rage, symbolizing anger's physical manifestation.

Grunted in annoyance, displaying impatience.

Raged vehemently, portraying uncontrolled anger.

Adjectives:

Furious and incensed, conveying intense anger.

Seething with rage, bubbling beneath the surface.

Livid and fuming, exhibiting visible anger.

Agitated and irritated, showing growing impatience.

Enraged and wrathful, expressing extreme anger.

Vexed and irate, indicating annoyance.

Infuriated and incandescent, highlighting explosive anger.

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 

[projecttreehouse]

tips for setting the scene

it’s easy to get caught up in dialogue or a character’s internal dialogue and forget altogether that they, too, exist in their own physical world. as authors, it’s primarily our job to convey the exact amount of information: the reader is on a need to know basis, but they also need to know enough to draw their own conclusions. i’ll admit, it’s a difficult task, but here are some tips to help set a scene:

- imagine the world from the eyes of your character: how do they see things? do they see the big picture first or are they drawn to smaller details that others don’t often notice? what’s pulling their attention away from the action or their own thoughts?

- breathe life into your scenes: i don’t mean the english teacher’s equivalent of “the curtains were blue means that the character is sad.” i’m talking about the blue filter in Twilight that conveys the “constant cover of clouds and rain” and the shift from the Arizona desert to the cool Pacific Northwest. think about all the small details that convey information about a scene and allow the readers to make inferences. if the character walks along a street and the yards shift from overgrown hedges with frayed yard chairs and a birdbath containing a mini swamp to yards with freshly cut grass with white picket fences and ornate wreathes hanging on the doors, you’re providing all of the details for readers to make an inference. context is needed, too, but that will be provided in the whole of your novel or short story. don’t be afraid to provide details and use figurative language.

- spread out your details: did you feel bombarded in the last tip? i provided a lot of details quickly, all at once, without spreading them between action, dialogue, or internal dialogue. i’m not going to stop you from being the next J.R.R. Tolkien if that’s how you like to write, but try not to overwhelm the reader with details all at once. it will feel more natural if you spread things out and allow the reader to feel as if they, too, are with the character in their environment. this is more of a stylistic tip, so take it with a grain of salt and think about what will work best for your novel. always go back to that and to what your character is seeing. how is this all playing out for them? how can you put feeling into the scene?

- place your characters within the scene: where are they in their environment? how are they interacting with the people or objects in it? what do they think about these things? you don’t need to tell the reader everything your character does, but provide enough information so that we don’t get lost in their movement or stagnation. it helps to have someone else read your work if you’re struggling with this part. if they’re lost as to where the character is or what they’re doing, chances are a good portion of your readers will be confused, too. check out your prepositions. are there too many? too few? use them, but don’t abuse them.

happy writing! if you need help setting a scene or have any questions, our ask box is always open!

[erikatsu]

to those who are unfollowing people who are reblogging/speaking/doing what they can to spread word about gaza and the genocide, you are part of the problem. it enrages me– and not because you’re unfollowing. but because you are actively choosing to ignore it. i don’t have a big following, or even a decent one compared to some of my mutuals, and i dont care if i lose every single one of you if it means supporting those still fighting for their lives and those who have already lost them. i may not be able to donate, or to go to the protests, but i can AND I WILL use what little following i have here to do what i can.

do better than our world leaders. do better than what you currently are. because everyone speaking about gaza, or boosting posts about the situation would be doing the same for you if it were the people of your country being wiped off the map. even if you don’t have a lot of followers, one more person speaking out on social media is another voice for someone who has lost theirs.

so go ahead and unfollow me. stay silent, if you want. i don’t want small minded people here. i don’t want anyone who supports genocide here. this entire thing is so much bigger than you, and yet you as one person can still help. the posts you scroll past, the posts you unfollow for, can reach someone who can do even more than you or i could. for a website that preaches kindness and acceptance im seeing a lot of avoidance and an unwillingness to help.

[emahriel]

as my good friend and i like to remind each other:

don't yuck people's yum. if you do so, at least keep it in the dms. no point in making people feel absolutely miserable for liking a certain thing, for having an oc you don't like - whatever it is. people constantly hating just for the sake of hating truly sour the fandom experience on social medias. there's a problem if the only way you feel better is by making others feel like crap.

and you, who shares the things you love online, who creates original characters and talks about their ships - know that you will never be able to please everyone and that's okay. don't let it stop you from sharing what you love, if it brings you happiness then keep doing it. you don't owe anyone anything, if what you like somehow upsets people, they can very easily just block you and move on. it's really that simple!

[viscardiac]

Fictional worldbuilding

I have this list I compiled of topics for developing of countries, whether fantasy based or not, and it seems to be a useful resource to share. Feel free to use this list to develop your own lore, but DO NOT claim it as your own or repost. It's pretty long, but I think it covers a lot of relevant topics for worldbuilding.

General

∎ Country name - Etymology if possible - Reasons for the name ∎ Does it take inspiration for a historical time period, aesthetic, or culture ∎ What sort of government is it

Important Places

∎ Main cities - Layout of the city - Economic or historical importance ∎ Other cities and places of importance - Ports - Mine cities - Scholarly cities ∎ Seasonal or turistic places

Climate and Terrain

∎ Important lakes, rivers, mountain chains or other geographically relevant places ∎ Seasons ∎ Climate in general ∎ How does the terrain affect daily habits ∎ Important plants - Agriculture - Crops for export ∎ Important animals - Livestock

Government

∎ System of government - Nobility/aristocracy -- Titles and inheritance/eligibility of titles - Merchant class ∎ Current and past rulers

Social customs

∎ Entertainment - Common forms of entertainment - Games - Cultural/social forms of enterteinment (go to parties/go to the movies/go out to eat/etc) ∎ Seasonal entertainment - Vacations - Seasonal high class customs ∎ Customs regarding reading and books ∎ Customs towards addictive substances - Alcohol - Tobacco - Opioids - Other stuffs ∎ Education and educational system ∎ Houses - Home layouts - Common things in houses ∎ Rites of passage - Age to be presented as adult to the society and customs regarding it ∎ Manners and behaviour in public ∎ Religion - Possible gods - Holidays - Festivals ∎ Customs regarding music - Musical instruments

Notions of family

∎ Inheritance laws ∎ Marriage and concepts of marriage - Marriage rituals - Who is allowed to wed who - Divorce - Customs toward conjugal and domestic violence - Polygamy -- Extraconjugal affairs --- Bastards ∎ Adoption ∎ Division of domestic labor and roles

Economy

∎ Coin and values ∎ Important internal products ∎ Main imports ∎ Main exports ∎ Important commercial relations

Fashion

∎ Common feminine fashion ∎ Common masculine fashion ∎ Concepts about clothing - What is seen as vulgar - What is seen as desirable ∎ Fashion and rites of passage ∎ Hairstyles and adornments

Names and language

∎ Base language ∎ Linguistic influences ∎ Working of names - Family names -- Patronymic and matronymic - Personal names

Magic and technology

∎ Magic - Practice of magic - Permissions within magic - Common and uncommon forms of magic ∎ Magic creatures of importance ∎ Level of technology ∎ Daily uses of technology

[creaturefeaster]

finnnnally got myself to draw something