#What Is an Advanced ART Training Course?

[expanding-our-channel-lineup]

Why RVR School of Photography is Your Gateway to a Thriving Photography Career

Introduction: Photography as a Career There is a huge market gap and in this gap the art of photography career has come up from being just a hobby to a fully fledged profession. Apart from media and advertisements, photography career  now have a significant opportunity in fashion and social media also. At the RVR school of photography, we focus on the development of such skills and taking enthusiastic photographers as our students, we convert them into professionals. Our students have already worked with TCS, Wipro, Times amongst others. This speaks volumes of our training and the changing perception of the employers towards our students.

1. The Growing Demand for Professional Photographers

It became quite apparent that there is an increased need for photographers not only for social functions or individual projects but rather for the e-commerce, media and fashion industries. As marketing experts seek to impress customers with great product photography, storytelling, and other visual elements, skilled photographers are in high demand. Demand for photographers has exploded virtually with the advent of the digital age. At the RVR school of photography, we take the students through the necessary training, which will encourage  them to built their photography career with all the needs to succeed as photographers in the current market situation.

2. Why Choose RVR School of Photography?

At RVR, we don’t only teach photography; we build photography career. This is what makes us unique:

Comprehensive Curriculum: In our courses, we start with the basics of photography and proceed to advanced editing, lighting, and image processing.

Industry Trained Faculty: Our teachers have more than just teaching as they have been active photographers themselves and know what it means to be in the profession.

Practice: Theory is not enough for us. The program has lots of practical sessions for the learners to further their skills and techniques.

Career Counselling and Job Placement: RVR pays particular attention to all students. Many of our students have received jobs in the companies that qualified them.

3. Courses Offered at RVR School of Photography

Our programs target all  photographers to buit there photography career  at all levels. That’s new photographers who want to acquire basic skills and professional ones who wish to perfect their skills.

 Beginner Photography Course: Photography course for beginners covers the fundamentals how to hold and use a camera, basic light, composition, and how to take pictures. This is an appropriate course for everyone who has never taken a photograph; hence, this course provides a good base.

Advanced Photography Course: In our Advanced Course, some students are equipped with more advanced skills in low-light techniques, portrait photography, and image retouching so that they will be able to manage more difficult work and high quality tools.

Specialized Photography Courses: We have organized specialized courses, such as Fashion Photography, Landscape Photography, and Wedding Photography that let the students develop much interest in the specific field of their choice.

Editing and Post-Production: Our courses on editing and post-production concentrate on industry-recognized tools such as Adobe Photoshop, Adobe Lightroom, and other similar programs. In this digital age, editing techniques are indispensable in content creation, and our students are well trained in those techniques.

RVR School: Paving the Way to Photography Excellence and Shaping the Future of Creative TalentBy Simran

4. Photography Career: Gain Real-World Experience and Build a Stunning Portfolio

In the same mindset, it is quite safe to say that a photographer’s portfolio is their visual CV, one of the most vital components needed to utilize their expertise and up to clients and or employers. At RVR School of Photography, we believe having an impressive portfolio is of utmost importance especially when starting a career as a photographer. 

Students of RVR have opportunities to participate in real product photoshoots, fashion editorials, etc, which are supervised by the instructors. These projects not only sharpen their practical skills but also prepare students to work in the real world where they have to please people, and complete the tasks given to them on time.

Such projects are led by instructors who are experienced practitioners in the industry and have mentored the students themselves through projects. They help the students with their feedback and how to use techniques that will help the students create an artistic identity that is uniquely theirs.

Also we encourage active learning through portfolios and conduct regular practice in fine al placement where students are given constructive feedback on their work. Feedback always highlights where the student is strong and where the student has room for growth so that the end product is always balance and professional.

5. RVR School of Photography Alumni Success Stories

Our students have to achieve great milestones by getting jobs in well-known companies such as TCS, WIPRO, TIMES, et cetera. These milestones achieved by some of our students bring glory to our school and prove that the training we provide has immense value in the field.

Some of our alumni who have been successful are:

Ravi Sharma: Worked with times as a corporate photographer and covered events of the high management.

Sneha Kapoor: Worked in the TCS marketing team and was involved in the creation of visuals for the campaigns.

Arjun Mehta: Worked as a fashion photographer in Wipro showcasing their apparel lines in the most appealing way.

These stories inspire our students and demonstrate the quality of training they receive at RVR.

6. Photography Career Skills You’ll Master at RVR School of Photography

The skills our students achieve go beyond the basics:

Mastering Composition: Composing a frame that tells a story with a thousand visual elements.

Lighting Techniques: Using natural and artificial lighting for accentuation and photography.

Editing Mastery: Students’ skills with tools such as Adobe Photoshop, Light room, and others.

Client Management: How to handle clients and their expectations and how to put them to fruition.

7. photography Career Paths After Completing a Photography Course

A degree from RVR School of Photography helps in getting various types of jobs:

Corporate Photographer: Photograph brand images, teams, events.

Fashion Photographer: Work with Brands, models, and designers.

Freelance Photographer: Own Photography business.

Media Photographer: Creative visual images for stories for newspapers, magazines.

With our guidance, students can tailor their skills to the path that suits them best.

8. How RVR School of Photography Supports Your photography Career

We don’t stop with the coursework only, it doesn’t end there. We help them to bulit their photography career:

Placements: With a reach over leading employers like TCS, Wipro and Times. We place students at the best jobs available. TCS, Wipro and Times

Networking Events: We provide events to the students where they meet potential employers and industry leaders (Photography).

Career Counseling: Counseling for photography career selection, for portfolio development, for interview skills etc.

9. Why Photography is a Lucrative Career Choice

Modern-day photography has reached unbelievable heights and most people have accepted it as an industry that encompasses numerous photography career opportunities. Photography career is self-employment, creativity and self actualization all in one package.

Consistently Develops:There is no industry today that does not have specialization in photography career. Companies reach out to professional photographers in other sectors such as marketing, advertising, content creation and social media. The same expertise is requested for events such as weddings, business meetings or product launches. It creates a continuous search for new talented professionals in detail work and creative design.

Different photography Career Opportunities:Several professional paths are available even when one has selected the field of phototgraphy. People of all skills and preferences: travel, fashion, wildlife, food, event and much more can all find their field in photography. Freelancers have freedom to select jobs, individuals focusing on photography career in occupations have a fixed salary and constant work.

Financial Stability and Growth:Would you consider photography career as an art or a business? For any professional photographer, it’s both. On the one hand, established photographers can offer a large range of services as well as find themselves to have long-term relationships with their clients. For instance, wedding photographers have good returns in each event during the busy season. On the other hand, commercial photographers working for top companies can receive good commissions on their projects as well.

Freelance Freedom:If you are one of those people that does not like having a boss, freelancing enables you to live a different lifestyle. A photographer who works on a one-off basis gets to select what project to work on, when to work, and how to sell themselves. This path of employment also means you can work with brands from a different country which means other markets always exist.

10. How to Apply to RVR School of Photography

Do you want to begin your photography career? The application to RVR is straightforward and needs no additional stress:

Look at our Site:  RVR SCHOOL OF PHOTOGRAPHY

Select the Desired Course: Review the courses we offer and select the course you want.

Utilize the Application to Apply: Complete the provided form with the required information.

Meet Our Team For An Interview: Here we evaluate your interest in pursuing photography career and your vision.

Our admissions team is here to help you through each step.

Conclusion: Start Your Photography Career with RVR School of Photography

Photography is not simply a play of light and chemistry, but rather a story, an imagination, and a moment that strikes the heart of many. A photography career is endless since it can either be an exploration of artistic vision or a stable and rewarding profession. RVR School of Photography offers world-class training that combines sound theoretical knowledge with practical experience to make sure our students are industry-ready from day one.

Our professional mentorship builds students’ technical abilities and the assurance that they can succeed in a competitive marketplace. We help them create a solid portfolio, which is the foundation of every successful Registrant photographer, and we prepare them for different photography career paths from freelancing to working with renowned companies.

Whether you aspire to be a fashion photographer, specialize in stunning landscapes, or focus on corporate and media photography, RVR School of Photography is the best starting point. Our graduates speak volumes about the quality of education we offer, as many have attained outstanding milestones in their photography career.

Keep your passion for photography as a hobby, or let it change your life. RVR School of Photography provides tailored mentoring, world-class infrastructure, and an energetic learning environment to help you make creative dreams a successful photography career.

So what are you waiting for? Take action today, and allow us to guide you in unlocking your potential and creating an enjoyable career in photography. Become a student at RVR School of Photography, and see your passion become a successful professio

[kathaynesart]

As a Raph enthusiast, I would love to hear more fun facts about Replica!Raph! If you want to give them of course :]

I DO enjoy talking about Raph! I feel bad because he doesn’t get nearly as much screen time in Replica but he will still have a big part to play in it, especially in the upcoming chapter. Have a few fun tidbits about him under the cut:

Raph was badly injured when the Krang attacked their lair shortly after the fall of the Hidden City. Donnie was forced to basically keep him on life support that he created with his own Ninpo (which he could only keep up for so long). It was one of the major reasons Leo decided to reach out to the Central Park Colony for help.

You may notice Raph no longer has his iconic "x" bandages on his chest. They were removed back when he was first brought in to the Central Park colony because the doctors assumed he had been injured underneath. It was tossed out along with the other bloody bandages and Raph is still a little sad about it since I always head-canon that it was a wound his father dressed when he was little.

Raph became Uncle 1 to Casey Junior after his birth, though all of them are basically like uncles to him. Sadly he did not get to spend much time with CJ before the fall of the Central Park colony, maybe a few years.

Raph Ninpo definitely became more powerful but he was more focused on helping Leo lead rather than advancing his skills. What's more Raph's training tended to focus more on increasing his own physical strength rather than his mystic abilities.

He has however, advanced his Ninpo where he can use his "alternate copies" across vast distances and use them for reconnaissance or communication with his brothers (though it's usually not necessary since Donnie has communication covered).

He also can make a lot of copies of himself now. Like... A LOT. We're talking Naruto levels of cloning ninjutsu. Though it does take a lot out of him (which is why he trained so hard in increasing his stamina). Raph is a "work harder" rather than "work smarter" kind of guy even in adulthood.

Note: I'll be going more in depth with some of these details and include accompanying art once I get the patreon up and running after the Special is done! Soon...

[ms-snape]

Can you pretty please write an imagine about having a toddler/baby with Snape and him who was originally against kids, suddenly develops baby fever and starts hinting (but it gets progressively worse and less of hints and more obvious and straight up saying) about having another baby?

Thank you in advance!!!!!🥹☺️

Title: Another One

Warning: None

Words Count: 3000+

Masterlist

---

Severus Snape had never been a man for children. It wasn’t that he despised them or lacked the capacity to care, but children had always felt like a distant and unnerving concept to him. They were noisy, unpredictable, and he couldn’t quite figure out how to connect with them. His life had always been consumed by darker thoughts—by the looming shadows of his past, the weight of his mistakes, and the mission that had occupied so much of his energy and time.

So when his wife, Y/N, had approached him with the news of their first pregnancy, he had not responded with joy or excitement. Instead, there was a hollow feeling in his chest, a sinking sensation that he couldn’t ignore. He’d always been content with the life they had built together—a life that had started slowly, cautiously, and with much hesitation on his part.

But somehow, Y/N had won him over. Her gentle presence had been his anchor for years. She had seen past the mask of bitterness and mistrust that he wore, had understood the complexities of his soul better than anyone else ever had. And for reasons he could not fully comprehend, he had agreed to become a father with her.

Their daughter, Ella, had arrived in the middle of the night, a small bundle of soft skin and wailing cries. Severus had stared at her in stunned silence as Y/N held her in her arms, the newborn’s tiny face scrunched up in indignation at the world. He had been terrified. Terrified not of the birth—he had been present, of course—but terrified of the responsibility, of the unknown.

But now, months later, he found himself in the nursery, staring down at the small bundle that lay in the crib before him. Ella was a few months old now—perhaps four, though time had lost its sharp edges in the haze of new parenthood. She was the light of their home, her dark eyes gleaming with an innocent wonder that made Severus’s heart ache in ways he didn’t quite understand.

“Ella,” he murmured softly, bending down to look at his daughter as she lay there, her tiny hands waving in the air, her chubby little cheeks pink from sleep. A soft gurgle escaped her lips, and Severus found himself smiling—an unfamiliar, fragile expression that felt almost foreign.

She adored him. That was the most startling thing about being a father. Ella didn’t just like him. She adored him. She would reach out for him when he entered the room, her tiny fingers grasping for his hands as though she knew exactly who he was. And every time he picked her up, he felt that little pulse of warmth in his chest, that overwhelming sense of purpose he never knew he could have.

But the problem was, he didn’t know how to be a father.

He had spent his life training in Potions, in dark arts, in the art of deception. He had faced death, betrayal, and sorrow. But none of that prepared him for this—being a parent, holding a tiny human who relied on him completely. He had no idea what he was doing.

Y/N, of course, was incredible at it. She had an instinctive ability to calm Ella, to make her laugh with a simple smile, to soothe her with the soft lilt of her voice. Severus had no such talents. His voice was too harsh, too low. His movements were often stiff, and sometimes he felt utterly overwhelmed by Ella’s needs—feeding, changing, the constant vigilance required to keep a baby happy.

But Ella, in her innocent way, didn’t seem to mind. She loved him, and she trusted him. That fact alone terrified Severus.

One evening, as he sat in the armchair by the fire, reading a particularly complex potion manual, Y/N came into the room with Ella cradled in her arms. Ella’s tiny face peeked out from under a soft knitted blanket, her dark hair sticking up at odd angles.

“You’re not reading that nonsense to her, are you?” Y/N asked, a teasing smile playing on her lips.

Severus’s eyes flickered up from his book, irritation curling at the edge of his thoughts. “I’m not reading it to her,” he replied gruffly, setting the book aside with a slight wave of his hand. “I’m reading it for myself. You’ll forgive me if I don’t resort to nursery rhymes.”

Y/N chuckled, settling into the chair next to his. She lifted Ella so that the baby could gaze at her father, her tiny hands reaching out with wide eyes full of wonder.

Severus swallowed, his heart thumping.

Ella’s gaze locked with his, and she gave a small, gurgling giggle. His lips twitched in the faintest of smiles. The noise seemed so absurd to him, this soft, childish sound, but it filled him with a strange pride, a warmth he couldn’t quite shake.

“You’re making it hard to be mad at you when you look at me like that,” Severus muttered, his voice rough.

Y/N laughed softly, the sound a gentle melody that seemed to lighten the weight on his chest. She leaned over and kissed him on the cheek, careful not to disturb the baby between them. “She’s going to be just like you,” Y/N said quietly, her voice soft with affection. “She already is.”

Severus looked at Ella again, his eyes softening. She was still giggling, her hands now reaching for the thick fabric of his robe. He let out a sigh, a mixture of exasperation and wonder.

“I never asked for this,” he admitted, his voice low. “I never wanted… this.”

Y/N glanced at him in surprise, her brow furrowing slightly. “But you’re doing wonderfully, Severus. Look at her. Look at how she looks at you. She adores you.”

His gaze flickered to the baby in her arms, and he saw that glimmer of trust again in Ella’s eyes. It both warmed and unnerved him. “I don’t know what I’m doing, Y/N. I wasn’t… prepared for this.”

“You never could have been,” she replied gently. “No one is. But you’re doing your best, and that’s enough.”

Severus’s gaze dropped to his hands, his fingers fidgeting in his lap. “I don’t know if it is enough,” he muttered. “I don’t know how to… be a father.”

Y/N’s voice softened, and she leaned closer, placing a hand on his arm. “You’re doing just fine, Severus. You love her. That’s all that matters.”

For the briefest moment, Severus let himself believe her. His mind wandered back to Ella’s first few months—how she would sometimes cry, and he would feel completely useless. How she would smile at him, and it would feel like a blessing he didn’t deserve.

But recently, something else had begun to stir in his chest, something he couldn’t ignore. It was an ache, a longing.

He wanted another child.

He didn’t understand it. It was absurd, really. After all, he had never wanted children. He had thought one was more than enough. But as the days passed, and he spent more time with Ella, he found himself wondering about the possibility of another child. A son, perhaps. Another daughter. The thought haunted him, and he couldn’t shake it.

He never told Y/N. He never even spoke about it, not aloud. He wasn’t sure how she would react. Would she think him mad? Would she want more children, or had she, like him, thought one was enough?

Severus’s gaze lingered on Ella for a long time, his thoughts swirling with uncertainty and hope.

As Ella grew older, the ache only grew stronger. But he kept it to himself. He didn’t want to bring it up, didn’t want to risk disrupting the quiet peace they had found in their little family.

One evening, Y/N and Ella were asleep. Severus stood by the window, gazing out at the darkened grounds of their home, lost in thought. His fingers brushed the edge of the windowsill as he stared out into the night.

What if they had another baby?

The thought seemed both impossible and deeply desirable at once. But he wasn’t sure he could handle the pressure. He wasn’t sure he was ready.

His fingers tightened on the sill, but the decision was still uncertain, and for now, he would keep it to himself.

For now, he would wait.

The night had settled over their home in a tranquil hush. The only sound was the soft crackling of the fire in the hearth, casting a gentle flicker of light across the darkened bedroom. Y/N was curled against Severus’s side, her breath steady and calm in the silence of their shared space. Ella, for once, was asleep in her crib beside them, the rhythmic sound of her breathing an almost comforting backdrop to the otherwise quiet evening.

Severus’s gaze rested on Y/N’s face, the soft contours illuminated by the firelight. There was a serene beauty in the way she slept—unburdened, content. He envied that peace. It had been several months since Ella’s birth, and while he had grown accustomed to the joys and trials of fatherhood, there were still moments when he found himself uncertain, questioning his place in this new life they had created.

His fingers traced the curve of Y/N’s shoulder, and she stirred slightly, a faint smile crossing her lips without fully waking. Her hand found his, and she squeezed it gently, a wordless acknowledgment of his presence beside her.

For a long while, Severus simply lay there, trying to calm the anxious thoughts that kept spinning in his mind. His heart—usually so guarded—had become more and more open with each passing day, and now, with the flickering fire and the soft rhythm of Y/N’s breathing, he knew there was something he needed to say. Something he had been too afraid to admit, even to himself.

He wanted another child.

The idea had lingered in his mind for weeks, growing steadily, quietly. He had always been hesitant about the idea of fatherhood, but now… now he found that the thought of Ella having a sibling—of their family growing—wasn't just a fleeting fancy. It was a longing.

He turned onto his side to face her, watching the rise and fall of her chest. He could feel the weight of the words pressing against his tongue. He needed to say it. He had to. And yet, as always, there was a lingering hesitation. What if she didn’t feel the same? What if she thought he was mad?

Y/N stirred once more, her eyes fluttering open to meet his. Her lips curved into a soft smile, and her voice was a quiet murmur in the darkened room. “Severus?”

“I’ve been thinking,” he began, his voice rough but steady, “about… something...”

Her brow furrowed in the dim light, and she shifted slightly, propping herself up on her elbow. There was a flicker of surprise in her eyes, but she said nothing, waiting for him to continue.

He swallowed, his pulse quickening as he spoke, his words tumbling out more quickly than he intended. “Ella’s growing up, and I…” He hesitated, trying to gather the right words. “I don’t know. I just—”

Before he could finish, a loud, shrill cry interrupted him.

Ella.

The sound of their daughter’s wailing echoed through the room, cutting through the tension between them like a knife. Severus froze, his words forgotten in the face of his daughter’s distress. Y/N immediately sat up, her hand already reaching for the edge of the bed.

“I’ll go,” she said, her voice soft but full of concern. “Stay here.”

“No,” Severus said, his voice sharper than he intended. “I’ll do it.” He swung his legs over the side of the bed, his feet touching the cold wooden floor with a soft thud.

Y/N looked at him for a moment, then nodded, though the expression on her face betrayed a hint of disappointment. “Alright.”

Severus stood, his body stiff with the weight of the unfinished conversation. He hesitated for just a moment, casting a glance back at Y/N. She had already settled back down on the bed, her hand resting lightly on the pillow as she waited for him to return.

With a deep sigh, Severus walked toward the crib, where Ella’s cries were growing louder by the second. He found her thrashing, her little hands reaching out toward him in the dark, her face scrunched up in discomfort. For a moment, he felt that familiar wave of helplessness wash over him. What had caused the crying this time?

“I’m here, Ella,” he murmured softly, reaching down to lift her into his arms. The moment her tiny body was against his chest, the crying slowed, though she still sniffled, rubbing her eyes with the back of her hand. Her small face looked up at him, her dark eyes locking with his, and for the briefest moment, Severus forgot all about his internal turmoil.

She was his daughter. She needed him.

His heartbeat slowed as he rocked her gently in his arms. Her tiny fingers curled around the fabric of his nightshirt, and the soothing rhythm of the moment seemed to ease some of the tightness in his chest.

As he stood there in the dark, holding Ella close, he realized something—he didn’t know what the future held. He didn’t know if Y/N would agree with his desire for another child. But he did know one thing: he wanted to try. He wanted to take that step with her. He didn’t want to regret not saying something.

He sighed softly, looking down at Ella, her cries subsiding into soft hiccups. He whispered a small lullaby under his breath, one his mother had sung to him when he was a boy, though he hadn’t thought of it in years. Ella’s eyelids fluttered, and within moments, she was asleep again in his arms, her tiny chest rising and falling with the slow, steady rhythm of deep slumber.

He placed her back gently in her crib, careful not to wake her again, and lingered for a moment by the side of the bed. The room was quiet again, save for the soft crackle of the fire.

He turned to find Y/N still lying there, her face now illuminated by the soft glow of the embers. There was a quiet sadness in her expression, and it tugged at something deep within him.

Severus hesitated for a long moment, still struggling to find the words. He took a deep breath, his mind racing.

But just as he was about to speak again, a sharp knock at the door cut through the stillness.

“Severus!” came a voice from the hallway—Professor McGonagall’s voice, urgent as always. “I apologize for disturbing you, but there’s a matter that requires your immediate attention.”

Severus cursed under his breath, his frustration mounting. Y/N gave him a sympathetic look, though she didn’t say anything. He stood still for a moment, his fingers curling into fists, before finally making his way to the door.

“I’ll return shortly,” he muttered to Y/N, though he knew it was unlikely he would be able to finish their conversation tonight. The thread of it was slipping away, tangled with interruptions he had no control over.

He opened the door to find McGonagall standing there, her face set with concern. "It's about the Order, Severus. We need your assistance immediately."

He nodded curtly, stepping out of the room. But as the door closed softly behind him, his heart sank. The opportunity to speak his mind—to share his desires with Y/N—had slipped through his fingers once again.

The night stretched on, filled with unspoken words and unfinished thoughts. Severus returned to their bedroom hours later, finding Y/N already asleep, her breathing slow and steady. Ella, too, was peacefully resting in her crib.

Severus stood in the doorway for a moment, watching them both. His heart still ached with the longing he had yet to voice. But for now, it seemed that silence would be his companion, and the desire for another child would remain just that—something unspoken, nestled in the quiet corners of his heart.

He sighed quietly and undressed, slipping into bed beside Y/N. He would try again, perhaps another time. But for now, he let the peace of the room settle around him, his thoughts drifting into a restless sleep.

The weeks passed in a blur of routine. Ella grew steadily, her giggles becoming more pronounced, her tiny hands reaching for new things, her little legs kicking with uncontained joy. Severus was still adjusting to the complexities of parenthood, and despite his initial reservations, he found himself more and more fascinated by Ella’s development.

Yet, as much as he tried to focus on the present—on the quiet joy of watching his daughter learn and grow—there was still the persistent pull at his heart. The thought of another child lingered like a shadow, growing clearer and more urgent with each passing day.

It was early one morning, just as the first rays of sunlight filtered through the curtains, when Severus finally decided he couldn’t keep this to himself any longer.

Y/N was still asleep beside him, her head nestled against his pillow, her breathing steady. Ella, in her crib, was still asleep as well, her tiny fingers curled around her soft blanket. Severus lay still for a moment, watching his wife. She looked peaceful, utterly content in the quiet of the morning.

He had spent so many nights lying next to her, wondering when the right moment would come. When he would finally be able to say the words that had been weighing on his mind for months. Every time he tried to speak, something would come up. Some distraction, some interruption, some reason that felt like a sign that he wasn’t ready to say it yet.

But now, in the calm of the morning, with everything still and quiet around them, he felt like he had no choice. He had to tell her. He couldn’t live with this uncertainty any longer.

Severus turned onto his side, gently facing her. His fingers reached out, brushing the soft strands of hair away from her face, his touch tender and tentative.

“Y/N,” he murmured softly, just above a whisper.

She stirred slightly but didn’t wake. He leaned in closer, his lips brushing the top of her head. “Y/N,” he repeated, a little louder this time.

Her eyelids fluttered open, and she blinked up at him, a slow smile spreading across her face as she saw him there, so close. Her hand instinctively reached for his, her fingers warm and soft. “Good morning,” she said, her voice low and still heavy with sleep. “What time is it?”

“Early,” Severus replied, though he didn’t truly care about the time. He needed to get to the point.

Y/N’s eyes narrowed slightly, a hint of concern crossing her features as she saw the expression on his face—more serious, more intense than usual. “Is something wrong?” she asked, her voice full of worry.

“No,” Severus said, his voice steady despite the flurry of emotions running through him. “But there’s something I’ve been meaning to talk to you about. Something important.”

Y/N’s expression softened, her hand squeezing his gently. “What is it, Severus? You know you can tell me anything.”

He swallowed, feeling the weight of her gaze on him. There was a time when he would have kept this hidden, when he would have buried his desires and fears deep inside, keeping them locked away. But now… now, with Y/N by his side, he didn’t want to hide anything anymore. She had always known him better than anyone else.

Severus took a slow breath and met her eyes. His voice was quiet but firm. “I’ve been thinking a lot about Ella lately,” he began, his gaze drifting toward their daughter’s crib, though his thoughts remained focused on Y/N. “About how fast she’s growing. How fast everything is changing.”

Y/N followed his gaze, her smile softening into something more contemplative. “She is growing so quickly,” she agreed quietly. “It’s hard to believe how much she’s already changed in just a few months.”

Severus nodded, then looked back at her. His chest felt tight as he continued, “I want to have another child.”

The words hung in the air between them, heavy with meaning. Y/N’s eyes widened slightly, a mix of surprise and something else—something he couldn’t quite read—crossing her face. She blinked, as though processing what he had said.

“You… want another baby?” she asked, her voice a little uncertain, but not in a way that suggested rejection. It was more like she was searching for clarification, trying to understand.

Severus nodded, though he felt his throat tighten as the words escaped him. “Yes. I never thought I would say this. I never thought I’d want it, but…” He trailed off, shaking his head slightly. “I do. I want another child. I want Ella to have a sibling. I want… I want our family to grow.”

Y/N’s gaze softened, her expression unreadable for a moment. She was silent for a long while, and Severus found himself unable to look away from her, his heart pounding in his chest. His words felt clumsy, rushed, and he was terrified of her response.

But then, after what seemed like an eternity, Y/N sat up slightly, her hand still resting gently in his. She studied him for a long time, her eyes searching his face as though weighing his sincerity, understanding the depth of what he was asking.

“You’ve thought this through?” she asked quietly, her voice calm but full of concern. “You’re sure about this?”

Severus hesitated for a moment, his eyes searching hers. “I’ve thought about it for months, Y/N. I’ve watched you with Ella, and I’ve seen the joy that she brings into our lives. I’ve seen how much love we have to give her… and I can’t help but think that there’s more of that love to give. I don’t know why, but…” His voice faltered slightly. “I feel that we’re not finished yet.”

Y/N’s eyes softened, and she let out a slow breath, as though processing the weight of his words. She reached out, cupping his face with her hand, her thumb brushing gently over his cheek.

“You know, Severus,” she said with a faint smile, “I’ve thought about it too.”

Severus blinked, his heart skipping a beat. He hadn’t expected her to say that. “You have?”

She nodded. “When Ella was born, I wasn’t sure how I’d feel about having another child. It felt overwhelming, the thought of going through all of that again. But…” She paused, her gaze tender. “As I watch her grow, I can’t help but feel like our family isn’t quite complete yet either. Like there’s room for more love, more laughter, more life.” She smiled softly. “So yes, I’ve thought about it. And I think I’d like that too. I’d like to try again.”

Severus felt his breath catch in his throat. He had braced himself for any number of responses—surprise, hesitation, even rejection—but this… this was more than he could have hoped for.

“You would?” he whispered, his voice thick with emotion.

Y/N’s smile deepened, and she nodded again. “Yes. But I think we should take it slowly. We need to be sure that we’re both ready for it. And we have to consider everything—the logistics, the time, everything. But I’m open to it, Severus. I want to have another child, too.”

Relief washed over him like a tidal wave, and before he could stop himself, he leaned forward and pressed a soft kiss to her forehead. He felt an overwhelming sense of gratitude in that moment. It was a feeling he hadn’t been sure he would ever experience—this kind of peace, this kind of certainty.

“I’m glad,” he murmured, his voice thick with emotion. “I’ve wanted to say this for so long. I wasn’t sure how you’d react… but now I know.”

Y/N reached up, cupping his face in both hands, her eyes bright with affection. “I love you, Severus. And whatever we decide, we’ll do it together.”

Severus’s heart swelled at her words, and he leaned into her touch, closing his eyes for a moment. It was more than he had ever dared to hope for.

For the first time in what felt like ages, he allowed himself to truly believe in the possibility of their future—of their growing family, of their love continuing to expand.

As the morning light brightened the room, the sound of Ella shifting in her crib broke the stillness, but this time, it didn’t feel like an interruption. It felt like the beginning of something new—something they would face together.

Severus smiled softly, his hand finding Y/N’s once more. And for the first time, he felt a deep, resounding sense of peace settle in his heart.

[absolutebl]

This Week in BL - Japan is here to save the slump

Organized, in each category, with ones I'm enjoying most at the top.

March 2025 Week 2

Ongoing Series - Thai

Perfect 10 Liners (Sun YT) ep 20 of 24 - Santa is really good at comedy, I gotta say. Wine is so cute 'cause he's so frank and earnest. It's adorable! (Inquiring minds would like to know if people in Thailand put perfume on their cheeks?) Lots of linguistic negotiation of pronouns in this episode so that made me really happy.

The Boy Next World (Sun IQIYI) ep 10 end - OMG they made them act and SING at the same time. NOOOOOOOOOOOOOO. (Raise your proverbial hand if you could actually hear me writhing in pain as that scene aired? Because my whole body was cringing so hard I swear I fractured my own cartilage.) I’m sorry but this show was doing really well for a Mame but that singing was sphincter-shrinking bad. And seemingly endless…

Okay the second half: The running of the gays, how very Japanese of you. So about 1/2 of the final ep was utterly unbearable, but the rest was fine.

Let's talk?

This show had an excellent premise about two fated mates, Cir & Phu, destined to be lovers in multiple parallel worlds. It is the curse of A Cir Who Knows Better to ensure that they manage to always end up together. This effectively explained all Cir’s weird creepy stalker behavior (pièce de résistance of a MAME seme) with the bonafide excuse of that tugging red thread. Turns out I forgive a lot for a strong premise, especially when combined with truly stellar chemistry. *But* there was also some bad chewing of the scenery and really terrible singing at key moments that screwed the landing (yes that too, but). The sex scenes were some of the best we’ve ever had, unfortunately even they weren’t good enough to mitigate that damn singing. 8/10

A solid showing from MAME, I was shocked, there was a point there when I thought this was gonna get a 9/10 from me! 

My Golden Blood (Weds YouTube iQIYI) Ep 1 of 12 - Trailer. GMMTV taking on Weds nights and midweek discourse (they hope) with this hotly anticipated vampire series. Is Thailand finally giving us the trashy gay vampires we richly deserve? Just keep in mind us sh*theads don't deserve much.

And it looks like that's exactly what we are getting.

I'm sorry ya'll: I don't like it. But not in a "witty trash watch" kinda way. So it's going here instead: You ready?

Classic main character = orphan with a mysterious past and bad dreams plus people around are weird about his certain traits. I wonder the thing I always wonder, why not give him martial arts training if he has known enemies? I've done various forms for years and never once cut myself. Of course Joss has a shirtless coming out if a pool intro. I can hear the dev team... "Hear me out now, baywatch just... vampires." I see we have new competition in the Advanced Bravely school of muscled thirst. As it should be. Been a while since we’ve had anyone on the scene who could give Jason Xu a run for his money. Joss is just the man to flex it. Is it just me or does this pair have negative chemistry? Yes we can all tell this is directed GAY! but Joss + Gawin do not seem even the slightest bit gay. The camera on the other (em) hand...

I asked for gay twilight, I’m getting gay twilight. Same lack of chemistry, bad special effects, and everything.

(Theory: Mark was the one who killed/drained all of Tong's fam of their golden blood and that is how he got his healing power.)

Flirt Milk (Sat YT) ep 8 or 10 - all I care about is the side couple. 

Ossan‘s Love Thailand (Mon YouTube) ep 10 of 12 - I do like EarthMix. I just really wish this were a better show. I kinda feel bad for them. That said, l love the host club + live gay boys reaction. Snicker 

Ongoing Series - Not Thai

Secret Relationships (Korea iQIYI) ep 3 of 8 - I continue to enjoy this a lot. I like how creepy and sinister pretty much everybody is (except for our puppy hero). Who is dog paddling through the filth of his crush's love triangle of past relationships. I like the fact that in the theater an unofficial pass was made. It was totally adorable. Every one is a mess and it's sustaining all of BL right now.

Checkered Shirt (Korea YT) ep 6 of 8 - Baby boy do not flirt with a closet case! Have you learned nothing?

Fight for Love (Vietnam YT) ep 6 of 8 - didn't drop or I somehow missed it. Caught it! It was lovely, nice kiss, I like where the plot is going although... no singing please.

Exclusive Love (Taiwan Fri Gaga) ep 6 of 12 - Our poor little gay boy is being v tested. And testing himself. Side couple = tiny idiots. In other news, one of them is wearing a shirt I actually own! I feel like peek BL stan. (Also I may shop too much in Taipei.) Does I qualify for the shared BL communal wardrobe?

The main trope to rule all BL tropes has returned= he is never asleep.

It's airing but......

Gelboys (Thai iQIYI) 7 eps - I’m giving this show a pass. It’s just too far out of my wheelhouse. I don’t have patience right now. Ends next week.

The Last Time (Thai WeTV) 8 eps - Has this ended? Anyone watch it?

Sashes and Hearts (Pinoy YT) 13 eps - Philippines is doing Drop Dead Gorgeous only all gay boys queening their asses off. Doesn't interst me, not sure if it's BL.

Last Meal Universe (Thai ????) 8 eps - An alien who has come to destroy earth instead falls in love with Thai food and then the Thai boy who cooks it - realistic, actually. I got a link to watch but it still wouldn't work for me, so I guess I'm waiting to see what happens.

In case you missed it:

CUTEST little JBL short drop on YT. No idea it's real title. About 2 students secretly dating trying to decide to come out. It's popular guy + nerd! Absolutely not sure how long this will last on YT but adorable and worth 17 minutes of your time. Do it ASAP! I don't want a repeat of everyone asking me for Wimpy Corporate Drone again. There seems to be a pervious installment in the series, but no subs.

Don't say I never bring you any prezzies.

Next Week Looks Like This:

Upcoming March 2025

3/19? Lost in the Woods (Weds Gaga) Ep 1 of 7 - Announced for 2023, adapted from a novel of the same name. Fifa just graduated high school and travels to a remote province to take care of his grandma, before starting uni. There he meets Chief Hem, a forest ranger.

3/20 Top Form (Thailand Thurs WeTV) 10 eps - Trailer. Adaptation of a Japanese manga starring Boom (Chains of Heart) opposite Smart (Don't Say No). Actor recognized as the "The Sexiest Man of the Year" has his first-place position usurped by newcomer. But while he sees them as rivals, turns out the new kid has other ideas. I'm super excited for this but hate watching on WeTV so gonna be a challenge.

3/21 Sweet Tooth Good Dentist (Thailand Fri GMMTV & iQIYI) 12 eps - Trailer. Finally Mark is leading a BL! This one based on a Jittirain novel about a weird sunshine student dentist and his sugar-addicted patient, described as a romcom meets romantic therapy. Also, Jimmy is there, primarily to give me second lead syndrome. It looks silly but earnest, I'm looking forward to it actually.

3/28 Heesu in Class 2 (Korea Fri ????) 10 eps - Trailer. Adaption of the comic by Lily, about a shy unpopular boy with a secret crush on best friend who somehow also ends up his school's relationship counselor. Supposed to have completed filming in 2022, the fact this has been in dev hell since then somewhat mitigates this being my most anticipated BL of it's original year.

2025 Line Up

BL Announced for 2025 - PART 1

BL Announced for 2025 - PART 2

20 BLs Announced for 2025 That I'm Really Excited About

GMMTV 2025 Line Up - My Totally Biased and Wildly Flawed Feels

THIS WEEK’S BEST MOMENT

Drive by phone repair for the win. I love them both so much.

That is the jock saying it to the nerd. Yes our nerd is the top in this dynamic. When I tell you to watch a thing, I'm not joking around!

(last week)

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

[neurospiczzzziee]

Blitzø is actually really good at Art

From an Art Educator Perspective

Okay so I saw some posts on Blitzø actually really enjoying art and that being his passion other than horses. I don't know if in the fandom we have had this consensus or if this is a hot take on my part, but Blitzø is actually really good at drawing.

You may ask why I know this and why I am so confident?

My credibility: I literally specialize in it.

I am a professional artist. I am a High School Art Teacher, who got their degree in art education and attended a well acclaimed art school.

(Self-taught artists are extremely valid and you do not need to go to art school to be an "actual artist". I am bringing up my background to show that I have a lot of knowledge of the development of fine motor skills and the ranges of art abilities and how to further improve them.)

As an educator, if Blitzø was a student and I saw Blitzø's drawings/doodles I would automatically recognize that he was actually advanced in abilities. Based on looking at his drawings I can tell if he were to actually take his time and focus on something he could create really beautifully detailed/rendered artwork.

You may ask how I know this??? I'm glad you asked.

THE AMOUNT OF LINE QUALITY THAT IS DEMONSTRATED IN BLITZØ'S DRAWINGS IS INSANE.

✨Art Lesson time✨

Okay so everyone learning to draw goes through the necessary stages of development

I'm just going to give humans as an example because obviously this is a fictional demon we are talking about.

Generally everyone goes through these stages as they grow and work on learning to draw. (Prodigies are extremely rare and I've only seen one once)

Art skills are like a sport. You need to train in order to develop fine motor abilities and control in your hands. The more you draw and do art the more you gain control of your muscles. It takes a lot of time and years of work to improve.

When a person's fine motor skills aren't as developed their lines tend to be shaky and they have less control. The more a person draws the better their line control becomes.

(Think of when you were little and you were first learning how to write)

The way I can tell how advanced Blitzø is, is through his line quality.

Now what is Line Quality?

This is a screenshot from this wonderful article

So in Blitzø's artwork he very much illustrates good Line control, force, thickness, and fluidity.

Okay first of all I want to Mention

THAT BLITZØ IS DRAWING IN PEN. You can tell this because different parts of the Calendar are crossed out with his scribbles. Also anybody with a calendar knows you have to write with a pen.

LOOK AT HOW CLEAN, FLUID AND CONFIDENT THESE LINES ARE DESPITE THAT HE IS DRAWING IN PEN!???

My assumption is that Blitzø is not using a reference for these drawings. You could make the argument that he has photos for M&M, Loona, and Stolas; however, he definitely does not have a photo of Striker.

I want to mention how dynamic of a pose he is drawing people in. He isn't avoiding hands at all. All of the hands are relatively accurate (Strikers especially).

In these drawings you see variation in line weight meaning parts of his lines are thicker to thinner. So Blitzø is purposely pressing harder and lighter to show variation and depth. His lines are very clean. I don't see repetitive Stokes and lines for the shapes. He is really confident with his mark making and you can tell because his lines aren't shaky at all.

By looking at his line quality and how clean it is you can tell he drew it quickly.

Not to mention he actually has a huge range of items he can draw confidently including and not limited to horses, weapons, leashes, cars, demons, and of course genitalia.

Blitzø isn't what you call a one trick pony 🐴 when it comes to what he can draw.

You can see this skill demonstrated in his other doodles.

You can even see this ability demonstrated in his drawings on the whiteboard

Okay anybody who has drawn on a whiteboard knows that they are difficult to draw on.

Whiteboards smear and are very streaky. In this photo you can tell where Blitzø made a mistake or changed information. Notice that none of his drawings have any smears. That means he did these drawings in literally one take.

I also want to mention his drawings in spring breakers. He is speed drawing directions and illustrating a plan perfectly to his employees.

HE IS LITERALLY RAPID FIRE SPEED DRAWING HERE

His drawing of Veroskika which he DREW FROM MEMORY.

Demonstrates the following:

Line control, Line Confidence, Line Fluidity, Variation in Line weight, and still has relatively correct proportions!?

Basically shut up MOXIE?!!! He did a good job!

Why have we not seen more detailed Blitzø artwork?

Okay so I as we know in the show Blitzø puts his doodles everywhere. So if he is good at Art why isn't he showing his artwork he spent a long time on????

The answer: he's insecure

Showing someone your art is a very vulnerable action. This is especially true if you spent a long time on it.

If someone doesn't like or makes fun of your doodle you can brush it off and be like well it's only a sketch and I did it in under 5 min.

It's a lot easier to show someone a silly little horse drawing you did than something you poured your heart and soul into.

We already are aware that Blitzø is insecure and has self-esteem issues. He literally covers his face in the photos of himself throughout his apartment. He is a very guarded individual. Of course he wouldn't show people the art he spent hours on. What if people reject them? They judge him for spending that much time? What if they see how much he actually loves them?

Blitzø feels like the kind of person who would crumple up or destroy his art that he spends long amounts of time on. It's a way of self-sabotaging yourself and further self-loathing.

Now do I think he has these hours long art pieces/drawings????

ABSOLUTELY

My guess is that Blitzø most likely has a hidden sketchbook. Artists tend to draw their loved ones and especially their children and partners.

There is no doubt in my mind that Blitzø hasn't been doing long observational drawings of Stola's especially when he is sleeping.

He has most likely been drawing Loona all the time. Why do you think he takes all the photos? Those are his references. He has probably been drawing detailed artwork of his loved ones this whole time (and of course horses too lol).

In conclusion

Blitzø actually can draw really well because his doodles demonstrate high levels of skill in line quality.

Going forward I would really appreciate if someone actually finds Blitzø's sketchbook or portfolio of his artwork he spent large amounts of time on. It would be really cute. It would be adorable if Loona or Stolas found them.

Blitzø could gain more confidence and put is artwork he really cares about on display 🥺

I also just want Moxie to find out and eat his words. (Guys I swear I don't hate Moxie 😂)

Thank you for joining me here today on my Ted talk on how I think Blitzø is actually a talented artist. I'm just an art teacher who has problems with how much helluva boss lives in rent free in my head.

[literaryvein-reblogs]

Hi there! I'm writing a barista character and got a bit stuck. Do you have any notes on how to write baristas (e.g. what shifts are like; what you have to learn to be one, etc)? Thank you so much!

(Your posts here are invaluable, by the way, and super helpful. 😄)

Writing Notes: Barista

Barista - specializes in making a variety of coffee and espresso beverages.

Usually works in a cafe, coffee shop or bookstore where they take customer orders, complete transactions and serve drinks.

May also prepare and serve a few small meals and pastry options.

Day-to-Day Tasks

As a barista, you would:

prepare the premises or outlet ready for opening

welcome customers, take orders and process payments

prepare and serve coffees, hot snacks, sandwiches and cakes

clean and tidy work areas, equipment and coffee machines

check and order new stock

Preparing Beverages. One of the barista’s primary duties is preparing various drinks to meet customer preferences. This involves:

Crafting Espresso-Based Drinks: Baristas skillfully pull espresso shots, steam milk, and create drinks like cappuccinos, lattes, and macchiatos. They ensure each beverage has the perfect balance of flavor and texture.

Brewing Specialty Coffees: Many coffee shops offer pour-over coffees, cold brews, or French press options. Baristas must understand brewing methods, grind size, and extraction techniques to achieve the desired flavor profile.

Creating Latte Art: For many customers, presentation matters as much as taste. Baristas often add intricate designs, such as hearts or rosettas, to elevate the visual appeal of lattes and cappuccinos.

Customizing Orders: Customize drinks to customer preferences by adjusting sweetness levels, switching to non-dairy milk, or adding extra espresso shots.

Other barista duties may include: 

Welcoming patrons to the shop

Building a relationship with regular customers and remembering their orders

Explaining the cafe’s special menu items as necessary

Recommending beverage options if requested

Following recipes and presentation guides to make beverages

Preparing plates or takeaway containers of pastry and food items

Cleaning and maintaining the commercial coffee machine, steamer and blender

Following health and safety policies

Removing dishes from the table as patrons finish their drinks

Preparing checks and taking payment from patrons

Work Environment 

Baristas work in a variety of coffee shops with the following characteristics:

Standing and walking around for extended periods of time

Lifting and carrying food and drink trays to tables

Working near many other customers, servers and kitchen staff

Wearing a uniform if required by the restaurant

Working environment may be noisy

Typical Hours

40 to 42 hours (variable) per week

Evenings / Weekends / Holidays (on shifts)

Cafes and coffee shops typically open early in the mornings

May require baristas to be flexible with scheduling to meet customer demand

The work can be fast-paced during busy periods

Suitable job for students and part-time workers

Career Path & Progression

There may also be opportunities to move into:

barista staff training

equipment maintenance

coffee tasting and buying

product development and marketing

You could become self-employed and open your own coffee shop.

With experience, you could become a:

store manager, then

regional manager, with a coffee retail chain or franchise.

Pros & Cons

Pros

Flexible Hours: Perfect for students or part-time workers.

Skill Development: Learn customer service, multitasking, and coffee expertise.

Social Interaction: Build relationships with customers and colleagues.

Career Growth: Opportunities to advance into management or specialty coffee roles.

Cons

Physical Demands: Standing for long periods and repetitive motions.

Irregular Hours: Early mornings, weekends, and holidays are typical.

Modest Pay: Entry-level wages can be low, though tips often help.

How to Become a Barista

You can get into this job through: a college course; an apprenticeship; applying directly; training with a professional body.

College. Although not essential, you could do a college course that would give you some of the skills needed for this role. Courses include:

barista skills

food and beverage service

retail skills

Apprenticeship. You can apply to do a Hospitality Team Member Level 2 Intermediate Apprenticeship.

This will usually take 12 months to complete

A mix of on-the-job training and time spent with a college or training provider

Direct Application. When you start, your employer will put you through training in barista skills and product knowledge. Some employers may prefer you to have experience in customer service, retail sales or catering.

Common Personality Traits

22,778 baristas were surveyed to learn what personality traits and interests make them unique. Based on the Holland Codes:

Baristas tend to be predominantly conventional individuals, meaning that they are usually detail-oriented and organized, and like working in a structured environment.

They also tend to be realistic, which means that they often enjoy working outdoors or applying themselves to a hands-on project.

Based on The Big Five:

Baristas score highly on openness, which means they are usually curious, imaginative, and value variety.

They also tend to be high on the measure of extraversion, meaning that they rely on external stimuli to be happy, such as people or exciting surroundings.

Barista Tools

Baristas use a wide variety of tools to complete their duties. Some common tools:

Espresso Machine. Allows you to brew highly concentrated black coffee. During this process, the machine forces pressurized hot water through finely grounded coffee. Some types of drinks you can make using an espresso machine include: Macchiato; Cafe latte; Cappuccino; Mocha; Affogato; and Americano

Frothing Steam Pitcher. Used to create any drink that requires milk. A frothing stream pitcher helps you create a milk foam to top off a cup of coffee. You can also use this type of pitcher to create an assortment of latte art. Frothing pitchers are stainless steel and feature a handle and pouring spout. A narrow spout can offer control when pouring latte art, such as a heart or rose. You can also find frothing pitchers in different sizes, depending on the amount of milk you want to froth.

Foam Frothing Spoon. After creating foam from a steam pitcher, you can use a foam frothing spoon to control how much foam you pour over a cup of coffee. Using a frothing spoon can prevent spilling that may occur when pouring the foam into a cup of coffee. This type of spoon features a flat tip that makes it easier to scoop only foam from a steaming pitcher.

Thermometer. When making espresso, it's important to consider the brewing temperature, along with that of the milk froth. If your espresso machine doesn't come with a proportional-integral-derivative, use a thermometer to measure espresso as it leaves the brew head.When making a drink that requires steamed milk, it's important for the milk to reach the ideal temperature of about 149 degrees Fahrenheit. To reach this temperature, consider using a frothing thermometer for complete accuracy. A frothing thermometer can also help you avoid burning the milk while ensuring a caramelized milk finish that can elevate the flavor of any coffee.

Commercial Coffee Maker. This type of coffee maker lets you brew a standard cup of coffee. After filling it with water and coffee grounds, a coffee maker filters hot water through a basket holding coffee grounds. After filtering, black coffee enters the coffee pot. You can use this black coffee for a standard cup of coffee or for other drinks such as an iced coffee or latte.

Tamper. Baristas use tampers to brew espresso, whether in a machine or through a stovetop espresso maker. A tamper lets you pack loosely dosed coffee grounds so they're tightly pressed, ensuring a quality espresso shot. You can also adjust the length of a tamper depending on the espresso dosage.

Scale. Helps you achieve a consistent and accurately measured espresso shot. In terms of measurement, a scale helps you determine the amount of beans you use for one shot. If you use a quality grinder with a doser, you may not need a scale.

Coffee Grinder. Grinds fresh coffee beans before the brewing process. A coffee grinder lets you grind as much coffee as needed, whether for an espresso shot or a large batch of coffee. Many coffee grinders have conical burrs that let you select the size of your coffee grounds.

Sources: 1 2 3 4 5 ⚜ More: References ⚜ Writing Resources PDFs

Hi, thanks so much for your lovely words, you're too kind! Hope this helps with your writing 💕

[shinylipglosss]

FREAK

knight henry cavill x prince reader

summary: after a gruelling swordsmanship lesson with the head of your knight guard, henry, you relax for a while until henry comes to your study/bedroom to help with your forms. ;)

warnings: inexperienced henry, blowjob, part 2 maybe, i lowkey love this plot, taboo, henry needs guidance, henry is stern, reluctance, mlm, gay asf

spotify

My limbs ached. Sweat dripped from my brow, threatening to break my concentration. Fighting against Henry was a struggle in itself, but being inexperienced and fighting him was even harder. My father, the king, had constantly pushed me to improve in the art of sword. But I always pushed him off.

Knocking me from my own thoughts, Henry advanced striking above my head with a sharp, precise blow. He wouldn’t attack with this strength if he thought I couldn’t handle it. Henry had become the head of my knight guard last winter and he was been excellent at it. He is extremely protective of “his prince”. This Henry felt different though. My steel blade sung as it collided with his. He was stronger—much more so. He put his weight on his blade, forcing me to my knees. Brows furrowed, I tried desperately to stand back up. Eventually, I surrendered.

-

Later that night, I was in my study when I heard a knock at my door. “Sire?” It was Henry. Despite me being younger than him, he still continued to address me as his senior.

“What is it, Henry?” His eyes impassive, he entered my study and closed the door.

“Apologies for the intrusion, my prince, but I was wondering if I could give you some tips when it comes to your swordsmanship?” In truth I had always been intrigued by the man. His body filled out the already-large armour so nicely. He had a collection of strong features on his face that composed a handsome man. It was no surprise that I agreed.

“Like this?” Henry’s arms were entwined with mine, his body behind mine. His silver armour was thick but strong. Yet it was thin enough for me to feel his hard, toned body. He had gathered my sword and put it in my hand.

“Almost.” His deep voice soothed my ears. He spoke so much with his chest that his entire body rattled as he talked. He planted my hands higher on the hilt and talked right into my ear. “Like that.” I flushed. For some reason he was making me extremely nervous. I hadn’t felt like that before. Except around him.

After some hours of training with his help, I turned to face him—clad in armour. “Thank you. You’ve been helpful, truly.” I stared into his eyes. They were an uncommon shade of blue that seemed to light any time you looked into them. His eyebrows arched in surprise. He didn’t take his eyes off mine.

“The pleasure is mine…I—I wish always to help my prince.” He was taller than me. Quite drastically so that, this close to him, he had to really look down on me. In truth, I found it exhilarating.

It was as if a compulsion had befallen me. In that moment I wanted nothing more than to taste his lips, possibly more than his lips. I leaned in, going to my tip-toes to reach his lips. Though he pulled back. Somewhat crestfallen I asked him why he pulled back.

“Sire, I am sworn to protect you. To do something like that with you…it’s…it’s wrong.” Even with his words forming a thick wall between us, I could see a desperate hunger within his eyes.

“Knights must swear fealty, yes?”

“Of course, any true knight wouldn’t even think twice about those—“

I cut him off.

“So you’re loyal to me and only me. I’m asking this from you. Don’t act like you don’t want it too.” I could see his mind working behind those eyes. It was one of the first times I had seen emotion from him. Any other time he would have a straight face and a stern voice. But right then he had his eyes widened and his mouth slightly open.

“Even so, sire, it’s bad practice to do something with whom you’re sworn protection to.”

“Well…” I slipped my hands to his neck, the cold of his armour stinging me, though I didn’t show it. “Would it not be easier to protect me if you were in my bed with me?”

Silence. My eyes darted across his face searching for an indicator if he would finally let his vows go for a night. His tongue licked his lips; he let out a growl, deep and gentle. For me that was the best sign of resignation I would get. I crashed my mouth into his. I could feel the odd patches of stubble on his face where he had shaved. It made me feel warm to know thing knew about him. He was not only protective of me, but protective about himself. I knew practically nothing about him, but, the way he held my head in his hands—pulling me closer—I felt as if he’d known me my whole life.

I was now behind Henry, unlatching huge chunks of his armour and wincing as they fell, clanging to the ground. With each piece of armour gone, a new area of Henry unlocked for me. I hadn’t seen the sun-glazed skin of his lower back, it was always covered by the same polished armour. Something entirely new to me was his large arm muscles. I traced the skin free from the metal, feeling the clear distinctions from each muscle.

“You train this much to protect me?” The sentiment was one I enjoyed quite much.

“Everyday, at dawn.”

I let out a chuckle. “So that’s why I can’t find you in the mornings.”

“You look for me?” He had turned ever so slightly, looking at me as I dropped he last armour piece to the ground. He had the hints of a smile on his face. Even a single new expression from Henry was enough to get me hot and bothered.

“When I want to.” I remarked. Pushing Henry onto the soft silk of my bed, I drop to my knees. “You‘ve never…?” My cheeks flushing at the thought of Henry doing anything sexual. He shook his head. Even I was surprised that I had more experience than him. I unlaced his brown undergarments. I knew his eyes were dark on mine. Every second or so I glanced up and saw he was watching my every move with intention lighting behind his eyes. It was my last confirmation that he did want this as much as me before I dropped his pants to the ground.

What sprung out before me shocked me. Henry, sitting on the edge of the bed, leaned back on his forearms. He was the picture of pure pride. Then he saw my reaction to him and chuckled deeply. Again, I felt that warmth inside. That was new, same as before, but it was even better. I made an agreement with myself then: “If Henry refuses to show you his emotions, make him.”

I began my expedition on Henry’s warmth by using my mouth on his testicles. He seemed to like that very much. He smelled unnaturally good for being in hot gear for hours on end. I treated each of his testicles, swapping from his right to his left then licking in between them. He reacted kindly to that, muttering incoherent words whilst I worked on him. I worshipped the base of his penis, working my way up to his tip. Henry’s tip was a pretty pink that was the complete antithesis of the rough man spread out before me. He seemed to be 7 inches by the time I had begun to engulf him.

I practically salivated tasting the soft skin on the head; my mouth bumped over the thick veins scattered around his shaft. Henry’s eyes were still on me, or perhaps he was watching the way I sucked him, having never felt it before. Either way I was entirely satisfied.

Inch by inch I took him deeper into my mouth. It was completely taboo, that was why I enjoyed it. If anyone were to see us, Henry would be killed on the spot. They would accuse him on manipulation, possibly witchcraft. Though it had felt like witchcraft watching him enchant me the way he had. I forced myself all the way down on his member then hallowing my cheeks to make Henry get everything out of my throat. For all his time protecting me, he deserved it. He deserved to be served by his prince.

“Does this feel good?” I huffed in the small moments I wasn’t sucking his tip.

“Entirely,” Henry panted, still trying to keep his manners straight. “sire.” He gracefully undid the lace of his shirt and let it fall past his shoulders. From my perspective in between his thighs, I studied the form of his chest. Unlike his hygiene he didn’t bother with his body hair, letting it grow wildly where it was permitted. That being his chest and his abdomen. I hadn’t realised how much I needed to see that until he allowed me to see it. My hands guided his penis further into my mouth. It was amusing to watch such a brooding man haven’t a single idea about sex.

“Thrust your hips, Henry.” I seductively whispered at him. He did as his prince asked him and forced his hips in the air with precision and aim, managing to hit deep into my throat. His breath started to get cut off by the clear pleasure he was feeling. All I did was sit prettily with my mouth engulfing his length as his hips gained speed. He placed a hand on my head and kindly forced my mouth deeper into him. His hips hung in the air as he finished in me. Henry’s mouth was open with euphoria and if I could have moved my mouth I would have smiled. That was another new expression I hadn’t seen from him. It was caused solely by me. The hot liquid that seeped from his head into my mouth was new to me. I had had many male suitors but none that I allowed to finish inside me. Yet I allowed Henry. It was odd, for me to be so careless. Henry let out a final exasperated gasp before he came back to his senses and let me free of his member. I came back gagging, yet I still had a humour etched on my face.

“Sire did I hurt you?” Henry panicked. “I apologise I had got caught up in that feeling…” He looked fearful of me now. Like I would tell someone about this and get him hanged.

So instead, I laughed it off and sat on his lap ready for even more of the head of my knight guard.

[holybibly]

Mm I remember mommy mentioning hwa… so maybe him? Possibly mingi too?

But to be honest mommy.. even if you tell us a plot line in advance, I’m still gasping at the filthy twist and turns you give at its full release because you’re just that good. It’s why I’m so addicted and feverishly waiting for any release from you 🤕😵‍💫🤭

You know, bunnies, I'm going to make an exception for you today, because I'm in an incredibly good mood, and what's more, I'm going to give you two gifts: I'm going to tell you about our amazing porn stars, and I'm going to publish an unholy thought, but you have to promise me, bunnies, that when I publish the full length for these things, you'll give me the brightest and most eloquent reaction.

So, our porn stars:

You could call yourself a very lucky girl, and of course you were, because you became a scene partner for none other than Pink Star Hwa in his new sex art film.

Or, hot porn star Park Seonghwa, who fucks your throat with his long, skilful tongue in his new video.

Discover the world of hardcore porn by becoming a little obedient pet for the professional dom Kim Hongjoong.

You're the hottest porn actress of the season, so it's no surprise that you're invited to star in a new film with three hot and ambitious newcomers to the porn industry: Park Seonghwa, Song Mingi and Jeong Yunho.

Or dark, rough, wet porn for those who like triple penetration, size training and copious amounts of cum.

[fightingcold]

✨ Mr. Dream gang when??!!!!

LOOK AT THIS SILLY GUY!!!! WHY DOES (ah no, i know why) PEOPLE DON'T LIKE HIM.

Of course, I know that since NES he was just replacement for Mike Tyson because of lack of license from Nintendo and he was just... reskin, that's all. Blanky blank.

But I wouldn’t be me if something hadn’t appeared in my head when I noticed something uncanny in him. You know... His face, moves and other, all of this seem unnatural. And if unnatural... Could this mean that Dream is not human at all? Judge for yourself, in the last century there could have been development of a hyper-realistic android fighter for pumping out money of course. It never occurred to anyone that he was made of steel, and what theories could people come up with, writing in newspapers and spreading kind of disinformation? Dream was loved and hated, he was always on top, knocking out rivals with a big, hyper punch.

...Until the lethal incident happened.

This caused a stir and of course people began to be more and more interested in Dream's identity, to look for him, and, as it happens, not to give him a breath. Later, society began to ask, like, where did the great champion go, and why?

There were no answers, and the vast expanses simply became quiet.

But.. HEEY, IT'S 2000s!!! I believe that in the PO universe the advanced technology is much more advanced in our world, therefore... New technologies - New Dream!!!

Now he is based on a more trained artificial intelligence, capable of showing feelings and making contact, including physically. Sensors in the eyes, better artificial body parts, muscles, motors and devices similar to processes in the human body... Etc (Maybe I'll even draw an Dream's anatomy.) And also a personal trainer appeared (My OC Nastasia😼), as strange as it may be for a machine, but he really needs to be trained on the basis of real people.

It is obvious that he is trained to 'remember' his 'personal life', like Italian origin or family, and if he suddenly finds out otherwise, he will either have to conflict and experience existential crisis or eliminate those who know it.

There's a some of Dream art!!! (Blood and Gore TW!)

⬇️⬇️⬇️

1) SECOND BEST EVER MY DREAMIE FANART, baby boy baby.

2) SOMEOF PPL ALREADY SAW IT BUT I DON'T CARE, I LOVE THEM TOO.

Ah yeah blood part.

1) I dunno, should i even warning y'all guys to blue blood?? But, here is!

2) yum✨

[evilminji]

You know how in Naruto, Sealing is a Finicky Art?

It's like computer coding, calligraphy, and symbolism had a super-powered/reality bending baby. You gotta think in VERY ADHD twirls and swirls too be any good at it. Which is why the Uzumaki rocked it so hard. But I digress.

Is Complexe AF.

Bends Reality and is EASY to fuck up.

Wanna bet? The BEST way to learn/use it? Is to copy already functioning examples? But Oh! How do you KNOW they are functioning? Safe? Well OBVIOUSLY, your Skilled At Seals teacher looks at it first! THEN gives it too you!

Using random seals you find in the dirt is how you get splattered across three different countryside in peices, after all. Possibly take out a nearly Town or two while your at it. No One Is THAT Dumb... RIGHT?

Enter Stage Right o/~☆ Humanity, Everybody! *polite, if strained, golf clapping*

They ABSOLUTELY Are!

Especially Ninja!

Ninja who, after fuckin MURDERING A WHOLE ASS VILLAGE OF SEALING MASTERS, decided to pick through the rubble! Because THAT is gonna work out GREAT! After all... it's not like you just KILLED the fuckers who could tell you what IS and IS NOT functional!

Was that once the "hazardous advanced class' sealing failures" bin? Or was it the "super awesome candy and rainbows" stash!? You don't know. NO ONE DOES NOW. You fuckin KILLED THE PEOPLE WHO DID.

They had their own REGIONAL Sealing Script.

You know, the one they taught to THEIR STUDENTS. Not outsiders. The students you KILLED, you absolute fuck nuggets. But hey! The threat of the Super Scary Sealing Masters is no more! Good job. You've successfully burned down the library. It can't hurt you ever again.

But NOW? You have piles upon piles of GIBBERISH.

You can only VAGUELY tell the novice seals from the master's. And even then? Do you have any idea what most of them DO? Nope. And after a certain point in training? The shaky, uncertain hand writing becomes smooth enough, that it all blends together in "Seals".

Now... what is the SMART thing to do?

Curse your hubris and the atrocities your fear allowed you to commit, obviously. But BEYOND that, Don't Touch Them. But we're Ninja. So WE are all suicidal idiots. The less smart but still Reasonably Precautionary thing to do? Study the amateur Seals. Learn Sealing from other masters.

Crack the Regional Script and slowly, painstakingly, work through each seal as we sort out what is and isn't safe. What can be salvaged. What can be used and how.

A process that will likely take years if not decades.

But of course, that's not GOOD ENOUGH for certain grabby handed, power hungry, short sighted, fuck weasels! No, no. It much EASIER to just throw human life into the blender until profit pops out! Completely IGNORING, of course, that SOME of these?

Could very well be the "Too Dangerous To Ever Use/Will Destroy Us All/Take Them All With Us" type of Seals that Kage usually LOCK UP. The kind you CAN'T destroy once you've made them, because the fall out would be WORSE. And?

Even if you are a murderous, middle management, go nowhere in your life, BASTARD of a ninja? Sometimes you can look down at the massive, intricately detailed, killer off nation's before you. Something that was WRAPPED in locks upon locks upon chains upon seals. And KNOW in your selfish, survival at all costs little heart... You DO NOT want anyone to fuck with this.

You CAN NOT let anyone fuck with this.

NO ONE can be allowed to touch it.

Not for ANYTHING.

You may fear S Class Kage and Missing Nin and what all else they may do to you. But THIS? Your eyes can't even properly FOCUS on it. It's like a tunnel that's lined with poetry, stretching all the way to the Earth's core. It's perfectly flat. It moves, a gentle rotation. But is that just your eyes, tricking you?

So much ink, it swallows the scroll, and this is when it's COMPRESSED.

How many nations?

How many NATIONS must this monstrosity span, when free?

It must have taken a Master decades, if not their entire life, to complete. Possibly a family, several generations. But... but gods it is a work of MADNESS. No wonder it was sealed. It speak, you... you THINK... of Death...

Of it's KING.

Something BEYOND the Shinigami. BEYOND Death and the Purelands.

Who the FUCK would try to summon something beyond GODS? Did they think they could control it? Chain it like the bijuu? You're so cold inside. Because you KNOW. You fucking KNOW, the ambitions and arrogance of those above you.

They'll think they can.

They won't listen.

You... you have to take this and RUN. You stand no chance. But no chance is better then oblivion. Anything is better then standing by and watching it happen.

You obviously don't make it. You never expected too. But at least... at least you won't have to watch whatever THAT is... arrive... fuck...

At least you TRIED.

And? Because leaf Ninja, specifically certain teams, have the MOST Shit luck imaginable? They arrive, having crossed paths with several other teams, on the way back home (yay! Warm food and real beds!) Just in time to see a desperate looking ninja from one of the small villages get fuckin pincushioned. Drop what is VERY clearly an Uzushio Scroll of considerable size and SEVERE SSS+ DO Not EVER Touch Grade Type Markings, and then some joining from that same village go to grab it.

Notice them.

You know... the multiple LEAF NINJA. Who TOO THIS DAY, wear the UZU swirl on their uniforms as a mourning tribute to the DEAR AND PRECIOUS ALLIES they could not save. The Uzushio Allies. Those ones. The ones that were, in fact, from Uzushio.

LIKE THE SCROLL YOU ARE HOLDING.

By the WAY! How DID you get that Scroll? Doesn't seem like something our dear friends would just HAND over, now does it? You didn't happen to LOOT THEIR FUCKIN GRAVES did you? Cause we sure would be MAD about that!

:)

Real Mad.

Dude obviously panics. Because that? That is a VERY pissed off bunch of Ninja, many in the bingo book, one of whom is Very Clearly throwing off BIJUU CHAKRA. And just said "my family's" Ha ha... Oh Shit that's an Uzumaki.

So he decides to USE THE SEAL.

What does it do?

He doesn't know! But it's probably SOMETHING big and impressive, right?

Yes. :) Yes it Does.

*Crack*

The SKY cracks. Like a pane of glass, struck by a hammer. Spiderwebbing as far as the eye can see above them, all from one central point, directly above the seal. The cracks there are concentrated. A point of impact. And through the cracks... something GREEN shines.

Brighter then the daylight around it, yet darker in color then the blue of the sky. Lazily whisping out like escaping mist. Time seems slow as their eyes all whip up wards. Even with senses beyond the normal human base, it is... inconceivable. SOMETHING winds back. They can not see it.

But they can feel it.

Like changing pressure as a storm rolls in.

*Crack!*

Green overtakes the blue. The sky a Kaleidescape of shards, held together by stubbornness alone. Reflecting a calm day that seems IMPOSSIBLE in the face of what's occurring. There should be wind. Great pressure changes in the face of so much FORCE, but the trees are eerily still.. utterly silent..

Nothing dares bring attention to itself.

Some distant part of their minds try to gather the thought that... that it could be an illusion. They... they should check. But they can FEEL it. Like a weight draped gently but without mercy upon their shoulders. It did not slam. But... but they can not move. Can barely breathe. It is beyond killing intent.

It is simply...

DEATH.

*CRASH!*

At last, the sky gives way. A fist, the size of towers punching through. It... it is almost elegant. A ring, almost in the shinigami's visage, wraps itself in a howling and snarled menace, around a great shining finger. A glove protects almost delicate looking, claw tipped fingers. The fist pulls back. Shard of sky falling, Floating, suspended in their moment of destruction, a glittering frame for the gapping wound that has overtaken everything.

Death...

Death has Green Eyes.

A crown of ice and starlight, pulled straight from the coldest north, hair that drifts like the drowned. His skin is that of a corpse. His breath a coldness that seems to suck all warmth from the world. There is no rage, no great irritation, his face merely twisted in slight annoyance. Mild displeasure.

And yet it feels like their greatest sin.

It BURNS.

They are ants. Less then ants. He... He LOOMS so TALL. The Green BURNS into their eyes, into their veins, chokes their lungs. The silence stretches. Those great eyes, the eyes of a GOD, move from them. To the man with the Seal.

He dies instantly.

Shit.

They... they need to... to...

Naruto wanders over and picks up the scroll, completely ignore the Giant Sky God Of Death and how all his friends are frozen in primordial fear. He roughly shakes the dirt off the delicate old relic, then squint at it. Figures he's holding it upside-down. Flipping it, he squints harder. Tilts his head and hums.

"Oh!"

He holds his hand up, turning to look at the terrifying Deity From Beyond Comprehension.

"It's me! I'm the Uzumaki! But, uh, I didn't actually summon you? Our stuff got stolen. Which really sucks!" He looks down again, brings the paper nearly to his nose trying to make out some thing. "Uuuuuh, huh. Got it! Can you get smaller? I don't got any BBQ or anything ON me right now, but Choji's Family makes REALLY good food! We can go out to eat? Ooh ooh! Maybe RAMEN! You like Ramen, right?!"

"Yep, Definitely one of Shouta's."

Rumbles The Actual Fucking King Of Death, shaking the trees and ground under your feet. As you probably stare at your fellow Leaf Nin like WTF.

"Sure, man. Give me a second."

And suddenly? He's leaning forward. Shrinking and twisting in ways that are painful to look at. The sky is... is not healing, so much as UNcracking. Rewinding itself to a pristine state. Until only a large, floating, armored God in black and white floats above you. Glowing.

One that... that is apparently FRIENDS with the Uzumaki Clan.

Because of course he is.

Naruto's introducing his Toads. And teammates. You almost feel bad for Hatake. But like? Better you then me, buddy. THEN? Death? Decides? For some inconceivable reason. "You know what? Im'ma just turn into a human WITH NO CHAKRA NETWORK. Reeeeeally freak out the locals."

And now Leaf is INCHARGE of entertaining A GOD until he decides to leave.

Or (presumably) Else.

And!! Because life loves to kick ninjas IN THE BALLS (for their stupid, STUPID life choices, YOU FUCKERS) it just HAD to be the One God? That can SEE DEAD PEOPLE. Because it's not like ninjas have Death Related Traumas or anything!

*internal ninja screaming*

Feed the guy some BBQ! Stat! Please Akimichi! Save us!

@hdgnj @hypewinter @the-witchhunter @ailithnight @nerdpoe @mutable-manifestation

[koifishstick]

29 courses available at hogwarts university ·˚ ༘

disclaimer 001. this is accurate to my hogwarts university DR. take what resonates, leave behind what doesn't !!

disclaimer 002. this will be long. it's going to feel like it is going on for a very long time-- but you must stay strong !!

disclaimer 003. courses are listed in alphabetical order.

enjoy x

001. ALCHEMY

taught by - corbinus flamel

alchemy is a rare subject that combines magic, science, and philosophy to explore the transmutation of substances. this class delves deep into the mystical art of transforming materials at a molecular level, using both magical and non-magical processes.

students learn to work with magical ingredients and potions, but unlike potions, alchemy is focused on the fundamental transformation of matter. they study the properties of various metals, minerals, and liquids, understanding their magical properties and how they can be combined to create elixirs or even transmuted into new forms.

alchemy also teaches students the deeper philosophical and ethical questions surrounding the pursuit of power and knowledge. with its balance of magic, chemistry, and intellectual rigor, alchemy is a subject for those with a keen mind and a curiosity for the mysteries of the universe. though considered rare and challenging, alchemy provides profound insights into both magic and the natural world.

002. ANCIENT RUNES

taught by - bathsheda babbling

ancient runes is a fascinating and intellectually demanding subject that dives into the study of magical symbols and their meanings. unlike other spell-based classes, ancient runes is a theoretical discipline, requiring students to decode, translate, and interpret runic inscriptions left behind by ancient magical civilizations.

this subject introduces students to scripts such as the elder futhark and their applications in spell craft, enchantments, and warding magic. students learn how runes were historically used in powerful magical artifacts, secret writings, and protective charms, giving them insight into the ancient foundations of wizardry.

rather than focusing on wand work, ancient runes emphasizes language skills, historical context, and magical theory. students often translate old texts, uncover hidden meanings in inscriptions, and study how runes influence modern magic. advanced students may even learn to craft their own runic enchantments, imbuing objects with long-lasting magical properties.

though challenging, ancient runes is an essential subject for those interested in magical archaeology, curse-breaking, or deepening their understanding of spell craft. for students who enjoy puzzles, history, and the mysteries of ancient magic, this class offers a rewarding and scholarly look into the magical world’s past.

003. ANIMAGUS TRAINING

taught by - minerva mcgonagall

animagus training is an exclusive and highly prestigious elective that offers students the rare opportunity to master the art of becoming an animagus—the ability to transform into an animal at will. this class challenges students to tap into their deepest magical potential and learn to control the transformation process, a feat requiring both precision and deep self-awareness.

the class begins with a study of the history and theory behind animagus transformation, including the famous wizards who have successfully undergone the process and the dangers involved. students explore the complex relationship between wizards and their animagus form, discovering how their chosen animal reflects their personality, traits, and magical affinities.

the training involves rigorous practice in magical concentration, self-discipline, and the art of transfiguration. students learn how to shift between their human form and their animal counterpart, gradually gaining full control over the process. the class also covers advanced topics like maintaining human consciousness while in animal form, and how to use the animagus transformation for practical purposes, such as stealth or communication with certain magical creatures.

animagus training is a class for students who are dedicated, patient, and ready for the challenge of mastering one of the most difficult and rewarding forms of magic in the wizarding world.

004. ANIMAL COMMUNICATION

taught by - rubeus hagrid

animal communication is an elective that offers students the opportunity to learn the art of understanding and conversing with magical creatures. with an emphasis on magical zoology and the languages of various magical species, this class dives deep into the mystical bond between wizards and animals.

in this course, students begin by studying the basic principles of magical animal communication, including the various magical frequencies and empathic connections that allow one to "speak" with creatures. they learn how to interpret non-verbal cues, body language, and subtle magical signals that creatures use to communicate. students work with a range of magical animals, from domesticated magical pets like owls and hippogriffs to more complex creatures like thestrals and centaurs.

the class also teaches specific spells and techniques that can enhance one’s ability to communicate with these creatures, fostering mutual understanding and respect. students practice calming distressed animals, negotiating with magical creatures for assistance, and even deciphering ancient magical languages once spoken by now-extinct creatures.

animal communication is perfect for students who are passionate about creatures and want to form stronger bonds with the magical beings of the world. it teaches not just communication but a deeper empathy for the magical creatures that share the world with witches and wizards.

005. APPARITION

taught by - wilkie twycross

apparition is the highly anticipated and complex magical art of teleportation, allowing witches and wizards to instantly travel from one place to another without the need for broomsticks, floo powder, or portkeys. this class is essential for students who wish to master the art of disappearing and reappearing at will.

the process of apparition is difficult and requires a great deal of concentration, coordination, and focus. students must learn to properly concentrate on their destination, “twist” their bodies into the right mental space, and then successfully execute the charm without splinching—leaving behind parts of themselves when they travel. the risk of splinching is high in the early lessons, as the students struggle to control their movements and concentration.

apparition is a rite of passage at hogwarts, typically taught in the sixth year. the class requires intense practice and precision, and failure can lead to accidental and sometimes dangerous results. however, once mastered, apparition provides a convenient and efficient way to travel the wizarding world.

for students with the right mindset and determination, apparition offers a sense of freedom and independence, unlocking a new realm of magical mobility.

006. ARITHMANCY

taught by - septima vector

arithmancy is the magical study of numbers and their mystical properties. arithmancy blends mathematics with magic, exploring how numbers influence the world and impact a witch or wizard’s destiny. students learn to understand the vibrations of numbers, their symbolic meanings, and how they can be used to predict outcomes, create spells, or solve complex magical problems.

in arithmancy, students study everything from basic numerology, assigning meanings to each number, to advanced calculations, such as using numbers to determine compatibility in relationships or to evaluate magical potential. they also learn to decipher numerical patterns in magical phenomena, including the hidden significance behind the number of ingredients in potions or the exact alignment of stars during a magical event.

the subject appeals to those with a love for structure, logic, and analytical thinking. unlike other magical subjects that rely on instinct or wand work, arithmancy offers a more cerebral approach to magic, focusing on theory and precision. it is essential for students interested in fields like magical research, spell invention, and even magical finance.

for those with a talent for numbers, arithmancy is a deeply rewarding subject that offers a unique, mathematically driven approach to the wizarding world.

007. ASTRAL PROJECTION & DREAMWALKING

taught by - wilkie twycross

astral projection & dreamwalking is a fascinating and mysterious elective that teaches students the art of leaving their physical bodies behind and exploring the astral plane or walking through the dreams of others. students learn how to harness their magical abilities to enter states of deep meditation, allowing their consciousness to travel beyond the physical world.

in this class, students first study the theory of astral projection, understanding the nature of the soul, consciousness, and the boundaries between the material and spiritual realms. lessons involve mastering the techniques of projecting one’s astral form, allowing students to travel freely, explore distant locations, and even communicate with otherworldly beings. they also learn to protect their physical bodies while in the astral state to avoid any harm during their travels.

dreamwalking, another key component of the class, teaches students to enter and navigate the dreams of others. students learn to interpret symbols, influence dreamscapes, and even guide others through their dreams to offer comfort or insight.

this elective is ideal for those with a deep curiosity about the mind, the soul, and the unseen layers of the magical world, offering a chance to explore a unique aspect of magic that few truly understand.

008. ASTRONOMY

taught by - aurora sinistra

astronomy is a subject that blends the wonders of the night sky with the magical world. taught in the tallest tower of the castle, this class offers students the opportunity to study celestial bodies, planetary movements, and their significance in both magical and non-magical contexts. students learn to chart constellations, track the phases of the moon, and understand the influence of planetary alignments on magic.

unlike other classes, astronomy is held at midnight, with students gathering around telescopes to observe the vast expanse of the universe. they record their findings in detailed star charts and learn about the effects of celestial events on spell work, potion-making, and even magical creatures. the subject requires a mix of scientific precision and mystical insight, making it unique among hogwarts’ courses.

while it may not involve wand-waving or spell-casting, astronomy plays a crucial role in magical knowledge, especially for subjects like divination and arithmancy. it teaches students to respect the cosmos and its intricate patterns, showing how magic is woven into the very fabric of the universe. for those with a love of the stars, astronomy offers a magical perspective on the wonders of space.

009. CARE OF MAGICAL CREATURES

taught by - rubeus hagrid

care of magical creatures is a hands-on subject that teaches students how to care for and handle magical creatures of all shapes and sizes. the class takes students outdoors to interact with a wide range of magical beasts, from gentle creatures like hippogriffs and flobberworms to the more dangerous and unpredictable ones, like blast-ended skrewts and thestrals.

students learn not only how to care for these creatures but also how to understand their behaviors, needs, and magical properties. lessons often involve feeding, grooming, and sometimes even taming or riding these magical beings. safety is always a priority, but students also gain a deep appreciation for the magical creatures that play a vital role in the wizarding world.

care of magical creatures is a subject for students who are brave, patient, and ready for adventure. it teaches empathy and respect for animals, as well as practical knowledge for those interested in careers like magizoology or working with magical creatures in various fields.

the class offers a thrilling mix of learning and hands-on experience, making it a favorite for students who love animals and want to explore the magical world’s fascinating, living inhabitants.

010. CARTOGRAPHY

taught by - charity burbage

cartography is an intricate subject that teaches students how to create enchanted maps and navigate the hidden corners of the wizarding world. this class delves into the art of charting magical terrain, from the mysterious forbidden forest to secret chambers beneath the castle. students learn not only the traditional art of mapmaking but also how to imbue their maps with magical properties, such as self-updating features, the ability to reveal hidden paths, or to track magical creatures and events.

the class emphasizes both precision and creativity, as students must understand the physical and magical elements of mapping. lessons include using enchanted compasses, studying ancient maps, and learning how to interpret magical symbols that appear only under specific magical conditions. Students also explore how maps can be used for navigation, treasure hunts, or uncovering lost wizarding locations.

cartography is perfect for those who enjoy adventure, exploration, and a deep appreciation for the hidden secrets of the magical world. it's an elective that combines both practical skills and creative imagination, offering students the chance to leave their mark on the wizarding world through their own enchanted maps.

011. CHARMS

taught by - filius flitwick

charms is one of the most essential and exciting subjects at hogwarts, teaching students the art of casting spells that alter objects, influence behavior, and perform everyday magical tasks. charms is a favorite among many students due to its practical applications and engaging lessons.

in this class, students learn everything from simple levitation spells like wingardium leviosa to more advanced enchantments such as alohomora for unlocking doors, lumos for creating light, and protego for magical defense. through practice and precision, they refine their wand movements and incantations, mastering the delicate balance between intent, pronunciation, and wand technique.

charms is a subject that requires patience, focus, and creativity, as even the smallest variation in a spell can lead to unexpected results. as students progress, they explore more complex magic, including summoning charms, memory-related spells, and even silent casting.

beyond its practical uses, charms plays a fundamental role in many areas of magical life, from enchanting objects to performing daily tasks with ease. it is a subject that truly showcases the beauty and versatility of magic, making it an indispensable part of every young witch and wizard’s education.

012. CULINARY ARTS & ENCHANTED RECEPIES

taught by - dobby the house elf

culinary arts and enchanted recipes is a delicious elective that combines the art of cooking with the magic of the wizarding world. in this class, students learn how to prepare meals using enchanted ingredients, magical utensils, and ancient recipes passed down through generations of witches and wizards.

throughout the course, students explore a variety of magical cooking techniques, from brewing potions with culinary effects to creating enchanted pastries that levitate or change flavors. they work with magical ingredients such as firevine herbs, floating fruit, and everfresh vegetables, learning how these ingredients can be used to create both everyday meals and extraordinary magical dishes. the class also covers the cultural significance of food in wizarding society, examining traditional feasts, celebratory recipes, and meals that can have magical properties—like those that enhance memory or give temporary abilities.

culinary arts and enchanted recipes is perfect for those with a passion for food, magic, and creativity. this elective allows students to explore how magic can transform the mundane into something truly extraordinary, all while sharpening their cooking skills and gaining hands-on experience in the kitchen.

013. DEFENSE AGAINST THE DARK ARTS

taught by - severus snape

defense against the dark arts is one of the most crucial and highly anticipated subjects at hogwarts, preparing students to protect themselves against dark creatures, hexes, jinxes, and malevolent magic.

students begin with fundamental protective spells like expelliarmus for disarming, lumos for warding off darkness, and petrificus totalus for immobilizing foes. as they progress, they learn more advanced magic, including counter-curses, shield charms like protego, and ways to defend against magical creatures such as dementors, werewolves, and boggarts. lessons often include practical, hands-on experiences where students duel, confront simulated dark creatures, and test their reflexes under pressure.

the subject isn't just about learning spells—it’s about developing resilience, quick thinking, and the courage to face the unknown. defense against the dark arts plays a vital role in shaping young witches and wizards into capable, self-reliant individuals, whether they pursue careers as aurors or simply wish to navigate the wizarding world safely. students never know what to expect—except that they’ll need to be ready for anything.

014. DIVINATION

taught by - sybill trelawney

divination is the study of predicting the future through various mystical methods, offering a glimpse into the unknown. this subject draws on a range of techniques, including tea leaf reading, crystal ball gazing, astrology, and interpreting dreams. students learn to tap into their intuition and sense the subtle signs and patterns that can guide them toward future events.

divination is a highly symbolic subject, where much of the learning involves interpreting signs, omens, and other obscure messages from the universe. while some students have an innate connection to the prophetic world, others find the subject more challenging or even dubious, as the accuracy of predictions can often be vague or obscure.

despite its uncertain reputation, divination offers valuable insight into the world of fate, destiny, and intuition. while some may see it as unscientific or whimsical, others believe it is an essential way to understand the magic of the universe.

for students with an open mind and a deep interest in the mystical, divination is a captivating and sometimes mystical journey. it allows students to explore the mysteries of the future, even if they don’t always understand them fully.

015. ELEMENTAL MAGIC

taught by - filius flitwick

elemental magic is an awe-inspiring elective that allows students to delve into the ancient and powerful art of controlling the four classical elements: earth, air, fire, and water. this class offers a deep exploration of how magic interacts with the natural world and how witches and wizards can tap into the raw power of the elements.

throughout the course, students learn how to manipulate and balance each element, starting with basic spells to summon winds, spark flames, and control water. as the term progresses, more advanced techniques are taught, such as creating barriers of earth, conjuring thunderstorms, or even using fire for precise magical tasks. students are encouraged to work in harmony with the elements, respecting their power and learning to control them safely.

in addition to practical spellcasting, the class also includes theoretical lessons about the spiritual and symbolic significance of each element in magical traditions. students explore ancient rituals, elemental creatures, and the delicate balance required to wield such power responsibly.

elemental magic is perfect for those who enjoy the challenge of mastering complex spells and have a deep respect for nature’s forces. it is a class that not only tests a student’s magical skill but their understanding of the world around them.

016. ENCHANTED ARTISTRY

taught by - charity burbage

enchanted artistry is a magical elective that combines artistic expression with the wonders of magic, allowing students to create living, animated illustrations. this class introduces students to the enchanting world of visual magic, where artwork comes to life through spells, charms, and creative imagination.

throughout the course, students begin by mastering traditional art techniques, such as sketching, painting, and shading, before learning how to infuse their creations with magic. they are taught the art of animating their drawings, turning static images into dynamic, moving illustrations that can interact with their environment. from creating enchanted portraits that blink and smile to designing magical landscapes that shift and change with the viewer’s perspective, students learn how to harness both their artistic and magical talents.

the class also covers the history of enchanted art, exploring famous magical artists and the evolution of enchanted illustrations in the wizarding world. students practice using a variety of magical tools and techniques, such as the charm that makes a drawing respond to sound or touch, and they explore how these enchanted illustrations can be used in magical books, advertising, or even as a form of magical communication.

enchanted artistry is perfect for students who are passionate about art and magic, offering a unique opportunity to merge creativity with powerful spell work, creating stunning and interactive works of magical art.

017. FLYING

taught by - madam hooch

flying class is a thrilling course on the art of broomstick riding. held on the school’s expansive grounds, the lessons begin with the basics—learning how to summon a broomstick with a firm “up!” and mastering balance, control, and lift-off. students gradually progress to hovering, maneuvering through obstacles, and executing controlled landings. while some take to the air effortlessly, others struggle with the unpredictability of their broomsticks, leading to both amusing and nerve-wracking moments.

flying is not just a skill but an essential part of wizarding culture, used in everything from daily travel to quidditch—the fast-paced and beloved sport of the wizarding world. while only first-years are formally required to take the class, many students go on to join quidditch teams or simply enjoy recreational flying.

for those with a love of speed, height, and adventure, flying lessons offer an unforgettable experience that opens the sky to endless magical possibilities.

018. HERBOLOGY

taught by - pomona sprout

herbology is the study of magical plants and fungi, a vital subject for any aspiring witch or wizard. lessons take place in the hogwarts greenhouses, where students learn to identify, cultivate, and utilize a variety of magical flora.

in the early years, students are introduced to fundamental plants like the shrivelfig and puffapod, gaining hands-on experience in potting, pruning, and harvesting magical herbs. as they progress, they encounter more complex and dangerous species, such as the venomous tentacula, the shrieking mandrake, and the highly valuable gillyweed. each lesson requires patience, care, and a strong stomach, as some plants have defensive mechanisms, potent odors, or even the ability to fight back.

herbology is not just about growing plants—it is deeply connected to potion-making, healing, and even magical defense. many of the ingredients used in powerful spells and elixirs, from wolfsbane potion to veritaserum, originate in the hogwarts greenhouses.

for those with a green thumb or an interest in magical botany, herbology is a rewarding and essential subject that reveals the wonders—and dangers—of the wizarding world's plant life, proving that nature itself can be a powerful form of magic.

019. HISTORY OF MAGIC

taught by - cuthbert binns

history of magic is a comprehensive study of the wizarding world’s past, covering legendary events, influential figures, and the evolution of magical society. the class is known for its vast wealth of knowledge—though staying awake through the lectures can sometimes be a challenge.

students explore key moments in magical history, from the goblin rebellions and giant wars to the international statute of secrecy and the founding of hogwarts itself. they learn about famous witches and wizards, such as merlin, the four hogwarts founders, and various ministers of magic, gaining insight into how magic has shaped civilizations over the centuries.

despite its dry reputation, history of magic is crucial for understanding the roots of magical law, ethics, and conflicts that continue to influence the wizarding world. those who pay close attention develop a deep appreciation for the triumphs and mistakes of the past, learning valuable lessons about power, prejudice, and magical responsibility.

while it lacks the hands-on excitement of other subjects, history of magic remains an essential course, proving that knowledge of the past is just as powerful as magic itself.

020. MAGICAL MUSIC COMPOSITION

taught by - sirius black

magical music composition is an elective that blends the art of music with the power of magic. in this class, students learn how to compose magical music that not only evokes emotions but can also produce tangible magical effects. this class explores the enchanted properties of sound and how it can be harnessed for various magical purposes.

students begin by studying the fundamentals of music theory, including scales, harmony, and rhythm, before learning how magical notes and melodies can influence the world around them. they explore ancient musical spells, discovering how music can summon creatures, enhance spells, or even alter the weather. lessons also cover the enchanted instruments that wizards and witches use to compose and perform magical pieces, such as the harp of the sirens or the enchanted flute of the ancient bardic traditions.

throughout the course, students compose their own magical pieces, experimenting with melodies that can heal, calm, or empower others. the class also emphasizes the emotional and psychological effects of music, teaching students how to harness these qualities to create music that resonates deeply with the listener.

magical music composition is perfect for those who wish to combine their love of music with their magical abilities, offering a unique and magical approach to composition and performance.

021. MUGGLE STUDIES

taught by - arthur weasley

muggle studies offers an exploration of the non-magical world, teaching young witches and wizards about muggles—people who lack magical abilities—and their ways of life. the subject aims to bridge the gap between the magical and non-magical communities, fostering understanding, tolerance, and respect.

muggle studies covers a wide array of topics, from muggle inventions like cars and telephones to their art, culture, and social structures. students learn about muggle history, government, technology, and entertainment, gaining insight into how muggles have built their societies without the aid of magic.

the subject is essential for witches and wizards who wish to interact with the non-magical world, whether it’s for social reasons, work, or simply out of curiosity. muggle studies helps students understand the similarities and differences between the two worlds, breaking down stereotypes and misconceptions that often divide them.

while it may not involve magic directly, muggle studies is invaluable for any witch or wizard hoping to navigate the complex relationship between the magical and non-magical communities. for those intrigued by the everyday lives of muggles, this class offers a unique perspective on a world that’s both familiar and entirely different.

022. MYSTIC HEALING

taught by - madam poppy pomfrey

mystic healing is an essential elective that introduces students to the practice of magical medicine, combining both theoretical knowledge and practical skills to heal injuries and illnesses caused by magical and non-magical means. this class is designed to provide students with the tools they need to safely and effectively use magic to mend wounds, cure ailments, and restore health.

throughout the course, students learn to identify various magical injuries—such as curse damage, potion-related poisoning, and creature bites—and apply the appropriate healing charms and potions. the class covers a range of techniques, from simple spells to heal cuts and bruises to more complex incantations for broken bones, magical diseases, and even curses. students are also taught to recognize the signs of magical maladies, including rare magical illnesses that require specialized treatment.

in addition to practical healing methods, the class emphasizes the importance of empathy, ethics, and responsibility when working with patients. students learn to approach healing with care and sensitivity, understanding the emotional and psychological impacts of illness and injury.

mystic healing is ideal for students interested in pursuing a career in magical medicine, offering a comprehensive education in healing magic while preparing them to make a positive impact on the wizarding community.

023. MYSTIC MYTHOLOGY

taught by - remus lupin

magical mythology is an elective that immerses students in the myths, legends, and folklore of the wizarding world. the class delves into the rich and diverse mythological creatures, deities, and magical events that have shaped the magical community for centuries.

throughout the course, students explore the origins and significance of famous magical myths, such as the legend of the phoenix, the creation stories of magical creatures like hippogriffs and thestrals, and the mystical realms that exist beyond the known world. the class also examines how these myths have influenced wizarding culture, magic, and society, from magical rituals to powerful artifacts.

in addition to studying the traditional myths of the wizarding world, students engage in discussions about the commonalities between wizarding myths and those of muggle cultures, discovering the shared symbolism and universal themes that connect magical and non-magical stories. they also learn how myths have been preserved through enchanted texts, magical storytelling, and even in the stars.

magical mythology is perfect for students with a curiosity for ancient stories and a desire to understand how magic, history, and culture intertwine. This elective not only enhances magical knowledge but also inspires a deeper appreciation for the myths that define the wizarding world.

024. POTIONS

taught by - severus snape

potions is a precise and demanding subject that teaches students the art of brewing magical mixtures with powerful effects. this class requires patience, skill, and an exacting attention to detail, as even the smallest mistake can turn a simple elixir into a dangerous concoction.

students learn to craft potions ranging from the everyday cure for boils to the complex and coveted felix felicis, also known as liquid luck. they master techniques such as stirring methods, ingredient preparation, and the correct timing for adding volatile substances. mistakes can be costly, resulting in cauldron explosions or unintended magical side effects.

though it lacks the wand work of other subjects, potions is essential for fields like healing, magical research, and even defense against dark forces. many of the most powerful remedies and poisons in the wizarding world originate in potion-making.

for those with a sharp mind and steady hand, potions is both an art and a science—one that can unlock limitless magical potential. however, it demands discipline, as true mastery is reserved for only the most dedicated students.

025. TRANSFIGURATION

taught by - minerva mcgonagall

transfiguration is one of the most complex and challenging subjects at hogwarts, teaching students the art of altering the form and nature of objects, animals, and even themselves. this subject requires immense focus, precision, and control, as even the slightest miscalculation can lead to unexpected—and sometimes disastrous—results.

students begin with basic transformations, such as turning matches into needles and teacups into rats, before progressing to more advanced spells like vanishing, conjuration, and human transfiguration. each lesson emphasizes the four key principles: wand movement, concentration, incantation, and willpower. mastering transfiguration is no easy feat, as spells require not just knowledge but a deep understanding of magical theory and energy manipulation.

unlike charms, which enhances objects without fundamentally changing them, transfiguration alters the very essence of an object. it plays a crucial role in many branches of magic, including animagus transformations, dueling, and even magical crafting.

for those who excel, transfiguration offers boundless possibilities, from reshaping the world around them to achieving feats of incredible magical skill. however, it is a subject that demands respect, as even the most talented witches and wizards must practice tirelessly to perfect its delicate and powerful magic.

026. WANDCRAFT & CUSTOM WAND-MAKING

taught by - sirius black

wandcraft and custom wand-making is an exciting and hands-on elective that invites students into the intricate world of wand design and creation. this class delves into the art and science behind crafting wands, an essential tool in the wizarding world. students learn not only how to select and combine the right materials but also the deep magic that infuses a wand with power and personality.

throughout the course, students begin by studying the history of wand-making, including the legendary wandmakers like ollivander and the ancient techniques used to craft wands. they learn about the essential components of a wand—wood, core, and length—and how each choice influences a wand's magical properties. students also explore the delicate balance of these materials, understanding how different combinations create wands with unique affinities to specific types of magic.

the class is deeply practical, with students getting the chance to craft their own wands using enchanted tools, selecting woods from magical forests, and experimenting with various magical cores like phoenix feathers, dragon heartstrings, and unicorn hair. as students progress, they learn how to customize wands for specific magical practices, from dueling to potion-making, and how to care for and maintain a wand over time.

wandcraft and custom wand-making is perfect for students who have a passion for craftsmanship and want to understand the profound relationship between a wizard and their wand.

027. WANDLESS MAGIC

taught by - albus dumbledore

wandless magic is a specialized and highly sought-after elective that teaches students the art of casting spells without the use of a wand. this class challenges students to master the ancient and subtle forms of magic that predate the use of wands, requiring a deep understanding of concentration, intent, and gesture.

in this course, students begin by learning the foundational principles behind wandless magic, including the importance of mental focus and the manipulation of magical energy through one’s own will. unlike traditional spellcasting, wandless magic relies on personal magical strength, physical movements, and a strong connection to one’s own magical essence. students practice casting simple charms, like light-producing spells, and gradually progress to more complex tasks, such as levitation and disarming opponents, all without the aid of a wand.

the class also explores the historical significance of wandless magic, examining ancient wizarding traditions and magical cultures where wandless spellcasting was common. students learn about the limitations and advantages of wandless magic, including its potential for silent, stealthy spellcasting, and its connection to more intuitive forms of magic.

wandless magic is ideal for students seeking to expand their magical abilities beyond conventional methods and who enjoy the challenge of mastering a more instinctive, personal approach to spellcasting.

028. WIZARD COMBAT

taught by - nymphadora tonks

wizard combat is a unique and practical elective that combines physical combat with magical defense techniques. this class equips students with the skills needed to defend themselves in a variety of situations, blending magical and non-magical combat styles.

in this course, students begin by learning the fundamentals of traditional martial arts techniques—such as stances, footwork, and strikes—before incorporating magic into their movements. they learn how to use spells for self-defense, such as stunning spells, disarming charms, and protective barriers, all while maintaining physical control and agility. the class emphasizes fluidity and coordination, teaching students to react quickly and efficiently in both magical and physical confrontations.

the course also covers the history of magical combat, exploring ancient wizarding traditions of martial arts, as well as magical creatures that use combat skills. students practice dueling techniques, learning how to balance physical attacks with spellcasting in a seamless flow.

wizard combat is perfect for students who enjoy active, hands-on learning and want to build strength, discipline, and confidence. it teaches both defensive and offensive magic, empowering students to protect themselves and others, all while honing their magical and physical coordination.

029. WIZARD PRESS 101

taught by - remus lupin

wizard press 101 is an engaging elective that immerses students in the world of magical news, reporting, and the ethics of journalism within the wizarding community. this class offers students the opportunity to learn both the craft and responsibility of magical journalism, with a focus on accuracy, objectivity, and the impact of magic on society.

in this course, students explore the structure of magical news outlets, examining the challenges and rewards of reporting on magical events, ranging from quidditch matches to major political scandals, and even the occasional encounter with dark magic. they learn how magical photographs, enchanted quills, and self-writing parchment contribute to the unique nature of wizarding journalism. students also practice writing and editing their own articles, learning how to use magical tools to gather information, from invisibility cloaks for undercover reporting to pens that record spoken words.

the class also covers the moral and ethical considerations of magical reporting, such as the need to protect privacy, the consequences of sensationalism, and the role of journalists in shaping public opinion.

wizard press 101 is ideal for students who enjoy storytelling, have a passion for current events, and want to contribute to the magical community through responsible, impactful reporting.

[luckyorchid]

The sun’s up

Comic 1 (PT. 1)

(Lore + Context is below!)

Hoo boy here we go (SPOILERS for anyone who wants to experience sky by themselves!)

Sky lore for Non-players (Feel free to skip, just added this since the story is a bit tied to the lore in game)

Some of the basics:

Core / Flame = Life source.

The ancestors are the original “humanoid” inhabitants of the world. Light creatures (animals) were the first inhabitants though. Sky beings were the last creations to solidify the inhabitants.

Light creatures & Sky beings all have a “core” which means they’re all connected and living off of light as their life source.

Sky beings are essentially just stars that fell on the world and decided to exist LMAO. You can't make one, so you just have to pray really hard for a shooting star.

Realms & Elders:

ignoring the middle one for now, there are 6 realms. Each realm has different climates (But it wasn’t always like that), and settings.

Isle of Dawn - Sandy terrain

Daylight prairie - Hills, grass, oceans and flowers.

Hidden forest - A forest where it rains non-stop

Valley of Triumph - A valley / mountainside that snows non-stop

Golden wasteland - Hell (/j) / Sandy terrain with toxic water.

Vault of Knowledge - Massive tower stored with history and knowledge

In the comic, they’re in “Hidden Forest.” Each realm has an Elder, who is essentially someone who governs the realm. They’re just here to make sure everything is stable.

History (This is all based off of my own observation + Tom Zhao's concept art!):

For that middle realm, it's called "Eye of Eden" and or where the "Storm" originated from. It also has an elder, but he's more or less "King of all kings" sort of thing. He had the say in most things. Eye of Eden never had a clear vision on what it was before the storm, but I'd imagine it would be a sort of sanctuary.

Speaking of before the storm, some realms weren't how they are right now, like how Isle of dawn used to be like Daylight prairie.

Moving on, at first every one was pretty chill, until the king found something called Dark stone. Dark stone is like...the opposite of light? It's like if you shoved a rock into gasoline and something radioactive. Despite it, the elders find out dark stone can be used to make advanced technology, so of course they take the chance to overuse it.

The light creatures and sky beings suffer from the effects of this. While sky beings were taken to areas with less dark stone, light creatures were treated with more hostility. This causes the ancestors and light creatures to go to war with each other.

Long story short; Dark stone corrupted the ancestors and started destroying the environment, because it literally uses light / fire as its power. The creatures said "Nuh-uh" and started fighting back. The final fight (that transpired in Eden) gets so bad that most of the dark stone explodes and creates a massive storm that affects all the realms, and most of the people die including the elders and king 😭

This is where "Dark creatures" start to thrive. These silly little guys are similar to dark stone, they love eating light.

Ratio & Kakavasha Lore

Ratio was born before the storm, while Kakavasha was born when the storm had already happened.

Veritas Ratio Lore:

Ratio was a smart kid, and a lot of people noticed it. That's it/j In fact, a lot of people noticed it, so he was dragged into the Sky version of the intelligentsia guild- in training, of course. He's too young to start running stuff, even if he insists on it.

It got to the point where even the elders acknowledged him, and some wanted him to be their advisor when he reached the right age. Veritas is (internally) ecstatic about this. He still holds the ideals of OG ratio, universal knowledge, and as an advisor he can further be of influence for good.

He was never close to his peers, in fact they couldn't count on their fingers just how many times he's called them idiots and other remarks, but he'd never go as far as to say he hated them. Fond? Maybe, just a teensy bit. A silent room is nice, but after a prolonged period, he may seek out that background noise of chatter. (Or not)

(Ref used: S1 arcane poster) Then the storm came. The storm pretty much threw all of his dreams to the abyss, and not only that- he had to witness the things he loved and cared for either die or go into shambles. He's one of the few survivors, but he's harboring a lot of guilt and contempt towards most things. (aka everything. He always thinks of "Why's" Why did the elders let it get this far? Why were the ancestors so selfish? Why couldn't he do anything to stop his friends from being eaten by those dark creatures?)

He stays with other survivors in safe realms (Daylight prairie), and he tries his best to be of help. Specifically: hunting. (Haha get it cause the hunt *cough*) He likes to join in hunting squads to kill dark creatures in the Hidden Forest, and if he can; study the body. It's morbid, but he wants to find ways to mitigate attacks.

Kakavasha Lore

The Avgin clan are all semi-dark creatures. Their landing spot is always within an area full of dark stone, so it's like their core merges with it. They can all turn into "Krills" (Sky version of dragon). Despite this, most of them have a kind nature and wouldn't go out of their way to hurt Sky beings. They settle on eating fruits, birds, and fish.

They live in Wasteland, which is littered with dark creatures. Despite sharing the same origins, even they have to be careful. Hungry creatures aren't picky after all.

But due to their advantage, they can usually freely travel through the Valley and Hidden Forest to scavenge for food and other materials.

Kakavasha loves to join his sister for scavenging, and he loves finding out about things in general, so much so his sister always has to look behind her shoulder to make sure he isn't doing anything risky. "High risk, high reward!" He still can't turn into a krill, but he can make his hands sharp! Other than that, he's pretty happy. The storm hasn't affected them much- in fact, it's an advantage. Though, he always wonders what's beyond the forest, snow and sands.

Post-storm Kakavasha happens when the storm starts to calm down and the sky beings start to regain their footing. This is how his clan gets found out and gets hunted down, until he and a few were the only survivors. He's used as a test subject to better understand dark creatures, but of course there was no consideration of his well-being. As long as he isn't dead. Similar to the OG hsr lore, he ended up killing the people who 'owned' him. But this time, he was freed with pardon because damn look at all that trauma. In this AU he's free to do whatever without someone shackling him down, but it doesn't make him feel any better to what happened to his clan and himself. He feels a bit of spite towards Sky beings, but he doesn't outright act on it...much.

This ended up having more lore than it's supposed to have 😭 I'll make a continuation comic of their first meeting, and some other random shenanigans these two end up getting into LMAO. Thanks for reading and have a good day <33

[verdemoth]

And the last of my Flondon PCs, making her tumblr debut, my guy Dr. Narramore! Lucy to his friends. He's a freak and he sucks <3 she exists because I did want to experience the Seeking storyline but I'd never put Mel or Knoll through all that. So, Ulysses is designed to be locked in the torment nexus and experience the horrors and she can only get worse from here! But actually I'm yet to get to any of the Seeking stuff since I haven't been super focused on building up his account yet.

He's also an excuse to explore the Great Game content, and that gives me some direction to take his character. Speaking of characters, Darling Lark (mentioned on this sheet) belongs to my friend @skies-seas ! Also a character belonging to Sky is the one and only person in the world who Ulysses considers indispensable: childhood friend and mad scientist Rajendra Narod, also a Seeking PC who Sky made so we can do our favourite activity of making Fucked Up Guys together <3 <3 <3

Also yeah Horticulture Hell! I was brainstorming what my Seeking character should be like for months in advance, and I had the idea that instead of going through New-Newgate he'd start off in a different Menace location (fucking dying lol). Then Horticulture Hell happened and the idea of being new to the Neath while all that was going on was so funny to me, so that's when I made the account :]

i have some more notes on his character than I can share, but I'll do so in a reblog probably so this isn't TOO long. Transcripts to follow under the readmore

Text Transcripts:

In the top left are some quick details. Lucy's full name and title is Doctor Ulysses B. Narramore. In the style of other Fallen London characters, Lucy's epithet is 'the Mercurial Pawn'. Lucy uses both she/her and he/him pronouns interchangeably, he's 31 years old and 5 feet 8 inches tall. She resides in a handsome townhouse around Ladybones Road. Her profession is as a physician but she's also a spy in the making, and the faction she's closest to is The Great Game.

Next to these are some notable player attributes. Of the main attributes, Lucy has high Persuasive and Dangerous, but low Watchful. Of the quirks, she has high Ruthless, Heartless, Forceful, and Subtle, but low Magnanimous and Steadfast. He also has another notable quality: that he's Seeking the Name.

In the top right is this note: "Ulysses wasn't (knowingly) a Player in the Great Game before arriving in the Neath. He was inducted by a woman named Darling Lark, operator of a local speakeasy and go-between for spy and criminal activities."

Paired with the art of Lucy covered in blood are these notes: "Though lacking in training, discipline, and real practical experience, Lucy is a formidably aggressive foe. He doesn't fight gracefully and he doesn't fight fair. She won't shy away from blood, and isn't above kicking someone who's already down. ...He might be a bit too into bloodshed. The cane is also for stability, Ulysses has been having weak spells with a bit of a fall risk. But mostly it's a convenient, socially acceptable way to have a good bludgeoning weapon on hand."

With the last illustration of Lucy climbing from a well are these notes: "It is the case that many new residents of London come by way of New-Newgate, but Lucy's arrival was rather more dramatic. Amidst what is occasionally, by some individuals, still referred to as the London Horticultural Show, he found himself tumbling into the Neath through a weak bit of roof. She died, of course, and was in for quite the shock when she'd recovered."

End of text transcripts.

[hwang-inhos-fish]

EquallyObsessed!Gi-hun AU Drabble

“I have trouble believing anyone here would do that.”

Gi-hun turns sharply for him.

“In the games that I played," he says, advancing, iron-cold, "I saw dozens of people murder each other in the middle of the night. Right where we’re standing.”

In-ho gazes back, blinking softly to keep up the mask of Young-il though he wants to stare hard, to drink in every shift of Gi-hun’s grief-etched features.

“You have no idea. You don’t understand this place. The kind of monsters that it can create.”

“Yeah," Young-il says easily, "of course. I wasn’t thinking. You know better than anyone. I’m sorry.”

But In-ho thinks, You know better than anyone, then, what kind of monster this place made of me.

"You don't get it," Gi-hun insists, but the wind has gone from his sails. No longer advancing, now turning aside to lean tiredly on a bunk support. He glances upwards, to the cameras. In-ho indulges, only momentarily, in the fantasy that Gi-hun is glancing at him, the Front Man, seeking out In-ho’s gaze from beyond a screen. It's an enticing train of thought.

If only he knew.

"You know what happens to people that get out of here?"

It's a strained, murmured question, something just audible over the crackle of Gi-hun’s overused throat. In-ho, about to turn away again, focuses back. There's a sudden intensity to Gi-hun - a keen, predatory restlessness that draws In-ho like a magnet.

"Well," he guesses amicably as Young-il, only slightly breathless for reasons he can't put his finger on, "you came back."

Gi-hun glances upwards. "Hwang In-ho," he rumbles, speaking to the ceiling, and a prickling shiver sweeps over In-ho, so sudden and so intense that he shudders hard in his jacket.

What?

"They call him Front Man," Gi-hun goes on, blissfully unaware of the burning stare being delivered to the side of his head from across the gathered circle of players. "The man with the black mask. He runs this place." His eyes fall to In-ho’s, earnest and alert, and In-ho finds himself pinned as though under the gaze or talons of a hawk. "He was a player, once."

In-ho can't breathe. Can't swallow. The shivers of gooseflesh now ripple over him continuously, making his hair stand on end, as if Gi-hun's gaze is an approaching storm. Like In-ho should smell ozone.

Does he know?

Gi-hun breaks eye contact first, handing out his precious attention to each other player in his little flock, gracing them one by one with a serious glance.

"He won in 2015. Now he’s the boss."

Like the magnet works on Gi-hun, too, his eyes slide back home. To In-ho’s.

They don't stay long. Gi-hun looks back up, almost like he’s praying. His hands flex in his lap. His jaw works. A picture of rapt, righteous fury. In-ho wants to commission a hundred pieces of art if only to preserve a fraction of that passion.

Gi-hun says to the camera, to the control room where In-ho isn't, "I have to meet him."

-

-_-_-

-

In which the intensity of obsession goes both ways. In which Gi-hun did a bit more successful research beforehand. In which Gi-hun's obsession manifests a little differently.

I like this vibe for them a lot and I wish I saw more of it. I'd write something but I already have to long fics lol I cannot