#Wool Differences
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thecrochetcrowd Ā· 2 years ago
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What's The Differences in Wool?
Wool Comparisons The Differences in Wool Have you been to a yarn shoppe and you look at the price of wool and your breath gets taken away with the price? You see an elevated price and think, ā€œIs there gold mixed into it?ā€Ā  Look, I’m an everyday yarn user. I love sales. The cheaper the better and for me walking into an exclusive luxury yarn shop is like walking into a forbidden place. That’s just…
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obsob Ā· 1 year ago
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the days are still dark but i have started to see wild flowers on my walks :)
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serpentface Ā· 8 months ago
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how do you come up with the ways cultures in your setting stylize people/animals/the world in general in their artwork, i.e. jewlery, rock carvings, statues, etc? Each culture in your world seems to have a very unique "art style" and I love it a lot - makes them seem that much more 'real'. This is something I struggle with a lot in my own worldbuilding and I'd love to pick your brain if possible 😁
I think a starting point is to have a research process based in the material realities of the culture you're designing for. Ask yourself questions like:
Where do they live? What's the climate/ecosystem(s) they are based in? What geographic features are present/absent?
What is their main subsistence method? (hunter gatherer, seasonal pastoralist, nomadic pastoralist, settled agriculturalist, a mix, etc)
What access to broader trade networks do they have and to whom? Are there foreign materials that will be easily accessible in trade and common in use, or valuable trade materials used sparingly in limited capacities?
Etc
And then do some research based on the answers, in order to get a sense of what materials they would have routine access to (ie dyes, metal, textiles, etc) and other possible variables that would shape how the art is made and what it's used for. This is just a foundational step and won't likely play much into designing a Style.
If you narrow these questions down very specifically, (ie in the context of the Korya post- grassland based mounted nomads, pastoralist and hunter-gatherer subsistence, access to wider trade networks and metals), you can direct your research to specific real world instances that fit this general idea. This is not to lift culturally specific concepts from the real world and slap them into your own setting, but to notice commonalities this lifestyle enforces - (ie in the previous example- mounted nomadic peoples are highly mobile and need to easily carry their wealth (often on clothing and tack) therefore small, elaborate decorative artwork that can easily be carried from place to place is a very likely feature)
For the details of the art itself, I come up with loose 'style guides' (usually just in my head) and go from there.
Here's some example questions for forming a style (some are more baseline than others)
Are geometric patterns favored? Organic patterns? Representative patterns (flowers, animals, stars, etc)? Abstract patterns?
Is there favored material(s)? Beads, bone, clay, metals, stones, etc.
When depicting people/animals, is realism favored? Heavy stylization? The emotional impression of an animal? Are key features accentuated?
How perspective typically executed? Does art attempt to capture 3d depth? Does it favor showing the whole body in 2 dimensions (ie much of Ancient Egyptian art, with the body shown in a mix of profile and forward facing perspective so all key attributes are shown)? Will limbs overlap? Are bodies shown static? In motion?
Does artwork of people attempt to beautify them? Does it favor the culture's conception of the ideal body?
Are there common visual motifs? Important symbols? Key subject matters?
What is the art used for? Are its functions aesthetic, tutelary, spiritual, magical? (Will often exist in combination, or have different examples for each purpose)
Who is represented? Is there interest in everyday people? Does art focus on glorifying warriors, heroes, kings?
Are there conventions for representing important figures? (IE gods/kings/etc being depicted larger than culturally lesser subjects)
Is there visual shorthand to depict objects/concepts that are difficult to execute with clarity (the sun, moon, water), or are invisible (wind, the soul), or have no physical component (speech)?
Etc
Deciding on answers to any of these questions will at least give you a unique baseline, and you can fill in the rest of the gaps and specify a style further until it is distinct. Many of these questions are not mutually exclusive, both in the sense of elements being combined (patterns with both geometric and organic elements) or a culture having multiple visual styles (3d art objects having unique features, religious artwork having its own conventions, etc).
Also when you're getting in depth, you should have cultural syncretism in mind. Cultures that routinely interact (whether this interaction is exchange or exploitation) inevitably exchange ideas, which can be especially visible in art. Doing research on how this synthesizing of ideas works in practice is very helpful- what is adopted or left out from an external influence, what is retained from an internal influence, what is unique to this synthesis, AND WHY. (I find Greco-Buddhist art really interesting, that's one of many such examples)
Looking at real world examples that fit your parameters can be helpful (ie if I've decided on geometric patterns in my 'style guide', I'll look at actual geometric patterns). And I strongly encourage trying to actually LEARN about what you're seeing. All art exists in a context, and having an understanding of how the context shapes art, how art does and doesn't relate to broader aspects of a society, etc, can help you when synthesizing your own.
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ethosiab Ā· 1 year ago
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isnt it crazy how up until limited life almost everything etho cared about got set on fire and burnt over and over again. wild.
you get the wip too because. i hate this.s
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lil-vibes Ā· 9 months ago
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Day 3: Rise from the dead
Previous/Next
(prompt list here!) + bonus :3
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mischief-tea Ā· 3 months ago
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Pre-blocked and I am currently weaving in ends... but it's finished!!! sCREEEEEE
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canisalbus Ā· 10 months ago
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I saw the goat/ sheep debate thing and figured I’d share what I imagined sheep Vasco and goat Machete
Realizing half way through, it’s incredibly hard to find sheep and goat breeds that match. (So I took creative liberties)
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the-merry-otter Ā· 3 months ago
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What does it say about me that I chose to buy the grey wool blanket with holes in it instead of the completely identical blanket WITHOUT holes, because I want to have a non-precious SCA blanket and like the aesthetic of patches. Plus it gives me an excuse to cut the modern blanket stitching off the ends so I can get a strip to use for patching, and then hand hem them back up.
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sincerely-sofie Ā· 8 months ago
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WIP for an illustration set post-Better the Wool.
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gayestcowboy Ā· 3 months ago
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i’ve been knitting a sweater :3
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r0cky-road Ā· 2 months ago
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What are your medical based headcanons for the Shepards? Are any of them dealing with a chronic illness or chronic pain? Allergies? Asthma?
Curly:
-deaf (started in his left ear but gradually over the years has lost the hearing in his right ear as well)
-has allergies to sheep, avocados, and wasp
Tim:
-blind in his left eye from his scar
-allergic to fish. Angela:
-has glasses but never wears them
-has multiple burns on her hands and arms from trying to cook food when she was little
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dreamsb0u Ā· 1 year ago
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Oh yeah I made him a few days ago
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lilpuffyart Ā· 1 year ago
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'Morning!!
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ancient-art-of-craft Ā· 5 months ago
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https://www.ravelry.com/patterns/library/kjaerlighetsvotter
Lover's Mittens, two pairs of colorwork done in the traditional rose/snowflake pattern seen in Selbuvotter, a type of stranded mitten patterns from Selbu, Norway.
I made two pairs of mittens, one for my friend and one for her fiance, plus a mitten my friends affectionately call the "Smitten", where you can hold hands! Note on the pattern: when making the Smitten, the join between the cuffs leaves a giant hole. I chose to use a sew-on label to cover that, it says Love in Every Stitch.
There are a little under 18,000 stitches in this pattern, one for every day of fifty years of happiness.
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daily-crabbys Ā· 11 months ago
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i was gonna ask this on my main but I'll probably actually get answers on this blog
how does one clean a wool hat?
i obtained a wool hat through thrifting means, and every instruction, both on the hats tag and online, have told me to just lightly dab it to clean it, which is probably the correct way to do it. the issue is, again, the fact that i thrifted it, so i dont really trust that to clean it all the way
do i just gotta suck it up and accept the hat will never be entirely clean, or is there another way i could clean it?
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just-b-wilde Ā· 2 months ago
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Messy hair couple... 🤭
Some time ago, I came across the profile of a man who enjoyed crocheting all kinds of characters in his own unique way. Since I found it interesting, I reached out to him and asked for his interpretation of Lila and Five.
It ended up being two figures inspired by the looks of ā€œSeason 3 Lilaā€ and "Subway Five" It’s actually a pretty chaotic and unconventional portrayal—but you know what? I kind of like it!
And I also find it admirable that this was created by a man using just a few photos and his imagination—meanwhile, I wouldn’t be able to make anything with a crochet hook, lol. šŸ˜†
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