#Work-Life Timelines

[nationallawreview]

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[stealingpotatoes]

heres a crappy venn (??) diagram explaining the dynamics in the tl4j time travel au bc it's easier than trying to write a full plot

[aalghul]

once again thinking about jason as duke’s robin. he’s ~4 years younger than jason, and that puts him at 8-12 during Jason’s time as robin. that’s prime time to get attached to your local kid vigilante before your own life goes downhill.

and if we try to keep duke’s meeting with bruce in zero year + duke’s age (so he can remember the meeting and hold that conversation with bruce), he has to be around 8. if he starts following batman through the news at that time because of the mess that just happened, the robin he sees is probably jason. I’ve literally connected the dots

[nibbelraz]

Pls consider MBJ looking between his spy and his spy's didi and just trying to make sense of these two

POV: you are Mobei Jun looking at your loyal servant glare absolute murderous daggers at you while his younger brother (that you didn't know about) is just staring at you weirdly

[catsharky]

Yeah I was right and there was no way I was getting the rest of this done without making you all wait another month or two, so I just went to the next good break point. We're officially past the halfway point with Astarion though, so not too much longer before you actually get to see Rolan again!

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Full page format under the cut:

[utilitycaster]

I think the two most obvious foils for Ludinus Da'leth across all of Critical Role are Essek and Keyleth, which is both fascinating given how different those two characters are from each other (Essek being a foil in terms of isolation, single-mindedness, harm in the name of ambition, knowledge, and other such wizard themes; Keyleth being a foil in terms of people who have lost something at a young age to the gods and bear resentment for it, political leadership, belief that the world belongs to mortalkind, and longevity) but also it's extremely funny that they both are the partners of Liam's character.

[gabelew]

I prefer to work with canon characters, but sometimes some OCs are unavoidable. Given my focus on pre-Calamity times and the 100 year gap between it and botw, most of the OCs needed are the parents (or more specifically the moms, who nintendo just insists on pretending don't exist).

So here is some of my musings on the possible parent characters. It's all a work in progress, so most don't have names and their designs still fluctuate a bit. Currently the OC roster involves the Zora Queen, Bazz's and Rivan's mothers, Gaddison's parents, Dunma's mother and the previous Zora Guard Captain.

For the queen, I actually don't like the popular name "Sola" that much (language nerd reasons) so that will be changed probably....

[bet-on-me-13]

The Ghost King's Son

So! Cloning is a difficult process.

It takes time, lots of time. Sure, it's possible to accelerate the Growth of a Clone to make them older in a shorter time frame, but that often leads to Destabilization within weeks of completion.

And Cadmus didn't want to take any chances when designing their Kryptonian/Human Hybrid. They started growing him much earlier than they originally did, and let him grow at a semi-normal rate for most of his life.

This comes back to bite them in the butt however, when an asset breaks out of containment and ruins their Internal Power Generators. This causes a blackout that takes hours to resolve, and by the time they fix it all and reestablish the Security Systems, they notice one of the Clones is missing.

The Kryptonian/Human Clone has escaped.

...

Kr-1 is confused. He had woken up in a tube a few hours ago to some alarms, and decided he didn't like it, so he broke out. Then he wandered around until he ended up outside, and just kept on Wandering.

It had been hours, and he didn't know where he was. It seemed to be some type of Forest, but he didn't know what kind.

He just kept on wandering. It started to get boring though, the trees all looked the same and there weren't even any animals around. Then, something interesting happened!

A green thing appeared in the air! It was glowing and swirly and had a kind of pull to it. So, he touched it. And it sucked him in. And now he wasn't in the Forest. And this place seemed much more interesting!

There were a bunch of floating rocks, and the sky was green, and everything else was purple.

And there was a man. Looking at him hurt his eyes, he seemed to be a kid and then an man and then an old man and then a kid again whenever he blinked. He was saying something, but Kr-1 didn't understand him. He didn't think he had been taught language yet? What was language?

The Kid/Man/Old-Man lead him to a big building made of bricks and mortar. It looked like a big spiky building with towers and walls and stuff. Inside it looked cool, with candles and carpets and even more stuff.

He was taken to a room with a guy who didn't hurt his eyes to look at. He had white hair and green eyes, but his skin wasn't blue like the old guy. He had a piece of ice on his head, it looked like a crown but it was glowing.

The Guy walked up to him and pointed to himself, and kept repeating something. "Danny".

Eventually Kr-1 realized that it was his name. He then pointed to Him and said "name?"

He tilted his head confused, and the guy, Danny, let his head fall with a sigh.

"This is gonna be harder than I thought."

He wondered what those words mean?

...

It had been a few years since the newly dubbed Conner had begun to live with Danny.

He had been hesitant to adopt the Living 9 yr old Child when Clockwork had brought him to his Castle, explaining that he had run into a Natural Portal, but he had accepted in the end.

It took a while to teach Conner how to understand Language. He seemed to know very little for a kid his age, but after Clockwork had dug around his personal timeline they figured out that he was a Clone. He probably hadn't reached the Information Planting Stage of development when he escaped.

After learning about this however, Danny began teaching him everything he should have learned in his early life, such as Elementary level education and some social interaction. He even brought around Ellie to see if she had any advice for helping him develop into a healthy young boy.

She did help a bit, but was mostly preoccupied with spoiling her new Nephew rotten.

Eventually, Conner had caught up to the level he should have been at his age, and started living in both the Realms and in Amity.

He was having a good life, had some great friends, and was even starting to learn to use his Kryptonian Powers now that they were coming in.

He loves his new Family, his Dad is goofy and fun, his Aunt Ellie likes to spoil him rotten, his Aunt Jazz is the responsible one but still loves him, and even his grandparents are great in their own Insane way.

But not all great things can last.

...

It was supposed to be a normal Field Trip. Conner was 15 and his school was taking a Trip to Washington DC, to see the sights or to learn about history or something.

But stuff happens. They just so happen to pass by a certain lab, that lab just so happens to be testing out a new Yellow Sun Energy Detector, and one of the Scientists who worked on Conner just so happens to see him in the bus as it passes by and the detector goes off.

In the end, they manage to recapture him and place him back into his Pod, beginning to prep him for Reeducation. (Let's say they mamage to repress his memories)

Cut to 1 year later and a team of Sidekicks break into the Lab and successfully steal away the Clone again.

The Clone who knows he had a dad who had black hair and blue eyes, who helped him use his powers, who looks a lot like Superman.

Conner, in his slightly Amnesiac state thinks he has already met Superman and that he had raised him. Which makes it so much more hurtful when Superman outright rejects him. He thinks his Dad just rejected him, the Dad who he thinks he remembers loving him very much.

(Danny had been frantically looking for his son for over a year now. Where is he? Is he Okay? What happened to him? He knows at least that he isn't dead yet, but he really wants to find his son)

[yinyuedijun]

anyway I joke a lot about mydei getting cucked in okhema and also being paranoid abt losing you but like the undercurrent to all of this is actually quite sad.

(cw slavery, war, discrimination etc)

mydei has only ever known you within a framework of violence. he led the kremnoan army to war with your city-state, he abducted you from your temple and took you to kremnos, he put you in chains as his people's laws demanded. yes, he was an unwilling participant, and yes, he tried his best to protect you, and yes, he wishes to usher in an era of peace for kremnos where such crimes will never happen again - but the fact of the matter is that mydeimos is the heir to a millennium of violence, and you are the ultimate reminder of that violence.

then you get to okhema, and mydei sees you for the first time in a framework of peace. living outside a reality that is hostile to you, in an environment where you laugh and smile and walk freely without chains. and mydei adores seeing you like this, thinks that there is no sight more beautiful. but the novelty of all this is also painful to him: the only reason you ever cry in okhema is out of joy, whereas in kremnos you only ever cried out of grief.

the people in okhema know, too. your former townspeople, the okheman natives, the refugees from the rest of amphoreus that warred with nikador over the years - all of them know this about you. yes, they are wrong about much of kremnos, vilify him and his people unfairly - but there is still an ugly truth to what they assume about your relationship.

you try your best to deny it. you always defend mydei steadfastly, make it clear that you are by his side willingly, always say that he has been nothing but good to you - but they disbelieve you. they pity you, grieve for you, want more for their innocent priestess that was taken by a kremnoan prince as his war prize. they have no doubt that he defiled you, that you were coerced into laying with him. you insist that this is wrong, that you are his lover - but they will always see you as a bed-slave so long as you are with him.

and they aren't wrong for that, are they? mydei has only ever known you in a framework of violence. the two of you fell in love, yes, but you did it while you were still in chains. no matter how gentle he is with you, his loving you has always been an inherently violent act.

so when mydei sees you in okhema, no longer existing under violence, he sees a life that he stole away from you. a life where you are free, where you can fall in love with a normal man rather than her captor, where you can get married as a legal wife rather than a concubine, where you can have children who are freedmen rather than nothoi who are in chains. mydei is trying so, so hard to create an era where this is no longer the case - but a great part of him fears that your relationship will always stay in this old era of strife.

when your aunties giggle and tell you to retire from your post and get married, to find someone from your town or maybe even a nice okheman boy, he knows what they mean to imply. you're free now, they're saying. you don't need to be the slave of the kremnoan prince anymore. you don't need to spread your legs for the monster who abducted you. you don't need to be his whore.

you can be happy now.

and they aren't wrong for that, are they? you are free now. you can finally escape the chains that castrum kremnos forced upon you - the chains that mydei put you in.

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[followerofmercy]

Oh my God I just realized the reason Arlecchino is Like That is because she's never known a parental figure as anything but an antagonist. Essay incoming:

I saw some really good analysis pointing out that Crucabena's existence was almost certainly a retcon for the Knave/Director of the House of Hearth's unforgivable behavior, and I agree. Nobody's ages make any sense without having to do a mental contortionist act and there was a distinct vibe of the Chasm Hearthlings being particularly brutal.

(That is part of why I don't usually get into super long-running stories. There will inevitably be some half baked ideas that you have to introduce early on for foreshadowing, but then the rest of the story moves in a way where there's a better option, and then you have to find a way to make the new idea work with the groundwork already laid. Personally, I think a footnote saying "We changed our minds - this is the edited version" is perfectly acceptable. A story is a conversation between the audience and author but whatever)

ANYWAY! It feels so fucking weird saying this because while I'm on the "they should be Worse, Actually" train 99% of the time, this is that 1% where I think Arlecchino being on the very very light side of morally gray makes for a way more interesting story than if they had've kept her true to the original idea.

I love evil women more than the next guy but I think the continued operation of the House of Hearth being a spit in the face to the Fontainian government and the Fatui and the idea of how a 'normal' family should look - because none of these kids are normal and that has directly led to their abuse - and that being a good thing is. Idk. Refreshing? I think it's a much more powerful message that Arlecchino was the only goddamn person that actually got results trying to do something about all these abused children. She is actually doing some incredible work in a terrible situation. In a world where these kids’ options are “being trafficked” and “Fatui pawns,” I think “Independent child soldiers operating under the Fatui banner but staying true to themselves” is a pretty damn good alternative. 

It’s also important that the rest of society’s lack of care is directly responsible for the continued existence of the House of Hearth as it is. I mean fuck’s sake, Fontaine has a community of people living in the SEWER. If there was a public orphanage that wasn’t operated by predators, I’m sure most children would be there instead! But no. Nobody wants these kids. And, God forbid Wriothesley decided to do something about being sold. The victim blaming is off the charts. There is no way for Arlecchino to operate peacefully within the existing system, so she made her own. 

So the actual point of this essay: It’s everywhere in Arlecchino’s story, dialogue and actions that she wants her children to support each other, but because of how Crucabena raised her, she can’t really envision herself as part of that family (even if she actually is part of it and the majority of the kids love her dearly.) A parent is something to be feared, eventually killed, and removed from the path of their successor. Everyone likes to highlight little Perurere asking if it’s normal for biological mothers and daughters to argue. On some level I think she knows it’s wrong, but still. Literally all she’s ever seen is a parent as an obstacle to overcome. None of the children in her care had good parents and, if they did, the parents are dead. 

(Also hot take that Crucabena probably thought extremely highly of Arlecchino and gave her special treatment. She felt that Clervie was holding her actual favorite daughter back. I imagine Arlecchino also has very complicated feelings in Crucabena’s role in raising her to be as strong as she is while also being an objective monster, but that’s a topic for another time.) 

Even Arlecchino’s constellation talks about her being alone while instructing her children to care for one another. That separation ties into her being outwardly contradictory about rules. In her story quest, she spends the majority of it aware that her children are disobeying her, but as long as she doesn’t catch them, she can’t rightfully punish them now can she? Now excuse her while she makes herself scarce so they can get up to their mischief. She lip services - and by that I mean lies - about the importance of rules. She Actively Encourages her children to disobey her so long as they do it smart, which is a way to teach them how to circumvent the unjust laws of Fontaine and the Fatui without getting caught. If her kids fuck up bad enough she’ll “punish” them before they get actually killed by something worse than her, and if they successfully trick her (with her blessing), then there’s a good chance they’ll live. (Or, yk, if they wanna leave she’ll let them asldfj) 

So, again, I'll keep preaching that Arlecchino's whole MO is that she is setting herself up as an antagonist for her children, and her children's allies, to test themselves against. She actively encourages rebellion against her, unfair rules, the system, the Fatui, Fontaine, etc, because that's how she survived her own upbringing and the only way she knows for her family to protect themselves. She is keenly aware that she is Not Gentle, Not Fair (even if I do neglect that part in my own writing), and that there probably is a better way to do things. That’s why she wants Lyney specifically to succeed her. She cannot envision a perfect Hearth with her in it because she is the Parent, and historically, Parents are obstacles to be removed. 

Arlecchino’s greatest wish as the King of the House of Hearth is to be dethroned, and I think that is WAY more interesting than the abusive, violent tyrant Hoyo teased at first.

[housecow]

I'd pay so much money to hear you give a lesson on paleontolgy. Whenever you write about you seem so formal and passionate ✨️

this is sooooo sweet but i guarantee you don’t want this bc the first lesson would be on terminology and the geologic timeline, some of the most boring but fundamental shit 😭😭

or, hear me out—that but my feeder is stuffing me more and more. the lesson keeps getting interrupted by sips of weight gain shake and many belly rubs

[captainmaxatx]

Omega! Logan who was born in the 1800s when secondary gender roles were very prevalent but it actually really suited him and he wanted to be a home maker and have a bunch of pups but he was always too big and hairy and and not seen as a good Omega. Alphas would sleep with him but never treat him the way they would a “proper” omega and they didn’t ever want anything serious because it’s like almost shameful to have a big hairy omega.

Then times change and Omegas start breaking out of the cookie cutter roles and they go into the work force and what not (feminism but it’s omegas) and Logan is very happy for them he thinks they all deserve the right to choose, but still no one wants him. And everyone expects him being an omega with the way he looks to be at the forefront of the movement to want the change for himself, but he doesn’t.

And over the years he toughened up and stops looking to start a family and put his dreams on the back burner to become what everyone expected of him.

And then everything happens and all the sudden Logan finds himself in a universe without secondary genders, where he isn’t a too big and hairy omega, he’s just some guy.

And unintentionally he finds his way into the role he’s always craved, where he takes care of the home and the dog while Wade makes the money, and it’s the closest he’s ever been to the life he wanted. He mostly retires from fighting and heroing, but now he’s ready for a new challenge. And being near Laura has only served to dig up that old desire and instinct he tried to bury so long ago

And I mean, even if the mutant hate wasn’t as bad as it is in Logan’s old world there was still a time here not to long ago when mutants were ran out and scattered around the world. And now with the people at Xavier’s working on getting the Mutants back into the city trying to re group with their still dwindling numbers. I mean Logan and Wade should help with the mutant re population efforts, who better to do that then two very eager immortals who can heal from anything and with a whole gang of friends around them for free child care.

[novelconcepts]

Is it just me or did you feel Juliette Lewis coming through big time in Sophie Thatcher's performance in this last episode? The level of acting from everyone is just incredible and keeps getting better.

I dunno how intentional it is, but I've been feeling that crossover between actors a lot this season. I mean, it's always been there, but it feels like we're officially at the point of the wilderness timeline where we're starting to really see how they become the adults we know. Shauna's violent anger matches up so cleanly with the way Lynskey has been playing moments like holding the chop-shop guy at gunpoint, or her standoff with Melissa. Natalie feels much more tired and loose and like it's getting hard to hold herself up ever since the Ben of it all. Van is hardening, and the expression work from Hewson to Ambrose is pitch-perfect. Taissa is spilling into her Other more obviously in the teen timeline, which is making it much clearer when Cypress' version does the same. Everyone is getting better for sure (and they were all exceptional from the jump), but some of it is just getting to inhabit these characters for several years. We really get to see that inside-and-out knowledge shine through in the physicality and the line deliveries, and it is incredible work all around.

[carlyraejepsans]

One thing I think people forget is that sans probably wouldn’t talk about missing his home and never being able to go back and giving up unless he absolutely felt he had to

with frisk he’s pretty sure that’s the time traveler that could very well end the entire world. He’s trying to reason with em as a someone he’s hoping could be a friend at that point because he’d really rather not have that happen

In geno is IS the end of the world and he’s hoping you’ll realize this is stupid and cruel and reset. It’s not like he’d have this conversation on a random Tuesday with papyrus

yeah agreed, sans goes out of his way to not talk to/with papyrus about their life before the underground. remember the newsletter q&a? (this is more a theory, but judging from their behavior i personally think papyrus is an amnesiac/sans thinks he is, and he's trying to spare him the grief of remembering).

his memories and mementos are stored behind his house for a reason, he's had his realization that he'll never go back already: there's no sense in reopening that wound again if he has an option to avoid the topic.

[theguffbin]

do you like their boots