#YOU CAN ASK FOR ANYTHING

[cometblaster2070]

i'm making myself laugh thinking about this but I wholeheartedly believe madame morrible absolutely HATES the thought of glinda and elphaba being together like the mere mention of gelphie would probably send her into immediate cardiac arrest and it's not even because she's homophobic or anything I just fully believe she dislikes glinda so so much she's just like this is absolutely NOT happening in my house.

glinda and elphaba are having their gay ass moment and she's like "I sense a disturbance in the force; the wind is telling me those fucking lesbians are at it again."

like IK this woman hates to see glinda's fruity ass coming for several reasons but first and foremost I believe it's because she's so fucking ANNOYED by how much elphaba loves and cares for her, like this pink bitch is throwing a wrench in her plans just by EXISTING and being herself.

and she can't even really do anything to glinda because it'll make elphaba upset and she really can't have that so she just has to sit there and be like

[starcurtain]

Please someone redraw this with Dr. Ratio and Aventurine because this is the exact vibe they have in my head post-Penacony.

[ninjasmudge]

thats a red flag narinder, get that crown back while you still can

+ top panel without text below the cut

[dotcie]

Writers Truth & Dare Ask Game

🎱 ⇢ post your AO3 total stats  🍓 ⇢ how did you get into writing fanfiction?  🌵 ⇢ share the link to a playlist you love 🕯️ ⇢ on a scale from 1 to 10, how much do you enjoy editing? why is that? 🛼 ⇢ describe your latest wip with five emojis 🥑 ⇢ you accidentally killed somebody, which mutual(s) do you text for help? 🥤 ⇢ recommend an author or fanfic you love 💌 ⇢ how many unread emails do you have right now?  🌻 ⇢ tag someone you appreciate but don't talk to on a regular basis 🐇 ⇢ do you prefer writing original characters, reader inserts, or a mix of both?  🧃 ⇢ share some personal lore you never posted about before 🎲 ⇢ what stops you from writing more in your free time?  🍄 ⇢ share a head canon for one of your favourite ships or pairings 🧸 ⇢ what's the fastest way to become your mutual? 🪐 ⇢ name three good things going on in your life right now 📚 ⇢ what's the last thing you wrote down in your notes app?  🍬 ⇢ post an unpopular opinion about a popular fandom character 🔪 ⇢ what's the weirdest topic you researched for a writing project? 🦷 ⇢ share some personal wisdom or a life hack you swear on ❄️ ⇢ what's your dream theme/plot for a fic, and who would write it best? 🌿 ⇢ give some advice on writer's block and low creativity 🥐 ⇢ name one internet reference that will always make you laugh  🏜️ ⇢ what's your favourite type of comment to receive on your work? 🍦 ⇢ name three good things about a character you hate 🥝 ⇢ do you lie a lot? what's the most recent lie you told? 🦋 ⇢ share something that has been on your heart and mind lately  🦴 ⇢ is there a piece of media that inspires your writing?  🍅 ⇢ give yourself some constructive criticism on your own writing 🐚 ⇢ do you like or dislike surprises? 🪲 ⇢ add 50 words to your current wip and share the paragraph here ☁️ ⇢ what made you choose your username? 🐝 ⇢ tag your biggest supporter(s) and say one nice thing about them 🌸 ⇢ do you have any pets? if you do, post some pictures of them 🎨 ⇢ link your favourite piece of fanart and explain why you like it 🧩 ⇢ what will make you click away from a fanfiction immediately?

[ninja-knox-ur-sox-off]

Okay 3 things

1. I was thinking about an aroace Sonic who says things that can be taken as wildly flirty/romantic but he just means them genuinely. “You have beautiful eyes, I keep getting distracted while looking at them,” not cause he’s interested romantically in them but because eyes can be really cool and pretty man I dunno what to tell you he likes looking at cool things and he thinks his friends are neat. “You’re the most beautiful person here,” because he really thinks that, he loves his friends

2. Sonic randomly dropping heartfelt genuine comments on his friends out of the blue completely blindsiding them and then moves on like nothing happened while they’re left going ?????? Bonus points if he does something immensely stupid or jerkish just before or immediately afterwards and they can’t tell if he was serious or not with the compliment (yes he was)

3. Sonic usually being so allergic to truly vulnerable moments that when he expresses something heartfelt randomly Tails thinks he’s been stabbed or something and does not believe him when he reassures him that he’s fine he’s fine he’s not dying yeesh

[poorly-drawn-mdzs]

Stargazing, at the edge of the unknown.

[genericpuff]

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

[mellosdrawings]

DESCENDANT OF THE GREAT CONQUEROR child crewel kick this guy's ass

it's giving colonization sympathizer >:(

what's ratass's name and can we get a nui png to beat up

You don't have to ask. That guy is literally only there to be punched by Crewel xD

He doesn't have a name and I have no idea what a nui png is, but here:

[tritoch]

this will forever be the funniest moment in final fantasy xiv to me. you are a bright young officer of the globe-spanning evil empire. over the last few months you've watched the entire empire crumble from the edges inward after the former crown prince killed his father and seized the throne so he could redirect the state toward his own occult ends. you have witnessed unbelievable horrors. you had to kill your own family. finally, you get a chance to stand across from the man who caused all this and ask: why? what was it all for?

and he goes, uh, because i wanted to, dipshit? that's literally the only reason anyone does anything? fuck, you're stupid. if you don't believe me ask literally anyone else. or even like an alien. they'll tell you they do whatever they want for the specific reasons they made up. and like that's literally fine we're all just doing what we want for the cool made-up reasons we each picked.

then a teenager roasts him and he vanishes from history forever. you were probably the last of your countrymen to ever see or speak to him, the man who burned down everything you knew and loved for nothing at all. and like the second to last thing he ever said to you, right between imparting his existentialist philosophy and threatening to kill you, was that aliens are real. he didn't even pause, just said "go ask an alien" and went on with his speech like aliens existing was a baseline assumption everyone could agree on.

[ad-astra-per-aspera-1389]

I feel like charles would sometimes bring up that he went to literal hell for edwin, not in a "i did this for you, can you please do that for me" way, but in a "edwin. I went to hell for you. I would go to the ends of the earth for you. of course i will do the dishes" sort of way

[ghelgheli]

Could we say that rejecting afab transfemininity is a form of bioessentialism because this rejection is based the sex assigned at birth of this category ? Isn't this like rejecting amab people from womanhood for the same reason ?

this only makes sense if you believe that "transfemininity" was a freely-made, vibes-based gender category with no prior anchor in the world. bioessentialism requires prescription by the accused bioessentialist; it requires that your imagined bioessentialist (me) decide post-hoc that certain biological claims about a person determine whether they can be transfeminine or not. if transfemininity was just a set of expressions, forms of behaviour and labelling, a particular aura or whatever, it would be indefensible to gatekeep people from it based on assignment. but that's not what transfemininity is.

transfemininity as a term developed to describe a category of gendered subjectivity in response to transmisogyny. the transfeminine isn't just a particular appearance or set of labels—transfemininity is anchored to the way transmisogyny shapes the subject-formation of those people who are subjected to it. like being a trans woman, being transfeminine is a politicized positionality determined thru cisnormativity and its reflex, transmisogyny. and the logic of transmisogyny operates precisely thru birth assignment.

here is a second clarification: birth assignment is not a biological fact about someone. birth assignment itself is a bioessentialist social action done to someone in the maintenance of hegemonic sexgender. the corrective machinery of gender then sets its normative expectations in accordance with ASAB, and metes out its punishment likewise. and transmisogyny is the specific genre of punishment reserved for those who have betrayed the expectations of being coercively assigned male at birth: the class of failed men who become an underclass of failed women because they cannot even perform the kinds of reproductive labour expected of women "proper". the transfeminine is a subject formed in response to this experience: a gendered category that coagulated against the stream of transmisogyny. it was not an invention ex nihilo, but political development.

so when I reject "afab transfemininity", I am not engaging in prescription. I am just describing transmisogyny, and deducing what must therefore be true of transfemininity. to call this bioessentialist would be a category mistake. take it up with the instruments of transmisogyny. the bioessentialism sits much deeper than a trans lesbian saying no—and your comparison to transmisogyny itself rejecting trans womanhood is, to be honest, absurd.

[goomyloid]

got uty au pilled again, sorry... more info under the cut

an AU where ceroba, in the end, refuses to inject kanako with the serum. even after all her research, she just can't trust that it's totally safe. while kanako accepts this, she still wishes she could eventually be of use somehow, and indirectly blames herself for her father's death.

despite all this, with kanako alive, ceroba is able to grieve chujin in a far less desperate way, still having her daughter by her side. as the years go by, ceroba devotes more and more of her time to finishing chujin's research in hopes of finally making a serum that can save the underground. kanako is determined to help, too -- together, they clean up chujin's lab and make it a far nicer place to work, because they're in this together now. well, in theory.

ceroba still certainly takes care of kanako and does her best to be a good mother, but as time passes, ceroba spends more and more time in the lab trying to find an answer. kanako, being the social butterfly that she is, can't bring herself to always stay shut inside like her mother; she travels daily to Oasis Valley, making friends and becoming the town darling. as ceroba spends more time working, kanako spends more and more time taking care of the estate, trying to spend time outside whenever possible.

but it gets kind of lonely. the ketsukane estate is off outside of Oasis Valley, and not many people come by. she's worried about her mother, who's been shutting her out as she becomes more desperate to find a solution. there's only so much to do at the house.

then, clover falls into the underground and explores the dunes. there are barely any other kids at this spot in the underground -- finally, someone around her age! she's immediately entranced by them and determined to become their friend, even after finding out they're a human -- that just makes them cooler...!

but there's a problem; kanako has seen her father's tapes, she knows that a human soul would be extremely valuable to producing the serum. of course, she wants to help save the underground, and she wants her mother to finally be rid of stress and be able to spend time with her again... but after spending time with clover, kanako knows there's no way she can let clover die. they're like the sibling she never had...

and kanako can't even let her mother know that clover exists, either; she knows exactly what will happen if ceroba finds out there's a human here. and yet, a secret part of her wishes and hopes that maybe, just maybe, ceroba could find value in clover as a person and then they could all live in the ketsukane estate together. it would be a dream come true! maybe there's even some way clover can help ceroba without having to give up their soul...?

but things aren't destined to work out that way. any number of things could happen.

clover could peacefully move on in their quest through the underground, leaving a sad and lonely kanako behind.

or, ceroba finds out about clover in one way or another, and things are not looking good. but would she choose to take clover's life at the cost of her daughter's one and only friend?

what if clover didn't come in peace, but in vengeance?

or maybe ceroba somehow accepts clover, growing to respect them after all is said and done, and she tries to experiment on a living human soul?

or maybe, wracked with grief and loneliness, kanako discards her mother's warnings and takes the new, updated serum herself, determined to become the hero for her family like she always wanted...?

or, something else could happen.

what if, after an unhappy ending, kanako wakes up on that same day again, waiting for clover to come by the ketsukane estate for the first time? she doesn't even know how it's possible, reliving the same few weeks over and over. she just wants to find her happy ending, and she'll search and search for as long as she needs to.

how long can she watch the same endings play out over and over?

[choccy-milky]

sometimes you gotta lure your overly-studious ravenclaw gf into spending time with you 🥰 📚 ( from 'Every Teardrop is a Waterfall' by Kat_12739 on ao3, GO READ IT!!! the first story is about seb falling sick and still pushing himself/not admitting he's sick until he ends up in the hospital, the second story is about the birth of seb and clora's daughter and seb's reaction to clora almost dying in childbirth, and the third is about dealing with a fussy newborn lewis😭🥹THEY'RE SO GOOD AND SWEET AND SOMEWHAT SAD (not to mention beautifully written) so go check it out!!💖💖 )

[0vergrowngraveyard]

missing big bro hours 💔

[cookiedough77]

i love marigami because this is what i think the dynamic would be like

they both have a hard time expressing how much they like the other for very different reasons