“To Drive the Hundred Miles” Launches TOMORROW! Read a Teaser Now…
The pre-order campaign for Alec J. Marsh’s novella To Drive the Hundred Miles launches TOMORROW!
Author Alec J. Marsh describes his novel To Drive the Hundred Miles as a Hallmark movie made queer. With a trans male protagonist and an immersive first-person point of view, this novella will draw you in and hold your attention from start to finish. Join Will as he struggles with his family’s acceptance of him, and as he struggles with his own acceptance of the potentially bright future offered to him by the cute barista Bea. Ringing in the season with lows and highs, a whole lot of coffee and pancakes, and a modest dollop of spicy f/m content, you won’t want to miss your chance to get this touching book—soon to be available as a gorgeous trade paperback for the first time ever!
“No one has come in in three hours,” she said. “And you’re right, I have better ways to spend my Christmas than working. Do you have any of that brandy left?”
I checked the inside pocket of my jacket, and the flask was still there. I handed it to her, and she added generous portions to both of the mugs, then handed me one. She took a seat in the other armchair and tucked her feet up under her.
“Well, merry Christmas,” she said.
“Merry Christmas,” I agreed with less bitterness than I expected. This felt like the ideal Christmas, I realized. Sitting in a quiet coffee shop with Bea when no one wanted anything from either of us. She was who I wanted; she made my days feel special.
Visit the pre-order page to learn all the campaign details, and WATCH THIS SPACE for the official announcements that ordering is live!
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Hermit Prints — To Drive the Hundred Miles
This project was for the novella To Drive the Hundred Miles by Alec J. Marsh, published by @duckprintspress.
Serendipity, WA is filled with Christmas cheer, beautiful mountain views, and trans man Will’s feminist Wiccan family. Home for the holidays, he avoids their clumsy attempts at support by hiding in the local coffee shop and flirting with Bea, a friend from high school.
The beautiful landscapes can’t make up for the the realities of being queer in a small town, and Bea wants out. Will grabs for a prosperity spell, and finds a new way to connect to the magic he’s become estranged from. New romance and optimism get them through the holidays, ready to face their next problems.
This is in the digest format, with white paper and matte cover options. The final books had 94 pages. The cover treatment is by Pallas Perillous.
If you’d be interested in getting your story typeset and ready to print, please visit my commissions page.
You can purchase the print and ebook versions from Duck Print Press, as well as related merchandises.
The novella along with related merch (wood carved pendant, sticker, spell jar recipe card)
Front cover of the novella
Sample interior page
Closer look at the pendant, sticker, and card
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On this date in 1990 “The Hunt For Red October” was released!
Capt. Borodin: “The crew know about the saboteur. They are afraid.”
Marko Ramius: “Well, that could be useful when the time comes.”
Director:John McTiernan
1st AD:Jerry Ballew
Cinematographer:Jan de Bont
Camera operator:Roger Gebhard
1st AC:Cal Roberts
Production Designer:Terence Marsh
Gaffer:Ed Ayer
Key grip:Larry J. Aube
Dolly grip: Michael J. Coo
This is one of my favorite movies so today we’re going on a deep Dive! Dive! Dive! on how this group of dedicated filmmakers brought this movie to life.
The producers originally wanted Kevin Costner for the lead, but Costner had other ideas.
As producer Mace Neufeld explained in a behind-the-scenes DVD feature, "I'd gotten quite friendly with Kevin Costner, and I went to Kevin about playing Jack Ryan. But Kevin was up to his neck, and very enthusiastic, about doing this ... this buffalo movie. And I said, 'You'd rather do a buffalo movie?'".
This was Alec Baldwin’s first big budget starring role throwing himself face first into the role spending time with C.I.A agents and spending the night 600’ underwater in a submarine. He also recommended he personally do the helicopter drop into the ocean. Baldwin accepted the role of Jack Ryan because Harrison Ford turned it down. Cast member Sam Neill also benefited from Ford's refusal three years later by being cast in the lead role of Jurassic Park (1993). Interestingly, Baldwin asked for a big pay increase for the sequel, to which the producers allegedly replied, "For that price, we could get Harrison Ford." Baldwin held his ground and the studio agreed to the fee, but for Ford instead of Baldwin for “clear and present danger”
Sean Connery was a last-minute replacement. The film had been in production for two weeks when word came that Klaus Maria Brandauer (Out of Africa), the Austrian actor who'd been signed to play the rogue Soviet sub commander Marko Ramius, couldn't do it after all because of a prior commitment. Connery took the part instead, needing only one day for rehearsal. Coincidentally, he and Brandauer had acted together in 1983's “Never Say Never Again” and would reunite again for 1990's “The Russia House”, which was shot shortly after The Hunt for Red October.
Mancuso: The hard part about playing chicken is knowin' when to flinch.
"I had reservations about it," Connery told an Associated Press reporter upon the film's release. "I thought this kind of Cold War intrigue might be dated because of recent events(the fall of the U.S.S.R). It turned out that the studio had failed to fax the first page of the script, which explained that it took place before Gorbachev." This is probably why no one ever uses fax machines anymore. After being faxed the script, Sir Sean Connery initially turned the role down on the basis of the plot being unrealistic for the post-Cold War era. Whoever sent the fax neglected to include the foreword, explaining the movie as historical. Once he received the foreword, Connery accepted the role.
After consulting with the hair department behind director John McTiernan's back, Sir Sean Connery arrived on-set for his first day of principal photography with his hairpiece incorporating a ponytail. Several years later, once Connery's potential influence had greatly waned, McTiernan stated in an interview with Sight & Sound Magazine that he was "f---ing livid" with Connery, and that the Scottish actor tried to use his considerable heft with the studio, going over the director's head to pass the alteration with producers. It seemed as though Connery was to get his way until midway through the second day's shooting, when director of photography Jan De Bont started laughing while reviewing the dailies, remarking to Connery that his ponytail looked like "a limp, swinging d--k." This soon became a meme among the crew, and by the end of the second day, Connery was so upset at the mockery, he relented, having the hair department remove the alteration and forcing the re-shoot of a key scene. McTiernan joked that the reported cost of the hairpiece, approximately $20,000, was mainly down to the cost of those subsequent re-shoots.
Jeffrey Pelt: “Listen, I'm a politician, which means I'm a cheat and a liar, and when I'm not kissing babies, I'm stealing their lollipops, but it also means that I keep my options open.”
Screenwriter Larry Ferguson played the role of C.O.B. [Chief (Petty Officer) of the Boat] on the U.S.S. Dallas. He didn’t know he had been cast till he saw his name on the cast list and quickly hired an acting coach having not acted in over 16 years, he quickly started rewrites giving his character more screen time.
The film got an uncredited rewrite—including all of the Russian dialogue—from veteran filmmaker John Milius. The writer of “Apocalypse Now”, and director of “Conan the Barbarian”, and “Red Dawn”—who had directed Connery in 1975's “The Wind and the Lion”—told an interviewer in 2003 that the rumors of his involvement with The Hunt for Red October were true. He said he added speeches for Connery's character ("Make it about me," the actor supposedly told him), and that he "wrote all of the Russian stuff—everything that's Russian in that movie."
In one of the most clever ways I’ve seen a movie ditch the subtitles, this film begins with the actors speaking Russian with English subtitles. As the camera slowly dollies to the mouth of actor Peter Firth he casually switches in mid-sentence from Russian to English on the word "Armageddon", which is the same spoken word in both languages. After that point, the Soviets' dialogue is communicated in English.
During filming, several of the actors portraying U.S.S. Dallas crewmen took a cruise off the coast of San Diego on the USS Salt Lake City (SSN-716) a real Los Angeles-class submarine. To train for his role as the Dallas' commander, Scott Glenn. The real commander Thomas Fargo of the Salt Lake City ordered his crew to treat Glenn as equal rank, first giving reports to him, then give the same report to Glenn. Glenn based his performance of Mancuso on Commander Fargo, giving orders in a calm even voice, even in tense situations, saying "whatever good happened in the performance, basically I owe to now Admiral Fargo, thank you sir."
Made before sophisticated CGI became the norm in filmmaking, the film's opening sequence featured a long pull-out reveal of the immense titular Typhoon-class sub. It included a nearly full-scale, above-the-water-line mockup of the sub, constructed from two barges welded together. Since they didn’t have permission to go out to open ocean they were forced to shoot in Long Beach harbor to create the wake of the open ocean they had boats circling the barge to create waves.
Production designer Terence Marsh and Cinematographer Jan de Bont didn’t want to confuse the audience so they gave each country's submarine its own background color: Soviet submarines, such as Red October and V.K. Konovalov, had interiors in black with chrome trim. American ships, such as Dallas and Enterprise, had grey interiors. To help the audience quickly grasp which sub's interior they were seeing as the movie jumped from scene to scene and sub to sub, the filmmakers also created a subtle lighting scheme: blue for Red October, green for the Alfa class "V.K. Konovalov", and red for Dallas.
During filming in 1989, the U.S.S. Houston, which doubled for the U.S.S. Dallas in the movie, snagged the tow cable between the commercial tugboat Barcona and a barge, sinking the tugboat ten miles off Long Beach, California. One crewman unfortunately drowned, and two more were rescued.
On stage for the sub interiors two 50-square-foot (4.6 m2) platforms housing mock-ups of Red October and Dallas were built, standing on hydraulic gimbals that simulated the sub's movements. Connery recalled, "It was very claustrophobic. There were 62 people in a very confined space, 45 feet above the stage floor. It got very hot on the sets, and I'm also prone to sea sickness. The set would tilt to 45 degrees.
I asked the Dollygrip on the film and crew stories member Micheal Coo about his experience on the and he shared this with us.
“ I’ve got a story for you...
We were shooting in a real submarine and doing a tracking shot down a long corridor. Now about every 15 feet is a bulkhead that you have to step over and make sure you don’t hit your head on the top. We are tracking on a peewee dolly, raised up on track to clear the bulkheads, chasing Sean Connery down the corridor. While chasing Sean, Jan Debont yells cut cut cut, and stands up. There’s no way I could stop on a dime and Jan stood up right before one of the bulkheads. He hit his head so hard he flew over the top of me and I went under him with the dolly. His head sounded like a church bell ringing in the submarine. Since Jan Debont and Sean Connery didn’t get a long so well Sean laughed his ass off at Jan laying there on the floor saying “Fucking Hell Shit Michael, I said cut!!!”
The miniature “underwater” scenes were shot and built by I.L.M and the talented model makers from BOSS films Gregory Jein, John Eaves, Ron Gress and Alan McFarland, they filmed using smoke to simulate underwater with a model sub connected to a 12 cable marionette style frame, giving precise, smooth control for turns the same technique was used for the robot aliens in the film “Batteries not included”. To get the lens to “scrape the paint” of the model to make it feel life sized the crew used mirrors lined up perfectly and the camera lens shoot into the mirror getting the image much closer then it would have been possible for the camera. With Computer generated effects, in their infancy, cgi was used for creating bubbles and other effects such as particulates in the water.
Navy recruiters set up booths in some theater lobbies for people to sign up to join the service, or to at least look into it. The Pentagon hoped that this movie would do for the submarine service what Top Gun (1986) did for Naval aviation.
When the movie was first released on VHS in 1991, the tapes were red.
Capt. Marko Ramius: I'm reminded of the heady days of Sputnik and Yuri Gagarin when the world trembled at the sound of our rockets. They will tremble again at the sound of our silence. The order is engage the silent drive.
If you can help identify any crew members please comment, thanks for reading
Via Diego,IMDb, YouTube,MCGA. Special thanks to Dolly Grip on the film Michael Coo and miniatures paint expert Bruce Hazumi
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9 people you’d like to get to know better
I was tagged by @galaxystiel thanks! <3
last song: "Sweet Night" by V (<333)
currently watching: ER and A Town Called Eureka
currently reading: ok so bear with me:
"To Drive the Hundred Miles" by Alec J. Marsh
"Beyond the Story: 10-Year Record of BTS" by Myeongseok Kang & BTS
"The Dying of the Light" (Skulduggery Pleasant #9) by Derek Landy
(yes all currently reading, depend on whether my eyes feel like reading and brain is braining)
current obsession: all the wordle-esque games?
tagging: @deanirae @septembersghost @envydean @fpwoper @fangirlingtodeath513 @cr-noble-writes @imbiowaresbitch @skylarkblue @mayalaen (if you feel like it, no pressure ^.^)
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My media this week (30 Oct-5 Nov 2022)
📚 STUFF I READ 📚
😍👂 The Long Game (Game Changers #6) (Rachel Reid, author; Cooper North, narrator) - #1 this story runs concurrent to Role Model so I thought it was good to read it straight after #2 I love that we got such a great sequel, showing them working out some more relationship stuff (cause as much as I love a HEA idea, HEA's require intentional action) but mainly #3 I need zero reasons to reread Shane & Ilya, my forever faves
🥰 Dear Mr. Postman (odetteandodile) - reread - delectable 'marriage for insurance while secretly pining' fic. so much good pining in this.
🥰 The Lady And The Tiger (Shivadhverse #3) (Sam Starbuck aka @copperbadge) - just so in love with this delightful fluffy series!
😊 Piece of Cake: A Swanley Story (Swanley #2.5) (Valentine Wheeler) - super cute short queer romance, love to see a legit older MC
🙂 Study Hall (Alec J. Marsh) - D/s short story
😍👂 Howl's Moving Castle (Diana Wynn Jones, author; Jenny Sterlin, narrator) - this narrator was great and I adored that they gave Howl a Welsh accent from the jump
🙂 There Are No Wolves in California (Werewolves on the Other Hand…) (isthatbloodonhisshirt (wasterella), KioFox) - 49K, Sterek - pure wish-fullfillment of a bullied Stiles being rescued by a wolf pack
💖💖 +270K of shorter fic so shout out to these I really loved 💖💖
Mise en Place (Draco_sollicitus) - MCU: shrunkyclunks, 26K - reread - absolutely adore this omegaverse shrunkyclunks
In the Woods Somewhere (AidaRonan) - Stranger Things: Steddie, 5.5K - wow wow wow! incredible monsterfucking fic with great feelings. love love love
Ink & Ivy (ToBebbanburg) - The Old Guard: Kaysanova, 28K - reread - lovely, soft, wonderful modern tattooist/florist AU
Where There's a Will There's a Way (xiaq) - The Mandalorian: DinLuke, 21K - reluctant accidental Mandalore Din & Jedi twink Luke - just oodles of fun
📺 STUFF I WATCHED 📺
Ghosts - s2, e5
Doctor Who - s12, e11
Doctor Who - Flux [s13, e1-6]
�� PODCASTS 🎧
It's Been a Minute - Vampires are hot, y'all
Hit Parade Plus - The Bridge: Lost Hits vs. Legacy Hits
The Atlas Obscura Podcast - Scary Stories from Real Places
Ologies with Alie Ward - Vampirology (VAMPIRES) Part 2 with Jeff Holdeman
The Atlas Obscura Podcast - Witch Cakes
Hit Parade Plus - Give Up the Funk Edition
Hit Parade Plus - The Bridge: Chi-town, Soul Town
Switched on Pop - Scary Pockets funkify pop classics (with Lizzy McAlpine)
The Atlas Obscura Podcast - Thompson Ice House
Shedunnit - The Shedunnit Centenary
It's Been a Minute - Sophistication and sexuality at 70 with Christine Baranski
Still Processing - Alien Superstar
Off Menu with Ed Gamble and James Acaster - Ep 3: Richard Osman
Vibe Check - Choose Your Fighter
Articles of Interest - American Ivy: Chapter 1
The Atlas Obscura Podcast - Hacienda Napoles
Twenty Thousand Hertz+ - Synth War
Song Exploder - Iron & Wine "Flightless Bird, American Mouth"
Off Menu with Ed Gamble and James Acaster - Ep 9: Selasi Gbormittah
Into It - We Need to Talk About Marvel (Plus: What's Vinny Thomas Into?)
One Year Plus - 1942: The Day the Music Stopped
The Atlas Obscura Podcast - Kasanka Bat Migration
Off Menu with Ed Gamble and James Acaster - Ep 99: Domhnall Gleeson
🎶 MUSIC 🎶
Uncle Fester's Record Collection
Heavy Metal Halloween
Essential Hard Rock
Godsmack
Classic Disco Hits
Presenting Troy Sivan
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Tess McGill is an ambitious secretary with a unique approach for climbing the ladder to success. When her classy, but villainous boss breaks a leg skiing, Tess takes over her office, her apartment and even her wardrobe. She creates a deal with a handsome investment banker that will either take her to the top, or finish her off for good.
Credits: TheMovieDb.
Film Cast:
Tess McGill: Melanie Griffith
Jack Trainer: Harrison Ford
Katharine Parker: Sigourney Weaver
Mick Dugan: Alec Baldwin
Cyn: Joan Cusack
Oren Trask: Philip Bosco
Ginny: Nora Dunn
Lutz: Oliver Platt
Turkel: James Lally
Bob Speck: Kevin Spacey
Armbriester: Robert Easton
Personnel Director: Olympia Dukakis
Alice Baxter: Amy Aquino
Tim Rourke: Jeffrey Nordling
Doreen DiMucci: Elizabeth Whitcraft
Tess’s Birthday Party Friend: Maggie Wagner
Tess’s Birthday Party Friend: Lou DiMaggio
Tess’s Birthday Party Friend: David Duchovny
Tess’s Birthday Party Friend: Georgienne Millen
Petty Marsh Secretary: Caroline Aaron
Petty Marsh Secretary: Nancy Giles
Petty Marsh Secretary: Judy Milstein
Petty Marsh Secretary: Nicole Chevance
Petty Marsh Secretary: Kathleen Gray
Petty Marsh Secretary: Jane B. Harris
Petty Marsh Secretary: Sondra Hollander
Petty Marsh Secretary: Samantha Shane
Petty Marsh Secretary: Julia Silverman
Jr. Executive: Jim Babchak
Jim: Zach Grenier
Dewey Stone Reception Guest: Ralph Byers
Dewey Stone Reception Guest: Leslie Ayvazian
Cab Driver: Steve Cody
Dewey Stone Receptionist: Paige Matthews
John Romano: Lee Dalton
Phyllis Trask: Barbara Garrick
Barbara Trask: Madolin B. Archer
Hostess at Wedding: Etain O’Malley
Bridesmaid: Ricki Lake
Bitsy: Marceline Hugot
Bridegroom: Tom Rooney
Trask Wedding Orchestra: Peter Duchin
Trask Secretary: Maeve McGuire
Tim Draper: Timothy Carhart
TV Weatherman: Lloyd Lindsay Young
Bartender: F.X. Vitolo
Clerk at Dry Cleaner’s: Lily Froehlich
Heliport Attendant: Michael Haley
Helicopter Pilot: Mario T. DeFelice Jr.
Helicopter Pilot: Anthony Mancini Jr.
Trask Receptionist: Suzanne Shepherd
Rhumba Guy (uncredited): Matthew Bennett
Staten Island Secretary (uncredited): Trish Cook
Pretty Brunette Office Girl (uncredited): Priscilla Cory
Cyn’s Aunt (uncredited): Marilyn Dobrin
Trask Executive (uncredited): Kevin Fennessy
Receptionist (uncredited): Anita Finlay
Office Worker (uncredited): Tom Sean Foley
Staten Island Ferry Commutor (uncredited): George Gerard
Secretary (uncredited): Dhonna Harris Goodale
Young Businessman (uncredited): Daniel Henning
Office Party-Goer (uncredited): Eric Kramer
Secretary (uncredited): Elisa London
Secretary (uncredited): Karen Starr
Petty Marshall Secretary (uncredited): Alison Wachtler
Film Crew:
Director of Photography: Michael Ballhaus
Editor: Sam O’Steen
Screenplay: Kevin Wade
Costume Design: Ann Roth
Makeup Artist: Joseph A. Campayno
Makeup Artist: J. Roy Helland
Art Direction: Doug Kraner
Director: Mike Nichols
Unit Production Manager: Robert Greenhut
Set Decoration: George DeTitta Jr.
Casting: Juliet Taylor
Executive Producer: Laurence Mark
Producer: Douglas Wick
Hairstylist: Alan D’Angerio
Gaffer: John W. DeBlau
Production Design: Patrizia von Brandenstein
Location Manager: Richard Baratta
Supervising Sound Editor: Stan Bochner
Transportation Captain: Tom O’Donnell Jr.
First Assistant Camera: Florian Ballhaus
Production Supervisor: Todd Arnow
Boom Operator: Linda Murphy
Still Photographer: Andrew D. Schwartz
Assistant Costume Designer: Gary Jones
Camera Operator: David M. Dunlap
Sound Re-Recording Mixer: Lee Dichter
Art Department Coordinator: Samara Schaffer
Transportation Co-Captain: Louis Volpe
Script Supervisor: Mary Bailey
Assistant Art Director: Tim Galvin
Production Coordinator: Ingrid Johanson
Production Sound Mixer: Les Lazarowitz
Music Editor: Patrick Mullins
Sound Editor: Marshall Grupp
ADR Editor: Michael Jacobi
Property Master: James Mazzola
Cableman: Mike Bedard
First Assistant Director: Michael Haley
Stunt Double: Vic Armstrong
Original Music Composer: Carly Simon
Stunt Coordinator: Jim Dunn
Stunt Coordinator: Frank Ferrara
Stunts: Phil Neilson
Stunts: ...
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✶ to Drive the Hundred Miles by Alec J. Marsh ✶
• Goodreads • Author •
Genres: LGBTQ+, Romance, Contemporary, Adult, New Adult
An absolute hidden gem that deserves way more attention!
I was gifted a copy of this eBook in exchange for an honest review
To Drive the Hundred Miles is absolutely fantastic. The writing is so easy to fall in to that I nearly forgot I was reading a story and wasn't just existing in a friend's world. The struggles Will faces with family, identity, acceptance and love are so very close to home. As someone who is also from a small town with a lot of "small town" thinkers it can be exhausting to be the one responsible for helping them/teaching them/etc. about different ways of life, love and society. It can be so draining on a persons mental and physical health to constantly be stuck in a state of almost-acceptance where people expect you to hand them everything on a silver platter instead of putting in some of the work for themselves. Will is a strong but flawed character from an upbringing that makes his identity that much more difficult for those around him back home to accept and while they 'try' (in their minds) they very clearly dont put in the right kind of effort to understand a loved one.
This is a story with a strong message that so many members of the LGBTQ+ community can relate to and for a quick little read it packs quite a punch.
The only fault I have with this story is that is wasn't longer. I would love to see how things progress in Will's life with his family and relationship; but overall I think it told the story it was meant to tell in a very strong and beautiful way.
✶ Read more of my reviews on my Goodreads, or follow me on my Bookstagram for more frequent and up-to-date updates!
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alecjmarsh replied to your post : you should look up the song "Turn Loose the...
It may be an unexpected ask but it’s a good song!
i do like it! and i hope the anon who sent it/the ask (WHO ARE YOU??) knows that, lol.
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As part of the AO3 Ship Stats project, this list shows the 100 most-posted pairing tags on Archive Of Our Own in the period 24 July 2019 - 2 August 2020. This list was created by comparing the current number of fics with data gathered for the 2019 AO3 Ship Stats.
There are 71 M/M pairings on the list, 15 F/M, 3 F/F, 8 Gen and 3 Other. (Please note that on AO3, ‘Name & Name’ indicates platonic or familial ‘Gen’ relationships, while ‘Name/Name’ is used for romantic and sexual pairings.)
Of the 200 names on the list, 23 are women and 3 are characters of ambiguous gender, down from 28 and 3 in the 2019 list. 92 are POC, and 7 are racially ambiguous, compared with 64 and 11 two years ago.
For more information about the AO3 Ship Stats project, please check out the accompanying FAQs. You might also be interested in the All-Time Top 100 Pairings and the Femslash Top 100 list. These stats are also available on AO3.
ETA: Fixed the Change value for Merlin/Arthur Pendragon.
ETA 2: Fixed Race categorisation for Michael Guerin/Alex Manes.
A text-only version of this data is given below the cut.
Rank Change Pairing Fandom New Works Total Type Race
1 15 Aziraphale/Crowley (Good Omens) Good Omens (TV) 20298 28726 M/M White
2 72 Lán Zhàn | Lán Wàngjī/Wèi Yīng | Wèi Wúxiàn 魔道祖师 - 墨香铜臭 | Módào Zǔshī - Mòxiāng Tóngxiù 10671 13130 M/M POC
3 8 Rey/Ben Solo | Kylo Ren Star Wars Sequel Trilogy 9076 21306 F/M White
4 28 Eddie Kaspbrak/Richie Tozier IT (Movies – Muschietti) 8441 12227 M/M White
5 N Geralt z Rivii | Geralt of Rivia/Jaskier | Dandelion The Witcher (TV) 7573 7573 M/M White
6 1 Draco Malfoy/Harry Potter Harry Potter - J. K. Rowling 7239 40312 M/M White
7 5 Bakugou Katsuki/Midoriya Izuku Boku no Hero Academia | My Hero Academia 7070 16824 M/M POC
8 0 Peter Parker & Tony Stark Marvel Cinematic Universe 6807 17366 Gen White
9 -7 James "Bucky" Barnes/Steve Rogers Captain America (Movies) 6262 49659 M/M White
10 4 Bakugou Katsuki/Kirishima Eijirou Boku no Hero Academia | My Hero Academia 6141 15375 M/M POC
11 -5 Steve Rogers/Tony Stark The Avengers (Marvel Movies) 5613 36264 M/M White
12 68 Aziraphale & Crowley (Good Omens) Good Omens (TV) 5503 7928 Gen White
13 -8 Jeon Jungkook/Kim Taehyung | V Bangtan Boys | BTS 5254 23339 M/M POC
14 5 Adrien Agreste | Chat Noir/Marinette Dupain-Cheng | Ladybug Miraculous Ladybug 5183 19631 F/M Whi/POC
15 5 Midoriya Izuku/Todoroki Shouto Boku no Hero Academia | My Hero Academia 5001 14073 M/M POC
16 -13 Castiel/Dean Winchester Supernatural 4927 84563 M/M White
17 1 Jeon Jungkook/Park Jimin Bangtan Boys | BTS 4596 17867 M/M POC
18 N Evan "Buck" Buckley/Eddie Diaz (9-1-1 TV) 9-1-1 (TV) 3716 3716 M/M Whi/POC
19 5 Kara Danvers/Lena Luthor Supergirl (TV 2015) 3614 13048 F/F White
20 -16 Magnus Bane/Alec Lightwood Shadowhunters (TV) 3599 24787 M/M Whi/POC
21 2 Pepper Potts/Tony Stark Marvel Cinematic Universe 3569 17384 F/M White
22 14 Aizawa Shouta | Eraserhead/Yamada Hizashi | Present Mic Boku no Hero Academia | My Hero Academia 3565 7325 M/M POC
23 N Adora/Catra (She-Ra) She-Ra and the Princesses of Power (2018) 3538 4919 F/F Whi/POC
24 15 Dazai Osamu/Nakahara Chuuya (Bungou Stray Dogs) 文豪ストレイドッグス | Bungou Stray Dogs 3512 8768 M/M POC
25 N Wang Yi Bo/Xiao Zhan 陈情令 | The Untamed (TV) RPF 3446 3446 M/M POC
26 -12 Derek Hale/Stiles Stilinski Teen Wolf (TV) 3249 59286 M/M White
27 10 Merlin/Arthur Pendragon (Merlin) Merlin (TV) 3157 18688 M/M White
28 -11 Kim Namjoon | RM/Kim Seokjin | Jin Bangtan Boys | BTS 3155 16682 M/M POC
29 66 Ayanga/Zhèng Yúnlóng 声入人心 | Super-Vocal (TV) 3111 5285 M/M POC
30 -21 Min Yoongi | Suga/Park Jimin Bangtan Boys | BTS 3026 19851 M/M POC
31 -3 Sirius Black/Remus Lupin Harry Potter - J. K. Rowling 2958 17686 M/M White
32 N Martin Blackwood/Jonathan "Jon" Sims | The Archivist The Magnus Archives (Podcast) 2917 3367 M/M Ambig
33 60 Bakugou Katsuki & Midoriya Izuku Boku no Hero Academia | My Hero Academia 2672 5023 Gen POC
34 12 Peter Parker/Tony Stark Marvel Cinematic Universe 2623 6160 M/M White
35 N Hinata Shouyou/Kageyama Tobio Haikyuu!! 2601 10485 M/M POC
36 22 Hermione Granger/Draco Malfoy Harry Potter - J. K. Rowling 2583 10171 F/M Whi/Amb
37 -8 Kim Taehyung | V/Park Jimin Bangtan Boys | BTS 2507 9891 M/M POC
38 -37 Keith/Lance (Voltron) Voltron: Legendary Defender 2480 30317 M/M Amb/POC
39 20 Billy Hargrove/Steve Harrington Stranger Things (TV 2016) 2438 5338 M/M White
40 N Akaashi Keiji/Bokuto Koutarou Haikyuu!! 2387 7629 M/M POC
41 N Patrick Brewer/David Rose Schitt's Creek 2363 3150 M/M White
42 5 Lee Donghyuck | Haechan/Mark Lee NCT (Band) 2331 5854 M/M POC
43 8 Rey & Ben Solo | Kylo Ren Star Wars Sequel Trilogy 2304 6506 Gen White
44 N Dabi/Takami Keigo | Hawks Boku no Hero Academia | My Hero Academia 2294 2930 M/M POC
45 N Iwaizumi Hajime/Oikawa Tooru Haikyuu!! 2272 11155 M/M POC
46 -24 Jung Hoseok | J-Hope/Min Yoongi | Suga Bangtan Boys | BTS 2259 12668 M/M POC
47 N Felix Hugo Fraldarius/Sylvain Jose Gautier Fire Emblem: Three Houses 2218 2218 M/M White
48 28 Jaime Lannister/Brienne of Tarth Game of Thrones (TV) 2186 7063 F/M White
49 19 Bakugou Katsuki/Todoroki Shouto Boku no Hero Academia | My Hero Academia 2169 4991 M/M POC
50 N Ben Hanscom/Beverly Marsh IT (Movies – Muschietti) 2163 3116 F/M White
51 3 Hermione Granger/Ron Weasley Harry Potter - J. K. Rowling 2128 11699 F/M Whi/Amb
52 -31 Sherlock Holmes/John Watson Sherlock (TV) 2121 61544 M/M White
53 -5 James Potter/Lily Evans Potter Harry Potter - J. K. Rowling 2110 10125 F/M White
54 -28 Jeon Jungkook/Min Yoongi | Suga Bangtan Boys | BTS 2074 9498 M/M POC
55 N Jiāng Chéng | Jiāng Wǎnyín/Lán Huàn | Lán Xīchén 魔道祖师 - 墨香铜臭 | Módào Zǔshī - Mòxiāng Tóngxiù 2073 2494 M/M POC
56 -25 Will Graham/Hannibal Lecter Hannibal (TV) 2064 17257 M/M White
57 N Kakyoin Noriaki/Kujo Jotaro JoJo no Kimyou na Bouken | JoJo's Bizarre Adventure 1964 3580 M/M POC
58 N Midoriya Izuku/Uraraka Ochako Boku no Hero Academia | My Hero Academia 1896 3983 F/M POC
59 -46 Katsuki Yuuri/Victor Nikiforov Yuri!!! on Ice (Anime) 1843 24332 M/M Whi/POC
60 15 Harry Potter/Ginny Weasley Harry Potter - J. K. Rowling 1838 9269 F/M White
61 N Poe Dameron/Finn Star Wars Sequel Trilogy 1806 7238 M/M POC
62 N Kaminari Denki/Shinsou Hitoshi Boku no Hero Academia | My Hero Academia 1791 2732 M/M POC
63 -38 Dan Howell/Phil Lester Phandom/The Fantastic Foursome (YouTube RPF) 1782 17316 M/M White
64 -54 Keith/Shiro (Voltron) Voltron: Legendary Defender 1764 13925 M/M Amb/POC
65 31 Anxiety | Virgil Sanders/Creativity | Roman "Princey" Sanders Sanders Sides (Web Series) 1720 3917 M/M White
66 N Tyrannus Basilton "Baz" Pitch/Simon Snow Carry On Series - Rainbow Rowell 1707 4803 M/M Whi/POC
67= -33 Kim Taehyung | V/Min Yoongi | Suga Bangtan Boys | BTS 1651 7176 M/M POC
67= N Dimitri Alexandre Blaiddyd/My Unit | Byleth Fire Emblem: Three Houses 1651 1651 Other White
69 N Michelle Jones/Peter Parker Spider-Man (Tom Holland Movies) 1639 3692 F/M Whi/POC
70 N Michael Guerin/Alex Manes Roswell New Mexico (TV 2019) 1635 2746 M/M Whi/POC
71 28 Uchiha Sasuke/Uzumaki Naruto Naruto 1625 7705 M/M POC
72 N Bakugou Katsuki/Uraraka Ochako Boku no Hero Academia | My Hero Academia 1617 3776 F/M POC
73 -30 James "Bucky" Barnes/Tony Stark Marvel Cinematic Universe 1559 7456 M/M White
74 -39 James "Bucky" Barnes/Reader Marvel Cinematic Universe 1544 7724 Other Whi/Amb
75 9 Upgraded Connor | RK900/Gavin Reed Detroit: Become Human (Video Game) 1534 3921 M/M White
76 N Harry Potter/Tom Riddle | Voldemort Harry Potter - J. K. Rowling 1511 6308 M/M White
77 N Jeon Jungkook/Kim Namjoon | RM Bangtan Boys | BTS 1505 3911 M/M POC
78 N Annabeth Chase/Percy Jackson Percy Jackson and the Olympians - Rick Riordan 1501 6017 F/M White
79 N Edelgard von Hresvelg/My Unit | Byleth Fire Emblem: Three Houses 1495 1495 Other White
80 N Dean Winchester & Sam Winchester Supernatural 1493 8791 Gen White
81 N Aizawa Shouta | Eraserhead & Midoriya Izuku Boku no Hero Academia | My Hero Academia 1487 2200 Gen POC
82 -37 Tony Stark/Stephen Strange Marvel Cinematic Universe 1460 4912 M/M White
83 N Akechi Goro/Persona 5 Protagonist Persona 5 1447 3285 M/M POC
84 N Kozume Kenma/Kuroo Tetsurou Haikyuu!! 1444 4932 M/M POC
85 N Han Jisung | Han/Lee Minho | Lee Know Stray Kids (Band) 1440 3091 M/M POC
86 -33 Byun Baekhyun/Park Chanyeol EXO (Band) 1431 6629 M/M POC
87 -45 Dean Winchester/Sam Winchester Supernatural 1416 27696 M/M White
88 N Leone Abbacchio/Bruno Buccellati JoJo no Kimyou na Bouken | JoJo's Bizarre Adventure 1415 2237 M/M White
89 N Chloe Decker/Lucifer Morningstar Lucifer (TV) 1413 4165 F/M White
90 N Eddie Kaspbrak & Richie Tozier IT - Stephen King 1396 2268 Gen White
91 N Neil Josten/Andrew Minyard All For The Game - Nora Sakavic 1392 4681 M/M White
92 N Blake Belladonna/Yang Xiao Long RWBY 1390 4358 F/F POC
93 N Midoriya Izuku & Todoroki Shouto Boku no Hero Academia | My Hero Academia 1378 2887 Gen POC
94 N Padmé Amidala/Anakin Skywalker | Darth Vader Star Wars - All Media Types 1369 4112 F/M White
95= -8 Kim Namjoon | RM/Park Jimin Bangtan Boys | BTS 1365 4728 M/M POC
95= N Sokka/Zuko (Avatar) Avatar: The Last Airbender 1365 1828 M/M POC
97 N Lee Jeno/Na Jaemin NCT (Band) 1360 3266 M/M POC
98 N Erik Lehnsherr/Charles Xavier X-Men (Alternate Timeline Movies) 1333 14736 M/M White
99 -72 Loki/Thor (Marvel) Thor (Movies) 1330 12863 M/M White
100 N Logic | Logan Sanders/Morality | Patton Sanders Sanders Sides (Web Series) 1327 3132 M/M White
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okay so here is the post event starter call. so i will keep replying to event convos if you like, i don’t really mind and if you want to drop some that’s okay too we can always start something new.
i will drop most of my convos pre event to move forward, but i will also keep some, if you want to really continue something though you can always tell me and i don’t mind that!
i will be posting this starters when the event is over tomorrow, of course ♡
anna of arendelle
annabeth chase
ariel triton - eric
betty cooper
beverly marsh
blair waldorf - serena
bree tanner
buffy summers
choi nam ra
claudia
daenerys targaryen - viserion
daphne bridgerton - aria, eloise, selina
elizabeth midford
emma gilbert - tandy, mikasa, jj
emma swan
faye chamberlain - diana
jean grey
jessica riley - sam, emily, anya, josh, chris
jill roberts
hanna marin
harley quinn
hermione granger - hugo
holly j sinclair
hope mikaelson
intouch chatpokin
isabelle lightwood - alec
katara
mal faery
malia tate - theo
manaow
mary stuart - kenna
misa amane
myrcella baratheon
nam ji-ah
nancy wheeler
narcissa black
quinn fabray - blaine
samantha carpenter
sharon carter
teresa agnes
tori spring - charlie, jolyne
usagi tsukino
victoire weasley
yelena belova - simon
yuri
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2019 Arkansas Times Academic All-Stars Nominees
Listed by their hometowns. Here are the students nominated to be Academic All-Stars. They are listed by their hometowns as indicated by mailing addresses.
ALMA
EMILY FOWLER
Mulberry High School
BAY
JACOB HARLEY OSTER
Bay High School
BEARDEN
CASSIDY CLEMENS
Bearden High School
GARRETT MCWHORTER
Bearden High School
BEEBE
TAYLOR DWAYNE BOYCE
Beebe High School
JOLEY MARIE MITCHELL
Rose Bud High School
MARIANNA KERSEY RICHEY
Beebe High School
BEE BRANCH
ANDREA DE TOUR
Arkansas Virtual Academy High School
BENTON
JULIANNA DEMI SORVILLO
Bauxite High School
KAYLA M. TREASITTI
Glen Rose High School
BENTONVILLE
KENDRA RISENER
Haas Hall Academy
ANGEL SOTERO Bentonville West High School
JESSICA YIN
Bentonville West High School
BERRYVILLE
ALEX RUBEN MALDONADO-LOPEZ
Berryville High School
AMBER NICOLE VEACH
Berryville High School
BISMARCK
LAUREN ELIZABETH CORLEY
Bismarck High School
BLACK ROCK
PAIGE LEANN PENN
Hillcrest High School
BLYTHEVILLE
CHANDLER SPROUSE
Gosnell High School
SHAKIAH WILLIAMS
Blytheville High School
BONNERDALE
HANNAH DIGGS
Centerpoint High School
BOONEVILLE
JUSTIN RONGEY
Magazine High School
BRINKLEY
KEVON MALOID DILLWORTH
Brinkley High School
EMILY ANN TAYLOR
Brinkley High School
BRUNO
LANE BOGLE
Valley Springs High School
BRYANT
SYDNEY ELAINE BOWMAN
Bryant High School
HARRISON BENNETT DOWNS
Bryant High School
CABOT
ZHENG HUI ZHANG
Cabot High School
CAVE CITY
KENDALL TOWNSLEY
Cave City High School
CENTER RIDGE
SOPHIA FRANCESCA ISELY
Nemo Vista High School
CLARKSVILLE
BRADLEY SCOTT BUCK
Johnson County Westside High School
CLINTON
JACOB ALLEN BURROUGHS
South Side High School
CONWAY
MARY KATHERINE FREYALDENHOVEN
Conway High School
KENDON CRAIG MOLINE
Conway High School
CORNING
CAROLINE GOODMAN
Corning High School
CROSSETT
DAILEY MARIE CHAVIS
Crossett High School
BRYCE RICHARD MOON
Crossett High School
DAMASCUS
CLAIRE ELIZABETH DREWRY
South Side High School
DES ARC
LINDSEY NICOLE REIDHAR
Des Arc High School
DEWITT
RACHEL DANIELS
DeWitt High School
ZONTRAY KENDALL
DeWitt High School
DONALDSON
DYLAN JASHUN CLAYTON
Bismarck High School
DOVER
Ethan Seth Owen Jacobs Dover High School
EUREKA SPRINGS
KAYDEN ECKMAN
Eureka Springs High School
EVANSVILLE
JESSICA ANN GOLDMAN
Lincoln High School
FARMINGTON
NICHOLAS JAMES ERICKSON
Farmington High School
REAGAN SIERRA WHITE
Farmington High School
FAYETTEVILLE
CHLOE AUGUST BOWEN
Springdale High School
SOPHIE FERNANDO
Haas Hall Academy
JEREMIA LO
Fayetteville High School
HAMAAD MEHAL
Haas Hall Academy
SPENCER LEE WALKER
Fayetteville High School
FISHER
ANNA CHAPLAIN
Harrisburg College and Career Prep
FORT SMITH
JOHN TYLER FREENY
Southside High School
MADISON ISABELLA RENEE MARSH
Southside High School
GOSNELL
KAYLEE JO MILLER
Gosnell High School
GREENBRIER
MADELYN RENEE JAMESON
Greenbrier High School
CALEB WADE TAPLEY
Greenbrier High School
GREENWOOD
JULIA KATHLEEN BRIXEY
Greenwood High School
TYLER LAWRENCE MERREIGHN
Greenwood High School
GREERS FERRY
FAITH MARIE BIRMINGHAM
West Side High School
HAMBURG
NIGEL LEWIS
Hamburg High School
BRENDA FAITH O'FALLON
Hamburg High School
HARRISON
GRACE ESTELLE BRANDT
Harrison High School
BLAKE JOHN WILLIAM WHITMER
Harrison High School
HAZEN
ROSS TIMOTHY HARPER
Hazen High School
HICKORY PLAINS
JEREMIAH DESHONE WILLIAMS
Des Arc High School
HIGDEN
NATHANIEL WYATT SMITH
West Side High School
HORATIO
GRACE ELIZABETH HARRIS
Horatio High School
HOT SPRINGS
RHETT BARRETT
Cutter Morning Star High School
FAITH ELIZABETH CARNIE
Lake Hamilton High School
JORDAN C. ERICKSON
Lake Hamilton High School
EMMA KIRSTEN FERGUSON
Lakeside High School
THOMAS IAN HOLLIS
Lakeside High School
ANTHONY ALEXANDER REITER Hot Springs High School
MICAH TRAVIS
Mountain Pine High School
HUTTIG
NASTAJAE ALIYAH ALDERSON
Strong High School
JACKSONVILLE
BASIA YVONNE BROWN
Jacksonville High School
GERALD ANTONIO DONOHUE
Jacksonville High School
JONESBORO
OPHIE COPELIN
Nettleton High School
JETT JACKSON
Harrisburg College and Career Prep
ISABELLE FLORENCE JONES
The Academies at Jonesboro High School
JOSHUA MILNES
Nettleton High School
ANNA ELISE OPPENHEIM Bay High School
NIKKOLETTE AMANDA PERKINS
Brookland High School
SEAN A. ROADES
Valley View High School
KALLEN SMITH
Brookland High School
TRACY N. TANNER
Valley View High School
LEACHVILLE
HALLIE ELIZABETH BROWN
Buffalo Island Central High School
KYLE BRADLEY THRASHER
Buffalo Island Central High School
LITTLE ROCK
MOHAMMED ABUELEM
Pulaski Academy
MILLER CLARK BACON
eStem High School
NATHAN THOMAS BARBER
The Academies at Jonesboro High School
CAROLINE BLANSCET
Little Rock Christian Academy
ANA ABARCA CHAVEZ
Hall High School
REBECCA SUSAN DIXON Parkview Arts and Science Magnet High School
SARAH J. DOUGLASS
Joe T. Robinson High School
SULLIVAN WALTER FITZ
Catholic High School for Boys
CELIA KRETH
Episcopal Collegiate School
FELIPE MORALES OSORIO
Parkview Arts and Science Magnet High School
CLAUDIA CATHERINE SMITH
eStem High School
ETHAN STRAUSS
Episcopal Collegiate School
LUKE WEINER
Little Rock Christian Academy
MICHELLE XU
Little Rock Central High School
RAMY YOUSEF Little Rock Central High School
MCCRORY
CHRISTIAN LITTLE
McCrory High School
MABELVALE
HALEY AMBER STANTON
LISA Academy West High School
MAGAZINE
EMILY STATON
Magazine High School
MAMMOTH SPRING
DEVON CRAY
Mammoth Spring High School
MARION
WESLEY JAMES BARRETT Marion High School
MORGAN BRADFORD WHITED
Marion High School
MAUMELLE
GARRETT MICHAEL BAKANOVIC
Maumelle High School
CHAD BOYD
Maumelle Charter High School
GENRIETTA CHURBANOVA
Pulaski Academy
LINCOLN MOSES
Maumelle Charter High School
VICTORIA ORTEGA
Maumelle High School
MAYFLOWER
HAYDYN HUDNALL Mayflower High School
MULBERRY
JARRET CHAMBERS
Mulberry High School
NEWPORT
NOAH BLAKE RABY
Arkansas School for Mathematics, Sciences and the Arts
NORTH LITTLE ROCK
SOPHIA LYNN CHIER
Mount St. Mary Academy
CHASE CHRISTIAN MOHR-MCELROY
North Little Rock Center of Excellence Charter
KATHERINE RAMIREZ
North Little Rock High School
CARRE'LLA SADLER
North Little Rock High School
IOAN BROWN SANDERS North Little Rock High School
OZARK
AUTUMN PAIGE FLAHERTY
Johnson County Westside High School
PARAGOULD
EMMA FARMER
Marmaduke High School
MICHALA ANN MCPHINK Paragould High School
JACKSON CHANDLER PARKER
Paragould High School
MADISON SHEA ROBINSON
Greene County Tech High School
PARON
JOHN MATTHEW HOWARD Joe T. Robinson High School
PEA RIDGE
HALLEY LASTER
Pea Ridge High School
ALEC ANDREW MEREDITH
Pea Ridge High School
PINE BLUFF
MORGAN EDWARDS Watson Chapel High School
A'DARIUS LEE
Watson Chapel High School
PINEVILLE
KENLEE KAY KILLIAN
Calico Rock High School
PLUMERVILLE
GARRETT R. HENDRIX
Morrilton High School
POWHATAN
CREEDEN JAMES RICHEY
Hillcrest High School
RAVENDEN SPRINGS
EMILY CHEYENNE LUFFMAN
Sloan-Hendrix High School
REYNO
CHANDLER CONYERS
Corning High School
RISON
JUSTIN JACOBS
Rison High School
MACY RATLIFF
Rison High School
ROGERS
ALISHA AJAY CHATLANI
Rogers High School
MORGAN DIBASILIO
Rogers Heritage High School
SIDRA NADEEM
Rogers New Technology High School
NATHAN POWELL SKINNER
Rogers High School
ADAM RYSZARD SIWIEC
Rogers Heritage High School
ROSE BUD
CARSON DAVID LUCENA
Rose Bud High School
ROYAL
ANASTACIA GLASCO
Mountain Pine High School
RUSSELLVILLE
KAYLEE FREEMAN
Hector High School
SEARCY
JACKSON TANNER BENIGHT
Searcy High School
LAUREN ELIZABETH BROWN
Searcy High School
SHERIDAN
LAINEY FAITH HILL
Sheridan High School
LOGAN JAMES INGRAM
Sheridan High School
SHERWOOD
TIMOTHY NATHANIEL ESPEJO
Sylvan Hills High School
CHASE MARIE SWINTON
Sylvan Hills High School
SILOAM SPRINGS
CHRISTINE NICOLE HONN
Siloam Springs High School
OLIVER MONROE REID
Siloam Springs High School
SMACKOVER
ROBERT THOMAS DIXON
Smackover High School
KAYLEIGH AMANDA YEAGER
Smackover High School
SPRINGDALE
EDUARDO AGUILAR
Springdale High School
SPRINGFIELD
CAROLYN HOPE HOPKINS
Morrilton High School
STUTTGART
MARY SALLAH JIA
Arkansas School for Mathematics, Sciences and the Arts
TRUMANN
ZACHARY DAVID BURCHFIELD
Trumann High School
WALNUT RIDGE
DEVIN FOSTER SMITH
Greene County Tech High School
WARD
JESSICA DAWN VAUGHN
Cabot High School
WHITE HALL
JUSTIN ROBERT DADY
White Hall High School
WINSLOW
JOSEPH ANDREW TAYLOR Lincoln High School
WYNNE
KYRA LIANE DOBSON
Wynne High School
JACKSON CHARLES GEORGE
Wynne High School
2019 Arkansas Times Academic All-Stars Nominees
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Get 4 Story Excerpts: Read the Duck Prints Press Zine!
This debut online PDF edition of the Duck Prints Press zine includes general information about the Press, where to find us on social media, how to buy our books, and, most excitingly: FREE EXCERPTS! Yes, download this 20-page PDF, and you can read the openings of four stories. And don't worry - the zine is SFW!
The first five pages of Many Drops Make a Stream by Adrian Harley. Pre-orders are open through September 30th!
Many Drops Make a Stream is a fantasy novel featuring the shapeshifter Droplet as she embarks on a rescue mission, loses a found family and tries to convince herself she doesn’t want to find another, and stumbles into a sapphic pre-relationship. All the laughs and drama that author Adrian Harley could fit between the covers!
The first two scenes of Theirs All Along by boneturtle. Available now!
Theirs All Along is the prequel introduction story to boneturtle’s Pet Names verse, featuring sexy established-relationship M/M/M fantasy smut and lots of emotional intimacy. Husbands Aren, Samael, and Mithros just want to take care of each other…
The first two scenes of Be Not Afraid by Nicola Kapron. Coming September 28th!
Be Not Afraid tells the story of Tora as he faces a personal apocalypse in the midst of an actual actual apocalypse…and a M/M “OMG they were roommates” get-together story.
The first chapter of To Drive the Hundred Miles by Alec J. Marsh. Pre-orders open October 5th!
To Drive the Hundred Miles follows trans man Will as he returns home for the holidays, confronts his family’s clumsy attempts at “support,” and finds comfort at the local coffee shop. Features family feels, a nascent M/F relationship, and a splash of smut.
Download the PDF NOW and get a glimpse of all the great stories Duck Prints Press has to offer!
Who we are: Duck Prints Press LLC is an independent publisher based in New York State. Our founding vision is to help fan creators publishing their original works. We are particularly dedicated to working with queer authors and publishing stories featuring characters from across the LGBTQIA+ spectrum. Want to always hear the latest? Sign up for our monthly newsletter! Want to support the Press, read about us behind-the-scenes, learn what’s coming down the pipeline, get exclusive teasers, and claim free stories? Back us on Patreon monthly!
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Lemon Henry "Blind Lemon" Jefferson (September 24, 1893 – December 19, 1929) was an American blues and gospel singer, songwriter, and musician. He was one of the most popular blues singers of the 1920s and has been called the "Father of the Texas Blues".
Jefferson's performances were distinctive because of his high-pitched voice and the originality of his guitar playing. His recordings sold well, but he was not a strong influence on younger blues singers of his generation, who could not imitate him as easily as they could other commercially successful artists. Later blues and rock and roll musicians, however, did attempt to imitate both his songs and his musical style.
Jefferson was born blind (or possibly partially blind), near Coutchman, Texas. He was the youngest of seven (or possibly eight) children born to Alex and Clarissa Jefferson, who were African-American sharecroppers. Disputes regarding the date of his birth derive from contradictory census records and draft registration records. By 1900, the family was farming southeast of Streetman, Texas. Jefferson's birth date was recorded as September 1893 in the 1900 census. The 1910 census, taken in May, before his birthday, confirms his year of birth as 1893 and indicated that the family was farming northwest of Wortham, near his birthplace.
In his 1917 draft registration, Jefferson gave his birth date as October 26, 1894, stating that he lived in Dallas, Texas, and had been blind since birth. In the 1920 census, he is recorded as having returned to Freestone County and was living with his half-brother, Kit Banks, on a farm between Wortham and Streetman.
Jefferson began playing the guitar in his early teens and soon after he began performing at picnics and parties. He became a street musician, playing in East Texas towns in front of barbershops and on street corners. According to his cousin Alec Jefferson, quoted in the notes for Blind Lemon Jefferson, Classic Sides:
They were rough. Men were hustling women and selling bootleg and Lemon was singing for them all night... he'd start singing about eight and go on until four in the morning... mostly it would be just him sitting there and playing and singing all night.
In the early 1910s, Jefferson began traveling frequently to Dallas, where he met and played with the blues musician Lead Belly. Jefferson was one of the earliest and most prominent figures in the blues movement developing in the Deep Ellum section of Dallas. It is likely that he moved to Deep Ellum on a more permanent basis by 1917, where he met Aaron Thibeaux Walker, also known as T-Bone Walker. Jefferson taught Walker the basics of playing blues guitar in exchange for Walker's occasional services as a guide. By the early 1920s, Jefferson was earning enough money for his musical performances to support a wife and, possibly, a child. However, firm evidence of his marriage and children has not been found.
Prior to Jefferson, few artists had recorded solo voice and blues guitar, the first of which were the vocalist Sara Martin and the guitarist Sylvester Weaver, who recorded "Longing for Daddy Blues", probably on October 24, 1923. The first self-accompanied solo performer of a self-composed blues song was Lee Morse, whose "Mail Man Blues" was recorded on October 7, 1924. Jefferson's music is uninhibited and represented the classic sounds of everyday life, from a honky-tonk to a country picnic, to street corner blues, to work in the burgeoning oil fields (a reflection of his interest in mechanical objects and processes).
Jefferson did what few had ever done before him – he became a successful solo guitarist and male vocalist in the commercial recording world. Unlike many artists who were "discovered" and recorded in their normal venues, Jefferson was taken to Chicago, Illinois, in December 1925 or January 1926 to record his first tracks. Uncharacteristically, his first two recordings from this session were gospel songs ("I Want to Be Like Jesus in My Heart" and "All I Want Is That Pure Religion"), released under the name Deacon L. J. Bates. A second recording session was held in March 1926. His first releases under his own name, "Booster Blues" and "Dry Southern Blues", were hits. Their popularity led to the release of the other two songs from that session, "Got the Blues" and "Long Lonesome Blues", which became a runaway success, with sales in six figures. He recorded about 100 tracks between 1926 and 1929; 43 records were issued, all but one for Paramount Records. Paramount's studio techniques and quality were poor, and the recordings were released with poor sound quality. In May 1926, Paramount re-recorded Jefferson performing his hits "Got the Blues" and "Long Lonesome Blues" in the superior facilities at Marsh Laboratories, and subsequent releases used those versions. Both versions appear on compilation albums.
Largely because of the popularity of artists such as Jefferson and his contemporaries Blind Blake and Ma Rainey, Paramount became the leading recording company for the blues in the 1920s. Jefferson's earnings reputedly enabled him to buy a car and employ chauffeurs (this information has been disputed); he was given a Ford car "worth over $700" by Mayo Williams, Paramount's connection with the black community. This was a common compensation for recording rights in that market. Jefferson is known to have done an unusual amount of traveling for the time in the American South, which is reflected in the difficulty of placing his music in a single regional category.
Jefferson's "old-fashioned" sound and confident musicianship made it easy to market him. His skillful guitar playing and impressive vocal range opened the door for a new generation of male solo blues performers, such as Furry Lewis, Charlie Patton, and Barbecue Bob. He stuck to no musical conventions, varying his riffs and rhythm and singing complex and expressive lyrics in a manner exceptional at the time for a "simple country blues singer." According to the North Carolina musician Walter Davis, Jefferson played on the streets in Johnson City, Tennessee, during the early 1920s, at which time Davis and the entertainer Clarence Greene learned the art of blues guitar.
Jefferson was reputedly unhappy with his royalties (although Williams said that Jefferson had a bank account containing as much as $1500). In 1927, when Williams moved to Okeh Records, he took Jefferson with him, and Okeh quickly recorded and released Jefferson's "Matchbox Blues", backed with "Black Snake Moan". It was his only Okeh recording, probably because of contractual obligations with Paramount. Jefferson's two songs released on Okeh have considerably better sound quality than his Paramount records at the time. When he returned to Paramount a few months later, "Matchbox Blues" had already become such a hit that Paramount re-recorded and released two new versions, with the producer Arthur Laibly. In 1927, Jefferson recorded another of his classic songs, the haunting "See That My Grave Is Kept Clean" (again using the pseudonym Deacon L. J. Bates), and two other uncharacteristically spiritual songs, "He Arose from the Dead" and "Where Shall I Be". "See That My Grave Is Kept Clean" was so successful that it was re-recorded and re-released in 1928.
Jefferson died in Chicago at 10:00 a.m. on December 19, 1929, of what his death certificate said was "probably acute myocarditis". For many years, rumors circulated that a jealous lover had poisoned his coffee, but a more likely explanation is that he died of a heart attack after becoming disoriented during a snowstorm. Some have said that he died of a heart attack after being attacked by a dog in the middle of the night. In his 1983 book Tolbert's Texas, Frank X. Tolbert claims that he was killed while being robbed of a large royalty payment by a guide escorting him to Chicago Union Station to catch a train home to Texas. Paramount Records paid for the return of his body to Texas by train, accompanied by the pianist William Ezell.
Jefferson was buried at Wortham Negro Cemetery (later Wortham Black Cemetery). His grave was unmarked until 1967, when a Texas historical marker was erected in the general area of his plot, however the precise location of the grave is unknown. By 1996, the cemetery and marker were in poor condition, and a new granite headstone was erected in 1997. The inscription reads: "Lord, it's one kind favour I'll ask of you, see that my grave is kept clean." In 2007 the cemetery's name was changed to Blind Lemon Memorial Cemetery, and his gravesite is kept clean by a cemetery committee in Wortham.
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On this date in 1990 “The Hunt For Red October” was released!
Capt. Borodin: “The crew know about the saboteur. They are afraid.”
Marko Ramius: “Well, that could be useful when the time comes.”
Director:John McTiernan
1st AD:Jerry Ballew
Cinematographer:Jan de Bont
Camera operator:Roger Gebhard
1st AC:Cal Roberts
Production Designer:Terence Marsh
Gaffer:Ed Ayer
Key grip:Larry J. Aube
Dolly grip: Michael J. Coo
This is one of my favorite movies so today we’re going on a deep Dive! Dive! Dive! on how this group of dedicated filmmakers brought this movie to life.
The producers originally wanted Kevin Costner for the lead, but Costner had other ideas.
As producer Mace Neufeld explained in a behind-the-scenes DVD feature, "I'd gotten quite friendly with Kevin Costner, and I went to Kevin about playing Jack Ryan. But Kevin was up to his neck, and very enthusiastic, about doing this ... this buffalo movie. And I said, 'You'd rather do a buffalo movie?'".
This was Alec Baldwin’s first big budget starring role throwing himself face first into the role spending time with C.I.A agents and spending the night 600’ underwater in a submarine. He also recommended he personally do the helicopter drop into the ocean. Baldwin accepted the role of Jack Ryan because Harrison Ford turned it down. Cast member Sam Neill also benefited from Ford's refusal three years later by being cast in the lead role of Jurassic Park (1993). Interestingly, Baldwin asked for a big pay increase for the sequel, to which the producers allegedly replied, "For that price, we could get Harrison Ford." Baldwin held his ground and the studio agreed to the fee, but for Ford instead of Baldwin for “clear and present danger”
Sean Connery was a last-minute replacement. The film had been in production for two weeks when word came that Klaus Maria Brandauer (Out of Africa), the Austrian actor who'd been signed to play the rogue Soviet sub commander Marko Ramius, couldn't do it after all because of a prior commitment. Connery took the part instead, needing only one day for rehearsal. Coincidentally, he and Brandauer had acted together in 1983's “Never Say Never Again” and would reunite again for 1990's “The Russia House”, which was shot shortly after The Hunt for Red October.
Mancuso: The hard part about playing chicken is knowin' when to flinch.
"I had reservations about it," Connery told an Associated Press reporter upon the film's release. "I thought this kind of Cold War intrigue might be dated because of recent events(the fall of the U.S.S.R). It turned out that the studio had failed to fax the first page of the script, which explained that it took place before Gorbachev." This is probably why no one ever uses fax machines anymore. After being faxed the script, Sir Sean Connery initially turned the role down on the basis of the plot being unrealistic for the post-Cold War era. Whoever sent the fax neglected to include the foreword, explaining the movie as historical. Once he received the foreword, Connery accepted the role.
After consulting with the hair department behind director John McTiernan's back, Sir Sean Connery arrived on-set for his first day of principal photography with his hairpiece incorporating a ponytail. Several years later, once Connery's potential influence had greatly waned, McTiernan stated in an interview with Sight & Sound Magazine that he was "f---ing livid" with Connery, and that the Scottish actor tried to use his considerable heft with the studio, going over the director's head to pass the alteration with producers. It seemed as though Connery was to get his way until midway through the second day's shooting, when director of photography Jan De Bont started laughing while reviewing the dailies, remarking to Connery that his ponytail looked like "a limp, swinging d--k." This soon became a meme among the crew, and by the end of the second day, Connery was so upset at the mockery, he relented, having the hair department remove the alteration and forcing the re-shoot of a key scene. McTiernan joked that the reported cost of the hairpiece, approximately $20,000, was mainly down to the cost of those subsequent re-shoots.
Jeffrey Pelt: “Listen, I'm a politician, which means I'm a cheat and a liar, and when I'm not kissing babies, I'm stealing their lollipops, but it also means that I keep my options open.”
Screenwriter Larry Ferguson played the role of C.O.B. [Chief (Petty Officer) of the Boat] on the U.S.S. Dallas. He didn’t know he had been cast till he saw his name on the cast list and quickly hired an acting coach having not acted in over 16 years, he quickly started rewrites giving his character more screen time.
The film got an uncredited rewrite—including all of the Russian dialogue—from veteran filmmaker John Milius. The writer of “Apocalypse Now”, and director of “Conan the Barbarian”, and “Red Dawn”—who had directed Connery in 1975's “The Wind and the Lion”—told an interviewer in 2003 that the rumors of his involvement with The Hunt for Red October were true. He said he added speeches for Connery's character ("Make it about me," the actor supposedly told him), and that he "wrote all of the Russian stuff—everything that's Russian in that movie."
In one of the most clever ways I’ve seen a movie ditch the subtitles, this film begins with the actors speaking Russian with English subtitles. As the camera slowly dollies to the mouth of actor Peter Firth he casually switches in mid-sentence from Russian to English on the word "Armageddon", which is the same spoken word in both languages. After that point, the Soviets' dialogue is communicated in English.
During filming, several of the actors portraying U.S.S. Dallas crewmen took a cruise off the coast of San Diego on the USS Salt Lake City (SSN-716) a real Los Angeles-class submarine. To train for his role as the Dallas' commander, Scott Glenn. The real commander Thomas Fargo of the Salt Lake City ordered his crew to treat Glenn as equal rank, first giving reports to him, then give the same report to Glenn. Glenn based his performance of Mancuso on Commander Fargo, giving orders in a calm even voice, even in tense situations, saying "whatever good happened in the performance, basically I owe to now Admiral Fargo, thank you sir."
Made before sophisticated CGI became the norm in filmmaking, the film's opening sequence featured a long pull-out reveal of the immense titular Typhoon-class sub. It included a nearly full-scale, above-the-water-line mockup of the sub, constructed from two barges welded together. Since they didn’t have permission to go out to open ocean they were forced to shoot in Long Beach harbor to create the wake of the open ocean they had boats circling the barge to create waves.
Production designer Terence Marsh and Cinematographer Jan de Bont didn’t want to confuse the audience so they gave each country's submarine its own background color: Soviet submarines, such as Red October and V.K. Konovalov, had interiors in black with chrome trim. American ships, such as Dallas and Enterprise, had grey interiors. To help the audience quickly grasp which sub's interior they were seeing as the movie jumped from scene to scene and sub to sub, the filmmakers also created a subtle lighting scheme: blue for Red October, green for the Alfa class "V.K. Konovalov", and red for Dallas.
During filming in 1989, the U.S.S. Houston, which doubled for the U.S.S. Dallas in the movie, snagged the tow cable between the commercial tugboat Barcona and a barge, sinking the tugboat ten miles off Long Beach, California. One crewman unfortunately drowned, and two more were rescued.
On stage for the sub interiors two 50-square-foot (4.6 m2) platforms housing mock-ups of Red October and Dallas were built, standing on hydraulic gimbals that simulated the sub's movements. Connery recalled, "It was very claustrophobic. There were 62 people in a very confined space, 45 feet above the stage floor. It got very hot on the sets, and I'm also prone to sea sickness. The set would tilt to 45 degrees.
I asked the Dollygrip on the film and crew stories member Micheal Coo about his experience on the and he shared this with us.
“ I’ve got a story for you...
We were shooting in a real submarine and doing a tracking shot down a long corridor. Now about every 15 feet is a bulkhead that you have to step over and make sure you don’t hit your head on the top. We are tracking on a peewee dolly, raised up on track to clear the bulkheads, chasing Sean Connery down the corridor. While chasing Sean, Jan Debont yells cut cut cut, and stands up. There’s no way I could stop on a dime and Jan stood up right before one of the bulkheads. He hit his head so hard he flew over the top of me and I went under him with the dolly. His head sounded like a church bell ringing in the submarine. Since Jan Debont and Sean Connery didn’t get a long so well Sean laughed his ass off at Jan laying there on the floor saying “Fucking Hell Shit Michael, I said cut!!!”
The miniature “underwater” scenes were shot and built by I.L.M and the talented model makers from BOSS films Gregory Jein, John Eaves, Ron Gress and Alan McFarland, they filmed using smoke to simulate underwater with a model sub connected to a 12 cable marionette style frame, giving precise, smooth control for turns the same technique was used for the robot aliens in the film “Batteries not included”. To get the lens to “scrape the paint” of the model to make it feel life sized the crew used mirrors lined up perfectly and the camera lens shoot into the mirror getting the image much closer then it would have been possible for the camera. With Computer generated effects, in their infancy, cgi was used for creating bubbles and other effects such as particulates in the water.
Navy recruiters set up booths in some theater lobbies for people to sign up to join the service, or to at least look into it. The Pentagon hoped that this movie would do for the submarine service what Top Gun (1986) did for Naval aviation.
When the movie was first released on VHS in 1991, the tapes were red.
Capt. Marko Ramius: I'm reminded of the heady days of Sputnik and Yuri Gagarin when the world trembled at the sound of our rockets. They will tremble again at the sound of our silence. The order is engage the silent drive.
If you can help identify any crew members please comment, thanks for reading
Via Diego,IMDb, YouTube,MCGA. Special thanks to Dolly Grip on the film Michael Coo and miniatures paint expert Bruce Hazumi
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The End of Time
read it on AO3 at https://ift.tt/2BOOq79
by CLOSEC192
They didn't know the journey that they were about to embark on was going to save the world, and save themselves. Thrust from universe to universe our heroes find themselves interacting with the worst and the best. From Marvel to Supernatural to Stranger Things and everything in-between, this multi-fandom work has something for everyone.
Words: 334, Chapters: 1/?, Language: English
Fandoms: The Avengers (Marvel Movies), Marvel Cinematic Universe, Marvel, Thor (Movies), IT (2017), Guardians of the Galaxy (Movies), The Lord of the Rings - J. R. R. Tolkien, The Lord of the Rings (Movies), The Hobbit (Jackson Movies), The Hobbit - J. R. R. Tolkien, The Shadowhunter Chronicles - Cassandra Clare, Timeless (TV 2016), Harry Potter - J. K. Rowling, Supernatural, Sherlock (TV), Doctor Who (2005), Stranger Things (TV 2016)
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Characters: Thor (Marvel), Loki (Marvel), Hulk (Marvel), Lucy Preston, Nakia (Black Panther), Natasha Romanov (Marvel), Bruce Banner, Clint Barton, Richie Tozier, Eddie Kaspbrak, Beverly Marsh, Ben Hanscom, Bill Denbrough, Stanley Uris, Mike Hanlon, Peter Quill, Gamora (Marvel), Nebula (Marvel), Drax the Destroyer, Rocket Raccoon, Groot (Marvel), Mantis (Marvel), Bilbo Baggins, Frodo Baggins, Sam Gamgee, Sam Wilson (Marvel), Steve Rogers, Vision (Marvel), Wanda Maximoff, Pippin Took, Merry Brandybuck, Clary Fray, Jace Wayland, Magnus Bane, Alec Lightwood, Isabelle Lightwood, Simon Lewis, Garcia Flynn, Wyatt Logan, Rufus Carlin, Jiya (Timeless), Hermione Granger, Draco Malfoy, Harry Potter, Ron Weasley, Neville Longbottom, Severus Snape, Rubeus Hagrid, Minerva McGonagall, Dean Winchester, Castiel, Sam Winchester, Impala (Supernatural), Sherlock Holmes, Mrs. Hudson (Sherlock Holmes), John Watson, Molly Hooper, Greg Lestrade, The Doctor (Doctor Who), The Doctor's TARDIS, Amy Pond (Doctor Who), Rory Williams, Eleventh Doctor, Eleven | Jane Hopper, Jim "Chief" Hopper, Joyce Byers, Will Byers, Jonathan Byers, Mike Wheeler, Nancy Wheeler, Billy Hargrove, Steve Harrington, Maxine "Max" Mayfield, Lucas Sinclair, Dustin Henderson
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SAN FRANCISCO | US appeals court rules for bartenders, waiters in tip fight
New Post has been published on https://www.stl.news/san-francisco-us-appeals-court-rules-for-bartenders-waiters-in-tip-fight/172139/
SAN FRANCISCO | US appeals court rules for bartenders, waiters in tip fight
SAN FRANCISCO — Restaurants must pay waiters and bartenders minimum wage when they are engaged in tasks such as cleaning toilets that are unrelated to their main jobs and do not offer tips, a divided U.S. appeals court ruled Tuesday.
At issue in the decision by an 11-judge panel of the 9th U.S. Circuit Court of Appeals was a federal law that allows an employer to pay workers who receive tips as little as $2.13 an hour as long as their tips earn them minimum wage.
Employers cannot use that tip credit when the workers are engaged in unrelated tasks that don’t pay tips, the panel ruled in a 9-2 decision. Employers also can’t use the tip credit for tasks related to bartending or serving such as preparing coffee if employees spend a substantial part of the work week on them.
The impact of the ruling appeared limited. Seven states require that employers pay workers the state minimum wage on top of any tips they receive, according to the labor department’s wage and hour division. Six of those states fall under the 9th Circuit’s jurisdiction:
California, Alaska, Montana, Nevada, Oregon and Washington.
Writing for the majority in Tuesday’s ruling, Judge Richard Paez said tips were intended as “a gift to the server, as opposed to a cost-saving benefit to the employer.”
A broader use of the tip credit would allow employers to underpay bartenders and wait staff and put off hiring staff such as janitors who don’t receive tips and therefore must get paid minimum wage by employers, Paez said.
The ruling upheld a regulation by the U.S. Department of Labor and subsequent guidance that limited employers’ use of the tip credit. It also revived lawsuits against restaurant chains by 14 bartenders and servers. The defendants include P.F. Chang’s China Bistro and J.
Alexander’s.
Emails to attorneys for J. Alexander’s and P.F. Chang’s were not immediately returned.
One of the plaintiffs, Alec Marsh, said he spent almost half his work week at a J. Alexander’s in Phoenix on tasks that did not produce tips such as cutting fruit and stocking ice. The restaurant paid Marsh an hourly tip credit wage of $4.65 per hour in 2012 and $4.80 per hour in 2013 in accordance with Arizona law, according to the 9th Circuit ruling.
Marsh argued in his lawsuit that the company was entitled to pay him that wage while he worked as a server, but not when he performed the other tasks. A U.S. judge in Arizona threw out Marsh’s lawsuit. The 9th Circuit overturned that decision and sent the case back to the judge for additional hearings.
By SUDHIN THANAWALA, Associated Press
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