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#alec j marsh
duckprintspress · 1 year
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“To Drive the Hundred Miles” Launches TOMORROW! Read a Teaser Now…
The pre-order campaign for Alec J. Marsh’s novella To Drive the Hundred Miles launches TOMORROW!
Author Alec J. Marsh describes his novel To Drive the Hundred Miles as a Hallmark movie made queer. With a trans male protagonist and an immersive first-person point of view, this novella will draw you in and hold your attention from start to finish. Join Will as he struggles with his family’s acceptance of him, and as he struggles with his own acceptance of the potentially bright future offered to him by the cute barista Bea. Ringing in the season with lows and highs, a whole lot of coffee and pancakes, and a modest dollop of spicy f/m content, you won’t want to miss your chance to get this touching book—soon to be available as a gorgeous trade paperback for the first time ever!
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“No one has come in in three hours,” she said. “And you’re right, I have better ways to spend my Christmas than working. Do you have any of that brandy left?” I checked the inside pocket of my jacket, and the flask was still there. I handed it to her, and she added generous portions to both of the mugs, then handed me one. She took a seat in the other armchair and tucked her feet up under her. “Well, merry Christmas,” she said. “Merry Christmas,” I agreed with less bitterness than I expected. This felt like the ideal Christmas, I realized. Sitting in a quiet coffee shop with Bea when no one wanted anything from either of us. She was who I wanted; she made my days feel special.
Visit the pre-order page to learn all the campaign details, and WATCH THIS SPACE for the official announcements that ordering is live!
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hermit-writes · 7 months
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Hermit Prints — To Drive the Hundred Miles
This project was for the novella To Drive the Hundred Miles by Alec J. Marsh, published by @duckprintspress.
Serendipity, WA is filled with Christmas cheer, beautiful mountain views, and trans man Will’s feminist Wiccan family. Home for the holidays, he avoids their clumsy attempts at support by hiding in the local coffee shop and flirting with Bea, a friend from high school. The beautiful landscapes can’t make up for the the realities of being queer in a small town, and Bea wants out. Will grabs for a prosperity spell, and finds a new way to connect to the magic he’s become estranged from. New romance and optimism get them through the holidays, ready to face their next problems.
This is in the digest format, with white paper and matte cover options. The final books had 94 pages. The cover treatment is by Pallas Perillous.
If you’d be interested in getting your story typeset and ready to print, please visit my commissions page.
You can purchase the print and ebook versions from Duck Print Press, as well as related merchandises.
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The novella along with related merch (wood carved pendant, sticker, spell jar recipe card)
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Front cover of the novella
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Sample interior page
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Closer look at the pendant, sticker, and card
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dasmuggler · 7 months
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On this date in 1990 “The Hunt For Red October” was released!
Capt. Borodin: “The crew know about the saboteur. They are afraid.”
Marko Ramius: “Well, that could be useful when the time comes.”
Director:John McTiernan
1st AD:Jerry Ballew
Cinematographer:Jan de Bont
Camera operator:Roger Gebhard
1st AC:Cal Roberts
Production Designer:Terence Marsh
Gaffer:Ed Ayer
Key grip:Larry J. Aube
Dolly grip: Michael J. Coo
This is one of my favorite movies so today we’re going on a deep Dive! Dive! Dive! on how this group of dedicated filmmakers brought this movie to life.
The producers originally wanted Kevin Costner for the lead, but Costner had other ideas.
As producer Mace Neufeld explained in a behind-the-scenes DVD feature, "I'd gotten quite friendly with Kevin Costner, and I went to Kevin about playing Jack Ryan. But Kevin was up to his neck, and very enthusiastic, about doing this ... this buffalo movie. And I said, 'You'd rather do a buffalo movie?'".
This was Alec Baldwin’s first big budget starring role throwing himself face first into the role spending time with C.I.A agents and spending the night 600’ underwater in a submarine. He also recommended he personally do the helicopter drop into the ocean. Baldwin accepted the role of Jack Ryan because Harrison Ford turned it down. Cast member Sam Neill also benefited from Ford's refusal three years later by being cast in the lead role of Jurassic Park (1993). Interestingly, Baldwin asked for a big pay increase for the sequel, to which the producers allegedly replied, "For that price, we could get Harrison Ford." Baldwin held his ground and the studio agreed to the fee, but for Ford instead of Baldwin for “clear and present danger”
Sean Connery was a last-minute replacement. The film had been in production for two weeks when word came that Klaus Maria Brandauer (Out of Africa), the Austrian actor who'd been signed to play the rogue Soviet sub commander Marko Ramius, couldn't do it after all because of a prior commitment. Connery took the part instead, needing only one day for rehearsal. Coincidentally, he and Brandauer had acted together in 1983's “Never Say Never Again” and would reunite again for 1990's “The Russia House”, which was shot shortly after The Hunt for Red October.
Mancuso: The hard part about playing chicken is knowin' when to flinch.
"I had reservations about it," Connery told an Associated Press reporter upon the film's release. "I thought this kind of Cold War intrigue might be dated because of recent events(the fall of the U.S.S.R). It turned out that the studio had failed to fax the first page of the script, which explained that it took place before Gorbachev." This is probably why no one ever uses fax machines anymore. After being faxed the script, Sir Sean Connery initially turned the role down on the basis of the plot being unrealistic for the post-Cold War era. Whoever sent the fax neglected to include the foreword, explaining the movie as historical. Once he received the foreword, Connery accepted the role.
After consulting with the hair department behind director John McTiernan's back, Sir Sean Connery arrived on-set for his first day of principal photography with his hairpiece incorporating a ponytail. Several years later, once Connery's potential influence had greatly waned, McTiernan stated in an interview with Sight & Sound Magazine that he was "f---ing livid" with Connery, and that the Scottish actor tried to use his considerable heft with the studio, going over the director's head to pass the alteration with producers. It seemed as though Connery was to get his way until midway through the second day's shooting, when director of photography Jan De Bont started laughing while reviewing the dailies, remarking to Connery that his ponytail looked like "a limp, swinging d--k." This soon became a meme among the crew, and by the end of the second day, Connery was so upset at the mockery, he relented, having the hair department remove the alteration and forcing the re-shoot of a key scene. McTiernan joked that the reported cost of the hairpiece, approximately $20,000, was mainly down to the cost of those subsequent re-shoots.
Jeffrey Pelt: “Listen, I'm a politician, which means I'm a cheat and a liar, and when I'm not kissing babies, I'm stealing their lollipops, but it also means that I keep my options open.”
Screenwriter Larry Ferguson played the role of C.O.B. [Chief (Petty Officer) of the Boat] on the U.S.S. Dallas. He didn’t know he had been cast till he saw his name on the cast list and quickly hired an acting coach having not acted in over 16 years, he quickly started rewrites giving his character more screen time.
The film got an uncredited rewrite—including all of the Russian dialogue—from veteran filmmaker John Milius. The writer of “Apocalypse Now”, and director of “Conan the Barbarian”, and “Red Dawn”—who had directed Connery in 1975's “The Wind and the Lion”—told an interviewer in 2003 that the rumors of his involvement with The Hunt for Red October were true. He said he added speeches for Connery's character ("Make it about me," the actor supposedly told him), and that he "wrote all of the Russian stuff—everything that's Russian in that movie."
In one of the most clever ways I’ve seen a movie ditch the subtitles, this film begins with the actors speaking Russian with English subtitles. As the camera slowly dollies to the mouth of actor Peter Firth he casually switches in mid-sentence from Russian to English on the word "Armageddon", which is the same spoken word in both languages. After that point, the Soviets' dialogue is communicated in English.
During filming, several of the actors portraying U.S.S. Dallas crewmen took a cruise off the coast of San Diego on the USS Salt Lake City (SSN-716) a real Los Angeles-class submarine. To train for his role as the Dallas' commander, Scott Glenn. The real commander Thomas Fargo of the Salt Lake City ordered his crew to treat Glenn as equal rank, first giving reports to him, then give the same report to Glenn. Glenn based his performance of Mancuso on Commander Fargo, giving orders in a calm even voice, even in tense situations, saying "whatever good happened in the performance, basically I owe to now Admiral Fargo, thank you sir."
Made before sophisticated CGI became the norm in filmmaking, the film's opening sequence featured a long pull-out reveal of the immense titular Typhoon-class sub. It included a nearly full-scale, above-the-water-line mockup of the sub, constructed from two barges welded together. Since they didn’t have permission to go out to open ocean they were forced to shoot in Long Beach harbor to create the wake of the open ocean they had boats circling the barge to create waves.
Production designer Terence Marsh and Cinematographer Jan de Bont didn’t want to confuse the audience so they gave each country's submarine its own background color: Soviet submarines, such as Red October and V.K. Konovalov, had interiors in black with chrome trim. American ships, such as Dallas and Enterprise, had grey interiors. To help the audience quickly grasp which sub's interior they were seeing as the movie jumped from scene to scene and sub to sub, the filmmakers also created a subtle lighting scheme: blue for Red October, green for the Alfa class "V.K. Konovalov", and red for Dallas.
During filming in 1989, the U.S.S. Houston, which doubled for the U.S.S. Dallas in the movie, snagged the tow cable between the commercial tugboat Barcona and a barge, sinking the tugboat ten miles off Long Beach, California. One crewman unfortunately drowned, and two more were rescued.
On stage for the sub interiors two 50-square-foot (4.6 m2) platforms housing mock-ups of Red October and Dallas were built, standing on hydraulic gimbals that simulated the sub's movements. Connery recalled, "It was very claustrophobic. There were 62 people in a very confined space, 45 feet above the stage floor. It got very hot on the sets, and I'm also prone to sea sickness. The set would tilt to 45 degrees.
I asked the Dollygrip on the film and crew stories member Micheal Coo about his experience on the and he shared this with us.
“ I’ve got a story for you...
We were shooting in a real submarine and doing a tracking shot down a long corridor. Now about every 15 feet is a bulkhead that you have to step over and make sure you don’t hit your head on the top. We are tracking on a peewee dolly, raised up on track to clear the bulkheads, chasing Sean Connery down the corridor. While chasing Sean, Jan Debont yells cut cut cut, and stands up. There’s no way I could stop on a dime and Jan stood up right before one of the bulkheads. He hit his head so hard he flew over the top of me and I went under him with the dolly. His head sounded like a church bell ringing in the submarine. Since Jan Debont and Sean Connery didn’t get a long so well Sean laughed his ass off at Jan laying there on the floor saying “Fucking Hell Shit Michael, I said cut!!!”
The miniature “underwater” scenes were shot and built by I.L.M and the talented model makers from BOSS films Gregory Jein, John Eaves, Ron Gress and Alan McFarland, they filmed using smoke to simulate underwater with a model sub connected to a 12 cable marionette style frame, giving precise, smooth control for turns the same technique was used for the robot aliens in the film “Batteries not included”. To get the lens to “scrape the paint” of the model to make it feel life sized the crew used mirrors lined up perfectly and the camera lens shoot into the mirror getting the image much closer then it would have been possible for the camera. With Computer generated effects, in their infancy, cgi was used for creating bubbles and other effects such as particulates in the water.
Navy recruiters set up booths in some theater lobbies for people to sign up to join the service, or to at least look into it. The Pentagon hoped that this movie would do for the submarine service what Top Gun (1986) did for Naval aviation.
When the movie was first released on VHS in 1991, the tapes were red.
Capt. Marko Ramius: I'm reminded of the heady days of Sputnik and Yuri Gagarin when the world trembled at the sound of our rockets. They will tremble again at the sound of our silence. The order is engage the silent drive.
If you can help identify any crew members please comment, thanks for reading
Via Diego,IMDb, YouTube,MCGA. Special thanks to Dolly Grip on the film Michael Coo and miniatures paint expert Bruce Hazumi
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deansmultitudes · 1 year
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9 people you’d like to get to know better
I was tagged by @galaxystiel thanks! <3
last song: "Sweet Night" by V (<333)
currently watching: ER and A Town Called Eureka
currently reading: ok so bear with me:
"To Drive the Hundred Miles" by Alec J. Marsh
"Beyond the Story: 10-Year Record of BTS" by Myeongseok Kang & BTS
"The Dying of the Light" (Skulduggery Pleasant #9) by Derek Landy
(yes all currently reading, depend on whether my eyes feel like reading and brain is braining)
current obsession: all the wordle-esque games?
tagging: @deanirae @septembersghost @envydean @fpwoper @fangirlingtodeath513 @cr-noble-writes @imbiowaresbitch @skylarkblue @mayalaen (if you feel like it, no pressure ^.^)
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bookgeekgrrl · 2 years
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My media this week (30 Oct-5 Nov 2022)
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📚 STUFF I READ 📚
😍👂‍ The Long Game (Game Changers #6) (Rachel Reid, author; Cooper North, narrator) - #1 this story runs concurrent to Role Model so I thought it was good to read it straight after #2 I love that we got such a great sequel, showing them working out some more relationship stuff (cause as much as I love a HEA idea, HEA's require intentional action) but mainly #3 I need zero reasons to reread Shane & Ilya, my forever faves
🥰 Dear Mr. Postman (odetteandodile) - reread - delectable 'marriage for insurance while secretly pining' fic. so much good pining in this.
🥰 The Lady And The Tiger (Shivadhverse #3) (Sam Starbuck aka @copperbadge) - just so in love with this delightful fluffy series!
😊 Piece of Cake: A Swanley Story (Swanley #2.5) (Valentine Wheeler) - super cute short queer romance, love to see a legit older MC
🙂 Study Hall (Alec J. Marsh) - D/s short story
😍👂‍ Howl's Moving Castle (Diana Wynn Jones, author; Jenny Sterlin, narrator) - this narrator was great and I adored that they gave Howl a Welsh accent from the jump
🙂 There Are No Wolves in California (Werewolves on the Other Hand…) (isthatbloodonhisshirt (wasterella), KioFox) - 49K, Sterek - pure wish-fullfillment of a bullied Stiles being rescued by a wolf pack
💖💖 +270K of shorter fic so shout out to these I really loved 💖💖
Mise en Place (Draco_sollicitus) - MCU: shrunkyclunks, 26K - reread - absolutely adore this omegaverse shrunkyclunks
In the Woods Somewhere (AidaRonan) - Stranger Things: Steddie, 5.5K - wow wow wow! incredible monsterfucking fic with great feelings. love love love
Ink & Ivy (ToBebbanburg) - The Old Guard: Kaysanova, 28K - reread - lovely, soft, wonderful modern tattooist/florist AU
Where There's a Will There's a Way (xiaq) - The Mandalorian: DinLuke, 21K - reluctant accidental Mandalore Din & Jedi twink Luke - just oodles of fun
📺 STUFF I WATCHED 📺
Ghosts - s2, e5
Doctor Who - s12, e11
Doctor Who - Flux [s13, e1-6]
�� PODCASTS 🎧
It's Been a Minute - Vampires are hot, y'all
Hit Parade Plus - The Bridge: Lost Hits vs. Legacy Hits
The Atlas Obscura Podcast - Scary Stories from Real Places
Ologies with Alie Ward - Vampirology (VAMPIRES) Part 2 with Jeff Holdeman
The Atlas Obscura Podcast - Witch Cakes
Hit Parade Plus - Give Up the Funk Edition
Hit Parade Plus - The Bridge: Chi-town, Soul Town
Switched on Pop - Scary Pockets funkify pop classics (with Lizzy McAlpine)
The Atlas Obscura Podcast - Thompson Ice House
Shedunnit - The Shedunnit Centenary
It's Been a Minute - Sophistication and sexuality at 70 with Christine Baranski
Still Processing - Alien Superstar
Off Menu with Ed Gamble and James Acaster - Ep 3: Richard Osman
Vibe Check - Choose Your Fighter
Articles of Interest - American Ivy: Chapter 1
The Atlas Obscura Podcast - Hacienda Napoles
Twenty Thousand Hertz+ - Synth War
Song Exploder - Iron & Wine "Flightless Bird, American Mouth"
Off Menu with Ed Gamble and James Acaster - Ep 9: Selasi Gbormittah
Into It - We Need to Talk About Marvel (Plus: What's Vinny Thomas Into?)
One Year Plus - 1942: The Day the Music Stopped
The Atlas Obscura Podcast - Kasanka Bat Migration
Off Menu with Ed Gamble and James Acaster - Ep 99: Domhnall Gleeson
🎶 MUSIC 🎶
Uncle Fester's Record Collection
Heavy Metal Halloween
Essential Hard Rock
Godsmack
Classic Disco Hits
Presenting Troy Sivan
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ulkaralakbarova · 2 months
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Tess McGill is an ambitious secretary with a unique approach for climbing the ladder to success. When her classy, but villainous boss breaks a leg skiing, Tess takes over her office, her apartment and even her wardrobe. She creates a deal with a handsome investment banker that will either take her to the top, or finish her off for good. Credits: TheMovieDb. Film Cast: Tess McGill: Melanie Griffith Jack Trainer: Harrison Ford Katharine Parker: Sigourney Weaver Mick Dugan: Alec Baldwin Cyn: Joan Cusack Oren Trask: Philip Bosco Ginny: Nora Dunn Lutz: Oliver Platt Turkel: James Lally Bob Speck: Kevin Spacey Armbriester: Robert Easton Personnel Director: Olympia Dukakis Alice Baxter: Amy Aquino Tim Rourke: Jeffrey Nordling Doreen DiMucci: Elizabeth Whitcraft Tess’s Birthday Party Friend: Maggie Wagner Tess’s Birthday Party Friend: Lou DiMaggio Tess’s Birthday Party Friend: David Duchovny Tess’s Birthday Party Friend: Georgienne Millen Petty Marsh Secretary: Caroline Aaron Petty Marsh Secretary: Nancy Giles Petty Marsh Secretary: Judy Milstein Petty Marsh Secretary: Nicole Chevance Petty Marsh Secretary: Kathleen Gray Petty Marsh Secretary: Jane B. Harris Petty Marsh Secretary: Sondra Hollander Petty Marsh Secretary: Samantha Shane Petty Marsh Secretary: Julia Silverman Jr. Executive: Jim Babchak Jim: Zach Grenier Dewey Stone Reception Guest: Ralph Byers Dewey Stone Reception Guest: Leslie Ayvazian Cab Driver: Steve Cody Dewey Stone Receptionist: Paige Matthews John Romano: Lee Dalton Phyllis Trask: Barbara Garrick Barbara Trask: Madolin B. Archer Hostess at Wedding: Etain O’Malley Bridesmaid: Ricki Lake Bitsy: Marceline Hugot Bridegroom: Tom Rooney Trask Wedding Orchestra: Peter Duchin Trask Secretary: Maeve McGuire Tim Draper: Timothy Carhart TV Weatherman: Lloyd Lindsay Young Bartender: F.X. Vitolo Clerk at Dry Cleaner’s: Lily Froehlich Heliport Attendant: Michael Haley Helicopter Pilot: Mario T. DeFelice Jr. Helicopter Pilot: Anthony Mancini Jr. Trask Receptionist: Suzanne Shepherd Rhumba Guy (uncredited): Matthew Bennett Staten Island Secretary (uncredited): Trish Cook Pretty Brunette Office Girl (uncredited): Priscilla Cory Cyn’s Aunt (uncredited): Marilyn Dobrin Trask Executive (uncredited): Kevin Fennessy Receptionist (uncredited): Anita Finlay Office Worker (uncredited): Tom Sean Foley Staten Island Ferry Commutor (uncredited): George Gerard Secretary (uncredited): Dhonna Harris Goodale Young Businessman (uncredited): Daniel Henning Office Party-Goer (uncredited): Eric Kramer Secretary (uncredited): Elisa London Secretary (uncredited): Karen Starr Petty Marshall Secretary (uncredited): Alison Wachtler Film Crew: Director of Photography: Michael Ballhaus Editor: Sam O’Steen Screenplay: Kevin Wade Costume Design: Ann Roth Makeup Artist: Joseph A. Campayno Makeup Artist: J. Roy Helland Art Direction: Doug Kraner Director: Mike Nichols Unit Production Manager: Robert Greenhut Set Decoration: George DeTitta Jr. Casting: Juliet Taylor Executive Producer: Laurence Mark Producer: Douglas Wick Hairstylist: Alan D’Angerio Gaffer: John W. DeBlau Production Design: Patrizia von Brandenstein Location Manager: Richard Baratta Supervising Sound Editor: Stan Bochner Transportation Captain: Tom O’Donnell Jr. First Assistant Camera: Florian Ballhaus Production Supervisor: Todd Arnow Boom Operator: Linda Murphy Still Photographer: Andrew D. Schwartz Assistant Costume Designer: Gary Jones Camera Operator: David M. Dunlap Sound Re-Recording Mixer: Lee Dichter Art Department Coordinator: Samara Schaffer Transportation Co-Captain: Louis Volpe Script Supervisor: Mary Bailey Assistant Art Director: Tim Galvin Production Coordinator: Ingrid Johanson Production Sound Mixer: Les Lazarowitz Music Editor: Patrick Mullins Sound Editor: Marshall Grupp ADR Editor: Michael Jacobi Property Master: James Mazzola Cableman: Mike Bedard First Assistant Director: Michael Haley Stunt Double: Vic Armstrong Original Music Composer: Carly Simon Stunt Coordinator: Jim Dunn Stunt Coordinator: Frank Ferrara Stunts: Phil Neilson Stunts: ...
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thelibrarysghost · 1 year
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✶ to Drive the Hundred Miles by Alec J. Marsh ✶
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• Goodreads • Author •
Genres: LGBTQ+, Romance, Contemporary, Adult, New Adult
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An absolute hidden gem that deserves way more attention! I was gifted a copy of this eBook in exchange for an honest review
To Drive the Hundred Miles is absolutely fantastic. The writing is so easy to fall in to that I nearly forgot I was reading a story and wasn't just existing in a friend's world. The struggles Will faces with family, identity, acceptance and love are so very close to home. As someone who is also from a small town with a lot of "small town" thinkers it can be exhausting to be the one responsible for helping them/teaching them/etc. about different ways of life, love and society. It can be so draining on a persons mental and physical health to constantly be stuck in a state of almost-acceptance where people expect you to hand them everything on a silver platter instead of putting in some of the work for themselves. Will is a strong but flawed character from an upbringing that makes his identity that much more difficult for those around him back home to accept and while they 'try' (in their minds) they very clearly dont put in the right kind of effort to understand a loved one.
This is a story with a strong message that so many members of the LGBTQ+ community can relate to and for a quick little read it packs quite a punch.
The only fault I have with this story is that is wasn't longer. I would love to see how things progress in Will's life with his family and relationship; but overall I think it told the story it was meant to tell in a very strong and beautiful way.
✶ Read more of my reviews on my Goodreads, or follow me on my Bookstagram for more frequent and up-to-date updates!
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theputterer · 7 years
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alecjmarsh replied to your post : you should look up the song "Turn Loose the...
It may be an unexpected ask but it’s a good song!
i do like it! and i hope the anon who sent it/the ask (WHO ARE YOU??) knows that, lol.
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centrumlumina · 4 years
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As part of the AO3 Ship Stats project, this list shows the 100 most-posted pairing tags on Archive Of Our Own in the period 24 July 2019 - 2 August 2020. This list was created by comparing the current number of fics with data gathered for the 2019 AO3 Ship Stats.
There are 71 M/M pairings on the list, 15 F/M, 3 F/F, 8 Gen and 3 Other. (Please note that on AO3, ‘Name & Name’ indicates platonic or familial ‘Gen’ relationships, while ‘Name/Name’ is used for romantic and sexual pairings.)
Of the 200 names on the list, 23 are women and 3 are characters of ambiguous gender, down from 28 and 3 in the 2019 list. 92 are POC, and 7 are racially ambiguous, compared with 64 and 11 two years ago.
For more information about the AO3 Ship Stats project, please check out the accompanying FAQs. You might also be interested in the All-Time Top 100 Pairings and the Femslash Top 100 list. These stats are also available on AO3.
ETA: Fixed the Change value for Merlin/Arthur Pendragon.
ETA 2: Fixed Race categorisation for Michael Guerin/Alex Manes.
A text-only version of this data is given below the cut.
Rank   Change   Pairing   Fandom   New Works   Total   Type   Race 1   15   Aziraphale/Crowley (Good Omens)   Good Omens (TV)   20298   28726   M/M   White 2   72   Lán Zhàn | Lán Wàngjī/Wèi Yīng | Wèi Wúxiàn   魔道祖师 - 墨香铜臭 | Módào Zǔshī - Mòxiāng Tóngxiù   10671   13130   M/M   POC 3   8   Rey/Ben Solo | Kylo Ren   Star Wars Sequel Trilogy   9076   21306   F/M   White 4   28   Eddie Kaspbrak/Richie Tozier   IT (Movies – Muschietti)   8441   12227   M/M   White 5   N   Geralt z Rivii | Geralt of Rivia/Jaskier | Dandelion   The Witcher (TV)   7573   7573   M/M   White 6   1   Draco Malfoy/Harry Potter   Harry Potter - J. K. Rowling   7239   40312   M/M   White 7   5   Bakugou Katsuki/Midoriya Izuku   Boku no Hero Academia | My Hero Academia   7070   16824   M/M   POC 8   0   Peter Parker & Tony Stark   Marvel Cinematic Universe   6807   17366   Gen   White 9   -7   James "Bucky" Barnes/Steve Rogers   Captain America (Movies)   6262   49659   M/M   White 10   4   Bakugou Katsuki/Kirishima Eijirou   Boku no Hero Academia | My Hero Academia   6141   15375   M/M   POC 11   -5   Steve Rogers/Tony Stark   The Avengers (Marvel Movies)   5613   36264   M/M   White 12   68   Aziraphale & Crowley (Good Omens)   Good Omens (TV)   5503   7928   Gen   White 13   -8   Jeon Jungkook/Kim Taehyung | V   Bangtan Boys | BTS   5254   23339   M/M   POC 14   5   Adrien Agreste | Chat Noir/Marinette Dupain-Cheng | Ladybug   Miraculous Ladybug   5183   19631   F/M   Whi/POC 15   5   Midoriya Izuku/Todoroki Shouto   Boku no Hero Academia | My Hero Academia   5001   14073   M/M   POC 16   -13   Castiel/Dean Winchester   Supernatural   4927   84563   M/M   White 17   1   Jeon Jungkook/Park Jimin   Bangtan Boys | BTS   4596   17867   M/M   POC 18   N   Evan "Buck" Buckley/Eddie Diaz (9-1-1 TV)   9-1-1 (TV)   3716   3716   M/M   Whi/POC 19   5   Kara Danvers/Lena Luthor   Supergirl (TV 2015)   3614   13048   F/F   White 20   -16   Magnus Bane/Alec Lightwood   Shadowhunters (TV)   3599   24787   M/M   Whi/POC 21   2   Pepper Potts/Tony Stark   Marvel Cinematic Universe   3569   17384   F/M   White 22   14   Aizawa Shouta | Eraserhead/Yamada Hizashi | Present Mic   Boku no Hero Academia | My Hero Academia   3565   7325   M/M   POC 23   N   Adora/Catra (She-Ra)   She-Ra and the Princesses of Power (2018)   3538   4919   F/F   Whi/POC 24   15   Dazai Osamu/Nakahara Chuuya (Bungou Stray Dogs)   文豪ストレイドッグス | Bungou Stray Dogs   3512   8768   M/M   POC 25   N   Wang Yi Bo/Xiao Zhan   陈情令 | The Untamed (TV) RPF   3446   3446   M/M   POC 26   -12   Derek Hale/Stiles Stilinski   Teen Wolf (TV)   3249   59286   M/M   White 27   10   Merlin/Arthur Pendragon (Merlin)   Merlin (TV)   3157   18688   M/M   White 28   -11   Kim Namjoon | RM/Kim Seokjin | Jin   Bangtan Boys | BTS   3155   16682   M/M   POC 29   66   Ayanga/Zhèng Yúnlóng   声入人心 | Super-Vocal (TV)   3111   5285   M/M   POC 30   -21   Min Yoongi | Suga/Park Jimin   Bangtan Boys | BTS   3026   19851   M/M   POC 31   -3   Sirius Black/Remus Lupin   Harry Potter - J. K. Rowling   2958   17686   M/M   White 32   N   Martin Blackwood/Jonathan "Jon" Sims | The Archivist   The Magnus Archives (Podcast)   2917   3367   M/M   Ambig 33   60   Bakugou Katsuki & Midoriya Izuku   Boku no Hero Academia | My Hero Academia   2672   5023   Gen   POC 34   12   Peter Parker/Tony Stark   Marvel Cinematic Universe   2623   6160   M/M   White 35   N   Hinata Shouyou/Kageyama Tobio   Haikyuu!!   2601   10485   M/M   POC 36   22   Hermione Granger/Draco Malfoy   Harry Potter - J. K. Rowling   2583   10171   F/M   Whi/Amb 37   -8   Kim Taehyung | V/Park Jimin   Bangtan Boys | BTS   2507   9891   M/M   POC 38   -37   Keith/Lance (Voltron)   Voltron: Legendary Defender   2480   30317   M/M   Amb/POC 39   20   Billy Hargrove/Steve Harrington   Stranger Things (TV 2016)   2438   5338   M/M   White 40   N   Akaashi Keiji/Bokuto Koutarou   Haikyuu!!   2387   7629   M/M   POC 41   N   Patrick Brewer/David Rose   Schitt's Creek   2363   3150   M/M   White 42   5   Lee Donghyuck | Haechan/Mark Lee   NCT (Band)   2331   5854   M/M   POC 43   8   Rey & Ben Solo | Kylo Ren   Star Wars Sequel Trilogy   2304   6506   Gen   White 44   N   Dabi/Takami Keigo | Hawks   Boku no Hero Academia | My Hero Academia   2294   2930   M/M   POC 45   N   Iwaizumi Hajime/Oikawa Tooru   Haikyuu!!   2272   11155   M/M   POC 46   -24   Jung Hoseok | J-Hope/Min Yoongi | Suga   Bangtan Boys | BTS   2259   12668   M/M   POC 47   N   Felix Hugo Fraldarius/Sylvain Jose Gautier   Fire Emblem: Three Houses   2218   2218   M/M   White 48   28   Jaime Lannister/Brienne of Tarth   Game of Thrones (TV)   2186   7063   F/M   White 49   19   Bakugou Katsuki/Todoroki Shouto   Boku no Hero Academia | My Hero Academia   2169   4991   M/M   POC 50   N   Ben Hanscom/Beverly Marsh   IT (Movies – Muschietti)   2163   3116   F/M   White 51   3   Hermione Granger/Ron Weasley   Harry Potter - J. K. Rowling   2128   11699   F/M   Whi/Amb 52   -31   Sherlock Holmes/John Watson   Sherlock (TV)   2121   61544   M/M   White 53   -5   James Potter/Lily Evans Potter   Harry Potter - J. K. Rowling   2110   10125   F/M   White 54   -28   Jeon Jungkook/Min Yoongi | Suga   Bangtan Boys | BTS   2074   9498   M/M   POC 55   N   Jiāng Chéng | Jiāng Wǎnyín/Lán Huàn | Lán Xīchén   魔道祖师 - 墨香铜臭 | Módào Zǔshī - Mòxiāng Tóngxiù   2073   2494   M/M   POC 56   -25   Will Graham/Hannibal Lecter   Hannibal (TV)   2064   17257   M/M   White 57   N   Kakyoin Noriaki/Kujo Jotaro   JoJo no Kimyou na Bouken | JoJo's Bizarre Adventure   1964   3580   M/M   POC 58   N   Midoriya Izuku/Uraraka Ochako   Boku no Hero Academia | My Hero Academia   1896   3983   F/M   POC 59   -46   Katsuki Yuuri/Victor Nikiforov   Yuri!!! on Ice (Anime)   1843   24332   M/M   Whi/POC 60   15   Harry Potter/Ginny Weasley   Harry Potter - J. K. Rowling   1838   9269   F/M   White 61   N   Poe Dameron/Finn   Star Wars Sequel Trilogy   1806   7238   M/M   POC 62   N   Kaminari Denki/Shinsou Hitoshi   Boku no Hero Academia | My Hero Academia   1791   2732   M/M   POC 63   -38   Dan Howell/Phil Lester   Phandom/The Fantastic Foursome (YouTube RPF)   1782   17316   M/M   White 64   -54   Keith/Shiro (Voltron)   Voltron: Legendary Defender   1764   13925   M/M   Amb/POC 65   31   Anxiety | Virgil Sanders/Creativity | Roman "Princey" Sanders   Sanders Sides (Web Series)   1720   3917   M/M   White 66   N   Tyrannus Basilton "Baz" Pitch/Simon Snow   Carry On Series - Rainbow Rowell   1707   4803   M/M   Whi/POC 67=   -33   Kim Taehyung | V/Min Yoongi | Suga   Bangtan Boys | BTS   1651   7176   M/M   POC 67=   N   Dimitri Alexandre Blaiddyd/My Unit | Byleth   Fire Emblem: Three Houses   1651   1651   Other   White 69   N   Michelle Jones/Peter Parker   Spider-Man (Tom Holland Movies)   1639   3692   F/M   Whi/POC 70   N   Michael Guerin/Alex Manes   Roswell New Mexico (TV 2019)   1635   2746   M/M   Whi/POC 71   28   Uchiha Sasuke/Uzumaki Naruto   Naruto   1625   7705   M/M   POC 72   N   Bakugou Katsuki/Uraraka Ochako   Boku no Hero Academia | My Hero Academia   1617   3776   F/M   POC 73   -30   James "Bucky" Barnes/Tony Stark   Marvel Cinematic Universe   1559   7456   M/M   White 74   -39   James "Bucky" Barnes/Reader   Marvel Cinematic Universe   1544   7724   Other   Whi/Amb 75   9   Upgraded Connor | RK900/Gavin Reed   Detroit: Become Human (Video Game)   1534   3921   M/M   White 76   N   Harry Potter/Tom Riddle | Voldemort   Harry Potter - J. K. Rowling   1511   6308   M/M   White 77   N   Jeon Jungkook/Kim Namjoon | RM   Bangtan Boys | BTS   1505   3911   M/M   POC 78   N   Annabeth Chase/Percy Jackson   Percy Jackson and the Olympians - Rick Riordan   1501   6017   F/M   White 79   N   Edelgard von Hresvelg/My Unit | Byleth   Fire Emblem: Three Houses   1495   1495   Other   White 80   N   Dean Winchester & Sam Winchester   Supernatural   1493   8791   Gen   White 81   N   Aizawa Shouta | Eraserhead & Midoriya Izuku   Boku no Hero Academia | My Hero Academia   1487   2200   Gen   POC 82   -37   Tony Stark/Stephen Strange   Marvel Cinematic Universe   1460   4912   M/M   White 83   N   Akechi Goro/Persona 5 Protagonist   Persona 5   1447   3285   M/M   POC 84   N   Kozume Kenma/Kuroo Tetsurou   Haikyuu!!   1444   4932   M/M   POC 85   N   Han Jisung | Han/Lee Minho | Lee Know   Stray Kids (Band)   1440   3091   M/M   POC 86   -33   Byun Baekhyun/Park Chanyeol   EXO (Band)   1431   6629   M/M   POC 87   -45   Dean Winchester/Sam Winchester   Supernatural   1416   27696   M/M   White 88   N   Leone Abbacchio/Bruno Buccellati   JoJo no Kimyou na Bouken | JoJo's Bizarre Adventure   1415   2237   M/M   White 89   N   Chloe Decker/Lucifer Morningstar   Lucifer (TV)   1413   4165   F/M   White 90   N   Eddie Kaspbrak & Richie Tozier   IT - Stephen King   1396   2268   Gen   White 91   N   Neil Josten/Andrew Minyard   All For The Game - Nora Sakavic   1392   4681   M/M   White 92   N   Blake Belladonna/Yang Xiao Long   RWBY   1390   4358   F/F   POC 93   N   Midoriya Izuku & Todoroki Shouto   Boku no Hero Academia | My Hero Academia   1378   2887   Gen   POC 94   N   Padmé Amidala/Anakin Skywalker | Darth Vader   Star Wars - All Media Types   1369   4112   F/M   White 95=   -8   Kim Namjoon | RM/Park Jimin   Bangtan Boys | BTS   1365   4728   M/M   POC 95=   N   Sokka/Zuko (Avatar)   Avatar: The Last Airbender   1365   1828   M/M   POC 97   N   Lee Jeno/Na Jaemin   NCT (Band)   1360   3266   M/M   POC 98   N   Erik Lehnsherr/Charles Xavier   X-Men (Alternate Timeline Movies)   1333   14736   M/M   White 99   -72   Loki/Thor (Marvel)   Thor (Movies)   1330   12863   M/M   White 100   N   Logic | Logan Sanders/Morality | Patton Sanders   Sanders Sides (Web Series)   1327   3132   M/M   White
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drvcxrys · 2 years
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okay so here is the post event starter call. so i will keep replying to event convos if you like, i don’t really mind and if you want to drop some that’s okay too we can always start something new. i will drop most of my convos pre event to move forward, but i will also keep some, if you want to really continue something though you can always tell me and i don’t mind that!
i will be posting this starters when the event is over tomorrow, of course  ♡
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anna of arendelle
annabeth chase
ariel triton - eric
betty cooper
beverly marsh
blair waldorf - serena
bree tanner
buffy summers
choi nam ra
claudia
daenerys targaryen - viserion
daphne bridgerton - aria, eloise, selina
elizabeth midford
emma gilbert - tandy, mikasa, jj
emma swan
faye chamberlain - diana
jean grey
jessica riley - sam, emily, anya, josh, chris
jill roberts
hanna marin
harley quinn
hermione granger - hugo
holly j sinclair
hope mikaelson
intouch chatpokin
isabelle lightwood - alec
katara
mal faery
malia tate - theo
manaow
mary stuart - kenna
misa amane
myrcella baratheon
nam ji-ah
nancy wheeler
narcissa black
quinn fabray - blaine
samantha carpenter
sharon carter
teresa agnes
tori spring - charlie, jolyne
usagi tsukino
victoire weasley
yelena belova - simon
yuri
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oselatra · 5 years
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2019 Arkansas Times Academic All-Stars Nominees
Listed by their hometowns. Here are the students nominated to be Academic All-Stars. They are listed by their hometowns as indicated by mailing addresses. ALMA EMILY FOWLER Mulberry High School BAY JACOB HARLEY OSTER Bay High School BEARDEN CASSIDY CLEMENS Bearden High School GARRETT MCWHORTER Bearden High School BEEBE TAYLOR DWAYNE BOYCE Beebe High School JOLEY MARIE MITCHELL Rose Bud High School MARIANNA KERSEY RICHEY Beebe High School BEE BRANCH ANDREA DE TOUR Arkansas Virtual Academy High School BENTON JULIANNA DEMI SORVILLO Bauxite High School KAYLA M. TREASITTI Glen Rose High School BENTONVILLE KENDRA RISENER Haas Hall Academy ANGEL SOTERO Bentonville West High School JESSICA YIN Bentonville West High School BERRYVILLE ALEX RUBEN MALDONADO-LOPEZ Berryville High School AMBER NICOLE VEACH Berryville High School BISMARCK LAUREN ELIZABETH CORLEY Bismarck High School BLACK ROCK PAIGE LEANN PENN Hillcrest High School BLYTHEVILLE CHANDLER SPROUSE Gosnell High School SHAKIAH WILLIAMS Blytheville High School BONNERDALE HANNAH DIGGS Centerpoint High School BOONEVILLE JUSTIN RONGEY Magazine High School BRINKLEY KEVON MALOID DILLWORTH Brinkley High School EMILY ANN TAYLOR Brinkley High School BRUNO LANE BOGLE Valley Springs High School BRYANT SYDNEY ELAINE BOWMAN Bryant High School HARRISON BENNETT DOWNS Bryant High School CABOT ZHENG HUI ZHANG Cabot High School CAVE CITY KENDALL TOWNSLEY Cave City High School CENTER RIDGE SOPHIA FRANCESCA ISELY Nemo Vista High School CLARKSVILLE BRADLEY SCOTT BUCK Johnson County Westside High School CLINTON JACOB ALLEN BURROUGHS South Side High School CONWAY MARY KATHERINE FREYALDENHOVEN Conway High School KENDON CRAIG MOLINE Conway High School CORNING CAROLINE GOODMAN Corning High School CROSSETT DAILEY MARIE CHAVIS Crossett High School BRYCE RICHARD MOON Crossett High School DAMASCUS CLAIRE ELIZABETH DREWRY South Side High School DES ARC LINDSEY NICOLE REIDHAR Des Arc High School DEWITT RACHEL DANIELS DeWitt High School ZONTRAY KENDALL DeWitt High School DONALDSON DYLAN JASHUN CLAYTON Bismarck High School DOVER Ethan Seth Owen Jacobs Dover High School EUREKA SPRINGS KAYDEN ECKMAN Eureka Springs High School EVANSVILLE JESSICA ANN GOLDMAN Lincoln High School FARMINGTON NICHOLAS JAMES ERICKSON Farmington High School REAGAN SIERRA WHITE Farmington High School FAYETTEVILLE CHLOE AUGUST BOWEN Springdale High School SOPHIE FERNANDO Haas Hall Academy JEREMIA LO Fayetteville High School HAMAAD MEHAL Haas Hall Academy SPENCER LEE WALKER Fayetteville High School FISHER ANNA CHAPLAIN Harrisburg College and Career Prep FORT SMITH JOHN TYLER FREENY Southside High School MADISON ISABELLA RENEE MARSH Southside High School GOSNELL KAYLEE JO MILLER Gosnell High School GREENBRIER MADELYN RENEE JAMESON Greenbrier High School CALEB WADE TAPLEY Greenbrier High School GREENWOOD JULIA KATHLEEN BRIXEY Greenwood High School TYLER LAWRENCE MERREIGHN Greenwood High School GREERS FERRY FAITH MARIE BIRMINGHAM West Side High School HAMBURG NIGEL LEWIS Hamburg High School BRENDA FAITH O'FALLON Hamburg High School HARRISON GRACE ESTELLE BRANDT Harrison High School BLAKE JOHN WILLIAM WHITMER Harrison High School HAZEN ROSS TIMOTHY HARPER Hazen High School HICKORY PLAINS JEREMIAH DESHONE WILLIAMS Des Arc High School HIGDEN NATHANIEL WYATT SMITH West Side High School HORATIO GRACE ELIZABETH HARRIS Horatio High School HOT SPRINGS RHETT BARRETT Cutter Morning Star High School FAITH ELIZABETH CARNIE Lake Hamilton High School JORDAN C. ERICKSON Lake Hamilton High School EMMA KIRSTEN FERGUSON Lakeside High School THOMAS IAN HOLLIS Lakeside High School ANTHONY ALEXANDER REITER Hot Springs High School MICAH TRAVIS Mountain Pine High School HUTTIG NASTAJAE ALIYAH ALDERSON Strong High School JACKSONVILLE BASIA YVONNE BROWN Jacksonville High School GERALD ANTONIO DONOHUE Jacksonville High School JONESBORO OPHIE COPELIN Nettleton High School JETT JACKSON Harrisburg College and Career Prep ISABELLE FLORENCE JONES The Academies at Jonesboro High School JOSHUA MILNES Nettleton High School ANNA ELISE OPPENHEIM Bay High School NIKKOLETTE AMANDA PERKINS Brookland High School SEAN A. ROADES Valley View High School KALLEN SMITH Brookland High School TRACY N. TANNER Valley View High School LEACHVILLE HALLIE ELIZABETH BROWN Buffalo Island Central High School KYLE BRADLEY THRASHER Buffalo Island Central High School LITTLE ROCK MOHAMMED ABUELEM Pulaski Academy MILLER CLARK BACON eStem High School NATHAN THOMAS BARBER The Academies at Jonesboro High School CAROLINE BLANSCET Little Rock Christian Academy ANA ABARCA CHAVEZ Hall High School REBECCA SUSAN DIXON Parkview Arts and Science Magnet High School SARAH J. DOUGLASS Joe T. Robinson High School SULLIVAN WALTER FITZ Catholic High School for Boys CELIA KRETH Episcopal Collegiate School FELIPE MORALES OSORIO Parkview Arts and Science Magnet High School CLAUDIA CATHERINE SMITH eStem High School ETHAN STRAUSS Episcopal Collegiate School LUKE WEINER Little Rock Christian Academy MICHELLE XU Little Rock Central High School RAMY YOUSEF Little Rock Central High School MCCRORY CHRISTIAN LITTLE McCrory High School MABELVALE HALEY AMBER STANTON LISA Academy West High School MAGAZINE EMILY STATON Magazine High School MAMMOTH SPRING DEVON CRAY Mammoth Spring High School MARION WESLEY JAMES BARRETT Marion High School MORGAN BRADFORD WHITED Marion High School MAUMELLE GARRETT MICHAEL BAKANOVIC Maumelle High School CHAD BOYD Maumelle Charter High School GENRIETTA CHURBANOVA Pulaski Academy LINCOLN MOSES Maumelle Charter High School VICTORIA ORTEGA Maumelle High School MAYFLOWER HAYDYN HUDNALL Mayflower High School MULBERRY JARRET CHAMBERS Mulberry High School NEWPORT NOAH BLAKE RABY Arkansas School for Mathematics, Sciences and the Arts NORTH LITTLE ROCK SOPHIA LYNN CHIER Mount St. Mary Academy CHASE CHRISTIAN MOHR-MCELROY North Little Rock Center of Excellence Charter KATHERINE RAMIREZ North Little Rock High School CARRE'LLA SADLER North Little Rock High School IOAN BROWN SANDERS North Little Rock High School OZARK AUTUMN PAIGE FLAHERTY Johnson County Westside High School PARAGOULD EMMA FARMER Marmaduke High School MICHALA ANN MCPHINK Paragould High School JACKSON CHANDLER PARKER Paragould High School MADISON SHEA ROBINSON Greene County Tech High School PARON JOHN MATTHEW HOWARD Joe T. Robinson High School PEA RIDGE HALLEY LASTER Pea Ridge High School ALEC ANDREW MEREDITH Pea Ridge High School PINE BLUFF MORGAN EDWARDS Watson Chapel High School A'DARIUS LEE Watson Chapel High School PINEVILLE KENLEE KAY KILLIAN Calico Rock High School PLUMERVILLE GARRETT R. HENDRIX Morrilton High School POWHATAN CREEDEN JAMES RICHEY Hillcrest High School RAVENDEN SPRINGS EMILY CHEYENNE LUFFMAN Sloan-Hendrix High School REYNO CHANDLER CONYERS Corning High School RISON JUSTIN JACOBS Rison High School MACY RATLIFF Rison High School ROGERS ALISHA AJAY CHATLANI Rogers High School MORGAN DIBASILIO Rogers Heritage High School SIDRA NADEEM Rogers New Technology High School NATHAN POWELL SKINNER Rogers High School ADAM RYSZARD SIWIEC Rogers Heritage High School ROSE BUD CARSON DAVID LUCENA Rose Bud High School ROYAL ANASTACIA GLASCO Mountain Pine High School RUSSELLVILLE KAYLEE FREEMAN Hector High School SEARCY JACKSON TANNER BENIGHT Searcy High School LAUREN ELIZABETH BROWN Searcy High School SHERIDAN LAINEY FAITH HILL Sheridan High School LOGAN JAMES INGRAM Sheridan High School SHERWOOD TIMOTHY NATHANIEL ESPEJO Sylvan Hills High School CHASE MARIE SWINTON Sylvan Hills High School SILOAM SPRINGS CHRISTINE NICOLE HONN Siloam Springs High School OLIVER MONROE REID Siloam Springs High School SMACKOVER ROBERT THOMAS DIXON Smackover High School KAYLEIGH AMANDA YEAGER Smackover High School SPRINGDALE EDUARDO AGUILAR Springdale High School SPRINGFIELD CAROLYN HOPE HOPKINS Morrilton High School STUTTGART MARY SALLAH JIA Arkansas School for Mathematics, Sciences and the Arts TRUMANN ZACHARY DAVID BURCHFIELD Trumann High School WALNUT RIDGE DEVIN FOSTER SMITH Greene County Tech High School WARD JESSICA DAWN VAUGHN Cabot High School WHITE HALL JUSTIN ROBERT DADY White Hall High School WINSLOW JOSEPH ANDREW TAYLOR Lincoln High School WYNNE KYRA LIANE DOBSON Wynne High School JACKSON CHARLES GEORGE Wynne High School 2019 Arkansas Times Academic All-Stars Nominees
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duckprintspress · 1 year
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Get 4 Story Excerpts: Read the Duck Prints Press Zine!
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This debut online PDF edition of the Duck Prints Press zine includes general information about the Press, where to find us on social media, how to buy our books, and, most excitingly: FREE EXCERPTS! Yes, download this 20-page PDF, and you can read the openings of four stories. And don't worry - the zine is SFW!
The first five pages of Many Drops Make a Stream by Adrian Harley. Pre-orders are open through September 30th!
Many Drops Make a Stream is a fantasy novel featuring the shapeshifter Droplet as she embarks on a rescue mission, loses a found family and tries to convince herself she doesn’t want to find another, and stumbles into a sapphic pre-relationship. All the laughs and drama that author Adrian Harley could fit between the covers!
The first two scenes of Theirs All Along by boneturtle. Available now!
Theirs All Along is the prequel introduction story to boneturtle’s Pet Names verse, featuring sexy established-relationship M/M/M fantasy smut and lots of emotional intimacy. Husbands Aren, Samael, and Mithros just want to take care of each other…
The first two scenes of Be Not Afraid by Nicola Kapron. Coming September 28th!
Be Not Afraid tells the story of Tora as he faces a personal apocalypse in the midst of an actual actual apocalypse…and a M/M “OMG they were roommates” get-together story.
The first chapter of To Drive the Hundred Miles by Alec J. Marsh. Pre-orders open October 5th!
To Drive the Hundred Miles follows trans man Will as he returns home for the holidays, confronts his family’s clumsy attempts at “support,” and finds comfort at the local coffee shop. Features family feels, a nascent M/F relationship, and a splash of smut.
Download the PDF NOW and get a glimpse of all the great stories Duck Prints Press has to offer!
Who we are: Duck Prints Press LLC is an independent publisher based in New York State. Our founding vision is to help fan creators publishing their original works. We are particularly dedicated to working with queer authors and publishing stories featuring characters from across the LGBTQIA+ spectrum. Want to always hear the latest? Sign up for our monthly newsletter! Want to support the Press, read about us behind-the-scenes, learn what’s coming down the pipeline, get exclusive teasers, and claim free stories? Back us on Patreon monthly!
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Lemon Henry "Blind Lemon" Jefferson (September 24, 1893 – December 19, 1929) was an American blues and gospel singer, songwriter, and musician. He was one of the most popular blues singers of the 1920s and has been called the "Father of the Texas Blues".
Jefferson's performances were distinctive because of his high-pitched voice and the originality of his guitar playing. His recordings sold well, but he was not a strong influence on younger blues singers of his generation, who could not imitate him as easily as they could other commercially successful artists. Later blues and rock and roll musicians, however, did attempt to imitate both his songs and his musical style.
Jefferson was born blind (or possibly partially blind), near Coutchman, Texas. He was the youngest of seven (or possibly eight) children born to Alex and Clarissa Jefferson, who were African-American sharecroppers. Disputes regarding the date of his birth derive from contradictory census records and draft registration records. By 1900, the family was farming southeast of Streetman, Texas. Jefferson's birth date was recorded as September 1893 in the 1900 census. The 1910 census, taken in May, before his birthday, confirms his year of birth as 1893 and indicated that the family was farming northwest of Wortham, near his birthplace.
In his 1917 draft registration, Jefferson gave his birth date as October 26, 1894, stating that he lived in Dallas, Texas, and had been blind since birth. In the 1920 census, he is recorded as having returned to Freestone County and was living with his half-brother, Kit Banks, on a farm between Wortham and Streetman.
Jefferson began playing the guitar in his early teens and soon after he began performing at picnics and parties. He became a street musician, playing in East Texas towns in front of barbershops and on street corners. According to his cousin Alec Jefferson, quoted in the notes for Blind Lemon Jefferson, Classic Sides:
They were rough. Men were hustling women and selling bootleg and Lemon was singing for them all night... he'd start singing about eight and go on until four in the morning... mostly it would be just him sitting there and playing and singing all night.
In the early 1910s, Jefferson began traveling frequently to Dallas, where he met and played with the blues musician Lead Belly. Jefferson was one of the earliest and most prominent figures in the blues movement developing in the Deep Ellum section of Dallas. It is likely that he moved to Deep Ellum on a more permanent basis by 1917, where he met Aaron Thibeaux Walker, also known as T-Bone Walker. Jefferson taught Walker the basics of playing blues guitar in exchange for Walker's occasional services as a guide. By the early 1920s, Jefferson was earning enough money for his musical performances to support a wife and, possibly, a child. However, firm evidence of his marriage and children has not been found.
Prior to Jefferson, few artists had recorded solo voice and blues guitar, the first of which were the vocalist Sara Martin and the guitarist Sylvester Weaver, who recorded "Longing for Daddy Blues", probably on October 24, 1923. The first self-accompanied solo performer of a self-composed blues song was Lee Morse, whose "Mail Man Blues" was recorded on October 7, 1924. Jefferson's music is uninhibited and represented the classic sounds of everyday life, from a honky-tonk to a country picnic, to street corner blues, to work in the burgeoning oil fields (a reflection of his interest in mechanical objects and processes).
Jefferson did what few had ever done before him – he became a successful solo guitarist and male vocalist in the commercial recording world. Unlike many artists who were "discovered" and recorded in their normal venues, Jefferson was taken to Chicago, Illinois, in December 1925 or January 1926 to record his first tracks. Uncharacteristically, his first two recordings from this session were gospel songs ("I Want to Be Like Jesus in My Heart" and "All I Want Is That Pure Religion"), released under the name Deacon L. J. Bates. A second recording session was held in March 1926. His first releases under his own name, "Booster Blues" and "Dry Southern Blues", were hits. Their popularity led to the release of the other two songs from that session, "Got the Blues" and "Long Lonesome Blues", which became a runaway success, with sales in six figures. He recorded about 100 tracks between 1926 and 1929; 43 records were issued, all but one for Paramount Records. Paramount's studio techniques and quality were poor, and the recordings were released with poor sound quality. In May 1926, Paramount re-recorded Jefferson performing his hits "Got the Blues" and "Long Lonesome Blues" in the superior facilities at Marsh Laboratories, and subsequent releases used those versions. Both versions appear on compilation albums.
Largely because of the popularity of artists such as Jefferson and his contemporaries Blind Blake and Ma Rainey, Paramount became the leading recording company for the blues in the 1920s. Jefferson's earnings reputedly enabled him to buy a car and employ chauffeurs (this information has been disputed); he was given a Ford car "worth over $700" by Mayo Williams, Paramount's connection with the black community. This was a common compensation for recording rights in that market. Jefferson is known to have done an unusual amount of traveling for the time in the American South, which is reflected in the difficulty of placing his music in a single regional category.
Jefferson's "old-fashioned" sound and confident musicianship made it easy to market him. His skillful guitar playing and impressive vocal range opened the door for a new generation of male solo blues performers, such as Furry Lewis, Charlie Patton, and Barbecue Bob. He stuck to no musical conventions, varying his riffs and rhythm and singing complex and expressive lyrics in a manner exceptional at the time for a "simple country blues singer." According to the North Carolina musician Walter Davis, Jefferson played on the streets in Johnson City, Tennessee, during the early 1920s, at which time Davis and the entertainer Clarence Greene learned the art of blues guitar.
Jefferson was reputedly unhappy with his royalties (although Williams said that Jefferson had a bank account containing as much as $1500). In 1927, when Williams moved to Okeh Records, he took Jefferson with him, and Okeh quickly recorded and released Jefferson's "Matchbox Blues", backed with "Black Snake Moan". It was his only Okeh recording, probably because of contractual obligations with Paramount. Jefferson's two songs released on Okeh have considerably better sound quality than his Paramount records at the time. When he returned to Paramount a few months later, "Matchbox Blues" had already become such a hit that Paramount re-recorded and released two new versions, with the producer Arthur Laibly. In 1927, Jefferson recorded another of his classic songs, the haunting "See That My Grave Is Kept Clean" (again using the pseudonym Deacon L. J. Bates), and two other uncharacteristically spiritual songs, "He Arose from the Dead" and "Where Shall I Be". "See That My Grave Is Kept Clean" was so successful that it was re-recorded and re-released in 1928.
Jefferson died in Chicago at 10:00 a.m. on December 19, 1929, of what his death certificate said was "probably acute myocarditis". For many years, rumors circulated that a jealous lover had poisoned his coffee, but a more likely explanation is that he died of a heart attack after becoming disoriented during a snowstorm. Some have said that he died of a heart attack after being attacked by a dog in the middle of the night. In his 1983 book Tolbert's Texas, Frank X. Tolbert claims that he was killed while being robbed of a large royalty payment by a guide escorting him to Chicago Union Station to catch a train home to Texas. Paramount Records paid for the return of his body to Texas by train, accompanied by the pianist William Ezell.
Jefferson was buried at Wortham Negro Cemetery (later Wortham Black Cemetery). His grave was unmarked until 1967, when a Texas historical marker was erected in the general area of his plot, however the precise location of the grave is unknown. By 1996, the cemetery and marker were in poor condition, and a new granite headstone was erected in 1997. The inscription reads: "Lord, it's one kind favour I'll ask of you, see that my grave is kept clean." In 2007 the cemetery's name was changed to Blind Lemon Memorial Cemetery, and his gravesite is kept clean by a cemetery committee in Wortham.
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dasmuggler · 7 months
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On this date in 1990 “The Hunt For Red October” was released!
Capt. Borodin: “The crew know about the saboteur. They are afraid.”
Marko Ramius: “Well, that could be useful when the time comes.”
Director:John McTiernan
1st AD:Jerry Ballew
Cinematographer:Jan de Bont
Camera operator:Roger Gebhard
1st AC:Cal Roberts
Production Designer:Terence Marsh
Gaffer:Ed Ayer
Key grip:Larry J. Aube
Dolly grip: Michael J. Coo
This is one of my favorite movies so today we’re going on a deep Dive! Dive! Dive! on how this group of dedicated filmmakers brought this movie to life.
The producers originally wanted Kevin Costner for the lead, but Costner had other ideas.
As producer Mace Neufeld explained in a behind-the-scenes DVD feature, "I'd gotten quite friendly with Kevin Costner, and I went to Kevin about playing Jack Ryan. But Kevin was up to his neck, and very enthusiastic, about doing this ... this buffalo movie. And I said, 'You'd rather do a buffalo movie?'".
This was Alec Baldwin’s first big budget starring role throwing himself face first into the role spending time with C.I.A agents and spending the night 600’ underwater in a submarine. He also recommended he personally do the helicopter drop into the ocean. Baldwin accepted the role of Jack Ryan because Harrison Ford turned it down. Cast member Sam Neill also benefited from Ford's refusal three years later by being cast in the lead role of Jurassic Park (1993). Interestingly, Baldwin asked for a big pay increase for the sequel, to which the producers allegedly replied, "For that price, we could get Harrison Ford." Baldwin held his ground and the studio agreed to the fee, but for Ford instead of Baldwin for “clear and present danger”
Sean Connery was a last-minute replacement. The film had been in production for two weeks when word came that Klaus Maria Brandauer (Out of Africa), the Austrian actor who'd been signed to play the rogue Soviet sub commander Marko Ramius, couldn't do it after all because of a prior commitment. Connery took the part instead, needing only one day for rehearsal. Coincidentally, he and Brandauer had acted together in 1983's “Never Say Never Again” and would reunite again for 1990's “The Russia House”, which was shot shortly after The Hunt for Red October.
Mancuso: The hard part about playing chicken is knowin' when to flinch.
"I had reservations about it," Connery told an Associated Press reporter upon the film's release. "I thought this kind of Cold War intrigue might be dated because of recent events(the fall of the U.S.S.R). It turned out that the studio had failed to fax the first page of the script, which explained that it took place before Gorbachev." This is probably why no one ever uses fax machines anymore. After being faxed the script, Sir Sean Connery initially turned the role down on the basis of the plot being unrealistic for the post-Cold War era. Whoever sent the fax neglected to include the foreword, explaining the movie as historical. Once he received the foreword, Connery accepted the role.
After consulting with the hair department behind director John McTiernan's back, Sir Sean Connery arrived on-set for his first day of principal photography with his hairpiece incorporating a ponytail. Several years later, once Connery's potential influence had greatly waned, McTiernan stated in an interview with Sight & Sound Magazine that he was "f---ing livid" with Connery, and that the Scottish actor tried to use his considerable heft with the studio, going over the director's head to pass the alteration with producers. It seemed as though Connery was to get his way until midway through the second day's shooting, when director of photography Jan De Bont started laughing while reviewing the dailies, remarking to Connery that his ponytail looked like "a limp, swinging d--k." This soon became a meme among the crew, and by the end of the second day, Connery was so upset at the mockery, he relented, having the hair department remove the alteration and forcing the re-shoot of a key scene. McTiernan joked that the reported cost of the hairpiece, approximately $20,000, was mainly down to the cost of those subsequent re-shoots.
Jeffrey Pelt: “Listen, I'm a politician, which means I'm a cheat and a liar, and when I'm not kissing babies, I'm stealing their lollipops, but it also means that I keep my options open.”
Screenwriter Larry Ferguson played the role of C.O.B. [Chief (Petty Officer) of the Boat] on the U.S.S. Dallas. He didn’t know he had been cast till he saw his name on the cast list and quickly hired an acting coach having not acted in over 16 years, he quickly started rewrites giving his character more screen time.
The film got an uncredited rewrite—including all of the Russian dialogue—from veteran filmmaker John Milius. The writer of “Apocalypse Now”, and director of “Conan the Barbarian”, and “Red Dawn”—who had directed Connery in 1975's “The Wind and the Lion”—told an interviewer in 2003 that the rumors of his involvement with The Hunt for Red October were true. He said he added speeches for Connery's character ("Make it about me," the actor supposedly told him), and that he "wrote all of the Russian stuff—everything that's Russian in that movie."
In one of the most clever ways I’ve seen a movie ditch the subtitles, this film begins with the actors speaking Russian with English subtitles. As the camera slowly dollies to the mouth of actor Peter Firth he casually switches in mid-sentence from Russian to English on the word "Armageddon", which is the same spoken word in both languages. After that point, the Soviets' dialogue is communicated in English.
During filming, several of the actors portraying U.S.S. Dallas crewmen took a cruise off the coast of San Diego on the USS Salt Lake City (SSN-716) a real Los Angeles-class submarine. To train for his role as the Dallas' commander, Scott Glenn. The real commander Thomas Fargo of the Salt Lake City ordered his crew to treat Glenn as equal rank, first giving reports to him, then give the same report to Glenn. Glenn based his performance of Mancuso on Commander Fargo, giving orders in a calm even voice, even in tense situations, saying "whatever good happened in the performance, basically I owe to now Admiral Fargo, thank you sir."
Made before sophisticated CGI became the norm in filmmaking, the film's opening sequence featured a long pull-out reveal of the immense titular Typhoon-class sub. It included a nearly full-scale, above-the-water-line mockup of the sub, constructed from two barges welded together. Since they didn’t have permission to go out to open ocean they were forced to shoot in Long Beach harbor to create the wake of the open ocean they had boats circling the barge to create waves.
Production designer Terence Marsh and Cinematographer Jan de Bont didn’t want to confuse the audience so they gave each country's submarine its own background color: Soviet submarines, such as Red October and V.K. Konovalov, had interiors in black with chrome trim. American ships, such as Dallas and Enterprise, had grey interiors. To help the audience quickly grasp which sub's interior they were seeing as the movie jumped from scene to scene and sub to sub, the filmmakers also created a subtle lighting scheme: blue for Red October, green for the Alfa class "V.K. Konovalov", and red for Dallas.
During filming in 1989, the U.S.S. Houston, which doubled for the U.S.S. Dallas in the movie, snagged the tow cable between the commercial tugboat Barcona and a barge, sinking the tugboat ten miles off Long Beach, California. One crewman unfortunately drowned, and two more were rescued.
On stage for the sub interiors two 50-square-foot (4.6 m2) platforms housing mock-ups of Red October and Dallas were built, standing on hydraulic gimbals that simulated the sub's movements. Connery recalled, "It was very claustrophobic. There were 62 people in a very confined space, 45 feet above the stage floor. It got very hot on the sets, and I'm also prone to sea sickness. The set would tilt to 45 degrees.
I asked the Dollygrip on the film and crew stories member Micheal Coo about his experience on the and he shared this with us.
“ I’ve got a story for you...
We were shooting in a real submarine and doing a tracking shot down a long corridor. Now about every 15 feet is a bulkhead that you have to step over and make sure you don’t hit your head on the top. We are tracking on a peewee dolly, raised up on track to clear the bulkheads, chasing Sean Connery down the corridor. While chasing Sean, Jan Debont yells cut cut cut, and stands up. There’s no way I could stop on a dime and Jan stood up right before one of the bulkheads. He hit his head so hard he flew over the top of me and I went under him with the dolly. His head sounded like a church bell ringing in the submarine. Since Jan Debont and Sean Connery didn’t get a long so well Sean laughed his ass off at Jan laying there on the floor saying “Fucking Hell Shit Michael, I said cut!!!”
The miniature “underwater” scenes were shot and built by I.L.M and the talented model makers from BOSS films Gregory Jein, John Eaves, Ron Gress and Alan McFarland, they filmed using smoke to simulate underwater with a model sub connected to a 12 cable marionette style frame, giving precise, smooth control for turns the same technique was used for the robot aliens in the film “Batteries not included”. To get the lens to “scrape the paint” of the model to make it feel life sized the crew used mirrors lined up perfectly and the camera lens shoot into the mirror getting the image much closer then it would have been possible for the camera. With Computer generated effects, in their infancy, cgi was used for creating bubbles and other effects such as particulates in the water.
Navy recruiters set up booths in some theater lobbies for people to sign up to join the service, or to at least look into it. The Pentagon hoped that this movie would do for the submarine service what Top Gun (1986) did for Naval aviation.
When the movie was first released on VHS in 1991, the tapes were red.
Capt. Marko Ramius: I'm reminded of the heady days of Sputnik and Yuri Gagarin when the world trembled at the sound of our rockets. They will tremble again at the sound of our silence. The order is engage the silent drive.
If you can help identify any crew members please comment, thanks for reading
Via Diego,IMDb, YouTube,MCGA. Special thanks to Dolly Grip on the film Michael Coo and miniatures paint expert Bruce Hazumi
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ao3feed-snape · 6 years
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The End of Time
read it on AO3 at https://ift.tt/2BOOq79
by CLOSEC192
They didn't know the journey that they were about to embark on was going to save the world, and save themselves. Thrust from universe to universe our heroes find themselves interacting with the worst and the best. From Marvel to Supernatural to Stranger Things and everything in-between, this multi-fandom work has something for everyone.
Words: 334, Chapters: 1/?, Language: English
Fandoms: The Avengers (Marvel Movies), Marvel Cinematic Universe, Marvel, Thor (Movies), IT (2017), Guardians of the Galaxy (Movies), The Lord of the Rings - J. R. R. Tolkien, The Lord of the Rings (Movies), The Hobbit (Jackson Movies), The Hobbit - J. R. R. Tolkien, The Shadowhunter Chronicles - Cassandra Clare, Timeless (TV 2016), Harry Potter - J. K. Rowling, Supernatural, Sherlock (TV), Doctor Who (2005), Stranger Things (TV 2016)
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Characters: Thor (Marvel), Loki (Marvel), Hulk (Marvel), Lucy Preston, Nakia (Black Panther), Natasha Romanov (Marvel), Bruce Banner, Clint Barton, Richie Tozier, Eddie Kaspbrak, Beverly Marsh, Ben Hanscom, Bill Denbrough, Stanley Uris, Mike Hanlon, Peter Quill, Gamora (Marvel), Nebula (Marvel), Drax the Destroyer, Rocket Raccoon, Groot (Marvel), Mantis (Marvel), Bilbo Baggins, Frodo Baggins, Sam Gamgee, Sam Wilson (Marvel), Steve Rogers, Vision (Marvel), Wanda Maximoff, Pippin Took, Merry Brandybuck, Clary Fray, Jace Wayland, Magnus Bane, Alec Lightwood, Isabelle Lightwood, Simon Lewis, Garcia Flynn, Wyatt Logan, Rufus Carlin, Jiya (Timeless), Hermione Granger, Draco Malfoy, Harry Potter, Ron Weasley, Neville Longbottom, Severus Snape, Rubeus Hagrid, Minerva McGonagall, Dean Winchester, Castiel, Sam Winchester, Impala (Supernatural), Sherlock Holmes, Mrs. Hudson (Sherlock Holmes), John Watson, Molly Hooper, Greg Lestrade, The Doctor (Doctor Who), The Doctor's TARDIS, Amy Pond (Doctor Who), Rory Williams, Eleventh Doctor, Eleven | Jane Hopper, Jim "Chief" Hopper, Joyce Byers, Will Byers, Jonathan Byers, Mike Wheeler, Nancy Wheeler, Billy Hargrove, Steve Harrington, Maxine "Max" Mayfield, Lucas Sinclair, Dustin Henderson
read it on the AO3 at https://ift.tt/2BOOq79
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investmart007 · 6 years
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SAN FRANCISCO | US appeals court rules for bartenders, waiters in tip fight
New Post has been published on https://www.stl.news/san-francisco-us-appeals-court-rules-for-bartenders-waiters-in-tip-fight/172139/
SAN FRANCISCO | US appeals court rules for bartenders, waiters in tip fight
SAN FRANCISCO — Restaurants must pay waiters and bartenders minimum wage when they are engaged in tasks such as cleaning toilets that are unrelated to their main jobs and do not offer tips, a divided U.S. appeals court ruled Tuesday.
At issue in the decision by an 11-judge panel of the 9th U.S. Circuit Court of Appeals was a federal law that allows an employer to pay workers who receive tips as little as $2.13 an hour as long as their tips earn them minimum wage.
Employers cannot use that tip credit when the workers are engaged in unrelated tasks that don’t pay tips, the panel ruled in a 9-2 decision. Employers also can’t use the tip credit for tasks related to bartending or serving such as preparing coffee if employees spend a substantial part of the work week on them.
The impact of the ruling appeared limited. Seven states require that employers pay workers the state minimum wage on top of any tips they receive, according to the labor department’s wage and hour division. Six of those states fall under the 9th Circuit’s jurisdiction:
California, Alaska, Montana, Nevada, Oregon and Washington.
Writing for the majority in Tuesday’s ruling, Judge Richard Paez said tips were intended as “a gift to the server, as opposed to a cost-saving benefit to the employer.”
A broader use of the tip credit would allow employers to underpay bartenders and wait staff and put off hiring staff such as janitors who don’t receive tips and therefore must get paid minimum wage by employers, Paez said.
The ruling upheld a regulation by the U.S. Department of Labor and subsequent guidance that limited employers’ use of the tip credit. It also revived lawsuits against restaurant chains by 14 bartenders and servers. The defendants include P.F. Chang’s China Bistro and J.
Alexander’s.
Emails to attorneys for J. Alexander’s and P.F. Chang’s were not immediately returned.
One of the plaintiffs, Alec Marsh, said he spent almost half his work week at a J. Alexander’s in Phoenix on tasks that did not produce tips such as cutting fruit and stocking ice. The restaurant paid Marsh an hourly tip credit wage of $4.65 per hour in 2012 and $4.80 per hour in 2013 in accordance with Arizona law, according to the 9th Circuit ruling.
Marsh argued in his lawsuit that the company was entitled to pay him that wage while he worked as a server, but not when he performed the other tasks. A U.S. judge in Arizona threw out Marsh’s lawsuit. The 9th Circuit overturned that decision and sent the case back to the judge for additional hearings.
By SUDHIN THANAWALA, Associated Press
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