#all for freedom and for pleasure

[lallelol]

GUESS WHO WATCHED TRIGUN

This song entered my bubble of a world and i just went “🫵 vash the stampede”

Background is an animation style breakdown done by @staticwither !! Im learning to draw vash from this one, will steal that wolfwood too

Have a lovely day ✌️

[poorly-drawn-mdzs]

Izutsumi character study

[whogirl42]

Is it bad that my first thought after total shock seeing that Alicole scene was man, that'll be great to use for Rhaenicent manips?

[mswyrr]

In the minds of neoliberal and conservative world leaders, western civilization is a collapsing box. Inside the box, we have habitable land and intact supply lines. Basically, we have the means of survival divvied up by the norms of capitalism. As habitable land decreases and supply lines break, the capitalist solution is not to help the land or displaced people recover. It’s to push more people out of the box as it collapses. From the neoliberal perspective, this will be framed as a matter of pragmatism and inevitability. From a fascist perspective, it will be framed as a recovery of the natural order. Borders are one of the primary mechanisms by which people are boxed out of potential realms of survival. But even within those habitable realms, mechanisms of carcerality also subdivide our access to resources and livable conditions through various modes of containment, including house arrest, institutionalization, and the use of jails and prisons. Deprivation and debilitation are imposed externally and internally by leaders whose primary role is the maintenance of capitalist norms. As mass migration leads to increased conservatism, and mass death and mass murder are further normalized, we will need resistance movements grounded in an ethics of care and a refusal to abandon one another. Antifascist and anti-authoritarian politics must exist in opposition to ideas about human disposability that will be adopted as common sense by the majority of the public. The pandemic has already widened the scope of normalized disposability in the US, with those who cannot survive COVID infections being deemed expendable for the sake of capitalist normalcy.

[kyouka-supremacy]

What's p/p?

Ah, I meant to say, pp, Psycho-Pass. I usually add slashes to avoid unprompted rambles to show up in main tags, sorry if that resulted confusing.

I love Psycho-Pass. I already made a post about why bsd fans might find it enjoyable, but honestly, there's so much more to it beyond what it has in common with bsd.

The prompts for reflection this series offers are just wonderful: on the relationship between citizens and government, on pervasive systems, on freedom of choice and free will, on safety vs. freedom, on discrimination of minorities and creation of scapegoats, on propaganda and brainwashing, on the increasing and treacherous presence of technology in everyday life, on how government uses technology to control and manipulate people, on fighting the system from the inside vs. fighting the system from the outside. I should watch it again too. It's crazy good.

Akane Tsunemori - the coprotagonist of the first season, the protagonist of the second season and overall the true core and heart of the franchise - is one of the most complex and beautiful characters I ever met. Her growth and character development is truly amazing: the way she starts off as unknowing and naïve, and grows so so much from there; how her writing finds this perfect balance between becoming more mature / hardening and staying true to her beliefs - even when everyone, the system, the people she relies to, the people she looks up to - tell her that there's no other way, that it can't be. It's breathtaking. She is a breathtaking character. The way alone that no matter how conscious and aware she becomes of how cruel the world is, how unredeemable people are, how beyond saving the system is, she still keeps believing in humans… It may sound cliché by itself, but believe me, it's wonderfully executed, and her character is truly amazing. Not to mention, the way she mirrors the coprotagonist Kougami is fabulous, but this is not really about him; she's an amazing character of her own right, and I will die on this hill.

The female cast in general is all amazing honestly. Don't get me wrong, the male characters are just as complex and multilayered (and I LOVE Gino and Kou, how couldn't I), but that's… Something we're more accustomed to, while finding well written female characters is objectively much harder. Female characters in Psycho-Pass aren't written as female characters, they're written as people, just as much as their male counterparts are. They have their fears and hopes and strengths and weaknesses just like any other character. I love Yayoi for being strong and coolheaded. I love (LOVE) Shion for being her fabulous self, kind and flirty and confident and with an heart so big, and for her subverting the trope of guy in the chair by being a glamorous woman who's also incredibly competent at her job of analyst. I love Akane's friends and I don't like season 3 but Mai is genuinely awesome and a joy every time she's on screen. I love Risa so much I could die, I love how strong and independent she is, I love the dilemmas she had to face, I love her choices and how they might have been the wrong ones and how it still haunts her, I love the tragedy of her character in general, I love the doomed friendship that used to be between her Gino and Kou. I love love love Fredrica, I love her being bossy and confident, diligent and determined. There's just a lot of… Strong and independent women in Psycho-Pass, and it's not just a way of saying, they really are.

I LOVE women loving other women, canonly, on screen. The confirmation may be delegated to a small moment in the last episode of the first season, but the fact that it's still there nonetheless, and how it confirms that all the previous moments and exchanges were indeed moments and didn't leave it to ambiguity… It's nice, to say that the first season of Psycho-Pass came out in 2012. And you might have to wait eight years, three seasons, five movies for it, but the phrase “I just want to go outside, dine somewhere nice, and go for walks with someone I love” may make it worth it.

And I LOVE how all the leader positions are filled by women. It's a little funny, honestly, in the best way– despite what I made it look like so far, the Psycho-Pass cast is still men-dominated (or at least a pretty equally split 50/50?); yet all the leader positions are always filled by women: Akane and Mika and Kasei and Frederica and Karina, it's always women.

Also, Mika is a brilliant character. Of course I love her. I'm so so sorry for how much hate and criticism she gets (over being a purposely annoying character! Insane! When Dazai exists!), when she does really and excellent job at conveying “look! A fucked up brainwashed individual in a fucked up brainwashing environment! I wonder how that could have happened!”. Not to mention that her growth, her long and devious way to admitting that the system is flawed, is truly well made, too. Unpopular opinion, characters with big flaws, characters who are unsufferable and make lives impossible to everyone around them, characters who mess up again and again, are actually great to watch.

Again, don't get me wrong, I absolutely adore Gino and Kou too ahah. They're both great!! But that you can probably see by your own. Gino in particular used to be my favourite, how his character does a total 180° turn. I love to see men admit their mistakes and make the choice to be better tomorrow.

About that, the relationships between the characters are AMAZING. Especially the main trio Akane / Kou / Gino, all the combinations within it are beautiful and deep and brilliant, so so enjoyable to explore and with their fair share of canon content, while still never straying to romantic territory (I mean, Akane/Kou may be going in that direction, but if that's true, that's the slowest slow burn I've ever witnessed in my life).

What's more. The world building / general premise - a dystopian world, where your predisposition to do crime can be measured and the government makes use of such technology to monitor and control the population and guarantee everyone's safety - is genuinely interesting and compelling. The aesthetic is genuinely cool (AH, now that I think about it, I've got my unfair bias for people in suits, and pp has a LOT of people in suits… ). The opening and endings feature great artists like Egoist, Ryo, Who-ya Extended and Cö shu Nie, so you're sure to love them!!

(Also, Psycho-Pass is something I used to spend entire nights talking about with a friend, and I'm always thinking about her and hold her tight to my heart in every moment so. That's worth mentioning for me, pfffttt. I love my friend so much.)

Finally, because the other Psycho-Pass post I made here keeps haunting me for the lack of trigger warnings, please be aware: Psycho-Pass DOES have trigger warnings. Pretty much for eveything you can think of. Sexual assault and gore and body horror on the top of my mind, but it's quite dark and gritty at parts in its entirety, so please please keep that in mind if you decide to pick it up.

Well, this is the end of my Psycho-Pass love letter for now. Please give it a chance if you can! I'll go rewatch it now. General watch order, in order of release, is season 1 → season 2 → movie → Sinners of the System movie trilogy → season 3 → First Inspector movie → Providence movie. I don't really like the third season or First Inspector movie (the characters are still great tho, even the newly introduced ones), and I've yet to watch Providence. The first season later came out with an extended edition of added scenes between episodes, and they're quite nice, so if you can't get ahold of it, you might want to look up for a compilation of the missing scenes still.

[theflyingfeeling]

Hiii! Just wanted to share that today I’ll be thinking about these moments/pictures 😌✨💕

also you mentioned how they watched LOTR together (and I decided they did) and it reminded me of this:

aaaaaaaaaaaaaa 😭😭😭💕💖💗💞💖💕💞💗

are y'all looking at how Aleksi is holding Olli in the screencaps from Posse?? because I am and I haven't stopped thinking about that moment ever since it happened two (?!) years ago 🥺😭

may we also consider these moments while we're at it:

why are they crushing on each other so hard I'm going insane 😭😭😭😭😭

[phree-izi]

[writermuses]

@midnightsaboteur

[verytendou]

I love janelle monae

[frozenambiguity]

«The day Diluc is not such a bore is the day I rejoice».

[nozomijoestar]

you reblogging so much of shin megami tensei got me back on playing the game i had for a while (smt5) but i'm really curious what the one ur reblogging is about

I want to play four (the one with the samurai) if that's the one you mean but if you mean three then that's Nocturne and I'm playing it now. You play a guy who with his two friends is spared the apocalypse but are left to all fend for themselves in the world after, infested with demons because the people that ended the world wanted to bring about the process of creating a new one. Instead of dying immediately in what's effectively now a waiting room with everyone from Heaven, Hell, and myth, the player is saved because some kid (won't spoil his identity) who's part of these forces likes you and makes you swallow a parasite. You become half human half demon. Because you're now half demon you get excluded from being able to make a Reason ie. come up with an idea for a world to replace the old one, then get sponsored by a demon to fight in the struggle to make your Reason the new world. But being excluded from making your own allows you to choose what Reason you'll sponsor and champion into existence, or you can reject all of them, or you can leave the world to be solely for demons. Among other routes.

It's demonic pokemon just like other mainline SMT in a philosophical thought experiment, because the only way to gain party members is by fighting then talking to demons to collect them. I just really like the different Reason philosophies and how they interact and what happens when you reject them all; I like what the game is trying to say about what defines a human being, even if they get made demonic, really what's the difference between a human being and a demon at all and so on. It's not very character driven, characters are more a representation of the themes, commentary the game is making etc. and implications of where those intersect or what's implied but in this case I think that's fine. The music is bangin and the atmosphere is fantastic. I know it has a reputation for being hard but so far I don't care when it'll get hard for me, the combat is fun; getting absorbed in everything else is the real reward. And I love Demi-Fiend's tattoos that are more like his demonic veins. Really that was the first thing that always made me wanna play, his design.

How do you not find this cool

[urfriendlywriter]

How to write smut ?

(@urfriendlywriter | req by @rbsstuff @yourlocalmerchgirl anyone under the appropriate age, please proceed with caution :') hope this helps guys! )

writing smut depends on each person's writing style but i think there's something so gut-wrenchingly beautiful about smut when it's not very graphic and vivid. like., would this turn on a reader more?

"he kissed her, pulling her body closer to him."

or this?

"His lips felt so familiar it hurt her heart. His breathing had become more strained; his muscles tensed. She let herself sink into his embrace as his hands flattened against her spine. He drew her closer."

(Before proceeding further, these are all "in my opinion" what I think would make it better. Apply parts of the advice you like and neglect the aspects you do not agree with it. Once again I'm not saying you have to follow a certain type of style to write smut! Creative freedom exists for a reason!)

One may like either the top or the bottom one better, but it totally depends on your writing to make it work. Neither is bad, but the second example is more flattering, talking literally.

express one's sensory feelings, and the readers will automatically know what's happening.

writing, "her walls clenched against him, her breath hitching with his every thrust" is better than writing, "she was about to cum".

here are some vocabulary you can introduce in your writing:

whimpered, whispered, breathed lightly, stuttered, groaned, grunted, yearned, whined, ached, clenched, coaxed, cried out, heaved, hissed

shivering, shuddering, curling up against one's body, squirming, squirting, touching, teasing, taunting, guiding, kneeling, begging, pining, pinching, grinding,

swallowing, panting, sucking in a sharp breath, thrusting, moving gently, gripped, biting, quivering,

nibbling, tugging, pressing, licking, flicking, sucking, panting, gritting, exhaling in short breaths,

wet kisses, brushing soft kisses across their body (yk where), licking, sucking, teasing, tracing, tickling, bucking hips, forcing one on their knees

holding hips, guiding the one on top, moving aimlessly, mindlessly, sounds they make turn insanely beautiful, sinful to listen to

some adverbs to use: desperately, hurriedly, knowingly, teasingly, tauntingly, aimlessly, shamelessly, breathlessly, passionately, delicately, hungrily

he sighed with pleasure

her skin flushed

he shuddered when her body moved against his

he planted kisses along her jawline

her lips turned red, messy, kissed and flushed.

his hands were on his hair, pulling him.

light touches traveled down his back

words were coiled at his throat, coming out as broken sobs, wanting more

he arched his back, his breath quivering

her legs parted, sinking into the other's body, encircling around their waist.

+ mention the position, how they're being moved around---are they face down, kneeling, or standing, or on top or on bottom--it's really helpful to give a clear picture.

+ use lustful talk, slow seduction, teasing touches, erratic breathing, give the readers all while also giving them nothing. make them yearn but DO NOT PROLONG IT.

sources to refer to for more:

gesture that gets me on my knees !!

(more to comeee, check out my hot or kisses prompts on my master list!)

[star-ocean-peahen]

After watching Cinderella (the original animated movie, which was my favorite as a child), it strikes me how it solves many common problems people have with this fairy tale. Like:

Why did they try to identify the mystery girl using her shoe size? Because the bullheaded king's only clue to her identity was the shoe the Grand Duke picked up off the steps.

Why didn't the prince recognize her by her face? Because his father wouldn't involve him in the process at all, and wasn't the one going around trying to find her.

Why did the prince want to marry a lady he only met that night? Because his father was going to force him to marry someone, and he genuinely liked this woman.

Why did Cinderella want to marry a man she only met that night? Because marriage was her best and most secure way to freedom. Fucked up, but you can't say it's unrealistic for the setting of a fairy tale. She also genuinely liked him.

If they're using the slipper to find her, wouldn't it be more sensible to search for the person with the other slipper? Yes. The King is purposefully nonsensical and the Duke is purposefully terrified enough of him to carry out his orders to the letter. Furthermore, they end up doing that in the end anyway, because the Duke's glass slipper is shattered, and Cinderella brings out the one she has to prove her identity.

Why didn't the stepmother and stepsisters recognize Cinderella at the ball? Because they were dancing too far away, and then left the party to dance in private, which was possible because the King wanted very badly for his son to hit it off with someone and tried to arrange the best conditions for that to happen.

Why didn't Cinderella save herself? Because in real life, abuse victims should not have to shoulder that responsibility, and usually can't. In real life, you need and deserve an external support system. Asking for help, in this kind of situation, is very important. She is saved by others because she is loved. Because she is not alone. Because she has friends who love her, and want her to be happy and safe and free. Because in real life, people who want to help someone who is suffering are like the mice. We can't pull out miracle solutions, but we can provide companionship and if we're in the right place at the right time, we can help the person find a better life.

Why didn't the fairy godmother save Cinderella from her abusive household, or try to help her sooner? Because she's magic, and magic can't solve your problems. Quote: "Like all dreams, well, I'm afraid it can't last forever." This (and Cinderella's dream of going to the ball) is a metaphor for pleasurable things in bad circumstances. An ice cream won't get rid of your depression, but it will provide you with momentary happiness to bolster you, as well as the reminder that happiness in general is still possible for you. Cinderella doesn't want to go to the ball so she can get away from her stepmother and stepsisters, or so she can meet someone to marry and leave with. She wants to go to the ball to remind herself that she can still have things she wants. That her desires matter. This is important because the movie does a very good job of illustrating Lady Tremaine's subtle abuse tactics, all of which invisibly press the message that Cinderella doesn't matter. While going to the ball and fulfilling her dreams may not be a victory in the material sense, it is still a victory against Lady Tremaine's efforts.

Why is Cinderella's choice to be kind and obedient framed as a good thing, when you are not obligated to be kind to your abuser? This one walks a very fine line, but I think the movie still makes it make sense. Lady Tremaine never acknowledges her cruelty. She always frames her punishments of Cinderella as Cinderella's fault. Cinderella is interrupting, Cinderella is shirking her duties, Cinderella is playing vicious practical jokes. Cinderella is still a member of the family, of course she can go to the ball, provided she meet these impossible conditions. Lady Tremaine's tactics are designed to make Cinderella feel like she must always be in the wrong and her stepmother must always be in the right. If Cinderella calls her stepmother out on her cruelty, or attempts to fight back, Lady Tremaine can frame that as Cinderella being ungrateful, cruel, broken, evil, etc. If Cinderella responds to her stepmother's cruelty defiantly (in the way she's justified to), she's not taking control out of Lady Tremaine's hands. Disobedience can be spun back into her stepmother's control. She wants Cinderella to be angry and sad and show how much she's hurting. So since Cinderella is adapting to her situation, she chooses to be kind. Not only because she naturally wants to be and it's part of her personality, but because it is a form of defiance in its own way, and it allows her to keep a reminder of her agency and value. Her choice to be kind is her chance to keep her own narrative alive: she is not obeying because her stepmother wants her to and she has to do what her stepmother does, but because she wants to. It's a small distinction, but one that makes all the difference in terms of keeping her hope and identity. (Fuck, I wrote a whole paragraph about how this doesn't mean you can't be angry at people who hurt you or that you need to be kind to deserve help, and then deleted it by accident. Uh. Try again.) Expressing anger and pain is an important part of regaining autonomy and healing. Although it is commendable to be kind while you are suffering, it is NOT required for you to get help or be worthy of help. If Cinderella's recovery was explored beyond "happily ever after" she would need to let herself be angry and sad to heal. Cinderella is not only kind because it comes naturally to her, but because it's her defense against the abuse she's suffering. Everyone's story and experiences are different, and one does not invalidate the other.

Bonus round for answers that aren't part of the movie:

Why didn't Cinderella run away? Where would she go? Genuinely, in hundreds-of-years-ago France, where would she go if she snuck out of the window with a change of clothes? With her step-family, she's miserable and abused, but she's fed, clothed, and in no danger of dying or being taken advantage of by anyone other than her stepmother and stepsisters. Even if she escapes and manages to find financial security, her stepmother might be able to find her and get her back.

Why didn't Cinderella burn the house down with them inside it/slit their throats in the night/poison their food/etc.? Because that's a revenge fantasy, and this story is a fantasy about being saved. There's nothing wrong with making Cinderella into a revenge fantasy. That's perfectly fine, as long as you acknowledge that the other type of fantasy is also a valid interpretation. (I mean, the original fairy tale features the stepsisters getting their feet mutilated and all three of them getting their eyes pecked out, so go for it.)

Why isn't Cinderella more proactive in general? Because she's a child who has been abused for the back half of her life, who has had to be focused on survival because. you know. she's an abused kid.

How did she dance in glass slippers? Gotta agree with you there man, that's weird.

[novablisters]

“oh btw you have to be this gender and it defines how people perceive you and how you have to act and also you have to play an emotional puzzle game full of pins and needles and knives to love in this specific way to be fulfilled and it has to be with this gender and they have to look a certain way or else you’re a moron with low standards and you have to dress this certain way and if you for some reason don’t have enough control to do this we will try to strip you of the inherent value you have by merit of being alive in the eyes of man and regardless you will have to do gymnastics to figure out how to survive in this complicated system we built that doesn’t care about you as anything more than a replaceable cog”

awesome! great! one question, can I as a living sentient being have my own feelings? two questions, actually, can I decide how I want to live? three. can I decide anything about who I am. why do I have to live by your rules. do I have freedom in any way that matters. do you even want me to. you will continue to try to stomp me out as if I am a pesky fire. will I burn you?

[homunculus-argument]

Zombie/other post-apocalyptic story character concept: The unsettling optimist.

The protagonists of this story encounter an oddly formal loner who seems creepily happy-go-lucky to be wandering alone out there all alone, and assume that this poor fellow is just flat-out insane. A lot of people lost their minds when the world collapsed. An argument is had about whether they can spare the resources to take in somebody who might be a liability, but eventually a consensus is reached that if this mf has been surviving just fine all by themselves so far, surely they're not completely off their roller.

Besides, they don't seem to be out of touch with reality, just... Weirdly cheerful about it. Like wandering around a zombie-infested wasteland is the best thing that ever happened to them. Like it's a privilege to get to eat questionable canned food, to wander from half-collapsed building to another, to argue about where the group is supposed to be going. Like it's a pleasure to be there, and they don't mean it with sarcasm.

And one time when they manage to kill an animal for food, the newcomer volunteers to butcher it like that's a totally normal task that they're used to doing. And working with sure hands and a casual smile, they offhandedly remark how interestingly different it feels to butcher an animal. Full record scratch when everyone within earshot pauses to process what the fuck they just said. How exactly is someone who's clearly that familiar with taking apart meat from bones unaccustomed to butchering animals?

Well, you know how every post-apocalyptic/zombie story seems to have that one place that seems like a clean and tidy wonderful utopia on the surface, but turns out that they're cannibals that eat people? Yeah, that guy is from there. Escaped from there, in fact, and not long before the protagonists found them. And the reason why they've been over the moon about getting to be a part of the whole post-apocalyptic roving band of survivors is the freedom. They get to choose what miserable cans to eat, what miserable ruins to sleep in for the night, what hopeless direction they will miserably trek. And the zombies? The zombies are the best part.

Imagine the joy and luxury of knowing for sure for the first time, that there is absolutely zero overlap between the people who form the community that you rely on to survive, and the people who will kill and eat you if you make one single mistake.

[angelplummie]

getting baby trapped by 30s art……… i m unwell. after a messy divorce with tashi he found you, his kinder, softer, altogether more human younger girlfriend, and he can’t get enough. part of him craves tashis authority, but the other part of him relishes in being more than someone, older and stronger and wiser. he loves the way you make him feel, loves the way you dote on him and listen to him and take him in his entirety. loves the way you don’t play fucking tennis, you talk about other things, care about other things, fuck about other things. loves the way you lay down on your back for him and do as he says, even when he commands you in his soft, kind way. loves the way your eyes bead with tears as he pounds your tight young cunt and stares into your blistering face. he loves to stretch you open on his long cock and use you, use you for his pleasure until you cream and whimper, eat his seed from your sore, spasming cunt. he could fuck you however he wanted, and you adored him for it. in all his years he had never had so much sexual freedom, never been as totally and utterly fufilled. he loves how you thank him, for everything. with the newest dior hanging from your arm, you thank him. with his cum still on your tongue and bleary eyes, you thank him. he loves so much about you he’s starting to think he loves you. he loves you. you’re everything he needs after all that transpired with tashi, he needs someone loving and open. he wants you forever. but you’re so young. you could change, it could all go away so quickly. he needs a way to keep you, to make sure you always look at him with stars in your eyes, make sure you need him as much as he needs you. so slowly, he begins hiding your birth control. not very well, if you really wanted to find it you would have. but you didn’t. and you won’t.

“art,” you sigh as your wonderful boyfriend kisses your neck. you lay on his white sofa together, legs interlocked, pressing into every part of each other.

“art,” you sigh again, his hands palming your breast over your thin cami,”art, i forgot to take my pill. i couldn’t find my pill.”

“hmm,” he moans into your neck, grinding his hips into your thigh.

“art we can’t.”

“i want you.”

you giggle, and let him push away your top, and take your soft nipple into his mouth until it hardened, and deep in your core you felt a furling, peeling pleasure.

“i’m ovulating,” you breathe,”im gonna get pregnant.”

he groans, rock hard dick straining against his shorts, against your supple thigh. his hands roam over your torso and with kitten licks he flicks your nipple. you expel a soft breath, fingers carding through the blonde, tousled hair you suggested he grew out. you were making him young again.

“i want you. i’ll get a condom in a second.”

he’s lying. hes a liar and a bad bad man and he knows it. but he can’t care. you mewl once more about ovulating, but your fingers comb through his hair, and your chest heaves and your eyes flutter shut as he sucks and licks and paws at your tits, humping your thigh with his achingly hard cock.

“i’m… art… pregnant…” you whine half heartedly, but it only makes him sigh deeper, and he imagines the day that you’ll tell him that in complete sentences. would you be teary eyed? would you need convincing? or would you give yourself to him like he felt you would? only time would tell.

“shhhh.”

you twitched, spine arching and pushing yourself further into his mouth.

“i’m gonna grab a condom any second,” he murmured, “i want you now.”

“you have me now.”

he moves up your body and presses his lips to yours, large hand ghosting your jaw. you close your lips against each others, and open again to touch lip to tongue and tongue to tooth, to taste and to breathe each other. he tastes like sweet nothing, like air and cleanliness and summer. you taste like honey to him. your fingers tuck his hair behind his peach fuzzed ear delicately, and you breathe against each others upper lip. his nose mushes against yours and he flicks his tongue at your gums and lips. it deepens, and he toes the line between lavishing you in affection and trying to eat you lips first. it’s hungry and wet, and you forget where his mouth begins and yours ends, all becoming blurred in the spit and the heat of it.

he pulls away, with a spit string connecting your two puffy lips. his eyes twinkle in the dim light that can reach them in your tight embrace.

“why don’t you take off your panties?”

and he leant away, the warmth of his body leaving you burning in its absence. he sat, perched, watching you from above. he looked down his nose at you with a smile, so genuine and yet so condescending. so soft and nurturing, like you needed to be guided and taken care of. that him seeing you naked and feeling your insides and making you stupid and small was what you needed, was how he had to take care of you. it was times like this that you thought about the age difference, when he made you so aware that he could make you want to do anything, anything if it was just to please him. a special ability only he had over you, and if he has his way you would feel it forever. you scramble to be more upright, to rest on your elbows and lift your hips far enough that your reaching fingers could pull down your cotton panties. you writhed beneath him to reveal yourself, nipples peaking from your cami as he watched you fully clothed, in his white shirt and loose pyjama shorts. his hair was ruffled, this way and that, and he looked more collected than he ever had.

shed of your tiny covering, the orange glow of the living room light reflecting off the wetness that was smeared to your inner thigh. from under your lashes u stare up at him, the way his shirt clings involuntarily to the tightness of his core and to his broad shoulders, the way his blonde eyelashes flutter at the sight of your thighs, your hips, your tits, all the parts of you that spill over with softness. your lips part slightly, and in silence you forget what he wants you to forget and beg him to have his way with you.

he was pulled to you once more like a magnet, and you instinctively bent your knees up and spread your legs to receive his torso and hips. he took the bends of your knees in each hand and folded you up so that your ankles hung by his shoulders, bouncing in the air as the sofa gave way for his weight. he knelt above you for just a moment, just a tortuous moment before bending down, sliding his body back so his face could remain above your hot pussy.

with an untroubled drop of the wrist, your legs fell to his shoulders, sprawled on his back. the innermost part of your thighs pressed lightly to his ear, and your heels rested lightly on his back.

with his head situated mere inches from your hot throbbing hole, he took the opportunity to take his time. while he had you in the palm of his hand he made you suffer for it, kissing the tender flesh that shined with the mess he had made for you.

every touch was torture, and he knew what he was doing. his eyes never left your face, the ghost of a smile across his lips whenever they were not eclipsed by the fat of your thighs. your eyes never left his face either, and you watched him breathlessly. he licks a stripe of skin against the grain of your leg hair, and you make a sound like you’re crying.

“oh,” you whisper, “please.”

he hums, laughing. the air from his nose hits your folds and you twitch.

“ok,” he’s soft, controlled, serene.

lips parted, he leans forward into your core, not for one second breaking eye contact with you as he takes your clit into his wet mouth. his pink tongue lathes it, up and down and up and down.

his fingers make sharp indents in your thigh to stop your wriggling, and he forces your ass into his chest. he cranes his neck to eat you deeper, and you cry out, tears beading in your eyes. sucking brutally, he moans into your hole.

“fuck,” you fist the cushion beside you, gathering the fabric and ungathering it,”fuck.”

he eats your pussy like it’s your mouth, makes out with it, makes love to it. he seems to take you in your entirety into his mouth, making you all wet with him, covered and soaked. he reaches up slowly, taking your hand in his, and squeezes it softly. your fingers are tight, paralysed in his hold. the pressure his hand provides gets rid of your compulsive need to squeeze, pacifies you, makes you dumb and limp. you lie back, no longer watching his eyes trained on you, your mouth hanging open and your eyes fluttering closed. you moan involuntarily, unaware at all that you’re alive, that you haven’t died and gone to heaven.

his thumb rubs soft circles on the back of your hand in time with his mouthing, the swirl of his tongue and the rhythmic closing of his mouth. you taste like honey here too, like nectar and sugar and love. your ankles lock together and unlock on his back, and the mere feeling of that sends chills down his whole body.

suddenly he stops. he lays a final fat kiss on your clit, watching as you mewl and your tight, ready hole gushes. he pulls away with your puppy fat legs still hugging side burns and jaw. gently he rises and slips out of your leggy grasp, fingers still interlocked with yours. he wants to kiss you. you are so pathetic when he has his way with you, so passive and pliable. he wants to hurt you because you would let him, but infinitely more and for the exact same reason he wants only to look after you. to make you happy and full and rewarded for your eternal beauty, inside and out.

he wanted to kiss you, and so he did. he leaned over, still completely dressed, and draped his slender, finely chiselled body over yours. it even made him light headed to think about being close to you, to your body, not hardened by the dedication that destroyed him, left soft and unscarred, left without taint. his underbelly of tenderness was your everywhere. you were the rounding to his shoulders, the layer of fat that kept him in warm in winter.

you collided without friction, his wet lips gliding over yours in a dance of want. your legs were still under his control, and as such you were spread beneath him. your knees dangled by his sides, leaving your pussy wide open to leave sloppy kisses on his shorts. you kissed back with the same ferocity. despite your implicit submission, you wanted to consume him as much as he wanted to consume you, if not more. you gave him what he wanted because you wanted to give it to him. wanted to give him everything he would receive.

you gave him your tongue, which he accepted with a grin.

you gave him coiling fingers that grasped the fabric on his back desperately, which he took for momentum. he rolled forward on top of you, deepening the hold his mouth had on yours.

you gave him moans, whimpers from a wavering throat which he took for courage.

“im so hard for you,” you felt the reverberation of his voice in your very core, and you died a sweet death,”i’m gonna put it in.”

“uh huh.”

success. you had forgotten. he laughed, mischievously, and a smile settled into the curves of his face.

all you heard was the snap of elastic, the rustle of fabric and the dulled slap of arts heavy cock against his t-shirt.

all you saw was his pupils grow until his eyes appeared black, like an animal’s, looking at you so directly you felt he saw you deeper than skin, deeper than meat or bone. you felt utterly seen, and utterly loved. you met his gaze pleadingly, eyebrows quirking up in the centre and lips pouting. please, it told him, please my love.

“you want it?” he breathed. pre cum smeared the fat tip, his balls hung low out of his shorts that gathered at his middle thigh. it was so big. long and fat and filling. so big and so pretty, so big and pretty it was all you could do not to cry.

“i want it art,” you replied, voice clipped and cheeks burning,”i want you.”

“yeah?”

he touched your face, from your jaw to the temple. he didn’t even try to kiss you. he just held your face. he was gentle, gentle, gentle as ever. his every action was kind. you love him. you’re in love with him.

“i want you art. i love you.”

and that was that. he was getting you pregnant tonight. someone would have to pry him off of you, because so help him god he would drain himself dry in your hot wet cunt if it was the last thing he ever did.

you squealed as he pushed the entirety of his cock in, bulbous head stretching your cunt wider than any cock had stretched it before. but it slipped in so easily with the outpour of your sticky love. it made a thick squelch, and he groaned so loud, squeezed his eyes shut so hard, you might’ve thought he was being tortured.

“fuck!”

the force of his thrust had caused the thick juices of you arousal to spread around his thick cock where he stretched you out, the pain minimal, familiar and intoxicating.

you throbbed in unison, blood coursing through where you connected. you were so tight and hot, so fucking wet. art struggled, arms bracing either side of your shoulders, to force the rest of himself into you. he also struggled to think, to be a human and not a ploughing, panting, thoughtless dog.

a moan rose through your throat, broke from you involuntarily, came out like the sound of murder. your taut pussy suckled his fat dick with every pulse and quiver. you felt him so deep inside you, and he fought to push deeper. fingers still locked, his crushed your knuckles and your palm.

“oh my fucking god.”

it could’ve been either one of you, because you both meant to say it. this moment of stillness and feeling waited one more second, before art became beast, and drew back his hips so that only his pink tip stayed gripped inside. you felt so soul crushingly empty, until he drove himself back in, and you were brought back to life.

“god,” he pounded any thoughts away, any and all of them, until all you could do was breath and blaspheme, “fucking- christ.”

the buttery, fevered roll of his hips was one he was in no control of. he felt as though he was being moved by some godly force to cram your tight cunt full of him. his jaw hung open, and the hand that didn’t hold yours instead held your shoulder, dwarfing in it in his wide palm. holding onto you for sanity, his eyes opened to take in what he had done to you.

“you’re so tight. perfect. perfect. perfect.”

“i love you.”

“i love you. i love you. please god.”

what was he asking for? was he asking you or god? you would do it for him, regardless. you would do it.

your hand reached into his hair, and tugged hard. a whorish moan left his lips, the rolling of his lower half stuttering as his neck arched up. his knees were spread wide, digging deeply into his sofa. his pelvis moved on its own, smoothly, as if he had reverted to his baser instincts and let years of evolution take its course, nature guiding him to your inevitable impregnation.

you were as he liked you, completely dumb. he was too gone to enjoy it, but on another planet of pleasure entirely. he couldn’t relish in the feeling of control, but he could in the feeling of you, of having you, being loved by and loving you. the suckling heat of you was more than a man could take, and the picture beneath him was no more comprehensible.

your angel lips spread to a glistening tongue, your eyes glassy and dilated, your brow creased, hair mussed. he had to have that too, and so he kissed you once more. the hand on his hair tightened, and he moaned into your mouth.

he pumped your pussy so deep, pre cum was dashed from his oozing tip inside you, heavy balls slapping at your skin. you were so wet you didn’t notice, only felt the heat and the mind numbing ecstasy. the feeling of being pounded like a piece of meat till your tight girl pussy remembered every vein his grown man dick, but kissed like a lover and held like a princess pushed you that much closer, sent you that little bit more over the edge. you needed it. you needed him to cum. to please your daddy.

“i’m gonna cum, i’m gonna cum inside you.”

“fucking do it.”

“yeah?”

“yeah. get me fucking pregnant art.”

that was all he needed. he breathed into your lips and cried out, long steady body shuddering like a leaf. he held you close, pressing his weight on top of your till he could feel the fat of your breasts move around his chest. cum, thick and milky white, shot deep into your cunt, which even now gripped him tighter than ever. so much of it too. his meaty balls tweaked as their contents leaked into where they were always supposed to go.

your orgasm hit you like a ton of bricks, parting your lips in a silent scream.

his cock had not moved an inch from where it rested fully buried in your pussy. it was wet. it would spill out once he removed himself. it needed to stay inside.

he pressed his forehead to yours, your eyes fluttering closed from exhaustion and contentedness. you didn’t even think about what art had just done. you didn’t even realise he had done anything. he was just doing what you needed him to do.

you needed him. forever.