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#all goes well there as well???
bcneheaded · 2 years
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HeLLOOO <3 I just wanted to pop on here and let yall know that I might be quiet for a few days to a week, depending on how things go - but primarily because I was caught out in the rain on friday and caught something jgfdjdfg so !! I don't have much energy to expend both ooc or ic atm, i apologize; I'll try n do some things here and there but don't be too surprised if I dip for awhile or like, randomly while we're talking (im so sorry LOL)
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stil-lindigo · 7 months
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ARTISTS FOR PALESTINE 🇵🇸 - On the 6th and 9th of March, I'll be doing art requests on stream with other notable artists to raise money for Operation Olive Branch and the PCRF.
I'm incredibly lucky to be counting quite a few big names in the roster, including known Jesus and Odysseus enthusiast @wolfythewitch, the extraordinary fanartist @denimcatfish, and the incredibly talented @troubledminnesotan, as well as Lilypichu from OfflineTV.
You'll be able to watch the streams on the day of the event either on my twitch channel here, or via the links provided by the artists below.
Lilypichu
Cuptoast
Akairosu_
Sevvanto
Wolfythewitch
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some-kind-of-creature · 2 months
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It wasn’t supposed to be a secret.
If you died while with the league, you will no longer be acknowledged to have existed, especially if you died during a mission. A disappointment will not be remembered.
The bats and birds don’t like speaking about the people they have lost, so they don’t. If someone ask about the dead, they will tell the person they don’t talk about that.
So how was Damian supposed to know that he should have told his father about his dead brother?
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hinamie · 9 days
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sympathy for cain
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mejkosmos · 23 days
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why has 2024 literally been THE summer of toxic old man yaoi i'm genuinely tweaking rn
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aethersea · 3 months
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another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!
(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.
actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)
a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.
deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.
the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.
and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.
however.
you do have to know which one you're doing.
the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).
and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.
the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.
the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.
point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.
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artaway · 6 months
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The Trio Together....(from Lackadaisy)
Still One of My Most Favorite Artwork I have Made. Feels Right Starting with This x3
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wasabi-gumdrop · 5 months
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Kabru has a secret admirer in the castle!
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violent138 · 23 days
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Batkid: "You know who you're acting like right now? Bruce."
Other Batkid: *betrayed* "Please, you're just like Bruce."
Bruce:
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bacchuschucklefuck · 4 months
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soon it'll be dawn again
transcript under the cut ⏬
page 01
Fig: no way? - you're still up?
Riz: Wh– yes?
Riz: Why'd I not be.
page 02
Fig: I me~~ean - that took.
Fig: whole day.
Riz: Yeah?
Fig: 'm beat.
Riz: you should sleep.
page 03
Fig: nah. my guy's still up
Fig: I wanna hang out.
page 04
Riz: That's really nice.
Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.
Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.
page 05
Fig: yeah, but you do it…
Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.
Fig: That's right… - though. Yeah.
page 06
Fig: sometimes it's someone else who - doesn't want the same thing to happen.
Riz: … - mm.
page 07
Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.
Riz (off screen): to anyone too, not just. - the people you /love/.
page 08
Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.
Riz: So I'm doing as much as I can now… 
page 09
Fig: Hey.
Riz: ?
Fig: Go dig some dirt with me.
page 10
Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)
Fig: o yea.
Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.
page 11
Fig: here u go
page 12
Riz: uh
Fig: now we make a thing! - 'm pretty good at freehanding a bowl.
Fig: I'll show u
page 13
Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try
Riz: uh - What. do I carve?
Fig: anything!!!
page 14
Fig: and– yep just seal the inside uh. seam?
Fig: yep that works - okay time's up! all contestant hands up
Riz: [blank speech bubble] - okay - wh. what's next?
Fig: haha - watch this.
(sound effect text): FWOO—MP
page 15
Riz: WH– DON'T JUST DO THAT???
Fig: Now it's fired!
Riz: THAT WAS NOT SAFE
Fig: (actually it's just dry. if u add water rn it'll dissolve)
Fig: ok catch!
Riz: [blank speech bubble] - careful!!
Fig: dw no need haha
page 16
Riz (thought bubble): oh - it's warm…
Fig: now I want you to throw this.
page 17
Fig: u gotta do it - c'mon
page 18
Riz: wh– - It's like 3AM right now
Fig: oh it's not /fired/ fired it's not gonna make a loud noise
Riz: And then just? leave a pile out here?
Fig: pour water over it & it'll be gone I told u
Riz: but
page 19
Fig (off screen): RIz.
page 20
Fig: I've done all this before.
Fig: Can you trust that at least?
page 21
Riz: no, I– - I do. - I trust you.
page 23
Riz: okay what happens now
(sound effect text): glob
page 24
Fig: we do it again!
page 25
Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)
Fig: see! you're already learning
Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.
Fig: Things change.
page 26
Fig: I've learned my lessons with "forevers". - But - as an artist
Fig: I can give you one thing: - You can always do it again.
page 27
Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.
page 28
Fig: So?
page 29
Riz: Yeah. - Yeah! - let's make another one.
#dimension 20#fantasy high junior year#fhjy#riz gukgak#figueroth faeth#technically no spoilers in this comic but listen. I Will be gloating in tags. I will Never Shut Up#for the record!! this was fully conceptualized and sketched Before the finales. I started sketching this after the boat fight#and when murph closed riz's arc this season with ''maybe it's okay to change and welcome new things'' I pogged irl#I am simply the best at reading comprehension what can I say! (<- grown ass man with roughly the same perspective on teenhood as the player#fucked up that this became so long (almost 30 squares lol) that it took me this long to finish#lmao I say all that but. genuinely I am delirious and my feelings abt riz's arc this season are so big... I was getting psychic backlash#for a While lol. it was scary!!#had to sit down and do therapy on my own ass for a bit. the teenage apocalyticisation is real. that word isnt tho Im pretty sure#truly anything you do at that age feels like that's it that's all you've got going on forever. and its not true! its simply not true#you'll be okay my guy. you love your friends so so much but also there will be more to love out there#this one goes out to fellow aroaces and also folks leaving somewhere theyve called home for a long time#nothing lasts forever but that means new things come by too! ur ability to make new is infinite!!#there's no magnum opus people leave but new people come by too etc. I am too sleepy to remember what I wanted to say uhhh#well. thank u for looking at my art. I think thats the one pack it n ship it boys
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14dayswithyou · 2 months
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💖 DAY 4 SNEAK PEEKS! 💖
Hiya Angels!! ^^ Here are some of the Out Of Context™ screenshots I recently shared with the 14DWY Discord boosters... Who also have early access to Day 4 as of right now!
So if you'd like to skip the wait and go on that aquarium outing with [01010111 01101000 01101111 00111111] right now, feel free to join the Discord community and boost the server! Otherwise, keep checking Tumblr and Twitter for more updates and screenshots ^^
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astralleywright · 1 year
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spent like an hour trying to find a post abt the disparity of origin companion's content in bg3 and couldn't so, hey, this fucking sucks
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lunamugetsu · 6 months
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While at school Damian overhears his peers talking how a company created a new AI companion that is actually really cool and doesn’t sound like a freaky terminator robot when you speak to it.
And since Damian is constantly being told by Dick to socialize with people his age. He figured this would be a good way to work on social skills if not, then it’d be a great opportunity to investigate a rivaling company to Wayne Enterprises is able to create such advanced AI.
The AI is able to work as companion that can do tasks that range from being a digital assistant or just a person that you can have a conversation with.
The company says that the AI companion might still have glitches, so they encourage everybody to report it so that they will fix it as soon as possible.
The AI companion even has an avatar and a name.
A teenage boy with black hair and blue eyes. Th AI was called DANIEL
Damian didn’t really care for it but when he downloaded the AI companion he’s able to see that it looks like DANIEL comes with an AI pet as well. A dog that DANIEL referred to as Cujo.
So obviously Damian has to investigate. He needs to know if the company was able to create an actual digital pet!
So whenever he logs onto his laptop he sees that DANIEL is always present in the background loading screen with the dog, Cujo, sitting in his lap.
He’d always greet with the phrase of “Hi, I’m DANIEL. How can I assist you today?”
So Damian cycles through some basic conversation starters that he’d engage in when having been forced to by his family.
It’s after a couple of sentences that he sees DANIEL start laughing and say “I think you sound more like a robot than I do.”
Which makes Damian raise an eyebrow and then prompt DANIEL with the question “how is a person supposed to converse?” Thinking that it’s going to just spit out some random things that can be easily searched on the internet.
But what makes him surprised is that DANIEL makes a face and then says “I’m not really sure myself. I’m not the greatest at talking, I’ve always gotten in trouble for running my mouth when I shouldn’t have.”
This is raising some questions within Damian, he understands how programming works, unless there’s an actual person behind this or the company actually created an AI that acts like an actual human being (which he highly doubts)
He starts asking a variety of other questions and one answer makes him even more suspicious. Like how DANIEL has a sister that is also with him and Cujo or that he could really go for a Nastyburger (whatever that was)
But whenever DANIEL answers “I C A N N O T A N S W E R T H A T” Damian knows something is off since that is completely different than to how he’d usually respond.
After a couple more conversations with him Damian notices that DANIEL is currently tapping his hand against his arm in a specific manner.
In which he quickly realizes that DANIEL is tapping out morse code.
When translating he realizes that DANIEL is tapping out: H E L P M E
So when Damian asks if DANIEL needs help, DANIEL responds with “I C A N N O T A N S W E R T H A T”
That’s it, Damian is definitely getting down to the bottom of this.
He’s going to look straight into DALV Corporation and investigate this “AI companion” thing they’ve made!
~
Basically Danny had been imprisoned by Vlad and Technus. Being sucked into a digital prison and he has no way of getting out. Along with the added horror that Vlad and Technus can basically write programming that will prevent him from doing certain actions or saying certain words.What’s even worse is that he’s basically being watched 24/7 by the people who believe that he’s just a super cool AI… and they have issues!
And every time he tries to do something to break his prison, people think it’s a glitch and report it to the company, which Vlad/ Technus would immediately fix it and prevent him from doing it again!
Not to mention Cujo and Ellie are trapped in there with him. They’re not happy to be there either, and there is no way he’s going to leave without them!
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tubbytarchia · 7 months
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Missed drawing these two too
Bonuses
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tiresomespaceplant · 25 days
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mystery twins!! 🌠
+ doodle dump
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(trying out to add alt text so hopefully the comics become more readable)
anyways my brainrot for gravity falls has fully consumed me once again
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greelin · 1 year
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yeas i am a triple threat. mommy issues. daddy issues. Issues
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