#all that stuff that was actually interesting it isn't even covered

[the-way-astray]

keefe has never gaslit or extorted anyone ever . manipulate MAYBE and i ONLY say that because katie knows all but i draw a line at extortion you arae wrong

hi, anon! those are some opinions you got there! obviously, it seems you've made up your mind, so my goal isn't to change your opinion, but rather to defend my side. i believe gaslighting is actually a form of manipulation, and you've already acknowledged that keefe could be manipulative, so i'm not really going to talk about that. however, it seems you feel very strongly about the extortion thing, so let's chat.

keefe's threats don't tend to come off as threats, because he's usually camouflaging them as something else, but the force (his use of empathy) is blatantly obvious. here are some examples (copy-pasting from my rant, only the stuff in the [brackets] is new):

(note: these are all out of order and i'm tired so i'm not citing shit. i may or may not change that later. point is, there is evidence in the text that proves that keefe is an extortive little shit, which is what i'm trying to prove.)

“Keefe nudged Dex’s arm, then grinned at Sophie. ‘Interesting.’ ‘What?’ Dex asked. ‘Which one’s your gift, Dex?’ Sophie interrupted. She didn’t have to be a mind reader to know what Keefe was going to tease Dex about.” Here we mark the start of Keefe using his empathy to learn people’s secrets without their consent. He feels not a hint of remorse for it, and instead uses it as a way to breach people’s boundaries and embarrass them. As a lot of people have already said, Keefe is the primary reason empathy should have similar restrictions on it to telepathy. [He obtained something (Dex's feelings, without permission, for no other reason than he wanted to) through force (his use of empathy).]

“He reached out and brushed Grady’s arm. ‘Whoa—that is some serious tension radiating off of you. Is it that bad?’” Again, here we see an example of Keefe breaching boundaries and using his ability to get people to tell him things they aren’t comfortable telling him. If Keefe was a Telepath, this would be breaking the law. In case you care. [Same thing as above.]

“Keefe grabbed Fitz’s wrist and pressed his fingers against the exposed skin. ‘Hate to break it to you, but I can tell you’re hiding something.’” (26) Another example of Keefe breaching personal boundaries and using his empathy to extort secrets out of people to get him to tell things they wouldn’t ordinarily tell him. This happens a lot starting in this book, and yes, I am going to point them all out. By the way, what Fitz was hiding was not at all important to their mission. It’s a secret of Sophie’s that Fitz accidentally saw and was forced to tell because of Keefe. And Keefe tries to make fun of Sophie for it, but is cut off. [Same as above.]

“Keefe spotted the crush cuffs about ten seconds after he got to Havenfield the next morning—despite the long-sleeved tunic Sophie had worn to keep them covered. And he dragged out the rest of the story with a relentless bombardment of questions.” Can Keefe keep his nose out of Sophie’s personal business for even a minute??? The “dragged” here is very telling: Sophie would not have chosen to tell Keefe all this of her own free will. He bombards her with questions, and so she tells him, not because she wants to, but because she knows that he won’t shut up until he has the full story. This is Sophie’s secret. Sophie’s business (and Dex’s). Keefe has no right to ask about the cuffs at all. The fact that he “retelentless[ly]” asked her questions until she was forced to tell him the entire story is not a good thing. It does not demonstrate trust, but quite the opposite: a breach of personal boundaries. Keefe is so toxic, I honestly find it impressive how Shannon has twisted him into a seemingly perfect-angel love interest. [He obtains something (what happened between Sophie and Dex) through force (his questions, which are specifically described using the words "dragged" and "relentless", as I stated).]

“She could feel him reaching for her glove—and yanked her hand away.” Keefe tries to breach Sophie’s boundaries. But what else is new. [Once again, he tries to extort, yes, extort, Sophie's feelings out of her. He isn't successful, but hopefully this proves that Sophie is not a willing participant here.]

“He traced his thumb over the sliver of skin between her glove and the edge of her beaded sleeve. ‘There’s something you’re not saying right now. I can feel it.’” (12) Keefe once again breaches boundaries because he can’t keep his nose out of other people’s personal feelings. He has no right to just help himself to Sophie’s emotions like that. It’s a massive breach of boundaries, and then using that to try to pry the secret out of her is nothing short of repulsive behavior. [He obtains something (Sophie's feelings, specifically the feeling of "she's not saying something", which he states) through force (his empathy).]

“Keefe snatched Fitz’s wrist. ‘I knew it!’ ‘Knew what?’ Fitz shouted, trying to wrench his arm away. Keefe tightened his grip. ‘Shhhhh, let the Empath work.’” (367) Oh, boy. Keefe really is such a manipulative asshole. He grabs Fitz’s hand to read his emotions because he wants to know why Fitz is offering to search his dad’s memories. He really can’t respect his supposed best friend’s privacy, can he? He can’t control himself; when he wants to know something he needs to have it right away. He breaches people’s trust and boundaries. Fitz tries to “wrench his arm away”, meaning that he’s uncomfortable and clearly doesn’t want this. But Keefe instead tightens his grip and forcibly extricates what he wants out of Fitz, even having the audacity to say “let the Empath work”. What an asshole. Honestly. He’s such a piece of shit. He’s a terrible person and the fact that Shannon is romanticizing this behavior is revolting. [He once again obtains something (Fitz's feelings, and from that the fact that he's trying to go after Alvar) through force (very literal here, he uses not only his empathy, but also his physical strength to keep Fitz from wrenching away).]

“‘Okay, two choices,’ Keefe told her, standing up and tilting her chin toward him. ‘You can tell me what’s wrong. Or I can put my Empath powers to work—but keep in mind, Option B will likely pick up on all kinds of other feelings.’ Sophie gave him her surliest scowl, but he didn’t back down.” First of all, here’s another example of Keefe touching Sophie’s face creepily. Secondly, Keefe just extorted Sophie’s personal feelings out of her. He just threatened to use his empathy on her if she didn’t tell him what was going on. He then said that if she didn’t tell him the thing she obviously doesn’t want to tell him, he’d not only use his power on her and figure it out, but would also probably pick up on other things she doesn’t want him knowing about. Sophie then makes it very obvious that she doesn’t want to do it, but he “didn’t back down”, by which Shannon of course means “didn’t respect Sophie’s feelings and her right to keep them to herself”. That is so. That is just. I don’t understand how Shannon somehow managed to twist this into Keefe caring about Sophie. He threatened, coerced, manipulated, and extorted her into telling him, sure, but caring about her??? Don’t make me laugh. Keefe is possibly the most toxic character in this entire series, and it is disgusting how Shannon gives the impression that this is caring behavior, or correct in any capacity at all. When someone wants to be left alone, you leave them alone. Keefe needs to go back to seventh grade health class, where they teach you that no means no. [My personal favorite example, because this is the one that most makes me think Shannon actively does not realize what a shitty character she's created in Keefe. He threatens Sophie (by telling her that if she didn't tell him, he'd forcefully take it from her, with some possible extra secrets, thrown in for funsies) into getting something he wants (her telling him what she's feeling). Yes, this is still shitty if you mask it as "caring". If Sophie doesn't want to talk, he needs to respect that, not pretend he knows her wishes better than she knows them herself. That is gaslighting. And taking away someone's agency to make their own decisions regarding their own feelings is bad and not good!]

[block limits are fun!!!]

“‘[ . . . ] forced herself to meet Keefe’s ice blue eyes. ‘I’m fine.’ When he raised one eyebrow, she added, ‘I’m just frustrated [ . . . ]’” (7) That’s right, the page numbers return. And I have physical copies of the rest of the series, so they’re here to stay. It may seem like Keefe is just trying to check on Sophie and make sure she’s okay, which is a noble cause, but when someone says they don’t want to talk about something, that means they don’t want to talk about it. That does not mean you prod and prod until they spill. So many things Sophie tells Keefe get twisted and people think she tells him because she trusts him, but more often than not she doesn’t and he just prods her or extorts them out of her. [It may not seem like Keefe "prod[s] and prod[s]", as my past self put it. But this is Flashback, so you do have to take into account the fact that Sophie has been putting up with Keefe's shitty behavior for six books, so she succumbs quicker. She knows that he will just take it from her if she doesn't give him what she wants. There is a quote later down that proves this, actually (it'll be in red).]

“‘Yup! But I can’t stop her, so I might as well let her take you down with me.’” (97) This is Keefe talking about Ro using him as a lie detector to extort Sophie’s secret out of her, by the way. Which Keefe agrees to do. Which he wouldn’t do if he really was a good friend. Just like Sophie wouldn’t have to make this deal with Ro if Keefe would just listen to good advice for once and do the smart thing. But he doesn’t care about Sophie’s mental health, and he doesn't care about Sophie’s feelings, because or else he would respect them by agreeing to stay out of the Neverseen’s way and not using his empathy to extort secrets Sophie clearly doesn't want to share out of her. And Ro. Honestly, she’s even worse than Keefe, partly because of her personality, but mostly because of the wasted potential. Keefe was always going to be the “bad boy angsty prankster with daddy issues that causes trouble” trope that we've seen a million times. But Ro could’ve been so much more. She’s the ogre princess, and the most Shannon could do with her is make her a Sokeefe fangirl. [Again, Keefe uses his empathy (force) to keep Sophie honest as Ro forces her to tell her and Keefe the secret that she desperately doesn't want to tell to the both of them (obtaining something he wants). And this is somehow spun around and sold to the audience as caring.]

“‘But do you really think you’re going to be able to leave here without telling me what happened with the Forklenator? If you do, you’re going to be sorely, sorely disappointed—and covered in biscuit crumbs.’” (351) Again, Keefe as good as admits that he’d force Sophie to spill if she didn’t tell him what happened with Mr. Forkle. His extortive ways need to stop being glorified and start being treated like the horrific manipulation it is. [This may seem like a joke, but it got Sophie to spill, so I mean. And yes, Sophie came there with the intention of telling Keefe. But that doesn't change the fact that telling someone they have to tell you something they may not want to is shitty. Especially considering how Keefe has acted for the past seven books (this is in Legacy).]

“She wasn’t sure if they were allowed to tell him—but it was so much easier than arguing.” (336) Keefe has literally annoyed Sophie so much that she doesn’t even think it’s worth the fight to keep a secret. That’s not good. It means that Sophie just succumbs to whatever he wants without a thought. That’s pretty much the highest sign of a toxic relationship. [And the reason she succumbed? Because he consistently shows her he has the power to take what he wants from her, over and over and over, and consistently has threatened/forced her, so now she doesn't even think it's worth the fight to try to keep stuff secret anymore. I don't know what else to say. This is not good. It is not caring. It is extortive and shows a clear lack of trust in Sophie and Keefe's relationship.]

and just as a comparison point, here's what keefe using his empathy in a healthy, not extortive way looks like:

so yeah, i'd say keefe consistently and constantly extorts sophie (and others) when he decides it's convenient for him.

[mariyekos]

New DMC Anime Trailer Breakdown, Part 1

Okay so thoughts on the new DMC Anime trailer, which you can see here:

Putting things under the cut!

First things first, it's definitely going to at least take a few things from the DMC3 manga.

Second: It at least uses CGI in part....but more than that, on rewatching it... Are those Agni and Rudra!? Which means it also covers DMC3 in part.

Other fun things to note- I'm not sure if Dante's plate is a reference to anything, but he does have New York plates, so we can assume this DMC takes place in the US, even if the games are ambiguously sort of British/European based on architecture and director commentary.

Going to be honest- I'm not sure if these guys are a reference to anything. If they are, it's going over my head, but I could definitely see them just being generic bad guys/hunters.

Rebellion looks nice here! Also, looks like we're continuing the tradition of Dante getting attacked at his shop, because with a Pool table, jukebox, and the posters on the wall, I'm pretty sure this is supposed to be Dante's shop. Fun that we get a shot of him without his coat too, though he must put it on at another point since he has it in the above shots.

Then we have the exploding plane scene, which afaik is new but also feels very DMC. RIP the other people in that airplane though. Still, I like how wacky and over the top it is!

We also have a demon in the background of this shot...

And someone I'm preeety sure is Enzo (from the DMC3 Manga and Bayonetta!) Although on second glance, this guy looks like he might be blond, which Enzo is not. Still, it could just be a design choice they went with.

Following that is a shot of....probably not Jester because of the short nose, but something I'm sure is connected to Arkham in some way. I want to say they wouldn't get rid of his face scar, so I'm banking on there being a plotline related to Arkham having multiple minions Dante has to take down.

The giant hell portal in the sky isn't super special. We see it in both DMC3 and the old DMC anime, after all.

Then water guy...who I also don't remember as an enemy tbh. Could be new, could be my bad memory showing face. But he's a cyclops with axe hands which is interesting.

Dante's bullets are engraved with Jackpot which I find hilarious but also cool. Just imagining him using magic/demonic power to carve that in is great. I do wonder if they're going to have him reload though? Ebony and Ivory generally use magic bullets as far as I remember, but I know Coyote-A ejects shells. This bullet is shot from Ivory though.

EDIT: Looking at it again, these guns aren't Ebony and Ivory. They're both white/grey. Assuming this isn't them being lazy/an animation error, it might be that this is a real bullet...that he engraved using magic or just special gun stuff instead of just making the bullet itself from magic. I am not interested in guns in real life, but I think guns are supposed to have a function where they leave a mark on the bullets they fire so you can identify which gun shot the bullet? So it could be a human-made modification too.

Then there's the demon he shoots, which I think is a reference to Alice and the demons from the DMC3 manga (and a nice reference to the Sin Scissors and other beings that you can get the kill on with a bullet to the mask).

Not totally sure what the thing Dante shoots is, but it looks to be some sort of pendant. Is it some possessed thing that the girl has? Not super important though, because WHY IS ECHIDNA FROM DMC4 HERE?! Not upset, just surprised. Didn't notice this in my first watch.

After that we get Dante saving a girl from a... car? train? Something getting thrown into a diner that reminds me of the one from the old DMC anime, so here's me hoping we might get some fun downtime scenes like we did in that show. Maybe we'll see a strawberry sundae :)

Actually wait-

STRAWBERRY SUNDAE IDENTIFIED! Also I don't have a picture of her on hand, but is this maybe the waitress from that anime? A younger version? I'll look for a picture later, but for the sake of getting this out earlier than later, I'll just say I'm pretty sure she was a redhead too.

EDIT: Rewatching the trailer, the blue cyclops demon from before is in front of a sign that I'm pretty sure is supposed to say Freddie's Diner like in the OG Anime, so I'm going with the waitress being the same woman or otherwise related.

After that we get what looks to be a human that turned into a demon. My bet is that this guy was always a demon who was pretending to be human, but I think it could be interesting if there was a plotline about Arkham transforming humans into demons while trying to achieve godhood.

And hey look, Dante has what looks to be a stab mark through his chest and a hole in his shirt :) i bet this boy is getting stabbed through the chest, let's gooooo!

EDIT: Back, so I'll continue.

On second glance- wait, these guns are both gray, which means they aren't Ebony and Ivory. I'm putting my money into the DMC3 anime including Dante meeting Nell rather than this being an animation/coloring error.

Aaaand I hit the image limit, darn. Part 2 can be found here.

[fmhobeus]

jjk men and their red flags

a/n: i'm feeling problematic :> tell me what u think (agree/disagree/add more?) this is all for shits n giggles !! non sorcerer au kinda

kento nanami — (over)protective

but like... to the point where it feels like he's treating you like a child! he doesnt like to see you sweat or even work at all for that matter. he loves it when you cook but has bought covers for all the knifes. if he sees a burn on your hand get ready for a 10 minute long lecture. if you accidentally fall he wont let you get up for atleast 3 days to help you ""heal."" it's almost like he doesnt trust you to take care of yourself :') he probably has like 3 separate first-aid kits everywhere.

suguru geto — emotionally unavailable

i feel like this is explainable to his character (sort of.) i dont think that he'd make you feel isolated at all, he's be an amazing listener and probably memorizes every word you say. he listens to you rant and even trauma dump with insane patience. but at some point it feels as though you hardly know him. he's talk to you a lot but very little of it is personal and you hardly know what he's thinking because his ass is not tell you. he also unintentionally distances himself from people from time to time. this applies to you too and you can feel him getting emotionally distant sometimes. it isnt something he does knowingly but it sure ass hell bothers you.

satoru gojo — very clingy and needy

this nigga. he is so utterly clingy. and at first it's perfectly fine, even appreciated by you. you still love him like crazy of course but it is just overwhelming. he is like a child most of the time, he need you around him and is always accompanying you wherever you go, and he expects you to do the same. he also doesn't believe in "me time" because why would you feel better when you're away from him: (? want to hang out with your friends? what do you need them for: (? he's right there. he is also physically incapable of listening but boy is he good at making up.

toji fushiguro — controlling

he is so controlling omfg. it's usually subtle but sometimes he will outright just say no to things he doesnt like, not caring if you like them. it gets to the point where he actually starts to change your personality. he is very caring and that's his justification for this typa stuff. it is usually harmless stuff but he gets paranoid often. he doesnt let you wear miniskirts out if you're not with him. he doesn't let you befriend people he thinks are into you. he barely lets you buy stuff on your own, he usually gifts you whatever it is youre into at that moment. borderline turned on by fear and you being dependent on him.

choso kamo — has no social life outside you

pretty self explanatory. he doesnt have many friends outside you and isn't interesting in making them either. total loser. so taking him out to events, he probably doesnt interact much and chooses to look at you the entire time, which annoys your friends. he answers their questions pretty bluntly. he's never down to have people over and lowkey hates when you are.

hiromi higuruma — workaholic

also self explanatory. he leaves early, comes home late. you barely see him on the weekdays. sometimes he goes as far as ignoring your calls when in between cases. he calls you periodically but has to have an alarm set to remind him. he loves you very very deeply but is just used to working non stop T_T

[evilminji]

Ooooh~ Drink mix up? >.>

Because! Wes DID, in fact, get that dream job. HAS learned... after many, many hours of "beat about the head and shoulders with an ethics pamphlet by his great aunt", to keep his mouth shut! Family curse of Sight? WHAT family curse?

He doesn't see shit! Mind your business.

What're you? A cop?

Look, he sent Fenton a gift basket. He was a shitty, shitty "I have to be RIGHT and nothing else matters!" Stubborn lil asshole of a kid. He got better. Grew up. No one is there best Self during puberty. He DOES, in fact, regret it.

Which is WHY, he is deliberately ignoring Kent's terrible, awful, paper-thin, "who meee~?" Aw shucks BULLSHIT excuse of a disguise, like it isn't blatantly obvious he's Superman. Yep. Nothing to see here! Nothing but us chickens! Mmmmm, morning coffee! Delicious.

But see, here's the THING.

The Itty, bitty, teeny lil PROBLEM...

Wes grew up in Amity "Totally Not Supernatural Hotspot For Centuries" Park. He is... to put it mildly, genetically? A freak. His biology is ALL fucked up. Everyone's is. And it WAS NOT made better by the Fenton's playing fast and loose with their hell basement. The Ectoplasmic NUKE that was that portal.

There is a REASON his morning coffee? Is COVERED. Contained. Fenton brand, LEAD LINED, specialty cups. The sort that can't be EATEN from the inside out. Eroded after a few uses. They're ugly as sin, but they work. He even ordered a few covers from Star's etsy shop. (Apparently he wasn't the only one who hated how ugly they looked. Good for her though, he heard it was doing well.)

He SAYS this? 'Cause his morning brew is less... straight COFFEE... and more... how to put this? A blend? Brew? Potion, really. Like an energy drink. From hell. Or, partially at least, the Zone. It's the combination of roots, seeds, and a few dried berries. Kinda like a tea, actually!

Tasty. Adds this nice fruity, warmth. A zing. Goes GREAT with the coffee. And it really perks you up... if you are Limnal. If you AREN'T? It'll desolve your esophagus like swallowing straight acid. And that's not TOUCHING the... witch-y, more Seer specific bit of the blend.

That stuff is medicinal. You know, "calm the mind" and "mental clarity". That sorta thing. With a good ol helping of "don't blurt out everyone's secrets, you spacey bitch! For the love of God, those are our INSIDE THOUGHTS!". Which? Really helpful! Infinitely less likely to get decked. It's a family staple.

Poisonous, though.

They're fine cause they've basically developed an immunity to that part, but like? Wouldn't recommend. It's why he NEVER shares his drinks. Food? On occasion. If he PLANS it and knows not to add and interesting spices. But DRINKS? Never. Weston family brews are basically NEVER safe.

Which? Begs the Very Important Question ™!

Who's Coffee Is This?

Cause it SURE AS FUCK AINT HIS!

You never realize quite how fast you can go from "completely calm and kinda sleepy" to "bomb strapped to my chest, primal panic AWAKE" until it happens to you. His coffee was ON HIS DESK. People have passed by. He talked to them. Cups put down and picked up. Lazy early morning. He doesn't even register, really, as his chair crashes to the ground.

He's shouting.

People confused. They don't realize yet. His head whips around, looking for that distinct cover. Before it's too late. Before someone takes that fatal sip. He spots it. Bolting from his desk. Crashing through coworkers, over desks. Chaos and outrage. "It's 'just' coffee!" They cry.

Kent turns, confused. Pretending. Raises his (HIS! Oh god!) cup to his lips, unknowing. Wes SCREAMS a warning. But he doesn't listen. "It's 'just' coffee" They never listen. Curse of Cassandra. God's damn it. This is why his family fucking CONVERTED!

He TACKLES the man of steel.

RIPS his cup away from him, knows his eyes are frantic. How much have you had?! Spit it out! Wes voice ECHOES in the sudden silence. I'm a META, Kent! It could KILL YOU!

And oh, Oh NOW they get it. Or perhaps it is the burn in his mouth that finally registers. He rolls, spits oil slick nebulae that eat away the floor. There is blood mixed within it. It took mere moments. Superman stares, transfixed and horrified, as Wes shakes. He... he should probably get off of him.

He'll move in a moment.

When his legs no longer feel weak from terror.

The news room is in chaos. Lane kneeling by her husband, Perry trying to do damage control. He... he's probably gonna lose his job, isn't he? Wes wants to cry. Protection laws only go so far, after all. And warning his boss about his dietary needs means jack shit, after an incident like this. Beloved as Kent is. Not that anyone likely believed him.

They never do.

And now he's nearly killed Superman.

@hypewinter @hdgnj @legitimatesatanspawn @nerdpoe @lolottes @babbling-babull @mutable-manifestation @dcxdpdabbles

[hatchetmanofficial]

Hi I just played this game recently but I'm curious about the lore and idk where to find it i see a lot of people mentioning boss stu (I keep reading stfu) and idk who those are do i have to read all the asked questions to get the lore going on or I can find it somewhere else? (Anyway here's a squished alan holding a red flag)

MDHM LORE (no spoilers for the actual game):

This is only going to cover the backstories/extra details and the world of MDHM but does not touch what is going to happen in the game. Some TW for the lore, will contain stuff like substance abuse, suicide, toxic relationships, gore and child abuse.

Alan is the main love interest of the game. He is an assassin who lives in the woods in the town that set in the game, far from society but occasionally visits when he has "important" stuff to do. He is the second youngest of four brothers. Claude, Jules, and James. Alan has a pretty strained relationship with them especially after their mother passed away from suicide. Alan ran away during high school and has no connections to the current culture in the modern world.

Erika is a new college friend/classmate you encounter in your English class. She is the only adopted child of two dads with whom she is currently keeping secrets to not disappoint them. She works as an employee in the local skater rink and volunteers at the rescue cat shelter. Erika is very fashion-forward and is pretty smart when it comes to problem-solving and has a hobby of solving mysteries. She has a six-legged cat named Loki and lives with her roommate Rosie.

Stu is a child friend who harbors feelings for the player. He hasn't been in contact with them since they left for college as he stayed in their old town behind. He has an older sister named Toni who also left for university, his mom, and his dad who had a pretty unhealthy and dysfunctional relationship until he moved out. Stu lives in a frat house on school grounds and is a part of a band called the Critters of Wreckage (CoW). Stu struggles with pornography addiction as well as drinking as he became very isolated after not talking with the player.

Carver is Alan's coworker. I have not revealed much about him, other than he has the most trauma, especially during childhood, out of everyone. He has an estranged past he can't quite remember after being hired as an assassin. He is missing pupils but is still able to see. He has a fascination for experimenting and dissecting his victims, even though he really isn't allowed to. I would love to point out that Carver doesn't call the player "Guinea Pig". That name is for his OWN person of interest who he has yet to find. He still calls the player "Doe-Eyes" simply because Alan calls them that. His real name is Calvin and he is 31 years old.

Stitches is another coworker of Alan and Carver. Not much is known about him. He isn't human although he appears to be. Stitches, is in fact, made up of three different body parts from three different people. His head, the torso, and his legs. Stitches was created by Boss.

Boss is, obviously, the boss of Alan. No, he doesn't have a name as he simply just goes by "Boss". He is older than the town, older than time actually. He doesn't have much of a physical form but used roadsigns as a body for him to use. He communicates through images or texts from the signs.

Buck is Alan's dad. He doesn't know that Ophelia has passed away since their separation and is still in love with her. He hasn't seen Alan either but still wants to connect with his son.

[animeyanderelover]

can i request gojo with a darling who can touch him even when his infinity is on? (I think it's canon that he can never turn it off completely so that would be his first time actually having physical contact with someone)

Huge thanks to everyone who helped me with this request by explaining how exactly Gojo’s abilities work! I’ll start watching the second season as soon as all episodes are out for anyone who is wondering. I added a bit of stuff to make for an more interesting read.

Tw: Yandere themes, unhealthy mindset, toxic relationship, possessive behavior, clinginess, obsession, touchiness, manipulation, gaslighting, paranoia, isolation, abduction

The first touch

🩵Gojo has been having his eyes on you even before he knew about your very special abilities. That basically means that you have this white-haired menace terrorising your daily life whenever he can. You almost have the impression that he can sniff you out among the many million people in Tokyo as he always finds you somehow. You're honestly just so fed up with him but are terribly introverted and feel too scared and awkward to explain to him clearly how you feel about his constant intrusion. You doubt that it would get through his head anyways so you silently endure the man's clingy, whiny and increasingly affectionate antics. Satoru knows no personal boundaries when it comes to you or rather he just decides to ignore it. You're just too cute~ Your unwillingness to stand up for yourself leads to ruthless abuse from his side.

🩵He has had it coming one way or another as he senses your growing frustration with his unbelievable clinginess and disrespect of your privacy. Worst is that he's at this point provoking you because he wants to see what you look like when you snap. So when your string of patience finally snaps as you feel his hands rubbing your shoulders and fawning over your current anger, you've had enough. You swing your heavy handbag at him in a moment of short and impulsive anger. Satoru doesn't move from his spot as he doesn't worry. His Infinity is activated so the handbag won't hit him. It'll easily just be seen as you missing your target, which is right now his handsome face. He sees your handbag moving closer to his face and just gives a small grin... At least until the fucking thing smashes against his face with full force, heavy with all of your stuff inside.

🩵Everyone who would know him, would probably laugh at him if they would see him in that moment. The almighty Satoru, stumbling back in shock before tripping over his own feet and landing onto the ground. That would have never happened if he would have been around anyone else. But he isn't around anyone. He's with you. Sweet, weak and lovable non-sorcerer you. Around you he never has his guard up unless he senses danger. Not because he underestimates you, although he definitely does, but because he feels like he can just be himself around you. That's why he's so thoroughly unprepared for this. For a moment he just sits on the ground in bewilderment, his face pulsing with pain from the impact it just had with your handbag. You start frantically apologizing as soon as you realize what you've done, flip a bit out when blood seeps out of his nose. You quickly rummage through your handbag as you search for something to stop the bleeding.

🩵Gojo on the other hand, who slowly starts coming back to reality after this major shock, touches his face in a daze. When he pulls his hand back, his fingertips are covered in blood, in his own blood. He looks at the red liquid like it is something he has never seen before in his life, as if it's something alien-like, before he jumps abruptly up. You flinch and shrink when he bents down to your height, brilliant blue eyes seemingly trying to look deep into your soul as he asks you quietly how you just did that. His voice is slightly strained with emotions you can't fully detect. You do see some of them swirling around in his eyes. Curiosity, shock, surprise but also something else. Something you haven't sensed in the silly and clingy man before. It unsettles you deeply. You don't even know what he just meant with his question just now and Satoru seems to realize that too as he pulls back, allowing you to breathe again.

🩵He leaves you a while after that incident and even if he tries to keep his normal facade up, you sense that something has startled him. If only you'd know. Satoru's mind is occupied with this accident the whole day. How were you able to do that? You're a non-sorcerer by all accounts and he didn't sense any cursed energy from you nor from anywhere around you. You were honestly expecting him to not show his face so soon again yet instead he rings at your apartment in the early morning hours. You're majorly confused and frightened by the fact that he seems to know where you live as you have never told him that yet Gojo pushes past you like he's been here a hundred times before. His eyes briefly fly through your current home, noting that it is quite small if you'd live with him, you could have everything you would want before he asks you the most ridiculous question you've heard all week. "Can you slap me?"

🩵You look at the man as if he has suffered from brain damage due to your handbag yesterday. How does one even respond to such a request?! Weirdest of all is that he looks at you with genuinely curious eyes. Can you slap him? Can you touch him with your own hands and everything you hold in your hands even if his Infinity is on? You hesitate a tad bit too long before he decides to provoke you a bit to anger you enough to do as he just asked you. It works as it is early morning, you've just found out that he knows where you lived and you're also still quite tired. You're in no condition to endure his teasing as he reminds you of embarrassing accidents he's had the joy of witnessing. The next thing he knows, he feels the impact of your hand against his cheek with more strength than he assumed. Maybe he underestimated your strength just a tiny, tiiiiny bit. Nevertheless though, as he rubs his stinging cheek his eyes are glued to you as a realization comes to him that changes his life. You, a non-sorcerer, somehow have the ability to seemingly nullify his Infinity... How?

🩵It must be the biggest irony of the universe. His darling is metaphorically and literally his one and only biggest weakness. A tiny part of him really has to chuckle about this but for the most part, Gojo suddenly grows by leaps and bounds more paranoid. He is the strongest in the sorcerer world and he couldn't even count on both hands how many people constantly pray for his downfall but can only do that as he is literally untouchable. With his situation he would already be under normal circumstances be overprotective and slightly paranoid that someone would instead resort to making you a target and use you against Gojo. He has to protect weak you for that reason against all the evil in this world. Yet with the knowledge that you can touch and by extension of that also harm him, a new fear inside of him grows. What if his enemies would decide to set you up against him to have you kill him? Or worse, what if you yourself would decide to rebel against him and would try to harm him?

🩵If you wouldn't have this special talent, he wouldn't be worried. Because then you simply wouldn't be able to harm him although your betrayal would still badly sting due to the lingering scars of Geto's betrayal. Yet with the added aspect that you can actually hurt him, Gojo's paranoia worsens. The image of you being his downfall, the only person he genuinely loves and trusts in this world, breaks him somehow. It isn't likely considering that he is far above you in all physical aspects and still has other abilites, not to mention that you would never sink that low, yet the fact that it is the tiniest possibility is enough to drive him a bit mad. You'd never do that, right? You love and care too much to ever think about killing him or even slightly harming him, right?

🩵You don't know where those sudden insecurities and his paranoia come from, you never imagined the Satoru you knew for a while to be so fragile underneath all his confidence and silliness. You wish that he could revert back to that side of him, even if it was possibly only a facade. Because now Satoru is downright suffocating and scares you even. You can't do anything to escape his tight grasp though and even if he doesn't hold you, you're still stuck in your new home. In his own huge mansion, installed with a security system that would never allow you to step outside unless he's with you. You will never leave his side, he won't let you. No one is allowed to find out about you and your one of a kind abilities. It is the bittersweetest irony ever. The warm touches of yours he so yearns for are the only ones who could also kill him.

[ddarker-dreams]

mini love report — gojo satoru

relationship health diagnosis — 70%*

symptom one — permanent honeymoon phase

he's obsessed with you an (ab)normal amount and makes it everyone else's problem. satoru loves seeing how many compliments he can get in before you're swatting him away from embarrassment. he'll capture your wrist, smother your pulse in kisses, then continue his praise. it's not always suave either. he alternates between having decent game and coming off as cringe. you have no idea how he says half the things he does.

satoru gushes about you to everyone. poor ijichi, mortified higher-ups, the elderly lady sitting next to him on the train; no one is safe. his chest swells with pride every time he remembers that he managed to pull you. it doesn't matter if you're teenagers sharing your awkward first kiss or if you've been married for decades, he'll be singing your praises until the end of time.

symptom two — weirdly possessive

satoru isn't possessive in the traditional sense. when others encroach on you, what troubles him runs deeper than simple jealousy. his smile becomes strained and he physically inserts himself between you and the offending party. you're then whisked away, regardless of how rude the abrupt departure comes off. this isn't limited to instances where you're being flirted with outright.

it's actually amplified when the other person holds some unique position in your life that's exclusive to them. satoru prides himself on the fact no one knows you better than he does. so it's disconcerting when another person has access to information and memories entirely detached from him. he's overwhelmed with the urge to prove you belong to each other — no one can come close to the bond you share. this acrimony lingers even after the interaction ends.

gojo satoru is a greedy man. he might not be the type to insist you cover up if your outfit is revealing, but he does experience this antipathy toward people who fulfill a niche he can't.

symptom three — obnoxious

you deserve a reward for putting up with him honestly. he wasn't wrong when he described himself as having a terrible personality. while it's rarely malicious, he isn't the most considerate person when it comes to others. he'll speak what's on his mind without a second thought. zero filter. if you're around, he's a stunning 10% nicer so you'll chew him out less. the number could be higher but he finds that disciplinary side of you hot. this is a direct admission from him.

he likes your attention and will pursue it relentlessly. as he grows up, he slightly improves this habit. or, to be more specific, he hides it better. he feels he's way more interesting than whatever book or video game you're playing. shooing him off so you can get stuff done is a commonplace occurrence. on the upside, when trudging through chores, he helps with the passion of a thousand suns if it means having you all to himself sooner.

primary area of concern

satoru's seemingly infinite (heh) supply of pep often doubles as a shield to deflect uncomfortable emotions. he isn't one to linger on negative events, the pace in which he seemingly moves on is concerning. the innerworkings of his mind are shrouded in mystery for such an open individual. getting him to open up about his fears or past hurts is almost impossible. he won't dodge your inquiries outright, that'd prove too suspicious. he'll throw a few crumbs your way and hope that's enough to satiate your worry.

the word vulnerability isn't in his vocabulary. this isn't owed to a lack of trust on his part — if anything, the care he holds for you makes it tempting at times. however, taking that first step toward opening up is daunting. you'll have to be patient with him. if it doesn't pertain to your relationship, it's unlikely he'll have an extensive heart-to-heart about the specters haunting his mind. rather, those aforementioned crumbs become more substantial. a late-night conversation will unexpectedly veer toward a sensitive subject.

it'll be fleeting. you don't have to shower him with platitudes, simply grab his hand and squeeze. it's an unspoken message that he isn't as alone as he sometimes feels.

prognosis

gojo satoru can be too blunt, he struggles with emotional intimacy, and he's shameless in getting what he wants from you. he's a mess but he's your mess. you don't revere him like a god among men, you make him feel human. you're his best friend, his soulmate (he keeps the latter description to himself, it's one of the few sentiments that embarrasses him). he'd do absolutely anything for your sake. when you enter the room, it's like everyone else ceases to exist. he brightens up and chases after any laugh, smile, or flustered expression he can get.

he believes meeting you altered the balance of the world more than his own birth.

*the universe has tried (and failed) to wrench you apart (0-20) your friends are praying that you'll break up (21-40) 'well it could/has be worse' bargaining mindset (41-60) a lil messiness as a treat (61-80) pure and wholesome (81-10)

[melrosing]

so stuff I’ve not liked about the finale and S2 more generally…. unfortunately it’s a lot and i'm thinking i might need to say this in several parts but first and foremost: the pacing really was shit and i don't just mean there weren't enough action scenes i mean the whole season they've had almost nothing to say about these characters and have just been making us think they do by having them repeat the same ham-fisted monologues about power and peace and the cost of war and whatever whilst moving at a glacial pace from one minor plot point to another and by the end of it most of these characters STILL haven't changed, and where they have it feels undeserved, and yes they really are at roughly the place they started so what have they even got to show for these eight hours of TV?? like damn

and I do get that the writer's strike has really effected them here and HBO hacking two eps off their season affected them too and that really can't be helped. but the pacing has been pretty poor from kick off and I can't just put it down to this being a more 'internal' season. i do not care about big battles. it's fine to have a season of a show that’s more about the characters’ interiority rather than plot action. that’s the exact reason why I like AFFC so much.

but these characters barely have interiority like idk what to say. some like Rhaenyra, Jace and Alicent have been spouting the same monologues every episode about wanting peace/wanting agency/wanting peace again etc etc, and the more interesting moments like Alicent's apparent suicide attempts, Rhaenyra's butchering of the dragonseeds etc... I mean where IS the interiority here?? unless they are spelling out a character's thoughts in the most literal way they can (as per Jace's diatribes about the dragonseeds), they leave their audience to do absolutely all the work by showing us nothing, and just leaving us to figure that the characters must be having some kind of thoughts but y'all can decide what they are.

and even Daemon, whose entire ARC was about his interiority.... like look I was so so ready to love this arc. i love fucked up little dream sequences. i love harrenhal. i was really enjoying the angle they took with alys. i was here for it. but now we've seen the whole of his S2 arc, im going to say yes, it was intended as a redemption adjacent kind of arc, and it isn't a very good one. Daemon has a handful of weird dreams, gets shouted at by some Riverlands folk, and he's a changed man.

consider the character everyone compares Daemon to (and who I'm always more than happy to talk about) and that's Jaime. and look at the sheer ground covered in ASOS: Jaime breaks out of a dungeon, Jaime meets a younger version of himself, Jaime gets his hand hacked off, Jaime reveals his anime villain backstory in the bath, Jaime deals with Roose Bolton, Jaime has a weird weirwood dream, Jaime fights a fucking bear - and at this point we're still only about halfway through.

now in contrast, what have they actually managed to do with Daemon this season. where has that finale moment with Rhaenyra been earned. this is not slow pacing for the sake of powerful character development, it's slow because they don't have anything else to say.

and also look at the state of characters like Aemond who seemed really promising in S1, yet in this season he barely reflects on the fact that he hadn't meant to kill Luke, and this war is an accident that he started, etc etc - he's just a killing machine lol. there were some nice touches in there, like i say i enjoyed Helaena telling Aemond how he'll die in the finale. but I no longer trust these writers to do anything with their more inspired ideas because they just consistently fail to do so.

look at Baela!!! like my god, has Baela had the opportunity to do anything except A) what she's told and B) counsel men on their feelings. she has like one moment looking at Daemon and you feel like the series is going to explore how complex it is to be Daemon Targaryen's daughter.... but my god they never do!! so where IS this interiority we've spent eight episodes on! what have they got to show for it!!

and i talked more weeks back about how frustrating i've found the writing of women more generally in this series and as of the finale I am finding it so egregious and so condescending. women want peace. women want to protect their children. women are tired of men. women are tired of war. women are trying to end this war peacefully. women are pacifists. women hate violence. and so on and so on and so on like jesus christ who am i even talking about here. even i don't know. it's so boring. it's so dry. and it requires female characters to always be the paragons of virtue, never do anything truly condemnable, never be unlikeable, never fucking anything except stand around saying how much they hate this. im bored of it and it makes me angry that they would do this in a series that specifically seeks to make everyone grey and everyone complex - they keep suggesting that might extend to the women before abruptly shutting it down again. see Alicent and Rhaenyra even STILL, after EVERYTHING, trying to peacefully shut down the war for the sake of love and friendship in the goddamn finale. I don't believe it anymore!! it's not cute! it's just dull!!!

and finally that just kind of brings me to how shortsighted a lot of the plot developments seem, when you see how the characters fail to reckon with their pasts or shit that just happened. Rhaenyra and Mysaria make out, and then that's never mentioned again and the tone never changes between them. Rhaenyra is done thinking about Luke. Helaena is done thinking about Jaehaerys. Aegon actually didn't mention Jaehaerys in the list of things he's 'lost' in that finale. Alicent's relationship w Viserys was just now condensed to 'we were fond of each other but he always liked your mum better'

like idk it's just. if this season's pacing is all about giving characters the chance to change and grow into the people they'll be when this war REALLY kicks off.... do it. write it. do not just write the same monologue a dozen times and hope it'll hit harder with each. doesn't work like that. sorry.

[doki-doki-imagines]

Can you please have all the mk 1 earth realm reaction like they're in that one nanny scene where their S/O say "this is what i was going to wear on our honeymoon" and it was just lip gloss in a bag and they just smirk and say "suffer :)" . love your stuff （＾∀＾●）ﾉｼ💕

Johnny Cage: -He follows you like in those cartoons with the freshly baked pie. Literally floating to you with a dumb face. -Do you think your teasing worked? It was like inviting a kid into a candy shop and saying he could take everything. -I don't think the lipgloss will last.

Kenshi Takahashi: -Even with the help of Sento, he couldn't understand what exactly was the cylinder in your hand. -"What is that?" "Lipgloss." -Ohhh but Kenshi can see that wink. -He chuckles; seems like it is going to be an interesting honeymoon.

Raiden: -"Ah-Ah" He mostly nods, his brain not immediately comprehending your allusion. -But then it clicks. -Raiden doesn't say a word, just carrying your luggages toward the train taking you to your destination. -Your bag is awfully heavy for someone that will only wear lipgloss…

Kung Lao: -"Oh what a blessing. No way I'd carry your bags all over. Was inside there a corpse?" -Tease vs. Tease. Fight! -Honestly? Lao can't wait to smudge the lipgloss too. -"You could keep that at home together with the rest. Our lips will always be busy anyway."

Liu Kang: -He looks at you with the biggest smirk ever. -"You know that I prefer your lips without any coating." His fingers pinch and throw away your lipgloss, his lips soon pushing against yours. -Hope you don't have any transport booked because Liu Kang now wants to spend some alone time with his spouse. -Then you can use his teletrasport to travel wherever you want; it's time to use the god privileges. -For now, the only place Liu Kang wants to visit is in between limbs, and I'm not talking about the arms.

Geras: -"You are the same in all the timelines." "Are you implying that we are bond to be always together." "I have said too much…" -Anyway he doesn't mind if you won't bring anything. -You can always wear his cape, but I don't think it will last long.

Bi-Han: -He just nods, Bi-Han wasn't even looking at you when you teased him. -So he is surprised when he notices just a small and light bag. -"You won't take anything?" "Just my lipgloss, I told you." "Mh? Arctika is cold, you know?" "Isn't the husband job to keep his partner warm?" You say, arms around his neck and chest pressed together. -You feel a rumble in his chest, something akin to a roar; jackpot. -Bi-Han's hand grope your side, fingers digging in your flesh. You teased the lion then you'll have to deal with your actions.

Kuai Liang: -He smiles like a fool, rough hand trying to cover his face, but the damage is already done. -"You are playing with fire, firefly. If you keep going, you'll get burnt." -Liang knows perfectly well that you don't care, actually getting the best of his reactions every time you tease him. -"I'm not playing dear. After all, I'll always have you to warm me up during our honeymoon." You wink and Liang groans. -If you keep going like that, you won't spend a day of your honeymoon outside your chambers.

Tomas Vrbada: -"Hey, I remember this line-" -Here starts the memory train. His television was old, but Tomas was still able to watch some shows. -"So you don't mind if I bring just one change, right?" "Mh?" "Well, I don't think we'll stay dressed most of the time." Tomas winks, boyish grin on his face. -You'll visit very little places during the honeymoon.

[amememightywarrior]

Food in Dawntrail

Gonna go ahead and share my thoughts on it as posted on twitter, excuse the format!

I found the prevalence of food in DT's MSQ very interesting. In a lot of cultures, food and food-sharing are acts of love both familial and neighborly. It also symbolized a desire to reach out and understand one another, from xibruq pibil to tacos to ice cream to weird grapes.

Our first encounter with food in DT is when Wuk Lamat wants to give us some tacos, but then BJJ smashes them carelessly, a sign that he is rejecting sharing and love

During the lay of repast, which is ALL about food, we learn a lot about the symbolism of meals and food and culture. It's great. 

Zoraal Ja and Bakool Ja Ja are teamed up and shown to not understand or care about food and sharing despite the BLATANT emphasis on it in the trial.

More subtle stuff that isn't called out is the way food is raised - like the Crystarium, where wandering around can reveal the importance, if you wander around DT you can find an example of what's called the three sisters method of farming.

For those unfamiliar with this system, it's actually a very culturally important method of farming in the americas where 3 staple crops, maize, squash, and beans, are grown together in a harmonious fashion. and i mean TOGETHER.

The maize, which grows tall and strong, provides support for the beanstalks which curl around it and provide stabilization both physically and nutritionally. At their feet grows the ground-covering squash which shades the soil, keeping it moist and preventing weeds.

The next major time we learn of food and agriculture is in heritage found, where we see people preserving real food as an act of culture more than anything else, showing the resilience of culture and the spirit of sharing in even the most lightning riddled situations.

After that it gets interesting. The concept of food in S9 is abstracted into the absurd (the grapes??? help), but they still share the food. More than that, it's a SPECTATOR sport, seeing WoL and Wuk Lamat eat. If you've ever been to a dinner with a family of a different culture, you will know the experience of tasting a new cuisine for the first time, and people asking you what you think of it. They share their culture with you and hope you approve. It's the sharing of joy, and it's the same as when you eat in S9.

Then we're REALLY challenged. We enter living memory and find the inhabitants feasting on the mere idea of food. They share with us as well, giving us popcorn. Did you lie and say it was great? Did you speak the truth of your tastebuds and reject the popcorn?

The food in living memory is tasteless to us, the only real ones in the place. But the act of sharing, that was the real important part. And so perhaps if WoL lied, it was not to spare feelings, but to show that yes, they were sharing in joy and culture.

Thus introduced, we are hit with that ice cream. We know it tastes of nothing, but we give it to Krile and her parents to share. Krile knows it doesn't taste like anything, and she struggles. But G'raha zips in with his own, to make her laugh and help her understand the joy.

The way each character reacts to food within DT is symbolic and shows a bit of their own perspectives. Someone who's very out on the edges, Estinien, is also someone who has embraced food very heavily after being freed from Nidhogg. He runs around eating everything in sight now.

And of course we also have the cornservant, who wants to feed everyone. I haven't actually done that quest line yet but I can already tell you what's at the heart of it XD

A lot of this we all know, I'm just calling it out specifically because it was beautifully done in DT.

Oh, before I forget: Otis and Gulool Ja

Otis, despite being, er...mechanical, has been feeding Gulool Ja. It is a familial act, feeding and helping this child grow despite zero relation.

is it just another fetch quest? Another shared meal of many shared meals in the field? Or is it asking us to look at this meal in the context of all that came before it?

What does it mean to love and care for one another? Otis shows it by being there and feeding Gulool Ja.

It contrasts with two other parties: Cahciuna's group, and Zoraal Ja.

Zoraal Ja does nothing. He does not feed his child. Abandoned him outright. ZJ rejects family, love, and sharing.

Cahciuna's group is trying really hard to take care of him, and he does allow it because they keep finding and taking him home. But why does he run away to eat with Otis? Cahciuna's response to realizing he WANTS to leave is to allow it instead of insisting.

I find that rather mysterious but I think it shows Gulool Ja prefers organic sharing, not S9 where everything is simply handed to him. Hopefully we see more of him in the future so we can learn wtf is up with this little blue-scaled cutie.

Food takes a background role in a lot of stories but DT took it, explained it, and then challenged our understanding by taking away the most talked about component, stripping away flavor to ask us what the point of food-sharing really is and how it reflects ourselves & our culture.

We've seen a lot of these themes before - ARR used to have a whole thing about feeding the soldiers before the assault on the garlean strongholds, SHB had the infamous rhon ron food stand scene, etc

we just got it called out repeatedly and the concept gently deconstructed for us in DT. 

So. what does the act of food-sharing mean to you? What does it mean to your WoL? How did you see the Lay of Repast? What did you think of the popcorn?

[writer-freak]

Valorant men reacting to you kissing them on the cheek

Request from @oyasumimosura: Can I request how valorant men would react to the reader kissing their cheeks when they successfully did their mission? Theyre not together but the Valo men got a crush on (y/n)

Characters: All the current agents besides Breach because I just really couldn't write him sorry

Warnings: gn reader, no pronouns mentioned, headcanons, maybe bit ooc, english isn't my first language sorry A/n: I'm so sorry for taking so long with this request I was grieving a lot and fell into depression, but now I'm feeling a bit better, so I immediately started with finishing up this request. Hope you can forgive the long wait and I hope you enjoy my writing<3

I will also finish the other requests soon most of them I already started before everything happened, but I still need to finish them

I had fun with this request, but I'm not so confident with writing Brimstone, KAY/O and Harbor, so I put them at the very end

Comments, likes and reblogs are appreciated like always🖤

Chamber

He is also pretty full of himself and would regularly flirt with you  Nobody thinks too much of it because this just seems to be his character but with you, he was actually trying to win you over He cheekily asked you if you would give him a kiss if the next mission was a success You kind of waved him off not really answering  Believing it to be one of his antics again and nothing would follow When he came back from the mission successful he went over to you  Before he could open his mouth to say anything you leaned in and kissed him on the cheek  You cheekily pulled away and then just went to the others talking about what exactly happened on the mission Chamber was slightly flustered but would cover it up, and follow you trying to talk to you Maybe you were more interested in him than he thought Sova

He is such a sweetheart

You were worried about the next mission believing it to be very risky

Sova comforted you telling you that everything would be fine 

You calmed down for now but of course, felt nervous again while the mission was going 

Finally, the team came back and you went straight to Sova wrapping your arms around his neck and giving him a quick peck on the cheek

He was surprised when you suddenly just ran into his arms but he enjoyed the affection 

He was surprised by the kiss but he probably won't have that big of a reaction in front of everyone 

Maybe a light flush on his cheeks and a smile on his lips but inside he is feeling way too much at once

He really likes you and hopes that soon he can ask you out

Gekko

I think Gekko is normally affectionate with you and would come to you after your missions to hug you and stuff 

So you bought about also doing that for him so this time you waited for him to come back and just jumped into his arms when you saw him

You would welcome him back and give him a kiss on the cheek while he continues to hold you

He feels so giddy from your affection and gives some back to you

I could imagine him being a bit more shy when he has a crush on you because he doesn't want you to find out his feeling

In total though he thinks that you two should really start doing that for each other after every mission, even if you went to the mission together 

Phoenix

I don't know why you would give this man a kiss after a successful mission because he is gonna brag about it forever

With his outgoingness, he is gonna tell everyone about how you decided to give him a kiss

Even if someone tells him that a kiss in the wheel isn't special he will not listen to them

He just loves any kind of attention from you that he can get 

If you are fine with it he will also give you a kiss on the cheek 

He also wants to show you his appreciation and these interactions could spark a flame between you two

This kiss could maybe be the starting sign for you two

Yoru

You talked to Jett and she dared you to kiss Yoru when he comes back from his mission 

Jett knows about Yoru's little crush on you and just wanted to see his reaction 

You easily agreed and then together you waited for the team to return 

When you heard them arriving you got up and quickly spotted him 

Jett didn't specify where you should kiss him so you pressed your lips to his cheek quickly 

He is just so smug about this kiss and will start teasing you 

Just talking about how you really missed him so much and couldn't wait for him to be back

I think under his exterior he is quite flustered but he wouldn't want anyone to know about that so he covered it up with teasing

Maybe this is even the perfect opportunity to ask you out on a date

Cypher

This mission a hyphen just saved everyone and you really wanted to thank him for that

You went up to him and kissed his masked cheek telling him that he was amazing

It would take him a second to register what you did but the lingering warmth on his cheek showed him that this really just happened

That was unexpected and he would chuckle, thanking you for appreciating his work

He is happy that the mask doesn't let you see how much this little gesture actually affected him

But you can hear how happy he is just from his voice

Omen

It was a spur-of-the-moment thing, you just leaned in and gave his cheek a kiss 

Omen as we all know isn't really one to show his emotions outwardly 

It seems like he doesn't really care but he does thank you and the is just some sort of tenderness in his voice 

He could become embarrassed if you kiss him and then also give him a lot of praise for doing so well 

If you know him well enough though you would be able to hear the embarrassment in his voice though

Brimstone

We all know Brimstone is the more professional type and I don't know how well he would take to public affection 

You two are probably already very close because otherwise, I don't think he wouldn't have the most positive reaction 

But if you two are close then maybe putting aside that you kissed him on the cheek in front of everyone 

He would use the kiss to motivate himself and just know that there is always someone proud of him and his work 

Also, I can imagine some agents cooing when you kiss him just to embarrass you two even more

KAY/O

You just were happy to have KAY/O back so when he came up to you to talk you gave him a quick kiss on his cheek

So KAY/O is sentient and everything but I don't really know if he can feel you giving him the kiss

Even if for him personally the kiss emotionally maybe doesn't mean much he knows what it means to humans

He would thank you and verbally try to express how he recognizes the meaning of these physical gestures 

Maybe he would just show a heart on his monitor and I think that says enough for you

Harbor

Harbor has such a positive energy who wouldn't want to give this man some affection

He would have such a radiant smile on his face when your lips come in contact with his cheek

The affection and praise would fill him with joy and he is someone who will give you affection back

Man this guy will give you the affection back tenfold 

He really values you and wishes nothing more than to have a closer relationship with you

Thanks for reading and I appreciate all the support💙

[lover-of-mine]

Welcome to the use of blue and green with 911 couples is not confined to clothing and how I believe this applies to buddie since season 2, a masterpost. (this does contain an explanation of the use of blue and green in the more obvious way, the clothes, so even if you don't believe the other elements of the scene part, this could still bring some clarity on the way blue and green is important)

Okay, so, after 706 a lot of people said they thought about me with the buddie/bathena blue and green scene, and I LOVE THAT, but a few people also came to ask me to explain more about the blue and green in general and why that is important and I realized my blue and green thoughts are scattered into multiple posts because I did figure out more stuff since I wrote the first one and season 7 is giving me more things to support the 2 main color theory theories I have when it comes to buddie/Buck, so I decided I need to write one long post about it all, including thoughts on 706 specifically.

Okay, so easy pattern to spot first, the blue and green thing is used with a lot of couples throughout the show, core couples, adjacent couples, random people in calls, the blue and green is used in a major piece of clothing in a couple, a shirt, a jacket, a dress, after s6 the use of pants was introduced more explicitly, and that has transferred to s7, but it is something heavily used since s2 (I can't find a conclusive example in s1 and the first obvious example is madney's first scene in 206) (this will have a bunch of tiny images because I'm trying to stay within the image limit, but if you click on them you can zoom in if tumblr doesn't decide to hellsite, I made them high quality enough)

And it is not just about meant-to-be couples, it's literally just a way to exemplify romantic connection. And while it is used a lot with most of the couples we see, the easiest couple to track is madney, since they have a lot of blue and green scenes, tracking back all the way down to their first scene, but bathena also have quite a few scenes. I love the scene at the station in 308 (last column, 3rd row down) because the cutout of kid Bobby makes it so there's a double blue Bobby there.

So the clothes element is very easy to track. It is a very real aspect of the show. And that is interesting when you consider the actual color theory aspect of it, because blue and green are analogous colors, which means they are right next to each other in the color wheel, and that's a color scheme used to create a harmonious look, it's about cohesion, creating visual unity, and it is what this accomplishes, the couples look balanced even if we don't fully register why, they just naturally work well together and that translates even if you don't know color theory.

This is the part we know exists in the show, but the thing is, I don't believe the show only uses that with the clothes, and again, madney is the easiest way to track that.

I noticed this while making a 512 set for the hiatus rewatch since I was focusing on the scenery to pick the shots I wanted because something about that episode is that it is green in nature since it is a Saint Patrick's Day episode. But everything about madney that episode is blue and green even when madney isn't dressed in blue and green. Pretty much everything about it has blue or green elements.

Maddie is wearing blue in the video, Chim is wearing green when he watches it, she's in blue while she's alone (even her hospital gown is blue, and that's not a common thing for the show), he's in green when he's alone, so we are still in the color scheme, there is a lot of green in the background that makes Chim and his vest stand out, we have green walls, that green bench, the blue red sox merch on the walls. But when they meet again, they are in neutral-colored clothing, contrasting with the background, and when Maddie tells Chim she wants to go home, both of them have blue and green shirts that are covered by a jacket, so the blue and green are not a focal point even if it's there, probably because they are not back in a place where they can get back together yet, and they are explicitly in blue and green in 601 when they do get back together.

They also did the whole make the episode blue and green with 706.

The backgrounds are very blue or green or both, a lot of the people are wearing blue or green, Maddie's phone is green, Chim's car is blue, there is a lot of blue and green happening there.

Something else about madney being blue and green is that their house has a lot of blue and green decorations. So, I definitely wanna say that the blue and green are being completed by other elements of the scene.

But I obviously have examples with other couples.

While doing the rewatch sets for 606 I noticed there are a few examples using Henren and other elements of the scene, 606 is also the episode that allowed me to include pants into this madness.

The thing about henren is that they don't have a lot of blue and green scenes, the 2 we had before s7, because s7 did gave us a few more, are in when they decide on fostering and when Eva comes back the last time, but since their color palette is based on patterns a lot, I decided maybe I should expand my definition of what counted, that gives us one of the flashbacks, because Karen's pants are patterned in green and Hen's shirt is patterned in blue, they also have Hen in green pants for one of the dates and there's the blue lighting, there's the scene with Hen in a blue hoodie and the green background. So more elements of the scene were being employed there.

Another couple is Eddie and Shannon. I will be honest, it took me a WHILE to clock they had an explicit blue and green moment in the form of Chris' birth. BUT, looking at them season 2 and the flashbacks in Eddie begins, they have moments where Eddie is blue or green and Shannon has blue and green detailing, her jewelry, her nails, her car, background of a scene. Also when they are fighting about Eddie reenlisting, they keep switching holding blue and green stuff. Shannon has a blue cup, Eddie is holding a green bottle, the rag on Eddie's hand is blue, the oven mitt next to Shannon is green, so even though Shannon is never a fully blue or green character, she always has blue and green accents.

Randon addon, but Thomas and Mitchell, the gay couple from Buck, Actually that is the couple that shows Buck what love is supposed to look like, they have a lot of blue and green details in their montage, the car, the driveway, the transition from a green cake to a blue cake, I just love that.

Now that we have all of this established, let's talk blue and green applied to buddie.

So, using the established, just the top, point of focus of the outfit, buddie has 3 blue and green outfits, technically 4, but we will talk about the hangar later, because I have a lot to say lol, the loft scene in 613, the station scene in 617, the hangar scene in 704, and the dispatch scene, the street scene, and the wedding in 706 (I will also talk more about 706 later)

One thing about buddie in blue and green is that they tend to have similar shades to past scenes with past love interests.

I don't know why they repeated the shooting combo, I guess it's just because Taylor's greens tended to be less earthy than Eddie's usual shades, but, I was scrolling through bucktaylor blue and green scenes to see if I could find a match for the hangar, and I do think that works, but I was fully ready to go full delusional here and say Buck's hoodie in 706 matches Shannon's nails in 207, because they do, BUT, that one seems to be a double kill and I don't have to sound all that crazy, because it seems like it is a bucktaylor combo from 509 too (the lighting on the loft is obviously different from two scenes in natural sunlight, but they are similar enough)

(Wait last minute addition that you don't know it's a last minute addition and can read more about here, but all thought s6, Buck and Eddie have matching blue and green phone cases, and the 706 scene seems to also somewhat match the shade of the phone cases from last season)

And these are the explicit ones, I would say the 706 scene is even more on the nose since bathena are also in blue and green right next to them.

Now, for other elements of the scene tho, we can go back down to the beginning. As in the you can have my back any day scene.

(Yes, I know the blue is because of the sirens, and it will eventually be red, but since red is such a prominent color for Buck, I can't really mind that all that much because I also have a color-theory theory that deals with the idea that Buck is red in scenes about doing the right thing about love and what more right for Buck than Eddie?)

But since I'm trying to stay within the image limit, let's rapid-fire some scenes here. If we ignore the uniform (I am choosing to because they don't have a lot of room with the uniform, it is what it is, and sometimes a scene will happen in the firehouse) Eddie is wearing blue after the tsunami and the will reveal, Buck's wearing blue after Chim goes after Maddie, Buck's wearing blue in the kitchen talk in 511 (and yes he's wearing blue because Taylor is wearing green, but he's still in blue), the shirt Buck has under the red jacket during the breakdown is blue, Buck is wearing something blue(ish) when they talk about the couches, Eddie is wearing blue on the poker date, Buck is wearing green on the cemetery. In the Carla scene, when Eddie shows up, they're not in the kitchen, and the backgrounds behind them are somewhat neutral. But funnily enough, it's only green behind Eddie there. (if you read my eddie fell first essay, you know I will die saying this is the moment that Eddie is done for so, love when an insane thought solidifies another lol), after the tsunami, we have green scrubs dude behind Eddie when Eddie sees Buck, even though most scrubs in the show are blue and everything behind Eddie is white, we have Buck and the blue of the tent, when they turn around, there's the green thingie behind Eddie and Chris, and the scrubs behind Buck are blue. Grocery store, the toilet papers behind Buck are blue and the outside along with the flowers behind Eddie are very green. Shooting, whatever that green thing behind Eddie is, Mehta's uniform, more blue uniforms, and a green medical person. 511 I just think are funny because Buck is wearing blue in the kitchen but everything about Eddie is white, and that's a fun contrast to the Carla scene and 517 is funny the way one side of Chris' room is mostly green and red and the other is yellow and blue and how Buck is on the green side and Eddie is on the blue (including his shirt). And the poker date, Eddie is in blue and the tables and chairs are green.

Considering using the pants, we also have the post-tsunami talk, the will reveal, and the 504 talk where Eddie has green pants on. Sure, the post tsunami talk, Eddie is both blue and green and there are no blue elements on Buck, but the will reveal, Eddie is both blue and green and the wall behind Buck is blue, and the 504 talk, Eddie has green pants and Buck has a blue hoodie on, considering the way the season 6 had the pants being in used with henren in 606 and with the girls from the oil well (both queer couples, I might add), I kinda wanna say that the 504 talk is traditionally blue and green lol

We also have my Roman Empire, aka the cemetery scene.

Because here's the thing, the sky is only blue behind Eddie and Buck is dressed in green. And also considering the way that they were being pretty consistent with Eddie being green and Buck being blue and the general breakup feelings surrounding the cemetery scene, the fact that bucktaylor switched colors mid-relationship, aka, when Buck tells her he kissed someone else, this is very interesting to me, because the colors in that scene feel like something that was accomplished on post-production, so they are like that on purpose.

This is also something that is used in the gym scene in 705, because Buck is wearing a green coat and Eddie completes the blue and green with the towel and the bottle, and considering green is Buck there is something wrong color and Buck is beating himself up for lying to Eddie, the switch in colors when applied to Buck usually means something.

With all this, let's talk blue and green in 706. Bathena is in 2 different blue and green outfits, the Buckley parents are in blue and green, bucktommy and buddie.

The bucktommy blue and green is very interesting because for one I had to swatch the color of Tommy's shirt and also because when talking about the blue and green in general, the shades tend to match, so to have Buck in a very light mint green and Tommy in a very dark, almost black blue is... a choice, especially considering that bucktommy did match during their date in 705, and Buck is in green, Buck in green is never a good sign (meta on that here), and considering Buck switches colors during crisis, I'm curious as to why they already switched the colors for them, since green is Buck's breakup color.

And the buddie of it all, well, they spent the whole episode matching, literally with the costumes for the bachelor party, but they also stay in their blue and green combo for the duration.

And to have buddie matching even in the bachelor party when the dude Buck is dating is there during the madney wedding episode is definitely a choice, even more, when you consider the way that Eddie is the one who is supposed to be the third wheel, in the costume design of it all Tommy was the one who was the odd one out, and considering the general married behavior buddie was exhibiting during the episode, it's a choice.

And since I'm already here, let's talk hangar scene.

For starters, with this scene, we had a blue and green scene for buddie 3 episodes in a row, which is something on its own, BUT, I will say that I watched the clip of this scene before 704 aired and said "oh, buddie just went canon", because here's the thing, for starters they are in blue and green and Tommy is in shades of beige, so the color on their clothes is the focus, but they are not really the focus, and they do match, but we have to consider the way Buck is wearing a maroon hoodie under his blue and Eddie is wearing a black jacket over his green. That clearly meant some sort of development was coming they're just not fully there yet. For me at least. Because the show has Eddie in the army green armor and Buck in the red jacket of love, and to have Eddie in the army green but with something over it, not using it to protect himself is something, and Buck not being in his brighter reds is also something.

To have this was very interesting for me, Eddie most of all because he's wearing black a lot and I have theories but I can't figure out why. But those are all colors used when Eddie is protecting himself and Buck is trying to understand something, so interesting. And then there's the actual dialogue of the scene "wait, you're not thinking about jumping ship?" "uh, no, I'm just, you know, keeping my options fluid." There is literally no more on the nose way to say don't jump ship than to literally have Eddie say don't jump ship. All that paired with the very obvious blue and green, definitely meant a plan was just set in motion for me.

I will link my Buck and the use of green and red again if you feel like reading more color theory theories. And also a theory about the use of blue and yellow this season.

Anyway, I think this is all, if you read this I love you 💜

tagging the ones of you who asked me about this or interacted with the post I asked about this: @dangerpronebuddie @missmagooglie @steadfastsaturnsrings @millymaki @inell @bella-bothered-and-bewildered @sparkedblaze @frihetstyrke @ilostyou @your-catfish-friend @estheticpotaeto @marmarthehatterverse @planetlet263 @mirrorbuck @lolpuppy

[carrymelikeimcute]

Going over the izzy/lucius/shark exchange is so interesting in the context of this being an episode about apologies. About making concessions and trying to fix things.

(In this ep there's a lot about ed making amends/accommodating the crew's triggers and trauma. It's also about stede having to fix things when he upsets the superstitious crew by not treating their feelings as valid.)

At the start we have Ed's (probably well intentioned) but evasive, non-apology. He does an 'I'm sorry you feel that way' sort of apology about 'whatever that bad stuff was'. It's a wish to do better, but it doesn't really cover what went before. A lot of people interject here, but Izzy remains completely still and silent, off to one side.

Lucius says he never used the word 'sorry' and rightly calls this out. Roach however, says he's never heard an apology before - and liked it - so this seems like as much as it's a first for Ed to take even some accountability, it's probably the first time some of the crew have seen a captain (or anyone else) do this too.

Archie says 'They just get away with it and we move on'.

Lucius rounds on Izzy, because obviously Izzy should have the biggest grievance here. But Izzy responds to the question about Ed's apology as if it was about piracy in general - clearly showing that the cycle of abuse is a feature, not a bug. This is part of his life and identity as a pirate. This is, actually, things going back to normal. You get whipped (and we see these scars on him later) no one apologises, and you just reset to how it was before, pretending nothing has been altered until it all bubbles over again.

Ed then tells stede that he's never apologised for anything. Confirming that most of the crew's responses are in line with their past experiences.

Then Ed goes to fix the door and tells it that it's not its fault that it's broken, it was just doing it's job. This directly parallels Izzy's rant to the figurehead about it failing to do it's job. Ed could be talking about himself here, as Izzy was talking about himself - but to me it doesn't fit that well, because what 'job' was Ed trying to do? He could instead be acknowledging, indirectly, that he is aware that Izzy was doing his job - trying to make sure they all survived and functioned as a crew. Ed probably broke that door, and he broke Izzy. But he has yet to talk to him about it.

Immediately following this, is when he scares the BEJESUS out of Lucius and tells him 'it would be faster to get all this out in one go'. It sounds like a reasonable suggestion, but we know that it doesn't actually work. Lucius pushes him off the boat and it doesn't help. Because 'I hurt you, so now you hurt me' doesn't benefit the abused, it's still about making the abuser feel better - making them feel punished and therefore redeemed, even when their victim isn't healed. I don't think Ed is trying to manipulate Lucius here - both of them think it might help to 'fix things' but fixing things takes emotional intelligence that's not really developed yet.

ENTER, THE SHARK

Izzy starts working on the shark, after the non-apology. He doesn't have it in the 'candle fighting' scene obvs - but he does receive an apology in that scene, when stede says 'feet' and then corrects himself to foot. It's a simple straightforward apology, even if he does sort of laugh awkwardly. Izzy also at least attempted to apologise to Stede in ep. 3 - so he clearly sees the use in apologies - AND right after the apology, Izzy agrees to help stede. Their relationship changes. It gets better and they're no longer stuck in those old patterns. Izzy is full-on gentle parenting stede - even when he shoots down a fucking sail.

He also, notably, states that the crew's feelings on the curse are important. Meaning, how the crew feels is important to him, period.

After this, we're back to Lucius throwing Ed overboard. But it doesn't work because Ed doesn't remember the talent show thing, he doesn't really know why Lucius was so blindsided by that betrayal of trust. It's not about who goes overboard. It's about the dynamics underneath that and those can't be fixed by just trading places for a moment.

FINALLY. We see Izzy finishing the shark, and he's completely unsurprised that Lucius pushing Ed into the water didn't fix things. Izzy's done this 'tit for tat' thing - betraying Ed to the English over being banished - and it ended terribly for both of them. It escalated things. He knows it's not as simply as getting even with someone.

The solution Izzy has chosen to the cycle of his relationship with Ed is to pretend that Ed hasn't done anything to him. A shark did it. Like with the non-apology, blame is being shifted to a third party 'the bad things' the 'bad times'. Lucius (rightly) points out that this is not healthy, but Izzy's response, that's better than not moving on, clearly resonates.

Izzy's response to being hurt was to 1. Get even and 2. (when that proved deeply unsatisfying and made things worse) to put the unresolved conflict behind him. Because he doesn't think Ed is ever going to apologise or change, and wanting those things just hurt more.

Anyone who has parents/a partner/friend who's NEVER apologised for anything, knows how he's feeling. You stop trying to have it out and fix the relationship, and it starts to wither, even though the other person thinks it's healthy.

'Not moving on is worse' is a warning, and it's one that Lucius takes to heart, immediately trying to centre positive things instead of resentment and anger. He shares his feelings with Pete, and their relationship thrives.

The issue here, is that denial doesn't work. Lucius might be able to move on from what happened to him without a proper apology from Ed, but that's because he's not in a relationship with him. Izzy's the one who's really in it with Ed - he's had DECADES of this shit. That can't be willed away.

Stede's resolution to the curse conflict models a healthier method and one that I'm hoping we see in a future episode between Ed/Izzy. He validates the crew's feelings, make a sacrifice (the suit) and TOGETHER they collaborate on a solution to the issue that is mutually satisfactory - he even gets to keep the shirt, as a sort of compromise. It isn't about just making stede or the crew feel better, it's about moving on together.

This happens with Ed and Fang! Ed actually apologises once he realises what, specifically he did wrong. Fang says they're 'sweet' because he beat Ed to death (oof) which outwardly seems like retaliation working - but there has also been an actual apology and Fang wasn't retaliating against Ed, he was standing up for himself - a physical version of saying 'that wasn't OK - you need to change'.

This method of resolution is echoed in the final scene, with stede and ed. They reach an understanding about the pace of their relationship and find a happy medium (holding hands) - mutually satisfied and moving forwards.

Bottom line? I hope we see 1. Ed actually apologise to Izzy and 2. the pair of them outline what it is they want to change in their relationship moving forward, ending the cycle for good.

Thank you for coming to my Ed talk.

[rad-roche]

Pulp Covers And How To Paint Them

With the rise of cheap printing in the early twentieth century, mass-marked paperbacks swept the world, each offering lurid thrills for obscenely low prices. Sex, sadism, and incredible violence for as little as ten cents. An easy purchase to slot in between fifty cigarettes a day and enough bourbon slugs to kill a small garden.

Pulp fiction is where some of the greats of American literature cut their teeth, including the big three, Raymond Chandler, Ross MacDonald and Dashiell Hammett. The contents of these stories, both the dizzyingly good and astoundingly terrible, have been absorbed and digested and remixed and regurgitated in nearly every permutation imaginable, fuelling pop culture some one hundred years on. This isn't an essay on that. Nobody likes to open a tutorial and be greeted with a wall of text. The history is for another time.

But it is about how to paint it.

Don't let the pre-amble intimidate you, it's not as hard as it sounds. You will need:

Painting software with some image editing capabilities. You don't need all the bells and whistles of Photoshop, but I wouldn't recommend something like MSPaint, at least not to start with. I'm using Clip Studio Paint.

A really beat-up paper texture. The grungier, the better.

A lightly-textured brush. Here are the specific brushes I use, 99% of which is the well-named rough brush. Try and avoid anything with any impasto elements.

Go to your colour-picking tool and use the 'select from layer' option. Doing all the painting on a single layer is going to make your life easier.

A complete willingness to make mistakes and, instead of erasing, painting over them. It generates much more colour variation and interest! Keep your finger off the E key.

Good reference! That painting is a master copy of Mitchel Hooks' art for Day of the Ram. Find a style you really love and want to learn? Have no clue where to begin? Do direct studies!

Let's not worry about whatever is happening in the background. It's probably fine. Let's get started! Pulp magazine art is a lot more varied than you might first think, so don't agonize over having a style that 'fits' or not. I'm also specifically aiming for something you'd see on the cover after printing, not the initial painting they would use for printing. The stuff I'll show here is a pretty narrow band of it, but here are some general commonalities. This is a painting by Tom Lovell.

Let's dig into this.

The colours are very bright and saturated, but the actual values, the relative lightness and darkness of them, are actually grouped very simply! You can check this by filling a layer full of black, putting it on top and setting its mode to colour. If the value of a painting looks good, you actually get a lot of leeway with colour. But here's what I think is the most important thing to keep in mind.

The darks aren't that dark, and the lights aren't all that light! Covers are paintings reproduced on cheap paper. Anything you wouldn't want to happen in the printing process, you lean into. Value wash-outs, lower contrast, colours getting a weird wash to them, really gritty texturing. So let's get painting! Here's my typical setup.

That bottom folder is the painting itself. The screen layer is the grungy paper texture. To get the effect you want, put it down, invert its colour, then set it to screen. That washes out your painting far, far too much, so to compensate, I put a contrast layer up on top. Fiddle around with the settings, but this is where mine ended up sitting.

Note I'm saying this before even starting the painting: you want to do this as early as possible. This is where the 'select from layer' colour picker comes in handy. You can paint without worrying about the screen or contrast layer. Something not looking right? Enable your value check layer and keep painting. When you turn it off, it'll still be in colour. Here's a timelapse so you can see what that looks like.

And when you check the values...

They're pretty simple! This isn't a be all and end all, but I hope it serves as a decent primer. I want thirty dames on my desk by Monday!

[yuri-is-online]

Head up this ask is kinda weird.

So do you think people wear perfume in omegaverse AUs 😀? Because the fact that everyone already has scents, perfume has to kind if clash with it right? Maybe some people use light perfumes to enhance their scents, and then those "Alpha Male" (omg that just gets a whole other meaning) podcast bros call it catfishing.

Would perfume even exist in the first place? I don't really see a purpose for perfume if everyone already has a scent... but bro imagine Yuu (who isn't from an a/b/o world and is getting really confused as to what the fuck an omega is and cringes every time of the guys calls themselves an alpha. Meanwhile everyone else is trying to figure out why this weirdo doesn't even have the slightest sent. Especially jade becuase I'm on that JadeYuu shit rn) that wears perfume or cologne trying to get more. And when they can't find any at Sam's they just try to fucking make it. I mean it's a little weak smelling and some of the notes don't exactly go with the others but hey! They have something to spritz now! :)

And now their friends are doing double takes because bro you did not smell like that last night. Also it smells artificial and it's weirding them out

Anyways I sincerely apologize for making you read that.

oh no you don't go apologizing for this confused, a/b/o is a guilty pleasure of mine (also i am doing concept drawings for asmodeaus rn. the timing of this ask made me laugh real hard) This isn't a smutty ask, but just so all of you know, I am good with those since I need the practice with suggestive stuff. I just won't be very good at it for a bit.

Anyway. I have never actually thought about this, but I have always sort of thought of scents in abo worlds to be a very instinctual thing that no amount of perfume can cover up. I don't know if you've ever encountered a scent you can taste but I have, a light in the room of a pool I was swimming in went out and let out a smoke so foul you could still feel it on your tongue and in your lungs when you pinched your nose. It was beyond overwhelming. That doesn't mean there's any less of a reason for perfumes to exist though, as I talked about in that post about Rollo's handkerchief in the past disease was thought to have been spread through foul smelling odors and bad air. If anything I could see that being an even bigger superstition in an abo world where scent is already super important. I could see people trying to make scents that complimented their natural one, maybe it could even be a courting ritual for an Alpha to give an Omega they are interested in a perfume they've made that compliments their smell and has notes of their own... Oh! Or working in notes of their scent to their own perfume to indicate interest!

a-twistedheartslonging mentioned in their tags on that post about Jade's scent that Morays use scents to attract a mate, so if you take that idea about perfume being a courting step I could see Jade just being so distraught that his beloved pearl has no discernible scent. And what's worse they keep changing what little scent they do have! What's he supposed to do with that huh? I think he'd be the only one excited by Yuu making their own perfume because it gives him an excuse to talk about the scents that Yuu likes and what perfumes are like in their world. Maybe they could make a perfume together next time (⚈_⚈)? Oh haha he's just thinking out loud he knows you aren't close enough for that ye- Oh you... you would like that? You think he smells nice and you want to know what sort of perfume or cologne he uses?

(he'd get so delulu so fast if you said that. sure Yuu you can smell just like him c: just let him dim the lights a bit first he hears that's important c: just remember to be gentle with him ok???)

[wings-of-fire-confessions]

continuing what i was saying, (i thought my mom was coming upstairs and deleted all my tabs)

i feel like flamesilks were hyped up too much in book 15 and then they weren't actually used at all, like, the FLAMES of hope? luna using her SUN SILK RIGHT AT THE CENTER OF THE COVER? i have the hardcover version and the quote at the back ends with "but she had to use this power now that she had it, didn't she?" ???????? and for her to just cut off the vine like that. idk. it kind of felt unsatisfying.

and continuing my rambles on how much i love arc 3 (it may be slop but it's MY slop 💖) i just. absolutely love love love the legend of the hive, the concept of the breath of evil (it inspired the main villain in one of my creative projects!), gosh, BUG DRAGONS? my autistic ass LOVES this shit!!!!! in fact I only read wings of fire at all because i saw how beautiful book 15's cover was at the library i was at and I wanted to see the build up to such an interesting climax, and for it to just, never happen??? >:(.

i have associative synesthesia (just like Whiteout!) and wings of fire is orange, very very orange. it smells like fire and air freshener, and it's the type of orange you see on a sun ray being casted through a window, onto wood, while the air is cold and the year is anywhere from 2014 to 2017. ive been trying to figure out what this feeling is called for a very, very long time, and I guess the closest thing is melancholy mixed with nostalgia? like the type of nostalgia for something that never happened, that you wish was real, like when you see something ancient, like thousands of years ancient? i came to this conclusion after finishing arc 1, and the next 2 arcs really did not disappoint in this. i don't know if this even makes any sense at all to other people but it totally does to me.

i also feel like wings of fire isn't ready for arc 4, in forge your dragon world tui mentions she doesn't outline the books, she knows the big twists beforehand sure but she just dives right in and. THATS NOT HOW YOU WRITE!!!!!! NO WONDER SO MUCH STUFF IS BADLY WRITTEN AND INCONSISTENT!!! like another user here mentioned, she can't go forward when there's so much stuff left behind. grr. i really hope she plans out arc 4 properly.

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