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#also i have not finished atla so no spoilers
sammygender · 8 months
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if zuko isn’t meant to be gay then why do they write him. like that
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returquoise · 2 months
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ATLALA, aka Avatar the Last Airbender Live Action
Sooooo, I finished the first season and had thoughts (just like everyone else lol). First context, non-spoilery thoughts, and then spoilers under the cut, yadda-yadda.
Why context? Because for a lot of people OG ATLA was their childhood, and they have super strong feelings about it and about any adaptation that exists. I'm not one of those people.
The first time I watched OG ATLA I was over 20 years old, which means I was an adult and had adult viewpoints about the story – worldbuilding, character writing, etc. It was never the hallowed most perfect show ever for me. It was and still is a fucking good show with some amazing writing and worldbuilding but I did have some gripes.
So when ATLALA was announced I remained neutral – I've seen the movie that shall not be named and din't really like it but shitty adaptations have always existed. When we started getting photos and trailers and news pieces, I was feeling pretty positive about the visuals, but neither news pieces or trailers actually tell you shit about what the writing or worldbuilding is like. However, I was about 70% optimistic.
Because what indications I did get about visuals, writing etc, were very reminiscent of another adaptation that had come out recently, about a series that was actually a bit more important to me on an emotional than ATLA. I'm talking about One Piece, and OPLA which came out last August. I've been a fan of that for 10 years longer than ATLA, and while they did a lot of changes, the spirit of the story was there.
So I copied my optimism and good feelings from that, going into ATLALA.
Now, the thoughts.
Visuals are pretty good. There are moments when I can tell they left some visuals out due to trickiness/budget (the "is Zuko's ship real?" review after the premiere). Some things look fake or plasticy, some stuff is too clean. Bending looks a lot better than in the movie that shall not be named.
Writing has issues. Some of it is very expositiony which makes it wooden and the shots uninteresting (there were so many badly framed shots with characters just awkwardly standing and talking). There are some lovely bits of dialogue that gave me feelings, but those moments were in the minority. And some writing choices were also quite childish, even for an adaptation of a kids' cartoon, so I'm a bit confused about the intended age demographic – except there are some really violent bits in there, which leave me even more confused.
Pacing was either frantic or okay-ish. The writers clearly had trouble paring down the OG series, and then ended up cramming stuff together. I could keep up with it (knowing what certain characters roughly meant for the plot, even if they were at a different place and time), but I'm not quite sure if someone uninitiated in the OG series could. The last 2 episodes had probably the best pacing and even then there were some things that made me go "hmmm."
Some actors have issues emoting – main and extras. I agree that the Gaang has lost some of their flaws compared to the OG series. Maybe some of them will make more of an appearance in season two when everyone's more experienced at acting? Especially considering that they'll likely have stuff more spaced out there – there are some episodes I'm pretty sure they'll outright skip, just based on the choices in this season. But we'll see. There were some fun and interesting bonding moments between different characters.
Sokka, Zuko, and Suki were the standouts from the younger cast. Suki is considerably different from the OG but it was acted and written well, and is an interesting choice. Sokka's quips, while not as numerous as in the OG, were fun. Physical comedy is obviously more toned down because real bodies can't do the same shit as cartoons. More about his arc choices later. Zuko was a bit toned down from the OG but IMO also the closest to it. And as someone who's almost finished with a Zuko AU fanfic, I was positively cackling due to the fact that some of the choices made for the character are similar to something I've done in my fic.
As for the rest of the main kids, there'll be more in the spoiler bits, BUT, they're different, and feel less experienced in acting. They're not bad but some choices were definitely different than in the show and they offer interesting opportunities. We'll see how they pan out, but be prepared for some speculation from me.
Fight scenes sometimes had IMO slow moments in the choreo, and they could have been better. Some were excellent, some a bit ehhh.
On the whole, I think this is about 7 out of 10. Some moments were 8 out of 10. It's a passable adaptation
Spoilery thoughts waaaay down.
Whoo boy. Where to start here?
Let's start with the cramming. As far as I can tell from my notes, the episodes are roughly divided like so:
EP1: 3,5 and bits (Boy in the Iceberg, Avatar Returns, Southern Air Temple, half of the Storm, bits of Avatar and the Fire Lord)
EP2: 1 and bits (Warriors of Kyoshi, part of Waterbending Scroll)
EP3: 3 halves (King of Omashu, Jet, Northern Air Temple)
EP4: 1, 4 halves and bits (King of Omashu, Jet, Northern Air Temple, Cave of Two Lovers, half of Winter Solstice P1, bits of the Avatar Day,)
EP5: 2 halves and pieces of 3 (half of Winter Solstice P1, half of Bato of the Water Tribe, part of Southern Raiders, part of the Library, part of Siege of the North) AND timeskip mention of the Great Divide and the pirates from Waterbending Scroll
EP6: 2, two halves and bits (Winter Solstice P2, Blue Spirit, half of Bato of the Water Tribe half of the Storm, part of Siege of the North)
EP7: 2 (Waterbending Master, Siege of the North)
EP8: 2 and pieces (Siege of the North, Return to Omashu, bits of Northern Air Temple, part of the Library)
Waterbending Scroll is a bit of throughline because you see moments of training in pretty much all of the episodes.
Episode 1 was very full, and felt rushed at times. There were a few places where they could have shortened some parts (like the earthbender spy scene at the start) to give more time for other stuff. Biggest gripes are the convenience of timing – Aang going off to clear his head only for everyone to die that very night. HOWEVER, me and my friends talked about it being likely Spirit shenanigans going "fuck, Air Nomads are gonna die now, we need to deepfreeze the Avatar for storage." We also concluded that the sudden current of Sokka and Katara finding Aang was either physics we don't understand, or Spirit shenanigans. Also the thing about all the Air Nomads coming over for the Great Comet festival? And then having so few of them on screen? Sorry, but I ain't buying it. Having such a sparse population in one temple I could have bought (with caveats) but adding in the gathering, nah.
Episode 2, Sokka-Suki was beautiful. I think it works even with the removed downplaying of girls capabilities (this change also brought some other stuff to Sokka I absolutely adored in later episodes but I'll talk about that when I start ranting about the characters). This was pretty close to the OG episode in many ways and I really don't have other problems with it, besides the somewhat childish end discussion about hope and shit with Aang and Suki's mom (Suki having a badass mom is fun). Manifesting Avatars and being able to talk to them only at their shrines will be an interesting take on stuff. Because that will affect some stuff on later seasons and I'm not sure how.
(And considering how scared Aang is of the Avatar State this early on, we might end up skipping the Avatar State in the next season. At least partially. Because we did get a lot of info now.)
That's a very full itinerary and it was hardest to follow at eps 3-4 because there were so many things going on. Jet's and the Mechanist's conflicting storylines made for an interesting drama (though, again, hard to follow) and gave Sokka and Katara something to do – which they didn't really have in the OG Omashu episode, which was what Aang was mostly dealing with here. In my opinion these two episodes didn't get a proper handling, because they're one of the few instances were we get people from the Earth Kingdom doing questionable shit, but we don't really discuss it. And while everyone know marketing is a mistake (it makes no one happy), considering that this series was trying to sell itself as a more mature take, that feeling is left kinda lacking in regards to Jet and the Mechanist. I do appreciate Bumi being fucking bitter, like Yass, you go king, as well as the bit with the Earth Kingdom soldiers speaking of grief and mistreating Iroh. That complexity is what was left lacking with Jet and the Mechanist, and how Katara and Sokka dealt with that emotionally. Also loved Zuko getting hit by a broom and Iroh taking the fall for him. The Zuko-Zhao alliance was an interesting angle to take (after messing it up pfft) and establishing early that Azula is a master infiltrator? I liked that move, also the fact that there are Fire Nation rebels. Although I fucking loved the quick fake marriage.
5 and 6, despite being about as full if not fuller, were weaven together really well in my opinion. My biggest gripe with that two episode storyline was how the Fire Sage Shyu-Aang team-up was done – not that it was any better in the OG to be fair but it is more jarring in live action. I just about died at the 41st twist because holy shit that's an amazing angst take and I appreciate it so much. And while we do get Aang planting an acorn, it feels like a really small moment and I think the Hei Bai issue should have got a bit more attention as the episode was resolved. Koh was fucking terrifying and the appearance of Wan Shi Tong – and in the last two episodes the appearance of the celestial objects calendar machine, as well as the fact that Zhao got his dirt on Tui and La from a Fire Sage – leads me to believe we won't be getting the Library episode next season.
(The only way I can see Return to Omashu happening is if it's remixed with Imprisoned which was totally left out of this season, or we get the important info aka neutral Jing info all from the Swamp, or from a letter Bumi sent. I personally think Return to Omashu-Imprisoned remix is more likely, just so we can prep Teo and the Mechanist for the Day of the Black Sun which we saw flashing by on the celestial objects machine just before we finally got the confirmation that Sozin's Comet is still a thing. Although The Avatar State could also be remixed into this in a sort of "yes, Earth Kingdom needs to free Bumi etc but I can't do it in Avatar State, we need to be smart.")
Episodes 7 and 8 were pretty chill in pacing issues. I thought Yue was a bit too quick in warming up to Sokka but considering how it was explained I can accept it. Also, the fact that Tui and La are intelligent enough to not be fish 24/7/365 is a change that makes sense although the whole Ice Moon (is it the local Halloween?) thing was very out of left field. Women joining the fight was a wild update and definitely more of a modern take than an early 2000s take. Do I have other thoughts? Sure, but I don't want to write bajillion essays and I just want a general overview in one post.
Zuko is, like I said, a standout. Absolutely love his conspiracy board, and as someone who writes a fic with a more scholarly inclined Zuko, I loved him being able to draw, being the foremost Avatar expert in the world (you can't tell me there can be more than one or two people out there who know more than Zuko at this point, look at his research), and having opinions about calligraphy brushes. Ugh, my heart. There's some absolutely wonderful acting happening and he does action really well. Is he a bit less explosive than in the OG? Sure, but one must remember, that adaptations are just licensed fanfics. His abuse background is in the performance, and my biggest question is the Agni Kai. There was a certain desperation in his face, so he must have wanted to make an impression on Ozai, and maybe felt a bit more like he had the right to it – as this show made it clear he had been invited in the War Council and did not needle his way in. Also the 41st twist oh holy smokes I just about screamed. His flaw is still anger and trouble thinking plans through.
Azula (her bangs in the flashback crack me up, was that her emo phase?) is more obviously affected by Ozai's games in this. I know OG Azula has loads of fans and there are loads of deep dives into her character and abuse and etc, but this is actually the first time her writing has made it obvious to me. She's still cold and calculating, but she's affected by more things and that makes her into a more approachable character for me. I know many fans got this from the OG portrayal so I know this is a me thing.
Sokka is another standout. I saw an interview where the actor was like "I tried to interject and ad lib humour where I could" and I appreciate it, because a lot of them made me cackle. There was some really good humour there. As for his arc and conflict; I think it's really interesting that he tries to live up to his dad's image of a warrior, and doing it very much out of duty. It isn't so much that he wants to be a warrior, but he wants to be good enough and I think that came through wonderfully. He can be a warrior, but it ain't his passion. It also offers very interesting bonding possibilities and parallels with Zuko. My heart broke at that ice-dodging scene in episode 5, as well as his heart-to-heart with Katara in episode 4 (fucking SIBLING LOVE TRIUMPHS). Also absolutely loved the fact that he supported Katara being a warrior in the North. His flaws in the OG are self-esteem issues (nailed here), and a certain level of arrogance, that affected his attitude towards girls at times. The latter has been removed but considering it only lasted until episode 4 in the OG series anyway, I don't see it as a terribly big deal. We can still get his "it'll totally work out this way" arrogant moment at pretty much any point in the story in the future.
Katara has trouble emoting. I don't know how much experience her actor has with acting, but I hope she gets better with practice. There are some very nice bonding moments she has with Sokka and Aang that bring emotion out, but she's very stone faced a lot of the time. One could read it as a symptom of seeing her mother being literally burned alive but that depends on how her arc is written in future seasons, and how it's acted. I really like the parallel with Sokka, of him trying to be a warrior out of duty, while Katara wants to be that and has trouble getting the opportunity to do so. This came out really well in episode 4. The fact that she was made a fucking commander of sorts at North was amazing moment of proving to her that she can be, that she is, a warrior. I'm kinda sad her temper has been left out of the writing, because with her being a self-taught water bender (which I'm okay with because we see her practising every fucking episode) there's a threat of her sliding into so-called Mary Sue territory. Hopefully Toph's inclusion brings her temper out next season. She's also missing some of her naiveté, although having a crush on the first good looking outsider (with fucking mirrored shots) just like her brother is hilarious.
Aang is... to mature. He gets a lot of really good and morally and ethically right speeches, and while he expresses that he's scared and doesn't know what he's doing, it still feels too mature. He also doesn't have that many dumbass child moments (what was that episode he just went "oops" in, that was funny and felt childlike, and then there was the water fight he had with Katara). It could be because we're going through stuff so fast but it'll be hard to fix later. I kinda like how his connection with Katara is being the last of their kind and loss – and then the small really good acting in ep7 when Katara says stewed sea prunes taste like home, and you can just see him go "oh, there's still someplace she can belong to, unlike me." I loved his calligraphy brush discussion with Zuko, because there was the beginnings of a bond there. As a friend said, it's nice they removed the Disney princess like love at first sight thing from the OG. If this turns into a romance (I have thoughts on that... later) I feel like it has a better chance to grow organically. No, I never shipped Kataang, please refer to the context part of this post.
Suki had a fun isolated, but curious, and socially awkward vibe to her. She's obviously different from the OG, but it's a fun and interesting difference, as the most characterisation we ever got for her was badass. Yue was interesting, more assertive and playful, which I liked. I also liked the fact that she had obvious duties and was expected to be the next chief. Even if the Northern Water Tribe sexism was kept, this felt like it added some dimension to it. June flirting with Iroh was hilarious, enough said. Mai and Ty Lee are blanks of wood. Their writing, and the direction they were given was horrible, and they're a prime example of that awkward standing and bad framing issue I mentioned way earlier. Ty Lee could have at least been bending herself into a pretzel, and Mai could have been using a knife to dig stuff from under her nails or something. I hope they get better writing and direction in the future.
Iroh was honestly pretty enjoyable. There were some moments of skilled evasive answering, but I was left missing him saying that Zuko was like a son to him. They do have really good chemistry though and you can see the care between the characters. I hated the long monologue at the end of episode 6, that felt very much beneath whatever target audience they were aiming for, and failed show not tell. Not perfect but can improve. Also, that one part where they played Leaves on the Vine, I almost died.
Ozai being a manipulative, abusive game addict is different but offers him some agency and motivation besides megalomania, which I appreciate. He had a peculiar expression when he burned Zuko, and that smells like hidden lore to me.
That's probably every character I feel like addressing at this point. However, I did mention romance in Aang's section, and I have to agree with the other whispers on the net. The fucking scarf scene. At this point, it's more likely for this show to be Zutara than Kataang IMO. BUT before people go and blow up about it, some points; cartoons offer more leeway in visual age differences, I feel like they would need to extend ATLALA plot line to last several years (instead of like, 9 months it's in the OG) to make it visually make sense. The Fortuneteller (as well as Katara's obsession with love?), and Aang's love at first sight have all been written out. Cave of Two Lovers was used for sibling love on the first season, and we ain't visiting that location again, not with how efficiently we did pretty much all of the Omashu stuff this season. Most of the Kataang iconic moments have been left out deliberately. Does this mean we'll get Zutara? Of course not, but due to the scarf scene, as well as that rivals thing they have going (we literally have two fights between Zuko and Katara this season, and the water sprout she used to thwart his fireball in episode one, and if that isn't a traditional beginning of a rivalry, nothing is), it's certainly more likely at this point than Kataang.
But we'll see, just like with everything else. It's an okay start, it's far from perfect, but it does offer new viewpoints that I find fascinating.
What's in the future.
I already explained my Return to Omashu-Imprisoned-Avatar State mash-up idea above, and that we'll likely miss the Library. I also think Avatar Day will be left out. I do however think, that we'll get the Deserter next season. We also need a way for Aang to learn about the Comet coming again and if Library is out (and probably also the Desert), best chances are IMO the Swamp or the Fortuneteller (remixing those two together is also possible). Or maybe Yeong Yeong has spies and they tell him about the Comet and he tells the Gaang. I also think they'll be foreshadowing/setting up White Lotus a bit more than we got in the OG.
I don't quite have my thought together enough to make any other guesses, but we will get Toph, Ba Sing Se, and Azula's Mean Girls Squad, but no clue yet how they'll be remixed. Season 2 has a much clearer timeline structure, whereas season 1 had a lot of episodic stuff that doesn't timeline wise offer too many roadblocks for remixes, as we saw with what they did with Omashu.
I think that's about everything I can think off. If you have comments, please be nice. This was mostly rambling, and tin foil hat baiting.
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tzilatza · 2 months
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NATLA Review - spoilers
Woke up today still feeling annoyed after finished the Netflix ATLA remake last night, and I think I've figured out the core reason.
It's the fact that: If they had held truer to the original source material, we could have had a truly great show. I disagree with those calling it a complete disaster. The acting was good, great in some cases. The effects were very well done, the bending looked about as good as it can in a live action media. The scenery was lovely.
But what happened in the writer's room?! The way they just reveal all the back stories up front EVERY TIME is honestly insulting to the audience. It's like they're so terrified that smartphone culture has made the public so accustomed to instant gratification that they have no faith we will stick around and keep watching if they make us wait for anything.
They're also clearly terrified of complexity. One of my biggest gripes with this remake is Jet's story. They completely took out his plans to murder a whole town of innocents in order to get a few enemy soldiers. Now, Jet isn't my favorite character, but his story is so important. Because it is real. The world is full of people who have been so brought down by injustice that they lose their sense of right and wrong, and we need to see that on screen. If Jet is too complex for them, how will they handle Ba Sing Se in the second season.
This goes along the same lines as removing Sokka's sexist moments. They felt they had to do it to make him more 'likable.' Yet the writers themselves went full sexist on Katara's character. They've taken out so much of her spark, her righteous and justified anger, and they've done it because even in 2024, people expect women to be more passive to be palatable. Enough people have already commented on them removing Aang's choice to run away. Heaven forbid the main character not be an absolute paragon. Did y'all notice that they even made Hahn likable? Hahn?! What reason do you have for making Hahn likable Netflix?! His role in the narrative is to be an example of toxic masculinity that is clearly the bad choice compared to Sokka who has learned and grown out of his own.
Don't even get me started with what they're doing with the fire nation family, I'm not ready to tackle that. In general, I have no problem with Azula getting a little more backstory and humanizing, but why season 1? Throwing in all these extra scenes just sacrifices screen-time where they could've actually fleshed out the real season one plots instead of rushing through things at breakneck pace. (ex: Aang escaping Zuko's ship in about 2 minutes flat)
At the end of the day, the scenes I most enjoyed were those that held true to the original like the Blue Spirit sequences. They could've easily done more of this, held onto the important plot points and even more important character complexity, while maturing it for an adult audience. I'm not disagreeing with every change they made. Go ahead and take out the silly Nickelodeon gags, add cussing and more realistic violence to get your mainstream viewers. Go ahead. They could've easily made a darker more mature version of the show and still held onto all the old fans in my opinion. But claiming that you're making a 'more mature' version and then removing the complexity and subtlety because they didn't think viewers could handle it...
What makes me most sad is that there are a lot of people who will experience ATLA for the first time through this show. There are a lot of adults who are not willing to watch original ATLA because they refuse to acknowledge an animated series can be anything other than a kid's show. Those people will watch this and think it's the real deal, and that just makes me sad.
If you've read this far, a very sincere thank you for listening to my rant. If you're an OG fan who enjoyed it, I have no problem with you. It was a fun watch, I was just hoping for more. If you are a new viewer who has never seen ATLA before, I sincerely want to hear your opinions. Is it a great show to someone who isn't holding it against the context of the original? And do you plan to watch the original now?
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slutisnotabadword · 4 months
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I just finished Marvel’s Echo and I was excited to go on Tiktok so people’s thoughts and opinions.
That was my first mistake.
Cause all everybody wanna mention is either CGI and Daredevil, or just some shit that didn’t involve the show at all. And I’m like… what is wrong with you people? Like genuinely.
Echo is a good show. Is it a 10/10, no. But not even show or movie needs to be a 10/10. People’s obsession with perfection to the masses is crippling the entertainment industry. Not every movie is gonna be like Avatar or Endgame. Not every series is going to be like ATLA or Stranger Things. There was a time that people cherished mediocre tv shows and movies. The early 2000s is FULL OF THEM. But we still ate that shit up, and still do till this day.
Echo was about taking the wrong path after experiencing pain. It’s the two paths that we see every hero face. It’s the good side or the bad side. Maya chose the bad side, which we don’t see that often. And the story is also about connecting back to your roots after cutting that part of your life out. As a person of color, I instantly related to that shit and I loved how they portrayed it. The dialogue was great. The comedy was great, and it didn’t seem to be out of place either. The tone was great as well.
The only criticism I have of the show that at time it didn’t feel like there was much of a beginning to end when it came to the plot. But other than that, I don’t have any problems with this show.
And spoilers, btw, but when Maya and King Pin came face to face in like the final showdown or whatever, I kind of like the direction they went with. Maya didn’t defeat him by beating the shit out of him or killing him. No she defeated him by fucking with his head. She showed him his deepest pain and FORCED him to come in terms with that shit. And it fucked him up so bad that he had to leave!
I give the show a solid 7.5/10. I would even raise it up to 8 just because of the cinematography, the music, and the filmmaking. The filmmaking of this show was spot on.
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nicolloyd · 25 days
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just finished the season WOW that was intense!!! 😭 i collected my thoughts as i was watching it too heres all of it: (spoilers ahead ofc!!! btw this is really long you were warned)
episode 1 (the blood moon):
• lloyd saying uncle is sooo crazy
• WU IS DEAD I SWEAR ON MY LIFE ITS NOT EVEN FUNNY NO MORE 😭
• can these ninja get pyjamas. please.... they had those in ns1 now they just sleep in armour 😭
• bro cinder sounds like.. macaque??? is that weird.
• lloyd gets to have funny quips 🔥🔥
• HAHAHAH I LOVE THE SMOKE EFFECT AND IT JUST CUTS TO THEM LYING FLAT ON THE GROUND 😭😭
• THE BLOOD MOON IS COMING 🗣🗣🗣
episode 2 (shattered dreams):
• YOOOO its the uh i forgot what place its called but yes 🔥🔥
• drs2 spouting out words like panic attack and nental health gee wowzers
• also this is the second time lloyd has been forced to eat strange food first it was dareths pocket gyoza
• deffff arin and sora getting in a fight
• LLOYD U ARE SUCH A SHOWOFF STOP FLIPPING AROUND
• rule number 1 never trust a snake hehahehaha
• really encouraging the lloyd nya sibling dynamic i love it
• callback to torunament of elements im not ok.
• ommggg i actually hate the way ras' beard thing jiggles around its unsettling
episode 3 (beyond the phantasm cave):
• so the dragon released was the lightning
• life symbol???? thats mad lloyd is fr life and not energy
• i feel sooo bad for arin bro if i had like 10 friends with powers and i didnt i wld be pissed too
• this is literally that swamp episode from avatar
• HELPPP is this the memory loss thing pr is it actually like. real
• it would be the funniest troll tho
• oh nya you beautiful genius
• jay the loml 😭😭 toooo cute omgee
• def foreshadowing
• my other family thats sooo funny
• is this the magic man.
• yoo arent those the water villagers
• OMG IT IS THE MAGIC MAN I ACTUALKY HATR HIM BRO
• HAHAHA PROFESSIONAL ACTOR
• yesss cole was never the performer
episode 4 (force from the east):
• geooo omg their actually in love shut up
• i thimk this is ice dragon??
• NINJA BASKETBALL 🔥🔥
• SECRET THIRD WAY!!!!!!!!!
• YO ITS COLE
• also bonzle is important somehow
• aww theyre at the monastery
episode 5 (the spell at the waterfall):
• MASTER WU 😭
• garmadon :**(((( IT MAKES ME SO SAD SPINJITZU BROTHERS UUURGGHH
• hehe i love these siblings
• how are they literally husbands bro what the flip this is so noooottt censorship
• old days :,,)))) soooooi sad bro onfdhsbs
• SACRIFICE???
episode 6 (to mysterium)
• lowkey wtf is egalt yapping about
• omg this is literally beyblade.
• cole in a hood is cray cray
• also zane will not give up thag detective outfit.
episode 7 (fugitive from madness):
• blood moon more like sozins comet aha aha aha aha i miss atla
• bro the music is so good do they get an orchestra for these or what
• lircherally wjats going on
• ADMIMISTRATION!!!!! YESSSSSSSSSSS
• ZANE IS SO PROUD OF THE 9% 😭😭😭 I LOVE HIM.
• crazy how theyre training again tho. good ol days
• nya and kai :'((( not having to worry about saving the world oh my poor sweet kai
• FLASHBACK. NO FRWAKING WAY
• STOPPPP THIA IS GONNA MAKE ME CRY OMG TJA WAS SO SWEET 😭 KAI AND NYA U HAVE MY HEART
• as mean as it sounds im so glad it was kai first and not lloyd it makes sense
• THE BLOOD MOON IS NO LONGER COMING ❌️❌️❌️ ITS HERE
• ohh thats why they turn to stone??
• ZANE IS A PERSON 🤬🤬🤬🤬 stopp hes always so willing to sacrifice himself
• SHUT UP THATS LITERALLY JAY OHHH MYYYY GOLLY GEE.
• i need a good 1 minute break to process everytime jay appears like actually
• ohh myyyyy goooodddd its jay pls stop stop stop stop STOP
episode 8 (secrets of the wyldness):
• forbidden five is lwk scary
• hehe i love their stupid quips and someone else saying "really???"
• oh jay oh jay oh jay oh jay oh jay oh jay he actually lost his memory im soooooo oooooohhhhhh nooooooo
• hes sooooo jay.
• so he knows he can lightning????
• zane. buddy. you cant keep doing this like actually would it kill you to stop dying
• now we're safe 😃 x4 (they were not safe)
• werent tbey in this situation before???? the tipping ship or am i just tripping
• ohhh my god the bounty died again
episode 9 (the forest of the spirits):
• THEY SACRIFICED EUPHRASIA??????
• NO DONT DO IT NO DONT WEAR THE MASK 😭😭
• resting my leg actually healed it is maadddnnnessss
• OHHH MY GOD ZANE IS MINIFIG SIZED HAGAHAHAHAHHAA THIS IS THE BEST THING EVER
• IM ALWAYS ADORABLE 😭😭😭 COLE U ARE
episode 10 (rising ninja):
• NOOOOO I SAID DONT DO ITT NOOOOOOO BUT YES BECAUSE EVIL KAI AGAIN SOUNDS AMAZING 😭
• yo. this fight is cool asl
• NO DONT KAI PLEASE MY MOUTH IS AGAPE
• omg they are both dragons rising rn
• what is going awn rn
• jordana is going freaky!!!
• ras master giving bird box icl
• AWW LLOYD COLE HUG 😭
• im assuming kai got out!
• HELLO ARE WE NOT GONNA GRIEVE KAI FOR A MINUTE???? im sure theyre all numb to death by now
• wowww 10 episodes gone just like that
• kai did not get out ❌️
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jasmine-tea-latte · 2 months
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JTL's long but not as long as it could've been review of Netflix's ATLA
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So.
I’ve finished watching the Netflix adaptation of Avatar: The Last Airbender and I have a lot of thoughts. Because despite some of the more questionable changes, I overall enjoyed this as an adaptation.
I wish I could say that I was surprised by the criticisms I'm seen so far, but unfortunately, I’m not. As much as I adore the OG series for being one of the greatest animated shows (or television shows, period), it’s been placed on a pedestal over the years and any adaptation of it will always be held to an impossibly high standard. And for better or for worse, a lot of fans have their nostalgia glasses on when it comes to the show, so any deviation from the source material is going to receive some form of backlash. I say this as someone who clearly still loves the show 19 years later, otherwise I wouldn't be here writing about it, ya know?
Anyways, if I had to give it a grade compared to the OG series, I’d give it a B- or a C+. If I’m grading it as its own thing, I’d bump that up to a B+ or A-. There are some elements (pun not intended) that definitely should have been kept in, and some changes that I thought were done well.
TL;DR – I had fun watching it even during the parts that made me cry, and the parts that made me say “… well that was a decision.” I’d love to see the last two books be adapted as well, if for no other reason than to meet Toph Mothereffing Bei Fong and see all of Team Avatar together.
(Also because I’d LOVE to see The Ember Island Players, especially if they managed to work in a few fun cameos. Can't you picture Dwayne "The Rock" Johnson as Play!Toph and thee Dante Basco as Play!Zuko, hamming it up for all it’s worth? Shut up and take my money!)
(And of course, the Last Agni Kai for obvious reasons)
So I’d recommend at least checking it out if you’re interested. I’d also like to recommend that if you do, watch it from a pragmatic standpoint that it’s a condensed adaptation, not a shot-for-shot remake.
Some things that I liked, and some that I didn’t are below the cut:  
(SPOILERS, obvs)
Aang – I really liked this version of him, and though his actor’s still young, I thought he embodied the upbeat, playful side well. I also liked that they removed his one-sided crush on Katara, and – don’t shoot me for this – if they went with Kat@ang later based on how they did their characters in this first season, I wouldn’t be entirely opposed if it’s built on actual friendship and not an unrequited crush. (Still Team Zutara for life, but I don’t think that I’d *hate* it if the show went in this direction.)
Katara – I thought her actress did great when it came to portraying the nurturing, sensitive side. What I didn’t like was them removing nearly all of her feminine rage. Let her be angry! Let her lose her temper and be hot-headed! This post sums it up nicely. That being said, I do think she did well enough with the direction she was given. Here’s hoping we’ll see our girl eff some stuff up if we get Seasons 2 and 3.
Sokka – Fantastic and sarcastic. I really liked his actor’s interpretation of him, and it definitely felt more in line with the character we all fell in love with during the OG show.
Zuko – out of the main cast, I think his performance was the best. He had to step into a major role, taking over from a beloved performance that is still hailed as one of the greatest redemption arcs in modern media with a lot of expectations riding on his shoulders, and I think that his actor knocked it out of the park. It’s different from Dante Basco’s interpretation, obviously. But as I watched each episode, I kept thinking, “there’s our grumpy fire boy.” The scene where he’s throwing the temper tantrum over losing his journal, while Iroh’s standing back and watching? I thought to myself, “this boy is the worst, he’s perfect.” Plus the flashbacks to his life before scarring were done well, and even though I knew what was coming re: the Agni Kai against his father and subsequent banishment, I still got emotional.
Also, regarding the Agni Kai – on one hand, I feel like his absolute refusal to fight back was such an integral part of that scene and understanding who he is as a character. That being said, I didn’t *hate* that in this version he was pushed into defending himself, albeit by holding back. That one shot where he hesitates to attack Ozai, only for his father to use that same move against him moments later… oof.
My ONLY complaint with this version of Zuko is that he didn't say "honor" once.
Other thoughts I had:
🟣 I really liked that we got to see more of the Air Nomads and life at the Southern Air Temple prior to Sozin’s attack. I also liked the explanation the show gave of having all the Air Nomads gathered together for a festival celebrating the comet, which makes more sense if they’re all (allegedly) under one roof.
Additionally, witnessing the genocide itself… I was crying. Especially during the final showdown between Gyatso and Sozin, and the realization that we were witnessing Roku’s (former) best friend slaughter one of his other closest friends.
But why wouldn't they send the children out on the flying bison to escape instead of having them all cornered?!
🟣 I really enjoyed getting to see interactions between Ozai and Iroh, which was one of the biggest missed opportunities in the OG show.
🟣 MY GIRL JUNE. That is all.
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The part where she flirts with Iroh was also a nice flip on what happened in the OG show, with his covert pervert crush and all. Plus Zuko’s face when she calls his “dad” cute? Peak Zuzu. Also, poor Iroh hahaha.
🟣 Suki! I really liked the Kyoshi Island episode, plus her awkward flirting with Sokka by kicking his ass.
🟣 I really wish the whole subplot of Kya’s necklace hadn’t been cut, tbh. The flashbacks involving her were good, and as devastating as it was actually seeing her death, it does hammer home the point what a horrifying experience that was (side-eyeing you, everyone making the jokes about Katara always bringing up her dead mother.)
🟣 THE SCARF SCENE. Nice try, Netflix, but I know better than to get my hopes up again from 5 seconds of slow-mo. Did I still screech when it happened, though? Ofc I did!
🟣 The twist with the 41st Division was bittersweet and I may have (okay, definitely) cried.
🟣 Combining Jet’s subplots with the Mechanist’s and putting them in Omashu wasn’t too bad. I do wish the message of “not everyone in the FN is evil” from Jet’s episode had made it into this version, tbh.
🟣 Overall, I liked Jet + the Freedom Fighters. Also, props to his actor for capturing the pretty boy / f*ckboi attitude well.
🟣 Loved Chong and the hippies, of course (SECRET, SECRET, SECRET TUNNEL, YEAH!) and I don’t mind that they were included this early.
🟣 I loved the change to the Cave of Two Lovers and having Oma and Shu be lesbians.
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🟣 I feel like if the show’s renewed for a second season and we come back to Omashu, there’s a chance they could revisit the COTL with Katara and Aang this time around.
🟣 The random lady smacking Zuzu with a broom – “how dare you hit that child?!” – was hilarious, and Dallas Liu’s facial expressions of “wtf” and “fml” were a thing of beauty (starts at 1:40 in the video below)
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🟣 CABBAGE MAN! I just love that they got the original voice actor, hamming it up and screaming at the sky.
🟣 I LOVED the Blue Spirit episode, and all of the flashbacks, plus the voiceover about masks and seeing past!Zuko contrasted to present!Zuko, as presented in this gifset? RIP my heart.
🟣 The flashback to Lu Ten’s funeral and showing Zuko being the only person to join his uncle, sharing a sweet memory of his cousin while Leaves from the Vine plays? Beautiful. Ditto to the flashbacks of Iroh standing up for his nephew prior to the Agni Kai and the scenes of them getting ready to set sail to search for the Avatar. “I don’t need a babysitter.” “How about a friend?” how about excuse you I did not ask for these emotions how dare you.
🟣 I actually liked the inclusion of Ozai and Azula + Mai and Ty Lee. I also loved the opening of Ep. 3, showing how she was able to infiltrate the team of rebels. RIP to Kevin Tran (in advanced placement), though.
🟣 I loved that Katara rallied the women waterbenders and they were able to help during the Siege of the North. I also liked her reaction when she's talking with Yugoda in the healing huts and realizes why she's been sent there. It gave us a glimpse of the fiestier / headstrong Katara we all know and love, and if the show gets renewed I hope we'll get to see more.
🟣 I really enjoyed them giving Aang and Zuko a few minutes to talk / form a connection after he was unmasked as the Blue Spirit. That was nicely done.
and finally...
Nothing else to add, just chef's kiss.
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(gif source)
Anyways! I might make a more extensive list of my personal pros and cons, but for now, I’d still recommend giving it a shot.
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danwhobrowses · 1 month
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One Piece Chapter 1110 - Initial Thoughts
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FINALLY
The five have landed, and TCB had the audacity to not translate until late Friday, making us wait so long, but we're finally here, so let's not waste any more time.
Spoilers for the Chapter, Support the Official Release too
Our cover story is a Yamato story, he's off to travel Wano just as Oden did, which he tells Momonosuke in this cover. Given the name, I'd expect that he may cross paths with Onimaru since it'll involve an Inari shrine
How ominous a title to have with 'Planetfall' too
The buster call watches on as it notices the similar effects to Saturn's arrival, Bluegrass seems particularly disturbed
The giants sense it too, with Bonney and Franky left to worry about the others
Vegapunk's broadcast involved showing off 'Vega-Coffee', which essentially is something that turns water into coffee
That ad break lasted 3 minutes, so there's still 7 minutes left
Marejois meanwhile is empty though, only the summoning circle appears
But Vegapunk is starting anyway, with the threat that the broadcast could be intercepted it's better to hasten
And finally we got the Gorosei fruits and it all seems to be Zoans, mainly Yokai
Saturn of course is the Gyuki, as we suspected from the design
Marcus Mars is an Itsumade, the 'Eerie bird'. According to research "Saw-like beak" and "talons as sharp as swords"
Topman Warcury is a Houki, not much info on it but that it's a Four Tusked Boar from China
Arguably the most badass design is Ethanbaron V. Nusjuro, the Bakotsu. The skeletal horse is a vengeful spirit seeking revenge for being burned to death
And finally Shepherd Ju Peter, the only non-Yokai is a Sandworm. Because Oda definitely watched Dune recently
As Luffy stands down the Five Elder Planets, Sanji rushes off with Vegapunk's corpse ready to warn Nami and the others
V. Nusjuro is first to make a move, turning into a Centaur-like hybrid form as he lays waste to the Mark III pacifista surrounding the island
He was so quick that no Marine saw it either, only catching a faint image of a horse
Not even damaged, partially frozen, their 'neural circuitry' was frozen so he may've cut into their souls
I wonder if this could be a level Brook can attain
Mars is also on the move, but he's going up high
Sanji contacts Nami, telling them to get out now, soon enough Mars charges into the barrier
Luffy continues to dodge on the back foot against Saturn with Ju Peter and Warcury on the outskirts, but he notices that Ju Peter is burrowing
Usopp contacts Sanji, they're ready to leave but Zoro and Jinbe aren't here
The Sunny is safe and sound, but despite Brook's calmness he's getting his shins kicked by Lilith, who reminds him that the Sunny's only safe because of Usopp's bamboo shoots
Jinbe makes his way to Zoro, being within eyeshot
Zoro meanwhile finds himself slightly disarmed by Lucci, who taunts Zoro over his curiosity over the new sources of strong Haki
As Jinbe notes that they're still fighting, Sanji makes an off-comment, calling him a burden
Zoro has been ACTIVATED
Catching the sword that was disarmed, Zoro uses Santoryu against Lucci's leopard spots for the quick KO
The Chapter Notes point out that he references Hahava, the coldest hell of Buddhism
Plot demanded Zoro finish late, so finally Zoro has finished
Luffy meanwhile has been caught lacking, as the Sandworm comes for a bite
Dorry and Brogy have arrived though, much like they did in Little Garden (well one of them) they cut the gullet before Luffy can be swallowed
Luffy is glad to see some old friends, but now the numbers are a little more even
Well the Gorosei are definitely not weaklings
Terrifying creatures all in their own rights, they definitely set themselves up as powerful foes. Makes you wonder though what Imu could be if this is the base line huh?
There seems to be a bit more lines to draw this time around; with V. Nusjuro circling the island down below he may find himself crossing the Giants' ships, meaning Franky, Bonney, Atlas and maybe Sanji, Oimo and Kashii will likely have to confront him. Up above we have Mars looking to break through to the Labophase, which he likely will, leading to the crew having to find an opening there; Nami, Usopp, Zoro, Chopper, Robin, Jinbe and Brook plus Lilith is a greater numbers advantage, but Mars may also use the Seraphim if he's wily, does not look good for the CP agents, York and Kaku though, hope the first and latter got out safe.
Which leaves Luffy and the giants facing down Saturn, Ju Peter (I doubt he's dead) and Warcury. I could sadly see the captains not making it out, or holding off 3 so to get Luffy out. Let's not forget that Kizaru can always pull himself back into it (I hope Sentomaru also escaped). Plus there's still the matter of Vegapunk's broadcast itself.
It's not gonna be clean or pretty, but thinks are gonna get chaotic in the best and the worst way.
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adora-sword · 2 months
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I just finished watching the Avatar netflix adaptation and I have to say that all of you lied to me.
It was AMAZING
Spoilers ahead and yes, this is a long post. To summarize it: the scenarios, costumes and the cgi makes watching it worth it!
Yes, they changed a lot of things from the original but the substance was there and the important things were kept and don't evem make me start with how it felt like a cartoon and how Sokka is still the funiest guy ever written and how Aang is a compassionate child and how I love the fact that Katara not only talk about how the fire nation killed his mother and instead is a woman who chose to fight for their culture and family and friends and not just for rage (gotta love that change in her character)
Also she's a self taught but she also doesn't stop pointing the sexism in the north water tribe and that was just great! Also loved the fact that the scroll was a family heirloom and not something she found somewhere
I REALLY liked the little changes they made in Katara character. But still the substance from the original Katara is still there.
The only thing I found a little weird was that they made Suki an stalker lol I hope the girl can escape that island and meet the world soon.
And the other weird thing was that thing they made with June and the thing she had with Iroh lol but I was GLAD to see that Iroh wasn't a disgusting old man that like to touch women. Thank for that!
Overall I felt like they changed the characters a little to show them more like they are in the last book of atla, more mature in some ways but still children. And I really liked it.
Sokka wasn't a little sexist brat but still makes fun of her sister because she is a girl and mess with girls. But not because he has bad intentions but instead because he doesn’t know how to talk to girls his age! He's just a teenager who is learning to interact in a healthy way with the opposite gender.
And I'm not gonna talk about Zuko and Azula because they were PERFECT! I loved how they built Azula character as a villain and how they merged Zuko's personality from rage to compassion. LOVED EVERYTHING ABOUT THE FIRE NATION SIBLINGS!
I really hope that they make a season 2 because I loved to see how they added little hints and facts and part of the story of the others Avatars! A nice detail.
Ans also how they started with the past-past and not showed it by flashback. Loved the lineal narrative in the adaptation, because old fans can be patient ultil they eventually explain it, but people who never saw the original might not be interested if they don't understand the story and the implications of Aang's disappearance from the beginning.
AND DON'T MAKE ME START WITH KYOSHI TELLING THE INTRO! I LOVED THAT! I LOVED how they made the other Avatars have more protagonism!
!!
AND THE FREAKING SOUNDTRACK?????? THE ORIGINAL SOUNDTRACK???????
Honestly it kinda felt like the Book Fourth we never had. Like if it was the same show but with a little more fun facts added and I loved it.
Yes, they merged episodes and all that (but we still got the Tunel of love song!) But they make it work and it was a great job!
And the scenarios and costumes???? The designers were on FIRE. How they managed to make it JUST THE SAME as the original??? Only because of their work watching the show is SO WORTHY
AND THE CGI??? THE BENDING LOOKED SO REAL! The animators did an AMAZING job! Super great and natural! I loved every part of it!
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cosmic-froot · 2 months
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I just finished watching Netflix’s live action ATLA and I’m overall so confused and disappointed with the last episode.
Spoilers ahead
Why and how is Katara a waterbending master?? It literally makes no sense to me other than Pakku just not wanting to teach her anything and found a way without seeming like a sexist asshole. Katara couldn’t even lift water not too long ago and now she’s a master???
Aang literally never learned waterbending in the book titled Water?? Can I just say that hated that the writers used the ocean spirit for a Godzilla trope. I don’t understand how it was roaring for one, and it just kept roaring over and over again. I also hated that they put a limit on the Avatar’s power?? Like because he combined with an elemental spirit, he’s lost and no longer Aang. There’s a consequence for him combining with the ocean spirit which already makes this Avatar weaker in comparison. They should expect for the audience to know that he’s not going to die/be lost in book one. SO WHY EVEN GO FOR THAT STORYLINE??? And how did both Iroh and Yue know this information? Where did that originate from?? How would they know this information????
Yue’s wig and makeup were so bad. I feel so bad for Amber. They gave Yue this “I’m not like the other girls, I’m a relatable girlboss.” personality, which was a sucker punch to the stomach right away. They also had her freeze Sokka so he wouldn’t stop her from sacrificing herself to save the moon spirit, but this ultimately portrayed that she didn’t trust that Sokka would respect her decision. I don’t think the writers would have done this if the gender roles were reversed, which makes this another example of an anti-feminist change to a character. Also her dad didn’t seem the least bit sad that she was gone??
I don’t know if I have it in me for another season of whiplash like this.
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darklinaforever · 2 months
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And here we go again to see the French critics denounce the live action series of Atla as with Percy Jackson...
The latest review I saw literally says that ; we don't see anything from the world of Avatar, that we don't see anything crazy. Not only is there a problem with adaptation, but it is also simply a basic bad series in the writing in the direction in the photography in the dialogues, in everything in fact. The narration which is catastrophic over 8 episodes. This is a purely bad series. And Aang and Katara apparently don't have an arc. Sokka actor is the only one to have a minimum of arc even if he has no charisma, and also has no chemistry with the actresses of Suki (wtf ?!) and Yue.
At this point, dare you frankly tell me that this isn't bad faith with a view to glorifying the cartoon ? Because, after the film Atla, how can we say things like that about the live series version ? I hope for all these people that the series will work and be renewed until the end of the story of the original series. She deserves it. Rare are live action adaptations made with so much love and care. Fuck you people actually.
That at least is a really good, objective review that doesn't spit gratuitously on the live action series :
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mood-2017 · 2 months
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initial thoughts after finishing the first three episodes of the atla netflix adaptation bc I have thoughts in my brain (contrains spoiler)
first, things I really liked and appreciated so far:
KYOSHI BC HOLY SHIT
the cgi looks GOOD, the animals actually look like they belong in this world
the bending looks insane (it actually has impact other than.. yk)
combat choreography and costume design is also a 10/10
idk a lot about score but I like what I hear lol
story progression is also interesting, of course they had to combine 2-3 episodes worth of information to fit their format and I feel like they put a lot of thought into that (it's more of a 50/50 tho)
starting the show with the air normad genocide was cruel but it really set the mood (I may have cried over that one aang and gyatso scene)
the actors actually look like the kids they are portraying
got nothing to complain about zuko, iroh, suki, zhao, etc.
I actually think that they portrayed zuko very well with him being very grumpy and goal driven but also has his awkward moments
I still have hope that they bring out irohs personality more
next, the bad and the ugly oof:
line delivery and interaction between the main characters feel a little stiff and awkward (might get better idk but where is the chemistry??)
I'm sorry but they sucked the life out of katara. If I didn't know the original character, I would find her really boring?? No hate to the actress tho, the lines she was given are just not it imo she did what she could with what she had
NO relationship building between katara and aang?? (they basically cut every important scene of their relationship out? like her being the one who breaks aang out of the ice, her being the first person he sees, her being the one calming him down after he goes into avatar mode at the southern air temple and probably more that I missed) > kind of makes me think that they're actually gonna go for zutara and idk what to feel (we all saw that scarf scene)
still don't know how to feel about them introducing azula, ty lee and mai so early? why introduce them so early when you already have to cut so much from the original to fit the 8 episode format? (their actresses slayed tho)
pacing lacks now and again and makes the flow a bit awkward (probably bc of how compressed it is)
I feel like the adaptation relies on the knowledge of their viewers who know the original a lot, especially when it comes to the main characters bc if this was my first introduction to atla I wouldn't feel connected to any of these characters YET
mind you, I still have 5 more episodes to watch so maybe this will turn around idk
I'd give it a 6,5/10 SO FAR but only bc I'm SO attached to the original so therefore I'm probably not as open minded as someone who hasn't watched the show 17 times
the original is a near perfect show and I think everyone knew, that there was nothing that the adaptation could do much better but you can still tell, that the people behind the scenes have a real passion for the original so I still appreciate everything that turns out better than the movie that shall not be named
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LADIEEES AND GENTLEMEN
I have just finished The Secret History, reading the last circa 120 pages now.
HOLY FUCK.
HEAVY SPOILERS ON THE SECRET HISTORY GO FUCKING READ IT. GO. GOOOOOOOOOOOO.
First of all my heart aches for Francis, yet his story makes so much sence? I hate that. I hate that I knew, subconsciously, that his end will not be the happiest one.
SPEAKING OF NOT HAPPIEST ENDS THE TWINS? First of all, ew, second of all, Camilla my dear I want to hug you but also do I think her decisions and her love to Henry caused Charles's demise? Yes. Do I have a lot of feelings about Charles? Also yes. It was inevitable that she had to leave Charles, he is fucked up and he needs to stop drinking, but if this was going on for so damn long she choose the worst time to do so and Henry, goddamn Henry, is also at fault.
BUT also I like Charles in the same way I like Callum from the Atlas series. Conflicted, but I think they could be so much better.
(Can you tell how fucking conflicted I am about the twins?)
HENRY
FUCKING
WINTER
I think the book is brilliant simply because in the end, you feel the same towards Henry as Richard does. You love him (Richard you are not straight), his looks, his inteligence, his devotion to his ideas, but you also blame him for everything that happened. He was the mastermind, he told everyone what to do, and the question of Why did we listen to him is so perfect!
Also the only way Henry would die is suicide. There is no other way. He, maybe not even realising it, had the incredible need to be in control of everything and everyone, mainly himself.
Richard, oh Richard, in some ways I feel towards him. A man who decided he wants more from this stupid life but let's call him Icarus, he flew to close the sun called Henry.
I DO THINK HIS NARATION CANNOT BE TRUSTED!!!
Simply, and I already talked about this, he definitely drank and took more pills than he let on. He talks how Charles is constantly drunk (even though they all are to a degree), with a certain sadness and worry. Yet, he could very well be the exact same. We just don't know it, because we are following him. Humans are critical of themselves until they want to share something bad they actually did do.
ALSO the way Richard detaches himself away from the murder of Bunny is incredible. He was there, he helped plan it, and even though they all call Henry the one behind it all, they all went along. Richard is in a sence manipulated by Henry, they all are (just like they are all manipulated and isolated by Julian), but jesus christ you could step away in any minute. You could call the police the first time Henry proposed it. Or tell Bunny.
Bunny is an annoying prick. He is a dick. But I also think Richard focuses on his negative factors (even though he does talk positively about him) because throughout the book he is trying to justify the murder.
And that's what I think this book is at it's core, Richard Papen subconsciously justifying the murder of Bunny. That's it and I love you Donna Tart so much I want to scream and read 200 pages more of your stupid book.
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mah-o-daryaa · 5 months
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The Cycle Repeats: Part IV
One of the key themes of the ATLA franchise is the concept of the Avatar; master of all 4 elements, the fusion of humanity and Raava, the spirit of light and order, whose sole duty is to bring balance to the world, and be the bridge between both the physical and spiritual realms. Along with this comes the idea of reincarnation, which is the premise of the Avatar Cycle, the idea that the Avatar reincarnates in a cyclic order in any of the four nations (fire, air, water, earth). Another concept related to the Avatar Cycle (although originating from the fandom) is the idea of the Avatar fixing the mistakes of their past life, which is often indicated in differences in both habitual circumstances and personalities between both predecessor and successor, and therefore differences in morality.
But what if I were to tell you that the saying "history repeats itself" is also true among Avatar incarnations? Not exactly going the same way, but rather parallels between the lives, personalities, and accomplishments (and failures) of past lives?
In this series of metas, I will be going over parallels (or in some cases, foils) between certain pairs of Avatars that lived decades, or even centuries apart, and yet could not have ever been more similar.
An Unlikely Analogy II: Avatars Kyoshi and Korra (+ Yun)
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"Kyoshi was the Earth Kingdom-born Avatar immediately succeeding Avatar Kuruk of the Northern Water Tribe, and preceding Avatar Roku of the Fire Nation. She died at the age of 230, making her the oldest confirmed human, and was also an exceptionally tall woman, towering over most people. Kyoshi was born to two criminals: Jesa, a renegade Air Nomad nun, and Hark, a thief from an impoverished family of Earth Kingdom actors. She inherited her later signature outfit from her parents, adopting her mother's golden headdress and metal war fans and her father's daofei face paint."
"Korra is the current incarnation of the Avatar and immediate successor of Avatar Aang. Born and raised in the Southern Water Tribe, where she mastered waterbending, earthbending, and firebending, she later relocated to Republic City to attain a similar proficiency with airbending under the tutelage and guidance of Tenzin, as well as to help her overcome her aversion to the spiritual aspects of the bending arts. With the assistance of Aang's spirit, Korra gained the ability to energybend and, after connecting with her past lives, she gained the capacity to enter the Avatar State at will, marking her transition into a fully realized Avatar."
"Yun was the friend of Kyoshi and Rangi and the earthbending pupil of Jianzhu. Talented, charismatic, and handsome, he was misidentified as the new Earth Avatar after a long and difficult search. Following the revelation of Kyoshi's identity as the true Avatar, Yun was betrayed by Jianzhu, who felt the boy's usefulness had been exhausted and allowed Father Glowworm to carry him off in the mountains."
I once again posted the first paragraph of their respective pages, and you might be wondering why I've included Yun. The reason is that, although Yun was misidentified as the Avatar, he still has various parallels with both Korra and Kyoshi during his "journey". On the surface, you might say that they are more balanced; they have both similarities and differences between their morals and personalities. You would be right on this account, so let's dive in!
(WARNING: There will be possible spoilers for both The Rise of Kyoshi and The Shadow of Kyoshi. If you do not wish to be spoiled, I suggest not reading any further and scrolling past this post until you have finished reading both novels. You have been warned.)
First, we have to take account the parallels between Kyoshi and Korra. The problems that arose during their times were rather complex; Kyoshi's predecessor Kuruk left behind a destabilised Earth Kingdom overrun by criminals, while Aang, although he brought the world to peace, had left behind both the Equalists and the Red Lotus for Korra to deal with. In addition, according to the first chapter of both The Rise of Kyoshi and the premier of The Legend of Korra, Welcome to Republic City (Book 1: Episode 1), both Jianzhu and the White Lotus had been looking for the Avatar for years. Jianzhu and Kelsang had been trying to locate the Avatar across the Earth Kingdom, while the White Lotus had searched both the North and South Poles. This is also where Yun comes in.
Initially in Book 1, Korra had similar opinions on violence and control as Kyoshi did (only justice will bring peace), and even befriended a polar bear-dog (Naga) at the age of four. (Polar bear-dogs are considered to be dangerous animals in the Avatarverse.) However, there is a difference between how each Avatar reacted to her status. Kyoshi denied it and ran away (which I have mentioned parallels with Aang), whereas Korra was the one who discovered her status and accepted her fate as the Avatar, saying that there was nothing more she wanted to be, which is a parallel to Yun's false identity as the Avatar. Ironically, Kyoshi (like Aang) ran away from her duties when the world needed the Avatar, while Korra accepted her duties during a time when the world had long since advanced beyond the need of an Avatar.
Both Kyoshi and Korra are also of mixed ancestry; Kyoshi's father was from the Earth Kingdom, while her mother was a rogue Air Nomad. Korra's father, like Kyoshi's mother, was a rogue immigrant to another nation, being a member of the NWT royal family, while her mother was from the SWT, which gained independence from the North after the Water Tribe Civil War. Kyoshi and Korra are also the only two Avatars to master the elements in their home nation, rather than travelling abroad (Kyoshi learned earth-, fire-, and waterbending with the FOC in the Earth Kingdom and mastered air- and waterbending in the Fire Nation, while Korra mastered water-, earth, and fire-bending in the White Lotus Compound in the South Pole and learned airbending at Air Temple Island in Republic City). However, Kyoshi was constantly on the run, living on the streets as a child, whereas Korra lived in comfort, but isolation.
However, their bending affinity are opposites. Kyoshi struggled to earthbend due to her sheer power, to the point that she had trouble bending small amounts of earth, while moving chunks of the seafloor with ease (not how it typically works), and favoring its elemental opposite, air, in combat. Korra, on the other hand, preferred earth- and especially firebending in combat, while struggling to airbend due to its philosophies contradicting with her drive and hot-headedness.
Now, the parallel between Korra and Yun. Korra and Yun's respective upbringings parallel each other; both grew up isolated in compounds, and being taught by the companions of their predecessors, being told that the only thing that mattered was their status as the Avatar. As a result, this caused a serious mental stunt for both of them, especially when it was revealed that Yun wasn't the true Avatar. Korra wasn't taught how to properly handle politics, whereas Yun went all-in and hunted Kyoshi down Tai Lung-style. Ironically, this was originally supposed to be a way to protect the Avatar, issued by their predecessors, Aang and Kuruk respectively, which was apparently misinterpreted by their supposed caretakers (The White Lotus and Kuruk's companions respectively).
Finally, the parallels between Kyoshi and Yun. Both are similar in that they both grew up abandoned in the streets; Kyoshi in Yokoya, and Yun in Makapu; at least until they were moved into Jianzhu's mansion in Yokoya. Both were "cared" for by a former companion of Avatar Kuruk (Kelsang and Jianzhu respectively; note that I put quotation marks on "cared for" because Jianzhu pretty much physically and mentally abused Yun), but this is where the similarities end.
Now, there are a handful of scenes in the Kyoshi novels which particularly stood out to me. The parallels between Yun's ability to bend the tiniest speck of dust vs Kyoshi struggling with the finer movements but easily raising the entire sea floor during her fight with Tagaka. The parallels between Kyoshi almost drowning herself to connect with Kuruk for the first time while forgetting she can waterbend vs Yun returning to the physical world only to be denied access to water.
We have to remember that the element of earth plays a central role in Rise; Kyoshi is a born earthbender, the book takes place in the Earth Kingdom, earth is the only element Yun can bend, earthbending is the only advantage Jianzhu has against Kyoshi, most of the FOC (Kyoshi's daofei gang) are earthbenders,etc, while the element of water is a central theme in Shadow (which is ironic, considering the book takes place in the Fire Nation), as is Avatar Kuruk's legacy as the Water Tribe predecessor of Kyoshi. In the original series, Iroh states that water is the element of change. During the whole novel, water represents the ability to move on, the ability to change. In these two scenes, water represents both Kyoshi feeling overwhelmed by her new duties as the Avatar and Yun's desperation to prove that he is the true Avatar.
Also, during the final battle, Kyoshi kills Yun by freezing his heart and lungs. Her ability to waterbend represents her ability to move on from the past and change, whereas his lack of waterbending represents his inability to grow, to move on from the past, to change. Yun even bends the earth similar to water, but it's a mere imitation of the bending art, not the skill itself.
Generally speaking, most people can easily spot the similarities (and in some cases, differences) between Kyoshi and Korra. From bending to upbringing to the conclusions of their respective histories, one can find some details between both Avatars. What they don't see is their biggest connecting link; their similarities with Yun. The False Avatar acts as the foil to enhance both characters, their histories, and their legacy. In the next part, we'll discuss the similarities between the current Avatar Korra and the Water Tribe Avatar before her, Kuruk.
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matt0044 · 11 months
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So... “We Don’t Talk About Bruno” is a bop, right?
It’s firmly supplanted “Let It Go” as Disney’s latest ear-worm until the next one comes along but it’s more than just a catchy ballard. It spells out how the Family Madrigal view him as a blight on their family name, especially when they’ve been a pillar of their community.
It also describes how rather than dealing with his problem and maybe helping him through it, they opted to just let him retreat into his room never to be seen again. Better to sweep it under the rug. However, this also proves to be a root in while the house is coming undone.
The message is clear: a family can’t stay as one so long as they can’t talk about their problems with each other. It’s why Mirabel doesn’t get a gift so she can be the outsider looking in.
Where is this going? Well... somebody just finished Voltron: Legendary Defender... and enjoyed it.
Here me out before you scroll away.
I had finished up to Season 7 along with Teen Titans three days before Season 8 dropped. I knew that fandom discourse would be a bear and opted to let the season simmer before I viewed it for myself a few Watch Lists down the road.
What I couldn’t have known was this overwhelming hate for Season 8. I was on Twitter where handles were being altered to include #FuckVoltron and the like. I glimpsed spoilers of what happened in the finale without getting into the dirty details.
Thus I decided to put it off until the heat died down. A whole half decade at that. With Fandom Drama down to near non-existent, I decided to return and engage with Voltron on its own terms from the start. No shipping drama, no expectations for how it should go, no accusations of problematic behavior and no Purple Lion conspiracies.
And... I liked it. I highly encourage those scared off by the drama or felt Season 8 did it dirty to give it a(nother) shot. It deserves a full on renaissance the way Twilight got.
Why? (spoilers ahead).
I was sold on Allura and Lance’s relationship. I loved how he went from being a flirt to genuinely admiring Allura as a leader and Paladin, encouraging her in the season 4 finale without trying to get anything out of it.
I liked the tonal shift around Season 7 where the ultimate Golion homage is made with the Space Explorers coming home to a war ravaged Earth.
I liked how human Lotor and Honerva were as villains coming after Zarkon. I can see why there’s a whole ass conspiracy framed around him actually being in Season 8. Also them taking that “Your mother was an Altean bitch” like and running with it for Hagger was brilliant.
Keith becoming the Black Paladin after Kuron’s reveal was well done and felt weirdly natural in retrospect. He feels like he can’t measure up to Shiro and learns more discipline from
Allura sacrificing herself to restore all realities felt a lot better with the knowledge of spoilers. It helps that the ending went with a more noble feel than angsty, showing how the Paladins strove make sure that her actions set an example for years to come.
I love that they got creative with the multiple alien species and kept the Alteans from being just humans in space like in the original. It really took inspiration from Vehicle Voltron with more aliens in the mix.
Shiro the Hero, as Crazy Coran put it. What can I say except that he’s the kind of character you call a Mary Sue if he wasn’t a guy. Always calm, always perservering, putting the mission first and being a pillar the team can lean on. He even creates his own Voltron out of the Atlas
Honestly, the whole Adam thing isn’t something I fully blame the writers given the producers pushing back. Mind you, I feel like Keith would’ve made a good endgame pairing with him if they had even out their ages when they first meet, both as teenage proteges.
Studio Mir was amazing, especially with the space battles. Honestly, if Robotech managed to make a comeback, I could totally see them being tapped to match the classic Anime style.
So... yeah. Voltron good actually.
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glassshard · 5 months
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Blue Eye Samurai ending spoilers>>
I stayed up way too late finishing off the show and I'm glad I did! I've never seen a better written animated series. It's kind of a unicorn. Creator-driven series written for adults that isn't some poor hireling desperately trying to express something meaningful through a corporate IP. No shade on all the earnest animated video game and capeshit out there, but- well yeah. Maybe a little shade. Fanfiction is always easier.
BES also wasn't just an occasionally edgy YA show like ATLA or Korra (or the Spiderverse stuff, sorry) or style over substance like the old MTV series. The creators had an idea, and they sweat blood to make it happen. Kudos to Netflix for letting them do their thing.
That ending though, man. I get wanting to subvert what everyone was expecting. And I trust these writers to know what they're doing. When someone gives you eight hours of badassery, you give them the benefit of the doubt. But it's bad feels not getting the catharsis of the Big Bad's demise at the end. The show does a fantastic job of making you despise Fowler. He's not a grey villain, he's friggin' Satan. And you don't get to see him drown in his own blood after all that struggle! It's rough!
What's even a little more alarming though is the reality of Mizu leaving all the cool characters and hanging relationships she's spent the whole series building up. And why? To go to London?? That's weird! London is gross! I don't like the idea of leaving the rest of the cast behind! I hope the writers have some kind of awesome idea for English shenanigans to make up for losing them. Will the story bounce back to Japan to see what Akemi's doing and how Taigen deals with the rejection? I care at least as much about them as about Mizu. Ringo's probably safe making kitchen knives tho.
Leaving so much unresolved is tough stuff. It'll be years before a second season comes out - and maybe it never will. If that happens, I'm going to be pissed that they structured their story this way. But if it does happen and it's worth the wait, then I admire the bravery.
I just got three criticisms that caught my eye: The Fowler fight was way too similar to the giant fight. What I would have loved to see was Fowler with an arsenal of hidden guns and him and Mizu fighting each other through the burning building as she slowly whittled down his fire power before ultimately savaging him. Any time you pit Mizu hand to hand against anyone with such obviously massive physical strength, you're shattering the illusion. Even if she was a dude, she's a dex build. I'm still not clear on what she bit off Fowler's face to escape that hold. It wasn't his nose or tongue? Clarity there would have been nice and felt good.
Seki's death was flagged so hard it almost ruined the impact for me because then I was just looking for it to happen. RIP Seki, he was such a cool character.
The licensed tracks were always distracting. No anachronistic music in a period piece!
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licorishh · 2 months
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Welp. Binged the second half of the new ATLA show and finished it and I am still so incredibly impressed. Spoilers under the cut y'all know the drill
I freaking loved this adaptation. Slapped. Killed it. Nailed it. I'm gonna rewatch it over and over. Legitimately the only things I could really complain about are all related to Azula.
I really feel like Azula having screentime in season 1 served zero purpose here. I feel it would've been much more impactful to have her go entirely unmentioned until the finale when Zhao reveals to Zuko that Azula was behind everything (i.e. iy would've been cooler if Zhao were also revealing it to us, the audience, for the first time).
I also think it's a little odd how they're kind of totally changing the dynamic between Ozai and Azula (or at least the parts of the dynamic that we're supposed to believe is a representation of their relationship for the majority of the show). In the original show, Azula has no idea Ozai is simply manipulating her for the fun of it. She genuinely thinks he loves her, is proud of her, and is extremely impressed with her. It's not until almost the last episode that Ozai ever directly expresses his disdain for something she's done/said, unless I'm wrong. Ozai's expectations of her in the original show appear to be things she's easily capable of meeting, and she feels extremely confident in her abilities and is under the impression Ozai is equally confident in her. I find it strange that repeatedly in this adaptation Ozai is instead treating her pretty similarly to the way he treats Zuko. He doesn't appear to show her any kind of particular favor, doesn't expect anything but the most outrageously impossible from her, and regularly ridicules/undermines her and sows seeds of doubt in her mind that she's competent.
Azula doesn't show the slightest hint of cracking until the end of season 3 after Mai's and Ty Lee's betrayal. Sure, there are hints earlier on that she's a perfectionist and refuses to settle for anything less than the most flawless outcome, but she comes off as being incredibly confident and secure in her position. She doesn't doubt anything about her situation or her relationship with her father or brother. In other words, in the original show, the audience and Azula herself are never meant to realize until the very end that Ozai was pitting his children against each other. We (and her) are intended to believe that Ozai genuinely prefers Azula and is more pleased with her than he is with Zuko. In this version, there really doesn't seem to be much of that at all. It's just odd.
Smaller complaint, but I don't think that actress is necessarily just the most stellar choice for Azula, either. The casting for the show has been excellent so far, but this particular actress seems to be bringing out aspects of Azula's character that really weren't meant to be at the forefront until much later. Maybe it's the actress, maybe it's the writing, maybe it's both, but it doesn't feel like Azula. She doesn't feel like a substantial threat. Heck, Zhao is wayyy more compelling in this version than Azula is, and that's really not very good. She feels like just another competitor for Zuko.
Kind of branching off of that, and this one is a pretty small one, but Mai and Ty Lee are super boring. Granted, I don't really care about them at all in the original anyway (Mai has really no narrative reason to exist other than to be part of what causes Azula's spiral; I do like Ty Lee a little bit, but I could really take her or leave her), but they're just... so bland. There's no reason for them to be in those scenes other than to be cardboard boxes Azula can glare at. At least in the original, they serve as an excellent example of what's tethering Azula to reality and how she feels an incessant need to exert control over every aspect of her life. I reaaaaally wish they'd waited until later to bring them into the adaptation (it's also just reinforcing to me the fact that I simply cannot see Zuko with Mai at all in either version, but that's an issue for a different day).
Other than those things I wasn't too thrilled about, I really did love the show. The acting from the main cast was excellent, the stakes felt SO MUCH HIGHER and it was SUCH a nice tonal change, the bending looked incredible, the amount of effort put into accurately replicating the sets and the costumes was just astounding, and the pacing was excellent. I love how they were able to cut down on so much of the extraneous filler from the original season 1 by finding ways to compile them together in a way that still flowed excellently and allowed for a greater focus to be put on the main story. The main story in this adaptation never stops going, and for me, that makes it SO much easier and more fun to watch. It doesn't go off on forty-minute tangents that have zilch to do with the main point of the show.
Also Dallas Liu is literally the best possible pick for Zuko. He is capturing Zuko's miserable wet cat energy in a way no one but Dante Basco could do and that is saying something. He's also putting an excellent emphasis on how desperately obsessive Zuko is about catching Aang in season 1. He's completely blinded by his desire to find him, causing him to make completely illogical and irrational decisions driven purely by a desperate desire to measure up, and Dallas Liu is really doing an incredibly good job reinforcing that without having to actually say it.
Gordon Cormier is also absolutely killing it as Aang for me. I'm really not the biggest fan of Aang (I just don't usually like child characters; he's better in some parts of season 3 but he's just not really my favorite), but he's actually making Aang incredibly fun to watch. He's adorable and fun and silly without being painfully immature and difficult to be invested in. Yeah, I know, Aang's twelve and twelve year olds are immature, but that doesn't mean they're automatically fun to watch. He's really doing a great job there.
I also love this version of Zhao. I feel like he got way more screentime in this version than in the original, which was pretty cool. He turned out to be a much cooler and more dangerous villain than it felt like he was in the original.
I also liked this version of Yue WAYYYY more even though she was only in one episode because man!! She has a personality holy cow!! She's actually fun!! And entertaining!! Not just Phantom Menace Natalie Portman-levels of "Well she's a very nice person :)"
Also also, I loved the vibe of uhh episode 5, I think it was-?. Both of the Koh jumpscares legitimately startled me which I was not expecting 😭 normally I can eat simple jumpscares for lunch but they made him so frickin creepy which is honestly good because hE IS FRICKIN CREEPY
And I cried. Like three times. First time when frickin Leaves From the Vine played at Lu Ten's funeral (that one had me weeping as usual), I think a second time when Katara is remembering being a little girl and is hiding and she sees her mom being killed (that was honestly so much more impactful that we actually got to SEE such things instead of just hearing about it), and then I think again in Zuko's Agni Kai because my gosh he's been through it :((( the flashback parts before then though were so nice 😭 I lived long enough to see happy smiling Zuko in 4k which means I can die peacefully now
All of this is coming from someone who first watched the show as a young kid, was never really a huge Aang fan, and really doesn't care for the original season 1 and tends to skip it every time I watch the show. I have pretty unusual opinions about the original, so my opinions here may vary massively from the general consensus, and that's fine. I really loved this adaptation and I will be so heartbroken if they don't make a season 2 MAAAANNNN I NEED MORE 😭😭😭
Also the writers are goated for replacing Aang with Sokka in the Cave of Two Lovers and having Katara reinforce their family bond instead of pushing a self-insert crush a little boy has on a teenage girl who treats him like her son. And also that scarf scene which I think I will perhaps never not be thinking about. I will be forever indebted to them for that but again that's a topic for uhh not right now 👍
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