#also this event is giving me so many characters interactions i didn't even know i wanted

[lenaboskow]

If you truly believe that Tommy hasn't changed, why would Chim and Hen keep hanging out with him (Bobby Begins Again)? Also, there's the fact that Tommy, for the most part, wasn't an instigator. Rather, he tried to keep to himself and not be involved. It's clearly a shitty thing but no uncommon, especially in toxic work environments. Was he dickish? Sure, would Chim think highly of somone openly racist? Based on the latest episode (spoiler: his interaction with Gerrard) he clearly uses the words "good to see you haven't changed" which I think it's intentional to show that Tommy (unlike Gerrard) changed.

You're entitled to your opinion, and you can also hate Tommy for no reason. No one is going to force you. I think saying you just hate him for no reason would be better than trying to build a narrative that the show clearly disputes. Last but not least, Lou giving his headcanons for the character he portrays isn't that uncommon. In fact, many actors do, and it helps them get more into character.

lol i wasn't going to answer this but then i read the "wasn't an instigator" line and i just had to. let's take a look at some of the things tommy said or did in the begins eps...

in chimney begins, he starts by saying "did you forget to tip the delivery driver?" though not explicitly stated, it's implied to be racially motivated because they had ordered chinese food, and chimney is asian. then he proceeds to actively participate in the isolation, once saying "you still here?" to chimney as they return to a call. the most notable time is during the locker room scene where chimney is trying to reach out an olive branch, and tommy actively pushes it away, saying he doesn't think about chimney enough to hate him, but if he did he was sure he would. the only time chimney gets a semblance of an apology is after he saves tommy's life, and that's a messed up way of thinking, no matter how you spin it.

then, we have hen begins. oh boy. gerrard makes comments to hen, and chimney stands up for her, while tommy is standing by letting it happen (this isn't instigating, but it's a notable mention). then, we have "new york bitchiness is a compliment?" which, wow okay. that entire meal he participated in the conversation while chimney tried to drive it away. finally, i know a lot of people think tommy was the one to turn gerrard in, but the way he looked pissed off in hen's speech at the end, and the way he looked like he didn't want to apologize makes me think otherwise.

i don't know what happened off screen for hen and chimney to be friends (or at least civil) with him now, but i do know that recent events have shown tommy is still the same dickish (your words) person he was in the begins episodes, this time without the racist and sexist undertones. some examples include, but are not limited to:

calling buck "kid" and telling him in a condescending tone that eddie was allowed to have more than one friend

the closet comment

leaving buck at the curb the way he did

the bachelor party

the way he acted at the ceremony (looking like he was waiting for buck to stop talking and "enjoy it while it lasts)

so i think it's safe to say i'm not just "building a narrative". the show is proving that tommy is still the same person he was before, he just toned it down.

finally, i'm not even going to touch lou because that story is rapidly developing and i can't keep up.

[c6jpg]

sucrose and collei are so fucking cute together i can't do this you guys i'm just banging my fists on the table this entire event THEY'RE SO AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHASDFJK

[lynaferns]

FNAF Steampunk AU

That I never finished because I couldn't figure out what was going to be the story and character dynamics, and the role of each character, and yeah… I also spend many days writing, rewriting and changing thing, I didn't even get to finish the first draft and I got artblock.

I think my problem in the first place was that I wanted to make this AU stick to canon. A mistake, I know lmao. Later I thought of just making up most of the things but having to rewrite what I had already done dismotivated me.

So I thought of at least showing this character height chart I made a year ago. And maybe, idk, some of the wips that I never finished.

Maybe some notes and interactions I wrote under a cut.

If you ever want to ask me about what I had planned for this AU go ahead! Some main things about this story are:

All of the events of the story happens in a week (or so).

Gregory acts a little more scared than what is shown in the game.

DCAs arms can stretch up to 100 ft (30 m). He bends them to write or make shapes in the air.

Sun has some nowlege in animatronic repairs and maintenance due to being abandonent, having to repair himself.

Vanessa/Vanny have a biger role than in the game.

Burntrap also apeared more.

All animatronics are equiped with dart guns (for safety!). There are some places that require to leave the dart guns behind to continu.

Pizza is scuare (this is not important, I just felt like adding it).

Also, first idea and some doodles.

Gregory gets to escape to the locker rooms leaving Chica behind him. While searching for an exit Gregory gets surprised by Sun who was searching for him, and out of fright takes out the camera and flashes his bad eye damaging him for a few seconds.

Sun- "you were carring an object capable of blinding animatronics with you and you didn't use it against Chica to escape?!"

Gregory- "I didn't remember! I was more focused on running than taking a camera out of my pocket!"

Sun-pointing at himself with his hands- "And you had to remember when you saw ME?!"

Monty grabs Moon by the neck and throws him like a stick doing a spinning motion on the air, Roxy chases after him. She comes back carrying Moon with her mouth.

Freddy has an existential crisis by seeing endos. Moon is there awkwardly watching him. He gives him a pat on the back.

The auxiliary arm of the protective cylinder is broken, Gregory has to repair Sun manually. Trying to put his face plate back the nose falls off and Gregory nervously catches it juggling. They look between each others and the nose.

Sun-"..." "Gregory"

Gregory-"..."

Sun-"come on, say it"

Gregory-"..." "Got your nose~"

Vanessa is explaining something to the group. Moon is behind her copying her movements. The others are trying not to laugh. She notices and throws a flashlight at Moon.

They divide in groups. Moon gets on Monty's backs like a gremlin.

Moon-"go gator boy"

Monty-"I hate you"

One last, this is a whole scene that needs a bit of context. The current team members are Gregory, Freddy, Sun/Moon. They have figured out that the safe mode prevents animatronics from acting weird/hostile (found out the hard way in an encounter with moon and a fuse box). Though Moon seems not to attack Gregory anymore they wanted to test it with the rest of the band and found Chica, some things happened, they left her in her room in sleep mode and went to roxy raceway. This begins when they head to the west arcade to repair the service bot's head and on their way they encounter Chica out of the sleep mode but more normal.

(Forgive my poor writing, this was more of a script)

The four of them stare at each other until one decides to react.

Sun–”HELLLLO” Chica– holding her left arm–”A- Hiii, umm” Freddy– “He-hello Chica! What got you here??” Chica– “I-uh…patrol? I- think?? There… There is a child lost in the pizzaplex and we were, like- told to go find him, remember?” “Actually, wait, why are you out of your room? I thought maintenance put you on lock down- And what is the Daycare attendant doing out of the Daycare? it’s not the end of the hour yet- Oh!”–she just saw Gregory behind Freedys legs–”hey! you got the kid-”–flashback of the garbage compactor–”GET HIM”–she points at him with a dart gun– Sun–gets in the way–”WOAH WOAH WOW easy there!” Freddy–”Chica- wait! It’s ok he’s with us” Chica–”T-that-that kid is a menace! He- we should-HAVE to take him to the officer Vanessa–” Gregory–*gasp * Freddy & Sun– “NO!” Chica–”????wha-?

Freddy– “We must not take him to her.” Chica- “You guys kidding?” “These are literal-plain-instructions that you are- just-” “That kid threw me through the garbage compactor!” Gregory–”You tried to kill me!” Chica–”what?! No! I couldn’t do that, that’s against my programming!” Sun–”Uuumm, about that miss-” Chica–”YOU”–points at Sun with the gun– Sun–”?!” Chica–”You were there too!” “You have been with this kid all this time!” Sun–hands up-”Iwastryingtostophim” Freddy–”Chica, calm down, I know what this looks like but-” Sun–”OHMYGOSHWAITGUYS, she’s not hostile!” Chica–”wha-?” Freddy–”what…?” Gregory–”what??” “She’s literally pointing at us with a gun” Sun–standing next to Chica, pointing at her while looking at Freddy and Gregory–”I just noticed! her behavior changed-!” Chica–redirects the gun to re-target him–”you’re getting too close” Sun–ignores that–”She’s back to normal! That means the safe mode worked, we can use this!”

Chica–”What are you talking about?” Freddy–”You’re right! That’s a relief” “right Gregory?” Gregory–”...Yyyyyeah? I guess, yeah” Chica–”seriously, what do you all mean?” Freddy–”Well, It’s a little long story-” Sun–”And we will explain it to you!” “BUT not now, we are in a rush!” “To repair this bot-head so Gregory can ride the racecar” Chica–”...” “‘you serious?” Sun–”yep!” “Say, Gregory! You still want to ride?” Gregory–”uh-yeah” Sun–”Then let’s go!” “TO THE WEST ARCADE!”–grabs Freddy and Gregory and takes them there–”You can come if you want~!” Chica–”...” “OH- GOLLY, WELL” “I guess I’ll just go with you even though I don’t understand what is happening! And no one is going to give me an explanation!” Freddy–”-I promise that I’ll give you a wide explanation once we are done with all this… But in a more private place”

There are actually a couple more of scenes before this one (and after) but I'm not very confident of showing those (or any actually but I don't want this to be buried in my documents and forgoten because I really want to at least make a decent story)

Also, I know that the canon heights for the animatronics are like 6 ft but I prefered my height variety headcanons. Maaaaaybe they are a little too tall looking at it now that I look at it again but, eh.

[cartograffiti]

If you want to run a Court of Fey & Flowers Game, dnd isn't what you need

...because it's not what the Dimension 20 cast played, either.

I talked about this a little bit once before, very early in the season, but now that it's done, it's really clear to me that they played Good Society by Storybrewers with a few Dungeons & Dragons elements hacked in, not the other way around. Aabria Iyengar loves Good Society, and it really shows. She merged the systems really beautifully to suit the expectations of D20, and that's why I think players at home will get a better experience by starting with GS materials than by trying to reverse engineer the mechanics Iyengar showed in action.

Things they got from DnD:

-Skill levels/stats.

-Rolling dice to determine success.

-The game master/facilitator (Aabria) playing most characters.

-Some creatures and spells (the dog that has an old man's face, the telepathy spell I can never remember the name of).

-Aabria giving out Inspiration.

Things they got from Good Society:

-The principle of having a character goal that may be kept secret. (In fact, some of D20's specific goals were probably even chosen from Good Society materials. The player character with a secret spouse? There's a card for that.)

-Social reputation tracked by degrees, conferring descriptions and perks. (They did not use GS's exact system. Whether it was a hack or a mix with a game system I haven't played, I don't know.)

-Trading tokens that can be burned to make strong moves. (Again, not GS's exact mechanic--GS uses tokens throughout instead of dice. That game lets you decide what your character is capable of. Tokens make sure everyone has fair chances to act, especially when players have conflicting goals.)

-Additional guidelines and mechanics for agreeing on how the table wants social events to work, as well as how to navigate the varying dynamics of relatives, friends, and rivals.

-Rumors and epistolary phases. (There's a fun post going around about Brennan asking about these because "he wanted to get a good grade in dnd," but I think he was sincerely curious how they worked, because they aren't dnd!)

-The overall cycle of play, dictating the order of phases and pace.

-Some mechanics for the reputations and interactions of fae courts as entities were taken from Good Society's Fae Courts mini-expansion.

-Monologue tokens. (D20 has Aabria as the only one who can use these, GS allows anyone in the game to ask someone to monologue.)

-Additional guidelines for determining world state, character creation, and keeping the story within a consistent style and tone that feels like a recognizably Regency story...even when giant owlbears can get gay married.

-Other flavoring and approach details.

Things Good Society has that Dimension 20 didn't get to show off:

-The ability for players to also choose a secondary character to control, allowing them to participate in more roleplay and experience multiple personalities or social roles in the same game.

-A really rich and thoughtful collaboration phase, before the story begins.

-The ability to share facilitator duties among the table, and to allow the facilitator to play a main character as well as supporting cast.

-Advice and expansions for adjusting the game to various tones, genres, and other historical periods.

So you're looking at buying Good Society:

What you need is pdfs. Definitely grab the base game for $21.00, that has most of what I just described. If you're excited to see their Fae Court specific materials, it's included in the Expanded Acquaintance bundle with many other pieces of content, or there's a bundle of the base game and every expansion they've produced. You do not need to buy the more expensive bundles that include physical books and cards unless professional physical versions delight you, the pdfs are designed to be printable. Storybrewers also made and provide spreadsheet templates for sessions meeting online, so you can all see your worksheet choices.

Good Society is a really fun and flexible system, and it's most of what we loved about how A Court of Fey and Flowers was structured. It's your best route to a recreation, and well worth playing in its original form. I love that it doesn't have stats and dice--if you've never played a ttrpg that doesn't make you do math, this is a great introduction. I'm so glad Aabria featured it on the show!

[sidsinning]

UNNECESSARY AND UNHINGED RANT ABOUT CINDERELLA'S CHARACTER FROM CINDERELLA (2015) INCOMING

Lemme talk about Cinderella from Cinderella (2015) for a bit actually yeah because these changes to my girl completely baffle me

She has friends now

Goes outside on her own

Says the only reason why she's staying is because it's her parent's house- bruh.

All of this takes away (+ more reasons down the cut) from the true cruelty of OG!Cinderella's backstory and how it all connects so well to inform you of her character and the actions she takes

OG!Cinderella has been indoctrinated into accepting her life as a maid to her step family since she was a small child. She is never seen going outside of the house besides the night at the ball. The only friends she had were random animals around her she couldn't even fully converse with. She had no other human perspective on her situation or how to get out of it. It makes sense why she's just taking her stepmother's tyranny while holding everything in because this isolation and neglect is all she knows. This is the entire limited scope of her world. A sad reality to many cases of abuse in real life.

And they just. Erased all of this for some. Reason???

The night at the ball was a big deal because she literally NEVER gets to go out. This is the only time she interacts with the outside world aside from the ending. The impact of that was HUGE in the original movie. The new one just cheapened that imo by implying she goes out in town and talks to others regularly. This event was an impossible, fantastical dream come true to someone who is never treated as anything but a servant to everyone she knows.

Basically OG!Cinderella has it way worse which is what makes the ball such a huge deal in the first place.

Third point I don't think I need to explain how Cinderella staying in her abusive home bc the house is "hers to love now that her parents are dead" is not a good character change and doesn't make sense. I would understand if her dad was alive and insisting on staying, but he is GONE. It is a building you grew up in sure, but that's all it is. Not something you sacrifice your wellbeing for. So that's a shit reason they didn't need to make up to say why this character is stuck in her abusive household. The isolation and years of gaslighting were enough. (Also showing how much of a frightening presence and manipulative villain Lady Tremaine is.)

And she sure left it quick after getting hitched lol

The Fairy Godmother having the audacity to test Cinderella with that "oh I'm a poor old woman and I want some milk please" nonsense

Not very godmotherly of her in this version. 🥴 The Fairy Godmother appeared in the original to offer pure comfort to Cinderella in a time of desperate need, when this resilient and kind spirit finally reached her breaking point. The dress, slippers, pumpkin carriage, and magic were all given freely as a present to make her feel better at least for one night.

Meanwhile this goofy ass Godmother has the audacity to be like "hey is she gonna be nice or not even though she's crying in tattered, recently destroyed clothing- I need to see that or else she doesn't get the magic juice". Like why did this become a way to test her morality all of a sudden? Why did you need something from her to give up the magic goods?? It's not even a good test she just walked a couple steps and poured some milk in a bowl,,,

Idk man they made their relationship transactional for no reason which taints the original purpose of this scene imo. The original Fairy Godmother already KNEW Cinderella was kind without having to make sure by disguising herself as a rancid old lady. 😭 Weird and unnecessary addition.

Kinda nitpicky here but this film did not at all match the terror of the torn dress scene which really shows you how horrifying and humiliating it was to Cinderella

Comparison

AND THE BIGGEST OFFENDER: THE WAY SHE "ESCAPED".

I NEED TO TAKE A BREATH

BECAUSE LIKE. WHAT WAS THAT.

Original Cinderella, seeing a real chance of escape from her abuse, uses everything in her possession to do so. She's yelling for the mice to get the key, to get Bruno to chase away the cat, running down to meet the prince's attendants to make sure they get the proof of her identity from her- and that moment she oh-so-casually pulled out the second slipper??? SEEING HER STEPMOTHER'S SLACKED JAW??? GAGGED US ALL.

ICONIC

But 2015. Bitch. What is going on. She gets locked up and easily accepts her doom. She just twirls and sings in her prison like a dunce because cINDerELLa wAs aLReADy cONTenT wIth her sMaLL mOMEnts oF hAPPIneSs anD dREamS wItH thE pRinCE.

Just. Gives up.

Not the mice begging her to get up and save herself come on now

The mice have to do their best on their own to push open her window so the prince and his crew hear her on time.

And yeah, all she had to do was open a window.

WHAT. WHY. HOW. WAS THIS??? MORE EMPOWERING???

1950: use your brain to fight to the very end

2015: quit while you're still ahead, or don't try you just gotta dance and sing all pretty then someone will come along and save you

I'm sorry, but for a production that was so critical of the notion of "Cinderella just waited around for a prince to save her"...is that not literally what they changed the ending to?

You wanna talk about lack of agency in princess stories well here you go 😭

You know what's sad about all this in the end is this is still the best recent live action Disney remake imo LOL

Anyways hello if you've made it all the way down here I rest my case

[sanctus-ingenium]

I’m really inspired by your world building and the creatures you use. I’m trying to kickstart my own world using Celtic, Norse and Scottish myths (it also involves werewolves because they’re cool)

But I’m stumped and a bit overwhelmed. How’d you start your project and what were huge sources of inspiration for you as you worked on The Black Horse?

hi there!!! this will probably get wordy i have a lot of thoughts on this but here's how i built up my inver setting

i had the characters first, and the werewolf establishment was basically the first thing invented about the world. I wrote a decent amount about the characters in the pre-1st draft slush pile just getting a handle on their voices, their history together, etc. the first slush draft was in painstaking chronological order telling of their lives from birth to like age 40 - it wasn't pretty to read but it meant I knew what big moments formed their worldview, their relationships with others, things like that. and then i got to pick and choose which ones would feature in the actual 1st draft, and which i would leave unsaid, in flashback form, or only in the form of vague allusions. the plot and world events changed significantly as i wrote the actual 1st draft so this ended up only being useful for backstory stuff and not book plots, but it was still good to have.

There was an important moment of a character being kidnapped into a faery realm, which is what started me off thinking about fairies in general. they weren't originally a part of this world - it was an undefined space before just for the characters to exist in, because i was (and still am) more interested in the characters than the worldbuilding. but i still like for there to be SOMETHING there in the background, and it gives a lot of opportunities to inform characterisation, so i started to make my setting. I picked the Púca as a pivotal being & major inspiration source to include because of its relatively large presence in the fringes of my childhood in stories told by my older relatives and i like the unusual aspects about it as well, how it has been both heroic and malevolent in different stories. you have to remember i grew up in this culture too, i knew a lot already, and that's what got me thinking of alternate Earth history - as in, the setting of Inver as alternate history, not wholly original fantasy set in a fantasy land.

So then I had to think about the implications of that, and here is where I think a lot of authors adapting extant mythology fall short. A world where faeries/mythological monsters/gods based in real cultures exist and people interact with them is indistinguishable from our own. We already live in a world where people interact with faeries in their own way; I've heard many older relatives recount stories of being trapped in their fields by faeries, how you can only escape by taking off your jumper and putting it back on inside out. There was no question as to whether they believed this was a concrete, meaningful interaction with a supernatural being. We have a motorway that was diverted while it was being built because the builders didn't want to risk cutting down a hawthorn tree. There is a deep stigma against harming hawthorns. Now, tell me how things would be any different if faeries were real irl? ftr I do not believe in the supernatural whatsoever, not even a little bit, but it is impossible to deny that I live in a world deeply shaped by it - I need only look out the window at the stands of whitethorn around my house to know that. because the main expression of that supernatural element is in how the people of that culture react.

you cannot, you cannot pick and choose only the monsters from a legend and leave behind the people who made & propagated that legend. you're only taking a single thread from a rich tapestry. I'm not arguing that other cultures should be untouchable, far from it, I'm just saying that to truly appreciate it, you need context for everything you adapt. you gotta know what you're writing about

in that sense, the people are more important to building Inver than the faeries. a citizen of Inver not immediately affected by the main plotline would likely never see or interact with magic in their lifetime, but their society is still shaped by it. so is mine (though that's more on the catholic church than anything else)

So now that I'd had that realisation, I decided to dump a lot of the traditional fantasy tropes I'd been working with. Think basic fantasy setting stuff, pop culture "The Fae" tropes, even the terminology of 'Fae' at all - that is not something I've ever heard the older generation in my life call them. It's just 'fairies' to them (although I did shift the spelling to match the Yeats poem because I could not handle writing characters making accusations of being A Fairy and have it not come across as a unintentionally homophobic accusation lmao). I did some research; mostly on JSTOR, using my institutional access, because my own university is mostly science and didn't have a big library of anthropological texts. I read An Táin Bó Culainge which is honestly one of the greatest stories of all time PLEASE READ IT if you are at all interested in Irish myth. It is a fantastic story and extremely comedic as well (a canon mmmf foursome lol). In terms of academic sources specific to the Púca, I have a drive folder of pdfs I will share with anyone if they ask.

I decided I was not going to include anything from what people actually think of as pre-christian Irish mythology - no fianna [rangers notwithstanding], no Ulster cycle, no Tuatha Dé, no Irish gods. All the things I include are post-colonial aside from the notion of the Otherworld in general. This decision wasn't necessarily accurate to what might have happened in this alternate history (given that christianity still has no real foothold in Inver) but it is a colonised society after all. It's why I got slightly steamed once when someone filed my Púca art into their irish deities/irish polytheism tag (I have my own issues with iripols/gaelpols for the same reason I dislike people taking myths out cultural context and in this case contemporary cultural context), because the Púca is in fact a postcolonial being - it comes from the UK, and likely the mainland as well

One of the last things I did before starting on my 2nd draft, which is what turned into Said the Black Horse, was decide to always capitalise the word 'Púca'. Because what really clicked from doing my research and remembering what I'd heard as a child was that the Púca is a specific character. Not a species, not a class of monster. A character, one guy. And you'll find this everywhere - the obvious example is the Minotaur being one specific guy, the son of Minos, not just 'a minotaur'. One very funny consequence of speciesifying mythological characters is dnd ppl saying their character is A Firbolg (fir bolg is plural!!). Fantasy bestiary books like Dragonology or Spiderwick Chronicles have done some amount of damage to how people relate to myths and legendary creatures, and I am not immune as someone who loves speculative biology, but in Inver I decided to cut all of that out.

Next once I got that out of the way I had to think about tone, atmosphere, and intended results. I didn't achieve my holy grail of a very atmospheric, undefined, and uncertain story that provides no answers, due to limitations in my own abilities, but I tried. I have given less than 1 second of thought to how magic or faery biology in Inver works because that is not conducive to the atmosphere of a fairytale. Many of these source myths and legends are really about the fear of the unknown. They are rationalisations to explain away something unknown, some mystery of life, and you cannot explain the unexplainable and expect it to carry the same punch as the original myths that you are drawn to adapt. That's also why I try to never actually give facts about fairies, but instead I talk about what people think of them. The word 'considered' does some insanely heavy lifting in that linked post lmao. Is any of what I wrote true with regards to the Red King?? It is for the people who believe it.

I'm saying all of this because these are all points I had to think about before writing that 2nd draft, but also because I think they're worth considering for your own story as well. I'll admit I invented my werewolves from scratch, they have no mythological basis, because they pre-date the faery stuff and also I wanted them to fill a very specific role and appear a little more concrete than the other supernatural elements. It is what it is; I wanted a werewolf element that didn't match myths and legends (and honestly was partially inspired by me rolling my eyes about those posts going around moaning and whining about 'the doggification of werewolves missing the point of werewolf stories'. I thought, well, there's more than one story you can tell with a werewolf - it isn't always 'i fear the beast within', sometimes it's something else! sometimes it's daddy issues! it's okay to make something new)

ok i think that's all i have to say.. modern Inver is a bit different, that worldbuilding is largely the same but with a big dose of actual ecology because the main characters are rangers and in Inver in 2017, rangers mostly do environmental monitoring. and that's a whole different sort of worldbuilding lol

good luck with your story!!

[babiebom]

Bachelors and what kind of ~dere they would be

A/N: I thought this would be something cool to write headcanons for especially because I've played through the Sebastian yandere mod and have watched vids on the others being yanderes. Personally I feel as if some of them don't really fit the yandere category and others would fit them more.

Tw: none as far as i know. Does sort of spoil one of Sam's heart events and a game event.

Word count: at least 10 bullet points per character

Sebastian

Kuudere

Describes as often plays it cool and even in the most stressful situations they're calm and collected. They never panic and often remain distant and analytical until the end.

I feel like Sebby doesn't often show his emotions, especially because he seems introverted.

But the thing is he doesn't seem like the shy uwu scared of people introverted he's more of a voluntary introvert and just prefers being along but has no problem interacting with people

So for that I'm saying he's more the type to always be calm around the person he likes, never making his feelings obvious and never treating them any different than he would treat anyone he sees as a friend.

Kinda reminds me of an anime scene(I forgot the name but its space themed)

Of where the girl basically confesses her feelings and calls the guy an idiot after they talk about what they plan for the future and she says her dream is to become his wife and why can't he see that

And his reaction is basically ? I thought we were already together what?

And she's like ???? You've never made it clear that you like me and he's like yeah didn't think that i had to? I thought we were already together.

He gives off those vibes.

I also feel as though if he did open up it would be in a nonchalant way, it wouldn't be dramatic or romantic I think he would just be stating his feelings as facts.

And I feel like people often forget that this man is a huge nerd and super smart at least in my opinion

I mean he codes from home and plays dnd.

Even if he isn't a robotics and super science nerd like Maru is I think he is a smart and rather analytical person. I don't think he would be on the emotional side of things

If you get together he doesn't change much but does show his affection through touch and acts of service rather than his words.

Harvey

Dandere

Described as shy, quiet, and asocial is most situations. Stays quiet to avoid conflict

I feel as even though he's the town doctor he doesn't have many friends

Like he's only close to Maru bc she works for him in the clinic

And we usually see him hanging out alone or in his room looking at planes and stuff

I feel as though if he developed feelings for you either you would notice right away with how weird he acts around you or you wouldn't notice at all because you assume he's quiet with everyone unless its medically related.

So maybe not shy but quiet does describe him.

Obviously he opens up around you little by little the more you interact with him but it takes a lot of effort on both if your parts

On yours you have to consistently bother him and talk to him which is a lot of work especially when its not reciprocated at first

And on his he has to allow himself to be vulnerable and open with a person, its even harder when you feel romantic feelings for that person because what if they don't really like you in that way or they decide they don't like you after getting to know you

Very sweet man when you get together, still quiet but in a more comfy way.

Shane

Tsundere

Described as hostile and cold on the outside and sweet and kind on the inside

And I feel like that exactly describes Shane

While he is an alcoholic(recovering or not based on how you see him and play the game)He is very sweet even if not to people other than you(once you get to know him), jas, and his chickens.

Does seem like the type that once he starts feeling things for you he would start helping in small ways but also tries to not make it obvious

Oh he sees you walking from the woods with a big ass bag of fiber rocks and wood?

He'll offer to carry it if you need help

Sees you out and about in town, asks what you're up to and if you need help with anything

But don't think that he'a doing this because he likes you

He doesn't he just wants to pay back the kindness you've given to him back to you so he doesn't owe you anything

Ends every sentence to you with stupid or idiot if it allows without seeming genuinely mean

Does really like you and slowly starts showing you that once you show you aren't going anywhere

Does still get incredibly flustered when you do something sweet for or to him

Though if you get together is more open with his affection.

Elliott

Yandere

Described as a person that is very loving and affectionate to their loved one until it becomes a constant obsession leading them to become overprotective, violent, and psychotic towards anyone they deem a threat to their loved one, even the loved one themself

First of all his yandere mod was the scariest one yet like ooof

And while he does not seem like a violent person

He is a writer, which means he is some sort of delusional, creative, and or imaginative that I think he could have a mental break and carry out the things he imagines. 

We see that due to him being a writer, he is basically a hermit because all he does is stay in his cabin and write all day

Like yeah he's friends with Leah but how often do you think he actually leaves his home seeking interaction?

I feel like he would meet you and then suffer from a writers block and its your fault because now all he can think about is you

You're his muse

And due to that he becomes obsessive over you, no one else can have you he needs you at the very least more than they do.

Would 1000 percent stalk you, in his mind he's just watching over you to make sure nothing happens to you

Whether that be in town, on your farm, in the mines...he has to keep you closeby.

Speaking as a writer that does get very obsessed with things to the point of me changing what i write about and how often I think about or daydream about it

I think he is the most likely candidate for this kind of 'love' towards a person

Your imagination can delude your thinking, paired with living in a cabin alone with only your thoughts and silence it's no wonder he would be slightly insane.

Sam

Bakadere

Described as clumsy, stupid, and lacking in common sense when dealing with things in their life, but also very optimistic, and having a carefree, child-like innocence.

While this may seem like I'm roasting him I'm not

I do think he sometimes seems clumsy or dumb or even maybe like a teen especially because he's just playing guitar or skateboarding or playing video games

But there are glimpses of him being responsible and caring

Like how he actually had a job, even if it's part time

Or during his heart event when Vincent asks if their dad is going to come home before we find out that he indeed does come home

He covers his true feelings with optimism and happiness even if he's worried, which makes me think he fits this.

He only wants his loved one to be happy, and while constant optimism may seem or be annoying so certain people, he wants to be that light in your life.

And because he's so optimistic he is naturally kinder to others, while others like Sebastian, Shane, or Haley are standoffish when you meet them, Sam is sweet and is happy to meet you which translates well into getting to know you and then shifting into a romantic relationship

So while he may seem dumb to others, even to you with how positive he's being he's actually far from it even if he is a little reckless and clumsy sometimes

He turns down the constant optimism after getting together, but never stops being positive towards you, no matter if you succeed or fail, he's there to pick you up again with kind words and unwavering support.

Alex

Also Bakadere

but for a totally different reason

the dude is basically a himbo, though some of the things he says can be seen as iffy or mysogynistic

im pretty sure he doesn't mean any of it though, and while he can come off as dumb and out of touch he is shown to be sweet and caring and using his frat boy persona as a way of keeping people at an arms length

due to that i see him as similar but different to Sam

both boys seem kind of dumb, annoyingly optimistic, and sort of innocent in a way.

and both boys tend to use that as a surface personality, and until you actually take time to know them(Sam's worries, Alex's background and current worries) they seem like the type of people to be positive in any situation

Also seems as if he would take on a leader role simply because everyone voted for him to be it because of his positivity.

another thing is how certain(though inside he's not as) that he will become a gridball player.

Like the dude only talks positively about his dreams and is constantly working towards his goal

as well as we see in his dialogue that the farmer does indeed sometimes get annoyed at his words such as when he says things like "what why're you looking at me like that"

exactly as an anime character in this role would do.

Though after marriage is still sorta a dummy which is low key kinda cute.

[wilcze-kudly]

Reasons why YOU should ship Bolin and Wei Beifong:

1.Gay🏳️‍🌈

The Avatar universe has a lot of WLW characters, but not many MLM ones. And having another member of team avatar be comfirmed as queer is always a good thing (they're all canonicaly queer in my heart tho).

Also having Bolin be queer adds a lot of interesting dimension to the character, eapecially to his previous interactions with female love interests. I've always headcanoned Bolin as very comphet. Discovering you're queer is something I wish were more explored with Korrasami, but Bolin 'i have a new heterosexual love interest nearly every season' would also be an imteresting character to follow through that process. Feel like it would give him an existential crisis and I want to see that bisexual disaster happen.

Especially if contrasted by Wei, who comes from the very liberal Zaofu. Look me in the eyes and tell me Su doesn't support gay rights. Zaofu is like the gayest city in the Avatar universe. Just look at their slay outfits and Aiwei's cool nosering.

2.Good Chemistry

Between the cute little sparring moment with the pebble and the famed rescue scene, these two do have some excellent chemistry. Look at them. LOOK AT THEM.

The lil 'you impressed?' eyebrow raise and smirk from Bolin. Wei's smile. THE PAT PAT. Bolin's little confused bi moment. The fact that they're just CHILLIN with Bolin holding Wei bridal style while Toph is RIGHT THERE and the fact that they're in such a high stress situation and that the rest of Wei's family needs to be rescued. BUT NO, THEY'RE JUST STARING INTO EACH OTHER'S EYES BECAUSE THEY'RE IN LOVE, YOUR HONOUR.

3.Rivals to friends? to enemies to friends again to lovers???

Wei and Bolin's first interaction is a little squabble during sparring, where Wei sandwiches Bolin with 2 metal plates and Bolin smacks Wei with a pebble. They've got this whole cute little rivalry thing going on and i think it's adorable.

Assumedly, they start getting along more after Bolin and Opal start dating. This probably doesn't last long, since after Bolin joins Kuvira, his relationship with the Beifongs probably sours tremendously. Even outside of a shipping context I would wanna know what Bolin's relationship with the other Beifongs was at the time.

I imagine especially after the Beifongs get captured by Kuvira's forces, Wei wouldn't be too inclined to like Bolin. But when Bolin comes to rescue them, Wei is the first to get tossed over, which would require a lot of trust in both Lin and Bolin. And Wei's first interaction with Bolin after Bolin catches him is *ahem* very friendly. Which seems to imply that, at the very least, Bolin is somewhat forgiven.

I also think it's really fucking cute that Bolin brought metal wires for Wing and Wei to bend and I'm devastated that we didn't get the scene of him giving them to the twins. I am shaking my stick at the heavens as we speak.

Presumably, fighting side by side against Kuvira would have Wei and Bolin bonding more and perhaps striking up a genuine friendship. I love it when gays bond over traumatic events. It's the purest form of courtship.

Also whenever the twins are standing next to Bolin, Wei is always the one closer to the guy... like i know im grasping at straws here but i just... im not sane anymore

4.Lavabending/metalbending symbolism

Do I need to say more? They're both talented in two of the most prominent earthbending substyles. Also there is interesting symbolism to Bolin having struggled to learn metalbending his entire life and failing but then getting a metalbender boyfriend could be really cute. THEY LITERALLY COMPLETE EACH OTHER GUYS YOU DON'T UNDERSTAND

(also you can't tell me that Wei wouldn't find lavabending incredibly.... hot....)

5.Tension filled sparring

Their first interaction was a sparring session during which they were playing litte dirty tricks on each other. Also we all love sexually charged sparring sessions.

6.Detecting lies/performer symbolism

So I've kinda talked at length about how Bolin is a 'performer'. (Which @thenamescaba has pointed out could very well be masking. Bolin is very autism) Bolin often seems to act in a manner that would make people like him, rather than genuinely. Which is pretty in line qith his childhood. Assumedly being homeless didn't win him any perks socially, so now he's compensating by trying to garner as much positive attention as he can nowadays.

This can have an interesting contrast with Wei, who comes from a family with the ability to detect lies and assumedly also has this skill. I could totally imagine Wei calling Bolin out on contorting himself in order to be more likeable.

7.Height/Size difference

This is just self indulgent to be honest. I headcanon all the Beifongs as a pretty short family in general and while I'm pretty sure that Wei isn't very small, I have a soft spot for tall/average characters who are absolutely dwarfed by their giant, bulky partners. Also, how strong is Bolin because he is just holding a guy his age with apparently no effort???

8.Daring rescue/princess carry aesthetic

Listen, fairytales had this trope down pat for a reason. Sure it's cliche and overdone but it is a guilty pleasure for a lot of folks. Plus, I do think there's a lot of humour a usually capable metalbender having a major case of damsel-in-distressitis.

There is also the fact that the scene is unintentionally (or intentionally, i feel like SOMEONE in the writer's room has it out for me) paralleling the Nuktuk posters, for which Bolin posed with a love interest.

9. The Freedom/belonging contrasts

Now this here is a stretch, but an interesting and fun one. With Bolin we see a huge, underlying theme of him 'trying to find himself', practically feom the first season. He bounces from job to job, tries new things but nothing feels good enough. This probably stems from his childhood in the streets, he may be compensating for all the lost opportunities or something else. What does matter is that Bolin is 'untethered' and floating rather aimlessly, to his great distress. It's shown in book 2 that he envies the rest of team Avatar, who have already found their places in life.

Now, for Wei we can only use context clues and his siblings as reference but bear with me. We see that Suyin is a slightly overprotective mother, who would rather all her kids stay at home with her. We see this with Opal's hesitance to leave doe the Air Temples and with how harshly Su reacted when Kuvira nad Baatar Jr left Zaofu. This, paired with the fact that Wing and Wei are the only ones of their siblings who are 'upholding the legacy of their mother and grandmother ' might place them under a lot of pressure.

Therefore, Wei, in stark contrast to Bolin has a firmly set place in the world, one from which it would be incredibly difficult to free himself. This is completely different from Bolin, who , while he hasn't found himself yet has the freedom to be whomever he wants to.

One could set forth the idea that Wei and Bolin envy one another.

Bolin, envying Wei for having everything Bolin had wanted as a child. A stable family and life and a meaningful legacy. While Wei could be jealous of Bolin being able to forge his own path, instead of treading water.

10.Good angst potential

Being in love with your sisters boyfriend (why yes, I cannot look at Satisfied from Hamilton the same way, how did you know) is angsty even of itself, but then said boyfriend joins your fascist estranged siblings? Is this a greek tragedy? Especially that the twins and Opal seem rather close, so I think it would be unlikely that Wei would try to interfere in his sister's happiness.

Even as an unrequited romance, weilin provides a lot of potential for an amazing story. And we get to torture one of Toph's grandkids. As a treat.

On Bolin's side, realising you're queer can be a long and arduous process, especially if you've been taught otherwise. And I don't exactly believe the Triple Threats would be super accepting. This could also lead to some really sweet moments between Bolin and Mako, because Mako, for all his flaws is a very good big brother. And Korrasami could be the cool bi mentors. DO YOU SEE MY VISION. (Also Opal would be 100 percent supportive she's an absolute queen)

11.Good comedy potential

Just two himbos, dumb as the rocks they bend, tryna get together but both being too stupid and nervous to actually take the plunge.

Bolin is usually very forward with his advances, but perhaps trying to get with a guy the first time would feel like unfamiliar territory and make him even more nervous. And even so, Bolin's usual flirting is a sight to behold.

While we don't exactly know how Wei would react to this i can see him being a bit of a tsun. He just has that vibe. I could also see him not knowing how to react to being flirted with, since I can imagine that he spent most of his childhood isolated with his siblings.

I can totally imagine them both being much too awkward to make the first move and everyone around them being absolutely mentally exhausted by this weird little himbo mating ritual.

12.Because i said so

[levmada]

Hi Kane!

I don't know how I can express how amazing & fascinating your post about Levi's mental health is!

Every aspect of it was really interesting, but regarding his relationship issues/shortcomings specifically, how was he able to become close to Farlan & Isabel in your opinion? Their relationship seems crucial to me for the evolution of his interactions with others later on. The fact that, despite all the trauma & issues he experienced, he could form this first bond since his mother's death (and to some extent since Kenny) probably allowed him to build relationships within the Survey Corps.

I'd love to read your thoughts about it (no pressure though, feel free to ignore my rambling)

this isn’t rambling at all!! since you bring it up, i wish i delved deeper into this. i was too focused on kenny (aka levi’s loneliness and suffering)

i'm kind of worried this turned into a bigger analysis of Levi's character more than psychology, but I think I said most of what I wanted to in the original post. This definitely covers how he bonded with his friends -> why they let him continue to bond with others

*sorry this will be quite a bit of speculation seeing how veryyy little we know about Levi, Farlan, and Isabel's history*

(also, i'm going with the manga's version of events because it's more fleshed out)

I'll reiterate this first:

It’s not that Levi feels as detached as he looks, but he doesn’t know how to express himself or open up.

The Underground’s environment also makes him socially awkward, rude, of course stoic/not very expressive, and blunt. Levi was forced to become extremely observant of people to suss out their intentions, remaining vigilant of his surroundings at all times.

Before anything else, it's easy to confirm Levi met and joined up with Farlan before rescuing Isabel off the streets. Because of Farlan, there came about "Levi's" gang (Farlan seems to run it in all the meaningful ways), which necessitated members, and gave Levi/Farlan the means to help the helpless like Isabel (but more on that later).

Farlan and Levi met when Farlan approached him in order to rough him up, and if he was any good at defending himself, he'd have him join his gang. Levi of course cleared all of his attackers, which stunned Farlan. He would do anything to get him to join, even though Levi heavily distrusted him now.

So you would think Farlan doesn't have a chance in the world knowing Levi's history with betrayal.

At some point, Farlan's gang turns on him. Likely because, since Farlan couldn't get Levi to join them, he opted to join Levi and asked the others to do the same.

(I loveee that idea, but that aside) This should speak to what Levi desires more than anything at this point in his life: Kenny really didn't abandon him that long ago, and up to now Levi knows nothing but the suffering of the Underground as far as how the world simply is as a whole.

He is suffering for literally no reason. But, it's not because he was lonely he let Farlan in as much as to have a use for his strength, because in Levi's mind, that's his only use. For many years he's acted "selfish", using his strength only for himself and rotting in hopelessness, so it makes sense to be desperate to break free enough for Levi to (as suggested) cave and let Farlan be his companion in short time. Especially as Farlan gave Levi such a huge amount of "praise"—as Kenny would give Levi—by dropping his own gang and wanting to join with him because of that strength.

Farlan is also much more of a leader, whereas Levi is the opposite, which is true throughout all of canon (not that he can't lead of course). He doesn't plan on the level of Hange nor Erwin, only giving suggestions, and spends the vast majority of the time as a soldier fighting and following orders. So Farlan gave him some stability, even if subconsciously.

Looking through the frame of why Levi chose this bond as—assumably but likely—the first since his mother's death and Kenny's abandonment of him, it's quite immature. Levi didn't need Farlan for any practical reason, and he only seemed to be concerned with survival (not garnering support to reach the Surface). Even though Farlan was untrustworthy, Levi was attached to the need to be needed. Farlan shouldn't have cared for Levi as a person yet, nor showed the goodness Levi would be attracted to, but Farlan did "praise" him, and show he was willing to make an enemy out of his friends to join, so Levi was willing to go with him on that basis.

This certainly speaks to Levi's emotional immaturity, and loneliness.

But he now has some reason to have his strength, which is to protect and support his friend, and with Farlan's proposal about gathering other members, supporting and protecting others.

This leads into Isabel's introduction.

Farlan, before going to the Surface, is frustrated that Levi and Isabel only seem concerned with "dragging everyone else down to where they are" (Isabel who wants to kill, seemingly, the people who have hurt her; Levi is skeptical about Farlan's plan to join the Survey Corps and go Aboveground because it seems to good to be true/could put them all in danger). Farlan is empathetic (Levi wouldn't be with him if he wasn't...), but he's too self-interested to propose rescuing children in order to make them stronger as a group.

So, Levi most likely did make that proposal.

I think that Isabel embodies everything good about the world to Levi. She's so earnest, and pure, and hopeful. There are many moments where Levi looks at her fondly, and when he teases her and she gets upset, he makes sure she knows he was joking.

She embodies what the Scouts believe in too, and she comes to believe in their cause first out of the trio.

As such, Levi will go to absolutely any length to protect her. The first thing he did after Isabel came back one night after being attacked was track her attackers down and kill them. I wager Levi really does see her as his little sister, like she does her big brother.

All of this taken into account, it makes sense that Levi shot down Farlan's idea of joining the Survey Corps in the beginning, suddenly asked them to find an excuse not to go on the expedition, and killed Isabel's attackers on the spot—Levi is extremely protective of them both. Not only in preserving their lives, but making sure they're living good lives.

But that said about Isabel, Farlan, and Levi's moonlight chat, it goes differently in the manga (although the character and relationship beats are the same). The main conflict of this scene is that Levi keeps defying Farlan, especially as it has to do with Levi's need to kill Erwin (I think Levi feels the same ferocity about this as killing Zeke, which says a lot about Levi's immaturity of the past compared to his righteous anger later.)

Which reflects none of the humanity Levi feels nor his desire to help others. Levi doesn't process it in that way... but he puts aside his pride, and decides to trust Farlan in hopes of living on the Surface with his friends; he won't kill Erwin, at least for the time being.

At this moment, he trusts his friends. On the expedition when he separates from Isabel and Farlan, he trusts himself.

Levi's trust would go on to be broken, but it's remarkably important that Levi doesn't blame himself for Isabel and Farlan's deaths—like he blamed himself for his mother's, and for Kenny's abandonment of him.

Erwin is the reason for Levi's cycle of hopelessness and desolation was broken. (Not to get too far away from psychology, but :')) He gives Levi a common enemy and reasons to fight against it, and for the sake of others.

As when Levi met Farlan, and Levi joining the Survey Corps, it's the same. This means putting his strength (himself) to use, not just for friends, but for the best cause in Levi's mind, because of his friends.

That is, what the Scouts pursue, freedom, is the greatest "goodness" in the world to Levi. Devoting his heart to make a life outside the Walls, so that no one has to live like he had in the Underground, and making others feel safe. The end goal is sickeningly idealistic, but worth the hearts the Scouts give.

Erwin makes Levi realize that for once it's not himself he has to blame. Farlan gets Levi to recognize the importance and what he has to gain from trusting his comrades. Isabel becomes something of an accidental martyr that gives Levi an even bigger reason to join the Scouts in the first place.

It's certainly not the case that Levi connects with his comrades easily, or with many if at all, but Isabel and Farlan's importance is unquestionable in that.

Most pertinently, as one of the central themes of Levi's character, he internalizes trusting his comrades and trusting in himself. (Levi can't know what the right choice is, but nonetheless...)

[starflungwaddledee]

Ok so I read awtdy au stuff in order according to a link you made and it gave me so many questions.

Like when exactly did they swap in the new timeline? Because it can’t be from their beginnings as Meta wouldn’t be sealed for the being too powerful like Galacta was so unless you can give another reason for the sealing then Meta shouldn’t be sealed if it was at that time. And other times have other complications due to be not being swapped from the beginning.

I know Gooey’s definitely dead because come on we know how Galacta’s been raising Kirby and while I am mildly displeased at Galacta causing the death of what I consider a very interesting character I know it definitely happens.

I know Necrodeus’s ambush on Kirby in the original time line definitely is a surprise for Galacta when it happens in the altered one as there is absolutely no reason for him to know it happens because why would he. He wasn’t summoned during the events of the game and who would know it that ambush happens? Marx definitely doesn’t know because come on why would he. Bandana dee probably know about from what Kirby told him during the original but as during the ambush no one was with Kirby; Bandana dee wouldn’t know what exactly happened like the exact when or where.

Does Stardream and other Ancient made stuff know of the timeline altering? Because I personally find it kinda weird if they don’t remember and that Galacta doesn’t use this chance to get another wish for something.

I hope that Galacta since he is more ruthless doesn’t kill Kracko after Kirby fights him. Because the Kracko has a kid named Kracko Jr. I am kinda finding some humor in that Galacta, the guy with a attack that has heart shape on it, is so heartless. Anyways I have liked the story.

okay, this is a pretty long ask with a lot of questions; i'll answer what i can! to start with, here's a basic timeline breakdown which will hopefully help:

the rest will be mostly text answers with one little drawing at the end!

when did they swap? how did meta knight get sealed?

during the events of the haltmann invasion. there is a little bit of wifflewaffle 'what's canon' here, but we adjusted the canon ending of robobot a tiny bit to allow galacta knight to appear (as he does in Meta Knightmare Returns) and for him to defeat meta knight and make a wish on star dream. galacta knight wished for them to trade places; for meta knight to go into the crystal and for himself to be sent to popstar to enjoy meta knight's life. he did this to ensure his own escape and also to make meta knight suffer. strength, power, or being 'the greatest warrior in the galaxy' didn't factor into this in any way; the crystal is a magical prison and doesn't care who it's holding.

is ____ character dead?

probably. sorry. this is not a lighthearted AU and galacta knight purposefully seeks out and eliminates kirby's allies in order to isolate him. there is a happy "everybody lives" ending, but if the (mostly temporary) existence of all this character death or the absence of your specific faves for any reason upsets you, then you do not need to read this au! gooey in particular was actually already asked after in the comments section of this post! <- (cw: lying and psychological manipulation)

what about (events in non-mainline games)?

this au is dreamland four centric (+ magolor) and tends to follow the mainline games more than others. none the less, in response to Mass Attack in particular: this occurs right before galacta knight's entry point. so there's a chance that it would have been over before he even got there

would galacta knight know about (event)?

i really like the attention to detail you thought about on whether he is or isn't summoned or present in certain in-game timelines! however for the sake of this au, there is a headcanon in place that galacta knight exists atemporally and outside of time, and has done for longer than many people can fathom. he can see and interact with events from timelines and dimensions to his liking; he was inhibited on doing this by being trapped in the crystal this is implied a little in the ending of the another dimension fight comic, where he tells meta knight "to watch". from within the crystal, meta knight can see all of this new timeline unfolding, because the crystal is turning him into an atemporal being as well. there is also a specific connection between him and galacta knight at play, but rest assured; galacta knight is simply obsessed with meta knight's timeline and if he had arrived before necrodeus's ambush he would most certainly have been expecting it and would probably have just not let kirby take a nap that day.

what about what other characters know?

bandee knows what he's experienced first hand, and what kirby's told him. so sure, he'd know about necrodeus- and other adventures before his time- second hand from kirby. marx (who is not present in base awtdy au) is also caught up by the "here's the new rules of the universe! this guy was always here!" that occurs when galacta knight assumes meta knight's place. however, he is capable of noticing that meta knight is missing because meta knight is part of galactic nova's timeline, and so he can put two and two together. if the wish had removed anyone else, marx would not have been able to tell. he is however very smart and extremely attentive, and does have ways to notice other shit happening; which is how he clues in during the clockwork heart variant of this au.

galacta knight heart motifs vs heartlessness

not really a question but yeah, it's delicious isn't it? this is why i love him as an eldritch, unfathomably relentless and unstoppable villain lmao. i actually find the version of him we have created in our heads so compelling and interesting; we have bucketloads of characterisation for him if anyone's ever interested!

wouldn't galacta knight try to get another wish?

have never said he is not trying to do this

does stardream or any other ancient made stuff know about the timeline altering?

the answers to this are important actually and tie into our headcanons for the wishing stars and how they work. stardream knows because it powered the wish. galactic nova does not know because the wish was not made by her; also she just doesn't care. several other ancient artifacts don't know, but have the means to figure it out. some definitely remember better times, though:

[thelunarfairy]

Hello, I hope you are doing well. Can you give an analysis on Aoi and Akane's relationship? I mean their relationship is really toxic and there is nothing healthy about it. I also think Akane (the boy) has some sort of obsessive love disorder. Can you share your thoughts about them?

So, we come to the moment where we will talk about these two.

I once saw a very pertinent analysis based on a small discussion about Akane's behavior. The theme was "Akane wasn't suffocating Aoi"

I found myself laughing, but not from joy or happiness, but from noticing that it was necessary for someone to have to explain that Akane wasn't choking Aoi. If you're curious, this is the scene:

Can you tell that from the moment someone has to explain that Akane wasn't trying to suffocate Aoi, there's something wrong?

Violence rooted in a relationship, oh, is never a good sign. I often say that of all the characters, Akane is one of the ones that scares me the most.

Obsession, possessiveness, aggressiveness, anger, impatience are not words that look good together in a sentence, nor in anyone's chest.

Could we use them to describe Akane? I've always found Aidairo's ability to turn problematic interactions into comical ones impressive. Sure, a boy with a baseball bat who humiliates himself to a girl while attacking guys who are interested in her is really "funny."

~contains sarcasm~

It was there from the beginning.

So you ask me, could we then say that Akane is just an aggressive guy?

Ah sigh the narrative lines don't work linearly, they intertwine. Akane constantly molds himself from the beginning, and as he becomes a relevant character, his development begins to blossom.

Akane was similar to Nene. Both placing Aoi on a pedestal, trying to love Aoi's most superficial side, to the point that she herself begins to suffocate in her own persona.

Aoi reveals to us in the future that she is not perfect, that she makes mistakes and can be mean when necessary, she confesses. And Akane, who had doubts, still waited for her to truly confess what her own nature was.

Nene didn't accept that Aoi threw her into limbo because she wanted to, she just decided to believe that everything was the influence of number six. Nene never delves too deeply into Aoi's problems, or even Hanako's, but that's not the topic we're going to get into now.

Akane is finally able to see clearly how Aoi feels, and he discovers that she likes him. From that moment on, his behavior changes. How long has it been since you saw Akane humiliating himself again for Aoi?

His behavior has changed, you can compare

He changed after the events on the far shore, after almost losing her, after learning more about her. He noticed that Aoi didn't allow her eyes to shine when he was so superficial with her like the others.

He noticed that she appreciates his love but he was taking the wrong approach, he became equal to others. Then his behavior changes.

This change caught my attention. A simple conversation was enough for him to notice what was wrong, not just about himself, but how he could love someone he didn't know so well, even though he thought he did.

Aoi tends to blush when she's with him at specific moments, and these are usually the simplest and most casual moments, like touching hands, for example.

How can she be nervous while he touches her, holding the hem of her dress with a slight blush on her cheeks.

Akane doesn't act so aggressively towards Teru when he finds out that he "likes" Aoi, of course he has a reaction, but it doesn't compare to the reactions he had with the other guys.

So that's why we can't label him, we can't give Akane a title when he's still developing, but there's the toxic relationship.

The relationship of few words and many superficial and obsessive actions. Aoi could refuse Akane as many times as she wanted, but Akane couldn't be interested in anyone, Aoi would collapse.

Akane doesn't accept that Aoi has anyone, he can accept that she doesn't stay with him, but not that she finds someone else.

There is no desire for happiness here. What there is is selfish love. "I love her very much, but she can't be with anyone but me."

"I like him, but we're just friends. Still, he can't fall in love with any other girl"

Genuine Love is the one that hurts. The one you love and want the other person to be happy, even if you're not by their side. Genuine love is freedom.

There is no freedom between them.

One is stuck with the other. One hides the truth from the other. One molds itself to please the other.

Aoi is the perfect and defenseless girl, Akane is the silly boy who declares himself all the time to the girl he likes.

But the truth, Aoi is the lonely girl, who is afraid to show the truth for fear that people will hate her, she just wants to be treated like other people. Akane is an intelligent boy who got involved with supernaturals and doesn't know how to deal with the love he feels for her.

"I love this part of you, I hate this part of you"

Whoever loves, loves the whole and learns to deal with the other's defects. Whoever loves allows the other to be who they really are.

And in the case of Aoi and Akane, they have now learned about each other's flaws, and are trying to allow themselves to truly love.

A toxic relationship between two people who still don't know how to love.

[cirusthecitrus]

Can I ask Entrapta and Hordak for the character ask meme?

First impression: with Entrapta, she caught my eye even before the show premiered, when I saw the promo art. I fell in love with her design right away, though i didn't care much for her character at first, just didn't get the hype. It is only after she showed her vulnerable side, when she thought her friends abandoned her (but we knew it was not true!), thats when I got invested. Tuned in for the drama, stayed for the purble mad scientist

Same with Hordak. Didn't care for the character, loved the design. And I loved it specifically because he looked similar to the demon characters from my original story I was working on with a friend at the time. The long pointy ears, the nose, the glowing eyes, the clawed hands and sharp teeth, they also have wings just like Imp!

Oh and I always loved his relationship with Imp, it was so fun to watch these two interact :3

Impression now: to me personally Entrapta and Hordak are the real heart of the show. They are both integral to the story, they're interesting and fun in their own ways and their relationship is simply the best thing the show has to offer. Plus their personal journeys are so exquisitly tragic, love me some good angst

They're both my lil scrunklies, my beloved chew toys, one of my fave evil power couples. Though I gravitate more towards Hordak, he got that melancholic sad doe eyes rizz. And older brother issues (hes just like me fr🤝)

Favorite moment: oof but there are so many. 'Imperfection is beautiful' and 'I am Hordak' are obviously in my top 5, but I also want to mention some other ones

From entrapdak scenes - the one where they chat while sitting on Hordak's throne, the one where Hordak protects Entrapta from the portal explosion and the iconic "What have you done to me?" scene

As for their personal moments, I still giggle at Entrapta's "Do I need to explain math to you?🤨", also I can't get over her soft hum and lil smile when she remembers her lab partner in the portal reality

And with Hordak, again, love all the scenes where he's so casually adorable with Imp, also s4 moments when he's being obsessed with Entrapta (can't deside between the blushing scene and the 'crying over her' scene)

Idea for a story: For Entrapta I've been thinking about an au where she gets consumed by the Island before her friends find her, turning into this scary powerful monster who still has some of her free will. And she either escapes the island herself, becoming a threat to both the Horde and the rebellion (but eventually she and Hordak save each other with the power of love~), or she stays on BI and has this emotional fight with Adora and Bow where she gets to voice all her fears and grievances, but in the end gets defeated and comforted

For Hordak I have this idea about him meeting another clone with the same defect as him. Maybe he was just fresh out of a pod, and his condition only took a toll on him after the fall of Prime. I imagine Hordak being so gentle and protective of him, giving him all the love and understanding + recourses he was deprived of. I also imagine him finally not feeling so alinated when he's around his own kind, like a black sheep among his "perfect" able bodied brothers, because now he knows he's not the only one

Unpopular opinion: Entrapta's trauma should've been treated more seriously and not forgotten right after the Beast Island episode. S5 felt like s4 events were erased from everyone's memory. Also, it should've affected Entrapta more. Again, where are the conflicted feelings towards Hordak? It was never established that she found out the truth about her exile, that Hordak was lied to and had no idea about it. And where are the conflicted feelings towards Catra? The more I think about it, the more I hate that dumb apology and the fact that it was enough for Entrapta to forgive her, after everything Catra did to her and her loved ones

With Hordak... those are not quite common, but it is still tiring to see some fandom opinions where ppl critique this version of Hordak by calling him a loser and a lame villain/character, because he's not "badass" and "threatening" enough and is bad at his job as the leader of the Horde. Cause like... that's the point. Hordak was bad at this because he was not suited for this role, he is not a leader and thats not bad/contradicting writing, thats just his character trait. He was only trying to mimic the only role model he ever had in his life, trying to fit into Prime's shoes and obviously failing at it, because he's not Prime. He was also programmed to be an obedient slave with no wants or ambitions, not a dominant power hungry ruler, and I can only imagine what it took him to become as powerful and threatening as he is in the show. He did not belong on that throne, not because he's incompetent/useless or stupid or a bad warlord, but because choosing to become Lord Hordak, choosing to go all this way to try and prove himself worthy to his uncaring god was,on itself, his biggest mistake, not the right path for him. The Etherian Horde is like that because it's existence was a mistake

Favorite relationship: romantic? with each other. Platonic? Also with each other, but also -

For Entrapta - her friendship with Adora and Wrongie (also Scorpia, but only pre s5 Scorpia, like girl what happened...)

For Hordak - his bond with Imp and his relationship with Horde Prime (i just love how tragic and messed up it is okay?)

Favorite headcanon: idk if a have a favorite, there are all sorts of hcs, so i'll just focus on a random one I like

I do find the idea of Hordak being creeped out and lowkey haunted by Entrapta's cat painting hilarious, but I also like to think that the cat was her real pet, maybe a childhood pet even, and by keeping the painting she honors the memory of her old friend

[inkblackorchid]

What the hell happened with Crow: an autopsy (Part 2)

Hope you didn't think I'd forgotten about this post yet. Lads, ladies, and other lovely people, here we go. I have more yelling about bird boy to do.

But first, a few disclaimers. For people who may have missed part one, yes, as the title implies, this post is part two of an attempt to analyse Crow's character throughout 5Ds' whole run. You can find part one here. Now, both for people who may not have the time/energy to read my first, huge post about this right now, let me explain what I'm about here before we start again: My analysis is not meant to deter people who like Crow from liking him. It's also not meant to convince Crow haters otherwise, even if I admittedly personally like Crow. All of this stuff is just my personal attempt at dissecting how his character was handled in the show and why that might have been. And because this is part two, and I covered the Fortune Cup and Dark Signers arc in the first post, I'll start with the pre-WRGP arc, then dig into the backstory Crow was given directly before the WRGP begins properly. Also, mind the length of this post. I'm physically incapable of writing short things.

I also feel the need to reiterate another thing before I really get into the meat of things again: If you were hoping to see any old rumours about 5Ds confirmed, this is the wrong post. In fact, thanks to the very thorough work of someone over on Reddit (another shoutout to @mbg159 here, who's the author of those posts), I know for a fact that literally all the big rumours surrounding Crow are one big pile of logistically impossible horseshit, and I think after so, so many years of people citing this nonsense, the fandom as a whole finally deserves to let these go:

No, Crow was not meant to be a dark signer, least of all the final boss of season one, and Blackwings were not the reason he got more screentime later.

No, Aki being sidelined was not the result of her irl voice actress' pregnancy.

Yes, I know these two posts are both a long read each, but I cannot begin to tell you how tired I am of these rumours. So even if you don't have time to read the stuff above, please take away this: The big 5Ds production conspiracy theories are. all. bullshit. Because, to put it in as simple terms as possible, none of them work out logistically. The events people have pretended affected the show's production in a major way all don't line up with the actual production timeline. So just can the rumours already. Please let them die. And no pitting Aki and Crow against each other on his post or because of this post, yes? I beg you, I am so tired. Ok? Ok.

All right, now we can get to the good part. In my previous post, I left off at the end of the DS arc. So, in what position is Crow at the end of the DS arc? He helped save the world by defeating Goodwin and got his very own signer mark after Rudger/Roman Goodwin's death.

And now, where is Crow at the start of the pre-WRGP arc?

(Bam. Delivery bird boy be upon ye.)

This time, Crow wastes absolutely no time coming back on screen. We see him again within the first episode of the second half of the show, and wouldn't you know it! He moved in with Yusei and Jack and the three of them have a funny, brotherly, bickering dynamic between them. Also, as a fun little add-on that is very much in line with his deeply Satellite, down to earth characterisation from the first half, Crow now works as a delivery driver to earn money for the household. That's all very nice and good.

But what is his role in the plot from here on out? Well.

First, a small note about the pre-WRGP arc. Though this arc is fun to watch because it gives us a lot of silly character interactions the show no longer found the time for once the WRGP started, the pre-WRGP arc really can't be said to bother with actual plot much. It's the known filler arc of 5Ds, and as such, Crow is not the only character who gets pretty much nothing plot-related to do during this arc. Thus, I'll only give a quick run-down of what he does get up to, just in case any of these tidbits end up showcasing a relevant aspect of Crow's character I might come back to later.

Furthermore, another thing that's pretty much obvious to everyone who's ever watched the show in its entirety but still bears mentioning: Crow gets a lot more screentime from this point on out. Technically. Why do I say "technically"? I'll get back to that further below. For now, just keep it in mind.

So, how does Bird Boy spend his time during the arc where the plot's on the back burner? To be honest, on the sidelines, mostly. Don't get me wrong, Crow's there. Most of the time. But he gets pretty much only two episodes where he's the focus, and both of those aren't exactly known for being 5Ds' most memorable episodes (even though I still like them both tbh, but I digress): For one, in episode 68, he gets to convince Bashford to move in with Martha so the depressed old man isn't spending his entire retirement living in a scrapyard.

(This episode's comedic moments are actually fairly solid. But those are just my two cents.)

And for two, in episode 85, Crow gets to bond with the boys' somewhat cranky landlady, Zora, by duelling some sense into her son, Lyndon. (Which also introduces us to a duelling tactic only Crow uses that we will later see again: Losing on purpose.)

(And here we can see Crow showing off his skills at dealing with petulant children.)

Now, do these two episodes where he gets to be relevant actually do anything for Crow? As a character? Debatable. If nothing else, they strongly reaffirm the values Crow represents which we were introduced to in the first half of the show, though. They reintroduce us to his stubbornness, to his (in comparison to Jack and Yusei) more playful nature, to his very Yusei-ish dedication to doing the right thing, to his penchant for spite, and to his strong sense of family and community and his belief that these two things shouldn't be abandoned unless you have a damned good reason for it.

You may notice that there's a sizeable gap between these two episodes. That's because those episodes are where we get the only smidgens of plot in this arc. Among them, highlights like Sherry's introduction, the first reveal of accel synchro, Aki's turbo duelling license exam, three separate story beats hinting at the machinations of the emperors of Iliaster (Luciano's little stunt with Rua and Ruka, Placido getting started on building a killer robot army, and the Jack double being unleashed onto NDC), and Bruno's introduction. So, here's the thing: Crow is technically present during most of those episodes, too, but he doesn't actually get to meaningfully interact with the plot-relevant elements. (Which is not to say he doesn't have nice moments here and there. He does get to bounce off the other characters, and, just as one example, helps Yusei and Jack upgrade Aki's duel runner, as well as help Yusei build Rua's duel board. Crucially, he doesn't get to do anything that later becomes plot-relevant, though.) Moreover, not one, but two characters who end up becoming major players in the series' finale are introduced here, which is relevant insofar as that Bruno and Sherry both end up needing a good amount of development before they can impactfully take their later roles. Now, I say this with nothing but genuine appreciation for both these characters, because I do like them, but I feel the need to point out what this means not just for Crow, but for pretty much everyone who isn't Jack or Yusei: Every minute of screentime that was dedicated to Bruno and/or Sherry was one minute less the writers could spend on the rest of the cast. This is not to say that time shouldn't have been spent on them, they needed it, especially because they were introduced so late, but it's something I do want people to keep in mind when talking about who got how much screentime and whether or not that time was well spent. (I also have a larger gripe with the definition of "screentime" in general, but more on that later.)

So when does Crow get to be relevant to the plot again, now that he's even a signer and all? Well, not until episode 94, when the WRGP arc has already started. (Note that I'm using the 5Ds episode list on wikipedia as a general guide for which arc and which season starts where. You can find it here.)

*Deep breath*

So. Episode 94.

(Pictured: One very scruffy dragon. Bird? Dragon-bird. Bird-dragon. You figure this shit out.)

That episode. The episode where Crow, who was awarded with the status of a signer during the finale of the DS arc, finally gets a dragon to match his mark. And the episode where we finally, finally, get some actual backstory for Crow that goes beyond his involvement with the Enforcers and childhood with Jack and Yusei. A backstory that's only Crow's own. Except. How do I put this politely...

This shit doesn't make a lick of sense. Neither the events in the duel between Crow and Bolger in the present resulting in Black-Winged Dragon's appearance, nor the Pearson backstory.

Now, I'm not saying this to step on anyone's toes. From a writing standpoint, I can even make a fairly reasonable guess as to why this episode/mini-arc is here, I think: As I mentioned in part one of this analysis, Crow was not only introduced very late, but also got very little backstory of his own, which set him apart from the other signers. Don't get me wrong, he did get some backstory—we know of his strong connection to Duel Monsters because he learned to read from cards, and we know of his involvement with the Enforcers/Team Satisfaction. Crucially, though, Crow doesn't really get a backstory segment that feels as unique to him as the others. Aki gets her tragic past with her parents and her powers, Jack gets his betrayal of Yusei, which also doubles as part of Yusei's backstory, who as the protagonist understandably gets the most backstory, and even the twins, though they are as always treated as one unit, get their very own segment about the time when Ruka was essentially in a coma. Meanwhile, Crow only has that one-off tear-jerker moment about learning to read from his cards and his being a part of the boys' duel gang, which, and I cannot stress this enough, is treated as more of a Yusei and Kalin/Kiryu backstory by canon than a Crow backstory. Thus, it makes perfect sense from a writing standpoint that the Pearson/Black-Winged Dragon mini-arc would be here. Crow, up until this point, has neither a backstory segment dedicated solely to him, nor a signer dragon to call his own. So, how do we solve this? Give him both in a strategic double-whammy! The math checks out. Unfortunately, the writing of said mini-arc... doesn't.

Now, look. The juicy question of whether Crow would have worked better as a non-signer or not, which I already discussed in part one aside, I personally don't hate what this backstory is trying to do. It's just that the whole Pearson-drama has some very notable, logical holes which I'll get into below. Furthermore, this is not the first time something related to Crow has some unfortunate, logical and/or chronological issues. I already brought up the infamous fridge and Rex Goodwin's rather confusing backstory in part one, both of which raise some serious questions. However, Pearson and everything surrounding him arguably blow that clean out of the water. Let's examine this more closely, shall we.

The long-overdue backstory we get for Crow begins with a mystery: Mikage and Trudge, for a reason that is never given to us, are investigating the death of Robert Pearson (whose death would have been several years ago at this point), whom Crow knew very well, and they're doing it because they found a hint that the person who killed Pearson used an illegal card, Crimson Mefist, to do it.

(Post redemption-arc Trudge actually doing his job instead of bullying random Satellite citizens. Who would have thunk.)

Thing is, here, we already encounter our first, minor problem: Pearson has never been mentioned up until this point, not even as an aside. And this issue is compounded by the fact that not only Crow seems to know him, but Trudge claims to as well, because "Satellite used to be his jurisdiction". So, a named character who's familiar to both one of our protagonists and a notable side character, and we've never seen hide nor hair of him. If we pull our heads out of the story for a second, the irl reason for how this came to be is probably pretty obvious: Pearson was never mentioned before because the writers had nowhere near as solid of a plan for Crow as they did for the other characters, which leads to him being introduced out of nowhere here because we need a backstory and a dragon for Crow and we need those now. Moving on.

The mention of Pearson having been not simply killed in a fire, like Crow previously assumed, but having been murdered through a special, illegal card immediately makes him suspicious. So, he goes to consult Bolger/Bolton, another never-before-seen character who gets introduced in service of this backstory, and who knew Pearson well. And while this guy certainly acts amiable towards Crow at first, implying that the two have a good rapport, at least, he quickly starts acting suspicious when Pearson's murder comes up. Moreover, we as the audience at this point already know Bolger's looking for Black-Winged Dragon so he can use the card essentially as collateral to save his company. And the name "Black-Winged Dragon" already leaves very little to the imagination as to whose deck this monster is supposed to fit into. But, in a small twist, we learn from Crow that this was apparently Pearson's card, and supposedly lost in the fire where said man died, to boot. Then Bolger challenges Crow to a duel, too, offering to tell the truth about Pearson's death if he loses, but demanding Black-Winged Dragon, which he believes Crow to be in possession of, if he wins. So far, so good. We've got a mystery here, and canon is not contradicting itself just yet. Until we get to the actual backstory, which shows us the time Crow spent with Pearson, that is. Before we get into that, I'd like to highlight one theme this mini-arc introduces that actually feels like it fits Crow: Legacy. Over the course of meeting Bolger again and being reminded of his time with Pearson, Crow starts thinking about whether he's taking over his former mentor's/father figure's legacy well enough.

(Crow having some Deep Thoughts TM, featuring one of Yusei's most relaxed, easygoing smiles in the entire show, probably.)

This theme, I would argue, is one of the major things this backstory introduces that really meshes well with the Crow we already had until this point. He's a community-focussed guy and absolutely a family person, if him taking care of Satellite orphans is anything to go by, so leaving behind a good legacy for the people after him (read: the kids he took care of) would absolutely be something he cares about. We see this element of legacy again in his cards during this episode, too, which canon implies he inherited from Pearson. (I'll get to THAT can of worms below.) And on paper, with the themes he's already got going, Crow being the only one to inherit his deck rather than build it all by himself would actually make sense!

However. This is where we have to get into the meat of the backstory. I'll start by listing the barebones information Crow's backstory with Pearson gives us, then going into why several aspects of it are either logistical or chronological nonsense.

So, as canon tells us, Crow met Pearson after Kiryu/Kalin was arrested, when the Enforcers/Team Satisfaction all went their separate ways. During this period, Crow had already set up shop near the original Daedalus Bridge and started out taking care of orphans, but it wasn't all smooth sailing. He was, by his own admission, "living aimlessly". Then, during a pinch, Pearson and Bolger show up, take care of some bad guys for Crow and the kids, and Crow sees a new role model in Pearson. Pearson, who rides the Blackbird, plays a Blackwing deck and owns Black-Winged Dragon. So, he joins up with Pearson, presumably learns how to work on duel runners from him, and also befriends Bolger. Then, one day, a fire breaks out at Pearson's workshop and the man in question dies, but leaves Crow his runner and his duel disk before he does so. End flashback. Because I want to tie this together nicely, we also learn later that Pearson technically left him Black-Winged Dragon, too, by sealing it in his runner. And, of course, that dragon later becomes Crow's very own signer dragon.

Several points to be dissected here. And funnily enough, Bolger's duel with Crow isn't relevant for any of them. Let's start with the big one: The timeline. I want you to remember that as far as canon is concerned, Crow is 17 during the DS arc. Moreover, it's canonically stated that Jack stole Yusei's first duel runner two years before the show's start, at which time Crow would have been 15. And their time together as the Enforcers must have been even before that, because Kiryu/Kalin was already in prison for a while at that point and Crow and Yusei don't reunite until the DS arc is basically in full swing. So, I'll make a vague estimate here and say that during the time of the Enforcers, Crow would have probably been 13-14. (Which is hilarious when you think about the fact that this gang of angry teenagers essentially took over the entire duelling underground of Satellite, but I digress.) Now we add the idea that Crow met Pearson after the Enforcers, but that he died before canon starts into the mix. That means Crow first ran into Pearson sometime around age 15, and that he then died presumably before Crow turned 17. So far, so good, that still slots into canon, even if it makes Crow pretty damn young for some things. He's even missing the personalised Blackbird duel disk he later wears during the Enforcer days, I went back to check. What he is not missing, however, are his Blackwings. And this is where canon may or may not have made an implication that, if intentional, breaks this timeline. See, during the scene where Pearson's workshop is burning down and he's already trapped under debris and has embraced death, he tosses Crow his duel disk and leaves him his runner.

(Two important screenshots, in sequence. One, Pearson with his duel disk still strapped to his arm. His deck is very obviously still in there. Two, Crow with that same duel disk, as made obvious by its distinct shape.)

What this implies is that Pearson also left Crow his deck. Which, yeah, fair enough, if I were dying in a fire I'd probably also think "fuck it, not like I'll need my cards in the afterlife". What this (and Crow's look the first time he sees Pearson's monsters) implies, though, is that Crow didn't start playing Blackwings until Pearson left him his deck. Which is factually untrue, because there is literal evidence in the show that Crow already had Blackwings during his time as part of the duel gang, before ever meeting Pearson. (The exact episode, if you want to check for yourself, is 33, where Crow summons both Bora the Spear and Blackwing Armor Master during a flashback.) However, I will concede that the show never actually states this is the case, it's just implied by what we see on screen, so perhaps the idea here was that Crow already played Blackwings before Pearson, but grew to love them even more through his mentor/father figure, and so later happily integrated the deck he inherited into his own. Crucially, canon never states this outright, either, though, so the option remains on the table. But, to give the benefit of the doubt here, the possibility that this could still slot in with canon and that it was just handled poorly is there. The same cannot be said for the Blackbird, however.

(Uh oh. So much for canon continuity.)

The above two screenshots directly contradict each other. First we have Yusei, upon reuniting with Crow in Satellite during the DS arc, casually remarking that Crow finished his duel runner. Which means that canon at this point suggests to the audience that one, Crow built this duel runner by himself, for himself, and two, that Yusei knew about it for a while already. Then there's the second screenshot, from the Pearson backstory episode, where Crow outright claims the Blackbird was left to him when Pearson died. I don't think I need to tell anyone that these two things can't be true at the same time. And again, I think this is where Crow fell victim to the writers not having a clear outline for him. At first, he was supposed to be this scrappy guy who also built a duel runner for himself, just like Yusei. But now, he's a signer, needs a backstory and a dragon, and because a theme of legacy is introduced alongside Pearson, the runner suddenly needs to be inherited, as well as (possibly) Crow's cards. Now, a crafty fanfic writer could probably reconcile the above contradiction somehow, and I know some stories that accomplished that. But the point isn't that we, as the audience/fandom could make this work, the point is that canon didn't make it work. What canon, sadly, also didn't get to work was Black-Winged Dragon.

(We meet again, bird-dragon.)

Here comes the next elephant in the room: Everyone and their mother who has watched 5Ds knows that Black-Winged Dragon was never implied to be a signer dragon up until the duel where Crow acquires it. In fact, an entirely different dragon is teased so heavily long before BWD ever shows up that it to this day is one of many people's major gripes with the show's writing.

(Why, hello, Life Stream Dragon! Fancy seeing you here.)

And yet, Black-Winged Dragon is turned into a signer dragon before Life Stream Dragon, who was teased more than sixty (!!!) episodes before BWD was ever even mentioned. Why? Simple: Because Crow became a signer and Rua/Leo didn't, because the signers all need dragons (or else the "5Ds" part kind of doesn't work), and because Life Stream Dragon thematically doesn't fit Crow.

Now, I've seen people post theories to reconcile this weird hitch in canon, hell, I've even posted an idea for how it could be reconciled myself. But, again, that isn't the point here. The point is that as far as good old, barebones canon is concerned, it isn't reconciled. Canon at first states there are five signers, suggesting that there are also five dragons. But then, the fifth dragon never shows up, and one of the signers dies, to boot. Only for canon to then teach us, oh, no, look, the signer marks can wander from one person to the next. And to add insult to injury (at least where the show's writing and internal consistency is concerned), the signer mark that was "freed up" by Roman/Rudger's death doesn't wander to Rua/Leo, who any attentive watcher would have expected to become a signer because it was heavily teased during the DS arc, but to Crow. Frankly, I'm not surprised many people were angry about this, but in case my disclaimer didn't make it clear, I don't think it's productive to pin this on Crow by claiming his cards became super popular irl. There was definitely an out-of-left-field writing choice made here, but the only answers as to "why" were left in the 5Ds' writer's room, I believe. At a guess, if you want me to throw out a non-sugarcoated theory as to why, though? They probably thought Crow would be a more interesting character for their target audience. He's a scrappy guy who sticks it to authority, he's brave, he's funny, he plays a cool deck, and most of all, unlike Rua, he never embarrasses himself in a duel on screen. Why am I highlighting that last part? Because I feel like people sometimes forget that the target audience for this show, at the time of its creation, were about twelve year-old boys. And you can feel free to contradict me on this, but most twelve year-old boys I've known and know don't want to project themselves onto a chracter who loses and gets his butt kicked a lot, and who's a bit awkward and steps in it sometimes, which is much closer to how actual twelve year-olds are—but that's exactly why they prefer the cooler characters. And Crow is the cooler character, by average twelve year-old boy logic, regardless of what the grownups of this fandom think.

So Crow gets a dragon and the writing doesn't bother explaining the how or why of it, let alone tackles any of the implications made by Black-Winged Dragon's existence as a signer dragon. (Like what does this mean for the larger worldbuilding? Does the Crimson Dragon actually have more than five servants, but chooses to only ever bestow five marks at a time? Can any "dragon" the Crimson Dragon chooses be a signer dragon, and it just so happens that the constellation of signer dragons is nearly the same as the original one in present-time 5Ds canon? Did the Crimson Dragon specifically elevate BWD to a signer dragon because it felt like it? Was BWD always supposed to be a signer dragon? Was Pearson supposed to be a signer, but died too early before the dark signer prophecy was set into motion? Am I overthinking this? (Yes.)) He also obtains his dragon in what feels like the weirdest way possible to me, because it suddenly??? Just decides to appear in his runner????? Out of nowhere??????

(Why is that here. How did it get there. Why did Pearson even put it in there. And HOW. Is it just wedged between the machinery or what???? And how on earth did Yusei, Bruno, and/or Crow never find it before this point considering how often someone tinkered on the Blackbird on screen???)

(This scenario, of course, also raises the question how the other signers even got their dragons. But like many other, interesting questions, this episode chooses not to interact with that one whatsoever.)

In short, this backstory is a bit of a mess, to say the least. For as much good as it tries to do by contextualising Crow's character and giving him something that sets him apart from the rest of the protag group, it feels like a rough draft of an episode was given the green light to be produced without any editing, judging by the contradictions and weird implications. As such, it harms Crow's character as much as it builds it, as evidenced by how much fandom backlash he still receives years later for the things that were bungled in this backstory and also in different aspects of his character writing.

Now, you may notice this post has gotten stupidly long due to just how convoluted the specific hangups of Crow's backstory are. I originally meant to cover the WRGP and even the Ark Cradle arc for Crow in this post, too, but due to how much there was to say about canon's attempt to finally make Crow a "proper" signer, I've decided that trying to force another two whole arcs in here would be a disservice to the analysis and the character, and also make this agonisingly long, so I'll close this part out here and write a part three, perhaps even a part four depending on how much material the WRGP gives me to work with.

There's one more thing I need to get back to before I finish up this part, though: The "screentime" discussion. I mentioned far above that I take issue with how some people seem to be using the word screentime, and now I can explain why. First, I want you to take a look back at the episodes I covered here, those being 65-95, essentially. Now, as anyone who usually dislikes Crow will tell you, Crow is present in most, if not all of these episodes. He's on screen. He's getting screentime, and, according to many people, hogging it, even. Okay. Now, I want you to look back up at the analysis. How many episodes did I cover where Crow actually gets something to do? As in, where he's either the focus of the plot or gets to contribute to it in a significant way? There's the old man Bashford episode. There's the Poppo Time clock episode. There's his two backstory episodes. That's four. Four episodes. If you're generous, you might add in the episode where he gets to narrate Yusei's backstory alongside Jack and the two fake Jack episodes where he gets to have an emotional moment or two with his foster-brother. If you're less generous, you'll note that none of these episodes have Crow actually interacting with the main antagonists in a meaningful way or set up anything important that pays off later. (Hell, he doesn't even get any, and I really mean, any meaningful setup interactions with Sherry, who ends up being his final-boss-level opponent during the final episodes! Aki gets more meaningful interactions with Sherry than him, not that this ever gets a payoff.) And this is why I take an issue with people claiming Crow gets so much "screentime" post DS arc. Because to me, "screentime" should be time spent letting a character act meaningfully within the story, which most of the pre-WRGP episodes aren't for Crow. He's on screen, yes, but in many episodes, it wouldn't matter one whit whether you replaced him with a nameless side character, which isn't exactly a great look for a supposed third of a protagonist trifecta. Perhaps I'm being too strict with my definition of "screentime" here, fair enough! But the claim that Crow hogs screentime already rubs the wrong way during this comparably unimportant arc, so I can't leave it alone. It feels very decidedly malicious to claim a character who during some episodes seems to only be there to provide exposition or make whatever jokes Yusei and Jack's personalities aren't suited to is stealing screentime from other characters. As for the WRGP duels and whether he's "hogging" anyone's screentime there, I'll dig into that nonsense in the next part, please be patient with me.

...Phew. Okay.

Now, before I leave you to wonder whether I'm every finishing my Crow analysis in full again, I want to attempt to do the same thing I did in part one—propose some changes that could have been made to the writing for Crow's character in order to make things slot in better with the rest of canon. With a small disclaimer, of course: These are just my suggestions as to how Crow's character could have fit into canon more smoothly and been done less of a disservice by his own backstory.

So. First, a quick-fire thing about the pre-WRGP, to get that out of the way: Crow, alongside Aki, is the only signer who didn't get his own confrontation with either Iliaster or their minions. (Yusei had Ghost, Jack had fake Jack, Rua and Ruka had Luciano.) Instead of having him confront a cranky old man in a scrapyard or Zora's son, they could have easily given him a very short side-story where he gets to experience the threat of Iliaster up close and personal, too. Hell, they could have very nicely cut the recap episode where Crow and Jack lie in the mess of Jack's terribly built coffee table and philosophise about Yusei's backstory for this, too. (As funny as their interaction about the coffee table and Jack lying on the floor with a perfectly intact coffee cup are.)

(Pictured: Two idiots (affectionate) contemplating life among the scraps of a shitty, broken coffee table.)

Then, there's the Pearson backstory, of course. So, here's the thing, I think two very different kinds of "fixes" could have worked here. Crucially, they both depend on Crow's status as a signer. I argued in part one that Crow might have worked better as a character if he hadn't actually become a signer, so I'll give both versions here. Let's go.

Option A: We try not to touch canon too much and Crow stays a signer.

How to do this? Frankly, I think what Crow's mark and Black-Winged Dragon were majorly missing was setup. The mark is the smaller offence here, since, fair enough, the idea that signer marks can wander from person to person isn't too out there for 5Ds canon. However, the lack of a dragon despite the alleged 5Ds stands out, and Life Stream Dragon's wasted setup only makes it worse. Thus, making Black-Winged Dragon make sense would have required giving him the same amount of foreshadowing as Life Stream Dragon, at the very least. And you know who could have been great for that? Sweet, ever-forgotten-by-canon Ruka. She was already shown having flashback dreams to the signer dragons' first battle against the dark signers, so who's to say she couldn't have gotten dreams about a shadowy, new dragon she's never seen before? Perhaps even dreams where she's not sure if the dragon is good or bad at first! It could have provided intrigue, it could have made the audience curious. To strengthen that, canon could have also bothered taking the question "hey why are there only four dragons now" seriously. No character in canon ever questions why there are five marks, but only four dragons. Even Rua, who was previously hopeful that he might secretly be a signer, never brings it up. If canon had bothered to actually point this mystery out, they could have used it not only to foreshadow Black-Winged Dragon, but to aid Life Stream Dragon's setup, too. What the fuck am I talking about, I hear you ask. Hear me out: Life Stream Dragon is shown way, way later down the line, long after the audience probably already accepted that it was simply never going to show up, literally bursting out of Power Tool Dragon's armour. We are not provided with an explanation as to why. Imagine if they had sprinkled in another dream Ruka could have had about the ancient past here. Imagine if they had used the opportunity to show something like, oh, during the battle, Life Stream Dragon got injured so badly they had to protect its wounded body with a suit of armour, in the hopes that it would heal. And with one original signer dragon out of commission, the Crimson Dragon sadly had to choose a replacement in between, because the Earthbound Immortals were sure to return. Bam. Black-Winged Dragon. Two signer dragons, set up simultaneously, without forcing the canon lore to do somersaults. Furthermore, to actually explain why Pearson had the dragon but wasn't a signer, they could have easily sprinkled in a flashback between him and Crow. Maybe Pearson could have mentioned how the dragon always feels like it's never really his, as a joking aside. It would have been enough for me to suspend my disbelief, you know? And then the rest of canon could have played out exactly as we know it. Crow could have confronted Bolger, could have obtained Black-Winged Dragon because maybe the dragon finally decided he was worth throwing its weight behind. The mystery behind the missing fifth dragon could have been solved, and it would have made for satisfying payoff without kneecapping Life Stream Dragon's setup or conjuring an extra dragon out of thin air. And really, stuff like the runner thing could have so easily been solved by simply picking one version (did he build it himself or inherit it?) and sticking with it. All it took was a little more care.

Option B: We assume Crow didn't actually become a signer, but try to keep his backstory intact.

Okay, this version works under the assumption that Crow, despite partaking in the final battle against Goodwin during the DS arc, didn't receive a signer mark. To make this work, I would, bluntly put, simply make it so that Black-Winged Dragon doesn't exist. Pearson can still play a powerful Blackwing monster during his flashback that Bolger wants to find and sell later, but it simply isn't that dragon. Really, Blackwings have enough to choose from there. If the backstory episodes had been placed a little later, say, during the pause in the middle of the WRGP, he could have even received something like Blackwing Full Armor Master here. (Yes, I know that card didn't exist at the time, but my point is that he could have simply received a powerup like Yusei and Jack did, instead of a completely new monster.) With this setup, they could have still added the intrigue of taking the question why there are only four signers now seriously. They could have still set up a mystery about why no one ever saw the fifth dragon outside of dreams. And it could have made Rua becoming a signer later, and in this version getting the tail mark instead of a completely new one, that much more satisfying. And Crow could have kept his "fuck destiny, I'm trying to save the world here"-attitude from the DS arc, providing a nice, amusing counterweight to our heroes chosen by an ancient Incan dragon deity. All it would have taken would have been not giving him a mark and switching out Black-Winged Dragon for something else.

So, take your pick, I guess. In the meantime, I'll try my best to work on part three faster than I did part two, lmao.

See you next time!

[bemusedlybespectacled]

Apologies for the off topic but would you have any tips on writing lawyers who arent just smarmy?

I DO INDEED.

Some negative traits for a lawyer character that aren't "smarmy asshole:"

Being gossipy. I have never, in my entire fucking life, met a lawyer who didn't like drama, and I am including myself in that. I know the exact details of at least three different affairs involving other attorneys in my area, all of which happened years before I started work. In law school I knew which professors had married students (and, in one case, divorced his wife who was also a professor at the same law school to marry a student), who was sleeping with whom, and who'd been kicked out for various infractions. This does extend to our clients, and we definitely will complain about them to other attorneys (within the bounds of not sharing confidential information).

On a similar note, being critical of other attorneys. So-and-so never files motions on time, or doesn't know the rules of evidence well enough to make objections, or can't write their way out of a paper bag.

Being competitive. This is more a thing with litigators, I think, but god does it feel good when you crush your opponent into the dirt. Law is an adversarial system with winners and losers, and it is so fun to be the winner. Even when you like the opponent, there's something innately satisfying when you destroy them with your superior skills.

Not knowing how other people operate. This can take a variety of forms. For some people, it's that "I have no idea if what I'm talking about is common knowledge or something only I know, so I need to explain it in detail" thing. For others, it can be "oh, not everyone thinks attempted murder is funny. Whoopsie." I had a conversation with a fellow attorney where I nodded along politely while he complained to me that representing landlords was no longer profitable for him, all the while thinking, "Does he....... does he not know that I do eviction defense?"

Being know-it-alls. I feel like this goes without saying, but quite a lot of lawyers are very confident in their knowledge and will be assholes about it. However, this doesn't stop them from...

Being perfectly average. The common idea about lawyers is that they're all Harvard-educated geniuses who know everything there is to know about everything. And I am here to tell you that lawyers are just as capable of being dumbasses as anyone else. I am incapable of doing math, and so are a lot of lawyers (the judge in the Alex Jones case kept joking about her inability to do math). When I was in law school editing the students' journal articles, I needed to give a remedial training on how to write essays because some people genuinely didn't fucking know how. And I'm not even getting into the guys who didn't know what sundown towns were.

On the flip side, some positive traits for a lawyer character:

Caring a lot. It is really, really common to burn out on law, either because your subject matter is depressing or your schedule is fucked or your clients just keep being in horrible situations that you can't help them in.

Being fucking nerds. About the law, about other interests like history or science, about fandom shit. I just found out that one of the public defenders here is taking his girlfriend (also a lawyer) to a con this week; he's easily 10+ years older than me and really good at oral arguments. I am mutuals on Tumblr with so many fucking lawyers. And that can include getting excited about weird shit, like me watching the Alex Jones trial the way other people watch sports events.

Having good social skills. Law is a service profession. Even in cases where your client isn't a human person (in-house counsel for a corporation, mergers & acquisitions, criminal prosecution where your client is The State), you are still providing a service and you are going to need to interact with the humans that benefit from that service, even if it's the complaining witness in a criminal case or the CEO of a company you work for. Attorneys with bad social skills – who are obstructionist to their opponents, or abuse their staff, or are bad with clients, or are smarmy assholes – are not liked in the profession, and being liked goes a long way with other attorneys. The number of times I've done things like call another attorney and said something like, "Hey, your client is violating the custody order, can you tell him to knock it off so I don't need to file something about it?" or "Why don't we both knock CPS out of this case and then do the adversarial thing when they're gone?" is... a lot.

In general:

Most lawyers are not making shitloads of money unless they are at very specific firms or doing extremely specific kinds of work. The majority of lawyers are basically middle class. So while the "rich asshole lawyer" stereotype exists for a reason, most lawyers aren't.

We have very strict ethical rules that we need to follow. Now, the ethical rules were implemented because people weren't being ethical on their own, but we do have them. If you want to be a nerd, go look up your local bar's sanctions page.

We specialize in different areas of law. Just like how an eye doctor might vaguely remember stuff about the endocrine system from medical school but probably doesn't know more than that, a criminal lawyer is probably not going to go into, say, wills & trusts. They can, but most people find their niche in an area they like.

There are other kinds of law than just corporate and criminal. Where is my seasons-long TV series about legal aid? Environmental prosecution? TAXES?

[chaosandthe-deadblog]

hi i’m that one person who was upset about a sonadow sex joke you made. let me preface by saying i’m not here to argue or scare you but to apologize.

you don’t have to respond to this at ALL i just saw your blog name and felt guilty for hurting you.

im sorry about upsetting you and reacting the way i did. i still think its eugh and everything. but i just get upset when people make jokes about that with characters previously stated to be minors because of personal trauma and people sexualizing me as a kid and just morals in general. of course i know that i can’t control how people enjoy their stuff, and i know it’s going to exist regardless. but i want to at least know if who im interacting with is someone i don’t want to talk to due to being a proshipper or whatever stuff like that.

i wasn’t trying to ‘cancel’ you or anything. i was upset and said something in the moment. i’m sorry. i should have just unfollowed and moved on. i should’ve saw the human i knew behind the screen but what i could only think of was a random person i didn’t know. i’m really sorry.

well, anon, i accept your apology. but also i dont. so let's take this one by one, okay?

first of all. you're still wrong, and i'm still angry.

it wasnt a "sex joke", i was commenting on a uquiz someone else made, because i found the sheer fact that sonadow of all ships was included in that quiz to be really funny. not to mention, the uquiz was based on statistics from ao3, and i guessed the correct answer by just knowing how shipping culture works. i thought this was funny. you know, people are allowed to find suggestive humor funny, even if you're uncomfortable with it, anon.

but i'll humor you. lets say i was doing the things i got accused of doing. big deal. i don't think you're wrong for being upset, much less for being uncomfortable, but one: could've settled this over dms, two: not everyone is you. not everyone is uncomfortable. not everyone cares so much. i didn't give that joke more than two seconds of thought, you clearly did, and i don't think you're wrong for that, i think it wasn't my problem.

secondly, and this will sound horrible, but (like i said) your discomfort isn't something i (the people running that oc poll, and my followers, by the way) needed to know about. i hear you, anon, and i'm sorry that all that happened to you. i understand the discomfort. but, like i said, we could've settled this in private, you could've at least told me which mutual you were, and no one else had to know.

third: i am not a proshipper, and i don't appreciate that you're still calling me gross, by the way. this isn't an apology if you're not accepting you were wrong. i'll humor you again and say that i was doing what you say i was doing: it is not that serious to me, and i don't like being called gross for something that is just plain, morally neutral weird (not good, not bad, neutral weird)

and fourth: thank you for at least recognizing what you should've done. however you didn't do that. from what i understand, based on what happened shortly after your anon, you went to the person running that sonic oc poll (which, whatever, i was losing anyway), and you lied about what i was doing to get me kicked out. good on you for realizing that was wrong. but you know, i'm still angry. im banned from many fandom events now because you couldn't just unfollow me. so i'm glad you realized it was wrong, i accept your apology, but i'm still very much angry with you.

i'm glad you're sorry, i'm glad you're recognizing i'm a human being (okay?) and i'm glad you at least tried to apologize. don't call me gross, apologize for real, and next time don't do this to someone through tumblr anon over whats essentially a common ocurrence on the sonic fandom, and every other fandom

(by the way, even if we weren't mutuals, you shouldnt do something like this to "a random person you don't know" either, but what do i know right? and "because of my trauma" isn't an excuse, because by that logic you also generated trauma in me, because now i'm fucking paranoid about everything i fucking post. i can thank you for that.)

have a nice day.

by the way

[belit0]

Could you make more scenarios of Sarada with the clan like more hcs yk? That’s only if that’s okay!

Of course it's okay!!

I didn't give much importance to Boruto because I was disappointed how Sarada knows nothing about her clan, I despair about her ignorance of the beautiful men who made up her family, so I abandoned it after the first few chapters.

Not sure who she is as a character now, but yeah, this is it!

Indra

- Disappointment, pure and utter disappointment. This man expected more from his latest reincarnation. The fact he created such a weak creature hurts his soul.

- Yes, she is intelligent. Yes, she has potential. But what would she do in the face of war? Could she face the founder of her clan and come out of the fight alive? He doesn't think so. Indra expects more from all his descendants.

- He appreciates his successor's trying to rebuild the clan, but come on, do better Sasuke.

- If he came across her, he'd give her a dirty look and ignore her. If the girl tries to interact, he'd send her flying away with a light punch, given he doesn't enjoy murdering children (yet).

- "Any of my sons would eat you alive in a fight without even revealing a hint of power or interest. The remnants of my clan became weak, they lack a good war to wake up from their stupidity."

Madara

- Ew. Ew? Potential? Potential... With a little work, he could get himself something... eight hours of training a day under his own hand and traumatic events to develop her Sharingan... Maybe he can even pretend to kill her father...

- Of course, at first, it strikes him for the worse. Being a man raised for war and being the strongest Uchiha after his ancestor, he expects his entire family to meet a certain level of skill.

- He despises people raised in times of peace, disliking the serenity with which they live and how they are constantly susceptible to any enemy attacks. Sarada will be forged by his own training regime.

- He will aim to turn her into a mini-version of him, have a right hand to help him bring down the world the Senjus ended up forming. A second version of Obito.

- "Child, there is still much to learn, let me guide you and bring you to your greatest potential. Your father will be a joke next to you once we're done."

Izuna

- Little Uchiha girl!!!!! Who would have thought his idiot doppelganger would be able to produce such a beautiful and perfect human being!!! The jewel in his heart, protect the girl at all costs.

- If Sarada has a problem with someone, he'll take care of it. He will bully as many children as necessary and stage their nightmares, don't touch my baby. Soon he will become the monster of the Uchiha clan, and kids will spread legends about the fearsome man who protects the newest born.

- He will destroy a few childhoods and traumatize many of them, but everyone knows not to mess with the little Uchiha. Izuna enjoys accompanying her everywhere and seeing the terrified looks directed at him.

- He fights with Shisui over time-sharing, finding the other man also wants to monopolize the girl. The two find a sort of bond, going everywhere together, and playing practical jokes on anyone who dares to mess with her.

- "Sarada, Sarada.... If someone bothers you, you must gouge their eyes out and smash them right in their face! Wait...first you gouge out one and squash it, so they get the point, cause if you gouge out both at the same time they won't be able to see you crush them...Yeah!"

Obito

- The one who puts a stop to Izuna and Shisui. He is reassured to know children have new opportunities and are not subjected to combat from a young age.

- He takes it upon himself to chase after both idiots so they don't get Sarada in trouble. The two have a strange concept of pranks and may end up with a house on fire. Obito will be there to prevent it.

- He likes spending time with her and enjoying her pristine, quiet, peaceful life. He loves her intelligence and likes to practice with her after Madara scolded the girl for not reaching his desired potential. He knows what it's like to deal with that grumpy old man, so he becomes an ally in this regard.

- He will help her achieve her training goals and develop her skills in a relaxed manner, contrary to what the other Uchiha sets out to do. He wants Sarada to live in harmony and tranquility, but being able to defend herself.

-"Alright, if we don't get you to perform this jutsu before your next session with Madara, he's going to make you fight him for hours. Let's try again, shall we?"

Shisui

- An Uchiha kid free of war and destruction! He never lived to see such a thing and is fascinated! Just like Obito, he is very reassured to know the new generations will not have to go through what he went through as a child.

- A babysitter, even if the girl is grown up and doesn't need him. He will accompany her everywhere and will want to meet all her friends, introducing himself as her uncle from a few good years ago.

- He will fight for custody of her time with Izuna, who also wants to be her daily companion. Shisui will find original ways to win Sarada's affection and will get desperate when learning his money is no longer good and he can't buy her sweets (times change and so do things, Shisui.)

-Constantly begin Sasuke to lend him money for buying things, and take her to spend fun times together. He will become the best uncle in no time, and will grow very fond of the girl.

- "What are we doing today, Sarada? Are you interested in trying the new sweets at the fair, or are we messing with that blond friend of yours?"

Itachi

- Peace, pure peace. He loves knowing his brother was able to have a family, maybe not under the best of conditions, but still. He enjoys his niece to the fullest and is very touched by her relationship with Shisui.

- He soon becomes her most trusted confidant. Sarada knows she can count on him for everything, and she turns to him for help when she needs advice or someone to listen to her. Itachi absorbs everything she tells him with patience, and speaks from the heart.

- His favorite thing to do is to sit and enjoy a cup of tea while listening about her day, how things are working at the academy, and how her adventures and wanderings are going. If her tale involves any Uchiha doing something questionable, he'll be sure to have a chat with them afterward.

- Itachi is the one who reassures her when training with Madara is too hard or when Sasuke isn't paying attention to her, quickly becoming her father figure.

- "Sarada... life isn't easy, and it certainly wasn't for your father. You must forgive him for acting so distant at times, and know that he loves you."