#also this is the start of me writing more on this blog and not only using it as art because who cares!! i don't!!

[kaivenom]

I just found your blog looking for Spencer white fics and yours are so good! I was wondering if you’d be willing to write something between spider and a gn reader who finds it really attractive when he speaks French (cause that scene did something to me-)

Thank you for feeding the small amount of hbh fics🙏🙏

French cuisine

Summary: you go to Spencer's house and found him cooking, you decide to help him and you discover he can speak french.

Pairing: Spencer "Spider" White x gn!reader

A/N: Sorry that this had taken so long, college is starting the final section before exams an i am going crazy. Words on cursive are the translation from french.

It was an ussual Friday, you were going to Spencer's house, see some movies and eat popcorn. When you entered the house with the keys you borrowed, a french song was playing on the background, that was strange you thought, it must be his mother. Following the song, you found Spencer in the kitchen with an apron full of flour and humming the song.

"Look what we have here, the perfect 50's housewife," you joked while you get to hugh him from behind.

"Bonjour." he asked with a smile.

"Bonjour."

"Comment allez-vous?" you didn't understand anything and that made you question things.

"Wait, don't tell me you know how to speak french?"

"Yeah, i know, but i don't have to do it everytime... it's awful when people ask me: can you say something in french? or things like that."

"But you could have told me, i am your girlfriend." you tightened your grip among his waist and made a pout.

"I don't like to brag about it, but now you know."

"Yeah, right. What you said to me before?"

"How are you?" he turned around and kissed your forehead.

"Good, you?"

"Bon." something on the form he said it, made you blush.

"I suppose that means good."

"Correct." he put a finger with fluor on your nose, painting it white.

"Can you say more to me?" you make puppy eyes and like always, he can't resist.

"Tu es très belle," your heart skipped a heartbeat, you didn't know what he said but hearing him talking in french was exciting you more every secon. "i said you are very beautiful."

"Yeah?" his hands went to your cheeks and kissed you.

"Tu es la meilleure personne du monde." his lips drain your soul with every word and every kiss in between. You are the best person in the world

"Tell me more, please."

"Je t'aime... tes lèvres... ton corps... tes sons." his kisses increased, in speed, in intensity and passion, he was starting to feel very aroused by your reaction. I love you... your lips... your body... your sounds.

"I don't know what you said but i do too." you both laughed inoccently, for a moment unaware from the steamy interaction you both were having.

"Je veux faire du sexe avec toi." a moan almost escaped your mouth, you only understood one word and that was enough.

Then you started to smell burnt but apparently Spider was so concentrated in kissing your lips and neck, that he had forgotten he was cooking and also that he had things on the pans... that now are burning.

"How do you say the kitchen is on fire?"

"La cuisine est en feu." only a second was needed before he understood your words.

You both had to run to turn off the fire and open the windows to vent the kitchen. Nothing was saved from the disaster so you decided to order some french food to honor the ocassion and finish what you both started.

[why-animals-do-the-thing]

If you don’t mind sharing, since you don’t work for a zoo what is your job situation like? Making a living while working at a definitely zoo seems tricky. Is your main income zoology/animal related or is that more of a side thing?

Sincerely,

- a curious zoology student

I have a (mostly) unrelated jobjob - I’ve never actually been affiliated with a single facility, unless you count college internships before I started this blog. I freelance, working as a science media fact-checker and taking paid research contracts occasionally. I do work on a lot of animal / biology related fact-check content, but it’s not my entire scope of work. I also have the privilege of having family assistance, as I have chronic health issues that interfere with the normative 9-5 grind.

Everything I do in terms of blog writing/research, zoo industry research and publication, and photography is unpaid and pretty much a hobby at this point.

Prior to the pandemic I was trying to find funding for the intra-industry research and public-facing outreach I was doing, but there was never any money for it. (The industry is very used to expecting labor from young women for free. There was and is a lot of interest in the work I do, but the number of people/orgs that have ever provided compensation or financial support is in the single digits). The pandemic actually gave me the chance to pivot to focusing on professional fact-checking.

The only funding I get for any of this work is through a somewhat defunct Patreon I set up years ago when I was trying to make this blog / scicomm a full time gig. I’m terrible at updating it, and I’m conflicted enough about that to have been considering deleting it entirely. (For those of you who have stuck it out despite the radio silence, you’re incredible. You’ve facilitated the donation of my time to write a really cool paper with a zoo disaster response org, which will hopefully get through peer review soon).

To make something like this blog and everything else I do in the field actually financially sustainable, I’d need to fundraise and market more. The thing about a fact-checking career, though, is that it’s reinforced the need to make sure everything I write/say publicly is completely and 100% correct - because that level of rigor is what supports my professional reputation! Which means I’m slow to produce research and reticent to talk about it before it’s finished. My work comes out all the better for it, but it doesn’t fit into a content model that produces revenue.

So yeah, all of this is a side thing that I fit in around my paid work and my health. Because sometimes I just need to go see a tiger and smell an elephant, y’know?

[xianyoon]

EXTREME BIAS GAME : MAY 2024

꒰ message from ying ꒱

it's time to host ebg again !!! if you're new to ebg – you're most welcome to join us, we'd love to have you ! this event is open to anyone who enjoys genshin ( this will be a genshin centered event ! ) and mutuals and non-mutuals ( mdni blogs included – there'll be adults playing too ) ! if you're new to genshinblr, this would be a great way to interact with more people too :") i hope to see you in the signups list !!! signups will close once we get to around 25 people !!

sign-up form

on rules

the game will run from 03 to 10 may 2024 ! it will be hosted by me :)

participants are not allowed to interact with their original biases. their original biases do not exist to them during this game.

participants may reply to asks containing their original bias' name, but must not say it / describe the bias in any way.

players and non-players are allowed to sabotage each other. a list with everybody's original biases will be released !

sabotaging others who have the same bias as you is allowed , but you are not allowed to say the bias' name, or describe them in any way.

url changes are not necessary , but theme changes ( if it has your original bias ) are ! players are given 24 hours to change their themes if their original theme is of their original bias — before earning a strike .

players who lose the game will earn a forfeit ♡

non-players, i am counting on you to help me check on the players !!!!

on strikes

participants have 3 lives ! with each strike, one life dies. 3 strikes, and the player loses the game.

reblogging things with / directly responding to things that contain your original bias' / or their name will incur a strike. saying your bias' name / describing your bias will also incur a strike !

players are allowed to reblog the original bias list post at the start of the game. reblogging it midway through the game will earn you a strike bc it contains the name .

during this ebg, you can earn points by creating things about your assigned bias. ( eg. if my assigned bias is kaeya, and if i write something for kaeya (200+ words), i'll get 500 points! )

tag me (@xianyoon) when you create something! i'll assign you your points. each piece of work is standard with 500 points. use the tag #genshinblr may ebg 2024 so that i can track it better !

about points

500 points are awarded as a standard for each creation. for writing, it should be 200 words minimum, and for art, it should be lineart minimum. i do not accept doodles. for edits, it'll be at my discretion! each piece should have some effort put into it – not just created for the sake of earning points.

players can use their points from creations to strike people ! each strike costs 1000 points . each player is limited to one earnable strike each day . just send me an ask to strike someone !

players will be able to spend 2000 points to heal themselves as well ! the heals have no limit per day !

for 2000 points , players can redeem one hour to be free from ebg , starting from the period of time when i approve the redemption . the hour is consecutive and cannot be split up into different periods . this one hour can only be redeemed ONCE in the entirety of the whole game. if players start the hour without my knowledge, they will earn a strike.

[acourtofthought]

@starsreminisce posted these comments on their blog:

And the last paragraph really stood out to me.

Something I've seen said by a certain side of the fandom is that a bonus chapter should not change the trajectory of what is in the actual book. I disagree with that because I look at the bonus chapters as a sneak peek of what's to come in future books (with this particular bonus following the pattern talked about in a post yesterday, with the resolution to the small story pointing us in the direction of Gwynriel), things that Sarah will at a later point expound on within the actual series even if they weren't initially clear to us without having read the bonus.

But say that's the truth, say the bonus chapters are only in line with that which we already know (which still works for Gwynriel because though the bonus hinted at Gwyn having a curiosity towards Az and him possibly having a bond with her, we do see bits of that in the actual book as well, there are scenes with her staring in his direction and scenes where he's staring in hers, where he shows admiration for her, where she's teasing him, where Nesta calls Az her new ribbon).

One of the big arguments is that it's extremely clear that Elain has no interest in Lucien, that it's been the case for multiple books. It's said Elain does not owe Lucien an explanation, that she does not owe him her time or attention.

So why not write an Elain bonus chapter in SF where she and Lucien have a conversation discussing how they don't want to explore their bond? According to E/riels there's no need for it in the first place since she's made herself clear but they have also claimed that she won't break the bond until we have her POV. Then wouldn't a bonus in Elain's POV before her book be the perfect place for something that's so obvious so that when she starts her own book "with Az", there's nothing standing in their way and the focus can be on their romance and the plot and not the emotional toll that her severing her bond with Lucien would take? If the Elucien bond is as much of a non issue as some claim it be be, then why not deal with it in an Elain Bonus Chapter? When her book starts, Sarah could even recap the events of the bonus for those who had missed it.

Elain thought back to that conversation she and Lucien shared shortly after Solstice. Where after Azriel's rejection, which had cut her deeply, she realized there was no place in her heart for anyone but Az even if she wasn't sure he still wanted her.

That would have actually be a perfect way for SJM to move us past the Elucien bond with very little in the way of feeling devastated on Lucien's behalf, where his heart is not being broken in real time within her romantic arc.

But the author didn't do that. She gave Az and FEYRE a POV. Feyre who already had 3 books and a novella and Elain with a total of 0.

We know Az doesn't think Lucien is good enough for Elain but we don't know if Elain agrees with that.

We know Az questioned the Cauldron because of his brothers and her sisters, that he hadn't thought of being with Elain beyond his sexual fantasies but we don't know where Elain stands on the whole "just wants one taste / why wasn't Az made my mate" debate.

We know Az thought of Elain as too trusting and hopeful but we've no clue whether Elain was really thinking anything of the sort.

We've got Feyre thinking back on how she made sure to keep her mouth shut on Elain not wearing Lucien's gloves, how had she put them on she would have never been pierced in the first place but we still don't know whether Elain's actions with the gloves actually line up with her thoughts.

If Sarah wanted to continue on with what is apparently so evident in the four books of buildup for E/riel there was nothing preventing her from finally giving us Elain's POV in SF and having her tell Lucien that there's no reason for him to hold out hope any longer.

The more likely explanation for why Elain wasn't given a bonus is because everything that E/riels and Az claim that is so very obvious regarding Elain's character might actually not be as obvious as they think.

If she's so happy in the NC, then why hide her thoughts?

If she's so in love with Az, that it's clear as day, then why hide her thoughts?

If she's so disinterested in Lucien, then why hide her thoughts?

If we're supposed to believe that Elain's choice is Az, that there is no competition and that it should not be a mystery to anyone at this point, then why has she been so reticent to put us into Elain's head?

[secsicornerwriter]

MINORS DO NOT INTERACT

Simon "Ghost" Riley x Reader

Title: Morning Sex with Ghost

Tags: morning sex, size kink, overstimulation

Words: 700

Warning: English is not my first language. Not beta read. I do not own these characters, only the ones I create. Please, do not repost my work to other sites and don't add your own writing ideas to my post.

Notes: if you liked what you read, I'd very much appreciate a like or a reblog or even better: both. Thank you so much and I hope you enjoy the reading!

If you want to suggest ideas you think I should write about, prompt me one in the ask section. But remember to read my pinned post first: I always update it with new information regarding this blog.

Also, I tend to put myself down a lot regarding my writing, so, as desperate and/or pathetic as it may sound: any words of encouragement or actions (likes, reblogs, nice comments, etc...) would truly mean a lot to me... Thank you in advance! 🖤

You're a nervous sleeper. The type of nervous sleeper that tends to almost fall off the bed every single night you and Simon – on those rare occasions he manages to come back home to you – sleep in the same bed—his bulk occupying more than half of the space on the king sized bed.

So, it's only natural for Simon to lock his big and veiny forearm around your waist and bring your body closer to his until your back is practically plastered on his front. Then, satisfied with the new arrangement and knowing you're finally safe from accidental injuries, he leaves a kiss on your temple or your hair and goes back to sleep.

You never actually wake up during the night when he does this. You never wake up when you know he's right next to you, but, in the morning, when you finally notice what he did to keep you safe, you cutely roll yourself around his tight embrace. After a lot of sweet talk to convince him to loosen up his grip on you – he actually growled into your ear, disappointed – he probably takes pity on you and decides to let you free from his vice-like hold.

So, you start kissing him. Of course.

You kiss him on the cheek first—as if to thank him. And that alone gets you another growl, a pleased one this time, from the big man laying next to you. The sounds he's making are so throaty and primal, that you get surprised every single time you hear them. You can't help but keep kissing his warm and exposed skin; a need to devour him that's just as strong as the heat pooling in your center.

His neck, his huge pecs – you like to bite those, just around the areola – his relaxed but still bulky biceps, his torso. You keep going like this for a couple of minutes, taking your time with each kiss and bite—until you see the peak of a smile at the corner of his lips.

Like the apex predator that he is, in the blink of an eye, he grabs you by the back of your head and pulls you into a real kiss. Morning breath and all. His chipped lips clash with your softer ones. He's devouring you, not letting you catch your breath.

Next thing you know, you're naked, and he's on top of you, slapping his thick, hard cock on your puffy, hot lips and clit. He looks down, where your genitals are touching, and you can clearly hear his throat emit a guttural sound. He nudges his forehead into the space between your neck and shoulder, only to mumble with a low and drowsy voice:

"Already so wet for me in the morning… Sweet."

And then, without any other warning beside his slick tip rubbing into your entrace, he swiftly buries his large member inside of your heat. Your erratic breath is captured by his mouth, and he kisses and fucks you at the same time, keeping a steady and hard rhythm—just the one he knows you like best after not seeing each other for such a long time.

You come louder than usual, without even needing to touch your clit. Once, twice, three times—until you're so tired your eyelids start to lower and then snap open, only to go down a second time. At one point, your arms and thighs aren't able to hold onto his back muscles anymore, and you just… let go: floating into the pleasure, like a free fall. That's how safe you feel with him. He could do anything he wanted to your body, because you know – just like you know that the sky is blue – that he will always take your pleasure into account first and foremost. Because, that's just how he is, how he has always been with you—from day one.

You fall asleep in his arms, again. He's keeping you in his possessive embrace while still fucking you, as if hearing your soft, tired moans and your walls tightening around his cock were his only reason to live another day. As if loving you and your body were his duty.

[goodluckclove]

An Open Letter to a Professional Author

I came across a writer here who I imagine will probably never see this, but their presence was enough to make me pretty mad for two days now. I've decided to pen a little statement to this Long-Term, Professional, Full-Time, Published Author who makes a habit out of being deeply unpleasant in a way that apparently has only attracted an audience of other deeply unpleasant people.

People here seem to like it when I get mad. So, uh, enjoy?

Dear Professional Author,

I came across a post of yours on some feed here the other day and enjoyed your commentary. It was one of those writing memes that sort of called attention to actually writing as opposed to just thinking about your project - the kind that people usually respond to with some sort of joke expressing their repulsion at the concept.

You responded with distaste and I generally agreed. The tone was a little aggressive for me, but that kind of humor also leaves me generally confused. I personally ended up concluding that the self-deprecating humor was a coping mechanism for a larger issue that keeps these people from writing - intimidation, lack of confidence, physical or mental pain, things like that. You seemed to think it was a matter of will, which I found to be an approach that at the very least was well-intentioned.

Turns out it wasn't.

First off, I should say that this isn't about your political beliefs. Your political beliefs that are really more like general human beliefs. I don't want to get into that. Instead, I just want to talk about your writing. You are a full-time, published author, as you say in nearly post where you talk about writing. A major point of pride to you seems to be the fact that you are traditionally published. Any other method doesn't seem to be as legitimate to you. That's interesting to me.

You also don't seem to have much of an audience outside of people who mainly come to agree with your politics. I didn't really see a single positive interaction between you and another writer on here for as much as I was willing to scroll through your blog. That's also interesting to me.

I didn't spent too much time on your blog once I realized that you were definitely not the kind of person I would ever want any interaction with. What I did want to do is use your presence indirectly to prove a point that I've been wanting to get into for some time now.

To put it simply, I'll say this: a career in professional writing is not actually as cool or important as you might think it is.

Now I'll be direct and say that I've never been traditionally published for anything longer than a short story or long-term, unpaid column. You don't give any details on any of your writing, as far as I've seen (Once again - interesting!), so there's a chance you've made more in contracts and royalties than I have. But I'm a working writer. I've had a career in ghostwriting and technical writing. I've written and produced plays that have been featured in festivals in multiple states. I'm not speaking from a place of no experience, is what I mean to say.

What I also mean to say is that - while I view writing in many ways as a spiritual and healing act that I couldn't live without - it's also a job. It's not always exciting, and even when it is exciting it's only exciting to me. I consider the best date night to be when my wife works on video game development while I write my draft. I leave the house on a regular basis, but it's mainly to go to different places to write.

In short - I love to write, but I don't think it makes me cool. Or interesting. Or valuable. Or intelligent. Or just generally fun to be around and talk to. These are things I strive to cultivate in other aspects of the way I live and grow as a human being on this planet.

Being a Professional Author in one particular genre doesn't give you authority over the craft as a whole. You can't just throw yourself into conversations and start with I'm a published writer and assume that means you have the final say on any discussion. Believe it or not, in many cases it does not matter.

Lots of people are published traditionally, and it does prove some level of validity in their line of work. But there are a huge variety of people in the world of trad pub. There are people who write books in genres that don't apply to writers here. There are people who write books that aren't very good. There are even people who write trad pub books that are very good, but their careers are sullied by the fact that the authors themselves are not good people.

Being a successful writer does not mean you're a good person. Being a writer at all does not mean you are a good person. I believe in Death of the Author to an extent, but when that author insists on making a presence on a public website and doling out advice and opinions to other writers the lines start to blur considerably.

Writing is a job. You work it over a period of time and learn skills and strategies that work for you. The same applies to virtually every other job, including ones that society views as less romantic as something in the arts. Can you imagine me breaking into your home while you're making lunch and telling you how to arrange your cheese slices based on what I know as a full-time, professional sandwich artist at Subway? You might be interested based on leaning something you didn't know about a place you might've eaten at before. But that does not entitle me to your respect on its own.

I am not entitled to your respect based on how well I learned how to make a sandwich based on my hypothetical career at Subway. Just as I don't deserve it solely because I know two card tricks, can get out a variety of stains, read most of the works of the major beatniks, can make a really good carbonara, or any other specific about my life that ultimately does not play a huge part in who I am as a person.

When I am on my death bed, I hope to god the core of my character was not the fact that I typed stories from my brain until I got carpal tunnel. If my obituary begins and ends at "writer", no matter how positive the qualifier is before that, it will be the greatest failure of my life.

Because I am a writer. But that does not matter. It does not matter if you're a writer. It can be fun and enjoyable if you are, even better if you make a living at it, but it doesn't mean you'll be happy. It doesn't mean people will like you or perceive you to be the leader and teacher you might think you are. It certainly doesn't give you a free pass to throw cruelty at strangers for truly no real reason.

Professional Author, you had a chance to raise up the next generation of an industry I assume you must value. You're choosing not to, and that's fine. You don't have the obligation to. You do have the choice to not get involved and pretend to give advice that ranges from vague to untrue. You seem to be taking that responsibility very seriously.

It's like some twist on crab mentality, where instead of dragging crabs trying to escape the bucket you're swiping at anyone who tries to crawl in with you. Then, as they struggle, you're looking down at them and making comments on how easy it is to get in the bucket, if you only just do it and maybe read some books.

To all of us, I say this: question authority, even in the arts. Especially in the arts. Nobody knows as much as they say. That includes me, but I do know this - any branch of publishing feels really good. It's scary but it's fun. If you're traditional published or indie published or self published, it says nothing about how good your book is or how good you are as a writer or how valuable you are as a human being.

Don't be this lonely bucket crab. They seem mean and I'm tired of talking about them.

Best Regards,

Clove

[pinkpigtailsprincess]

𝜗𝜚 ݁ ˖ Summer Glow up: creating new habits 🎀⭐️ *࿐ ࿔*:･ﾟ!

Hi Dolls!! Welcome Back 2 Dollies 2 Months of Summer Glow Up !! 🎀⭐️ Today im gonna talk all about implementing brand new habits in my life !!

> Hobbies !! 🎀

> Academics !! 📒

> Beauty Care !! 🧖‍♀️

> Scheduling !! ☀️

> Taking Baby Steps !! 🛼

❤︎ ໋𓈒 Hobbies!! 🎀

…: This Summer I Plan on Taking up Some brand New Hobbies to keep my self busy and learn about brand new things bc everyday is useful!! and so i can use my time more wisely some hobbies i have in mind are…

- Yoga

- Painting

- Creative Writing

- Learning Japanese + Spanish

- Reading

- Puzzles!

- Blogging

- Learning To Code

- Doll Collecting

- Book Collecting

- Sewing + Crocheting

- Digital Art

- Piano

and obvii im already a blogger but i still added it anyways i will watching videos on how to get into these hobbies and videos on learning Spanish and more Japanese, also fun fact i’ve actually been studying Japanese sine 2021 but i stopped bc it got to hard but im starting back up!! anyways, after i watch the videos im gonna set up a financial list bc i have the fund all of these but its okay bc i can easily get money!! 🎀

❤︎ ໋𓈒 Academics !! 🎀

More Goals of mine are to raise my grades in an academic space bc i do have decent grades but i wanna aim higher and have PERFECT Grades so in turn that means i must study more and have more discipline and not so irresponsible with my time!! and i also wanna study subjects outside of school bc its always good to learn something new!! now for learning tips so far i have..

- Flash Cards

- Practice Methods

- Teaching Someone Else

- Trying to explain it to a 5 yr old

- Study a Week Before

- watch ted talks on topics

- SLEEP

- write out notes

Now i Also Have a list of subjects i want to learn about!!

- drawing facial expressions + bodies

- Sewing Stiches + How to Hem and Crochet

- How 2 Draw Bodies + Poses

- Full Anatomy 4 Both Genders

- Japanese + Spanish + French + ASL

- Color Theory

- Learning Cursive + Improving Handwriting

- Expanding Vocabulary

- Religious Cults

- Case and Law

- Poison and Toxicology

- Astronomy

- Medical Surgical Instruments

- Matriarchal Societies

- Socialism Societies

Now i definitely won’t be able to do all of this all at once bc it would definitely we too stressful so im gonna choose as least 2-3 to start with and study them and just learn! 🎀🧁

❤︎ ໋𓈒 Beauty Care !! 🐬

📧: Now I already have my regular beauty care regime skin,hair,eyebrows,eyelashes etc. but im also more focused on getting weekly treatments & weekly beauty care habits like…

- Nails

- Hair

- Eyelashes

- Face Mask

- Hand + Foot Mask

And i wanna try and find people in my city that can do this especially for nails bc i would go to the nail salon but i feel like they won’t be able to do it exactly how i want it to be !!!

❤︎ ໋𓈒 Scheduling !! ⭐️

Now That im gonna be so busy i need to make sure i also stay organized with my time so it doesn’t lead to stress so ill have my regular school classes on my regular schedule then making dedicated hours to studying Things i wanna learn about + Language Learning!

My Workouts are always early morning before school in the evening hours before i got to bed so i won’t have to worry about that affecting my academics. With my Hobbies i feel like only some of them really need scheduling so ill also make time dedicated to those as well !!!!

Beauty Maintenance will probably always be on weekends for the stuff that weekly/bi weekly like face masks,manipedis,hair etc!!

and last but definitely not least!!

❤︎ ໋𓈒 Taking Baby Steps !! ⭐️

This whole process is still all new too me so i’ll definitely only be doing a little at a time and working my way up and i get more familiar with the change in my daily life and i won’t pressure my self to complete everything extremely quickly and just take my time with everything! bye bye dolls tysm 4 keeping up with me while doing this kisses 4 all of u!!! 🎀⭐️

[the-real-sasuke-uchiha]

Sorry for the incoming rant ignore at your leisure:

Am I delulu for assuming Kishi writes Naruto events in a vacuum? Like he will like an idea put into the story with no care for how it would influence the other ideas in it. Like the whole Uchiha massacre is such a cool plot idea in part one that has you thinking about why an entire clan is gone and who could even be able to do something like that. Then you start to think for about five minutes and it’s just like huh?

Unless Konoha erected a sound barrier around the Uchiha compound you mean to tell me no one heard or saw them trying to escape or heard their screams? It would have been cool to see how Orwellian Konoha had gotten if Kishi had shown people just ignoring them asking for help or just blocking it out with ear plugs or something. The Uchiha were given the Police force to control, and you mean to tell me not one of them had built a meaningful relationship outside of their clan?

The Hyuga are the only other dojutsu clan in Konoha now that the Uchiha are gone and that doesn’t worry them? Konoha has stopped being the protection it once was and now it’s harming the Hyuga more than helping. It’s weird how Hiashi doesn’t take Sasuke in afterwards with the excuse that the Hyuga are only ones that could reasonably help him with his dojutsu, betroth him to Hanabi and leave.

Idk I think Kishi had some interesting elements laid out in Naruto and it’s disappointing to see them not taken that extra step forward. I know Naruto is a shonen and what I’m talking about is probably a whole other genre, but it hurts to see some of the potential in Naruto left aside.

Hi there anon. Please, bring all the rants you want, I love ranting! And I feel you! Totally!

About people not hearing anything during the massacre, I always assumed it was because their compound was located in the outskirts and probably far from the rest of the village. That is why Danzo wanted to segregate them, to make them easier to control and easier to kill. But I think it is safe to assume that the Uchiha didn't really have friendly relationships with the rest of the clans of Konoha. I believe there must have been a bias against them, not only because they were forced into a job position that was not bound to inspire much sympathy, but because nobody seemed to have a problem with their oppression. Nobody seems to care that the Uchiha were excluded from leadership, and in the anime nobody seems to care when Fugaku protests their segregation. The rest of the clan representatives remain silent as Fugaku's claims are dismissed by the Hokage.

You know, I don't want to bring any real life examples because I don't want anyone to be offended if an anime blog starts talking about real genocides. But it is sadly possible for people to see murder and cruelty before their eyes and do nothing. I don't know if that was exactly the case here, maybe they did not hear the screams that night, but the events leading to the massacre did not happen overnight. There was a structural oppression against the Uchiha, there was pseudoscientific racist bullshit spread by Konoha's leaders and the Uchiha were intentionally excluded. And nobody seemed to have any problem with that.

I also agree that it is weird there is no apparent relationship between the Uchiha and the Hyuga. You know, apart from the government-sanctioned bias against the Uchiha, since the Uchiha were excluded from normal ninja missions (apart from a few exceptions), I guess, there was less opportunity to create bonds or a sense of teamwork with other clans. And maybe this contributed to their ostracism. That is how I would explain their lack of relationship, but I agree that in reality it is probably due to lazy writing. Also, since each clan has its own set of traditions and, most importantly, its own secret techniques, I find unlikely that they would take someone from an outsider clan. To be honest, good riddance. I don't think Sasuke would have been any happy under the rule of that enslaver Hiashi.

But I feel you, yeah. The lost opportunities in this manga are extremely painful.

Thank you, anon. Come back with your rants anytime. I am sorry I took so long to answer, I really did not have time to right a long text and this ask deserved it. Take care!

[tshortik]

I love you messy artstyle i love you visible brush strokes I love you textures and rough edges I love you imperfections I love you roughness and colour blobs I love you scratchy sketches and bold stylisation and dirt and imperfections I love you ugly and raw emotion!!!!! ❤️

[poorly-drawn-mdzs]

Advanced Hall Monitor Technique: Go To Detention

[First] Prev <–-> Next

[anghraine]

I’ve been thinking about the development of Elizabeth’s feelings for Darcy in P&P, and one of the things I find really intriguing is how incredibly careful Austen is in her handling of their physical attraction to each other.

A lot of takes on Darcy’s initial attraction to Elizabeth focus entirely on the physical element, but Austen’s description of it folds together his attraction to her intelligence, her expression, her body, and the “easy playfulness” of her manner. Of these, the earliest mentioned is his realization that her face is “rendered uncommonly intelligent by the beautiful expression of her dark eyes” and her eyes are the physical feature that he seems to dwell on the most.

At any rate, Darcy’s attraction to Elizabeth is established early on (Ch 6) and continues as a thread from that point on. And—I mean, even in 1813, it’s one thing to show a man in his twenties being attracted to the pretty heroine. Austen is a lot cagier about Elizabeth’s feelings.

The narrative is structured so that we know Darcy is physically attractive from his entrance in Ch 3, when the narrator refers to “his fine, tall person, handsome features, noble mien” along with his wealth. But we’re not in Elizabeth’s head at that point, and iirc, she isn’t shown as saying or thinking anything about his physical attractiveness until she blushingly agrees that he is very handsome forty chapters later.

Even there, Austen leaves the dialogue to stand on its own and tells us nothing of what Elizabeth actually feels about it. The conversation moves to Darcy’s personal virtues, which reveal the critical fact that Darcy is consistently kind and good-natured in the domestic sphere. So Elizabeth’s concession that Darcy is physically attractive is narratively linked to the suggestion that he would make a safe husband, emotionally speaking (although her concession comes first, which may be significant).

Between the initial, omniscient narrator-type description of him and Elizabeth agreeing in Ch 43, we do get references to his looks a few times, but during the period of Elizabeth’s dislike, it’s always either through implication or through someone around Elizabeth rather than Elizabeth herself. So Bingley, for instance, jokes about how Darcy is so much taller than he is, but the narrator only remarks on Elizabeth’s assumption that Darcy is offended by this.

We know that Elizabeth looks for a resemblance to Darcy when she first sees Lady Catherine, and finds it, but this isn’t explicitly linked to her conclusion that Lady Catherine might have been handsome in her youth.

Then there’s the introduction of Colonel Fitzwilliam, when he arrives with Darcy, as “about thirty, not handsome, but in person and address most truly the gentleman.” Obviously the contrast is with Darcy, who is handsome but has less gentlemanly manners, but this isn’t explicitly spelled out. Austen simply says that Darcy “looked just as he had been used to look in Hertfordshire” and moves to the manner of his compliments to Charlotte.

We do get an explicit contrast later, when Darcy, Georgiana, and Bingley come to Lambton (so, after the critical revelations):

Miss Darcy was tall, and on a larger scale than Elizabeth; and, though little more than sixteen, her figure was formed, and her appearance womanly and graceful. She was less handsome than her brother; but there was sense and good humour in her face

Austen breezes past this to Georgiana’s manners and Bingley’s arrival. There are a couple of discussions of Darcy’s appearance earlier at Pemberley, but entirely held between Mr and Mrs Gardiner, who admire his figure while Elizabeth is consumed by embarrassment. She mentions that it was obvious that he had only just arrived via horse or carriage, but not how she knows this or what she feels about it beyond repeatedly blushing.

Then they meet again, he interacts with the Gardiners for awhile, and Elizabeth and the Gardiners leave. The Gardiners discuss the encounter including Darcy’s appearance, and Mrs Gardiner—who at this point, still thinks Darcy has mistreated Wickham—first concludes that Wickham is handsomer, then immediately re-considers and decides that Darcy has perfect features, but not Wickham’s angelic countenance. She (Mrs Gardiner) goes on, “He[Darcy] has not an ill-natured look. On the contrary, there is something pleasing about his mouth when he speaks.”

Elizabeth does not opine on Darcy’s mouth, lol, and instead defends Darcy’s moral character as far as his financial dealings with Wickham are concerned. We don’t hear much more of it apart from that, and in general, we see Elizabeth’s reactions to Darcy more than we hear about them:

Their eyes instantly met, and the cheeks of both were overspread with the deepest blush.

She blushed again and again over the perverseness of the meeting.

The colour which had been driven from her face, returned for half a minute with an additional glow, and a smile of delight added lustre to her eyes, as she thought for that space of time that his affection and wishes must still be unshaken.

Darcy had walked away to another part of the room. She followed him with her eyes, envied everyone to whom he spoke, had scarcely patience enough to help anybody to coffee; and then was enraged against herself for being so silly!

The colour now rushed into Elizabeth’s cheeks in the instantaneous conviction of its being a letter from the nephew, instead of the aunt

She had only to say in reply, that they had wandered about, till she was beyond her own knowledge. She coloured as she spoke

I do not personally think there can be much reasonable doubt about whether Elizabeth is attracted to Darcy during this phase of the book. But the narrative does dance around it enough (for understandable 1813 reasons, I suspect, given that Elizabeth either dislikes or hates Darcy for a significant portion of the book) that it’s not at all clear when she begins to finds him attractive, especially given that she does not actually see him between receiving the letter and acknowledging his attractiveness at Pemberley. So I think there are multiple valid interpretations or headcanons one could come up with for that.

[take-ya-to-the-ghey-bar]

well, i had planned to reblog more spicy content for today-- but after hopping on my laptop (originally to tag drafts easier) i ended up sidetracked with fixing broken image embeds on here and a couple other blogs-- plus working on theme coding for a side blog elsewhere-- so~... i might end up dropping a few more things before the night's over, or i may just save them to post over the next week, i dunno-- i may just end up staying focused on coding work instead 🤷‍♀️

[jaeyunverse]

only 6 more days for 12th grade to officially finish and my exams to be over. perhaps jaeyunverse comeback with a long fic ????? 😳

[mooodyblue]

tags again. ignore me 🥸

[kaus-quietis]

The circus bookclub - The Letter Killer Club, by Sigizmund Krzhizhanovsky

There are some authors I simply cannot get enough of, and Sigizmund Krzhizhanovsky is one of them. In this first ever edition of this new bookclub, here in the circus, I'll share with you my most recent read of him! And what more fitting title than The Letter Killer Club to introduce the bookclub, right?

Hello there! I'm the circus resident poltergeist, Eliott, managing this blog until Lav comes back. Here in the circus bookclub I share with you my most recent reads/amazing books I wish everyone would pick up one day!

Sigizmund Krzhizhanovsky is an Ukrainian author born in 1887 in Kyiv, who died in Moscow in 1950. He wrote his works in russian language, and was little published in his lifetime: most of his works were published posthumously.

The Letter Killer Club is a short novel (approx. 100-150pages according to the publisher/language of translation) written in 1926. Its story revolves around the life of a Club, the Letter Killer Club, run by 7 individuals. The story starts when they welcome an 8th member, a writer intrigued by the peculiar people seeing each other once a week, in a quiet room lit by the fireplace.

In the Letter Killer Club, the members think that writing their ideas on paper would denature them. In their philosophy, ideas stay pure when they only stay to this stage: ideas. Every week, the members of the club tell each other their book ideas, scenarios, without ever writting them on paper. Each week, one member speaks. This is how the seven chapters of this book are organized, by the story of one individual, followed or interrupted by the occasionnal remarks or conversations around it (reminding me of Marguerite de Navarre's Heptameron, if some of you are familiar with french late medieval literature here). In these stories, Krzhizhanovsky seems to always explore a philosophical thought, or ideas about literature and what it is to be a writer. This is, according to me, part of what makes this book so interesting to read.

These stories are strange, almost metaphysical at times, funny and tragic. I will not go in details about them so you can fully enjoy this book, should you decide to read it, but what striked me in The Letter Killer Club is how well balanced Krzhizhanovsky's writing was, between telling the stories and the characters of the Club themselves. With very few elements, Krzhizhanovsky succeeds in creating a particular atmosphere, one that engulfs you and makes you feel like you are seated there, amongst them, almost as a 9th member of this strange reunion.

Krzhizhanovsky is an incredible writer. These themes of the idea vs. writing it, putting it on paper, what it is to write, to have ideas, to be a writer, are extremely present in most of his works, but they seem to be particularly explored in this one. During his lifetime, while he wasn't much published, Krzhizhanovsky was very present in literary circles, and therefore certainly involved in many philosophical discussions of what it meant to be a writer at that time. This shows in his works, and he explores these questions in a very clever way.

Krzhizhanovsky's writing is demanding and his ideas need some thinking and time to be well reflected upon, but I believe his works are extremely interesting if you ever want to explore more of the literature of his time. Often using fantastic elements or situations to convey his ideas, his writing is a clever mix of fantastic, abstract, absurd and reflection on writing itself.

I hope this made you curious about this author's works! Krzhizhanovsky has written many short stories as well, and these are also great if you ever want to give a chance to reading his writing.

Sources : his wikipedia page for the bio / goodreads for the english edition of the letter killer club