#also this show is very scary i like it a lot

[sugashook]

wade goes "i need you" and he literally grabs logan and is very clear and consistent on it, like i need you, all the time. i think logan needs that clarity and certainty and forwardness..honesty, someone to push him and need him. someone with transparent emotions that will get him out of his head,

and wade needs someone to be there for him no matter what a stable rock. it's like logan's no longer a puzzle piece for war, he's extremely important in wades world, his other half at the moment perhaps (bark)

wolverines entire thing is that he can take great beatings and come back seemingly fine and unaffected its like a very strong closed off person, a fortress that protects his emotions. i think he feels good having people to protect.

but that's also a bad thing because being really strong and feeling like you can take all the bullets you took in your life and bounce them off while at the same time suffering in silence seemingly unaffected by what happened to you is harmful to your psyche. and seeming this way to others as well is even a bigger issue, especially with logan who has the base need to be with people and be there for others.

and for that he NEEDS someone to dig deeper and pierce through his perfect disposition he is NOT easily open and easy going like wade he needs someone to see him and give him a chance and fight for him! wade will make way for himself in someones life, logan will go deeper into himself.

others could see you perfectly "unscathed" all the time and if they don't understand you or try to understand you and how much you can be dealing with complex emotions inside, they will grow resentful,you'll be rejected and treated badly.

wade is very fragile on the other hand, sure he regenerates, but the scars of his trauma are visible and harsh on him, he knows it , everyone knows it.

that's why he's so repulsive to others, his life beat him so hard that he can't control himself with his emotions and it weirds people out, they don't understand it and they get mad,upset,etc.

even scared just by looking at him, you survived trauma, but it shows on you how it affected you and it makes ME uncomfortable, that's pretty scary, you're different and you don't fit in anywhere. they judge him in the opposite way that logan is judged. your overwhelming presence is unnerving to me.

thats why wade hides with his suit his entire face, and the blood. dont notice me,my wounds, and the wounds i give to others. while logans suit screams "notice me!! i'm not okay!! i want people to see me!"

when he regenerates, wades body generates bad body tissue from his skin to his core. and the scars of all that trauma add new trauma so he's constantly re-traumatizing himself and it layers on. he doesn't get stronger or bounce it off himself, bad things such as trauma are just bad they create more bad and he's made out of all the bad things that happened during his life sort of, so he needs a lot of external support.

cause he has no strength left! all the trauma and SLS (shitty life syndrome) is like up to his gills. but he is very joyful and positive despite the harshness of life.

he is a little positivity clown bouncing around in wolverines fortress of solitude.

wolverine can sort of take attacks from life and endure and wade can attack life more easily, he's a positive, up beat, go getter. he loves the world and sees hope in it when there's none. and when the world doesnt love him back ,it crushes him and he cant take it. he doesn't understand how anything he tries he gets hurt by. but he never stops trying :)

logan shuts himself off from the cruel world with his perfect skin and metal bones, but the world has shut off from him as well. wade keeps being hurt and open to the world just like his open wounds and scarred body. even though the world hurts him through his openness.

[thebramblewood]

this is in a similar vein to an ask you got recently but do you have any tips for those who are interested in sims 4 (or even other games like ts3 and ts2) storytelling? I write fanfiction but I think making sims 4 stories could be a fun venture. Anyway, thank you for your time! I love your stories so very much they're literally my hyperfixation!

Well, that makes two of us because it's literally my hyperfixation. I think I've shared bits of advice before, so some of this might sound familiar, but here are some things I think are important to remember (and I tried to be concise, I swear).

Write the story you want to write. Obviously, it's a great feeling when something takes off and people get invested. But if you pursue an idea only because you think Simblr will like it, you probably won't be inspired for long and it'll probably show. I've been very lucky with my story, but it didn't blow up overnight. Early on, I was thrilled to get double digit notes or one reblog or comment and was admittedly disappointed when I put a lot of effort into something and nobody seemed to notice. But I kept going because I was obsessed and wanted to see it through, and that's more true now than ever.

Start with low stakes and allow yourself to evolve. Before I was on Simblr, I made Sims stories with no poses or visual enhancements or fancy editing. I wrote them for myself, and I loved every minute of it, but they also gave me a solid foundation for the kind of storytelling I do now. Even after starting this blog, I eased myself into it. I learned how to use poses and Reshade, then moved on to more advanced editing techniques, then moved on to teaching myself to make poses and very basic CC. If you try to learn it all at once, you're more likely to give up because you're overwhelmed. Take your time and make peace with the fact that perfection isn't possible. Everyone's always learning!

Take advantage of the fact that Sims is a game. Even though I've been a creative writer for most of my life, I don't come up with fully-fleshed, elaborate Sims stories from scratch. It started off with my legacy and not wanting every generation to feel the same. I thought about gameplay I hadn't experienced yet and centered each generation's story around that. Even with HZID, I just wanted to make and play with vampires! That's it! Initially, I used a lot of gameplay to convey Helena's college experiences, and I still try to incorporate it when I can. It can really be a great base to spark your creativity if you don't know where to start.

Don't have a life outside your story. I'm joking. Kind of. I'm not a very social person and I don't like leaving my house if I don't have to. This leaves me with a lot of time for working on story things. Honestly, I could probably stand to work on it less. But for better or worse, I'm doing story-related things most nights and weekends, and even if I'm not doing anything, I'm thinking about it. It's probably mental illness, but we'll just call it passion. At the same time, it's also important to take breaks! If you're feeling burnt out, step away for a while. If you can't make yourself step away completely (raises hand), just edit the script or spin your blorbos around in CAS or something rather than going straight for posing a scene.

Follow and interact with other storytellers. This is probably the most important thing, and as someone who struggles with social anxiety it was the hardest for me to do. But I try to make a point of keeping up with other stories, commenting, and reblogging. Not only will the amazing talent of other writers inspire you, but you're building meaningful connections that make them more likely to want to interact with your story. There's no denying it feels amazing to watch your audience grow. But no one's going to see you if you don't make an effort to be seen, as scary as it can be. So try to be active in the community and support other storytellers the way you want to be supported!

[hollowed-theory-hall]

ok so what are some of the changes you would want in the upcoming harry potter hbo series. and since your blog is Harry centric so I'll ask how do you want him to be portrayed in the series ? what traits of him do you think the series makers should shine more light on ?

Okay, I have, like, a list of things I didn't like in the movies and could be improved upon by the show. The list I have here isn't just about things the show could improve, but also things I want to see in the show in general. I think most of my opinions are pretty common, though.

(Also I'm not sure how good the show will be, like, I'm somewhat hopeful, but also very cautious with my expectations. We should start getting casting announcements around in a few months, which could help indicate where this show is going)

Regardless, here's my list of top concerns for the upcoming show:

Harry's character

This is the one you questioned specifically and one that could make or break the show for me. I want Harry's sass and anger, I don't want him to be a self-insert for the audience the way he was in the movies. I want his actual character. The sass, anger, and tenacity that is Harry Potter combined with his kindness, compassion, and sometimes clueless awkwardness. Let him be smart, clever, and talented.

Harry in the books is so much more than "just Expeliarmos" and the fact people could think that about Harry is a legitimate crime against his character the movies committed. Truly character assassination that Harry isn't an exceptional wizard with the world's lowest self-esteem and cheeky attitude.

(Also, for the love of god, give him green eyes, please. Contacts exist for a reason and it'll be a good way to differentiate the new actor from Radcliffe)

2. Ron & Hermione's characters

I could probably just put a "make all characters like in the books" category since this is true for a lot of them.

Specifically for the other two members of the Golden Trio, I want Hermione to have her flaws, and Ron to be smart. He is talented and smart and just as skilled as Harry and Hermione. He isn't the dumb comic relief and I'm so mad the movies made him such. And Hermione isn't a perfect Mary Sue who can do no wrong. Let her put Rita in a jar. Let her show how much she actually appreciates Ron and Harry and their approach to problems, different as it is to hers.

3. Voldemort's everything

I didn't like Voldemort's design, I didn't like his characterization, I didn't like how he spoke, how he walked — none of it felt like Voldemort to me.

I want Voldemort to be scary, not some odd caricature of himself. Give me a Voldemort design that looks scary. Give him the red eyes, and make him look actually skeletal. And let him move elegantly, talk softly. He isn't shouting and throwing tantrums, usually, he is very deliberate in what he says and does.

Also, give him his weird sense of humor. In the books, he makes bad puns ("Wormtail is here to lend a hand"), I like my villains a little campy with bad puns but also terrifying.

4. Dumbledore's everything

Well, honestly, I have no complaints about Dumbledore in the first movie, my problems started after he was recast.

I want Dumbledore to speak softly. I need an actor who could say "Nitwit! Blubber! Oddment! Tweak!" and make it work. I want an actor who'd smile like he knows things you don't as his eyes fucking twinkle, but could still look intense and even intimidating for the later seasons. I also want him to look whimsical and dress in the most absurd eye-catching robes you've ever seen.

5. On the matter of robes — wizard fashion

I want wizarding fashion. I want long robes, silly hats, colors, and patterns. I want the costume designers on the show to have fun with it. I want them to go wild.

The wizarding world should look whimsical and campy — that's part of the magic. I want it to look like a foreign world. Even the most purebloods of purebloods (like the Blacks) are more like the Addams Family than any serious drama. They have a sense of campiness and whimsy. Let wizards be weird as shit and show it in their dress and interior design (I mean, the Blacks hang house elf heads and have a troll leg umbrella stand, the Ministry of Magic has paper airplanes flying all around, they're weird).

6. About the more filler-y sections of the books

I want all the silly little plots that were removed from the movies. I think some of the more filer-y things add a lot to the books and to the whimsy of being a student at Hogwarts. I want the trio to sneak out Norbert, I want to see Peeves, the deathday party, all of these things that make Hogwarts truly feel like a magic school.

7. Hogwarts Castle

I love the castle of the movies and that of Hogwarts Legacy. Honestly, I think Hogwarts Legacy did a good job of capturing the feeling of the movies castle while making it its own new unique thing. I think the TV show should do something similar and kinda create a Hogwarts castle amalgamation of all previous iterations that would feel familiar and allow them to still use some of the same merchandise but also be new and unique at the same time.

8. Time period

I think this is a pretty common opinion, but I want the muggle clothes and sets to clearly be set in the 1990s. I want the show to be a period piece. I don't want to see smartphones, or modern fashion, or modern cars — none of that.

9. Age-appropriate casting

I'm not the only one who says this, but as great as Allen Rickman was, he was too old for the role. Part of the tragedy of Snape and the Marauders is how young they actually are. I think it'll just be much more heartbreaking if the actors looked as young as they're supposed to be.

(Including James and Lily in the flashbacks!)

10. Worldbuilding & extra scenes

Since it's a TV show and not a book, which opens up more perspective options, I would like to get, maybe, some extended Pottermore facts into the show. Like, to flash out the world in a way the movies didn't.

Additionally, I wouldn't mind if some extra scenes were added to build up characters we don't get as much of in the books and it could serve the plot. Like, as long as the scenes are added in a way which is like 'they might've happened in the books, we just didn't see them cause Harry wasn't there', that sort of thing without subtracting from anything else and without retconning or contradicting anything. Like, with good writers, this could be really well done, I'm just worried about them adding anything because I don't know how much faith I have in the whole project. But it could be cool if done well.

[raziiyah]

hey! this is actually something i've thought about quite a lot before so here's how i see it:

since monsters are so diverse in the monster world, there are a vast amount of factors that are considered beautiful. some monsters may like 1 eye, some like 3 eyes and some like 8. some like feathers, scales, or fur. it just comes down to preference. but for monsters, generally, scary = beautiful

firstly, for the teeth thing, i imagined that just like human beauty standards, monster beauty standards can change. perhaps yellow teeth used to be the standard, but then it was discovered that whiter teeth made them more visible and gave them a scarier appearance. also, maybe they discovered that poor dental health caused monsters to lose their teeth sooner, which is a problem if you rely on them for scaring. proper dental care allowed you to stay healthy and kept your teeth in good condition, keeping you in the scaring career for longer. like when sulley is brushing his teeth in mi, mike really emphasizes getting rid of plaque

this change could also be why randall's teeth in mi are visibly whiter than they were in mu

as for female monsters, i see it sorta like how jessica rabbit from who framed roger rabbit is in toon town. she's regarded as very beautiful, but not as desireable or successful (to other toons) as roger rabbit, someone more cartoony and goofy looking

so though the more humanoid looking monsters could be considered beautiful, since being a scarer is known as the biggest achievement a monster could have, if you're scary, you're considered beautiful on a whole other level.

another idea i had is that scaring could be considered as a male dominated career, so the scary/beauty standards for female monsters aren't as scrutinized as much as male monsters. this could be why there are more female monsters that aren't necessarily as "scary looking"

this could also play a role into why the pnk's are so cutthroat- with a more conventionally beautiful appearance, they might not be considered the most successful in monster society. sure they could be models and movie stars

(though i can still see """scary/conventionally unattractive""" monsters being just as viable as models and moviestars in the monster world, maybe even more so),

but since scarers are the creme de la creme, "prettier" monsters could sometimes be seen as beautiful but maybe not typically the image of someone "successful" or "desireable" (my oc lia is a scarer and has a body type similar to the pnks so i made this an insecurity of hers hehe)

but monsters can combat this by showing their scariness through their glowing eyes, teeth, claws, etc. this could be valuable as well as there's a scary/surprising factor to appearing "innocent" at first, which could be advantageous in scaring, if you know how to use it (like the pnk's in the toxicity challenge or terri and terry in the scare simulator)

also considering the movie poster seen in maw; it's about monsters in space, likely referring to aliens. humans could be considered aliens/alien-looking to monsters because they come from another world, and heather has a more humanoid appearance

on the other hand, hss is more favored as "one of the most powerful, scary monsters in campus, and they have a more traditionally "scary" appearance. and in monsters at work, of the female monsters in the mu sororities, rosie levin was the one who made it to the same scare/(laugh) floor that sulley/(mike) are/(were) on, at monsters inc.

so really i think beauty is subjective in the monster world since everyone is so different. conventionally beautiful monsters are still beautiful, maybe even some monster's preference, but scary monsters are generally favored most, because of how much monster society is centered around scaring. after all, "scariness is the true measure of a monster."

@moonlight-monster @randall-simp-nadt88

[creatingblackcharacters]

I'm not involved in the fandom anymore but Deethra from Dark Crystal: Age Of Resistance is my favorite character and back when I was involved there was a lot of people who considered her Black. She's not human and her puppeteer is white, but her voice actress (Nathalie Emmanuel) is mixed race I want to say afro-dominican but I'm not sure.

This is her with her friend Hup. Deethra (Deet) is also called "Gentle Deet" a lot because she's very kind and loves animals a lot. She's what's called a Gelfling, specifically a Grottan which means she lives mainly underground. She likes to feed these little baby worm things, which are like her pets, and she's close with her brother and her dads, and I like how her puppet design is just GORGEOUS.

In the TV show, she leaves her home for Epic Quest Reasons, and she's never been above ground so Hup decides to protect her since she's very trusting and sweet at first. He has a spoon which he uses as a sword and defends her honor like a knight. Deet isn't stupid or helpless though, and she's very strong and clever when she needs to be.

Also she has wings and can fly, and she's got this special moss she grows that if she eats it she starts glowing.

The show wound up not getting finished, which is disappointing because she'd just gotten involved in a really scary action-packed plot line and also started to have romance with one of the other MCs, Rian.

Ms Missandei herself (ik she wants more than that but still it was a hell of a role)!! I'm always happy to see Nathalie Emmanuel in other media. IMDB says her mother is Dominican and her father is Saint Lucian and British, and she is from Britain. So multiculturally Black lol. OMG she played young Nala at ten!! How cute!!

I've never seen like, an adult puppet show before I don't think. What a unique idea! Her puppet is lovely. I'm sorry it got canceled 😭 that's always the worst. We can't have nothing 😭

[stupidstupidratcreatures]

caught up with what happens next. thoughts mostly about the comment section under the cut sorry

1. it's always been really interesting to me just how abstract a depiction of a person can be and still have people that find that depiction hot. i check the comments because i'm a dipshit and there are pretty consistently 2-3 people under any vikki or gage panel there for that. also shoutout to that one "when vicki's done resting her head on her mom's lap can i have a turn" comment

2. there's a lot of speculation-presented-as-fact about 202X griffin in the comments and it all feels like stuff we kinda can't know? we've only ever seen him post-murder in that photo with gage and we haven't seen current griffin "in person" at all. this isn't normally something i would care about or disagree with but it doesn't seem like what current griffin is actually like as a person is relevant at all to the role he's playing in the story right now

3. hm it's like very possible that in-fiction named himself after the mcelroy brother huh. what year would it have been like 2014? scary stuff

4. there are like a pretty large number of people ripping on milo in the comment section also. that feels weird. i get disliking That Type Of Guy but he was made to cut up his dead friend with a saw and then also institutionalized for five years. can we be nice

5. i feel like there's stuff here that shows this comic's age even in the three years since it started. gage is less of an extant guyotype than he used to be (as in the cultural signifiers and the true crime/serial killing obsession. "poor and isolated trans guy who talks to people online" is not someone going away so long as poverty, transmasculinity, and the internet exist). vikki says "because of woke" in a panel that's meant to be part of the same scene as the very first page and that definitely isn't something they were saying in 2021. the look of the tumblr ui, that thing max graves draws a lot, has changed drastically since the comic started. i don't mean this in a cinemasins way i just mean this like. idk. the way time moves so much faster than any webcomic updating schedule does is just something that i think about and this comic gives me a lot of occasion to think about it. it's very good

[paikothecateater]

Currently working on a whale brothers + Sweden mini fic for an ask, but I feel like I have to point this out. (this is unrelated to the mini fic, I just wanted to assure the asker that I am working on it)

So, I'm sure most of you have seen this before.

It's a table of how the Nordics refer to one another.

I think this table is a pretty cool thing. It actually shows a lot more about their personalities than you'd think.

For example: Finland is the only one who calls Sweden 'Su-san' he's also the only one to refer to the other Nordics using honorifics or suffixes and this is actually very indicative of his relationship with the others.

(this is all information from Google, I can't speak for it's accuracy.)

The others do not refer to each other using honorifics which indicates a sense of over familiarity. It makes sense, but Finland being the only one who uses them indicates that he probably doesn't feel close enough to them to not use them. Either that or he's just too polite to.

He also refers to Sweden and Denmark with the suffix (San)

While for Norway and Iceland he uses (Kun)

This is actually also shown in the anime. He calls Sweden 'Mr. Sweden' and Denmark 'Mr. Denmark' though he does not do the same with Norway and Iceland. Now, Google did say that Kun is usually reserved for underclassmen and that may be the case for Iceland, but I'm not sure about how that reflects his relationship with Norway.

I've seen people talk about Denmark referring to Norway as his best friend and whatnot, but something I've never seen anyone bringing up is how interesting the usage of Boku and Ore is here.

Finland and Iceland refer to themselves with Boku. This is a generally more humble, polite and refined way to refer to oneself.

The other few use Ore which is described as being much less formal and a lot more masculine according to Google.

So essentially, the viking trio see themselves as big scary macho men, noted.

There's also something that generally intrigues me here.

Iceland has two ways of referring to Norway

Norway and Nore.

He uses Norway for international settings, but only uses Nore when it's just among the other Nordics.

According to Google there are a few reasons as to why that might be.

The one I've gotten most is this:

It's generally rude to refer to someone older than you by a nickname. It doesn't seem to matter any that they're in fact brothers. It looks like the same rules apply regardless of what relationship the two people have.

So it's just so he doesn't seem rude by calling Norway a nickname? I don't think it's that simple.

See, he calls all the others by a nickname, in fact, more so than anyone else. He doesn't change up in international settings for any of the others, even though, if anything, it would make more sense if he did.

Could it be his way of distancing himself from Norway in front of other countries? It would make sense. Iceland did always act embarrassed about being Norway's brother, so maybe this is his way of acting like they aren't as close as they are.

This is also something that happens with Denmark. Both he and Norway refer to Sweden as Sverige, but Denmark also refers to him as Sweden in international settings.

I don't think any of the last explanations work seeing as technically Denmark here is portrayed as Sweden's superior, so it wouldn't make sense for him to change it out of respect.

Google really did not help with this one so I had to come up with my own theory. While the others have some evidence in canon, this is just pure speculation on my part.

Denmark could be saying it in English to make it easier to understand when it comes to international settings. The Danish accent is known to be quite thick and hard to understand if you're not familiar with it. Denmark could be more comfortable with saying Sweden's name in Danish around the other Nordics as they're more familiar with his accent and could easily understand what he's saying.

What about Norway? Well, the Norwegian accent is considerably more coherent even to those unfamiliar with it.

You're more likely to guess what a Norwegian is saying through context clues than with a Danish person because you likely misheard what the Danish person said.

Sweden is also the only one to refer to Finland by... Well... Finland. The others all call him Fin.

We know by now that Sweden is very socially awkward so it makes sense that he wouldn't feel 100% comfortable calling Finland by a nickname, especially when Finland is the only person referring to him by an honorific. Sweden would likely worry that it'd be considered rude if he called Finland by a nickname.

There's something else I find a little interesting here.

Norway calls Denmark anko or Den

While Iceland calls Denmark Dan.

Why the difference between Den and Dan? Both the Norwegian and Icelandic words for Denmark start with Dan (Nor:Danmark, Ice: Danmörk), so why does Norway call him Den?

Maybe he's using the English spelling, but why would he do that? It's not like it's an accent issue. I actually have no clue as to why this is.

Another thing is Iceland being the only one to call Sweden by Sví.

We know in the anime and manga that Iceland has a particularly close relationship with Sweden, so it may be a product of that. Even when it's not directly shown, it's implied that the two are very close given that Iceland can pick up on Sweden's remote social cues better than anyone else. Is this historically accurate? I doubt it, but that doesn't exactly matter right now.

Here's another thing,

Finland's 'Ta-san' comes from the Finnish word 'Tanska' which translates to Denmark, but where does his 'Su-san' come from? The Finnish word for Sweden is 'Ruotsi'

Well it could be that (スウェーデン) the word for Sweden in Japanese is pronounced something like ( Suu-eden) so that's likely where it comes from. It's a little strange that he'd use the Finnish word for Denmark, but the Japanese word for Sweden.

Well, both Japanese and English are used in this table as what I'd like to call (base languages) the table operates under the assumption that whoever reads it either speaks Japanese or English, so they're used as though they were the same language. Essentially (Su-san) acts as (Swe-san) because (Ruo-san) doesn't help people who don't speak Finnish understand who Finland is referring to. Nordic, English and Japanese names for Sweden all start with the letter S. If I told you Sweden is referred to by 'Su-san' you'd probably think it's not that strange as an English or Japanese speaker, but if I told you he was referred to by 'Ruo-san' you probably would be very confused.

I'll quickly run down this one.

Norway calling Denmark Anko.

Anko is referred to as being (kind of like bro)

It is not in fact kind of like bro.

It means red bean paste.

Why does Norway call Denmark this? Well, it could be because of the red in his flag, but that's not what interests me.

Most Japanese nicknames are just shortened versions of one's name. Ice, Fin, Nor, etcetera.

Anko here is very interesting. It doesn't seem to be a common nickname in Japan. It could be that given that Denmark and Norway are referred to as best friends and are shown to be very close. This could be a classic case of a childhood nickname that carried in into adulthood.

Alright, that's all I have to say on this matter. As always, thank you for coming to my yap session. And for the asker who's waiting on that mini fic, I'm sorry for the wait. I just had to get this thought of mine out there before I forgot. I'll try to have the mini fic out as soon as humanly possible.

Also, let me know if you have any other theories about this name table because I'd be very interested to see if anyone else thought about this.

[altocat]

I have been thinking of that ask in what is Lucrecia ran off to make a new family, and your answer to how that would impact Sephiroth.

It was scary, to think that one event, a topple of one’s perception could really change someone, to lose their ideals of compassion and kindness. The thought terrified me, that he was one bad event away to change.

Then I remembered the Nibelheim incident and that’s almost exactly what happened. Almost, I say, because every thought had its own influences. Him becoming a bitter and hateful person in this alternate universe would also have its influences.

Did it mean that he was ‘bad’ all along, that there was a ‘dormant madness’ all along waiting to be triggered, making him a monster in the end?

No…

To view others like this would strip them of their own humanity and it is a very limited, unforgiving, and rigid lens towards the weaker parts of ourselves.

If something like that happens to me, I wonder how I would change? If I let my emotions take over me, let myself forget…

It goes to show that there’s strength that needs to be exercised to be conscious of those things, so that you’d be strong enough to hold on to what you believe in, your kindness and compassion, when it’s really hard.

And that is my reflective tangent.

You're talking about the One Bad Day Principle lolol Which has its relevancy in lots of villain backstories. Sephiroth's is no exception.

And before anyone suggests that Sephiroth HAD some level of dormant evil within him, I'd like to point out that his set of circumstances were highly abnormal and the factors leading to Nibelheim were already a million layers of severely traumatic and messed up. The fact that he held on for as long as he did really says something about who he was as a person beforehand. It doesn't excuse his actions of course. In the end, he still becomes an irredeemable monster. But there is a necessary component within narratives that lead into the beats that constitute madness or self-destruction. And I think there would have been many opportunities, AU or otherwise, for Sephiroth to snap.

[just-spacetrash]

giys im watching marianne and if that fucked up writer and her assistant dont makeout before marianne kills the assistant im suing

[bizarrelittlemew]

Our Flag Means Death 1x4 | 1x6 | 2x6 | 2x7 ⇉ if the bed nook could talk...

[honestlyvan]

I do kind of wonder if the implicit assumption that Door is mad at Alan for involving Saga should be re-examined a little bit.

The game is very careful to not frame any of Saga's relationships as paternalistic. Like, repeatedly, with emphasis, especially among the relationships with people who are close to her and have reasons to act protective over her. Having Door primarily be motivated by a sense of righteousness over someone messing with his protectorate goes against theme with her, and would single him out as the only male character whose help Saga does need.

Furthermore, we know Freya didn't seem to think that highly of Door, never telling Saga anything about him and being firm in not wanting to discuss the topic. Her considering Door a potential danger to Saga just like her powers and choosing to hide the truth to protect her wouldn't make sense if she, too, could use her seer powers to confirm that Door did have Saga's best interest at heart, and with Door existing outside of time, I don't think there's adequate signalling that this would be something he would have had a change of heart about.

Furthermore, while Door is very likeable and definitely not a villain or even an antagonist... he is very trickster-like, and seems very cavalier with how he chooses to interfere and when. From his interactions with the Old Gods, spending fourty years on kill-on-sight terms with them only to happily fanboy over having them on his show and collaborate with them to mess with Alan, to the way he almost deigned to let Alan create a hint for Saga about how to use her powers rather than letting Saga and Tim just work it out amongst themselves, he's playing the long game in every situation and seems to enjoy making the story take twists and turns because of his involvement.

So Door is in a weird superposition of meddlesome/hands-off largely because I almost got a sense that with Saga, he's keeping his distance on purpose. Keeping himself concealed and out of the conversation, despite much of her story being discovering her origins and discovering her own supernatural influence. Outside of letting Alan create a single manuscript page about him, he doesn't even hint at his own existence while Saga is in the Dark Place, theoretically right there for him to reach out to.

And if Door does ultimately think that surely any daughter of his can handle herself, there is one another innocent that has been involved in this all by Wake I could see him getting worked up over instead.

[skitskatdacat63]

Fernando S1E4 - “Out of My Comfort Zone”

[lucydacusgirl]

It was quite worrying walking down the main shopping streets of my city during pride and seeing that barely any of them have any pride flags or anything in the window. Rainbow capitalism will not save us but it is so unnerving when even last year most shops had some kind of bunting in the window and this year it was only three or four. Like idk it feels emblematic of a worsening or idk souring attitude towards queer people that is definitely influenced by rampant transphobia in the uk. Which is why it’s so upsetting when cis queer people join in on transphobia in hopes of distancing themselves from the current social and political undesirability of transness.

[steakout-05]

having social anxiety on tumblr dot com is so fucking frustrating cause like. i'll see a post i like and want to reblog but i do it with so so so much embarrassment because my brain's just thinking "oh god oh fuck im being so stupid right now what if op sees it and thinks im annoying" but like. they realistically would either not care at all or be happy about someone reblogging their post so like what the actual fuck am i afraid of??? but here's the kicker. the reason i have social anxiety in the first place is because i HAVE experienced these comically horrible social experiences of being judged and insulted for no reason before. multiple times. recently. the possibility of this happening is not a 0 chance. i have legitimate reasons to be afraid. and that is. actually horrific

[tamagotchikgs]

i did end up coming extremely close to passing out after doing the starting stretches and maybe,,, 6 ? moves in the air :( so i had to go sit down n then i threw up whihc was very embarrassing but i dont think anyone noticed since it was around the corner in the garbage. im sad i had to miss out on another day tho ,,,,,,,, also,,, i feel like such a failure. i only got like 4 classes in before my ab injury n now this o(-< the instructor told me twice it's good i know my limits n to follow them and that she's proud of me for coming back but aaa,,,

[birchbow]

Hey birch! Quick ask for your writing on POF. What do you like the most about your Kurloz and Gamzee? If you could pick a few favorite things or traits from the versions of them you created, what do you think those would be? It's ok if you skip, I just got curious. I love your epic clown sagaaa 🥰🥰

!!! :Oc oh huh! My favorite traits are almost always the ones that create friction--some of those are neutral but create drama and some of them are outright negative, lol. Short answer, PoF Gamzee's a reckless coward and PoF Kurloz is incredibly dangerous and proud over top of a deep well of insecurity. Long answer.....under the cut, lol.

The Gamzee I write is, and I say this with authorial love and tbh no moral judgment, kind of a coward. He's not scared of the same stuff as most of us would be, he's good at combat and he likes pain, but also he's hugely, deeply afraid--of lots of stuff, but especially being left behind, and that drives a ton of his characterization.

Being left/abandoned is a pretty returning theme for a reason! From the very first chapter, when Gamzee's internal monologue is basically, "Well, time for the thing that made me happy to Go Away again. Hopefully if I'm good and I wait well enough, it'll eventually come back." He's been captured on his first mission, is his family going to leave him to die? Karkat's cocooning, is he ever coming back? Kurloz is poisoned and the family is turning on him as a suspect, are they done with him forever? He's the lynchpin of the Cult of Flesh's heresy, are his gods going to turn their faces away from him?

And when he feels like he has been abandoned, he goes through cycles of rage and then retreating from the rage, because being angry is holy but being angry is bad and drives people away, but being angry feels right, but-- It drives him to be overly obliging, trying not to drive people away, and it pushes him to be vicious when somebody seems to be interfering with his grasp on the things he values. It makes him a very sweet guy who'd do just about anything for the people he cares about, and it makes him clingy and dependent and blindly devoted, and prone to lashing out when he feels like they don't care about him as much as he cares about them!

I identify with a lot of that as an author, but I also just feel like it dovetails pretty neatly into the scant amounts of canon characterization we get for Gamzee, so I find it very compelling to read/write!

-

As far as Kurloz goes, what I like most about him as a character is probably like...his pride? And (especially because this is a kinky sex fic) the shame that goes along with that.

On a very surface level, the concept of the Grand Highblood as a grumpy, proud old guy who's getting reluctantly dragged in the direction of a still terrible but less hemoist society is very funny to me. Make up a bigoted old man and then force him to knuckle under repeatedly to the people he's bigoted against. But also on a more-plot-less-humor level, a character who's made himself a very strict code of "this is what's expected of me and I will fulfill it no matter what it does to me" is RIPE for drama. Especially when the plot of the story is then giving that character something that suddenly he finds he values at least as much as that code and pride, and making him struggle with that.

The counterpoint to that being; it's fun to set up a character as a proud, badass, dangerous son of a bitch, and then give the POV/the readers a shot straight into the shit that he's hiding behind that "I'm untouchable, don't fuck with me" pride. Sadism, especially as extreme as I've written into Kurloz, can be an intimidating thing! On the surface it's part of the mask, part of the scary persona--but it's really compelling and interesting to me to then sidestep that mask and go into the roiling mess of sexual shame and religious guilt and uncertainty and self-loathing. MAN I love writing the Brother Immortal scenes, you guys.