#and I like art and I like talking about and analyzing it and if someone made it for me and it features my brain goobers I like it even more

[tsams-confessions]

We're coming off anon with this one boys. It's long and I apologize but it's been weighing on my mind for quite some time.

There are three things people tend to know me for in this fandom. My art, my fanfics, or my thread on TSBS server. Said thread is a place where I talk about the psychological aspects of the show, as well as do character analyses and sometimes even analyze entire lore uploads for the kicks and giggles. I'm a psychology major, I also have ASPD. I made the thread so I could talk about Eclipse, who at the time I suspected had the same disorder I do and which was later confirmed less than a week after I made the thread. Since then Ruin has also been confirmed as an ASPD haver, which I personally deeply enjoy. It's fun for me to talk about my disorder and relate it to the show since ASPD is really hard to understand. 99% of people are inherently capable of empathy, and about 2% of that 98% lose that ability during childhood. So it's understandably not a very well-understood disorder. It's also a very scary and dark disorder, and I can say that honestly because I live with it. Due to this fact, it tends to be villainized in media, and I am very refreshed by the fact that TSAMS does a good job of not making their ASPD havers raving lunatics with a thirst for blood. 

Anyways, that's just background information. So far I haven't met very many weirdos about ASPD in this fandom. Almost everyone is very chill with the fact that I am a sociopath and I haven't received a ton of weird comments about it. It's a relief since I deal with a lot of open stigma and harassment irl because I refuse to pretend to be something I'm not. However, there was an instance in my thread when I was actively talking about ASPD, and a new member decided to. . . I don't even know. It was creepy and weird, and really uncomfortable. They basically told me that I'm 'too nice of a person to be a sociopath' and that they could tell that I wasn't a sociopath because they see the good in people. They also said that they were surprised that there are sociopathic people and inferred that sociopaths are pretending, whatever that means. They kept going to keep making weird and stigmatized comments about the disorder, as well as continuing to compliment me in a very unnerving way. I think about it a lot because it was very uncomfortable to be interrupted like that in the middle of talking about ASPD. There was the new mod online and participating in the conversation, but they didn't say anything to the person who was actively making me uncomfortable, even though I expressed such in the chat. 

I deal with a lot of stigma and ableism in my day-to-day life, where people tell me that I can't be a sociopath because of really stupid shit. Like the fact, I get along with people or want to help people in the medical field. Or the time-tried 'but you're a woman' comments. I don't understand why the mod kinda just left me to fend for myself and ignored the person causing issues, and while I don't hold it against them, I do have anxiety about this situation repeating itself in the future. It's not easy to talk about a disorder that the average person could not even dream of understanding, and it's even harder when people who don't know you are trying to tell you that your disorder is fake based on flimsy reasoning. It's really invalidating of the actual hellscape I had to survive to be able to even turn 18, and it rakes up my anxiety to a 10 just at the thought of it. There's not a lot of safe spaces for someone to talk about having a dark disorder, and even less for something as rare and misunderstood as ASPD. It's hard enough as it is being a high-functioning sociopath, and I just needed to rant, I suppose. Haha, could make it a "tl;dr even I get offended sometimes."

Anyway, not dropping names, but it wasn't a private matter. Nor am I upset with the mods, it's just a thing that happened that I think about a lot because it's a very rare thing for me to be offended. Glad that the majority of this fandom that I've interacted with has been willing to hear me out ASPD, but I just worry about having a repeat situation like this. It's a very sad thing to witness in this fandom that talks about inclusivity. We can't pick and choose our disorders, and where there are canon sociopaths in the show one would think the fans would try to be a little more educated on the disorder (not directed towards anyone and I appreciate the people who are willing to ask me things about it instead of making assumptions).

.

[canisalbus]

My absolute favorite thing about your blog, even more favorite that Vachete, is the care and interest you put into each response. Be it an ask or an art piece, you always eloquently break down each individual aspect and comment on them. It always makes me smile.

.

[linoguy]

han is such a student of music. it's so nice to see how passionate he is about music and its creation

[soldier-poet-king]

Came to the realization (I've connected it! You didn't connect shit!) about the link between Stoicism (in the philosophical sense) and common trauma responses - both center around the locus of control, and having control over the boundaries of said locus.

The Stoics right, the whole thing with "virtue is sufficient for happiness" is that you don't worry about things outside of your control, and so moral actions (and therefore eudaimonia) are exclusively things within your realm of influence (yes yes that's a gross oversimplification, but the bulk of my academic work was with the Platonists anyway). The Stoics knew where the locus of control was, and their virtue, and their happiness, stemmed (in theory) from knowing, acknowledging, thinking, and acting within the boundaries of this sphere.

A common trauma response also revolves around control, or the lack thereof. When you're accustomed to instability and a lack of a sense of safety control becomes both a means of salvation and damnation. The lack of control, the uncertainty of it, the sense of walking on eggshells, is what causes the trauma in the first place - you have no control over anything and it's terrifying and dangerous.

But control can also mean safety, if you can manage to get it. And you can get control in one of two ways. You can reduce your environment severely, withdrawing from the world out of fear and isolating yourself. Or you can falsely extend your control, tricking yourself into a sense of stability with (often unhealthy) lies and mindgames. Often, people do both. They may become withdrawn and anti-social and fearful of new experiences, even if it is something that there is no reason to fear, no indication that it might be threatening. They withdraw as much as possible from any relationship, experience, or event which has any degree of uncertainty, which they cannot control.

You may also become a people-pleaser, or obsessive about responsibility and causality - if you take the blame for every event on yourself it restores a sense of control, even if it is based in falsity. If you are responsible for managing someone's moods, or causing widespread tragedy, or what have you, then you yourself are the only one to blame when you are punished or when something terrible happens. It is a small comfort perhaps, but better than no comfort at all. It is easier to think that the fault is within yourself, that only if you were faster, smarter, better this terrible thing would not happen. It gives the illusion that it may be different in the future, if you are (impossibly) better. It is easier than living with the knowledge that you can't control it, you can't do anything to change it, and you just have to live like this. The solace of lies you tell yourself.

I'm not sure where I'm going with this observation maybe I'm in love with the sound of my own silly little thoughts. Someone smarter and more eloquent could make further connections about the locus of control and how the Stoics did not try to change it, while trauma responses simultaneously try to reduce and expand that locus as a defence mechanism. I'm sure there's some sort of philosophical or psychological implication here. I'm sure Real Academics and psychologists have already made this observation elsewhere, but it only occurred to me this afternoon.

[potatoes-tomatoes]

I’ve been goin thru a steven universe rewatch since last week and… wow. Wow this show is revolutionary for queer voices. It was eye opening seeing everything unfold again.

It’s been wonderful experiencing the show with fresh eyes. I started the show, saw the premiere of the show, followed it and finished it while I was still closeted and bigoted. I saw the reveal of Garnet being a fusion, being love, and was initially disgusted and disappointed because I was TAUGHT to be disgusted and disappointed.

The residual bigotry flares up at times… but it’s not me anymore. Well it is, but it’s like.. the MEMORY of me seeing that moment through my old eyes. I do my best to not feel shame, but to understand and forgive myself and enjoy creating a new experience watching SU.

now that I’m (somewhat) open, I’ve been able to enjoy the show and appreciate how much it’s done for queer voices since. I… saw Ruby and Sapphire’s wedding for the first time, I saw it— not with my hands barely covering my eyes. What a triumph that this show inspired others to let queer ppl share their stories, experiences, hopes, fears, love, without shame! Steven Universe isn’t perfection— it’s flawed, beautifully flawed, like the people who made it, the people who watch it, and the characters in it. If the road it paved wasn’t perfect, then all the better for newer voices, newer stories to be like, that limestone thingy in roman rock to reinforce it. To make it better. to make like, longer gay roads! pff shit I think I was trying to be poetic and metaphorical or something, but I hope my point came across. I just have big feelings right now. I didn’t realize what SU did for this lil baby queer. It’s so inspiring

[dan-crimes]

Nuh uh uh *shakes my little finger* you will not get me Sonic franchise you will NOT get me invested into all this my dear buddy pal I've always enjoyed seeing you around but I will simply continue being a bystander just watching as it all goes by bcuz I know how it'll go if I actually get into all this

But also if I get bored I might get into it anyways it's mostly just a silly rule I put for myself cuz I know it would be a lot of work to catch up and I would prolly end up wanting to play some of the games if I got into the franchise but I'm not a gamer @ all so

[thschei]

(Eep it's embarrassing to be perceived)

I exclusively make bad choices 😏😏😏 (I don't mind spoilers)

[sirfrogsworth]

Do you remember that Aussie sword guy who used to talk about medieval weapons?

And, like, he seemed pretty good at talking about swords and shit. He seemed to have a good grasp of the history and tactics. He'd analyze movie weapons for their realism and that was fun. He did demonstrations with real weapons. For a time I really looked forward to his videos popping up in my feed.

He seemed like a harmless sword-fighting aficionado.

But then I guess he wanted to spread his wings. So he started down an anti-woke path. Giving questionable critiques about media and feminism. He started defending boob armor by showing historical examples even though most of those were decorative and not battle ready like in the games.

Then he admitted he was a fan of The Daily Wire.

And that was disappointing.

I missed him nerding out about swords, ya know?

Well, Shad decided to spread his wings again.

He has become...

*bad French accent* An artiste.

You see, he types words into a little box. Then a little robot does a google image search and steals a bunch of art. Then that robot reconfigures that art to be nearly indistinguishable from the source material. Well... aside from the occasional artist watermark.

Whoops!

A.I. art is very difficult. Sometimes when you type words into the box you get a woman with 5 lopsided anime tiddies. Or 20 fingers on one hand. It takes time and effort and experience to type in the perfect magic words so that you get something close to your imagination that doesn't belong in some sort of Lovecraftian horror ripoff.

For example, check out this cool "pirate hat" I asked A.I. to place on my head.

Clearly, I am not skilled enough at typing words into a box to get a proper pirate hat.

It. Is. Not. Easy.

I heard someone say you have to type things in a box for 10,000 hours before you start getting truly masterful generations.

I mean, you can't type "marathon runners" and expect that to actually work.

THIS REQUIRES SKILL, PEOPLE.

And I am a lowly amateur. I can only dream of becoming the box-typist Shad has honed himself into.

The thing is... Shad is very upset.

He is upset that you don't like his "art" and he is ready to die on this hill.

So... before he croaks on a mound of bullshit, he has something to show you. He has created something truly brilliant and when you see it, he is convinced you will validate his considerable efforts.

Before I show you his "Not. Easy." artistic masterpiece I'd like you to sit with what he has said for a second.

Ruminate in the verbiage.

Process the ideas and points of view presented.

Digest his plea for you to accept and love his hard won battle after typing words into a box to manifest his imaginings.

.

.

.

.

.

.

.

.

Have you sat?

Ruminated?

Processed?

Digested?

Okay, here it is...

[kingofmyborrowedheart]

pardon my one teeny grammatical error? alls i’m saying is that she is alive. it is weird to analyze her art as her life any way you slice it. it’s all the same at it’s core because she is alive and can read and be impacted by such peering analyses. the exceptionalism is remarkable but expected and you can act all high and mighty nose in the air and try to intellectualize as you like and continue to fail to recognize that regardless of her actions in maybe promoting such behaviour you are still essentially doing the same darn thing

oh no i definitely forgot some commas and don’t use capital letters because none of that shit even matters on tumblr dot come. i guess i’ll be dismissed again 💨

It actually is different anon and you clearly cannot grasp that. Taylor’s art is directly pulled from her life; you cannot divorce the two because they are so heavily intertwined, so discussing one will inherently involve the other. I’m not going to attempt to converse with you if you can’t understand one of the most fundamental aspects of engaging with art.

[the-cat-and-the-birdie]

Hobie Brown, Emotional Preparation, and the Art of Great Dialogue

Nearly all of Hobie's dialogue is written with his goal - protecting and preparing Miles for Miguel's abuse - in mind, even if it may not be obvious at first watch.

Here's an unhinged breakdown where I over-analyze literally every one of Hobie’s lines and explain how every sentence was written to contribute directly to Miles’ radicalization.

Hollywood. Pay your writers. (:

___________________________________________________

Hobie has around 10 minutes screentime total, but for the sake of introductions and this analysis, let's start at the end of the battle, and the beginning of the quantum hole.

Starting with his first line in the scene:

"I don't follow orders. Neither does he."

All morals considered, Hobie doesn't seem like the type to speak for someone who can speak for themselves - he's a punk after all. But here, he speaks for Miles. This line serves to tell Miles 'I don't respect them, why should you?', but funnily enough, it can also be a point to Jess, as if to say 'Miles isn't interested.' - even if he is.

"Bit much, innit?"

While, Hobie and Mile's next interaction is their exchange in the elevator, the scene leads to Mile's introduction to the Society. Miles gawks at the lobby, obviously impressed. Gwen affirms this awe, telling him 'this is just the lobby.' However, Hobie feels the need to chime in. His next dialogue 'Bit much, innit?' is a subtle nudge to Miles that the society is not a place to be in awe off. It's a spectacle, one that's a bit overdone. Knowing Miles now sees Hobie as cool, Hobie makes it known - he sees the Society as uncool.

"Gwendy, How much have you told him? About his place in all this? Maybe not enough."

'So what happened about that small elite strike-team?' - 'Most of these are part time.' This is by far one of Hobie's more interesting lines, and I wrote about it here. But in short, this is Hobie's soft but direct confrontation of Gwen. After Gwen lies to Miles in front of him, Hobie immediately asks how much Gwen has revealed to him. And when she tries to play it off, he openly says 'Maybe that's not enough.' He's not angry with Gwen, but he is disappointed, which in turn motivates him to have his discussion with Miles.

"Super humane, and not creepy."

One of my favorites, because it's hard to catch and to the point. After talking about Hobie and Gwen's mission history, they're taken to Margo and the control room. As Miles marvels at Margo and the Go-Home-Machine, and Gwen says she voted against it. However, Hobie says blatantly: 'Holy shit, Miles isn't this inhumane and weird???', validating that the Society is willing to do inhumane, hurtful stuff to those it deems 'misplaced'.

Next comes Hobie's confrontation with Miles.

Because Hobie knows this is his last movements with Miles before he meets Miguel, and this is where if final push of emotional support kicks in, before he goes quiet in front of Miguel.

And because this conversation is so well layered, I think it's best to go line by line. ______________________________

H: "Bet this doesn't even do anything." M: "Maybe it did before you ripped it out of a wall!"

Hobie has now confirmed that he'll be making an exit soon. And he begins his finally sweep of parts he needs for his watch, stocking up his pockets. He's not stealing to steal. He knows he's leaving and this is his last chance to get what he needs before he's out the door.

"Propaganda, bro! It's to distract you from the truth!"

HOLY SHIT I missed this one. Notice how in this shot, Gwen is not visible at all. Hobie notices they're out of hershot of her for the first time. And his first line is - 'Propaganda.' Their watches can take them anywhere. When Gwen needed to, she was taken to exactly where she needed in Mumbattan. But when they're heading towards HQ, Jessica makes them walk through the lobby. They could have been sent directly to Miguel's station, but instead she makes them do the whole tour, which serves as a flex of muscle. In order, Miles was shown the massive number of members in the Society, then their prisoners, then the go-home-machine. Only THEN can they see Miguel. All of which was intent to intimidate Miles on purpose. Hobie tells him directly: 'Everything you just saw was propaganda.'

M: And what's that?

"I ain't got a Scooby Doo, mate. Cause that's what they want."

One of the most iconic and notable of his quotes. Cockney aside, this line ties back in with his discussion with Gwen just a couple minutes before. They've done their tour and walk. Both Jess and Gwen have been given a chance to prime or explain to Miles anything, and both have chosen not to. So Hobie simply tells him, 'They want you in the dark. And they're sending you into a fight.'

The next line is:

H: Why do you want to be part of this lot? M: To get a watch. H: Make your own watch.

Miles sucks his teeth at Hobie.

Because of this - Hobie begins to change methods. Which I cannot stress is incredibly perceptive of him.

Miles is exasperated with him. So instead of dissuasion and making the society out to be uncool, he tries to turn Miles' attention towards his family.

"Bet you got a nice setup, huh? Nice parents?"

This line is a very well done one, with two things of notice. First, I find it interesting that the screenplay phrases this line as a question, not a sentence. Hobie is asking. He's taking a shot in the dark here. And this is backed up by his delivery; Hobie hesitates while saying this. The only line in which he does so. He may not know about Miles' mom and dad, because Gwen hadn't met them when she met Hobie. But still, Hobie asks, hoping the reminder of Miles' parents will dissuade him from continuing.

M: They're fine. H: [After this line, Hobie turns black and white momentarily. Potentially a nod to the fact that this conversation is the only 'black and white' one Miles has had so far.] M: But we got into a fight. They just want what's best for me, so...

[Hobie frowns. The scene and dialogue REALLY starts to pick-up from here.]

"That's a bloody shame. Because you're not ready for everyone else."

As the scene progresses Hobie goes from behind Miles, to beside him like an ally. Then, when Gwen finally comes back into frame, Hobie crosses in front of him. When Miles mentions his parents wanting what's best for him, Hobie warns that everyone else does not want what's best for him. At the same time, visually Gwen has her back to Miles, and Hobie puts himself between Miles and Gwen, trying to block his path. The scene is set up to show that in Hobie's eyes, Gwen is turning her back on Miles. She does not have his best interest in mind. Hobie is telling Miles 'They're using propaganda on you, they're keeping you in the dark, and they do not have your best interest at mind. You're not ready for this." And he physically tries to block Miles from continuing, one last time.

Miles goes through Hobie, and now within earshot of Gwen again, this is Hobie's final chance and push to get as much information into Miles as he can - without freaking Miles out. Above all else, he needs Miles to be prepared, confident, and willing to fight back.

His voice becomes more serious, and he starts speaking more straight-forward and a lot less cryptically.

"Listen to me, bruv. The whole point of being Spider-man is your independence. Being your own boss, you don't need all this!"

I think Hobie saying this reveals a lot about his character, especially understanding the context where he's from. While many Spider-men would agree that being Spider-man is about responsibility and power - to Hobie, it is about independence, and freedom. Hobie is a freedom fighter, and one of the only Spider-men besides Noir that knows how to fight systemic threats as well as physical ones. To him, being Spiderman is about being able to free yourself and others. It's about independence and freedom, and he's trying to nail that in Miles' head one last time.

M: Then why are you here?

"Looking out for my drummer, is all."

As the scene is coming to a close, the writers chose this time to reveal some of Hobie's motivations, starting with the independence comment, and now this. Despite knowing about Gwen's deception towards Miles, he is still looking out for her - and Miles. This is the writers' and Hobie's last push to solidify himself as an ally to Miles and the viewer.

M: I want to be in a band. I want to see my friends, and I need a watch to do that. G: Guys, come on.

"Alright, Squashed. Just don't enlist until you know about who you're fighting."

I genuinely had to sit and ask myself why the writers would choose to leave Hobie's collective effort - a LOT of effort - with this line. And honestly, I think it's a perfect segway. Hobie chooses his words very clearly; He doesn't say 'what', he says 'who'. The next scene leads into Miguel's intro, and up until this point, Miles doesn't know who he is. He only knows about the Society, but never who is at the top. We know about Miguel, but all Miles knows is his name. That's why Hobie says 'who you're fighting'. Because the Society isn't really a Society, and this isn't really between Miles and the Society at all. It's a dictatorship - and the person he's enlisting to fight is Miguel. The perfect introduction and warning to the person he's about to meet. He's telling Miles, 'Don't rush into it. Wait until you meet Miguel first'. And when Miles does meet Miguel, he finally sees that this isn't the place he thought it was, just like Hobie said. ALSO EVEN MORE INTERESTINGLY - THIS is one of the lines that is changed between the two versions of spiderverse (there are two theatrical versions on release.) In the alternative he says 'Don't enlist unless you know what war you're fighting.' And I think that the fact the writers chose to publish two different versions of this line goes to show how powerful they knew this line would be in Miles' characterization. There is so much Hobie has left to say to him, but only one line - and so we get two versions. How fun!

With the scene now over, we see a change in Hobie's demeanor, and I love the writers' choice to have the shot linger on Hobie.

We see him give Miles a look that isn't exactly full of confidence, but from this point forward, Hobie chooses to hang back, no longer having any motivation to instigate. He knows his work here is done, and now all he can really do is wait for Miguel to reveal his true colors, and hope that he got through enough to Miles that he will react, and fight back.

And closing out the scene - I noticed that when Peter B. arrives Hobie pointedly says

"Oh boy, Humbling Reality Spider-man has arrived."

All I'll say about this is Hobie has to be Jamaican cause that was so mfing rude shgjfkghjgjkdfjk

Hobie has about three lines between this point and then end of his screentime - Two of which were his lines to Mayday, and his comment during the canon events.

But there is one shot of him before it all happens. And after this shot the movie begins staging Hobie in specific a very different way than anyone else.

The moment begins with Miles' line 'My Dad is about to be captain.'

The camera pans to each character. Gwen, Peter, and Jess all avert their eyes. Miguel looks at Miles. And Hobie is the only one who looks at all of them. Instead of looking down, he looks to the others, in anticipation of whats going to happen. It's also important to note that this was probably news to Hobie. He probably didn't know Miles' dad was a cop - or at the very least going to be captain. So the understanding of just how much trouble Miles is in kinda multiplies in this moment.

Then, this happens

From this point forward, every time Hobie is portrayed, he is shown as separate from the other characters, always being divided from the group - with Miles as the divider. Even as the camera moves, Hobie visually remains - quite literally - as the only person in Miles' corner. And as the scene goes on, he moves farther and farther into that corner.

Until finally the scene comes to a climax, and Hobie gets two shots to himself - delivering his final lines.

"Here we go." - "Hobie, You're not helping." - "Good."

GUYS IM GONNA CRY OKAY IM GONNA CRY

This is Hobie seeing his work pay off. This is him knowing that he got through to Miles and that it was worth it. He's proud of him.

Hobie knew what he came to do, and he used literally every line he said to Miles to the FULLEST extent. He doesn't give a fuck if he's not helping the Society. He's helping Miles. And now he knows his work is done.

Being a punk is not about being a hero, it's about empowering those who feel powerless. HE UNDERSTOOD THE MOTHERFUCKING ASSIGNMENT.

IN SHORT - HOLLYWOOD PAY YOUR FUCKING WRITERS I SWEAR TO GOD.

if you read this far let me know :) thanks bye

[somerandomdudelmao]

OKAY SO GENERAL THOUGHTS AND SOME HYPOTHESES BASED UPON THE INFORMATION WE HAVE:

Holly is from Teegarden; a place where either all of his species can shapeshift or he himself is some kind of priest of whatever god they worship that has given him the ability to shapeshift. If ALL of the Teegardenians have innate shapeshifting, this makes the bird hunting Inherently More Sinister, but it makes far more sense to me for Holly to be special, because he says he's from a temple and attributes his shapeshifting to god. It also makes sense for Holly to be special amongst his species because Sculptor asked Oscar and Ward 'Which of you is smarter?'

They're keeping higher quality/more unique specimens in The Vault and maintaining them for some reason.

When Ward is still Very Much Ravaged by whatever the fuck the Science Scrapers were doing, we see probably-Sculptor saying they should put him specifically with 'someone peaceful'. We don't know why they have taken this consideration beyond determining he's not going to be a danger to a more peaceful inmate, but we do know Holly is also missing an eye, which means that must be part of the 'forcibly extracting information from a creature's body and brain' process. Ward was not doing any talking, they got the information about Oscar's laptop via stealing it out of his brain. Sculptor was not separating the dangerous smart one from the harmless stupid one. The Echolocators (this will be my shorthand for the rest of the Q) fully believe themselves to be above both these weird little dudes, but they know from experience they can get more, better information about humans out of the smarter of the two.

Holly sighs sadly and says 'they've found another civilization to destroy', and he's been kept alive alone in the vault for an indefinite period of time while the general ecosystem of his planet appears to be intact enough for regular hunting excursions. Either the Echolocators circle around regularly between planets they've previously colonized to keep the base resources on each planet fresh, or they are in the middle of ravaging specifically Teegarden beyond livability, and will move on to Earth next now that they've conveniently found some fun new pets. I believe the use of 'civilization' is significant enough to suggest it's the former, which is Way Scarier because they've also noted humans are edible and taste good.

A species of colonizer aliens being set up in an ant-like colony is delightful by the way. Also I saw someone in the notes saying 'oh no she doesn't know about The Incident' over Ecliptica being like 'I didn't really check on Ward, science is boring to me' and would just like to say No. Ecliptica absolutely knows about the unethical Whatever That Was and The Vault. She just doesn't know if Ward survived or is any semblance of okay. Because Oscar is a cute fun novelty and Ward is some guy she does not particularly care about.

Oh, my God, I want to express my thoughts on your hypotheses so bADLY. But that would be the wrong way to present information that should be shown in a story. But I still want everyone to see it, because carefully analyzing a story is one of the greatest forms of art that amazes me every time🧡

[spamgyu]

SVT PU - Orange Peel Theory // Drabble

orange peel theory is making it's rounds on local tiktok and twitter. this is my humorous take on how the PERFORMANCE UNIT discuss/deal with the orange peel theory with their significant others.

[hhu] [vu]

SOONYOUNG

he was in the middle of call when y/n had taken a seat next to him on their couch, a snack in hand.

"yeah, i think i can come in and record today." soonyoung motioned for her to hand over the fruit, nestling his phone between his ear and shoulder – freeing his hands.

she shook her head, not wanting to interrupt him, but he was persistent – taking the orange from her.

"no it's okay, i'll be there in thirty." he continued, peeling the citrus. "let me just get dress– i can pick him up on the way too."

without breaking the conversation, soonyoung had managed to completely peel her snack of choice; handing it back once he had finished.

y/n mouthed a thank you to him, earning a wink in return.

"okay, see you later. bye." soonyoung ended the call, turning to her with his mouth open. "ah."

"get your own!" she shook her head with giggle.

pouting, soonyoung leaned closer. "i need energy for when i record."

y/n rolled her eyes at his antics, knowing that he was simply being dramatic – popping a slice into his mouth. "you passed by the way."

"passed?" he chewed.

"orange peel theory. if that's what you were trying to do."

"like a class?"

he had no idea what she was talking about; peeling the orange simply because he wanted to.

"nevermind."

JUNHUI

"baby!" he called out from the kitchen, causing y/n to run in – afraid of what he could have possibly done.

he had insisted on preparing their lunch today, despite it being his first and only day off in months. jun had always been better in the cooking department of their relationship than she was; not bothering to fight him when he had told her that he was completely fine with preparing their meal.

"what happened? are your fingers in tact? are you–"

"look!" jun pointed to the fruit he had peeled.

correction, plated professionally

her boyfriend enjoyed random artistic hobbies, not batting an eye whenever he chose pick a new one up.

even if it was.... fruit peel art.

"you made a flower out of an orange peel?" y/n raised her brows.

"cute right?" he chuckled.

"i thought you were making lunch."

"i am, this is your snack while i cook." he handed her the plate of oranges with a flower peel as garnish. "orange peel theory, baby."

"it's hypothe–"

"sh... eat the orange." jun shook his head, ushering her out of the kitchen.

MINGHAO

"babe, would you peel an orange for me?"

minghao was in the middle of chopping vegetables for their dinner when y/n had entered the kitchen, a playful smile on her face. "is this a sexua–"

"wha- no!" she laughed, walking over to him to show him the tiktok that had been playing on her phone – it was creator attempting to test her boyfriend with the orange peel theory.

she had no doubt he would do anything for her; he'd bring down the stars for her without having asked.

his mother had raised him well.

"hm..." he nodded as the video looped back to the beginning, walking over to grab one of the oranges in their fruit bowl. "isn't it crazy that such a small act can predict how someone will treat you and your relationship."

she watched as he peeled the citrus without tearing the outer in pieces – going in a spiral.

"it's such a small act that shows that your significant other is willing to do anything, no matter how small." he went on. "making their partner's life that much easier."

leave it to minghao to analyze a fifteen second video, instantly knowing the meaning behind the current social media trend.

he split the fruit in half, feeding her a slice. "yummy?"

"yummy." she chewed, a smile on her face.

"i know you were just joking, but for the record," minghao tucked a strand behind her ear, placing a kiss on her cheek. "i'd peel a strawberry, if it means you'd never have to lift a finger."

"i know." she hummed.

CHAN

in a world full of boys, he was a gentleman. or whatever the hell taylor swift said.

despite being the youngest in his group, chan was the eldest in his family and doting on her came naturally – especially since she was the youngest in hers.

she was used to the princess treatment from her own family and chan had no problem continuing that treatment.

y/n knew he would do anything for her... but she wanted him to know she would do the same.

even if he rarely allowed her to.

"fuck." y/n hissed as her fingers slipped yet again in her attempts to peel an orange for her boyfriend.

"you okay?" his voice startling her, causing her to jump.

"yeah just trying to pee– no!" she cried as he took the fruit from her.

"i'll do it." he continued where she had left off, using his body to shield the citrus away from her hands.

"give it."

"you just got your nails done." chan chuckled, turning around once he was finished. "those gems on your nails are going to get lodged in this and you'll end up choking or something."

"ha ha not funny." she rolled her eyes. "it's for you, dummy."

"i dont want it."

"yeah well, orange peel theory." y/n grumbled.

chan threw his head back and laughed. he had heard about the theory from seungkwan and didn't care for it, knowing that no matter how many relationship theories came about, he and y/n were secure in their relationship. though, that didn't stop him from finding her attempts to prove the theory right funny. "you failed then?"

"because of you!"

@thegirlwhoimagined @ohmygodwhyareallusernamestaken @f4iryjjosh @akeminy @yonabutnotyuna @tacosandbitch @vanillacheol @aaniag @bettybotterboughtabitofbutter @xbaekcult @alwaysalmostthere @ashkuuuu @morkswatermelonnnn @isabellah29 @lottogyu @bubbly-moon @lllucere @bo-fairykim @bubbly-moon @pluviophile-xxx @daegutowns @jenoxygen @niktwazny303

(for some reason it's not allowing me to tag some who wanted to be added to the perm tag list ... cries... pls check ur settings so i can for future posts)

[rainybubbles]

How do you meet COD men ?

Price, Soap, Rudy, Ghost, Gaz, Keegan

(Sorry in advance for my mistakes, English is not my mother tongue. So sorry if it's badly written or if they're OOC. )

P R I C E :

-"I'm going to die," you say to your friend.

-"What ? Why would you die ?"

-"I sent a pregnant Shrek cake to a military base."

-"Why would you do that ?!"

-"This guy ordered a cake for his soldier's birthday, but I also had the order for a prank and...

-"You mixed up the two boxes."

-"Yes."

-"So, actually,....a soldier is opening his box and..."

-"And he will see a pregnant Shrek cake."

-"...It was good to know you when you were alive."

-"You're supposed to reassure me !"

-"Oh sorry. You will die fast, don't worry. It's their job"

-"Fuck you."

-"How was the guy who ordered ?"

-"Like he could crash my head between his arms"

-"Shit."

-"But he was handsome, I guess."

-"Guess your last view will be nice, at least."

-"Shit, how do I even excuse myself for that ? I can't go to the base and say "sorry I sent a Shrek cake, but it was a mistake can you let me in ?"

-"I guess you just say it," a man says.

-You gulp when you recognize the Captain who ordered you the cake.

-"Sir, I'm so sorry, I swear it's not on purpose, I just mixed two orders and..."

-"And you made my boys laugh after a rough mission."

-"oh."

-"So thanks. Of course, it was not what I planned for a birthday, but seeing them happy was nice."

-"You're..welcome, I guess ?"

-He smiles.

-"But don't ever do another pregnant Shrek when I order from you, next time, please."

-"Next time ?"you say surprised.

-"It was delicious, I don't plan to change a good baker," he smiles.

And that's how you gain a regular after offering a pregnant Shrek cake. (even though each time he sees green on your hand, he seems scared when he takes the box.)

S O A P :

- He drew you like Gollum.

- I know, it sounds horrible, let me explain.

- You needed money, and you offered your services as a model for art classes.

- Soap was one of the students.

- During his leaves, he often took art classes to relax.

- And usually it goes well.

- But when he saw you....he thought he could never do justice to your face.

- He felt so self-conscious about his skills that he ended up doing a horrible portrait of you.

- And it could have ended up here, but the teacher decided to show everyone's pieces of art to analyze them

- So you saw Soap's piece where you looked like Gollum.

- And you knew it was from him.

- Everyone has a smile, while he was terrified.

- Usually, he's self-confident, but it's on the battlefield, in his life. The art was the only place where he was not sure he belonged too.

- At the end of the classes, he decided to talk to you.

- "I'm sorry for what happened today, I felt anxious and I ended up doing a bad portrait. It doesn't look like you at all."

- You looked up at him and smiled.

- "Why do you apologize? It was fun to see me like this, plus you need to start somewhere, no? You can't be a fucking Leonardo Da Vinci from the first day."

- He was too stunned to speak.

- "John or Johnny," he said.

- You looked at him confused.

- "Name's John, sorry, it seems you really blew my mind."

- You chuckled. "Nice to meet you, John. Hope next time your mind will be more confused for the next class."

- He nodded.

- Wait, did you say the next class? But it was nude models…

- Hope he won't draw a stick figure this time.

R U D Y

- You were an author.

- Well, it was not your main job since you only sold four books this year, but you considered yourself an author.

- And you had a hater. Someone who left a hateful review on each of your books.

- You knew that the next day after publishing your book, he would leave a bad review.

- So when your boss at the library told you that someone was regularly buying your books, you knew it could only be this hater, since the other person who bought your books was your mom.

- And you had had a bad day. So when your boss told you he was there, you were about to confront this hater.

- Maybe to understand what he didn't like or to know if he was just a coward.

- So you strode towards the spot your boss pointed at.

- "Hey, you," you said, not sure what to add after. When the man raised his head, he looked fit, and you knew you couldn't stand a chance in a fight if he decided to fight.

- "Wait, are you the author Y/N?" Rudy asked, with a sparkle in his eyes.

- Wait... A sparkle?

- "Hm, yeah, it's me," you answered, not sure what was happening.

- "I love your work. Your last book was really amazing. I have followed you since your debut."

- Your mouth was open, because :

1. one, your mom had lied to you when she told you she had bought three copies of your book.

2. And second, you had your first fan in front of you.

- "Thanks," you almost said, tears of joy welling up. "Sorry if I sound harsh. I thought you were that hater."

- "Oh yeah, I saw those reviews on your page. He's always there, but don't worry, I'll leave positive reviews to balance it. I'm Rudy, by the way."

- "Nice to meet you, and thanks for loving my work."

- "No need to thank me. I just appreciate good books."

- "What's your favorite, if I may ask?"

- Rudy smiled, and you both started chatting about books that afternoon. Maybe your reviews would improve after this, not just because of your writing, but also because he found you stunning.

G H O S T :

- Ghost scared people on the battlefield.

- However, the people who were most scared of him were the mechanics on the base.

- Ghost was a horrible driver, and everyone knew that.

- So, each time he went to the mechanics, they knew it was because he had done horrible damage to the cars.

- A game was organized whenever Ghost approached – you played rock, paper, scissors, and the loser had to fix his car.

- However, you were new to the base.

- When you saw this guy standing and waiting, you went to him without realizing all this.

- But when you saw his car, you understood why no one else was coming.

- He had a bowling ball in the trunk, the roof was broken, all the windows were shattered, and one tire was burnt.

- "...did you take this on the battlefield?" you asked.

- "No." He said shortly.

- You blinked. "Then why is it in this condition?"

- "There was a grandma on the road."

- "...so, because of a grandma, you have a bowling ball in your trunk?"

- "Because I swerved to avoid her and ended up hitting a bowling alley."

- "How did you even get a driver's license?"

- "The examiner was too sick to see me again for the ninth time, so he just gave it to me."

- "I guess I'll fix your car, but please don't drive if you don't need to, sir."

- "Sure."

- The next day, he was there again with a hole in the car because of a bird. How ? You didn't know.

-But it seemed you had become his official mechanic without even knowing it.

G A Z :

- When he hears your voice in a café, he recognizes you.

- The problem is, he can't come to you.

- Because if he knows your voice, it's because of your streams.

- Your ASMR streams.

- Being a soldier means your sleep schedule isn't really regular, and to help himself sleep, Gaz discovered ASMR.

- He found out about your streams, then your Patreon, and... let's just say your ASMR is spicy.

- So yes, if he says he's a fan of yours, it implies he has to reveal he listens to that in front of his teammates.

- And he's not ashamed of it.

- But he doesn't want Price to know he likes spicy ASMR, just like he wouldn't want to know what Price's fantasies are, or what Ghost likes in bed.

- (He wants to forget Soap's idea about Ghost in pink lingerie and a thong, and the day Price wore latex pants.)

- It's a line he doesn't want to cross.

- But he's also your biggest fan.

- So he tries to walk near you.

- But you're with a friend.

- And he doesn't know if your friend knows about this.

- So he ends up just glancing at you.

- Shit, how does he approach someone who does +18 things, without saying he knows they do this?

- Maybe if he waves... or just says hello? Or maybe if he asks for a selfie or…

- "Are you trying to imitate Ghost?" Soap asks.

- "What? No. Why do you say that?!" Gaz says, looking away.

- "Because you're staring at this person like they killed your dad and ate your mom, then burned your house and kidnapped your dog."

- "...it was really detailed for a scenario," Gaz says, confused.

- "So?"

- "I just know them, but I don't want to disturb them." Gaz says, trying to lie and tell the truth at the same time.

- If Soap finds out the truth, he'll never hear the end of it.

- "Do you want me to call them?"

- "NO. Absolutely not, don't do this, mate."

- "Why not?"

- Because they'll think you listen to their spicy ASMR audios, he wants to say, but he remains quiet.

- God, he feels like a teenager.

- But suddenly, he sees you walking towards them.

- You sit next to them, and... you wink at him, pointing to his key ring on his bag.

- It's your merch.

- Meaning... you know he's a fan.

- "Thanks for supporting me," you whisper before returning to your friend.

- Gaz doesn't speak until he gets back to base, too embarrassed but also too happy.

K E E G A N :

- You were tired.

- The rush had finally ended. It was now 11 PM, and there was this one client who had just ordered 10 Happy Meals.

- You wanted to slap him. He had ordered at 22:57, and the fast food closed at 23:00.

- So you didn't have a choice but to serve him.

- You looked at your colleague, who was sighing, and you nodded.

- You were preparing the trays, ready to see 10 kids running around and getting everything dirty, but…

- It was only one man with a mask.

- When you saw him, you were ready to raise your hands and give him money. Why the heck would a man with a gun and a mask be at a McDonald's at 23:00 buying 10 Happy Meals?

- But he just took them and ate.

- One after another.

- In silence.

- In five minutes.

- And then he left.

- You looked at your colleague.

- "Guess it's as weird as people who order a burger without buns," your colleague said.

- You nodded and thought it was just the one weird client of the day.

- But every Wednesday, he was there, in silence.

- Maybe he hated Ronald McDonald, so he planned to run out of your stock of Happy Meals?

- Or maybe he collected the toys?

- You didn't know, but he was there.

- And you saw him eating those nuggets and fries without sauce.

- He didn't touch his drinks. My, how dry it must be.

- But one Wednesday you took a day off. So when you came back the next day, you joked with your colleague about the Happy Meal guy.

- But they didn't laugh.

- "Who?" they asked.

- And just like that, you realized that when you weren't there, the Happy Meal guy wasn't there either.

- You were scared.

- Maybe he thought buying Happy Meals seduced you, or it was his way of warning you before he would kill you, like a threat, "You'll end up like those nuggets."

- So, when you saw him enter, you sent your colleague.

- However, your manager decided to give you your break at that moment, meaning it would be only you and him in the place.

- You tried to act normally, but you noticed how he seemed not to like his food yet still ate it.

- You sighed and sat next to him, offering him some sauces.

- "It's better with these. You know, you can have them for free in the menu next time."

- He looked at you and nodded.

- He then tried it and smiled.

- That's when you noticed his dog tags.

- "We have a discount for military personnel, so you could take a real meal instead of a Happy Meal if you want to."

- He looked surprised and nodded.

- Next time, he ordered 2 Happy Meals and two regular menus.

- So you smiled.

- Until his other masked colleagues ordered 20 Happy Meals because they liked the skull toys in them.

- Maybe it was just military men who had a problem with Happy Meals.

If you want more : my COD masterlist

And my masterlist

[mntalbrakdown]

pocket size - P. Hynes White

masterlist

mentions of: height? idk let me know if you find any!

synopsis: percy liked that you are shorter than him

a/n: i’m no longer writing for him so plz no hate!!!!

12 inches. a whole foot shorter. you were 5”2 and Percy was 6”2. he liked how he could tower you. he liked the way you would have to look up at him. he especially appreciated when it was sunny outside because you would have to look up and the sun would catch your eyes making you scrunch your face. he also enjoyed how your hands would be wayyyy smaller than his. but out of all these things, his favorite thing about how short you were was putting his head on top of yours and wrapping his hands around your waist.

You and Percy have been dating for a year. you bumped into him in a pharmacy, trying to develop your film. Percy was waiting next to you holding his camera and you with yours.

“you take pictures” he tries to start a conversation with a girl he found attractive

“yeah, just started with this, I have an actual camera,” you say smiling weakly

“I think you should keep using a disposable camera so we could bump into one another more often,” he says trying to secure a date with you

“or you could just ask for my number” a date you wanted

“would Instagram be included in that bundle” he tried to stalk you, he tried to find out who you were as a person

“or maybe on the other hand I actually don’t have a number” you try to joke

“no don’t be like that” he’s a little flustered now

a few days later after that interaction, you were on a date. after that date led to more dates than asking for you to be his officially. it was nice to have someone to call yours and be excited to hang out with whenever possible.

—-

“ready to head out,” Percy says wrapping his hands around your waist as you’re putting on the final touches of your makeup and hair

“yeah, one second,” you say putting on some perfume that Percy got you during his time in Romania. it was vanilla-scented. your favorite

you were ready to go out on your date. the date was a dinner and you wanted to bet Percy that he was going to move your seat next to his to be able to sit next to you.

right, when you were seated across from each other Percy gets up and moves his chair in the middle asking you to do the same and you did. the thing is that you thought that the distance between the two of you was perfect, but in Percy's eyes he thought differently, he scooted your chair so his practically touched. the whole night after was him with his arm around your shoulder or his hand lying on your thigh.

—-

during car rides, Percy likes to put his hand on your lap. squeezing it and making his fingers dance around. when it was summer he liked how you would dangle your head out the window. how your hair would dance in the wind.

he also liked how in the winter you would bundle up and wear his hoodies because they were so warm but you secretly liked the smell of them. he liked that you would wear the hood and sit on the car seat with yours legs held to your chest because you were so cold.

—-

he never cared about the arts really until he met you. he liked being able to take pictures of you in his bed in a small form but never liked actually making the art. he never learned from the lessons that Netflix made him do.

he liked how you would look when putting your head on his bicep. while you would observe the art. he would have you wrapped around his arms. his head on top of yours. you would talk about all the details of the painting and he would listen nodding and humming in amusement.

one thing the two of you had in common was liking films. every Tuesday heading to the closest AMC theatre. you would watch films and analyze them together afterward.

the theatre had reclining seats and you could move the middle cup holder up so the both of you could cuddle together. and that’s what you did.

every film no matters if it was scary or not you would lie on his chest while he wrapped his arms around you. (the same way you both slept) you liked the way his heart would beat speed up when he would look down on you. you could tell because his head would move around. and you could tell his shit-eating grin was on his face once again.

of course, afterward, you would talk about the film going back to your shared place. he would laugh at your theories of the film. he would play your theories in his head on the way to sleep and they would always make sense.

—-

he also liked baking with you. he liked how you would move around a lot and get the batter on your face somehow. he liked that you had your hair back in a messy style and would have an apron on. sleeves rolled up ready to take on whatever you were doing

“perc! I need your help” you yelled and saw him resting his body on the wall that splits your living room from the kitchen

“what do you need my highness” he bows down

“I need you to get me the pink bowl on the top right cabinet” you point to the thing causing your pissed-off state.

you never understood why he never got you a stool. maybe he liked being of help and being able to be in your bubble while you bake. because he never once got in the way of your work.

he never once let you put the pan into the oven because he was scared you would burn yourself. which never happened when you were on your own.

“why can’t I do it,” you ask feeling like all the work he has done

“don’t want you to get burnt,” he says opening the oven and putting in the pan

“there are mittens for a reason, y’know they aren’t decorations”

“but you look so pretty all healthy and smooth,” he says getting the brown batter from your nose and licking his finger clean

he liked cleaning up with you. playing with bubbles and splashing you with water. he grew in love with your face, he grew to be able to read your facial expressions. enough being said he could read how pissed you were but he knew to not mess around anymore.

waiting for the pastry was enjoyable. he liked waiting on the couch with you. you were in between his legs and your head rested on his chest. you would scroll on your phone and Percy would watch. when the pastry was ready you both would always burn yourselves it was like you never learned. and you would both laugh at each other. but it was enjoyable and you both would finish it in a day.

—-

the get-together was at his place. it was strictly just the cast. they slowly started to pile in through the door. he was excited to be reunited with them. he found the friends that he loved. and you were happy for him. as he greeted everyone he was ready to sit down on the couch and you were close behind. he was holding your hand guiding you to your seat.

another thing Percy was extremely mad about was you sitting on his lap. no matter if there was plenty of space everywhere else. he loved sitting with you. he especially did this when you were laying on the couch watching some TikToks and he would make you get up and lay on top of him. it would make you go crazy and not in a good way. but it made him happy so you let it slide.

“so how long have you two dated” hunter asked

“About two years,” Percy says playing with your hair. twisting it and fiddling with it between his two fingers

Emma was trying to get your attention. she thought you were interesting. she liked the way you probably have a lot to say but just keep to yourself. she knew deep down you were funny because well you were dating Percy.

“what’s something that Percy has done here that no one else knows about,” Emma asks looking directly at you. you start laughing at the thought

“no-“ Percy says trying to hold you from saying it

“he…he sings t swift when he’s bored” Percy tried to cover your mouth before you finished the sentence, but it was too late because what you said was out and everyone was laughing

“so- uh- so who wants to play uno” Percy says trying to move the conversation

wanting to get the Uno cards that were under the coffee table. in a red tin box that once contained chocolates, Percy got you for valentines day. once you got it you were walking to his kitchen. all the seats were taken and Percy put you on his lap. he shuffled the cards and something about that no matter who did it, was attractive. Percy however liked the way your hands made the Uno cards look humongous while he made them look tiny.

“Are you both teaming?” Jenna asked

“should we” Percy whispers in your ear sending butterflies straight to your stomach

“Sure,” you say kissing his cheek and everyone started teaming up.

halfway through the game, Percy has half the deck with him.

“I should've never teamed with you” you laugh at just seeing the cards

“I’ll make us win don’t worry” he had his eyes wide like he was determined. and that he was because he always kept his promises to you.

and by the end of the night you both did. he liked the way your eyes would sparkle with joy that only lit up with winning. how you would wrap your hands around him and laugh.

—-

one thing Percy hated was high heels. it was like they were enemies. you never understood it. it wasn’t like you would get whiny about the heels hurting you. in fact it was the opposite. you would run dance jump all of it and all Percy’s face was saying is how much he hated those things giving you height.

he liked that you would have to tip-toe for him but those were easy access they took one of his favorite things about you. and if he could he would destroy them all.

he liked that at the end of the day, you would dress in his clothes to go to bed. it was practically a nightgown for you. he liked how you would clean your face and make sure you felt clean. he liked the way you would be ready to go to bed and not even act like you didn’t want to be by him. because you did you wanted him to wrap his arms around you because it is reassuring and comforting. and wake up in that same form in the morning.

[bitter-bats-cult-of-the-moon]

Spirit Work II

Spiritual Imposters

Before committing yourself to a deity or spirit one must communicate by learning about the entity in question, making certain they are who they say they are. Discovery of a spirit you thought you were working with is something else that leaves one feeling betrayed, upset, and oftentimes empty. Knowing the signs can really help discern things.

Mental Sock Puppets

A mental sock puppet is the result of talking to yourself and concluding self-talks as something else. The ego talks, you listen to yourself. Not a spirit. Or you establish contact but are incredibly biased hearing your thoughts. Not theirs.

It acts in accordance to your expectations.

You received no new information.

It’s only as knowledgeable as you are.

It only abides by your will. No one else.

It gives no signs unless you’re looking for them.

These are easy to get rid of if you identify the problem, recognize the problem, and let the narrative and ego go. No one needs to hear it. No one wants too either. You only end up hurting yourself and other people if things get too out of hand.

Lying Spirits

Some spirits are opportunists. They can portray an illusion pretending to be someone they’re not in order to gain loyalty and trust. They can take the form of a deity, guide, companion, or anything else that you would be most receptive to. This is why it’s good to know the basics to energy work and magick. Remember to learn different energies and how they feel to you. Remember to analyze the situation, yourself, the spirit, the environment, and working before proceeding forward. A lot of these malevolent entities like to feed off you or cause more drama that’s not necessarily needed.

Spirit Work and Continued Relationships

Veneration and Practice

This is about worshipping the deities or spirits you work with and highly depends on your practices and influences you choose to use and construct.

Most times there will be an altar setup or shrine dedicated to these spirits. Offerings of food, drink, incense, and trinkets would be a way of showing your dedication and interests of the spirits. There are other forms of interaction I have seen before.

Connection through art, music, nature, and meditation are just some of these other mediums. You don’t have to make this complex, and sometimes people have busy schedules making veneration hard to come by.

Try to keep things simple and remember it’s always okay to take a break due to circumstances. Spirits understand life comes first.

Patrons and Matrons

A Patron and Matron are deities that a devotee has a connection to. Its beyond standard devotional relations and is the main contact point for guidance and protection. It’s important to recognize that these types of relationships are built. They are not assigned.

Wicca is known for the patron and matron concept where duo theistic practices entail encouraging practitioners to seek out two divinities. The patron and matron would represent the divine masculine and divine feminine.

This is not a requirement in most practices, but in Wicca it is recognized in many circles.

Fallow Times

There are times where communication between you and the spirits can be difficult, and that’s okay. It happens with everyone. It doesn’t mean a spirit has left or that you’ve lost your ability to communicate. This feeling is temporary, and it’s a reminder that whenever this does happen, you need to take care of yourself first. Get the rest you deserve and try again later. Remember, this is normal due to circumstances – including stress, environmental factors, and any sort of disturbances one may have.

Oaths and Vows

There are many reasons why an individual would take an oath and vow. That’s between the practitioner and the spirit. This promise can come about for many different reasons, and even sometimes at the request of the spirit. However, this isn’t required if you are just working with them. It doesn’t mean control or status either. You can’t parade this around to get your way in certain situations. It doesn’t look good or help. Be aware of that. Remember why you did this, and what does it mean for you. That’s the most important part.

Displeasing Spirits

Those that are new to Spirit Work sometimes worry about displeasing the spirits. Repeat after me, deities and spirits who choose to work with you won’t get mad at you for being a human.

They will know there will be shortcomings, quirks, and variations.

You have NO obligation to listen to ANY person on this subject otherwise.

IF you do upset a spirit or make it angry question yourself as to why. Remember, communication is the key, and sometimes frictions can happen.

IF the behavior seems off and out of place, you may be dealing with an imposter. Check your sources and confirmation methods before determining the circumstances.

[noneorother]

The grand unified theory of Good Omens S2 hangs on - you guessed it - a double meaning (and art). *Part 4*

Part 1 l Part 2 l Part 3 l Part 4 l Part 5 l The End?

This is major spoilers for season 3 territory. You have been warned. I'm also going to split this into parts because wow, I have so many ✨Clues✨! Friends, we have arrived at the prestige! Metatron come at me bro, catch these hands. Oh wait you can't, you always have your hands in your pockets...

People smarter than me have talked all about Aziraphale's magician outfits on this show, so I won't steal their thunder. Suffice it to say, The Metatron is wearing a weirdly dark coat and tie over his whole outfit. Which gives him a very only a white floating head look, but also keeps in the theme of ✨I am a magician✨. He's here to perform a trick!

I also won't talk a lot about him in the coffee shop because that's been done already. If we have learned anything from part 3, analyzing the coffee to death is what we are supposed to be doing, because He is distracting everyone with a benign object that we can inspect. So while he's waving this coffee around in the shop going "SEE I KNOW HOW EARTH WORKS" he's also doing something fascinating: Checking to see who recognizes him.

Weirdly, even though Aziraphael saw him in season one, and the angels all work with him, no one does right away. EXCEPT for Saraquiel and Crowley, who just saw his face not in person, but in a video tape of sorts up in heaven at Gabriel's trial by farce. And then something funny happens. Saraquiel is scared shitless and pretends to have 'forgotten' like Michael, but Crowley admits loud and proud that he does. Then Uriel gives THE BIGGEST SIDEYE I have ever seen on screen to Michael, as in "You don't recognize our boss? I am very afraid for what that means."

As far as I can understand, this is the reason the Metatron is here : "Are we in the version of events where I lose?" And the answer The Metatron gets after the question is : We are in the version of events where I have severely fucked with Michael, sort of fucked with the other angels, I have fucked with Aziraphale, and Crowley has seen me already in heaven. Now we're missing a lot of information as to WHY this specific answer is good for The Metatron, and how much Saraquiel knows, but it seems like he interprets this as an "I haven't lost yet, and I can still do my trick".

So now here we are, at the most important part of the episode, in my (and Aziraphale's) opinion. THE double meaning.

This line is insane. On the surface we have meaning 1) The Metatron is scolding over-zealous angels for meddling in this affair, and over reaching with their power, especially threatening to use the book of life on people. He's the good guy! But under the surface we have meaning 2) I HAVE THE BOOK OF LIFE and I have been using it on everybody in this room. If I don't get my way this time around, I will edit you guys again, and you will have done the right thing. And with that admission, Aziraphale severely twigs and becomes very afraid. From then on his voice shakes and he babbles, and he has trouble looking the Metatron in the eye. I'm willing to bet that this is the moment Aziraphale realizes what The Metatron just admitted: I am creating a version of reality as we speak where I change you and Crowley (and everyone else) so that you lose to me. A terrified Aziraphael goes off with The Metatron to have a chin wag. Now here's the trick.

We've already established that Maggie and Nina are here as stage assistants to The Metatron, so they need time to work on Crowley alone. If they talk to A/C together, like they would have without The Metatron's appearing in the scene before, better communication might have happened between them. He made Aziraphale disappear from the scene!

This does NOT look like the face of someone getting good news. We never heard what the details were besides inviting Crowley to the job promotion, so who knows what he threatened him with, but

This looks like the face of someone caught in a trap. So we are now seeing the prestige! We don't need that coffee anymore, that cup is GONE BABY. Aziraphale has been removed from the Nina/Maggie confession like a dove, and placed in The Metatron's dark coat pocket. Now he just needs to make our angel reappear in the scene the assistants have prepared for him and let him fail, thus completing the trick (uhg I hate it. So cruel).

I'm going to turn the final 15 into it's own post because this is already very long. Let's skip it for now, but we know our lovebirds get separated by heaven, and Aziraphale leaves. The Metatron breathes a huge sigh of relief in the elevator as he thinks his trick has worked, and he has won.

So it's finished now, and there's seemingly no way out. Aziraphale now knows what The Metatron meant when he communicated "I am creating a version of reality as we speak where I change you and Crowley and everything else so that you lose to me."

BUT! ARE YOU READY FOR THIS SHIT? BECAUSE IT HIT ME LIKE LIQUID JET FUEL. And I think it hits Aziraphale right here, (when he makes the creepy face after being hit with a beam of light i.e. realization)

That means that in the original version of events before all the edits, Crowley & Aziraphale won.

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If you've gotten this far, thanks so much for reading. I'd love to hear what you thought, or even reblog it with your ✨Clues✨! Want to read more about the timey wimey business that we're gonna see in season 3, and why all this changes the final 15? Well I have *part 5* coming in just a bit. Parts 5 and The End are here! Part 1 l Part 2 l Part 3 l Part 4 l Part 5 l The End?