Introducing! ELESA, the new kid on the block! She's a tiny bedraggled child from Sinnoh and not all that familiar with Galarian, the spoken language in Unova. (One day she'll be amazing. Right now though, she just wants to go play in the mud. And maybe get a better set of hearing aids.)
When not bitterly lonely, she’s scheming to run back to her old home. Or chasing the local patrat. Or watching nervously from the sidelines as other children play on the swings. Oh elesa.
(loosely inspired by @/noxstrages' incredible comics about elesa's origins! Ty for the food.)
Masterpost to my submas comics!
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Mikey and Leo episode centered around Mikey wanting to push Leo and Draxum together since Leo’s the most reluctant to give Draxum any grace (for good reason!) But, thinking on the spot, Leo says he’s gotta go do something for Hueso and “just can’t hang out right now 😔” (yes, he says the emoji out loud.)
Mikey calls his bluff and now the three of them (Mikey having grabbed a weary Draxum along) go to Hueso’s to find that yes, he actually does have a job for him. Said job asks for Leo to go with Hueso to deliver multiple pizzas to this giant yokai quite a distance away, and Hueso figured it would probably go better with Leo’s help (emphasis on probably.)
Well, Mikey decides that this would be a great bonding opportunity for them and basically invites he and Draxum along. Unfortunately for Leo, Hueso doesn’t care enough to wave away more help, though he does side-eye the wanted criminal Baron Draxum coming with them. But who is he to judge? (This choice has consequences.)
The journey goes about as terribly as you’d expect, but at least the pizzas get delivered on time.
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I think you've mentioned before that after Machete's passing, Vasco would eventually find another partner that he'd live out the rest of his days with. Do you think he'd tell them about Machete at some point? Or would he feel it's safer/easier to keep the stories and memories to himself? If he did tell his partner I'd also understand if he chose to leave out certain details, such as Machete's job, whether it be for general safety or a sense to protect Machete's privacy and reputation even though he's gone
I think the partner Vasco lives the rest of his days with is most likely his platonic wife Ludovica, the one he was already married to at the time he reunited with Machete in their early thirties. I can see him eventually starting to try to see other men again, and he might love them too, but the whole process of trying to open up to other people (after all those years and the way things ended) would be kind of lonely, frustrating and painful for the most part. Chances are none of his subsequent relationships would last very long. He'd probably grow closer to Ludovica and she would do her best to support him. I'm not sure how much of his 10+ years with Machete he'd be able to share with anyone to be honest.
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there is interesting johndean subtext and insinuations across kripke era, usually through an antagonist insinuating parent-child sexual violence in order to exert dominance over dean. this type of mockery exploits that ambiguous relationship between john and dean and reminds dean that he never had a normal relationship with his father, and that makes him gross and wrong. it doesn't actually matter in the end whether john was sexually abusive to dean. the core of their relationship was damning enough: dean was made to take the place of john's wife—to comfort john and raise sam—while simultaneously being his son. the codependent nature of their relationship implies the incest that underscores their dynamic. again, this is regardless of what literally occurred between dean and john because there is enough doubt toward the nature of their relationship that multiple antagonists can use it against them.
sonwife, brotherhusband—dean is stuck in a liminal space between family and lover and is unable to put his feet firmly on just one side and instead has to accept both together or abandon both together. he doesn't get to have a relationship with his family without it being simultaneously incestuous. he plays the role of wife to john and mother to sam as mary's replacement; he therefore becomes more than a son and transcends the boundaries of the familial into the incestuous. it's baked into the dynamic and he can't hope to escape the liminality in which he's stuck without abandoning his entire family altogether.
this ambiguous relationship is further acted out with sam, where people perceive them as lovers rather than brothers; where their mutual devotion trumps, neglects, and disallows any other close relationship outside each other; where their physical closeness is viewed through an unusually sexual lens despite no literal sex acts between them taking place on screen. once again dean is stuck in a liminal space, paralleling the ambiguous and uncertain relationship he had with john.
in the end, sex (and sexual violence) is just a symbol of this codependency and uncertainly incestuous dynamic. sex acts in kripke era end up being symbolic: misinterpretations of sam and dean's relationship; accusations of sexual violence; literal, on-screen sexual moments between the brothers and someone else. it's a literary device that highlights the incestuous themes of the show. dean hand-picks women for sam to fuck because it allows dean to be symbolically part of sam's sex life. henricksen accuses john of raping dean because it is a symbol of the unhealthy, codependent relationship dean had with his father. the samulet stays on during sex because sam is symbolically integral to dean's sexual gratification (seen too in the way both dean and cassie in 1.13 appear to kiss the amulet at least once in the dark room). sex is used to signify more than what's literally on the screen, and the connections between the literal sex acts and the blurred lines of dean's familial relationships allow for a reading of incest between both john and dean and sam and dean.
it never mattered whether johndean or samdean had a sexual relationship in the canon because that was never the point. the point is the liminality that permeates the narrative. sam, dean, and john all stand upon a threshold between acceptable and taboo. the point of it all is the doubt and anxiety, the are-they-aren't-they that is never answered. the absence of incest within the text invites the understanding that the incest was, in fact, always there.
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1 : Soap never had any idea that woman wanted him carnally, he's not the most observant on that front (he never noticed Ghost flirting with him and thought his love was one-sided for the longest time, but tbf Ghost was also very discreet about it)
2 : He sewed the hat, eyepatch and hook himself, because he's the best uncle and then got distracted as he was wrapping it up, so now he's watching a tutorial on youtube about how to build a voice box. Honestly how hard could it be, he builds explosive devices as a hobby (listen, Price doesn't have to know)
3 : He is out to his family, but doesn't want his mum to know he has a boyfriend because he knows she'll insist on meeting him and welcoming him to the family and making a big deal out of this, and he knows that Ghost isn't ready for that.
4 : Christmas is obviously a very hard time for Ghost, but he is very very in love with Soap and some days still can't believe that it's mutual, but then his Johnny does something like that and his head gets quieter while he's melting a bit.
5 : For the people that didn't see my other post : the bird is a Caique parrot, and they're supposedly very energetic, a bit loud, medium sized, unintelligible, very friendly to what they consider their family, adventurous and danger prone, with an explosive personality and a hate of boredom, so basically the adhd bird.
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