#and also their vibe is REALLY sci fi and robotic

[pandoratheprocrasticreator]

There are 4 2010s cartoon villains i know of with the horned animal skull aesthetic and 5 2010s cartoon villains i know of with the big horns and glowing eyes in general. I love that shit the design fucks so hard. Does anyone have more examples im starting a collection

[sparrowlucero]

Instead of discourse about showrunners and lesbians and whatever, I'm gonna bring a different type of discourse...whats ur fav and least Dr Whomst monsters. Hard mode: only the practical ones.

ok so I do like all the obvious ones, I like the angels, I like the vashta nerada, I like the not-things, I like the eternals. Here's a few deeper cuts (focusing on the tv show specifically):

they peaked with these maggots. they rock. pretty sure they're made with taxidermy? really great puppetry. I really like this thing:

what a cool design for this kind of forgotten midseason episode.

this is such a fun design for a langolier-type monster. I love how their crest and tail gives them the silhouette of a grim reaper

The 60s cybermen rock. I feel like they're hesitant to use them often in the modern show because they do look very 1960s but I think there's something really uncomfortable and evocative about the cloth faces that's lost when they're cool metallic robots. The mix between looking like an old diving suit and the implication of there being a chopped up person inside is gnarly and I love it. Simple, creepy, iconic design.

My favorite design in the show is probably this:

The 456 from the spinoff series torchwood. They didn't need the puppet to emote or move a ton since it spends the entire season in a little tank obscured in mist, so they just went crazy with the design and made it really bizarre looking. Extremely top tier alien. Anyways, negative. I really don't like this satan. the satan kind of sucks. the impossible planet is great atmospheric sci fi horror; every image of build up in it is haunting and leagues ahead of the climactic scene where he meets the satan. It singlehandedly kind of kills the vibe.

Personally I would have just kept the actual appearance off screen, just have it be eyes in the dark or something. Apparently they also tossed around the idea that it would end up being a normal little girl who was chained up in the cave and I think that would have visually fit the rest of the episode better.

I'm really not big on the modern design for the sea devils (the green one on the right). I think the classic ones clearly took a lot of direct influence from real animals and generally is a pretty thoughtfully realized design, the modern ones seem like they were first and foremost using the classic ones for reference and didn't quite capture the nuance of the design. Sad, as I would really like to see design for these guys with modern puppetry.

I think this is actually a pretty contentious opinion but the work of the specific studio who headed this redesign generally wasn't my favorite. Apparently there was some sort of major, semi public falling out between the fx studio that had been working on the show since 2005 and the people who started running the show in 2018, and they were briefly replaced with a much less experienced studio. No hate to them of course (I think this was actually their first job like, ever, and a lot of the work was done in crunch time?) but the difference did stand out to me:

[nellasbookplanet]

Book recs: Queer science fiction, part 1

There is a lot of queer sf out there, and I read a lot of sf. When I started working on this list, I quickly realized it was impossible to include all that I've read and enjoyed in one single rec post. Thus, this is the first of so far three queer sci-fi book rec posts.

A note: queer here does not necessarily mean "guarantee of an f/f or m/m ship with a happy ending", but rather simply a significant presence of queerness. Some of the books feature no romance but has a same gender attracted/trans/a-spectrum lead, or features an m/f relationship with bisexual, trans or aro/ace characters, or simply features a world-building which is heavily queer inclusive in ways that don't always compare to our own ideas of sexuality and gender. I have however disqualified works where the only queer presence is along the lines of "gay best friend" or a blink and you'll miss it confirmation that never comes up again.

Previous book rec posts:

Really cool fantasy worldbuilding, really cool sci-fi worldbuilding, dark sapphic romances, mermaid books, vampire books, many worlds: portal fantasies, many worlds: alternate timelines, robots and artificial intelligences, post- and transhumanism, alien intelligences

For more details on the books, continue under the readmore. Titles marked with * are my personal favorites. And as always, feel free to share your own recs in the notes!

The Light Brigade by Kameron Hurley*

Dietz is a soldier in the war between Earth and Mars - to travel to the battle front, she and her fellow soldiers are broken down into light to be able to quickly travel across space. But something keeps going wrong with Dietz's travels; her memories don't match up with the mission briefs, as she experiences time itself turning in on itself. Is she going mad? Or are the things she's learning skipping through time the truth - and the war that's stealing her life the lie? A mindfuck of a book that's scathing in its critique of fascism and war. Features a sapphic lead but no romance.

A Psalm for the Wild-Built (Monk and Robot duology) by Becky Chambers

Novella. Long ago, robots, upon gaining sentience, simply laid down their work and walked into the wilderness. Long after, a tea monk looking for purpose follows after them into the wilds, where they come across one of the robots seeking its own sort of answers. While not plotless, this story focuses more on character and vibes over plot. Also has a nonbinary main character and features conversations on gender between human and robot.

Meet Me In Another Life by Catriona Silvey*

Thora and Santi are strangers, brought together by a coincidence and torn apart just as abruptly when tragedy strikes. But this is neither the first nor the last time they meet - again and again they encounter each other, as friends, lovers, enemies, family, every time recognizing in each other a familiarity no one else carries. But with every new life, a mysterious danger grows ever closer, forcing them to find out the truth of their connection. This is a puzzle-box of a story that goes some entirely unexpected places in a very wild ride, featuring a bisexual co-lead.

The Archive Undying (The Downworld Sequence) by Emma Mieko Candon

In a world where AI gods sometimes lose their minds and take entire populations down with them, Sunai was the only survivor when his god went down. In the 17 years since, he has wandered on his own, unable to either die or age, drowning his sorrows in drink and men. But his attempts to flee his past comes to a stop as he is forced back into the struggle between man and machine. Featuring some pretty wild world building and narrative techniques, this book will definitely confuse you, but it is worth the experience.

The Paradox Hotel by Rob Hart

January Cole works security at the Paradox Hotel, last stop for tourists heading for the timeport, which allows them to travel to and witness any moment in time. But years of proximity to the timeport has left its damage on January, making her unstuck in time, letting her relive memories of her dead lover even as her sanity slips away bit by bit. As she starts witnessing proof of a horrible crime in the hotel that no one else can see, January must race against her own mind, a killer, and time itself to solve it before it's too late.

A Fractured Infinity by Nathan Tavares

Hayes Figueiredo is a struggling film-maker who wants to finish his documentary, whose life gets turned upside down when handsome physicist Yusuf Hassan enters his life, claiming an alternate version of him is a great inventor who’s sent a mysterious device to their universe. As Hayes gets drawn deeper into the conspiracy - and his feelings for Yusuf intensify - he has to decide just how far he’s prepared to go to win the life and the love he wants. Featuring a very gay and very morally dubious lead, this is a creative and strange read.

Bridge by Lauren Beukes

When she was little, Bridge and her mother Jo used to play a game - one where they traveled to other worlds, inhabiting the bodies of their other selves. Now Jo is dead, and as Bridge is cleaning out her apartment she finds a strange device: a dreamworm, the very thing that supposedly makes inter-dimensional travel possible. Suddenly faced with the possibility that multiverse travel is real, Bridge is struck by a different question: could her mother still be alive? Scifi spiced with a healthy dose of body horror and some absolutely wild twists, Bridge also features a bisexual lead (however this is a blink and you’ll miss it moment) and a nonbinary co-narrator.

The Long Way to a Small, Angry Planet (Wayfarers series) by Becky Chambers

Rosemary Harper just got a job on the motley crew of the Wayfarer, a spaceship that works with tunneling new wormholes through space. With a past she wants to leave behind, Rosemary is happy to travel the far reaches of the universe with the chaotic crew, but when they land the job of a life time, things suddenly get a lot more dangerous. A bit of a tumblr classic in its day, this is a cozy space opera with an episodic feel and vividly realized characters and cultures. While pretty light on romance and focusing found family, there is a main f/f relationship.

An Unkindness of Ghosts by Rivers Solomon

Life on the lower decks of the generation ship HSS Matilda is hard for Aster, an outcast even among outcasts, trying to survive in a system not dissimilar to the old antebellum South. The ship's leaders have imposed harsh restrictions on their darker skinned people, using them as an oppressed work force as they travel toward their supposed Promised Land. But as Aster finds a link between the death of the ship's sovereign and the suicide of her own mother, she realizes there may be a way off the ship.

Ninefox Gambit (The Machineries of Empire trilogy) by Yoon Ha Lee*

Military space opera where belief and culture shape the laws of reality, causing all kinds of atrocities as empires do everything in their power to force as many people as possible to conform to their way of life to strengthen their technology and weapons. It’s also very queer, with gay, lesbian and trans major characters, albeit little to no romance.

The Left Hand of Darkness (Hainish Cycle) by Ursula K. Le Guin

1969 classic. Genly Ai is an emissary sent to the planet of Winter, meant to help facilitate Winter's inclusion in a growing intergalactic civilization. But he's unprepared for Winter's citizens, who spend much of their time genderless or switching between genders, making for a culture wildly different from that Genly is used to.

Too Like the Lightning (Terra Ignota series) by Ada Palmer*

Centuries in the future, humanity has deliberatly engineered society to be as utopian as possible, politically, socially, sexually, religiously. Written in an enlightenment style and featuring questions of human nature and whether it’s possible to change it, and what price we’re prepared to pay for peace, this book is simultaneously very heavy and very funny, and written in a very unique style. While still human, the society presented often feels starkly alien.

The Stars Are Legion by Kameron Hurley

This book fucked me up when I read it. It’s weird, it’s gross, there’s So Much Viscera, there are literally no men, it has living spaceships and biotech but in the most horrific way imaginable. Had I to categorize it I would call it grimdark military sf. It’s an experience but not necessarily a pleasant one.

The Luminous Dead by Caitlin Starling*

Possibly one of the most unsettling books I’ve ever read, and definitely the most claustrophobic. Gyre, a caver on an alien planet, ventures into the dark and dangerous underground, guided only by a woman who has no compunctions on using and manipulating Gyre as she sees fit to obtain her secretive goals down in the caves.

Escaping Exodus (Escaping Exodus series) by Nicky Drayden

While my feelings on Escaping Exodus were mixed, it cannot be denied that the dynamic between the two leads and the way they go from childhood best friends to enemies on different sides of a class and power struggle is very delicious. It also features some really cool worldbuilding of living, alien generation spaceships and the human culture that has developed inside them.

The Doors of Eden by Adrian Tchaikovsky*

The Doors of Eden is something of an experiment in speculative biology, featuring versions of Earth in which various different species were the one to rise to sentience, from dinosaurs to neanderthals. Now, something is threatening the existence of all timelines, dragging multiple different people and species into the struggle, among those a pair of cryptid hunting girlfriends and a transgender scientist.

Ascension by Jacqueline Koyanagi

Ascension follows Alana Quick, an expert Sky Surgeon who stows away on a spaceship in hopes of landing herself a job. But the ship and its crew are in deeper waters than she expected, facing threats emerging from a whole other universe, all of them searching for the same person: Alana’s spiritually enlightened sister. Undeniably a bit of an odd read, Ascension is also very creative and features polyamorous lesbian relationship.

Contagion (Contagion duology) by Erin Bowman*

Young adult. After receiving an SOS, a small crew is sent on a standard search-and-rescue mission. But what they find are not survivors awaiting help, but an abandoned site, full of dead bodies and crawling with something... monstrous. No romance, but features one sapphic co-lead and one who can easily be read as demisexual (however this doesn't show up until book two, which has more romance).

A Memory Called Empire (Texicalaan duology) by Arkady Martine

Mahit Dzmare is an ambassador sent to the center of the multi-system Teixcalaanli Empire, where she discovers that her predecessor has died. Trying to protect her home, an independent mining station, from being taken over by the empire, Mahit struggles to find out the truth of her predecessor's death while carrying the voice of his ghost in her head, guiding her as best he can. Light on the romance but does feature a sapphic relationship.

The Outside (The Outside trilogy) by Ada Hoffman*

AKA the book the put me in an existenial crisis. Souls are real, and they are used to feed AI gods in this lovecraftian inspired scifi where reality is warped and artifical gods stand against real, unfathomable ones. Autistic scientist Yasira is accused of heresy and, to save her eternal soul, is recruited by post-human cybernetic ‘angels’ to help hunt down her own former mentor, who is threatening to tear reality itself apart. Sapphic main character.

Dawn (Xenogenesis trilogy) by Octavia E. Butler*

After a devestating war leaves humanity on the brink of extinction, survivor Lilith finds herself waking up naked and alone in a strange room. She’s been rescued by the Oankali, who have arrived just in time to save the human race. But there’s a price to survival, and it might be humanity itself. Absolutely fucked up I love it I once had to drop the book mid read to stare at the ceiling and exclaim in horror at what was going on. Queer in the sense that the Oankali doesn't follow human ideas of gender and relationships, which is mirrored in their romantic relationships with humans. It is, however, pretty dark, with examinations of agency and consent, so enter with caution.

Remnant by Kate Genet

One day, Cass wakes up and finds everyone else is gone. Not dead, just gone, leaving her in a world which nature starts taking back with a dangerous, unnatural speed. But as she tries to survive this new normal, Cass realizes she may not be alone after all - but who else is out there, and are they a threat?

The Scorpion Rules (Prisoners of Peace duology) by Erin Bow*

Young Adult. Featuring a dystopian future in which an AI forcibly keeps world peace by holding the children of world leaders hostage. If anyone attempts to start a war, their child will be executed. Greta is one of these children, kept in a school with others like her. But things start to change one day when a new, less obedient hostage arrives. A unique, slowburn take on the YA dystopian craze, also featuring a bisexual love triangle.

Iron Widow (Iron Widow series) by Xiran Jay Zhao

Young adult. Zetian is a citizen of Huaxia, where mecha aliens are constantly trying to breach the Great Wall. To keep them at bay, couples of men and women pilot so called Chrysalises, giant transforming robots. But the pilots are not equal - the women almost always die, sucked dry by their co-pilots. When Zetian sets herself up to become a concubine-pilot, she does so with the plan to assassinate the male pilot who caused her sister's death. Features a polyamorous main relationship.

Bonus AKA I haven't read these yet but they seem really cool:

Survival Instincts by May Dawney

Lynn Tanner has been surviving the post-apocalypse alone with only her dog for a long time, trusting no one. But when she's forced to travel the dangerous remains of New York City alongside another woman, her priorities are challenged. Is staying alone really the best way to stay alive?

These Burning Stars by Bethany Jacobs

When con-artist Jun Ironway gets her hands on possible proof of the powerful Nightfoot family, controllers of interplanetary travel, committing genocide, she has in her hands a chance of taking them and their monopoly down. But the family and their allies won't go down easily, and sends two brutal clerics to stop her.

Everfair by Nisi Shawl

A neo-victorian alternate history, in which a part of Congo was kept safe from colonisation, becoming Everfair, a safe haven for both the people of Congo and former slaves returning from America. Here they must struggle to keep this home safe for them all.

[earthstellar]

Brave Bang Bravern!: A Review for Transformers Fans

I've seen so much about this on my dash that I had to give it a try, and I gotta say, as someone who hasn't watched any new anime series since around 2008 at the most recent and I also hate the fucking military, this is a pretty good show.

THERE WILL BE SOME MILD SPOILERS. Nothing major. I'm not gonna spoil anything critical or mention characters that are introduced later etc. At of time of writing, only 6 episodes have been released.

Understanding Genre: The Trailer is A Lie

Now, while there is a trailer here, I want you to largely disregard it.

Why is that? Well, we need to talk about the "big two" robot show genres in Japan, which are as follows:

Real Robot -- This refers to a typically military setting or other serious setting, in which robots are handled as realistically as possible in terms of how they work and how they are applied. There tend to be less individual/sentient robots and more "suit" type mechs right along side human-made, more realistic machinery and mech designs, although that isn't entirely unique to this genre. Usually this stuff is labelled as sci-fi/action outside of Japan.

Super Robot (THIS IS THE SHIT TRANSFORMERS FANS GENERALLY WANT) --Essentially borderline seemingly magical robots with their own rules and in universe backstory for how they work, which isn't necessarily tied to realism. Usually this stuff is labelled as sci-fi/fantasy or space fantasy outside of Japan, since a lot of these tend to be space robots. They can be "driven" by pilots or just straight up sentient robots who are vibing with some human companions, although it's not exclusively that. It can be both, it can be neither, but no matter what, Super Robot shows are less about strict realism and more about really cool shit with robots that are basically their own people and exist according to their own rules.

Now, the trailer for BBBB (the acronym for the show is based on the Japanese title, which is Bang Brave Bang Bravern) is a COMPLETE FUCKING LIE.

It wants you to think this is going to be some dumbass GI Joe shit.

While there are elements of dumbass GI Joe shit, this is largely just to set up the premise for why shit is happening in the first place, and to help introduce the main threat (alien space creatures with fucking light beam lasers) as well as bring in our main characters under the premise of everyone having to work together to address this alien threat to Earth.

What we care about here amongst Transformers freaks is gay space robots, and this show delivers.

Getting Into Bravern: First Episode, Mild Plot Spoiler Summary

It wants you to think this is a Real Robot show.

The first episode sets things up as though it will be a Real Robot show.

There is a threat to Earth, a mystery space alien mechanical enemy, and nobody knows what the fuck to do. A military exercise between multiple nations using Titanostriders (which look very much like Shiro Masamune Appleseed-style mechs, human made in nature) to practice battle drills who are now instructed to swap over to real ammunition and go to fucking town.

Nobody knows how to do that.

They're skilled with the Titanostriders, sure, but it turns into a shit show. The alien mechanical enemies are using fucking space laser shit, it's a disaster---

--And then Bravern drops in from the fucking sky and it IMMEDIATELY TURNS INTO A SUPER ROBOT SHOW.

There's a "get in the robot, Shiji" moment where one of the Titanostrider operators, Isami Ao, is encouraged by Bravern to get inside of him.

He does. And immediately has no idea what the fuck is going on, Bravern is largely in control, and starts to blast his own theme song inside his cockpit as diegetic music while Isami is generally losing his shit, as one might do.

Humanity's reaction to Bravern is Real Robot genre type, where it is handled seriously by all the characters and organisations involved in universe, however Bravern is very much a Super Robot genre character who brings more of a Super Robot energy to the show at large.

The serious elements are mostly balanced by how fucking silly Bravern is, and there are some excellent moments in this show (currently only 6 episodes have been released) which make it entirely worth a watch.

Fun Things About Bravern Himself

Braven is very, very, very gay for his pilot.

Chances are, you've seen the screenshots of some of these moments on Tumblr already, but the delivery of these lines is magnificent.

Bravern sings his own theme song. It's the voice actor for Bravern doing the vocals, and the song itself is reminiscent of 1970s orchestrated big band energy mecha themes. For Transformers fans, it has a very Transformers Victory theme kind of vibe to it.

You gotta hear it, it fucking rules. The album cover shows Bravern holding a giant microphone.

Bravern is generally light hearted, doing his best to motivate his pilot while not hesitating to enter the action and try to defend humanity.

Now, why does Bravern care about humans so much? We don't know, but we'll talk about some mysteries in a later section below.

He is surprisingly insightful at times, while also fucking around and enjoying himself. (You may have seen screenshots going around Tumblr of Bravern with a loop of hot dogs strung around one of his chevron points on his forehead. This follows a scene in which he wants his pilot to take a break and associate with his peers for once, as a way to relieve stress. So they go to a bar, it turns out reception is positive and someone even brings weenies out for Bravern since he's too big to fit inside, lol.)

Generally, he's a very interesting mech, because we have so little information about him. He's fun, and clearly vibing, but he's also borderline if not outright obsessed with his pilot and has unknown origins, which has lead to some darker interpretations and audience discussion.

A lot of people have compared Bravern's energy to Rodimus, and generally I would agree with that. He has his high-energy silly moments, and his more serious personal moments (primarily with Isami, but also with Smith), and I think these aspects of his character work well to create a fun mech with the potential to be deep in a believable and effective way, with an equal capacity for being a doofus.

Bravern is obviously the number one reason to watch the show for most people, and I would say that if you're purely here for a giant gay space robot, then this is going to be a decent watch.

The Military Sucks: There Are Militaries Involved Yet Somehow This Is Still Watchable

I hate the fucking military, so at least the military here is depicted in an acceptable way (so far, at least). In episode 2, they waterboard Isami to interrogate him for information he doesn't have regarding Bravern, which is a realistically shitty and awful thing for the military to do-- They don't sugarcoat how fucked up the military is. These people very much have the capacity to harm their own staff, and they will do so if it means they might get an edge over the enemy.

At the same time, the actual characters in the military are depicted as primarily doing this shit out of a genuine personal desire to defeat these horrendously destructive space entities, which have attacked at least some of their home towns and home countries, so it's more personal rather than purely being a military directive that people are being forced to follow.

In this way, it's not really realistic, but everyone is on board for their own largely humanitarian aid type of reasons (there is a mission which is basically just locating survivors of an attack and then getting the fuck out) which makes the military context feel less oppressive and shitty.

Part of why this is more OK than other military depictions is because the military forces involved here are international (collaborating to defeat a global threat rather than kill each other's civilians) and because the military is clearly losing this war.

Because it's an international effort, this brings more diversity to the show-- There's a surprising amount of English interspersed between dialogue in Japanese here and there, and the military board consists of representatives from multiple nations, including some Germans who at first believe Bravern is some kind of secret American operation, lmao.

Bravern calls the military out on its shit, and essentially tells the military board to stop with the suspicious infighting bullshit and drop the internal tension because otherwise they'll all die to this mechanical nightmare creature threat.

They actually listen, which means this is an unrealistic portrayal of the military, lmao. I think they struck a good balance so far between showing that the military sucks and has problems, while also making sure that you're not really cheering for any given military force, but rather, you cheer for individual characters who just happen to be stuck doing this military shit as a premise for anything to be going on in the show at all.

So it's not the worst when it comes to the military shit; At least so far, it's watchable, which as someone who passionately hates the fucking military, is surprising to me.

It's less GI Joe and more "we just needed a reason for these characters to be involved in this situation".

Of course, your mileage may vary, but personally I found it easy to tune out or just skip through any military shit that got grating and I didn't miss anything important by doing so. At the very least, you can skip around and ignore a lot of this stuff and get right to the gay robot if that's all you want to do. It becomes clear pretty quickly what's going on if you skip around a bit, so no worries there.

Fun Speculation: What is Bravern?

Only 6 episodes are out at the moment, so there's tons of shit we don't know yet.

Bravern has a notable resemblance to a type of enemy in the show, called a Death-Drive.

Death-Drives are mecha who are distinct from the "minion" type enemies (which almost resemble flying saucers with laser gun arms and light shields), and have their own unique character designs and names.

Why these things are here, how they are here, why they are interested in Earth, and everything else is currently unknown.

Bravern looks like he could possibly be of the same mechanical species, although we don't know if that's true (yet). He has abilities that the other mecha don't seem to have, but how far this goes and what it might mean is not yet clear.

Bravern also seems to have knowledge of human media (he references The Abyss at one point and he likes 3D printing figures of sentai show characters lmao), and was immediately able to speak to the humans using language they would understand, so it's unclear if Bravern may have been studying Earth for some time before his arrival or why.

He is obsessed with his pilot and cares for him so much that he extends some care towards others purely based on their relation to Isami as co-workers; Why? What makes Isami special?

How does Bravern know seemingly every human language? How does his piloting system work? How similar is he to the Death-Drives-- Are organic beings critical to them in some way? If so, why are the other mechs killing so many of us? (These are big questions especially by the end of episode 6, due to some spoilers and a spoiler character who shows up later.)

We know little to nothing about a lot of the key elements of the show, including any motivations for the Death-Drives or what they are, what's up with the fucking UFO looking laser things, etc.

There's more to speculate on, but that would be getting into deeper spoiler territory so I'm gonna hold back on that for now.

Summary: It's Gay and Cool and Has Interesting Ideas

Bravern's not the sole source of gay vibes in this show, but it's fun that he is also a source of gay vibes in this show.

The designs are great, the Titanostriders remind me of Appleseed style mechanical suit designs which is nice, the Death-Drives are super interesting, Bravern is fucking fabulous but he's not too goofy to take seriously, and the military is unfortunately present but it's clear that they suck and are generally losing (and since the conflict is not between different groups of humans but rather is about human collaboration to defeat a non-human shared threat to our entire planet, this goes a long way to make the military shit tolerable).

It pretends to be a Real Robot show but has so much Super Robot show sprinkled in that you might as well consider it a little bit of both which the show balances pretty well.

I haven't watched an anime since around 2008 at the very latest, so I don't know how this might compare to any other robot animes since then and I am certainly not an anime expert by any means LOL, but this has been a fun show to watch so far.

It does have its problems, of course, but if you can get past the setup for the first episode (when it's still pretending to be a Real Robot show), from the moment Bravern arrives towards the end of that first episode, the show gains momentum and starts to get interesting very quickly.

It has some issues. But we're only 6 episodes in, so at the moment, they have plenty of time to potentially address those issues and we'll see where things go.

I'd recommend it if you want to give it a try!

I think there's enough here to appeal to the usual Transformers crowd and you might end up liking it, or at least having fun while watching it in the background.

If you end up wanting to to tap out then no worries-- I think it's worth giving it a shot and if it's not your thing, no problem.

Each episode is around 25 - 30 minutes, so while the first episode might feel like a slog to get through because fuck the military, once Bravern shows up the show actually gets started and I wouldn't blame anyone for just skipping to that point in the first episode and going from there, because there's nothing in that opening that you won't be reminded of or be able to figure out. It mostly just sets up the intro to the human characters and the collaboration training session, introduces the Titanostriders as a thing, and you can always go back and watch that part later if you want to.

All in all, pretty decent! Obviously we're Transformers people so we're here for the robots, and the robots are interesting and fun, and that's all I need to have a good time.

Hopefully this was a useful summary if you're interested or have seen Bravern stuff on your dash! :)

Thanks for reading!

BONUS: I forgot to mention this somehow, but there's a lot of overlap between Transformers and other Brave shows involving actual Transformers re-used in Japan for these shows; There's a good video about it here on YouTube which explains some of this, but if anyone's wondering, yes Bravern has a grounder alt-mode and it's pretty cool. Will we get a transforming Bravern figure??? We can hope!

There's another video here which mentions some of the Transformers elements in other Brave shows/Yuusha, which might be interesting for those of you who are unaware. :)

[velvet-vox]

Why Doll perfectly exemplifies all of the strengths and flaws of Murder Drones as a series.

From the amount of posts present on my blog about the specific individual, it is rather obvious to assume that Doll Yurikova (I'm still convinced the fandom made up this surname) is my favourite character from Murder Drones and you wouldn't be wrong.

She just simply tickles my needy scratch for weird, cool complex villainess characters.

However, eventually I also realised that she more than any other character embodies everything that makes murder drones a great show and everything that detracts the show from being genuinely amazing.

Let's start off with the good, anything I say applies to the both of them:

Doll/Murder drones are generally cool, unconventionally attractive, have great potential (this point will be elaborated upon) and are very complex in both the themes that they bring to the table and the philosophical standpoints discussed.

Coolness factor is mostly subjective, but I am sure any Murder drones fan will tell you that the sci-fi/horror/mystery/romance/comedy show about sentient cannibalistic robots who fight against eldritch atrocities with Portal 2-esque music is an absolute blast conceptually and visually. In the same way the russian robo vampire who was previously a cheerleader before deciding to commit cannibalism to avenge her dead parents has swarms of fans simping for her.

Unconventionally attractive is determined by unconventional people, said people also have rewatched the show seventeen different times.

Now, regarding the great potential, although I've also elaborated the previous points, this is one that will carry over when discussing the negatives of both the character and the show, but as for positive, you can just feel that Murder Drones is so much different from anything else you have ever watched, it truly gives me haunted Ghibli vibes in the way the story plays out. It could really be amazing. As for Doll, every time I watch her in the show up to her death I just get really sad thinking about what could have been if she had a redemption arc or just a better life in general.

Murder drones has abuse as his main theme and how it circulates into destructive chains and Doll is definitely one of the more interesting examples of said theme, being part of the abused and mauled drone designation that became an abuser herself. I say one of the more interesting examples because her story is fleshed out better than someone else's, say Tessa or Alice.

And now for the negatives, we need to bring out the big elephant in the room:

The show is only 8 episodes long and they are writing the season one finale in the same way you would write a series finale since making Murder drones costs Glitch a crap ton of money when they could just lower the animation quality and allow the story more time to breathe (mind you this is also Liam Vickers fault). I just hate the 8 episodes 20 minute long formula, it has, in my opinion, destroyed modern show telling and I honestly can't bear it any longer.

Besides that, 8 episodes of 20 minutes means that Doll's arc has to be paced quickly in order to get all the other characters (particularly the main ones) and elements to shine and that unfortunately leads to the fact that both Doll and Murder drones lack the one thing that separates Doll from being a human being and Murder Drones from being an amazing show, and that thing is (drum rolls) the tissue.

To explain, they have the (exo)skeleton, the organs, the mandibles and all the things that would make a piece of fiction feel truly human, but without the connective tissue, the skin, they both end up just short of those standards and as a result I can't confidently say that they are truly evocative individuals. Tissue of course is a metaphor for quote on quote "filler" in regards to the show and "villain at rest" moments in regards to Doll and her arc. And let's talk about the ending of said arc because of its possibility of paralleling the conclusion of the show;

You can say a lot of things about Doll's death but one thing that's impossible to deny is the impact of her death in your mind, everything about its execution is just so brutal that it leaves you a lasting feeling in your body; in a similar manner, the show could end with an absolute gut punch that remains impressed in your mind for months to come.

Want more?

[souldagger]

hi! i was wondering if you know of any nonbinary sci-fi authors? i'm taking part of a storygraph challenge and one of the challenges is to read a scifi novel by a nonbinary author so i thought maybe you'd have a rec! thank you and hope you have a great day <3 (btw do you still have the link to the doc you had of all the vintage lgbt scifi novels? thanks again!)

DO I!!!! :DDD

Sarah Gailey - The Echo Wife (domestic scifi thriller with gone girl vibes)

Ada Hoffmann - The Outside (cosmic horror)

S. Qiouyi Lu - In The Watchful City (mosaic novella with stories that range from scifi to fantasy)

Ness Brown - The Scourge Between Stars (scifi horror ala Alien, good for some low brainpower horror thrills) CORRECTION: while ness brown goes by they/them pronouns, i don't think they've actually confirmed if they identify as nonbinary, my bad!

Avi Silver - Pluralities (bit hard to categorize but i'd recommend this one if you'd like a weird scifi novella with gender and transness as a main theme!)

Neon Yang - The Genesis of Misery (science fantasy with mechas) (i haven't read it yet, but i'm a huge fan of neon yang's other work!)

Rivers Solomon - An Unkindness of Ghosts (generation ship scifi) (another one i haven't gotten around to yet, but it's by all accounts exceptional - though, note, very heavy from what i've heard - and i really enjoyed the author's fantasy novella The Deep)

and a couple more whose work I haven't read, but who are pretty high on my to-read list:

Emma Mieko Candon - The Archive Undying

Nino Cipri - Finna

Merc Fenn Wolfmoor - So You Want to be a Robot and Other Stories

Xiran Jay Zhao - Iron Widow (tbh i've heard some mixed opinions abt this one, but it is also undeniably the most popular book on this list)

Bogi Takács - The Trans Space Octopus Congregation: Stories, Power to Yield and Other Stories (i also wanna shout out eir reading blog, which has an absolutely incredible list of resources, including the trans and intersex fiction and poetry timeline and the neopronouns in fiction timeline!!!)

as for the vintage LGBT scifi doc: why yes of course. here it is in all its 150+ book glory <3

[the-monkey-ruler]

Just a random ask, what are some weird JTTW adaptations you’ve seen or heard about?

I can’t even begin to call them all but… if you bear with me, I shall try.

Here are a few games that I always found funny additions!

Starting off strong we have Journey to the West: Undersea Adventure (2021)! I have never seen it but LOOK AT IT.... THEY FISH

Six-eared Monkey (2021) where Six Ears goes back in time, accidentally adopts Wukong not knowing he is his future enemy and gives his life to save Child-Wukong despite knowing who he grows up to be.

Wukong's Christmas Adventure (2019) is like... saving Ruphdolh or something and Wukong is going through a mid-life crisis and also kinda depressed but CHRISTMAS. Also the Erlang and Nezha models in this movies are TERRIFYING... and also they have Wukong rap so take a look.

Journey to the West: Conquering the Demons (2013) is weird but like in a GREAT way like... I love the monster designs they give Wukong, Bajie, and Wujing, it is such a different vibe then any other movie I have seen and Honestly LOVE It for that. Really sells just how HUMAN Sanzang is dealing with POWERFUL YAO that could kill him in a second.

Bling (2016) is strong that it didn't hAVE to be Xiyouji coded characters like the Monkey, Pig, and Frog are robot storage performers, wannabe heroes and they follow their creator who is trying to propose to his girlfriend but there really is not journey or ANY need to have the robot being Wukong, Bajie, and Wujing.

Spark: A Space Tail (2016) is also BARELY a Xiyouji film but like it does have a monkey with a staff and turns out he is the son of a king and a queen of monkey planet. Really more like Lion King with the evil uncle trying to take over but with space monkeys.... and also Bajie is there.

Mo mo King (2011) is something I'm not completely sure what's it about but just that it is like a whole monkey island that Wukong-like protag works at... and also Bajie is there.

Devil's Chip (2002) again NO idea what it is really about but there is space and time travel and for some ungodly reason no wukong from what I have seen but Sanzang and Bajie company the space/time travler

Flying Monkid (1996) I have no idea why this was ever MADE like there is barely a connection to Wukong and every other demon is new or some kind of version that is barely recognizable, not to mention the animation is barely any better than Pixal art.

Flying Superboard (1990) I always just found this one strange from the animation to the art style to the design choices. Like making Wukong some kind of skateboard, nunchuck, mouse-looking creature and giving Bajie a machine gun is.... something. I have no idea what they did to Wujing, made him like a bat, goblin thing.

Midnight Goku (1989) is like a sci-fi detective story where the protag has like computer eyes that can see through people and a bo-staff and honestly, I haven't seen but just the STRETCH they use to make this Wukong-related is so insane like would have never thought of it.

Little Wukong (1987) honestly not SURE what this story is even about but like... it is nearly lost media, this is so obscure and out of the way I have a feeling it was probs a children's education show or something but idk.

The Legend of Red Boy (1989) is something that looks like candy land spat out and while I have not seen it I am so sure that it is filled with nonsensical elements I cannot begin to describe.

King Kong's Adventures in the Heavenly Palace (1959) is... more of a crossover than anything else. Just imagine a movie where instead of Wukong destroys heaven... it is Kind Kong. Legit THE king Kong from the OTHER MOVIES YES.

Pink Journey to the West (2015) is honestly not that strong I would say besides that it is just Journey to the West but they are all girls... haven't seen it but who knows maybe it is good!

Tom and Jerry Chase with Tom as Erlang Sheng and Jerry as Wukong

Fortnite Wukong... that is it

Overwatch with Xiyouji skins just think it is adorable honestly. Love the Winston as Wukong

Plants versus Zombie: Journey to the West addition

Rabbits: Party of Legends

And while this isn't EVERY weird (there is a lot) one these are that I thought were at least interesting enough. Like a lot of Xiyouji movies have strange plotpoint but honestly, they are more boring and confusing than anything memorable. At least these were the ones I always thought were fun!

[samasmith23]

Why do some people think that stories portraying darker subject matter is always an inherently bad thing?

I���ve recently encountered this weird mindset in regards to certain online fandom spaces, wherein people will argue that fictional characters experiencing intense trauma and pain is somehow inherently problematic and negatively reflects on the creator’s skills or ethics. This feels like such a narrow-minded and shallow understanding of a piece of media, since characters undergoing hardships is often a necessary element for them to grow and develop as the narrative progresses. Plus, while some stories can indeed be more intense and graphic in what types of trauma is depicted, it’s mere inclusion doesn’t automatically make the story or it’s author inherently bad. For instance, even though I personally haven’t read the manga series Berserk by the late Kentaro Miura (May he Rest In Peace…), based on what I’ve heard from others while the series does include graphic depictions of sexual assault which the main protagonist Guts suffered from in his past, said-assaults are NOT framed in a gross or exploitative way, but are instead utilized to analyze and discuss the character’s feelings of physical and psychological trauma derived from said-horrible events, and heavily factors into Guts' overall backstory and development as a character as he tries to heal from the violent trauma of his past and discover some sense of happiness in a bleak world.

And yet despite this I’ve encountered a few people accuse Berserk of being “pro-rape” or even outright stating that Miura “deserved to die” (which is an absolutely disrespectful and disgusting thing to say!) simply because he included these darker elements in his manga. Like... that's as stupid as someone claiming that Quentin Tarantino is automatically "pro-murder" simply because his movies include lots of scenes of characters killing each other.

I’ve also encountered far less overtly toxic examples of this kind bad faith media criticism in comic circles. Awhile I was incredibly confused when I saw some people on Twitter arguing that Saladin Ahmed was “ill-suited to writing teenage characters” simply because of two scenes in his Miles Morales: Spider-Man & Magnificent Ms. Marvel runs respectively, which involved Miles being tortured by the new supervillain, The Assessor (who would later make clones of Miles as a result), as well as the final battle between Ms. Marvel and her evil robot-duplicate Stormranger getting quite brutal at times (you could see blood from the impact Stormranger’s punch).

In regards to the Miles’ torture scene, I've seen a small number of people argue that the scene's existence was inherently inappropriate due to Miles' status as a Black minor, going as far as to label it as "dehumanizing" and "really insensitive to the real trauma of black boys." I'm not sure how I feel about this as those labels feel a tad extreme due to the fantastical nature of Miles' stories. Like, as brutal as the scene with the Assessor is, it’s at least given a more ficitional sci-fi vibe due to the high-tech laboratory, the Frankenstein operating table, and the fact that this whole ordeal leads directly into Miles' own version of Spider-Man: Clone Saga after The Assessor acquires Miles’ DNA in the process. So it feels less grounded and not as reflective of those real-life traumatic experiences Black men and boys unfortunately go through in the U.S. like I saw a few critics of Ahmed’s run claiming. Plus, Ahmed had Miles be rescued by both his father Jefferson Morales and Uncle Aaron Davis teaming-up together. So the narrative frames the Assessor’s torture of Miles as a bad thing whilst depicting two older Black men actively putting aside their personal differences in order to save their son/nephew as a major narrative focus as well. How exactly is it "dehumanizing" or "inappropriate" then?

And it seems like this bizarre criticism isn’t just limited to Twitter comic fandoms, since a certain Lily Orchard recently made an AWFUL video which outright accused animation fandoms and creators of “fetishizing the torture and abuse of POC women” in cartoons like The Legend of Korra, The Owl House, and She-Ra and the Princesses of Power. As soon as I saw the thumbnail for that video I knew it was going to be an absolute dumpster fire.

In it, not only does Lily engage in those similar types of arguments like the ones I mentioned earlier about Saladin Ahmed’s portrayal of Miles & Kamala, but Lily went multiple steps further by outright accusing various scenes from The Legend of Korra, The Owl House & She-Ra of being “literal torture p*rn” and “fetishized abuse against POC women.” With Korra, Lily accused the scenes of Korra brutally poisoned with the Red Lotus’ liquid metalic venom, Korra still being significantly weakened by the poison during her final battle with Zaheer (causing her to fall and tumble down cliff-sides) and Zaheer trying to use his air-bending to suck the oxygen right out of Korra’s lungs (the same technique he previously used to assassinate the Earth Queen), plus the Unalaq fight from the Season 2 finale where extracts the Avatar spirit from Korra and kills all her past lives one by one with a water-whip as “white centrist writers being turned on by the trauma and torture of a woman of color.”

And in regards to She-Ra, Lily accused Catradora shippers of being an example of fandom going “full mask-off” simply because she found 2 or 3 random comments defending Catra’s abusive behavior prior to her gradual redemption arc in the final season simply because they found the Adora & Catra fights “hot” (which I know for a fact does NOT represent the entirety or even majority of the She-Ra fandom & Catradora shippers).

It’s just… I honestly don’t understand why Lily is describing these scenes as “torture p*rn” or “abuse fetishizing.” Like, it’s not unexpected for characters to undergo traumatic crap during their story arcs, and most often it’s for the purposes of raising the dramatic stakes of the conflict or to have said-characters eventually undergo some sort of positive change arc (which is what happens in both Korra and She-Ra btw). While the abuse Korra suffers at Zander’s hands is indeed violent, it’s intentionally disturbing and off-putting in order to increase the viewer’s suspense and fear over whether or not the main character will get out of this alive. Personally, when I first watched the Season finale of “Book 3,” I was on the edge of my seat and constantly worried for Korra’s survival, and while she is left physically and psychologically scarred by the whole ordeal I’ve heard that the entirety of “Book 4” (which I still haven’t seen BTW) focuses on Korra healing from her trauma and becoming more spiritually enlightened in the process. YouTuber and MarySue author, Princess Weekes, though had some interesting analyses about Korra’s portrayal of overcoming trauma and how its heavily rooted  in East Asian philosophy, despite Weekes' overall mixed feelings about the series in general:

And while I can’t comment on The Owl House (again, haven’t watched any of it), I can say that Lily’s characterization of Catradora as “torture p*rn/abuse fetishization” is 100% wrong since the show frames Catra’s behavior towards Adora and others throughout Seasons 1-4 as toxic and unhealthy, and Season 5 is all about her fixing herself on her own volition after realizing the harm she’s caused, and it’s only AFTER all of that when Adora & Catra become lovers. But the way Lily describes the scenes in Korra & She-Ra (which are honestly pretty PG in their levels of brutality despite being fairly dark for family-friendly animation) you’d think she was talking about some over-the-top violently explicit tentacle hentai or something, as she even goes as far as to compare the Korra & Zaheer fight to FREAKING The Passion of the Christ (seriously… Lily actually compared Korra to Mel Gibson's antisemitic guilt-tripping exploitation film which unnecessarily stretches out Jesus' torture and crucifixion; which in the Bible occurred in just a few brief passages instead of 2-and-a-half hours like in the movie).

Geez… given how Lily so inaccurately mischaracterizes these scenes from Korra and She-Ra, I’d honestly hate to see she’d react to Neon Genesis Evangelion, which is heavily centered around the characters suffering from intense depressive episodes and experiencing emotional breakdowns, whilst also including lots of psychoanalytical and disturbing imagery. Knowing Lily, she’d probably ignore the fact that NGE’s director Hideaki Anno was suffering from severe depression while creating the series (which heavily influenced the show’s overall production and themes), and instead accuse all the depictions of depression and trauma in EVA of being “unrealistic” and “inaccurate” since according to her all fictional depictions of trauma are inherently inaccurate since there’s no one universal depiction of trauma (Lily actually said that in her terrible video), and accuse all of the series’ violent and sexual imagery of being “torture p*rn” whilst calling Anno a “perverted abuse-fetishizing creep who is turned on by torture” (which feels incredibly SWERFy on Lily’s part, as well as needlessly hostile towards people who are into BDSM or sado-masachism and practice it safely and consensually) just like she did to the creators of Korra, Owl House, and She-Ra (even though NGE and especially the movie The End of Evangelion is highly critical of exactly that kind of gross and toxic behavior within Japanese Otaku subcultures).

So my overall question is this: why do Lily and some other people think that including intense trauma or brutal torture scenes in comics or animation, even when said-scenes they're framed in the story as bad things are inherently “problematic,” “dehumanizing,” “fetishistic,” or “torture/trauma p*rn”? It's like... I can understand not wanting to stomach intensely violent or depressing scenes if they can't handle them, or being critical if they feel unnecessarily mean-spirited or exploitative, but often times having darker elements is an unavoidable aspect of giving a story a sense of conflict. Conflict is necessary in order to have a plot or to develop characters, except it feels like a lot of people on social media believe that the mere inclusion of any type of darker conflict or subject matter is inherently ethically dubious regardless of how its framed within the overall narrative.

I just don't get this kind of mentality and why it's become so prevalent online these days... I really don't...

[cryptids-and-muses]

I watched return of the jedi for the first time in 4 years and here are my thoughts:

I know the line between sci-fi and fantasy is already super blurry but Star Wars truly feels like a fantasy movie. It’s in the costumes, the worldbuilding, the vibe, the odd encounters, palpatine’s entire character. And while there is futuristic tech the world of Star Wars doesn’t feel particularly Futuristic™️, if that makes sense.

There’s this one imperial officer Bacar interacts with at the start of the movie who acts his ASS off. Seriously give this man an Oscar. The fear!! The subtly!! The little gulp he does before facing Vadar!!! The palpable terror at the idea of the emperor coming there!!! This dude single handedly sets up palpatine as a threat

PRACTICAL SETS!!! All the practical sets!!! There’s so many sequences, especially in jabba’s palace but they’re throughout, where the characters casually interact with the world around them, and it’s such a small detail but it means so much to me. They really feel like they’re part of the world. My favorites were the Hall of Horrors C-3PO walks through in Jabba’s palace and Luke interacting with his x-wing on dagoba

It’s not all this great though, the green screen to the sarlack pit was awful. I found it endearing.

Also I love how there’s so much this movie doesn’t explain to you. There’s this weird robot spider thing in Jabba’s palace that we see when R2 and C-3PO walk in!!! What does it do!!! There’s a guy who’s super upset when Luke kills that monster!!! Who is he!!! And a bunch of other weird little things that just aren’t elaborated on. On top of that there’s just all these strange aliens just chilling, living their lives, some of which I don’t think we see again. It all comes together to make the world feel so much bigger than what we see.

I’d heard the analysis that Luke wears black in return of the Jedi to allude to a possible fall to the dark side, but that analysis hadn’t really clicked for me until this watch through. Like dude’s introduction was him force choking someone

Honestly like has this kind of subdued confidence this whole movie and I love it. He knows he’s good but doesn’t need to flaunt it.

Like his grin when he says “you should have bargained jabba. It’s the last mistake you’ll ever make” I love it

Luke is actually really subdued this entire movie, which tracks with all the internal conflict he’s dealing with. The biggest displays of emotion we see from him are when he’s reuniting with friends or when he goes OFF on Vadar at the end for threatening leia

Chewbacca and Han’s reunion 😭, they care so much about each other, chewy pets his head

In general everyone is so happy to see each other in this movie, every time someone shows up after being separated everyone is so excited to see them. There’s so many hugs. You can really tell they care about each other.

Due to some of the framing, I don’t think leia slaughtering Jabba was part of the plan. I think she just saw an opportunity and took it. Girlboss.

I noticed Luke’s fighting style with his lightsaber is much tougher around the edges, it’s less elegant, which tracks with him having much less official training with it. I like it

Yoda trying to use dying as a way to avoid Luke’s questions. Iconic.

Yoda’s choked out dying words of “there is another skywalker” become so much funnier when you remember he becomes a force ghost. The man could just peacefully pass then come back 10 minutes later and continue the conversation, he doesn’t need to try this hard to get the words out. Then again that would take some of the drama out of it.

Han is just so great in this movie, he’s got a reputation for being this suave sarcastic outlaw, which to be fair he kind of was in new hope, but here he’s just so sweet. He’s the one telling Luke to be more optimistic! When lando gets his promotion to general he doesn’t tell him about his own, and looks genuinely bashful when it’s brought up in front of the group! He goes to check on leia after she talks with Luke! He gives lando the falcon because he knows it’ll help him even though the ship means so much to him and is scared of it getting destroyed! When he thinks leia has feelings for Luke he offers to step aside and not get in the way! This man cares about his friends!

Speaking of that moment with leia after Luke leaves, that’s the one moment we see him being a dick, he lashes out with “but you could tell Luke? Is that who you could tell?!” But then immediately apologizes and comforts her when she asks for it. He loves leia so much and it’s so obvious the entire time

My man thought he was in this love triangle and was doing his best, and was fully prepared to step aside and let leia be happy with Luke. And the face journey he goes on when leia tells him luke is her brother. It’s gold. It’s that math meme but even better.

For the mission to endor, Luke and leia are both in these camo space ponchos and helmets but apparently Han’s outfit was to iconic to change because he just puts on a camo trench coat over his usual outfit

The first speeder chase through the woods of endor struck me as much more low key then it would have been if it was made today. This isn’t a bad thing, but I know if it was made today it would have been much more dramatic, a set piece

When leia goes missing Han, Luke, and chewy immediately peel off from the group to go find her. Good friends but you are LEADING THE MISSION

Leia meeting the ewok is a fun sequence and it’s funny how she just rolls with it. She does not question it, just accepts this little guy is here now and starts following him. It’s funny to contrast this with when Luke, Han, and chewy rescued her in a new hope and she fought every step of the way

In general the Ewoks are such a strange and whimsical inclusion. Like this is part 3 in a space opera and a huge chunk of it has these little furry dudes who live and fight like the lost boys from Peter Pan that we’ve literally never seen before. It’s weird

Luke is so delighted by the Ewoks, from his little smile when the first surround them to trying to hide his laughter at them thinking C-3PO is a god

Also we should not ignore how hilarious his idea to scare the Ewoks into listening was. And the man knew it too, you could tell from his smile. The little shit.

The storytelling sequence!!! I love it!! I love how C-3PO uses the sound effects! I love how everyone is huddled together! I love how we the audience can tell what’s being said from context clues even if we don’t understand all the words!!

Luke peacing out like “it’s time to angst😔”

I do think the bridge scene between luke and leia could have been done a bit better but it wasn’t bad, just a bit flat for the gravity of what was being revealed. Leia and Han are great though

I love luke and vadar’s back and forths even if they can get repetitive

The writers really used “search your feelings” or “your feelings betray you” as shortcuts to avoid hard writing huh

The emperor was such a little gremlin, he did nothing but talk about how luke was going to fall to him, how he knew everything was gonna happen and it’s all according to his plan, he really didn’t do anything but talk shit until the very end with the force lightning

To be fair, Vadar didn’t do anything until the force lightning either

Neither of these points are complaints, palpatine is supposed to be a shadowy scheming villain that others do the dirty work for and the really pull it off. And vadar’s passivity in this movie I think demonstrates the conflict he’s feeling. Despite his words about how he must do his emperor’s will, he’s not really doing that right now, is he? He’s not really defying orders either but something is different

Something I noticed!!! When Han’s team first make it in to the back door, off in the corner as they go inside we see a storm trooper adjusting his armor and taking his position again. One of the rebels stole the storm troopers armor and took their place. This doesn’t lead up to anything but it’s SUCH a cool detail

The true hero’s of this movie are the Ewoks, palpatine had Han’s team captured and the air fleet on the ropes before the Ewoks stepped in and saved Han and co. Palpatine would probably have won if it weren’t for them. It’s great.

I really love luke so much, he’s just so compassionate. For his friends, for his father, for everyone. This is the trait that makes him a hero. It’s literally what palpatine tried to use to turn him, the anger he’d feel at watching his friends die because he loves them so much

“No, you’re wrong. I am a Jedi, like my father before me” not gonna lie, this was kinda hot. It’s that quiet confidence I was talking about earlier. Also the way he nods towards vadar when he mentions his father

“….so be it, Jedi” THIS!!!! THIS!!!! I love this so much!! Because the entire movie palpatine has been talking about how Luke is going to fall to him, how it’s inevitable, how Luke is foolish to think otherwise. But this moment right here, is him acknowledging he’s wrong. He won’t be able to turn Luke, he failed. Luke truly is a Jedi and even palpatine cannot away him. It’s so fucking good

When vadar lifts up palpatine to stop him, we get a reaction shot for Luke who just looks so confused. Appropriate reaction.

As luke is dragging vadar to his ship we see imperial officers and storm troopers running around to try and escape and I just want to know what the fuck was going through their heads when they saw Luke and vadar

I know the falcon surviving doesn’t make sense but it makes me happy

Something important I realized towards the end: AT NO POINT IN THIS MOVIE DID ANYONE TELL HAN VADAR WAS LUKE’S DAD

CHEWY AND LANDO WEREN’T TOLD EITHER FOR THAT MATTER

THEY DON’T KNOW

Presumably they were told later but holy fuck why is no one talking about this.

Again….those reunions, hugs all around, everyone is so happy and relieved and I love it

I know it doesn’t end here, which makes be kinda sad, because this is such a beautiful and hopeful ending

All in all, with all the Star Wars fatigue and what Disney has been doing, this really reminded me what I love about Star Wars. I felt like I could appreciate the movie a lot more on this watch through and had a wonderful time

[freezing-kaiju]

ALRIGHT, IT'S TIME!

THE SECOND RYUKI-AND-BLADE-ACCOMPANYING ANIME POLL IS NOW HERE!!!

SO, MEET YOUR CHALLENGERS!

AJIN Demi-Human

We start with a dark horror and possibly scifi about ethics in science, immortality, and an outlaw fugitive alien plot as a boy finds himself part of a group of immortals declared legally inhuman. While I have some misgivings about Oh No I Was Secretly A Creature All Along plots, I do fucking love horror and there’s a lot of ways for those plots to hit hard in the trans and gay and autism organs and be really important!!!!

Dimension W

The New Tesla Energy Corporation has monopolized the fourth dimension and the coils that connect to it. A duo of bounty hunters, one human and one robot, make money via repossessing illegal coils and seek out the answer to the mysteries within the dimension. I really wanna watch this one for a few reasons, the primary one of which is 'there are multiple fat women'. It seems to have freaks and weirdos and fun times, and its comedy is emphasized more than most of the other ones on this list so it might give some needed levity!

Kyoukai no Kanata

A bumbling monster hunter with blood powers meets an immortal via trying to shank him and ends up in an arrangement where she'll keep trying to kill him to boost her confidence while hunting monsters in what I hope is a monster-of-a-week show that came highly recommended by a friend as her favorite anime, or one of her favorites, so i have high hopes! Script's by the hibike euphonium guy and the power system seems quite interesting!

Air

A puppeteer (if he’s as good as Sakon will remain to be seen) stops his Road Trip To Meet A Golden Sun Jupiter Summon to stay for a bit in a town and, as happens to anyone who stops for too long, gets attached to the place and also meets a girl who might be said jupiteresque being. My friend informs me that it's gorgeous, sounds amazing (so I'll make sure to get clips), and has "nice sad vibes"!!! And it’s…listed in a “provincial horror” listing… hoho

Heike Monogatari

A child who can see ghosts and the future walks tirelessly through the tragedy of the war between the Taira and Minamoto families before the dawn of the first shogunate. It's wildly beloved by a friend of mine, and also centers a historical event i know some but not all about and definitely need to know more about the Taira side of. Seems like a beautiful drama, one I could lose my heart over.

SSSS Gridman

Digital kaiju! Digital hero! Digital amnesia! A monster of the week show about an unknown amnesiac summoning and merging with Hyper Agent Gridman to fight digital, possibly virtual monsters while making friends(?) in the real world! It's the one thing Tsubaraya Productions has that isn't Ultraman, and I expect some tokusatsu vibes from it along with the mecha stuff, i've also heard it has gay girl megatron??

Akudama Drive

It's a prison break and crime story set in a tech dystopia, starring a scene girl shoplifter, and featuring a bevvy of unpersoned convicts in what seems like an excellent ensemble clusterfuck!!! The Danganronpa crew made this thing! It's also beloved by a friend of mine, and I've heard it'll be a generally excellent tragedy of a time

Canaan

A reporter gets saved from assassins by a woman she might do yuri with, and the summaries I’ve found seem to imply a plot about terrorism and mystery! It’s a Type-Moon work that isn't part of the fate, tsukihime, OR melty universes! It might still have magecraft, but it's tagged sci-fi too, and a type moon take on scifi sounds interesting... it’s also based on. *checks wikipedia* a…perfect-Famitsu-score visual novel for the Nintendo Wii. So I might need to dig out some old hardware to watch this thing. For fun’s sake!

Killing Bites

A guy unintentionally becomes the underground wrestling promoter of a ?werewolf? Woman who murders his friends and wins him a shitload of money. The end goal? According to the summary, control of the economy!!! This was recommended as garbage and good lord I need garbage so much good god I need to put some trash inside of me.

[machine-saint]

Hmm, okay, I'm really hoping this isn't too personal, but my sincere apologies if it is -- feel free to not answer.

So I've seen a couple of people with a Gender Thing™ covering both robots/androids and dolls, you included. Sometimes, even when the focus seems more (or solely) on dolls, the aspects of the doll still trend more… Robot maid? With the robot bit blurred a bit. You could maybe swap in a magically animated situation? Obviously not all the situations, but it's something I noticed.

So I wanted to ask a source, so to speak. How does the doll vibe contrast with the robot? Is it a simple thing of dolls having a "daintier" connotation? A more domestic on nonthreatening one? Maybe the way that dolls are sort of viewed as "less animate" then a robot ("Are robots people" basically being a whole genre in sci-fi).

I was just curious, and, knowing very little about the topic, thought I would ask. I know you can't speak for everyone, but any perspective would be interesting. Thanks!

nah this kind of ask is perfectly fine!

anyway, yeah, it's definitely at least partly the domestic/femme connotations of the doll. closer tied in with the maid angle than robots are.

there's also the fact that dolls are Weird Little Creatures and you can play off that with, e.g., "nobody knows where the tea a doll drinks ends up". same with the fact that doll magic can work however The Bit needs it to work, whereas with robots i have to think about industrial design, neural network storage, etc etc etc. so i can get away from the overthinking about that.

and it's interesting to imagine, like, the history of dolls. in a world where you can construct a magical sentience and it doesn't require modern processors to emulate, what would that be like? not to mention that the recent uptake of "robot ~= oppressed minority" stuff it feels less fraught to write "society where many dolls are independent but many are also bound to serve and they're both happy" that way

[chemicallywrit]

Happy Audio Drama Sunday! Last one of the year! There are so many amazing shows I listened to this year--Gastronaut, Kakos Industries, Madame Magenta, Dungeons & Daddies, Cry Havoc! Ask Questions Later, Bronzeville, Deviser, Ghosts in the Burbs, The Silt Verses, Fall of the House of Sunshine, The Ballad of Anne and Mary, Eliza: A Robot Story, Eeler's Choice, Hemophobia--this list isn't even comprehensive! But here is what stood out to me this week. (As always, some spoilers follow.)

🦸‍♂️ I've had Superhuman Public Radio on my radar for a while, but I finally got a chance to listen to it this week. For lack of a better way of putting it, the structural integrity of this show is flawless. It sounds exactly like listening to NPR, and it's funny and clever with some really incredible worldbuilding. It's everything I like about listening to local news without the stress of it being local news that affects me. I love it.

✨ I'm also new to Breathing Space, but the Firefly vibes are off the charts. I love any story that is basically just Anticapitalists in Space, but the western vibes of this really make the stories hit home. I especially liked S1E2, "A Rat Among Falcons," because who doesn't love a scruffy nobody being incorporated into a found family? S1E5, "The Salvage of the Valentina Tereshkova" was also a really excellent space horror story. I can't wait to see what they do next. And that theme song tho, right??

❤️‍🩹 @thefringespod has been making incredible use of their new full cast, and I love the twist that this season is driving home--it's not a story presented to you, the listener, it's a tragedy that the mute second character is helping to undo. The softness of the family that Pine Gonzalez spent the whole first season describing comes through beautifully in the work of the actors.

🌊 Modes of Thought In Anterran Literature is always a little bit unnerving, but this week our professor faced the horrors of...rich people. Like, REALLY rich people. "You're already paying for private security?" Absolutely chilling conversations. There was a headline this week about a bunch of Silicon Valley millionaires trying to start a utopia in the desert, which works great all the time of course, and I thought of Anterra, tearing itself apart, and about the professor, who doesn't exactly make great choices, tearing himself apart too.

🐺 Things are getting very scary on Palimpsest! Is this a werewolf season?? It is VERY gothic, which is fun in a Jazz Age setting. It feels incongruous, which just adds to the horror. The quiet build of Palimpsest never disappoints me.

📦 Bless those children on @storiesfromylelmore, they're so darn good. ItMe has always been excellent at writing along the span of human nature, and seeing them do it with the three kids in Stories from Ylelmore is wonderful. Of course, a lot of the credit has to go to ItMe's flawless line delivery too. The kids feel very real, even while they're delivering magical packages from a bookstore to the head of the local witch coven.

🐦 The Amelia Project's Twelve Days of Christmas thing has been so funny. I half hope we never find out who's tormenting Alvina. The only downside is that now I have the song stuck in my head constantly, and seeing that it's like, the second-worse Christmas song, this is a problem. The show's worth it, though.

🕯️ What should appear in my podcatcher this morning but the second episode of Flickers! I was intrigued by that first episode, and this second one is really bringing home the isolationist horror. I can't wait for the next installment.

👽 Among the Stars and Bones is coming back! It's coming back this month! This is one of my all-time favorite sci-fi shows, everyone, if you're not on board yet then GET WITH IT, because this next season is guaranteed to blow your mind.

That's what I've been listening to! Here's what's going on with me:

🧟‍♀️ The Dead has been posting episodes from its second series, Ephemeris, which I wish we could have spent more time on, because the premise is so good. Zombies. In. Space. My gosh. David Ault and Kayla Temshiv in particular are killing it on this story. It'll be a few weeks before our next story premiers, but I'm REALLY excited about that one. Tune in!

Finally, the most important news...

💚Inn Between Returns on Wednesday!🏹

AAAAAAAAAAAAA

I am THRILLED about season five. The cast is killer, the story is fantastic, everyone's bringing their A-game, and I can't wait for you to hear it.

That's all for me! Happy New Year everyone!

(If you like what I do, I'd love it if you could send me a ko-fi! Especially since my car just frikkin. Died. So rude of it. Thanks!)

[nellasbookplanet]

Book recs: robots and artificial intelligences

A note: I'm differentiating here between artificial intelligence and transhumanism (such as uploaded consciousnesses and cyborgs), which I intend to make a separate rec post for at a later date.

(Titles marked with * are my personal favorites)

Other book rec posts:

Really cool fantasy worldbuilding, really cool sci-fi worldbuilding, dark sapphic romances, mermaid books, vampire books, portal fantasies

Continue beneath the cut for details on the books!

The Outside by Ada Hoffman*

AKA the book the put me in an existenial crisis. Souls are real, and they are used to feed AI gods in this lovecraftian inspired scifi where reality is warped and artifical gods stand against real, unfathomable ones. Autistic scientist Yasira is accused of heresy and, to save her eternal soul, is recruited by post-human cybernetic 'angels’ to help hunt down her own former mentor, who is threatening to tear reality itself apart.

The Prey of Gods by Nicky Drayden

South African-set scifi featuring gods ancient and new, robots finding sentience, dik-diks, and a gay teen with mind control abilities. An ancient goddess seeks to return to her true power no matter how many humans she has to sacrifice to get there. A little bit all over the place but very creative and fresh.

17776: What Football Will Look Like in the Future by Jon Bois*

A multi-media web novel available to read freely online (which you should do!!). I don't want to give too much away as the initial punch of finding things out is part of the journey, but it's both hilarious and profound as it questions the meaning of humanity and life.

Illuminae (Illuminae Files) by Amie Kaufman & Jay Kristoff*

Young adult told through the medium of transcripts, text messages and the like (this is one of few books where I highly recommend reading a physical copy over a digital as the visual aspect is much more enjoyable like that). After their colony is attacked, the surviving inhabitants flee on space ships, attempting to avoid the pursuing killers while also dealing with a deadly madening plague on board and a ruthless ship AI seemingly losing its mind.

A Closed and Common Orbit (Wayfarers series) by Becky Chambers*

Technically part two of a series, but stands well on its own as the installments are only losely connected (though I recommend reading the first book as well, it's very good). A former ship's AI recently moved into an illegal android body tries to make sense of life as she navigates her way through humans and aliens alike.

The Quiet at the End of the World by Lauren James*

Young adult. After the spread of a global virus causing infertility, teenagers Lowrie and Shen are now the youngest humans alive as the adults around them race to find a cure. As they investigate the ruins of the world, the two come across records from the past, of how grief stricken people turned to raising artificial children in apps and how these 'children' developed, and through these records the two learn of their history. Also has a bisexual main character!

A Psalm for the Wild-Built (Monk and Robot series) by Becky Chambers

Novella. Long ago, robots, upon gaining sentience, simply laid down their work and walked into the wilderness. Long after, a tea monk looking for purpose follows after them into the wilds, where they come across one of the robots seeking its own sort of answers. While not plotless, this story focuses more on character and vibes over plot. Also has a nonbinary main character and features conversations on gender between human and robot.

All Systems Red (The Murderbot Diaries) by Martha Wells*

After having hacked its own governor module, SecUnit uses its small amount of new freedom to secretly download and watch as much media as it can between doing its job guarding humans. But when the scientists it’s been charged with keeping safe come under attack, it must make a choice about whether to continue keeping its freedom secret or risk it all to save them. The series features both novellas and full length novels, and balances humor with scathing critique of capitalism.

Machinehood by S.B. Divya

Prudent in the rise of AI and machine learning, Machinehood shows a near future in which humans struggle to find a place on the workforce as more and more jobs are given to AI. Status quo is shaken as a dangerous terrorist group calling itself The Machinehood starts committing attacks. A close look both at the rights of humans in a technologically changing world, and at the rights of AI as their intelligence edges ever closer to full sentience.

The Company of Death by Elisa Hansen*

A wild mix of genres, where a zombie apocalypse has struck and vampires gather up humans to keep their food source from going extinct, a robot travels across America with a young man she's tasked to keep safe, and former-vampire-hunter-recent-zombie Emily teams up with Death himself to stop the apocalypse. Features bi and ace characters! Bonus rec: the author also runs the youtube channel Maven of the Eventide, where she talks about various vampire media. Check it out!

Railhead by Philip Reeve

Young adult. In a future where humanity travel between the stars using not spaceships but a portal-connected system of sentient trains, a young thief and street urchin is hired to steal something off of the Emperor's train.

Being by Kevin Brooks*

Young adult. Cards on the table, I think I was about 14 when I last read this, but it made a strong enough impression that I still think of it as one of my favorite books. After having gone in for a routine exam, doctors make a stunning discovery about Robert Smith: he isn't human. Suddenly hunted, Robert goes on the run as he tries to cope with the fact of his own existence. While I love this book, it gives very few answers to its many mysteries, so don’t go in expecting full explanations.

Ancillary Justice by Ann Leckie*

A space opera in which sentient spaceships can walk the ground in stolen human bodies, so called ancillaries. One of these ancillaries, the sole survivor after the complete destruction of her ship and crew, is one the hunt for revenge. This series also does very cool things with gender!

Crier's War by Nina Varela

Who says sci-fi has monopoly on robots? In sapphic YA fantasy Crier's War, artificially created automae have defeated and subjugated humans, who live as second class citizens. Young Ayla goes undercover as a servant, meaning to assassinate automae girl and Sovereign's daughter Crier. This would be easier if the two weren't quick to develop feelings for each other.

My Heart is Human by Reese Hogan

Nine years ago, all complex technology was made illegal. This complicates life for Joel, young transgender single father, as a bionic just uploaded itself into his brain without consent. Scared of losing his daughter, Joel tries to keep the bionic secret while using it to fix his life, but things quickly get more complicated as the bionic gains more and more control of his body. Makes a lot of cool paralells of bodily autonomy to Joel's experiences as a transman. Bonus rec: if you like the general concept of struggling for physical control over one's body with an AI, may I also suggest the (much grittier and gory) movie Upgrade.

The Archive Undying (The Downworld Sequence) by Emma Mieko Candon

In a world where AI gods sometimes lose their minds and take entire populations down with them, Sunai was the only survivor when his god went down. In the 17 years since, he has wandered on his own, unable to either die or age, drowning his sorrows in drink and men. But his attempts to flee his past comes to a stop as he is forced back into the struggle between man and machine. Featuring some pretty wild world building and narrative techniques, this book will definitely confuse you, but it is worth the experience.

Activation Degradation by Marina J. Lostetter

Unit Four comes to life in the middle of a war. The mine it was created to care for is under attack, and as Unit Four is activated with the memories of its predecessors, it is thrown into the task of protecting it at any cost. When the battle leads to its capture, it is prepared to do anything to stop its captors, even as their very presence causes it to question all that it knows.

Sea of Rust by C. Robert Cargill*

Years after the death of the last human at the hands of a robot uprising, Brittle travels the desert searching for machines on the brink of breaking down whose parts she can scavenge. The world is quickly falling apart as a war between OWIs - One World Intelligences - struggle to absorb every robot, willing or not. Bleak and captivating, Sea of Rust features horrible people who you can’t help but root for anyway as they struggle for their lives while questioning the very nature of said lives.

Bonus AKA I haven't read these yet but they seem really cool

Hybrid Child by Mariko Ōhara

Japanese 1990s classic. Follows an escaped AI who can take on the form of the people it has consumed.

World Running Down by Al Hess

Follows a powerful AI that has been forced into an android body against its will.

The Thousand Year Beach by Hirotaka Tobi

Set in a virtual world populated by AIs, meant as a resort for human guests who stopped showing up over a thousand years ago, leaving the AIs on their own.

And Shall Machines Surrender by Benjanun Sriduangkaew

Novella. Machines are the gods and rulers of the Dyson sphere Shenzhen, where humans live in luxury and strive to become host bodies for future AIs.

After On by Rob Reid

Phluttr is a social media and a person, potential hero and potential villain, holder of the secrets of all her users.

Annie Bot by Sierra Greer

Annie Bot was designed to be a perfect girlfriend, but as she learns all the more about being human, perfection becomes all the more distant.

Honorary mentions AKA these didn't really work for me but maybe you guys will like them:

The Lives of Puppets by T.J. Klune, Machines Like Me by Ian McEwan, Barbary Station by R.E. Stearns, The A.I. Who Loved Me by Alyssa Cole, Medusa Uploaded by Emily Devenport

[hannahp0calypse]

fuck it. say nice things about rwby

as much as i'm a capital Hater for rwby, i also do have a lot of love for a lot of aspects of it. there are genuinely nice things i can say about a lot of pieces of it, though often with a caveat of some kind. so like, obviously i could start on "well the show had a lot of heart and passion, even if it fell short in some areas!", or "the music has been consistently really good!", but i wanna home in on something i really like about the show that i don't think i see a lot of people talk about?

i'm a huge fan of the overall premise and vibes of the setting. (i'm fighting the urge to include caveats here, but people (myself included) have already discussed the major flaws with the worldbuilding so i'm not gonna bother.) so by this, i mean the specific mix of fantasy, modern, and sci-fi elements that give it a unique (or at least, relatively rare) vibe and setting.

there's a reason why the initial trailers captured people - the contrast between the misty monster-filled woods with ruby's high-tech near-future weapon is part of the red trailer's charm. bring in the other trailers, and you have a picture of a world where dense urban streets, high society functions, fantasy forests filled with monsters, and sci-fi trains guarded by robots alll mix together somehow. and it works!! it's really compelling, because no matter the flaws in some of it's writing it's just genuinely Cool!

the setting as a whole exists to justify characters in modern street fashion (mixed with fantastical elements!) fighting big fantasy monsters while living in dense urban environments with holographic tech and airships flying overhead. and thats great!! that's super cool!!! 'cause at the end of the day, people love swords and spears and historical/fantastical weaponry in modern/sci-fi settings. just look at the staying power of star wars or final fantasy.

and part of why RWBY's take in particular works for me is because it's not "modern urban setting with fantasy elements", nor is it "sci-fi setting with magic and monsters", and nor is it "modern urban with sci-fi tech", it's more like... "a fantasy setting that has developed to the point of something resembling our modernity, but with tech that has advanced further in areas ours hasn't due to the core fantastical elements of the setting". and i'm a huge sucker for that!! off the top of my head i only know that type of setting appearing in some of the final fantasy entries, or in fuckin Arknights

to leave off with a particular specific note - i'm a big fan of Mountain Glenn, Kuroyuri, and Brunswick Farms. any time the narrative goes into how actually dangerous it is to try and expand human living space (justifying the density of urban space in the cities that do exist!!) i get excited. i love hearing about the various ways people have attempted to combat the threat of the grimm and failed. delicious

[yukidragon]

I always wonder about the time-line in mafia au with Bo and Jack

I know in aphrodesia they have cellphones but what about the mafia au?

What year do you think it is?

I think the year itself is meant to be ambiguous for Aprhodesia, as well as the other series by SnaccPop Studios. That's likely why we don't get exact ages for the male leads in their bios, and only Jack is given a birth year due to the year of his death playing an important part of the story.

I'll admit I don't know a lot about the lore of Aphrodesia yet, but I do know it definitely takes place in an alternate version of Earth. There's a lot of fantastical and sci-fi elements, including robots and angels becoming crime bosses in the city of St. Valen's. I don't think it's meant to really reflect our Earth's timeline, but instead be its own thing based off aesthetics, kind of like fantasy worlds tend to be based off of medieval aesthetics.

In that spirit, I don't bother trying to give the Mafia AU an actual year. This is an alternate Earth, with alternate events that mean the timeline as we know it on our world no longer really applies.

I mean, the clothing that Bo and Jack wear in the original piece of art Sauce made that started this AU is pretty timeless, in my opinion.

Isn't it so nifty? Full credit to Sauce as always for their stunning art and being cool with me using them in my rambles. In the spirit of supporting them and the rest of the team who makes such awesome visuals and ideas for us to play with, why not consider joining the SnaccPop Studios patreon? There's a whole bunch of artwork there that you can only see by joining.

Remember, don't share anything privately posted on the patreon. Doing that only hurts the team. Instead, just encourage others to sign up as well, or just spread word about these fun games and audio dramas they're making.

Anyway, this picture, as I recall, was inspired by this comic drawn by Rain over on twitter. As you can see, it's a different sort of crossover, but it has the same vibe of the Mafia AU.

Sauce then did something of a genre swap with their characters. Here we have Jack and Bo as a crime boss and wise guy respectively in an Aphrodesia-esque setting. This picture's sister image was Jambee wearing a kids-show appropriate thief costume, complete with a black and white striped shirt and domino mask, as if he was an antagonist character to the SunnyTime Crew.

While this AU is a crossover between Something's Wrong with Sunny Day Jack, DachaBo, and Aphrodesia, I don't worry too much about sticking close to whatever timeline any of the three actually have, or their original continuities. This crossover is about being inspired by some stylish art and letting whatever urge feels fun to me when it comes to pulpy mafia crime drama indulgence, with a nice splash of sci-fi and fantasy elements thrown on top.

As such, the timeline itself isn't all that set in stone yet. Even the original ramble's timeline of events when it comes to Alice's influence on the world isn't completely solid, as expanding the King family's lore changed some things in this follow up post. This universe, as well as its timeline, is very much a work in progress.

Also it's an excuse to have Jack be touch starved and need to have very intimate (and especially spicy) contact with his sunshine as often as possible.

In essence, the year is modern day, only modern day in this world isn't the same as our world. We have cell phones, computers, and the internet, but also some classy retro-style aesthetics for clubs and the like. Or at least that's how it is in my version of this AU. Others might take it a different way.

On that note, why don't I give a shout out to some of my fellow artists who have also played with this particular crossover?

Glassy Shards over on twitter has a really cool take on this AU, giving Bo this creepy "glitch" ability that allows him to no clip through realities. Her take on Bo is pretty creepy and intense, as you can see in this delightful art here and here.

Fun fact: it was actually Glassy's audio dramas that made me inclined to have Bo be more promiscuous, violent, and rebellious in my version of the Mafia AU. The audio dramas are really well done, which makes sense considering she was Bo's original VA. I suggest giving them a listen here, here, and here if you want to hear Bo be a very scary alpha on the hunt.

Lilith Rose on twitter made a fun comic, which really pops in her colorful and distinct art style. It's just another day in the city of St. Valens with some goons getting pummeled, and Bo falling for his puppy. Check it out here, here, here, here, here, and here. Oh, and a cute piece of art that isn't part of the comic, but Bo in suspenders and Lilith in a dancer outfit are just so cute.

CheriiHoney on twitter and here on tumblr also has an adorable comic for this crossover. Jack is lovestruck, and Bo is just dumbstruck. There's also this very delightfully spicy follow up picture of Jack being so yandere for his sunshine and Bo is still annoyed by his boss, hahaha.

I'm sure there's plenty more takes on this crossover out there. If you have any favorites I missed, feel free to tell me in a reblog. Also, consider checking out these awesome artists and leaving a kind word or two. It was Cherii's birthday yesterday, so you could also consider giving her a belated happy birthday as well.

One thing that always tickles me about this AU is how much we've inspired one another when adding to it. It's almost like a community project. Rain inspired Sauce who inspired so many others. We're paying it forward artistically, which is why I wanted to shout out so many of my fellow artists in this post who have given me so much inspiration. You're all awesome. Keep on creating. 💖

@channydraws @earthgirlaesthetic @sai-of-the-7-stars @cheriihoney @illary-kore @okamiliqueur @kurokrisps

[musingsbycaitlin]

WIP Intro - The Greyhound Club, a novel

Hi, hello, welcome to another wip. I haven’t done one of these in ages but I finally have some new ideas thanks to uni.

The Greyhound Club is a science fiction, literary novel that follows lab tech Gwen as she uncovers the perhaps unsavoury and sinister goings on within the company she works for. Her role within the company is to help engineer and develop the science behind robotic, ai carers for the elderly or injured. However, is there something more to her job that she isn’t being told? And will the new hire she is charged with training help lead her to uncovering the truth behind it all? Who is the elusive and elitist Greyhound Club that consists of the ‘best’ employees from each department, and what do they really do to deserve all of those benefits? Does it have anything to do with Gwen’s experiments? What is the price for finding out the truth?

Genre: science fiction, literary, horror

Setting: undetermined city in England, 2026/a few years in the future

POV: first person, present tense

Status: initial drafting/planning

Vibes/Aesthetics: smog covered motorways, the sizzle of stubbing out a cigarette, a half-filled car park, drawing frowny faces on frosted windows, clicking of a mouse, Uncle Sam posters ripped in half, dead rose bushes, choking on a plastic bag, twisting an ankle, spit on concrete, the smell after rain, dew lined skin, stainless steel, half-fogged glasses.

Unfortunately I can’t post an extract here yet since the assignment is still ongoing but after the hand-in in May I will update with some extracts. But I’m really happy with this idea overall and I think the vibes are super different to things I’ve written before. I tend to go really bloody and gory with horror and the vibes usually have more colour and pigmentation, however with this one I really wanted to mute everything down to the minimum and see what I could extract from those small moments and what will arise from the nothingness. I have also never specifically set a story in England, where I’m from, and I found that so unusual since I have never been to America or any other place I seem to gravitate to when coming up with settings. So rainy England seemed a perfect change of pace. I’ve also been listening to a new album in order to help visualise and get in the headspace of the story more so if you want an even more explicit depiction of the vibes then listen to Kesha’s album, Gag Order.

I’m hoping to be doing small updates on this as I get further through the drafting process as part of my assignment (which is only 3000-3500 words) and try and be a bit more consistent on this one because I really see this going all the way. Idk, I might be delusional but a little doesn’t hurt.

If you have questions then please ask cos I love talking about my work and my characters and my vibes. Also if anyone has any comp titles that would be really appreciated cos I don’t read much sci-fi. And of course if you want to added to the taglist then please let me know.

Taglist:

@annlillyjose @dallonwrites @aesa @winterandwords @iannicellis @isherwoodj @writeouswriter