#and can't respect my character's design

[dimiclaudeblaigan]

"yuri lowell is a manly heterosexual"

yuri lowell:

[normalayadraw]

I'm having waaay too much fun drawing this alkrjqwopriwqr

My OM! OC again? more than likely :D

Just the drawing version below:

Funfact: The actual drawing was longer than the one on the ID Card (the 1st pict). Cuz I forgot to check whether it was close/big enough or not :')

The ID card template was made by @TARBLOODY from twitter btw. Here's the link to the post.

[digisurvive]

Nothing is gonna top Plutomon as a fucked up maternal figure for me, I'm afraid lol

[sparkofthetelling]

Tagged by @mirastudiesphysics I'm physically exhausted and idk why, so I'm answering this to make myself feel better, and I'll try to get back around to it to maintain the spirit of community. Relationship status: Single (I label as aroace, but it's eternally complicated) Favorite color (right now): Carmine/#960018

(The physical dye color I believe is made from cochineal beetle husks!) Song stuck in my head: Free - Live from MSG by Florence + TM Last song I listened to: Nueva York Train Chase (from the Across the Spiderverse Score) Last thing I googled: significance of cloth color for headpieces in Sikhi/Sikh culture Dream trip: Either like, a cross-country train trip or drive with my mother (Canada, US, Ireland, Norway/Sweden/Finland, doesn't really matter) or to go spend like a month at Gran Sasso doing research without being worked to the brink because of cost Anything I want right now: another no contrast cardiac fMRI and my omnibuses I ordered to arrive. Other people: Later

[giantkillerjack]

Good afternoon! What kind of characters or tropes do you wish you could see more of?? [Ex. More Trans characters; More witches; More himbos]

AND/OR: What kind of characters or tropes would you like to see LESS of? [Ex. Less Trans characters who have to live lives of misery; Less "evil" witches; Less characters played by Mark Wahlberg]

AKA what i need in my life are anti-capitalist trans witches who live lives of joy and community and also some himbos are there! HELL YEAH!!! ....... *ahem*. You don't have to be that specific, but hopefully you get the idea!

[anotherhumanperson]

Hush now, hide, all you little ones

Rush now, into the middle of nowhere

Singing and laughter will die

Dreamless sleep, follows the Nowhere King

When his kingdom comes, darkness is nigh

Quiet, crawl to the in-between

Silent, secretive feeling

Of fearsome hatred that reaches the skies

You will bring joy to the Nowhere King

When he sees the light leaving your eyes

[calocreek]

OK here it is, a ton of 'production' stuff for the Hot Guy Comic Zine! I've never been part of a project like this. Even though I was working on my comic mostly solo (shout-out to my editor Violet!), the world-building and story arc planning was completely collaborative. For example:

We started out on the world-building by voting on character's superpowers! Plenty of powers were almost unanimously agreed on, but Cuteguy was a HUGE campaign. We were pretty much 50/50 split between can fly/can't fly. Propaganda was exchanged LOL, like this piece where I campaigned for limited flying capabilities 😂 And thats what we ended up settling on!

From there we worked on a ton of brainstorming/world-building that I mostly spectated with an occasional doodle like these haha. I'm new to such elaborate AUs!

Pitch time!! I had pitches for each era and they were all pretty light and banter-y, so my year 1 pitch ended up fitting the vibe the best. My original pitch was 'HG + CG learn some key things about each other and plan to set up a base they can use together.' But when I started my script, I got really caught up in how they were navigating a partnership without knowing each others identities. The more I wrote through that, the more I wanted my story to be ABOUT that! So thats where my script started coming together.

Designs! I'm definitely not a confident costume designer. I was trying to go for low-tech + practical since it was early in their careers, and of course, easy to draw 😂

Process went more or less like this! Full color comics take a LONG TIME but it was a total labor of love. I had the graffiti bgs in mind from the very start since I knew it was dialogue heavy, I wanted to make sure the art was interesting and worth spending time looking at. Oh lord did I get carried away. I'm OBSESSED with the symbolism the fandom has put to the life series and so I tried to sneak in as much meaningful symbolism as possible. AND THE RESULT:

Guess I did pretty well! 😂😂😂

Anyway, I can't overstate how proud I feel to have gotten to work on this project. My whole goal as a hobbyist is to get to work with other artists I look up to and respect so this was a dream come true! Thank you everyone for reading, for 15k downloads (!!!), and for just being an awesomely creative fandom space to make art in! I hope to do more stuff like this again some day 💕

[maxwellatoms]

In one of your last answers, you said “series reboots are usually pretty gross and sad”, and I was wondering if you could expand on that? Assuming “reboot” covers any kind of continuation of a currently cancelled or finished show (and maybe that’s the wrong assumption!), from the outside looking in it feels like a pretty mixed bag. On one hand, if I love XYZ Show, it’s cool that I get more stories with these characters and another chance to support XYZ Show and its creators. On the other, it definitely feels like a lot of ideas can only get funding if they’re tied to something already, meaning creatives are having to now tie whatever cool idea they have to some reboot/relaunch/retread, which can feel pretty disheartening if you don’t want to do a reboot/relaunch/retread. Is that a similar feeling from your side of the industry?

Thank you so much for all your answers and insight!

Usually reboots and spin-offs are just cash grabs. It happens a lot in animation. In fact, I would argue that the entire industry is just one big cash grab now. In the 80s, everyone complained that cartoons were just half-hour commercials for toys. And they were right. And we're right back there, but now that you can't legally push toys all day, it's just general "IP". Mugs, posters, more spinoffs, whatever.

I was offered three show running gigs over the pandemic. All reboots that I would consider unwise to pursue because they were "of a different time" and didn't (in my opinion) have anything more to say. Two of them were properties created by notorious sex pests, so there's also that. The animation industry loves to prop up its sex pests.

I turned all of them down, partially because I didn't respect the original creators but also because none of them had anything going for them except just being "more of the same".

I don't think any of those projects survived the intervening years, so in retrospect I maybe should've taken the job. I'd probably feel a bit gross, but at least I'd have floors in my house.

The entertainment industry is in a bad spot. The whole thing. I've had I don't know how many pitch meetings in the last few years, and they all start the same way:

"Hey! Before we start, we just want to let you know that we're not actively producing anything right now. We think maybe soon, but we won't be picking anything up today..."

And then later:

"The little we are doing is IP, so if you have a new take on our IP or a new IP you're connected to that you can bring in, that'd be great."

I always wanted to make original stuff. There came a time when I'd had my fill of Billy & Mandy and wanted to do something else new and original. That never manifested, and I was constantly being offered IP to produce. I turned too many of those down, maybe, before deciding that it was probably better that I run the IPs that mean something to me rather than having some hack do it.

But now those jobs have all gone to celebrities and fallen live-action writers, who are also slowly being eaten by the system. WB was hot for Scooby stuff a few years back, so I pitched some ideas. A few of them were turned down for being "off-brand" in a variety of ways. WB has now made (I think) all of those off-brand shows (or something close) with celebrity show runners.

I was going through a whole Midlife Impostor Syndrome thing recently where I was wondering if maybe I don't just suck. Like, it's weird that for a couple of decades I'd have people calling me trying to get me to run shows, and now nobody will call me back about the possibility of a design job.

Talking to some friends and realizing that they were in a similar situation helped me feel like I wasn't alone. That was nice. Talking to some of the most talented colleagues in my industry made me made me realize that those people weren't getting jobs either. That was unnerving. Talking to complete strangers in other parts of the entertainment industry now has me thinking that the whole house of cards is coming down. That's real concerning, yo.

It's hard not to think it's purposeful, when deranged billionaires own the entirety of our media and want to shape a society where they can't be criticized. We're letting wealthy tech bros firebomb the very heart of our culture, and it's weird that no one is talking about it. Because (for now) we still have that capability.

[reallyromealone]

Hi, Rome (May call you Rome?)

I finally worked up the courage to send in my first request..... Can I request a fic of Gojo and Geto being absolutely inlove with this one omega male? (Sorcerers au) Pls?

Title: lover

Fandom: Jujutsu Kaisen

Characters: Gojo, Geto, Shoko (mentioned)

Fic type: fluff

Pairings: Gojo x Geto

Warnings: male reader, reader insert, omegaverse, fluff

Notes: you absolutely can, it's my name after all

🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸

Everyone knew that Gojo and Geto were a couple, the two alphas very open about their relationship and flirted openly.

(Name) Hummed quietly as he refilled medical equipment as Shoko went to grab some lunch for the two, the two often rotated who got lunch "(naaaame)!" Gojo said happily as he and Geto walked into the medical office, (name) glancing up with a confused expression "oh! What can I do for you two?" (Name) Asked as he put the basket of gauze on a shelf "can't we just come to see you?" Geto asked the cute Omega who tilted his head "well I suppose"

The two smiled at the Omega, subconsciously getting closer to him "how have your missions been? I heard you two went to Osaka" (name) paid no mind as Gojo draped himself over him "it was fine, you should come next..." Gojo held him close as Geto traced his cheek "maybe next time!"

The two always seemed to have a seventh sense for seeking (name) out, the two were hopelessly in love with the omega who didn't seem to catch to their flirting, hopelessly oblivious but it was clear that (name) had feelings for the alphas.

"We actually got you something" Gojo said happily, pulling out a bag he set to the side and handing it to (name) "you didn't have to...!" (Name) Said softly as he carefully opened the bag to reveal..." A collar?" He asked while feeling the hand crafted leather and ornate designs "but this is a courting gift..."

"Yuuuup" Gojo said and Geto smiled at the omegas who clearly was trying to figure this out "wait... Does that mean?"

"There he is, took you a year" the two chuckled as (name) looked startled "a year! I had all year to be with you two and I didn't notice!" (Name) Gawked "well we better make up for lost time~" Geto missed his cheek lovingly and Gojo put the collar on his neck "lots and lots of lost time~"

"please keep from being disgusting in my office" Shoko said bluntly as she held food bags, glaring at the trio as (name) stepped away from his alphas, respecting his bosses wishes.

[foodfightnovelization]

ROTTEN: Behind The Foodfight

Holy chips! It's an exciting time to be a Foodfight! fan, because ROTTEN: Behind The Foodfight is finally out! This really is THE definitive documentary on the insanity behind the movie, and it finally answers the question of just what was going on behind the scenes during production. Since I helped out with research (and I even get a short line of dialogue at 45:19) I've already seen everything that was shown off, but had to keep quiet until all the interviews were conducted and the documentary was finished. But now it's out and everything has been made public, the cat's out of the bag (the Fat Cat Burglar?) and I can talk about all the production material that's been shared.

Before I get into any of that though, I'd highly recommend you watch the documentary for yourself. It's insanely well researched and put together, and having worked together with Ziggy Cashmere (the documentary's creator) I know how hard he dedicated himself towards making this all possible. If it weren't for him, the most interesting Foodfight! discovery would've been finding the novelization, and we would have never gotten any real insight into how this movie came to be. It's also a documentary that really speaks for itself- I don't want to say too much about what it reveals since it's all expressed far better through its narrative and the interviews with people who actually worked on the project. My favorite is the interview with texture artist Mona Weiss- she tells such horrifying stories about how she was treated by Larry and other crewmembers, yet does it all with a sense of humor that makes it clear she's enjoying getting to talk about her crazy experiences. It's clear Foodfight! was an unmitigated disaster from start to finish, and there's nobody to blame for that but Larry Kasanoff himself. The movie was rotten from the top down and despite the countless talented animators and artists working on it, nothing could fix the fact that it was fundamentally mismanaged in the worst way possible. I think the quote from producer George Johnsen summarizes it best: "Foodfight! was a good idea that unfortunately lost its way during production. The technology, the art, and the direction were not in sync. Many very talented people gave their all to make the picture, but more understanding of process from the top was needed for it to succeed."

But if you saw the documentary, you already know all that, right? So instead, let's talk about the behind-the-scenes material that's finally been shared! You can find everything I'll talking about HERE on archive.org-

It's worth following the link and checking it out for yourself- there's so much it'd impossible to discuss everything. Artwork, storyboards, bloopers, models, a nude render of Lady X, an interview with Larry Kasanoff, the list goes on and it's still being updated! Despite the documentary already being out, people who worked on the movie are continuing to share new material! It's pretty incredible- for the past year I've ran this blog all I've really had to discuss are two tie-in books, and now there's so much Foodfight! material I can't even keep up with it.

I mean LOOK at all this, isn't it fantastic? The character art by Jim George showing off just how much better these designs originally were, the countless environments showing off just how stunning Marketropolis could've looked as well as the strength of the core idea "what if a supermarket came to life at night", and insanely detailed storyboards for a 7-minute pitch reel that was used to sell the movie to investors. Normally, I'd be ALL OVER this because it's all just incredible, but there's something far, FAR more fascinating than any of it.

There are even multiple drafts of the script (one from 2005 and one from 2007 respectively) and normally I'd be insanely fascinated by those too, making extremely detailed posts explaining the differences between the drafts and how they compare to the novelization, but there's something else that was found that blows ALL of this out of the water and is easily one of the most monumental lost media discoveries of ALL TIME.

That's right, a rough cut of the ENTIRE movie from 2005 has been found, containing nearly ALL the completed animation from earlier on in production. I mean, that's mindblowing right? We first got sent this around a month ago, a little while before the documentary came out, and I literally stopped everything I was doing at work to just sit and watch this. This is the closest we're ever going to get to the "original" version of Foodfight! after all- only 7 minutes of footage was ever actually made before they switched to mocap, made solely for the aforementioned pitch reel, and this workprint contains practically all of it! On top of that there are some great storyboards in here, as well as some truly hilarious ones cobbled together from 3D renders, and the plot is far better than what we ended up with, a lot of the more inappropriate jokes being absent. This rough cut is actually pretty similar to the novelization in that regard, and it also contains scenes that we'd previously only read about in there.

For example, in the novelization there's a snowmobile chase through the mountains, with Brand X soldiers on snowmobiles and a heavy avalanche close behind. This scene was completely left out of the movie itself, but in this workprint it's here! ALL the previously novelization-exclusive scenes are included, and this rough cut is seemingly based on an even earlier draft of the script than that- here Brand X are still defeated by a flood, whereas by the time of the novelization it'd been changed to a lightning storm. There are SO many exciting differences in this workprint, the snippets of original animation we get to see are SO good, and it's SO much better than the movie itself that I think it by far deserves the crown as the DEFINITIVE version of Foodfight! There's so much in it I want to discuss, that there's no way I can fit it all into this one post...so stay tuned, because in the next few days I'll be doing a FULL analysis of the 2005 workprint, pointing out all the extra brand mascots not in the finished film, and generally just gushing about how amazing it is.

I mean, this is it. Just take it all in for a second- the original footage was considered lost media for over a decade, and now it's practically been found in its entirety, embedded in an early cut of the whole movie...isn't that just phenomenal? All the mysteries have been unraveled, all the questions have been answered, and now we can relax, take a deep breath, and watch Foodfight!...the REAL Foodfight! Make sure to enjoy it, and join me next time for my analysis!

[agarthanguide]

would love to know the other ideas that went into Sam’s new PC’s design! I’m surprised he has a very humanoid face for being a minotaur, but the hoof-fingers are something truly else I love it

Okay so like ten people have asked me about the face, and this is one of the nicer ones, so this will serve as the answer to all of them-

Sam specifically asked for the face. It was in the initial brief, and he was very clear about what he wanted. So like- I get that the monsterfuckers out there wanted a proper Beast, and I respect the hell out of you. Draw the most bestial Braius you can! I can't wait to see him! But it's possible that there's more to it than we all think. I just don't know.

As for other ideas, hmmm. Well! Sam wanted a character who looked like he was in black and white in a full color world. He wanted it to feel a bit avant garde, a bit artistic.

Sam went with the horrible hoof hands, which I pitched. I also pitched the inky black streaks on the clothing. He had a full description of a double flail, dripping black (I knew there would be jokes about balls) and he wanted white armor. And I just knew we had to extend that dripping black visual to the main event. I tried black fur lining, I tried a sort of vicious black iron on the edges that gave a corrosive vibe. Ultimately, Sam preferred something significantly more ambiguous, I guess.

Incidentally, the entire time we were messing with Braius, there was an insistent voice in the back of my head that I had seen something like this before. I didn't realize it until after we were done (more's the pity, it's an excellent reference), but it was the music video for Iron by Woodkid.

[ohnoitstbskyen]

What are your thoughts and the same-face-syndrome Oda has going on with Nami, Vivi, Rebecca, and Shirahoshi?

Oda is kind of a frustrating artist in this regard, as he is in many regards.

Because on the one hand he demonstrates, to a greater extent than almost any of his peers, the ability to design interesting, varied, creative, compelling and fun characters, with a huge variety in presentation and body type, and without the dehumanizing distancing that a lot of artists employ when depicting non-normative bodies.

Charlotte Lola for example, one of my favourites, is a character who is extremely caricatured, and depicted as stocky, broad, and rough around the edges, with a missing tooth and odd proportions. But the story consistently treats her interiority with respect and depicts her as complex and interesting beyond her sillier surface traits.

... and then up AGAINST that you have the Infinite Leggy Busty Beauty Brigade, which includes Nami, Robin, Carrot, Pudding, Doll, Domino, Boa Hancock, Vivi, Kalifa, Shakuyaku, Alivda, and on and on and on and on.

And it's this frustrating binary where Oda seems to know exactly ONE way to visually present feminine beauty: thin, curvy, busty, with long legs and a round face, and he repeats it over and over and over again like his only two modes of design are either Copy Paste Pin-Up or Crazy Caricature.

The same face syndrome comes out of that, I think. Because the gamut of what A Beautiful Woman™ can look like in One Piece is so narrow and has so few traits available to it, repetition becomes inevitable.

And idk if this is just Oda's personal indulgence, maybe he just draws the kinds of women he's attracted to, and fair enough I guess, people have the right to be self-indulgent in their art, but it is consistently one of his biggest weaknesses as an artist and designer that he just can't seem to stop reproducing the same hot babe design over and over again.

I will say that Oda is not noticeably any worse in this regard than most anime and manga - copy pasted normative bodies with same-face syndrome is the norm, not the exception, especially for female characters. And that doesn't make it not a flaw in Oda's work, just a flaw that should be understood and assessed within its context, where Oda's repetitive babes are (at least in my opinion) still more distinct and interesting than how most of the industry treats its Hot Babe characters visually.

Still wish he would incorporate, like, ONE new idea for what a beautiful woman can look like, though.

[kathaynesart]

The Uncle-tello circle is complete!  For the record though, I checked in with Cass if it was ok to use the same nickname and they gave me their blessing!  Thank you, Cass! 

BEGINNING || PREVIOUS || NEXT MASTER POST

Also, sorry for the awkward cut off to this update. We're near the end of the chapter where it's just going to keep ramping up without a reprieve, so we'll just have to make do with a few weird pauses in this chapter finale. Thank you everyone for your patience as I've been getting my ducks in a row and getting back into the swing of updating.

Alright, Cassandra TED Talk Time! It's interesting.  A lot of people seem to paint Casey Senior as this law-breaking "stick-it to the man" type of character, but personally I see a young woman who mostly strives to do as she's told and honors those she deems worthy or above her station.  She holds a great deal of respect for her superiors and I could see that bleeding over into her adulthood.  Albeit, she does overcome this near fanatic obedience by the end of the series, but habits like those don't go away so easily.  She would hold the hierarchy of the colony in high regard and strive to place her family on the pedestal she believes they rightfully deserve after all they've done (regardless of whatever stigma they may have still received from some of the humans).  I think that part of her really rubbed off onto Casey Jr because the amount of respect he shows his closest family members in both naming convention, titles, and attitude is surprisingly uptight and never breaks in the movie save for when he's telling off Leo. Honestly, I can't think of anyone else he could have picked up this habit from because (unlike in other TMNT iterations) the terms "Sensei" and "Master" do not hold quite the same paternal meaning for the crew.  That's just my 2 cents though!

Hopefully now that all my responsibilities for Zines and other projects are complete I'll be able to get back onto a regular schedule. I'm really excited for the next chapter. We'll finally get to see Leo having to deal with some drama in the resistance and a few more familiar faces that I have yet to see make an appearance in any of the apocalyptic AUs. It's back to the character design board for me...

[shapelytimber]

Hellsing wives !!

the end of Hellsing is my roman empire

[PRINT] - [COMMISSIONS]

Bonus sketch, process and rambling below vvv

I don't usually share my sketches, but this one was cute :))

Hello welcome to my rambling zone, I have the bad habit of taking notes during the night because I'm an insomniac- enjoy ! And remember everything here is just my opinion written at 5am

I have a lot of conflicting feelings about Seras, because on one hand there is a lot I hate about her character :

-I *hate* her design. She is sexualized in a way that makes me really uncomfortable

-She is always the character that brings the worst part of the show (especially in the beginning) : the humor (and misogyny). She is treated as both the audience surrogate, and a comic relief, and that's a mix that do not work for me (and if you add the fact the humor doesn't make me laugh, and that she is more often than not treated as a pair of boobs and not a character- well it's hard for me to take her seriously)

-she was a cop (acab). And Alucard doesn't let me forget that because he calls her "police girl" the whole fucking show.... (But I can't complain about that because I kind of liked the pay off-)

-I find her romance with Pip boring (mainly because I find Pip boring I'm sorry), even tho I liked where it went. But if I find the man more interesting dead idk if that's a success.

-Her last apperance will always enrage me. After all her character growth, after you thought the writers *maybe* respected her a bit more..... One of the last thing you see from her is a panty shot. How to spit in my face for enjoying the ending ig

But on the other hand, despite all that.... The end of her character arc was kind of sick and she gets a lesbian ending lgkgkckgj so 5/10 character could be worse ig

But the shit that gets to me about all of that... is that I know Hellsing can pull off great women characters !! Integra is *right there* !!!

All of this to say I like doing fanart of mid medias I love because I get to fix some aspects of the original I didn't like <3

PS : I know Alucard is "dead" during the 30 years after the final, but you can decide if he is the dog or if they adopted a dog that reminded them of him :)

[herteitr-runar]

🇮🇸 🇳🇴 🇸🇪 🇫🇮 🇩🇰

tiny little stress relief doodles of metal nordics. sweden and norway designed by my friend (: i love norway so much ...

rambling under the cut.

well of course my favourite characters ever had to share my musical taste. sweden, norway and iceland especially! i have an amon amarth shirt just like sweden's... and i've been listening to radix malorum by gorgoroth for the entirety of this drawing process ! (a banger btw.)

the respective bands are: Svartidauði (black metal), Gorgoroth (black metal), Amon Amarth (death metal), Korpiklaani (folk metal) and Týr (folk metal).

i thought norway, sweden and iceland would prefer the harsher vocals and stuff, whereas finland and denmark would prefer clearer vocals and more melodic songs - which wouldn't surprise me too much...

anyway i can't just type here forever . let's end this

[hezuart]

LITTLE NIGHTMARES 3

aaaaaaAAAAAA

DANG OKAy

So I had a premonition for Little Nightmares 3. Last night I had a dream that Mono was just growing old in a tower he chose to stay in as a hermit and just retired there. The runaway kid's real name was revealed to be "Gilbert" and he summoned UFOs that performed a wicked cool airshow over the sea, but then the USA government shot them down and captured them for experimentation. The government was also after a bunch of super powered teenagers and children. They all swam away and tried to escape. Six was amongst them. One of the teenagers took a liking to Six and used her powers to change Six's (super long???) hair a bright red. It was then revealed the government figurehead in charge of the capture raid was Buzz Lightyear from Toy Story. I should also mention every single person including the kids in my dream looked like they were from the Lorax movie. Like imagine Little Nightmares but all Onceler style. I woke up to several dozen messages of Little Nightmares 3 trailer and well... I'm very relieved it's nothing like my dream.

~~~

Anyway! I had very low, negative expectations for LN3. I didn't think it would ever come out, and if it did, it wouldn't be the same. I am SO glad to be wrong. This developer apparently also worked on Little Nightmares 2, so they had a feel for the story, concepts, atmosphere, and gameplay. Little Nightmares 3 trailer doesn't give us a ton to work with, but I see high inspiration from previously unused concepts. Like the crows and mirrors in the Little Nightmares comics, and the giant baby from Little Nightmares 2 concept art.

The crow boy looks as though he can go through mirrors and technically fly with a black-feathered umbrella he uses to float. The girl has a wrench, and at first, I thought she was wearing an ugly gas mask, but it's apparently an old-fashioned pilot hat. So I touched it up in my drawing to make it look more recognizable... and cute. Already their designs are very intriguing. Can't tell what the full story is about, but they're new characters in a new setting, I'm very excited to see the world get expanded!

It's still a somewhat different style and atmosphere to the previous two games, but this developer really seemed like they paid attention and made it as authentic as they possibly could, and for that I am so grateful, I respect them so much. I am now changed! I've got a hopeful and optimistic mindset for the future of this series.

ESPECIALLY AFTER LEARNING IT'S ACTUALLY GONNA BE CO-OP. HELLO?!

WHO WANTS TO DROP ME OFF A CLIFF?? LETS DO IT