Please stop for a moment
Hello
I am Nour, a Palestinian girl from Gaza. I am 5 years old. We were displaced from our home after the occupation bombed. We were displaced to southern Gaza. I, my father, my mother, and my grandmother, who also lives with us.
And the three sisters: Bana, Dana and Menna
I saw the ravages of death on the way to the south, where I had to walk long distances on my feet .....
After arriving in southern Gaza, we saw all forms of suffering. After living in a tent for 8 months, we do not have any necessities for life. My sisters and I suffer from illness and weight loss due to malnutrition and lack of it. There is no source of livelihood for my father, who lost his job there in Gaza.
Sometimes words cannot describe what happens
We need your help and support to provide a better life for me and my family
Who suffers from all aspects of life
Please help me share
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Okay I usually don’t post personal shit, especially stuff that’ll link back to my real life. But I’m down to fewer than 30 days until my DonorsChoose campaign ends and I have $530 to raise.
I teach in an inner-city high school that serves a ton of underprivileged students and immigrant students. For the last two years, I’ve provided hygiene products, school supplies, and focus tools out of my own pocket and it’s simply too much for me to afford anymore.
If you can, please donate. I need to raise this money by August 16th. If I don’t reach the goal, everyone will be refunded their donations and my campaign will fail.
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The reason why we're suddenly seeing a bunch of indie video games – particularly American indie video games – using vintage music is because the US finally has a public domain in sound recordings.
For context, until 1972, there was no federal copyright regime in the US for sound recordings; intellectual property law for sound recordings was devolved to the individual states, meaning there were fifty different sets of rules that might apply to any given recording, and some states allowed sound recordings to be protected for an indefinite term – i.e., in essence, perpetual copyright without expiration.
What changed in 1972 was the Sound Recording Amendment, which established unified federal copyright on sound recordings for the first time, but which allowed any pre-existing state-level copyrights for sound recordings published prior to February 15th, 1972 to run for their full term. Since most state-level sound recording copyrights had no fixed term (see above), this was capped at the "publication plus 95 years" rule which applies to other federal copyrights – with the twist that the 95-year cap on previously perpetual sound recording copyrights would count from 1972, not from the date of publication.
This effectively meant that no sound recordings in the US would enter the public domain until February 15th, 2067 – which doesn't do anyone a whole lot of good right now!
Fast forward to 2018, when another piece of federal legislation, the Music Modernisation Act, was passed. Though this act was mainly concerned with streaming royalties and such, it also contained provisions to grandfather certain sound recordings into the public domain earlier than the Sound Recording Amendment's all-or-nothing 2067 deadline. Specifically:
On January 1st, 2022, all sound recordings published before 1923 would enter the public domain
Sound recording published from 1923 through 1946 will enter the public domain 100 years after the date of first publication
Sound recordings published from 1947 through 1956 will enter the public domain 110 years after the date of first publication
In practice, what this means is:
All sound recordings first published before 1923 entered the public domain last year, on January 1st, 2022;
This year, 2023, is a "gap year" in which no sound recordings enter the public domain (i.e., being the 100th and final year of protection for sound recordings first published in 1923); and
On January 1st of next year – that is, January 1st of 2024 – new batches of sound recordings will begin to enter the US public domain on a yearly basis for the first time in history, starting with sound recordings first published in 1923.
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Editor and SEO Researcher Dr. Jerry Doby Releases Book for Digital Journalists and Newsrooms
Excited to have released my first book...would love to know your thoughts! SEO Essentials: A Journalist's Handbook is as up to date as it gets!
For his first published book ever, editor and published SEO researcher Dr. Jerry Doby just released SEO Essentials for Online Magazines: A Journalist’s Handbook on MagCloud. This book is based on his published research paper SEO-optimized Writing: Removing the Mystery, featured in the Cognitionis Scientific Journal (2023) and sponsored by Logos University International (UNILOGOS).SEO Essentials…
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Tracklist:
Science Is Real • Meet the Elements • I Am a Paleontologist • The Bloodmobile • Electric Car • My Brother the Ape • What Is a Shooting Star? • How Many Planets? • Why Does the Sun Shine? • Why Does the Sun Really Shine? • Roy G. Biv • Put It to the Test • Photosynthesis • Cells • Speed and Velocity • Computer Assisted Design • Solid Liquid Gas • Here Comes Science • The Ballad of Davy Crockett (in Outer Space)
Submitter's Note:
"I Am a Paleontologist" was featured in a 2011 Payless ShoeSource commercial.
"Why Does the Sun Shine?" also appears in the primarily live album Severe Tire Damage (1998) as well as the KaBlam! episode "Under New Management" (2000). There is also a differently arranged, downtempo version of it in the EP Why Does the Sun Shine? (1993), more closely adhering to the original 1959 song.
"Why Does The Sun Really Shine?" also appears in the live album At Large (2013).
Spotify ♪ YouTube
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The Philosophy of Punk
The philosophy of punk is a distinctive blend of cultural rebellion, DIY ethos, and anti-establishment attitudes. Emerging from the punk rock music scene in the 1970s, punk philosophy has since evolved into a broader subcultural movement that encompasses music, fashion, art, and social commentary. Here's an exploration of the core tenets and influences of punk philosophy:
1. DIY Ethic
At the heart of punk philosophy is the "Do It Yourself" (DIY) ethic. Punk advocates self-sufficiency and creativity without reliance on mainstream institutions or commercial interests. This ethos encourages individuals to create their own music, art, and fashion, often using limited resources. It fosters a sense of empowerment and community, as punks produce and distribute their own records, zines, and merchandise.
2. Anti-Establishment and Rebellion
Punk philosophy is deeply rooted in anti-establishment sentiments. It rejects conventional norms, authority, and societal expectations. Punk often criticizes political systems, corporate greed, and social inequalities. This rebellious stance is reflected in the raw and confrontational style of punk music and the provocative nature of punk fashion, which frequently includes ripped clothing, bold hairstyles, and symbolic accessories like safety pins and leather jackets.
3. Individualism and Authenticity
Punk values individualism and authenticity, championing the idea of being true to oneself. It opposes conformity and encourages people to express their unique identities and beliefs. This focus on personal authenticity often translates into a rejection of polished, commercialized aesthetics in favor of raw, unfiltered expression.
4. Anarchy and Libertarianism
Many punk subcultures are influenced by anarchist and libertarian ideologies. Punk philosophy often promotes the idea of a society without hierarchical structures or authoritarian control. Anarcho-punk, a subgenre of punk, explicitly incorporates anarchist principles, advocating for direct action, mutual aid, and community-based alternatives to state power.
5. Social and Political Activism
Punk philosophy is not only about music and fashion but also about activism and social change. Punk bands and communities frequently address issues such as anti-racism, gender equality, LGBTQ+ rights, and environmentalism. Punk's activist spirit is evident in its support for grassroots movements, protests, and various forms of direct action.
6. Cultural Innovation and Subversion
Punk is known for its cultural innovation and subversion. It challenges mainstream cultural standards and pushes the boundaries of artistic expression. Punk art, music, and literature often employ satire, irony, and shock value to critique societal norms and provoke thought.
The philosophy of punk is a multifaceted and dynamic ideology that encompasses a wide range of attitudes and practices. At its core, punk is about rejecting conformity, embracing individuality, and striving for authenticity. It promotes a DIY ethic, challenges authority, and seeks to create a more just and equitable society through activism and direct action. Punk's enduring influence can be seen in various cultural and social movements, making it a vital and vibrant part of contemporary philosophy and culture.
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