#and has no place in modern society

[tanadrin]

Honestly what you said about corporal punishment made me wonder about amputation in, say, Saudi Arabia. Like, do they put comparable amounts of administrative thought into what ultimately resembles, in effect, Michael Madsen sawing a captive's ear off with a razor?

I don't know about Saudi Arabia, but I do seem to recall that if a victim or a victim's family chooses the lex talionis option in Iran, medical professionals get dragged into amputating the limb (or even in one case, extracting the eye). It's merciful in a way--obviously if you're going to cut off someone's limb, doing it in sterile conditions under anaesthetic is better than not--but it also feels like a parody of medicine, dragooning doctors into explicitly causing someone distress that is supposed to last for the rest of their lives.

The psychology of executioners and torturers is complex--people will, at the end of the day, find a rationale that lets them exist within the system they work in and also sleep at night, if they can--but needless to say, I think it is very rarely good for someone or their worldview to have to normalize inflicting a high degree of suffering for its own sake as acceptable in any context.

[yarrowleef]

mmm somethings been rattling around inside my brain about queerness in xenofiction (warrior cats centric cause that's obviously mostly what people are talking about in my internet circles) and I know around here I am preaching to the choir but w/e. I feel like i may have made this post before but i’ll do it again until i feel like i’ve crafted all of my thoughts correctly

everyone knows there’s always like. some shmuck on twitter or youtube comment sections, complaining about how gay cats just don’t make sense ~realistically~

and the common argument back is always something along the lines of “these cats have complex society and religion and talk to ghosts and sometimes have magic powers, and being gay is where you draw the line? it doesn’t have to be realistic”

and something just rubs me the wrong way about that argument, not that it’s WRONG, it’s not wrong, xenofiction by definition is all super super unrealistic. I think it’s more like, it oversimplifies it. because honestly when I make critiques about the warriors world building not making sense, I don’t tend to like the argument beginning and ending at “well it doesn’t have to be realistic” because no it doesn’t but it’s still supposed to feel believable.

i think i don’t like that the argument seems to imply that gay animal characters are at all on par with other fantasy things like talking to ghosts and having powers or complex religion. I also don’t like it when people who are being fake-supportive can condescendingly say “well the gay couple may be completely absurd and unrealistic but I guess it’s ok because its just a silly fantasy :) ” cause like. Like its not unrealistic tho. i don’t like the implication that it’s uniquely unrealistic, if this was a grounded story with no magic or religion and the cat social groups were more inspired by real feral cats, it would still be illogical for some queer cats not to exist.

 I feel like it is a more effective argument to point out that straight cats are just as unrealistic, in fact more unrealistic and silly

“cats lovingly and monogamously married-for-life and raising kids together” is the absurdity it should be compared to, rather then the magic elements. Because then the complainers have to contend with the fact that they aren’t bothered by unrealistic relationships between cat characters, they are just uniquely bothered by gay ones. 

I mean...not to get tmi but it seems obvious to me this knee jerk reaction people have to rolling their eyes and scoffing when “gay” and “animal character” are placed in the same sentence is based on their insistence on equating the breeding behavior of animals to the romantic relationships of humans. Y'know, they're assuming that when people talk about romantic couples between anthro characters, that that is the sort of thing they are drawing from. When, certainly when it comes to cats, that is a very very poor equivalent. Cat mating behaviors are not affectionate or long lasting--they actually seem quite stressful, and then the father runs off to find more girls and probably never calls his one-night-stand again.  

this is why I am really not fond of “mate” being used at the go-to replacement for husband/wife in xenofiction. Consider just coming up with a brand new word for your animal character’s version of romance! maybe they have types of relationships and words for them that humans don’t even have! but “mate” feels like. an action, nothing more. It doesn’t inherently imply love. frankly I think more people should be anthropomorphizing mates as simply Business Partnerships where the business is in desiring offspring, as opposed to husband/wife.

Just like....ok if you’re going to use the real behavior of animals as at least the loose inspiration for your anthropomorphic character’s behavior, surely pair bonding would be a smoother translation to what we view as a romantic couple?? not mating?? because pair bonded animals are the ones having consistent pleasant interactions, and being physically affectionate, and working together in life, sometimes even raising each others kids together.  

And keeping that in mind, frankly you could argue that gay-coded cats should be the norm. (not that I think pair bonded creatures should always be interpreted as a romantic coded relationship, you could interpret some as platonic or familial or simply allies needing to survive. The point is no matter what route you go, you are projecting some human experience onto animals who’s minds and feelings we cannot ever actually understand. So to make it coded as a gay romance is just as reasonable as making it an adopted found-family sort of affection. You can go any route and be the same amount of unrealistic.)

If these losers actually want reasonable cat fiction, no one should have romantic affection for anyone! and if two cats have kittens together, it should be treated more like a short-lived antagonistic business partnership where you part ways immediately after. If you only criticize one type of romance for being “unbelievable and silly because these are CATS for crying out loud 🙄” but you don't feel “distracted” or “taken out of the story” about the other type of romance, then this aint about realism my guy, sounds like you just have some baggage to unpack.

I am beating people over the head with a very big sign that reads “Whether you’re writing about cats or birds or aliens or fantasy people or whatever, you cannot grant any creature the ability to love without all the variety and complexity that **naturally** goes hand in hand with those messy emotions. If the creatures can fall in love at all, then there must exist the possibility for some of them to be queer about it. And if you view queerness as unnatural, then we don’t have a writing disagreement, we have a fundamental moral disagreement about life. And I can’t help you there, that’s your problem! But I refuse to let people benignly hide behind a “simple desire for more realistic-feeling fiction uwu” as a defense!! (gay people are real. It’s true! I checked!!)”

[prettyboykatsuki]

i have deep desire to write for demon slayer (and by write for it im specifically talking about zenitsu currently.) but the story is so deeply impacted by it's setting that its gonna take at least two weeks of research to do it any justice so the plans r Delayed

[eternal-moss]

Drawing Razor while listening to the Wolfblood OST. These silly little teenagers always make me so emotional and the music does not help in the very slightest

[circusballoon]

Very first attack for Art Fight 2024! For @erradox of their character Miyanscinma chilling with my character River!

Are they in people's way there? Possibly. Do I feel like either of them would care? Not really, no

[ftl-faster-than-life]

Imagine a world where people have actually read Utopia. Or at least know what it's about.

[kratomqueen]

how quickly i spiral back into depression and hopelessness when im cut off from socialization. no wonder half of americans are on antidepressants lmao the average adult is so isolated and that's just treated as normal for some reason

[lemort-vivant]

stop setting media in the 80s i'm going to lose my mind

[nerdygaymormon]

The LGBTQ community has seen controversy regarding acceptance of different groups (bisexual and transgender individuals have sometimes been marginalized by the larger community), but the term LGBT has been a positive symbol of inclusion and reflects the embrace of different identities and that we’re stronger together and need each other. While there are differences, we all face many of the same challenges from broader society.

In the 1960′s, in wider society the meaning of the word gay transitioned from ‘happy’ or ‘carefree’ to predominantly mean ‘homosexual’ as they adopted the word as was used by homosexual men, except that society also used it as an umbrella term that meant anyone who wasn’t cisgender or heterosexual. The wider queer community embraced the word ‘gay’ as a mark of pride.

The modern fight for queer rights is considered to have begun with The Stonewall Riots in 1969 and was called the Gay Liberation Movement and the Gay Rights Movement.

The acronym GLB surfaced around this time to also include Lesbian and Bisexual people who felt “gay” wasn’t inclusive of their identities. 

Early in the gay rights movement, gay men were largely the ones running the show and there was a focus on men’s issues. Lesbians were unhappy that gay men dominated the leadership and ignored their needs and the feminist fight. As a result, lesbians tended to focus their attention on the Women’s Rights Movement which was happening at the same time. This dominance by gay men was seen as yet one more example of patriarchy and sexism. 

In the 1970′s, sexism and homophobia existed in more virulent forms and those biases against lesbians also made it hard for them to find their voices within women’s liberation movements. Betty Friedan, the founder of the National Organization for Women (NOW), commented that lesbians were a “lavender menace” that threatened the political efficacy of the organization and of feminism and many women felt including lesbians was a detriment.

In the 80s and 90s, a huge portion of gay men were suffering from AIDS while the lesbian community was largely unaffected. Lesbians helped gay men with medical care and were a massive part of the activism surrounding the gay community and AIDS. This willingness to support gay men in their time of need sparked a closer, more supportive relationship between both groups, and the gay community became more receptive to feminist ideals and goals. 

Approaching the 1990′s it was clear that GLB referred to sexual identity and wasn’t inclusive of gender identity and T should be added, especially since trans activist have long been at the forefront of the community’s fight for rights and acceptance, from Stonewall onward. Some argued that T should not be added, but many gay, lesbian and bisexual people pointed out that they also transgress established gender norms and therefore the GLB acronym should include gender identities and they pushed to include T in the acronym. 

GLBT became LGBT as a way to honor the tremendous work the lesbian community did during the AIDS crisis. 

Towards the end of the 1990s and into the 2000s, movements took place to add additional letters to the acronym to recognize Intersex, Asexual, Aromantic, Agender, and others. As the acronym grew to LGBTIQ, LGBTQIA, LGBTQIAA, many complained this was becoming unwieldy and started using a ‘+’ to show LGBT aren’t the only identities in the community and this became more common, whether as LGBT+ or LGBTQ+. 

In the 2010′s, the process of reclaiming the word “queer” that began in the 1980′s was largely accomplished. In the 2020′s the LGBTQ+ acronym is used less often as Queer is becoming the more common term to represent the community. 

[beemovieerotica]

the cognitive dissonance from people who want the products of modern medicine but get weird about animal research. like im sorry but this is necessary for the survival of the society we currently live in. and the scientists who work on these things are not evil cackling psychopaths. anyone you talk to in animal research has incredibly complex feelings about their work and incredibly complex relationships to the animals in their care. there are regulations and oversight and penalties in place to make the work as humane as possible and scientists are overwhelmingly the ones enforcing and advocating for better care.

[loganlermanstanaccount]

Can you write a college roommate head cannon for miguel O’Hara ( 18+ f!reader)

ik you asked for HCs but I have no self control... my bad, anon!

College Roommate!Miguel O'Hara Headcanons

(AO3 Mirror), Main Masterlist

pairing: College Roommate!Miguel O'Hara x f!reader

summary: Miguel is your roommate. And he’s hot. That’s it, that’s the tweet.

warnings: 18+ as fuuuck. F-receiving oral, using toys, masturbation, voyeurism (-ish), grinding, praise, service dom (idk?) Miguel, recreational drug use (reader and Miggy smoke a blunt). Minors DNI

a/n: I am a firm believer that modern day Miguel listens to 90s rnb, back when men were men: unabashedly, unashamedly down so fucking bad for their partners. he just gives me those vibes!!

edit: I'm writing a full fic for this! Rigor Mortis, college au fic, read here.

wc: 6k

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I'm thinking you become roommates but he's your last choice. 

Very last minute: you have a big falling out with your now ex-boyfriend, and the plans for flatsharing next semester goes right out the window. 

So all the good places are taken, and you're going apartment-hunting, but everywhere's either too expensive, too dirty, or there's a predatory clause hidden in the lease: shitty landlords and blaring red flags in 9pt Times New Roman. 

When you stumble upon Miguel O'Hara; a student in private accomodation who, lucky you, is in need of a roommate; it feels like a godsend.

Rent is affordable and he's nice enough; refusing to grunt more than a few words to you, but is clean, organised, and from what you can tell, is barely in the apartment. 

You sign onto the lease, desperately, hoping you've just been lucky and trying not to look a gift horse in the mouth. 

You give a thousand mile stare at the blank document in front of you. A bullshit paper due in exactly 12 hours. Yes, you left it until the final stretch, and yes, it's 10k words. Very doable. You're not fucked. Nope.

You blame it on the banging from next door. Paper thin walls; obscene noises. Cries of Yes Miguel and Just like that, daddy have been plaguing you for almost an hour. His stamina must be superhuman, the way the woman in his bed has been howling. Howling may seem extreme, but she sounds like a dying cat: cock drunk and babbling over Miguel O'Hara? 

Your new roommate had been nice enough. Quiet, unassuming, and seemed more than absorbed in his schoolwork. So you didn't expect him to unashamedly fuck the girl he's been tutoring for the past week. It all clicks. The "perfect roommate" turned out to have one teeny tiny little flaw: loud, obnoxious sex, well into the early hours of the morning. 

On autopilot, you're clicking through tabs on your bed. Perhaps you're a prude, but the sex noises are abrasive, excessive, to the point of parody. Persistent, Miguel's low voice reverberates in the walls of your bedroom; making heat pool at the base of your stomach. 

"You want it, hermosa? Tell me…. such a pretty girl… like that?" It's muffled, but his voice is unmistakable. Low, greedy, heavy with want. God, the last time someone's spoken to you like that was… 

You shake your head free of cobwebs. No. You're not rewarding him. You can't . Your roommate is shameless, and inconsiderate, and really fucking annoying . 

The smacking noises increase, coupled with banging on his side of the wall. Resolute, your face hardens. From where you perch on your bed, you slam the wall with the side of your fist. 

"O'Hara! Keep it the fuck down!" 

~~~

He's a biochem major, up to his ass in assignments and he still has time for societies, internships and tutoring. 

The only times he'd be in the apartment really was an impromptu session, and you didn't notice at first, but it became more obvious as the semester went on.

As a so-called tutor, he only seemed to pick the prettiest girls - they would twirl their hair on your kitchen counter and bat their pretty lashes at him when they didn't understand. Favours for a couple of friends, is his only response when you ask. 

It felt like you'd open the door to a new girl every week and you are baffled. Donned in makeup and short skirts, they'd waddle in asking for Miggy, or drop off half-finished assignments whilst craning their head through, trying to catch a glimpse of him. 

The absurdity would make you laugh if it wasn't affecting your sleep. 

Not that he's not absolutely gorgeous, but he's so quiet you would never have thought he had it in him: to have a revolving door of women lining up to lay underneath him. 

This time, her name is Sarah: pretty little thing in Miguel's Advanced Math class.  She perches on a stool, wearing a tight dress that is wholly not appropriate for a tutoring session. She's one of his regulars, if you can call it that, and has been failing for at least 2 semesters. You flash her a smile as you pad through the kitchen, searching the cupboards for a snack. God, she is gorgeous; dolled up for another long session with Miguel, no doubt.

"Where's he gone?" She asks politely. 

You shrug. "I couldn't tell you, sorry."

"It's okay… I'm just a bit stuck." You almost snort and catch yourself. For some reason, you didn't think they actually did any work, merely a pretense for the… cardio later on in the day. 

You glance at her sheet of paper, scribbles in purple pen with large swathes crossed out. Leaning over, you scan the page.

"Right here." You point and she follows with a manicured finger. "You fucked up with this integral and I think… yeah, I think that messes with the whole thing."

Her eyes light up as she follows you, explaining with a piece of cookie hanging out of your mouth. She's definitely smart, just a few little mistakes here and there that you're happy to point out. Thanking you fervently, she rushes to correct it. 

"Ah, it's no problem. I get mixed up with it too." You smile and notice Miguel by the doorway, watching with a strange look in his face. You roll your eyes as you walk past. What a fucking weirdo. 

"Thought I was the tutor?" He croons.

You raise an eyebrow, voice low as Sarah is engrossed in her work. "...I don't want to fuck her, Miggy , if that's what you're worried about."

A little cruelly you push past him, shoulders clashing against one another. Is he smiling ? For now, you blame your perpetual tiredness when you think you catch the hint of a grin tugging at the corners of his mouth. 

~~~

You're a light sleeper, and it all makes for a tired, delirious combo. You sleepwalk through the day, scramble to finish assignments and whilst it's not all O'Hara's fault, you can't help but blame him for a lot of it. 

After you successfully get through one long week, you decide to celebrate. That means a couple hours of mindless hedonism: your favourite movie, greasy food…. and your trusty dildo. Not at the same time, of course. 

Miguel's not home, and he's not tearing down the walls with some other girl, for once, so you decide to treat yourself. 

You've been going through a dry patch, and you'd hate to admit it, but he does sound good through the thin drywall. 

It was a joke gift; given to you by a friend for your birthday. An obnoxiously purple dildo with a suction cup at its base. Aptly named Hugh, due to its - ahem - large stature. Standing tall at 7 or 8 inches, far bigger or thicker than any partner you've taken in the past. Sitting around a small diner booth with your friends and opening the bag to reveal him, had been quite the experience, for sure. 

It wasn't your fault you had gone through a dry spell in the past few months. With work, with school, with relationship issues, you hadn't had the time or energy to sleep around. Not that you were desperate for drunk, lackluster sex, followed by an awkward dance of ubers and shitty coffee in the morning. Like many, you preferred to do it yourself. 

Laptop open, you ease yourself onto the toy, already slick with lube. Prepping yourself with your fingers had been quite the task, tabs open to something on a lewd website. It's cheesy, but you didn't really like the bright lights and plastic of usual porn. The moans felt too fake, the sex devoid of any real passion. So you found a couple of independent creators; couples, mostly; carnal fucking with fervour only borne from real love . It's embarrassing to admit it, but your favourite parts are the little kisses and touches in between, or light laughter after a rough session. As if to say: it's okay and I'm still here. 

On your screen now is a longtime favourite video, a broad man bullying his fat cock into his partner. You can't help but think he looks like Miguel, not as pretty but tan with strapping shoulders, and large hands that wrap around the neck of the girl in the video. 

" F-Fuck," You breathe, sinking down onto your toy. You bet Miguel's palm on your throat would be deliciously rough, and you imagine how he'd fuck the brat out of you like the man on your screen. 

What hadn't occurred to you, however, was that the thin walls went both ways. Whilst you were quieter than many of the girls Miguel brought home, you were fairly shameless with the moans and curses that fell from your lips. Headphones on, you were blissfully unaware that Miguel had slipped into the apartment some time ago. The slap of your thighs to the floor, the desperate whine as you roll your hips over the toy - he can hear it all. 

Miguel has a conscience, so he does feel some amount of shame when he slips a hand down his trousers and presses an ear to your shared wall. He closes his eyes and bites down lusty groans, fisting his cock to your pretty noises. Noises he's been wanting to hear from you for months, now, imagining it was you underneath him instead of his usual partners. 

He times it just right, squeezing around his tip in time with the steady slap just beyond the wall. Are you fucking yourself? On your knees, hands flat on the floor, churning up your insides with a toy… or maybe ass up, dildo attached to something…? He almost cums with that mental image, wondering what you'd look like on your knees for him. Is the dildo as big as him? He knows you, knows you'd want it to hurt - for his cock to stretch out your pretty pussy when he cums deep inside you. 

All things he thinks about with a hand around his cock, and he's already close. But he wants to cum with you, listening intently for the signs. 

" Fuck," Your voice comes out muffled, but it makes him buck up into his fist all the same. " Need it… oh God, I-" 

He speeds up, wondering what it would be like to have your thighs shake underneath him, what it would take to have you babbling and begging for more. How would he break you? Maybe on his cock, where he'd watch you squirm as you take his length. Or on your knees, choking around him and licking up his cum. Or, God, thighs wrapped around his head, riding out your high with his mouth sealed on your clit, crying for him slow down, for him to-

" H-Harder, Miguel, please." 

He releases, sudden and intense, spilling white ropes into his boxers. 

" Fuck, Miguel…"

He fucks his fist through it, overstimulated from the way you say his name. It feels like the only way it should be said; spilling from your mouth, haphazard and desperate. Like honey, like treacle; sweet things he didn't know he had the capacity for. He lets that feeling wash over him, panting, bringing his forehead to rest on cool wall. 

~~~

He's hot. He's smart. He's a whore.

A total blindspot for you, and no matter how much you can't stand him; you still find yourself stealing glances whenever he's home. 

And he does seem to be home a lot more, often choosing to study on the dining table rather than his room. It's like he does it on purpose, using the warmer weather as an excuse to wear tiny tank tops and loose gray sweats - showing off the muscles of his broad back and arms perfectly.

Funnily enough, when he's not around those girls, he's bearable - seems to have grown a couple of brain cells in those short few days between sessions. 

You laugh and joke, sometimes, and he surprises you by suggesting a movie one quiet night. 

He offers you his sweater to snuggle into, you eat your weight in greasy takeout, and your roommate seems like an actually decent guy?? 

You had fallen into an easy routine: O'Hara leaves a flask of coffee for you to snatch up in the morning, hair damp from the shower and all, and you meet him with netflix and instant noodles in the evening. A push and pull that works in the little space - much smoother than your rocky beginnings.

After a truly shitty day, you come home to a quiet apartment. Almost sleeping through an exam, forgetting lunch, missing the bus home, and having to trek back through pouring rain in a thin coat. Everything that could go wrong, did, and you are left with the pieces. You trudge through the living room into the kitchen, the wet squelch of socks on laminate floor haunting every step. Shedding your limp outerwear, you lay the contents of your backpack onto the kitchen counter: clumps of loose paper, the damp leftovers of a textbook, bleeding ink. Your main concern, however, is your laptop slick with rain water. 

With baited breath, you put it on the slab, and press the power button. A click, a stuttering whir, and the screen flickers on. Then, just as strained, it putters off. Dead. Completely dead. Your legs almost give out, and you lean on the counter to steady yourself. Half of your life was there; including the final project that would make up a good chunk of your grade. It takes you everything not to collapse onto the floor right then and there. 

"How was it?" You hear the click of a door and Miguel calls out from the hallway. 

You wince."...F-Fine?" 

You hear footsteps, as he gets closer. "Are you asking or telling me?" 

You clear your throat, desperately trying to keep your voice steady. "Fine. It was fine. I'm just… it was fine."

Back still turned, you fumble around with the wet contents of your bag, hoping he doesn't notice. 

"Long day?" He says warmly, head poking into the kitchen. Haphazardly, you spare him a glance from behind your shoulder. He's dressed in a sweater that fits snug around his chest, rolled up to expose his forearms, and loose sweats. In his hands, he drinks from a cheesy mug - your mug, donning a stupid pun. He looks warm. Cosy. Domestic. For some, reason it makes your heart sink even further. 

Long day? "Something like that." You manage to squeeze out. There's a pregnant pause as he comes closer. Rummaging blindly through a cupboard, you try to hide behind its door. If he sees you like this, now, you don't know if you'll be able to hold it together. 

You close the door, and all of a sudden he's there, mug in hand. 

" Fuck, man- " It makes you jump, as he squints and takes a sip of his coffee. 

"You look… wet." 

"That's because it rained, Miguel." Snapping at him, your tone is biting. You're tired, stressed and in desperate need of a cry, but he is unrelenting in his gaze. 

"Are you ok?" He asks, unfazed. 

There's a lump in your throat and all you can do is nod with a tight expression.  His eyes flicker towards the counter and you shuffle, trying to cover up the mess. And then you watch it happen; initial confusion, a flash of realisation, and then worry; all in the space of a couple seconds. 

Gently, he pulls you aside to inspect the damage. "Mierda. This is pretty bad. You sure you're ok?" 

He's got a hand on your arm now,  The dam breaks and you crumple into tears in the kitchen floor. Of course, he comes with you, rubbing your back as you blubber through the details. 

" Nothing's going right for me… and I've got my final project on there… I'm barely keeping up as it is…" All he does is nod, face tight with something you can't quite name. It must seem pathetic to him, you think, shamelessly crying on the kitchen floor, complaining to your poor roommate. He can't leave you like this, because he's a decent person - but internally, he must think you're going crazy. 

It helps, having him there: a steady presence by your side. Slowly but surely, your tears subside. 

"You could've asked me to pick you up." He hands you some tissues off the counter, and watches as you mop up the tears. "I would've come, if you called."

"I didn't… I didn't think we were…" You search for the right word. 

"...friends?" He offers, with a small smile. "You think I let just anyone steal my sweaters?" 

"First of all," It makes you laugh, despite yourself. "You offered. And second, I've seen what you do with your friends, and I don't know if I have the energy for it."

"Ouch." Bashful, he rubs his chest like it aches. He sits a little close to you, knocking your shoulders with his own. "I know this girl who's crazy good with computers. I could ask her to take a look, if you'd like? Might not be able to save it but maybe we could recover the files?"

"...I'd like that, to be honest."

"Muy bien ." He leaps to his feet, palm stretched towards you to help you up. "I'll run you a warm bath or something. You're creating a puddle and it's going to ruin my floor."

"Our floor, asshole. I pay rent here, too." 

~~~

You find that you enjoy being around him, and he feels the same. 

You can't help but compare him to your shitty ex who you were planning to move in with: and even with his quirks, Miguel is better in every way. 

There is harmony in your household, for a while, and you almost look forward to coming home to him after class. Almost. 

It doesn't last long, because of course it doesn't. You'd thought you'd come to a tentative ceasefire, able to casually rib and joke with each other - takeout and B-roll movies aside. He leaves you leftovers from food he makes, you turn down your music when he's studying, and he even woke you up the other day when you had slept through your alarm.

Beyond the wall, his music is loud: a playlist you recognise as the one he puts on to (unsuccessfully) mask the noise of his usual late night adventures. Cheesy love ballads, heady RnB that leaks into your own room. You'd rather die than admit his taste in music isn't horrible, but it usually means a long, long night for everyone around. With finals around the corner, there's no way you can let this stand. 

What kind of person does that? Lull you into a false sense of security with Snakes on a Plane and pepperoni pizza? 

Absorbed in your own work, you hadn't even realised he had someone over; let alone was gearing up for obnoxious sex. You'd bang on the wall, but you feel like you guys are past that: crossed a threshold of intimacy that means you can shout at him up close and personal. 

So you stomp over to the hallway, banging at the door to his room. In the short trip there, you've worked yourself into a frenzy. How many times have you told him to keep it down? That it was rude and inconsiderate to flaunt his sex life in your face; to fuck other women so loud you were practically involved? There was something about the little smile he would give you afterwards, when you catch him shepherding his latest out the door in the morning - like he gets off on it, enjoys it, when you react. Even when you think you're over it, he still manages to drive you absolutely crazy. 

“Miguel? Open the fuck up!"

You're still fuming when the door opens with a click, and Miguel appears in the sliver of the doorway. He opens it so that his frame is half swallowed by the door, top half peeking through with a lazy hand in his hair. And of his top half, he's bare from the waist up, black band of his boxers sitting low on his v-line and loose sweats. 

All the wind is knocked from your sails, and you lose your train of thought. 

"Yeah?" 

"I…" You clear your throat. "I don't care who you fuck, but when I'm doing work-" 

"-I'm not." He chuckles. "There's no one here, hermosa. Just me. And you, I guess…"

There's something about the way he says it, lazily, as if it's his first time saying those words - wrapping his tongue around your name to see how it fits. If it fits, how it tastes. His relaxed posture, the way his hair falls…

"You're high." Your brow shoots up. "... you're high!" 

With a finger pressed to his lips, he grabs your hand and pulls you into his room, eyes darting around the hallway. 

"Shhh! You can't-" Now, he gets close, whispering like he's saying something he shouldn't. "You can't tell anyone. "

"I won't." You breathe. His face is serious at first, and then you're both giggling. You've never seen him so carefree, and it's nice to see Miguel walking around without the weight of the world on his shoulders.

He's still holding your hand, pressed close, and you see him drag his eyes up and down your figure. "You want do something you'll regret…?"

"...I've got a 9am, tomorrow, I really-" 

"-shouldn't?" He finishes, dragging his hand up your bare arm, pupils blown. He gets up to your shoulders, tucking your hair behind your ear. It's sinful, the way his touch is gentle but gaze heavy - violent in the way he practically eyefucks you. You feel bare, in little sleep shorts and a t-shirt.

He steps back, lounging on his bed, and makes for a half finished blunt by the adjacent window sill. Sighing, you sit by him, sinking into the mattress. He pats you closer, dangerously close, and you comply. One arm curled by your waist, the other brings the blunt up close and you wrap your lips around it. When Miguel brings a lighter to the blunt, you lean into it, knuckles brushing your lips. 

You take a drag, long, heavy, eyes closed. And when they open, you're met with his own. Maybe it's the weed, maybe it's the heady atmosphere, but you swear his eyes are low and deep with lust.

"Good girl." He rumbles, cupping your chin and tracing a thumb to your lips. He separates, bringin the blunt to his own lips before leaning back to pass it to you. As quick as he gets close, he pulls away; leaning back into the expanse of his large bed. And he looks good, head drawn back and the curve of his tan arm drawn upwards. Tufts of hair from his chest, the trail that leads down suggestively - and without inhibition, you basically drool over him. God, there it is. You feel it kick in and let it wash over you. 

His music, long forgotten, blends into your downy haze. You want to sit in his lap, rest your head on his chest. You get it now: if this is the view all those women he tutors get to have, then you finally understand. 

"Come closer, hermosa ." You barely register the nickname, only focused on the way he says it, the delicious way it rolls off of his tongue. You nod, and shuffle closer. His siren song sounds sweeter, somehow, up close. 

You pass the blunt between you both, and watch it dwindle to the last dregs. Lying down next to him, he clutches your hand and takes the butt between his fingers, letting its flames die as you watch. You giggle and his gaze softens.

"I didn't expect this from you." You look up to see an upside-down Miguel, hiding a smile. 

"Expect what?" He drags himself downwards, to rest his head by your side. 

"All…" You gesture vaguely. "This. Don't even think I've been in your room for this long, before."

His room looks exactly how you'd expect it: tidy and modest, a row of trophies neatly lined up on a shelf, a telescope pointing out towards a window. There are posters by his bed; science related, mostly. You tilt your head in the direction of one of them.

"Is this what they see?" You mumble to no one in particular. 

He manages to catch it, sluggish in his response. "...Is this what who sees?" 

"All the girls you fuck." It tumbles your of your mouth, before you can help it. 

He tilts his head too, looking at the poster and you watch the sharp lines of his jaw besides you. Even at this angle, he's so pretty. 

"Huh. I guess they do." 

"It's not very romantic, is it?" You blink, oblivious. Your question is met with a noncommittal shrug. "What was her name last time? Cassie, Clara-something…"

"Katie." He hums. 

"Katie." Ignoring the twinge of disappointment at his quick response, you hope it's the weed and not jealousy that made you pretend to forget her name. 

You sit up on your haunches, tracing the valleys and mountains of his bare chest with a leisurely finger. You try not to notice the way he shivers at your touch. 

"I could hear everything. Every, 'Yes daddy'," You feign a moan by curling your lips into an O-shape. You bring your other hand to your hair, head tilted back with exaggerated movement. "And 'right there, Miggy, right fuckin' there' ." 

Technically, you're making fun of him and laughing, expecting him to follow. But he doesn't, head back and eyes boring into you - only bringing a hand to press yours at his chest. 

"Thin walls, Miguel." You clear your throat, sensing a shift in the atmosphere. Too far, probably. "Sorry, shit. I didn't mean-" 

"I hear you too." He says softly. "I heard you, the other day."

Head filled with cotton, it takes a moment for his words to really click. So he elaborates, lacing his fingers with your own. 

"Fucking yourself, hermosa ." He says it lazily, like the vulgarity of the act doesn't register.

Your eyes widen in horror. How much exactly did he hear?

"...and I heard you say my name." 

"It was…. i-it wasn't like that-" Fuck. You can't think straight as it is: and his voice is low and silky, rubbing circles on your hand close to his chest. Even now, he oozes confidence, the steady thump-thump of his heart giving away nothing. 

"Hmmm? Then what is it like?" You blink at him, unable to answer. "You're a hypocrite. You complain about all these women I supposedly fuck, but then-" 

He pulls you closer, so that your lips almost touch his. "-you lock yourself in your room, touching yourself and thinking about your poor roommate. What am I meant to do with you?"

A pause, and in your daze, you can't breathe. For all your theatrics, it's too easy for him - to prod and tease, and for you to chase after him. You move to kiss him, but he grabs your chin at the last second. "Not quite. I want to hear you say it."

"Fuck- " You crumple, hiding your head in the crook of his shoulder. Even in your haze, the nerves bubble up from the base of your stomach. "Fuck me, please , Miguel."

He places a hand on your thigh, leading you to straddle his middle, other hand wrapped around your waist. He grinds your lower half into his, leaning up to bring your lips together. 

He tastes sweet, greedily lapping up your moans in the clash. You're not thinking, not really, lost in the heat of his body, desperate and eager when you kiss. To contrast, Miguel cups your chin, pulling you away for air whenever you sink too deep. Somehow, he still manages to look smug, taunting you with a flash of his little fangs whenever you separate. If you weren't feeling the effects of that blunt, you may have had the means to be embarrassed at how much you want him - needily grinding against him and pawing at his chest. 

It's too slow, too leisurely, like a punishment; and he refuses to give you what he knows you want. Your whines betray you when he finally slips a hand down your shorts. 

"¿Paciencia, hmm?" He grabs a handful of your ass, clothed cock catching on your clit. It rips another moan from you, which he happily swallows with another kiss. "Patience, princesa."

You hump against one another like teenagers, your hands planted by his head for purchase. Hips moving of their own accord, you chase the relief Miguel provides: with his hands kneading your ass, length catching at your clit, and teeth nipping at your bare neck. 

He licks a stripe up your collarbone, soothing the blossoming hickeys with a hum. 

Fuck, how can he be so casual ? You don't know if it's the weed or something else, but he is in his element, hand dipping down your back to graze at your pussy from behind. He hisses when he realises how wet you are, swiping his fingers down your slit and taking them out to pop them in his mouth. 

Now, flushed and face hot with embarrassment, you look up at him with big doe eyes. It makes Miguel feel guilty for stopping you so close to your climax. Beautiful : lower lip hooked under your teeth, plump and swollen and kissable. He'll make up for it later: a promise he whispers into skin. 

"You're soaked." He cups your cheek to press a kiss to your forehead, and all you can do is whine. His gaze dips down, to the swell of your tits in that thin shirt.. 

"What did you think about when you touched yourself?" It's soft, said in the warm press of your bodies; hook-shaped and hazy and you fit like you were made for one another. The thought lingers, plants a dangerous seed that makes you forget that the man underneath you is your roommate : unrepentant whore, Miguel O'Hara. 

"You." You've seen it first hand, he eats hearts for breakfast; and yours is on a platter for him to devour.

He laughs, deep and rumbling, hands resting on your waist. "I know that, baby. You don't have fantasies? Fuck yourself to the thought of someone touchin' you just right?"

Not just someone, him, you think. Your voice dies in your throat at the way he looks at you. "Just… n-nothing really-"

He hums, grinding your hips onto his. "Speechless, I can't believe it. Is this what I need to do to get some fucking peace around here?" 

You roll your eyes, "Don't be a dick, Miguel. When I shout, it's because you deserve it."

"...there it is." Eyes shining, his face stretches into a shit-eating grin. Wide, unabashed, unambiguous. "You back with the living, sweetheart?" 

It makes you laugh, even though you hate to give him the satisfaction. 

"What do you want?" He kneads your thigh and pleasure pools at the base of your stomach. 

You mumble something begrudgingly.

"Hmm? Can't hear you, baby."

Louder, now. "...want to sit on your face, Miguel." 

Lowly, he groans, shaking his head. "Mierda… of course you do."

Expertly, he helps you take your shorts off, dragging the thin material down your thighs. You clambers upwards, wrapping them around his shoulders, watching intently as he kneads the soft skin. It's tentative, at first, and you place your hands on the headboard to perch just above his mouth. 

He licks, diving in with the flat of his tongue: a long upwards stroke that ends with him sucking your clit. Moaning, your hips jump and he chases your pretty pussy up, large palms pushing you back down. He concentrates on your bundle of nerves, lips around your clit like a man on a mission.

And, God, does it feel good; he watches and learns from your every movement, committing your body to memory. His moans vibrate deliciously, tension building at that spot faster than your mind can register it. Then, you clench around nothing, gushing into his mouth whilst he eases you through it. The noises he makes are obscene; one leg off the bed and a hand snaked under his boxers. He's getting off on it; watching you crumple and sob around his tongue. 

And when you begin to move off, thighs sore, he doesn't relent, sealing his mouth on your pretty little hole. 

"Miguel.. fuck-" After your first orgasm, it surprises you when he continues, tongue fucking you with fervour. He presses you close, impossibly close, and your body fights against his ministrations. Heat, everywhere, and it's too much. The haze of the blunt begins to wear off and you are left with biting clarity. You want more of him, deeper; drunk off of just his tongue. 

You card your hands in his hair, and he moans: deep and wanton, with his eyes fluttering shut. He wants to look, to watch you when you cum on his tongue for a second time. Back arched, the curve of your tits peeking through a tiny top, fucking yourself on his face. He wants it hard , wants you to take control and use him to get off. 

"Right there, fuck… "

Like you can hear his thoughts, you press yourself down harder, riding the deep ridge of his nose for relief. Miguel complies and leans into it. He eats you out like a man starved and the carnality of it all brings you to a second peak. You cum once again, legs wrapped tight around his face. Head back, he laps it up readily. 

You separate with a wet pop, and Miguel looks blissful : fucked out and panting, wiping the slick off of his face with a forearm. Exhausted, you lean back onto the mattress beside him. 

"That was…" He searches for the right word, and it's your turn to finish for him. 

"... good. " Scarily good. So good you won't be able to see him around the apartment without remembering what he looks like trapped between your thighs. 

Gently, he turns to cup your cheek and bring your lips to his. It starts off sweet and deepens rapidly, making that thread at the pit of your stomach tighten, again. He grabs your thigh, bringing it closer, and you feel his length poking your stomach. Fuck. 

"You haven't…?" Your hand makes for his trousers, and he stops you. "I want to, Miguel. Want you to feel good too."

His head sinks into your shoulder. "I know, baby, I know. Not like this. Not yet."

You nod, still wrapped up in his arms. You haven't even fucked, and it feels more intimate than it should. 

"You've got a 9am tomorrow." He smiles with a hand underneath his head. 

"I've got a 9am tomorrow," You repeat, sighing. "...and my life is falling apart. I'm failing half of my classes as it is."

He turns to you, lazily. 

"I could tutor you, if you'd like."

…

"That's not fucking funny, Miguel."

_

_

Miguel taglist: @d1lf-loverrr, @afro-hispwriter @ilovemiguelohara @weedxgirlx420 @ladydovahkiin180 @aaliyuh3 @sweetanimebakery @vvitcxen @rosecoloredlenses708 @daikondal @magikmina @impettywhenyouare @alonelygirlsuicidenote @plushyplants @javi0ca @rheeves @starrfruit @nikirikii @marsbars09 @foxglove-grove @mimooyi @crosshairclown @dead-by-light @kynamitedessert @naarra @wanderlustingcastaway @sagejin @cookielovesbook-akie @tangerineloverrr @gobblegluckgluckgod @wolfiepirate @jxxey3 @ebrysteria @elliemm @manchuria @youngghostpeachslime @weasleybuns @ilovemuppets @vauriz @bonbyon @aimno256 @ancientbeing10 @tvije @venus1224idkpleaze @neteyamsbulletwound @chickenjefferson-blog @maki-z @jasjasthings

_

edit: the full fic xx

[dykepuffs]

How Do I Make My Fictional Gypsies Not Racist?

(Or, "You can't, sorry, but…")

You want to include some Gypsies in your fantasy setting. Or, you need someone for your main characters to meet, who is an outsider in the eyes of the locals, but who already lives here. Or you need a culture in conflict with your settled people, or who have just arrived out of nowhere. Or, you just like the idea of campfires in the forest and voices raised in song. And you’re about to step straight into a muckpile of cliches and, accidentally, write something racist.

(In this, I am mostly using Gypsy as an endonym of Romany people, who are a subset of the Romani people, alongside Roma, Sinti, Gitano, Romanisael, Kale, etc, but also in the theory of "Gypsying" as proposed by Lex and Percy H, where Romani people are treated with a particular mix of orientalism, criminalisation, racialisation, and othering, that creates "The Gypsy" out of both nomadic peoples as a whole and people with Romani heritage and racialised physical features, languages, and cultural markers)

Enough of my friends play TTRPGs or write fantasy stories that this question comes up a lot - They mention Dungeons and Dragons’ Curse Of Strahd, World Of Darkness’s Gypsies, World Of Darkness’s Ravnos, World of Darkness’s Silent Striders… And they roll their eyes and say “These are all terrible! But how can I do it, you know, without it being racist?”

And their eyes are big and sad and ever so hopeful that I will tell them the secret of how to take the Roma of the real world and place them in a fictional one, whilst both appealing to gorjer stereotypes of Gypsies and not adding to the weight of stereotyping that already crushes us. So, disappointingly, there is no secret.

Gypsies, like every other real-world culture, exist as we do today because of interactions with cultures and geography around us: The living waggon, probably the archetypal thing which gorjer writers want to include in their portrayals of nomads, is a relatively modern invention - Most likely French, and adopted from French Showmen by Romanies, who brought it to Britain. So already, that’s a tradition that only spans a small amount of the time that Gypsies have existed, and only a small number of the full breadth of Romani ways of living. But the reasons that the waggon is what it is are based on the real world - The wheels are tall and iron-rimmed, because although you expect to travel on cobbled, tarmac, or packed-earth roads and for comparatively short distances, it wasn’t rare to have to ford a river in Britain in the late nineteenth century, on country roads. They were drawn by a single horse, and the shape of that horse was determined by a mixture of local breeds - Welsh cobs, fell ponies, various draft breeds - as well as by the aesthetic tastes of the breeders. The stove inside is on the left, so that as you move down a British road, the chimney sticks up into the part where there will be the least overhanging branches, to reduce the chance of hitting it.

So taking a fictional setting that looks like (for example) thirteenth century China (with dragons), and placing a nineteenth century Romanichal family in it will inevitably result in some racist assumptions being made, as the answer to “Why does this culture do this?” becomes “They just do it because I want them to” rather than having a consistent internal logic.

Some stereotypes will always follow nomads - They appear in different forms in different cultures, but they always arise from the settled people's same fears: That the nomads don't share their values, and are fundamentally strangers. Common ones are that we have a secret language to fool outsiders with, that we steal children and disguise them as our own, that our sexual morals are shocking (This one has flipped in the last half century - From the Gypsy Lore Society's talk of the lascivious Romni seductress who will lie with a strange man for a night after a 'gypsy wedding', to today's frenzied talk of 'grabbing' and sexually-conservative early marriages to ensure virginity), that we are supernatural in some way, and that we are more like animals than humans. These are tropes where if you want to address them, you will have to address them as libels - there is no way to casually write a baby-stealing, magical succubus nomad without it backfiring onto real life Roma. (The kind of person who has the skills to write these tropes well, is not the kind of person who is reading this guide.)

It’s too easy to say a list of prescriptive “Do nots”, which might stop you from making the most common pitfalls, but which can end up with your nomads being slightly flat as you dance around the topics that you’re trying to avoid, rather than being a rich culture that feels real in your world.

So, here are some questions to ask, to create your nomadic people, so that they will have a distinctive culture of their own that may (or may not) look anything like real-world Romani people: These aren't the only questions, but they're good starting points to think about before you make anything concrete, and they will hopefully inspire you to ask MORE questions.

First - Why are they nomadic? Nobody moves just to feel the wind in their hair and see a new horizon every morning, no matter what the inspirational poster says. Are they transhumant herders who pay a small rent to graze their flock on the local lord’s land? Are they following migratory herds across common land, being moved on by the cycle of the seasons and the movement of their animals? Are they seasonal workers who follow man-made cycles of labour: Harvests, fairs, religious festivals? Are they refugees fleeing a recent conflict, who will pass through this area and never return? Are they on a regular pilgrimage? Do they travel within the same area predictably, or is their movement governed by something that is hard to predict? How do they see their own movements - Do they think of themselves as being pushed along by some external force, or as choosing to travel? Will they work for and with outsiders, either as employees or as partners, or do they aim to be fully self-sufficient? What other jobs do they do - Their whole society won’t all be involved in one industry, what do their children, elderly, disabled people do with their time, and is it “work”?

If they are totally isolationist - How do they produce the things which need a complex supply chain or large facilities to make? How do they view artefacts from outsiders which come into their possession - Things which have been made with technology that they can’t produce for themselves? (This doesn’t need to be anything about quality of goods, only about complexity - A violin can be made by one artisan working with hand tools, wood, gut and shellac, but an accordion needs presses to make reeds, metal lathes to make screws, complex organic chemistry to make celluloid lacquer, vulcanised rubber, and a thousand other components)

How do they feel about outsiders? How do they buy and sell to outsiders? If it’s seen as taboo, do they do it anyway? Do they speak the same language as the nearby settled people (With what kind of fluency, or bilingualism, or dialect)? Do they intermarry, and how is that viewed when it happens? What stories does this culture tell about why they are a separate people to the nearby settled people? Are those stories true? Do they have a notional “homeland” and do they intend to go there? If so, is it a real place?

What gorjers think of as classic "Gipsy music" is a product of our real-world situation. Guitar from Spain, accordions from the Soviet Union (Which needed modern machining and factories to produce and make accessible to people who weren't rich- and which were in turn encouraged by Soviet authorities preferring the standardised and modern accordion to the folk traditions of the indigenous peoples within the bloc), brass from Western classical traditions, via Balkan folk music, influences from klezmer and jazz and bhangra and polka and our own music traditions (And we influence them too). What are your people's musical influences? Do they make their own instruments or buy them from settled people? How many musical traditions do they have, and what are they all for (Weddings, funerals, storytelling, campfire songs, entertainment...)? Do they have professional musicians, and if so, how do those musicians earn money? Are instrument makers professionals, or do they use improvised and easy-to-make instruments like willow whistles, spoons, washtubs, etc? (Of course the answer can be "A bit of both")

If you're thinking about jobs - How do they work? Are they employed by settled people (How do they feel about them?) Are they self employed but providing services/goods to the settled people? Are they mostly avoidant of settled people other than to buy things that they can't produce themselves? Are they totally isolationist? Is their work mostly subsistence, or do they create a surplus to sell to outsiders? How do they interact with other workers nearby? Who works, and how- Are there 'family businesses', apprentices, children with part time work? Is it considered 'a job' or just part of their way of life? How do they educate their children, and is that considered 'work'? How old are children when they are considered adult, and what markers confer adulthood? What is considered a rite of passage?

When they travel, how do they do it? Do they share ownership of beasts of burden, or each individually have "their horse"? Do families stick together or try to spread out? How does a child begin to live apart from their family, or start their own family? Are their dwellings something that they take with them, or do they find places to stay or build temporary shelter with disposable material? Who shares a dwelling and why? What do they do for privacy, and what do they think privacy is for?

If you're thinking about food - Do they hunt? Herd? Forage? Buy or trade from settled people? Do they travel between places where they've sown crops or managed wildstock in previous years, so that when they arrive there is food already seeded in the landscape? How do they feel about buying food from settled people, and is that common? If it's frowned upon - How much do people do it anyway? How do they preserve food for winter? How much food do they carry with them, compared to how much they plan to buy or forage at their destinations? How is food shared- Communal stores, personal ownership?

Why are they a "separate people" to the settled people? What is their creation myth? Why do they believe that they are nomadic and the other people are settled, and is it correct? Do they look different? Are there legal restrictions on them settling? Are there legal restrictions on them intermixing? Are there cultural reasons why they are a separate people? Where did those reasons come from? How long have they been travelling? How long do they think they've been travelling? Where did they come from? Do they travel mostly within one area and return to the same sites predictably, or are they going to move on again soon and never come back?

And then within that - What about the members of their society who are "unusual" in some way: How does their society treat disabled people? (are they considered disabled, do they have that distinction and how is it applied?) How does their society treat LGBT+ people? What happens to someone who doesn't get married and has no children? What happens to someone who 'leaves'? What happens to young widows and widowers? What happens if someone just 'can't fit in'? What happens to someone who is adopted or married in? What happens to people who are mixed race, and in a fantasy setting to people who are mixed species? What is taboo to them and what will they find shocking if they leave? What is society's attitude to 'difference' of various kinds?

Basically, if you build your nomads from the ground-up, rather than starting from the idea of "I want Gypsies/Buryats/Berbers/Minceiri but with the numbers filed off and not offensive" you can end up with a rich, unique nomadic culture who make sense in your world and don't end up making a rod for the back of real-world cultures.

[writers-potion]

Writing Female Fighters

The Heroine Must. Fight.

Today's female protagonists cannot sit on the side crying and breaking down or whimpering as the battle ensues.

Readers want to see autonomous female fighters who can at least defense themselves with courage and adequate skill.

Not all women are the same, but the heroine should get her butt moving.

Less Muscle, but More Flexibilty

The average woman is shorter than the average man, which makes it more difficult to wield a long sword or slam something down on the opponent's head.

A woman who works out can plausibly be stronger than a male couch potato, but if her male counterpart works out as much as her, the man is going to be much stronger.

On the other hand, the center of gravity in a woman's body is lower than a man's which makes it harder to knock her off her feet.

She is also more flexible, which gives her advantage in grappling fights, making use of complex landscapes, or deflecting blows.

A woman's small size can also be an advantage if her opponent has only ever trained with male opponents. His big hands might not get a good grip on her slender limbs.

In historical fiction, giving your heroine good muscule build can be tricky as exercise was generally considered harmful for women, with some exceptions for horseriding any maybe archery at best.

In such cases, make your heroine an accomplished dancer or an eager horsewoman, or the only girl whose father considered to be son replacement and thus, gave her a boy's education.

Women of lower classes who couldn't afford to be fashionably weak will be plausibly stronger, perhaps even more than an idle gentleman.

More Room for Negotiation, but Prolonged Ruthlessness

In the Suspense part of your fight scene, females are more likely to negotiate and talk more, strategically trying to descalate the situation rather than attacking on a momentary impulse.

Generally, women are less aggressive than men and remain level-headed longer than her male counterparts, opting for non-violent methods first before using force.

Exceptions apply if she is trying to protect her children (or someone who she cares for as a child). Mothers can be tigresses.

A female pre-fight conversation may be: "If you had not done so-and-so and betrayed me with so-and-so, we could have been good friends as I thought we would be." "What do you mean? It was in fact you who brought bad blood between us. I can still hear you laughing with so-and-so, taunting me, purposefully making me look bad -" "But that was so long ago! If you want me to say sorry about something so insignificant, you should have just said so: I'm sorry. There. Satisfied?" "Ha! I can't believe you say that so easily. You still don't get it, do you?" "Who's being petty and unreasonable now?"

A male pre-fight conversation will be shorter: "Who's the coward now?" "You're wrong." "Prove it." "Bastard."

Compared to men, it will take more time for a woman's fight hormones (adrenaline, neurotransmitters and such) to kick in.

She would be slower to engage initially, throwing reluctant punches and thinking, but she'll grow more and more violent and lose all rational thought and compassion, and once she's in full flow, may not stop even when her opponent begs for mercy.

When writing a male-female duo, you can show him going for the first blow while she observes and strategizes first. When he's past his peak and panting, she is flying about left and right. Later when the tension wears off and she becomes wobbly and teary, she can rely on him to have recovered faster and distract other teammates so that they won't see her cry.

Plausible Skills and Backstory

In many cultures and time periods, the general attitude of society towards girls is that they have no place in fist fights or martial arts, unlike how it is encouraged for boys of the same age. So if your heroine has physical prowess that surpasses typical 'fitness' or is hidden, build a backstory of how she's obtained it.

For modern heroines, it can be as simple as signing her up for martial arts classes or yearly membership at the local gym. For historical fiction or girls with strict 'feminine' upbringing, it can be trickier.

It can be related to profession: maybe she was an erotic wrestler, catfighter, or an assasin who thought killing was more honorable than prostitution. They may have dabbles with it for a short time and is now trying to hide their past from their respectable employer or fiance.

It can be family backstory: Perhaps her mother was an accomplished martial artist or she had to fend for younger siblings on the streets from an early age. Maybe she was the only girl in a family of many boys who refused to be the punching bag.

Inexperienced Female Fighters

A woman with no fighting experience or training is likely to resort to one of these on instinct:

Try to talk herself out of the situation, attempting to persuade or negotiate for her life.

Grab something to use as a weapon. This instinct seems to be stronger for women than it is in men.

Use her hands to try and break free, or kick (often wth little success)

Pull hair

Scratch.

In a serious fight, pulling hair and scratching won't be helpful, except when the police come to find her body, they would find the opponent's DNA under her fingernails.

Plausible Weapons and Clothing

All of the above applies to scenes where both parties have no weapons, or has the bare minimum (like one dagger each).

Weapons are equalizers, and if your heroine is pointing a gun at her opponent she will definitely NOT hesitate to be the one to shoot first.

When giving your female character a weapon, choose one she can plausibly use. It would take an unusually brawny woman to wield a great medieval longsword.

For historical fiction, give your heroine something she'll plausibly own. Swords and firearm were a no-go for women, but archery was borderline acceptable.

For clothing starters, you definitely CAN NOT dress her in a tight miniskirt and chainmail bra with long, flowy hair and multiple silver chockers. Unless she's trying to seduce her way into her opponent's bedroom, and he has a chainmail bra fetish.

A practical heroine will have her thighs covered, preferably with leather but at least with fabric, since a lot of blood flows through the thighs and a slash would be critical.

She'll keep her hair tied, tucked under a helmet, braided back, etc. so that it won't impede her vision.

She'll support her breasts with a strong sport bra. In a historical eprioid, she'll either tie her breasts tight with a fabric bandage or support them with some kind of leather corset.

Invent a female version of male fighter clothing of the time you are writing about if it doesn't exist.

If you like my blog, buy me a coffee☕ and find me on instagram! 📸

[angiethewitch]

I am absolutely disgusted to learn that crown owns our castles and the profits are sent to Westminster. Wales is struggling, our economy is struggling, our people are struggling, our health services are struggling, and that money could go to the betterment of our lives - instead it goes to England.

despite the fact we maintain the castles and land, we don't own them. they are in OUR country. ownership should belong to us, the people who built them. we maintain them. we work in them. theyre ours and we should be able to use the profits generated by them to help welsh people, not allow the money be funnelled into the monarchy.

the fact the crown owns so much of wales is such an outdated and medieval concept and has no place in modern society.

petition here:

please sign. I am disgusted.

[six-of-ravens]

perhaps tonight I will be brave and try the new chicken place that opened up recently...

[fromgoy2joy]

I sat next to the protest today.

I wrote fan-fiction about two gay jewish dads raising children to the play list of the chant- "No peace on stolen land!" on an American college campus. It isn't a name brand one either, nor does it have any legitimate ties to Israel. The anger is just there- it has rotten these future doctors, nurses, teachers, and members of society.

I don't even know what to call their demonstration- it was a tizzy of a Jew hatred affair. At points, there were empathetic statements about Gazans and their suffering. Then outright support of Hamas and violent resistance against all colonizers. Then this bizarre fixation on antisemitism while explaining the globalists are behind everything.

"Antisemitism doesn't exist. Not in the modern day," A professor gloated over a microphone in front of the library. "It's a weaponized concept, that's prevents us from getting actual places- ignore anyone who tells you otherwise."

"How can we be antisemitic?" A pasty white girl wearing a red Jordanian keffiyeh gloats five minutes later. "Palestinians are the actual semites."

"there is only one solution!" The crowd of over 50 students and faculty cried, over and over.

"Been there, done that," I thought, then added a reference to a mezuza in the fourth paragraph.

Two other Jewish students passed where I was parked out, hunching and trying to be as innocuous as possible. We laughed together at my predicament, where I am willingly hearing this bullshit and feeling so amused by this.

"Am I crazy? For sitting here?" I asked them. My friends shook their heads.

"We did the same last week- it's an amazing experience, isn't it?”

We all cackled hysterically again. They left to study for finals. Two minutes later, I learned from the current speaker that “Zionism” is behind everything bad in this world.

Forty-five minutes in, a boy I recognized joined me on my lonely bench. He came from a very secular Jewish family and had joined Hillel recently to learn more about his culture. His first Seder was two nights ago.

He sat next to me, heavy like the weight of the world was on his shoulders. There was just this despondent look on his face. I couldn’t describe it anyone else, but just sheer hopelessness personified.

“They hate us. I can’t believe how much they hate us.” He said in greeting.

And for the first time all day, I had no snarky response or glib. All I could do was stare out into the crowd, and sigh.