#and i am still only in the early 90s! fuck comics are so good there's like thousands of them

[jerrythebug]

So in my read through Booster just died. But through amazing apocalyptic powers he was still up and running, until the evil of the week was defeated. And then Ted (who fucking saved the day!!!! Let's go bug man!!!!! I live for this!!!!) was like let me press the Special Button on your new armor buddy - and now our poor Booster is stuck in that ugly ass tin can permanently, which serves as life support.

He literally died and Beetle raised him from the dead. What's little casual necromancy between friends? Fuck me. Those were great issues. Very homoerotic.

But not great for Bea and Tora - who also had great homoerotic moments (the whole evil Tora kidnapping Bea? Come on! Gay!). I may be reading mainly for the Boostle, but Fire and Ice also had a Very Special Relationship going on that was fun to see, even if I kinda rooted for Guy sometimes (but hey, Tora has two hands! Multi shipping is good for the soul and super fun!). So Ice was brainwashed, went evil for a bit, but in the end she broke through and was killed for it. Which sucks! I liked her so much! I hope she comes back but I don't think she is. She should be resurrected is all I'm saying.

And Superman is back already??? Also with slightly longer hair? I thought he was gone for longer or maybe I'm reading too little too fast. I just complained about knowing that he comes back, saying that maybe sometimes those big characters should die permanently, but now when it's Tora I'm like bring her back this instant I miss her!!!! I miss my cool wife!!!

And coming back to Booster, he was so silly. For the first time he used his Future Knowledge to tell people what was going on. I didn't think he'd do that, to not contaminate the time stream or whatever. The way Ted reacted ughhhhhhhh that was so good! Love those fools! I need to draw them kissing with tongue! I need to draw them more and more!

Overall. The whole end of the world arc with the big evil guy whose name I already forgot was neat! I liked it! Now the League is about to break into more fractions and Extreme Justice with Extreme Art is incoming. More Iron Booster. More spider bug? We'll see!

[evilwickedme]

So if Superman is Moses and Captain America is David, do you think that Spider-Man is Job?

He's always miserable, with suffering piled upon suffering and loss piled upon loss. But he always has faith in the goodness of humanity and the righteousness of his duty. He maintains his faith throughout all of his trials, and that's what makes him a hero.

(I was thinking about how Judaism and Xianity see G-d differently, and more specifically how they see faith and obedience to G-d differently. In Judaism faith isn't about obedience, and G-d is often an allegory for the world just as the world is often an allegory for G-d — at least that's how I interpreted the fact that 90% of our prayers are thanking G-d for creating a specific aspect of material reality. So if the story of Job is, from a Jewish perspective, isn't about unwavering obedience to a single entity but instead about having unwavering faith in the goodness of the world, then it fits Peter Parker almost to a T, right?)

Wow ok I am SO pissed off that I wrote the answer to this for a full hour and now it's just fucking gone because Tumblr decided not to publish it when I hit post. What the very fuck. So I'm going to try to shorten what I wrote a little and hopefully it'll still make sense. But this is a great ask, for real.

Anyway. I feel like something that's been lost in my most popular posts is that my central thesis when it comes to the Jewish nature of superheroes is not that there's a 1:1 between every hero and a historical, mythological, or Tanakhi figure. The central thesis is, instead, that the very concept of heroism as presented in comics is tied to the Jews who created the genre; it's just very easy to demonstrate these kinds of concepts with direct allegories that have such clear parallels. I actually have a third secret parallel that'll probably never see the light of day, between Magneto and Aher (and like, does anybody even know who Aher is? he's not exactly a well known figure).

One of the reasons I haven't posted this comparison is that it is largely thematic, and therefore requires considerably more explanation, especially for goyim or those who aren't familiar with Aher's story (אלישע בן אבויה fyi if that means anything to y'all). But that's sort of my point - it's much easier to point that Superman is literally Moses and Cap and David serve very similar purposes as characters than to talk about the fact that superheroism is based in Jewish values and traditions: the very idea that heroes are meant to make the world better through action as opposed to sacrifice, the value assigned to every single life (he who saves one life etc), characters becoming better people over time rather than going through dedicated redemption arcs, etc (I can't remember what I wrote here and it's driving me nuts thank you very much for asking).

I gave a lot of context here to the difference between Golden Age and Silver Age writing here but honestly again that took forever and I don't feel like typing it all up, so I'll just point out the basic facts which are that the people creating the comic book industry in the late 30s and early 40s were desperate Jews trying to save their people across the ocean, and also were only about ten or twenty years removed from having lived in the Old Country themselves. Their life and culture was intensely Jewish, they'd grown up in specific Jewish tales. By the time we get to Spider-Man, the situation is entirely different. It's been 25 years of comics (Superman debuted in '38, Spider-Man in '63), and the Jewish foundations of comic books and heroism are already baked in to the genre. Yes, the industry is still overwhelmingly Jewish, but now the separation from a purely Jewish upbringing and Jewish separatism in the Old Country is forty years old. The attempt now is to specifically make stories that haven't already been told - for Spider-Man, the main concept was that there had never been a teen hero before who stood on his own - one that wasn't part of team like the fantastic four, or, more typically, a sidekick.

All these differences actually mean that the coding of these characters is very different. Superman being Moses was intentional; Cap was created as anti-Nazi propaganda. Spider-Man was and is Jewish because he is such a pure example of what Jewish heroism is. He's flawed, he's angry, but he can't help himself from trying to save... Well, everyone. It is, however, important to note that he debuted a long while before Magneto was confirmed Jewish (I don't actually know if he was the first, bc I'm having trouble finding that kind of info easily on the internet, but he's certainly one of the most notable Marvel Jews ever, and he was confirmed as a Holocaust survivor relatively early); it was a whole before Marvel realized you could make somewhat prominent characters Jewish, let alone heroes, and by then Spider-Man was one of their best selling characters, and they're still afraid to this day to alienate readers by confirming him as such.

But moving onto Job - I think I have a very different read of the Book of Job from you, but that's not surprising to me; the Book of Job is incredibly opaque, and I doubt that any two people will interpret it exactly the same. Also, I was raised Orthodox, and I often have very different perspectives on various Jewish things than the typical American Jew. Here's how I view it, though.

Firstly, Job absolutely does not maintain his faith throughout the entire story. Yes, initially he's presented as the most pure person ever, one who has never even been tempted to do a chet (חטא, closest translation is sin; another word would be aveira, which would best be translated as a transgression). And, indeed, it is not his deeds that lead to him losing everything; it is instead Satan who argues to test his faith by taking everything he holds dear away from his - his money, his cattle, his children, his health, his wife.

It's noteworthy, for any goyiche reader, that Satan in Judaism is not the Christian Devil who rules hell. He's an adversary, for sure, but he's more like an opposing counsel; his role is to argue for every human's guilt, especially when someone has committed a terrible aveirah. Forgive me for saying this, but he's essentially a devil's advocate. He can be viewed as the manifestation of yetzer hara on a wider scale (yetzer hara and yetzer hatov are the two natural impulses we all have in ourselves, the first to be selfish or to commit bad deeds and the other to commit good deeds and help others; this is a neutral fact rather than a condemnation of any person, and also I'm massively oversimplifying things here). Also, he's a tattle-tale.

Anyway, back to Job. Yes, at first he does maintain his faith, through the loss of his property, his children, even his health; his wife, before she dies, begs him to curse God, and yet he doesn't. But when she does die, he spends a chapter lamenting the day he was born, regretting that he wasn't stillborn. At first this doesn't look like a direct accusation at God, but it absolutely is, as God is in charge of life and death, but also evidence by the following:

So Job does lose his faith, because as far as he can tell, he has never done anything wrong in his life ever, and yet he has been cursed to grieve everything he has ever had, and he won't even die.

Most of the book is dedicated to dialogue between himself and three of his friends, who come to the common conclusion that he must have done something wrong to deserve this treatment. But Job remains adamant: I did not deserve this.

The general lesson that many people take from this book is that God works in mysterious ways, blah blah. But like... We know, in fact, exactly why this story happened. We saw it! We saw Satan advocate to try Job! So what's the point of the book?

The point is the Job keeps asking "why". The point is that Job hears that God won't forgive his friends, despite the fact they blame him for his misfortune, and he still chooses to pray for them. The point is that he refuses to take what has happened to him quietly. Not accepting that what happened to him was just, but not accepting others' injustice either.

Ugh. I phrased all of this way better in the first draft. I really truly hate this.

Anyway my point is that Job, despite being far richer than the average Jew by the standards of his time, actually is meant to represent a very common situation: what do you when bad things happen. Do you blame yourself, or do you blame God? Do you let other people beat you when you're down, or do you stand up for yourself?

And the thing is those themes are universal, but they're not really related to Peter Parker in particular. In the shallowest sense, the kind I used to compare Cap and David or Superman and Moses, they do not have similar stories or backgrounds. Job has everything, and he loses it all, and he mourns all of it, including the property and money; Peter Parker is working class, has never had enough money, but we see again and again that he views it as a tool rather than a goal in and of itself. Spider-Man's origin is about learning to battle your yetzer hara, your darkest impulses, and we see Peter again and again trying to do his best even though he's often being pulled by his instincts to use his power for selfish purposes. Job does not ever have to learn any such lesson; he never did anything wrong.

The one thing in common between the two stories is that they both believe that every life has value - well, if Peter is being written by a competent authors at least - with Job praying to save the men who are literally called the "resha'im", the evil ones, and with Peter being the little man's hero. But that can be said about most heroes, especially the notable ones. Hell, there's an entire double page spread dedicated to the concept in Batwoman: Elegy. This is more of another indication of Jewish values making their way into the foundations of superhero comics than it is a similarity between Job and Peter.

Also, I feel like I need to be clear. Our prayers thanking God for creating something? Traditionally are simply thanking God for creating something. I'm not saying you can't interpret it as a metaphor for the world if that's what works for you, if that's how you see God, but God was very literal to most Jews for thousands of years, and I could talk for ages and ages about the schools of thought regarding God and the world and Maimonides and shit.

Speaking of which, we need to discuss the fact that Job is literally just some guy. Like he's not a prophet, he's not a leader or a judge, he's just some rich dude who lost everything, mourned it, and then got it all back. I've talked about this before, but one of the foundational ideas of my thesis is that the similarity between prophets having powers (such as Samson but also really any judge being considered a higher authority despite not even communing directly with God) and superheroes invokes Maimonides' claim that the first degree of prophecy is the need to act for the better good, being unable to ignore the ills of the world and doing your best to fix them - that people who incapable of ignoring that urge (and Peter, despite his occasional selfishness, often prioritizes Spider-Man in his life specifically because of that urge) are possessed by the spirit of God. Literal prophecy, communing with God, cannot exist without this base level. So, in effect, Peter is significantly holier than Job.

Anyway. Again, I've definitely missed some points because of Tumblr's fuck up and I intentionally skipped most of the history lesson that gave a lot of context which I didn't feel like typing up again, but this is most of it. Sorry if this wasn't what you hoped for, but this was a really interesting thing to talk about anyway, and I'm very grateful you gave me the opportunity to think it over.

[mzminola]

Trying to figure out why the fandom meme that Tim is misogynistic bothers me so much, beyond my usual kneejerk response to perceived inaccuracy, and I think the key is that it feels like fandom is lying to me.

Specifically, lying about nearly all the other characters.

That I am being taunted with some theoretical Less Sexist 90′s Comics that don’t actually exist.

Sexism is one of the reasons that I never bothered to seek out superhero comics when younger. Our town didn’t have a comics shop, which sure put a damper on it, but I didn’t bother looking for collected volumes when venturing into regular bookstores, or the occasional trip out of town to places with huge bookstores. I flipped through enough and heard enough chatter to know I didn’t want to put up with the sexism. Scans Daily on Livejournal sure had plenty of supporting examples.

Reading 1990′s & early 2000′s comics now, I can confirm this was the right choice on younger me’s part. There is a lot of sexism in that era, and unlike with prose books by a singular author, it’s much harder to ditch wholesale. I’ve got a lot more analytical reading under my belt now, so it’s easier to roll my eyes at the bullshit and focus on what is enjoyable than it used to be. From the later 2010′s comics I found at the library, things are improving, though still stumbling.

So yeah, Tim does sometimes say sexist crap. But as I devour comic after comic, so far, he isn’t saying or doing anything more sexist, more frequently, than any other character, including the gals. It’s almost like it’s a writing problem, not a character problem.

As far as I can tell, from what I’ve read, which includes all of Batgirl 2000, Young Justice 1998, and nearly half of Robin 1993, Tim is less sexist than the adult men he’s surrounded by, and no few of his fellow teenage boy heroes.

Maybe I’m missing something! But gender doesn’t seem to come into his treatment of Gotham vigilantes and YJ teammates? The most it comes up with his civilian peers is that, typical for the time period, girls are treated by the narrative & characters as potential romantic options and boys aren’t? Tim talks to Callie the same way he talks to Ives & Hudman? He and Ariana both make relationship mistakes, but in ways that are pretty normal for a 13-14 year old’s first romance?

So when the fandom keeps making ‘misogyny’ Tim’s distinguishing traits from the other Bats, or other YJ members or Titans, it implies that reading comics focused on other characters would have less sexism, but when I do read other comics, that’s not fucking TRUE.

Where are these magical less sexist Bat comics?

Who are these heroes fandom claims are less misogynistic?

Because it’s not Nightwing. It’s not anything Bruce takes center stage in. Barbara is fine in Batgirl 2000, but in other comics she’s written as cattily jealous and tears into other women. It’s not Stephanie, as we saw with Batgirl 2009′s treatment of Jordanna Spence.

Batgirl 2000 does pretty good, but that’s the only one I can think of, and fandom singling out Tim makes it sound like it should be all of the others.

Fandom likes to say Jason drinks his Respect Women Juice, but when I read Under the Red Hood and Lost Days, they felt about the same level as Tim’s comics. And I keep seeing examples from Jason’s Robin days of him admiring women or learning from them or teaming up, but I also get that from Tim’s comics.

Before he even had a long running solo, Tim’s Robin mini’s got a crossover with Huntress, in which he respects both her skills and her secrets, and argues with her about as much as he does with Bruce. Tim supports Cassie winning leadership of Young Justice, he supports Cissie’s decision to do what she felt was most responsible. He apologizes for avoiding Cass after finding her intimidating and goes on to work well with her.

I like Tim. I’m mostly enjoying his comics. They’ve got less sexism than I expected of the era they’re written in.

And I hate that fandom’s running meme about him makes it feel like everyone else is making a joke at my expense.

[thattimdrakeguy]

Frankly if you asked me, all of that unnecessary misdirection and twists that left poor Tim at the ‘make him angsty and edgier’ block for later writers to force upon him was the result of the whole darker and edgier train that permeated not just the Batbooks but the whole industry throughout the decade he was in.

Basically short, in my honest opinion, Tim Drake was the perfect character at the absolutely wrong time.

The 90s edgier nonsense (as foreshadowed by the marvelous competition’s hefty promotion of Venom, Cable and other like minded antiheroes, Early Image having a foundation built on that) made possible with the Batmania (since he’s naturally the perfect candidate for darker and edgier due to both his gothic aesthetic and his insane popularity) unfortunately gave the writers of that era and the 2000s the impression that since it’s Gotham, things in universe are just miserable and sucky

And since Tim lives in Gotham, despite meant to be the counter to that misery that permeates the city he helps defend, it was only a matter of time before that wrong impression got to him too

It’s why to this day, my preferred Tim Drake is that original Fanboy we saw in A Lonely Place of Dying since in the end, that’s what he’s meant to be, beginner or not and why I am still reluctant to get anything Dixon related on both him and Nightwing since those runs are built on that train of thought that says ‘misery in setting and edgier characters means compelling and mature storytelling, especially in Gotham’

I know, long winded, I just needed to vent. You may ignore this if you wish to

Bro, I just asked #cats what a raw potato tasted like, I don't feel like ignoring much.

And, I wouldn't say Tim was in the wrong time. He has his great successes in the 90s. The main reason he's talked about past people's obsession with one story in Red Robin, that has slowly lost popularity 'cause of people realizing it wasn't the best Tim--is 'cause of the 90s.

There was plenty of people who were sick of the big overexaggerated 90s crap even if it did infest Tim a bit when they'd draw him way buffer than he was clearly meant to be.

It's all just a matter of writers with the ability to do better either not advancing to the right places in comics, or throwing their talents down the toilet to be there.

It's all about good writing. That's it, really, that's the big secret.

Why is Dick a massive joke of a character now? 'Cause the writing got bad.

Why did Batman look like a total maniac more like usual for a while? 'Cause the writing got bad.

Why is Damian totally unrecognizable a lot of the time on nearly every single level for over a decade now(Though I have heard some aspects like art have been getting better, or so I've seen thankfully, but I'm still not trusting that all the way because now this fucking fucking hell)? 'Cause the work got bad.

Why is Jason just a fan fic edgy woobie fuck a lot of the time now? 'Cause the writing got bad.

How did Steph go from edgy, determined, "vigilante vixen", who was morally kinda questionable at times go to acting like a 12-year-old sometimes? 'Cause the writing got bad.

No matter what in the end. It's all down to the writing, and also art.

There's always been good movies in every decade no matter the taste, because people with true talent and knowledge, and know-how where out there to make so happen.

Comics being a dwindling medium that's how a down-turn in quality going on for a long time? It's just not a business worth getting into anymore. Passion or not, people just aren't good writers. And that can happen in any era.

But back to the main point, Tim was at his most popular in the 90s in an era you wouldn't think he'd fit into with all the Rob Liefeld stuff. Like he got an 80-page-giant in the late 90s over some characters you think would actually get one because he was so naturally popular.

But what made him work then isn't dated. It's timeless. They just haven't had good enough writers to make him work, and it sucks, but it's how it is.

The reason Tim really got changed so much isn't down to tastes in an era. It's down to the taste of a few people in specific positions. Things that made Tim work were still working wonders in other places.

[broke-on-books]

Got tagged by @threephantomrey on a reading game thing, it got long so it's pasted under the cut.

1) How many books did you read this year?

So many omg!! I logged 34 books on Goodreads but I only started logging there at the end of February. I also read a shitton of comics that I didn’t log there because I didn’t want to skew certain statistics and use a different app to log that. (Going by my rough math using that, I’ve read 360 individual comic issues in 2023, not counting rereads). So like I read a lot.

2) Did you reread anything? What?

Sooo much stuff. I just finished a reread of N. K. Jemisin’s Great Cities Duology like two days ago, which I cannot recommend more. Also reread 17776 recently, as well as a childhood favorite (The Fall of the Readers series by Django Wexler) over the summer. When it comes to comics I’ve also done a ton of rereading, most notably Emerald Twilight (Green Lantern (1990) #48-50) like 5 times for the most rereads, but I’ve also reread other faves (in whole or part) such as Wonder Woman: Historia, Batgirl (2000), and I’m currently doing a Green Lanterns (2016) read which has me brain diseased because I am actually obsessed with them SO bad. And I reread poetry constantly so there’s that too.

3) What were your top five books of the year?

I’m skipping this one honestly. I started thinking about it and it hurt my brain. Some standouts I haven’t mentioned yet though include The Fifth Season by N K Jemisin, The Fire Next Time by James Baldwin, The Last Speakers: The Quest to Save the World’s Most Endangered Languages by K. David Harrison, and The Rime of the Ancient Mariner by Samuel Taylor Coleridge. Also like everything Greg Rucka did on Wonder Woman in the aughts (including the Hikateia <3333)

4) Did you discover any new authors that you love this year?

Probably Greg Rucka is a big one, Would maybe count James Baldwin here but that’s iffy because I decided to start reading some of his stuff because I loved a poem of his I had read before this year (among other things). I would also say I discovered A. S. King this year, but I don’t know if I’d say I LOVE her writing, rather that I find it incredibly entertaining because of how batshit fucking crazy it is. Like no one else is on her level when it comes to insanity honestly (and I say this as a comics fan)

5) What genre did you read the most of?

I mean superhero comics probably, but also I read a good amount of poetry (as always) and some fiction.

6) Was there anything you meant to read, but never got to?

Sooooooo much! Because I like so many genres I’m always reading like 10+ books at a time, and still a lot of stuff I just don’t get to. Some things I wanted to read include some poetry books I own, specifically my Most Famous Poems of All Time anthology (I think that’s what it’s called?) and my best of Antonio Machado book (bilingual edition!). There’s also a bunch of specific poems that would fall under this category. Also meant to read the Light of the Jedi by Charles Soule (and the rest of the main High Republic series), but that didn’t happen. Also I wanted to read some 90s Flash but it’s soooo long and I couldn’t justify starting it while I’m in the middle of so many things.

7) What was your average Goodreads rating? Does it seem accurate?

My average rating was a 4.2 which is pretty high. I’d say it seems accurate for the books I finished, but when you consider all my DNFs and comics it would definitely be way lower, as I quit a bunch of books halfway through for being terrible this spring that aren’t reflected, and also I read some really shitty comics for my faves this fall. 

8) Did you meet any of your reading goals? Which ones?

No I didn’t meet them : ((((((((. I was pretty ambitious with the Goodreads goal (set for 100 books) so I’m not sad I didn’t meet that, but I was using those numbers to compete with my best friend on who could read the most, and I lost that (she had 43 to my 34) due to a slump in the early summer and another during the school year in the fall. For comics I recently hit 1000 issues read, so I’m happy about that mindset, and got my niche fave into my top 5 characters read so I’m pretty happy there. Still haven’t reached my goal of having Wonder Woman beat Batman for my top character yet, but that only emerged as an objective like a month ago so I’m not too upset. 

9) Did you get into any new genres?

I’d say so, yes! In recent years I’ve done a lot of expanding my taste of books into different genres, and this year I think I read a lot of memoirs, (both traditional and fictionalized) than I ever did before. For traditional I read Jennette McCurdy’s I’m Glad My Mom Died and in terms of fictionalized, I read and enjoyed both Go Tell it on the Mountain by James Baldwin and The Absolutely True Diary of a Part Time Indian by Sherman Alexie. Next year I want to read more of this genre, especially getting to Maya Angelou’s I Know Why the Caged Bird Sings, which has been on my TBR for a while. 

10) What was your favorite new release of the year?

New release… um…. Let me check something real quick. How have I read nothing from this year what. Okay I’m just going to stick to comics for this one and say Spirit World by Alyssa Wong was SO GOOD. Honestly may buy the trade for that when it comes out in April like I was loving that series sm. (also Wong is my favorite comic author currently writing. Although they’re not doing anything I’m interested in in 2024 it looks like : ((((( )

11) What was your favorite book that has been out for a while, but you just now read?

*blinks in classics fan* uhhh actually you know what. The Rime of the Ancient Mariner has been published for 231 slutty, slutty years and I only got around to it now. So that’s a shame. Also I read Huck Finn for the first time this year and that’s been culturally massive for centuries as well. Although the ending for that book was shit I really liked the rest. Tom Sawyer can actually die in a hole though I hate him SO much. 

12) Any books that disappointed you?

SO MANY YES. I had a really long dnf streak in late spring of this year, but one of the books I couldn’t finish was one of the most hyped up books I’ve read this year, that being All the Light We Cannot See by Anthony Doerr. Also I actually finished this one but I just hated Rosencrantz and Guildenstern are Dead by Tom Stoppard. Which like I’ve heard good things about this play and I had just finished Hamlet like a month or so before and just like. Idk it was bad I didn’t like it and thought it was super confusing. Maybe watching a stage production would make me like it more but like. It was not lit fam idk :/

13) What were your least favorite books of the year?

Those two for sure would be in there. Also just like the rest of my dnfs I guess. R & G was the only book I finished that I rated less than three stars on goodreads. OH WAIT COMICS. I read so many shitty comics oh my god. This could have gone in disappointments too but Green Lantern: Mosaic FUCKING SUCKED. Like jesus christ it was so bad I only made it three issues. It was such a disappointment too because it was a spinoff book from a really good arc imo (written by the worst human to ever draw air and write comics. Not an exaggeration) with cool ideas and characterization and then the actual book is like fucking. Horrific. Like he has the main character fucking graphically domestic abuse his girlfriend in front of her kid and then she forgives him and then she comforts him and it's just a hot mess of a book. Fucking awful. This summary doesn’t even begin to cover it. 

14) What books do you want to finish before the year is over?

I told myself I would finally finish Muerte Bajo el Sol, the Spanish translation of Agatha Christie’s Evil Under the Sun by the end of the year but I very much lied there so yeah. I’ve been reading that book for so long I just need it over.

15) Did you read any books that were nominated for or won awards this year (Booker, Women’s Prize, National Book Award, Pulitzer, Hugo, etc.)? What did you think of them?

Oh yeah a ton. I like my books thematically crunchy so I generally search out award winners. I’ll be easy and say the Broken Earth Trilogy here, which I did love, although I think the first book was the strongest outside of the three. I won’t spoil but I was in the parking lot waiting to pick up my friend when I reached a certain point and I legit almost honked my horn in the senior parking lot. At dismissal. Also had a few great moments reading it where I realized that the author had read [insert classic here] as well and was drawing some inspiration for certain elements which I liked. 

16) What is the most over-hyped book you read this year?

All the Light We Cannot See for sure. It just wasn’t it personally. 

17) Did any books surprise you with how good they were?

Maphead by Ken Jennings lmao. I was given a metric ton of Ken Jennings books for Christmas 2022 (because I’m a MAJOR trivia/quiz bowl nerd and he hosts Jeopardy) but this was my favorite, and I really did like it. (especially the quiz in the back haha)

18) How many books did you buy?

No comment. The username is the username for a reason. No but uhhh for real idk. I used the libraries pretty heavily this year, so when it comes to like my own money then just two comic trades I think. Maybe some more poetry. I get given/ask for a lot of books as gifts so that’s where most of mine comes from. I got 9 books for Christmas like last week haha.

19) Did you use your library?

Yee! I used 4 different library systems this year, (high school, local public, college, and college local public) so I definitely made the most of it. Currently I have three library cards as I just applied for a new one in my college town using my dorm address lol. Oh and I got a few books from an informal swap library set up in a bookshelf right outside my summer job so that too i suppose. 

20) What was your most anticipated release? Did it meet your expectations?

I’ll use Spirit World here because it actually came out in 2023 haha. I think it both met and surpassed my expectations, as the reasons I started the book were all better or just as good as expected, but also there were so many other elements that I thought were soooo good too so yeah.

21) Did you participate in or watch any booklr, booktube, or book twitter drama?

Nah idc about any of that. I listen to my friend complain about how shitty some of the popular tiktok books she reads are so that should count for something ig. 

22) What’s the longest book you read?

The Fifth Season was 468 pages so that one. Shortest was Rime of the Ancient Mariner with 77 pages (although I think it was shorter tbh)

23) What’s the fastest time it took you to read a book?

According to Libby I think like an hour and a half for the Absolutely True Diary which is kind of crazy. (not counting the Rime here obviously) but generally it only takes me a couple hours for most books. Poetry collections and nonfiction are different though.

24) Did you DNF anything? Why?

SO MUCH. Why? Because it sucked. No but like I was trapped with my most accessible library from Jan - May this year being the one at my high school, which just had SO much YA and books for like. Middle schoolers. This was at a time where my tastes were maturing a lot and I really wanted serious books. So even recommendations I would get from the librarians for books during this time would fall flat just because they were too juvenile for what I was into. 

25) What reading goals do you have for next year?

To beat my best friend in books read. Also like to try not to slump too bad and just like. Read a good amount. Finish my one spanish book so I can start my other spanish book. Have Wonder Woman beat Batman in my comic book stats. Yeah. 

As for tagging uh idk im like really congested right now so like. people do whatever i dont want to have to htink of anybody to tag *thumbs up emoji*

[ben-the-hyena]

I have a weird tendancy to hate characters or at least have a hard time getting attached solely for their mouth designs. Whenever I look at them I grow so angry that it becomes one of the reasons why I won't watch it and that even if I did watch it and liked it one of the reasons why I will not like the character

Lilo ? Her mouth so big it looks like a omatone. That zoo human in that human eoo episode of Steven Universe very familiar with Greg ? I LOATHE cat mouths on people so I already disliked him even if he were nice. Luz ? One of the reasons why I didn't watch the Owl House (and later on whenever I see clips or gifs I am not interested at all either and even annoyed) is because I fucking hate her upper lip it looks like Stonetoss drew her, as well as how other characters' mouths are drawn in general (Eda and that green haired bitch ? Smug "3" and I told you what I think of cat mouths. Raine ? Their mouth so pointy and downward I can't understand how people find them cute. Nimona ? One of the reasons why I didn't watch it is how she always has a "I just farted" cat/smug mouth and when doesn't a mouth full of Tumblr sharp teeth on that makes me want to ragequit. Séléné ? (You may not know her she is from French comics De Cape et de Crocs) in almost all panels she is in she always has an ":o" expression because she is constantly shocked and surprised and because her lips are plump it looks like an anus to me and I never could stand her as a kid for that (also why Dolores from Encanto angers me just looking at her always with her :o mouth and her lips are so red it looks like a swollen anus most of the time). The Hatbox Ghost in the HM movie ? A reason why I backed off from going seeing it is that he is so ugly his mouth is too, he looks like a chimp mixed with an early 2000's Dr Seuss character (which are fun movies but AWFUL TO LOOK AT) with too big teeth it's uncanny WHY COULDN'T THEY MAKE HIM MORE LIKE THE ANIMATRONIC ITSELF?! Holga from Atlantis the Lost Empire ? Everybody found her hot and I almost did then she ALWAYS had that constipated mouth on with her mouth doinf a 90° angle and teeth always gritted, it's not sexy she suffers from hemmoroids. The whole cast of Cloudy With a Chance of Meatballs ? I watched it JUST once because I couldn't stand any of the mouth-related expressions either too big or too small or literally forming an 0 which had little me cringe hard. A reason why even before all the controversies and shit story telling of HH and HB I didn't watch to watch the pilots ? Because too big Tumblr sexymen fanged mouths, too many mouths that open the whole face when smiling and too many imps making me imagine them with Stitch's (another character I like ONLY when his mouth is closed, his teeth and omatone shape always made me uneasy) voice and noises. The human-like characters in the Hotel Transylvania franchise ? They are fun with nice cartoony mouths most of the time but whenever they have a tiny cartoony mouth with semi realistic CGI texture OOF good those are temporary. Most Miraculous Ladybug male characters when they are not meant to be attractive ? Either they have super wide thin mouths making them look like Muppets or on the contrary have eeny tiny mouths that are plump so it looks dispropportionate and when they smile it's once again a 3. In fact realistic/semirealistic lip textures on CGI cartoony-looking characters always miffed me I always wondered why bothering with THAT detail while other characters like Mario male characters are fine without it, it's so uncanny ! So much I even used to hate lips as a little kid, I would often pinch my lips to the mirror (you know, the contrary of ducklips), find what I daw great, and wonder why it couldn't be the standard for anyone thinking it looked awful on everybody before growing used to it growing up but really I still will react badly to it in drawings (I wonder why. There is to be psychology but what ?!)

Characters mouths if they don't fit very weirdly specific standards I have fill me with rage and will ruin my fun and I DO know it is very personal and not a real flaw to a movie or comic, but I for one know I just physically can't

[testudoaubrei-blog]

Content note for discussions of eternal damnation, and all sorts of other shit that will trigger a lot of folks with religious trauma.

Before I get started I might as well explain where I’m coming from - unlike a lot of She-Ra fans, and a lot of queer people, I don’t have much religious trauma, or any, maybe (okay there were a number of years I was convinced I was going to hell, but that happens to everyone, right?). I was raised a liberal Christian by liberal Christian parents in the Episcopal Church, where most of my memories are overwhelmingly positive. Fuck, growing up in the 90’s, Chuch was probably the only place outside my home I didn’t have homophobia spewed at me. Because it was the 90’s and it was a fucking hellscape of bigotry where 5 year olds knew enough to taunt each other with homophobic slurs and the adults didn’t know enough to realize how fucked up that was. Anyway. This is my experience, but it is an atypical one, and I know it. Quite frankly I know that my experience of Christianity has very little at all to do with what most people experienced, or what people generally mean when they talk about Christianity as a cultural force in America today. So if you were raised Christian and you don’t recognize your theology here, congrats, neither do I, but these ideas and cultural forces are huge and powerful and dominant. And it’s this dominant Christian narrative that I’m referring to in this post. As well as, you know, a children’s cartoon about lesbian rainbow princesses. So here it goes. This is going to get batshit.

"All events whatsoever are governed by the secret counsel of God." - John Calvin

“We’re all just a bunch of wooly guys” - Noelle Stevenson

This is a post triggered by a single scene, and a single line. It’s one of the most fucked-up scenes in She-Ra, toward the end of Save the Cat. Catra, turned into a puppet by Prime, struggles with her chip, desperately trying to gain control of herself, so lost and scared and vulnerable that she flings aside her own death wish and her pride and tearfully begs Adora to rescue her. Adora reaches out , about to grab her, and then Prime takes control back, pronounces ‘disappointing’ and activates the kill switch that pitches Catra off the platform and to her death (and seriously, she dies here, guys - also Adora breaks both her legs in the fall). But before he does, he dismisses Catra with one of his most chilling lines. “Some creatures are meant only for destruction.”

And that’s when everyone watching probably had their heart broken a little bit, but some of the viewers raised in or around Christianity watching the same scene probably whispered ‘holy shit’ to themselves. Because Prime’s line - which works as a chilling and callous dismissal of Catra - is also an allusion to a passage from the Bible. In fact, it’s from one of the most fucked up passages in a book with more than its share of fucked up passages. It’s from Romans 9:22, and I’m going to quote several previous verses to give the context of the passage (if not the entire Epistle, which is more about who needs to abide by Jewish dietary restrictions but was used to construct a systematic theology in the centuries afterwards because people decided it was Eternal Truth).

19 Thou wilt say then unto me, Why doth he yet find fault? For who hath resisted his will?

20 Nay but, O man, who art thou that repliest against God? Shall the thing formed say to him that formed it, Why hast thou made me thus?

21 Hath not the potter power over the clay, of the same lump to make one vessel unto honour, and another unto dishonour?

22 What if God, willing to shew his wrath, and to make his power known, endured with much longsuffering the vessels of wrath fitted to destruction:

The context of the allusion supports the context in the show. Prime is dismissing Catra - serial betrayer, liar, failed conqueror, former bloody-handed warlord - as worthless, as having always been worthless and fit only to be destroyed. He is speaking from a divine and authoritative perspective (because he really does think he’s God, more of this in my TL/DR Horde Prime thing). Prime is echoing not only his own haughty dismissal of Catra, and Shadow Weaver’s view of her, but also perhaps the viewer’s harshest assessment of her, and her own worst fears about herself. Catra was bad from the start, doomed to destroy and to be destroyed. A malformed pot, cracked in firing, destined to be shattered against a wall and have her shards classified by some future archaeologist 2,000 years later. And all that’s bad enough.

But the full historical and theological context of this passage shows the real depth of Noelle Stevenson’s passion and thought and care when writing this show. Noelle was raised in Evangelical or Fundamentalist Christianity. To my knowledge, he has never specified what sect or denomination, but in interviews and her memoir Noelle has shown a particular concern for questions that this passage raises, and a particular loathing for the strains of Protestant theology that take this passage and run with it - that is to say, Calvinism. So while I’m not sure if Noelle was raised as a conservative, Calvinist Presbyterian, his preoccupation with these questions mean that it’s time to talk about Calvinism.

It would be unfair, perhaps, to say that Calvinism is a systematic theology built entirely upon the Epistles of Romans and Galatians, but only -just- (and here my Catholic readers in particular will chuckle to themselves and lovingly stroke their favorite passage of the Epistle of James). The core of Calvinist Doctrine is often expressed by the very Dutch acronym TULIP:

Total Depravity - people are wholly evil, and incapable of good action or even willing good thoughts or deeds

Unconditional Election - God chooses some people to save because ¯\_(ツ)_/¯, not because they did anything to deserve, trigger or accept it

Limited Atonement - Jesus died only to save the people God chose to save, not the rest of us bastards

Irresistible Grace - God chooses some people to be saved - if you didn’t want to be saved, too bad, God said so.

Perseverance of the Saints - People often forget this one and assume it’s ‘predestination’ but it’s actually this - basically, once saved by God, always saved, and if it looks like someone falls out of grace, they were never saved to begin with. Well that’s all sealed up tight I guess.

Reading through these, predestination isn’t a single doctrine in Calvinism but the entire theological underpinnings of it together with humanity’s utter powerlessness before sin. Basically God has all agency, humanity has none. Calvinism (and a lot of early modern Protestantism) is obsessed with questions of how God saves people (grace alone, AKA Sola Fides) and who God saves (the people god elects and only the people God elects, and fuck everyone else).

It’s apparent that Noelle was really taken by these questions, and repelled by the answers he heard. He’s alluded to having a tattoo refuting the Gospel passage about Sheep and Goats being sorted at the end times, affirming instead that ‘we’re all just a bunch of wooly guys’ (you can see this goat tattoo in some of his self-portraits in comics, etc). He’s also mentioned that rejecting and subverting destiny is a huge part of everything he writes as a particular rejection of the idea that some individual people are 'chosen' by God or that God has a plan for any of us. You can see that -so clearly- in Adora’s arc, where Adora embraces and then rejects destiny time and again and finally learns to live life for herself.

But for Catra, we’re much more concerned about the most negative aspect of this - the idea that some people are vessels meant for destruction. And that’s something else that Noelle is preoccupied with. In her memoir in the section about leaving the church and becoming a humanistic atheist, there is a drawing of a pot and the question ‘Am I a vessel prepared for destruction?’ Obviously this was on Noelle’s mind (And this is before he came out to himself as queer!).

To look at how this question plays out in Catra’s entire arc, let’s first talk about how ideas of damnation and salvation actually play out in society. And for that I’m going to plug one of my favorite books, Gin Lun’s Damned Nation: Hell in America from the Revolution to Reconstruction (if you can tell by now, I am a fucking blast at parties). Lun tells the long and very interesting story about, how ideas of hell and who went there changed during the Early American Republic. One of the interesting developments that she talks about is how while at first people who were repelled by Calvinism started moving toward a doctrine of universal salvation (no on goes to hell, at least not forever*), eventually they decided that hell was fine as long as only the right kind of people went there. Mostly The Other - non-Christian foreigners, Catholics, Atheists, people who were sinners in ways that were not just bad but weird and violated Victorian ideas of respectability. Really, Hell became a way of othering people, and arguably that’s how it survives today, especially as a way to other queer people (but expanding this is slated for my Montero rant). Now while a lot of people were consciously rejecting Calvinist predestination, they were still drawing the distinction between the Elect (good, saved, worthwhile) and the everyone else (bad, damned, worthless). I would argue that secularized ideas of this survive to this day even among non-Christian spaces in our society - we like to draw lines between those who Elect, and those who aren’t.

And that’s what brings us back to Catra. Because Catra’s entire arc is a refutation of the idea that some people are worthless and irredeemable, either by nature, nurture or their own actions. Catra’s actions strain the conventions of who is sympathetic in a Kid’s cartoon - I’ve half joked that she’s Walter White as a cat girl, and it’s only half a joke. She’s cruel, self-deluded, she spends 4 seasons refusing to take responsibility for anything she does and until Season 5 she just about always chooses the thing that does the most damage to herself and others. As I mentioned in my Catra rant, the show goes out of its way to demonstrate that Catra is morally culpable in every step of her descent into evil (except maybe her break with reality just before she pulls the lever). The way that Catra personally betrays everyone around her, the way she strips herself of all of her better qualities and most of what makes her human, hell even her costume changes would signal in any other show that she’s irredeemable.

It’s tempting to see this as Noelle’s version of being edgy - pushing the boundaries of what a sympathetic character is, throwing out antiheroics in favor of just making the villain a protagonist. Noelle isn’t quite Alex ‘I am in the business of traumatizing children’ Hirsch, who seems to have viewed his job as pushing the bounds of what you could show on the Disney Channel (I saw Gravity Falls as an adult and a bunch of that shit lives rent free in my nightmares forever), but Noelle has his own dark side, mostly thematically. The show’s willingness to deal with abuse, and messed up religious themes, and volatile, passionate, not particularly healthy relationships feels pretty daring. I’m not joking when I gleefully recommend this show to friends as ‘a couple from a Mountain Goats Song fights for four seasons in a cartoon intended for 9 year olds’. Noelle is in his own way pushing the boundaries of what a kids show can do. If you read Noelle’s other works like Nimona, you see an argument for Noelle being at least a bit edgy. Nimona is also angry, gleefully destructive, violent and spiteful - not unlike Catra. Given that it was a 2010s webcomic and not a kids show, Nimona is a good deal worse than Catra in some ways - Catra doesn’t kill people on screen, while Nimona laughs about it (that was just like, a webcomic thing - one of the fan favorite characters in my personal favorite, Narbonic, was a fucking sociopath, and the heroes were all amoral mad scientists, except for the superintelligent gerbil**). But unlike Nimona, whose fate is left open ended, Catra is redeemed.

And that is weird. We’ve had redemption arcs, but generally not of characters with -so- much vile stuff in their history. Going back to the comparison between her and Azula, many other shows, like Avatar, would have made Catra a semi-sympathetic villain who has a sob-story in their origin but who is beyond redemption, and in so doing would articulate a kind of psychologized Calvinism where some people are too traumatized to ever be fully and truly human. I’d argue this is the problem with Azula as a character - she’s a fun villain, but she doesn’t have moral agency, and the ultimate message of her arc - that she’s a broken person destined only to hurt people - is actually pretty fucked up. And that’s the origin story of so many serial killers and psycopaths that populate so many TV shows and movies. Beyond ‘hurt people hurt people’ they have nothing to teach us except perhaps that trauma makes you a monster and that the only possible response to people doing bad things is to cut them out of your life and out of our society (and that’s why we have prisons, right?)

And so Catra’s redemption and the depths from which she claws herself back goes back to Noelle’s desire to prove that no person is a vessel ‘fitted for destruction.’ Catra goes about as far down the path of evil as we’ve ever seen a protagonist in a kids show go, and she still has the capacity for good. Importantly, she is not subject to total depravity - she is capable of a good act, if only one at first. Catra is the one who begins her own redemption (unlike in Calvinism, where grace is unearned and even unwelcomed) - because she wants something better than what she has, even if its too late, because she realizes that she never wanted any of this anyway, because she wants to do one good thing once in her life even if it kills her.

The very extremity of Catra’s descent into villainy serves to underline the point that Noelle is trying to make - that no one can be written off completely, that everyone is capable of change, and that no human being is garbage, no matter how twisted they’ve become. Meanwhile her ability to set her own redemption in motion is a powerful statement of human agency, and healing, and a refutation of Calvinism’s idea that we are powerless before sin or pop cultural tropes about us being powerful before the traumas of our upbringing. Catra’s arc, then, is a kind of anti-Calvinist theological statement - about the nature of people and the nature of goodness.

Now, there is a darker side to this that Noelle has only hinted at, but which is suggested by other characters on the show. Because while Catra’s redemption shows that people are capable of change, even when they’ve done horrible things, been fucked up and fucked themselves up, it also illustrates the things people do to themselves that make change hard. As I mentioned in my Catra rant, two of the most sinister parts of her descent into villainy are her self-dehumanization (crushing her own compassion and desire to do good) and her rewriting of her own history in her speech and memory to make her own actions seem justified (which we see with her insistence that Adora left her, eliding Adora’s offers to have Catra join her, or her even more clearly false insistence that Entrapta had betrayed them). In Catra, these processes keep her going down the path of evil, and allow her to nearly destroy herself and everyone else. But we can see the same processes at work in two much darker figures - Shadow Weaver and Horde Prime. These are both rants for another day, but the completeness of Shadow Weaver’s narcissistic self-justification and cultivated callousness and the even more complete narcissism of Prime’s god complex cut both characters off from everyone around them. Perhaps, in a theoretical sense, they are still redeemable, but for narrative purposes they might as well be damned.

This willingness to show a case where someone -isn’t- redeemed actually serves to make Catra’s redemption more believable, especially since Noelle and the writers draw the distinction between how Catra and SW/Prime can relate to reality and other people, not how broken they are by their trauma (unlike Zuko and Azula, who are differentiated by How Fucked Uolp They Are). Redemption is there, it’s an option, we can always do what is right, but someone people will choose not to, in part because doing the right thing involves opening ourselves to the world and others, and thus being vulnerable. Noelle mentions this offhandedly in an interview after Season 1 with the She-Ra Progressive of Power podcast - “I sometimes think that shades of grey, sympathetic villains are part of the escapist fantasy of shows like this.” Because in the real world, some people are just bastards, a point that was particularly clear in 2017. Prime and Shadow Weaver admit this reality, while Catra makes a philosophical point that even the bastards can change their ways (at least in theory).

*An idea first proposed in the second century by Origen, who’s a trip and a fucking half by himself, and an idea that becomes the Catholic doctrine of purgatory, which protestants vehemently denied!

**Speaking of favorite Noelle tropes

[mmkin]

So recently my SO introduced me to Batman the Brave and the Bold, and we marathoned all 3 seasons of it. I’ve enjoyed many DC cartoon series, going all the way back to the Batman animated series from the early 90′s, although not neccessarily at the times they aired, particularly for late 00/10′s shows (Young Justice...I marathoned that earlier this winter and OMG I can’t wait for the new season!) I’ve also been enjoying the live-action DC shows... Supergirl, Green Arrow, Legends of Tomorrow, etc... thank goodness for Netflix! Anyway, it’s been a real blast with BtBatB. I enjoyed the artwork, and the often corny/cheesy writing, and many of the character designs and storylines. But damn, Music Meister... he’s really stuck in my head now. I absolutely love his appearance/character design, right down to the gap in his teeth. I really would love to see him again in a future series, animated or not - but this time, I’d like him to look the way he did in the cartoon! (Nothing personal against the Darren Criss appearahce/version in Supergirl but I wanted my gap-toothed ginger hunk!) One thing I did NOT like was the thing with Black Canary. Not bashing MM/BC shippers here, mind you, I just really hate the cliche ‘if I can’t have her, I’ll kill her’ schtick they used for his episode. Not only that but he fucking tried to kill her TWICE. Jesus tap-dancing Christ. I mean yeah, it’s not like this was portrayed as a good or healthy thing to do but it’s still so damn cliche. I also didn’t like how he fell for her just because she could sing. It’s another cliche I see all too often in comics/cartoons. Just because someone shares a passion or hobby with you doesn’t mean they’re ‘the one’ for you. It’d be cool if Music Meister fell for a deaf/hard of hearing woman... he couldn’t hypnotize her with his singing, so any feelings on her part would be genuine. And it’d be interesting to see MM have to do/think in a way that did NOT include his music, because it’s healthy to disengage from your passion/hobby every now and then and makes you less one-dimensional as a character. Anyway, I’ve rambled on long enough about my thoughts about MM... so I’m sharing some lovely fanart of MM I’ve found across the web. (to be clear, I do not claim credit for any of these and am just posting them for enjoyment of fellow MM fans!)

[bounce-a-coin-off-your-witcher]

My dearest bouncey! I have a prompt for you if you like: Witchers as a 90s/2000s boyband 😂🤷‍♀️💖💖💖

Ellie, darling, this started as 500 words and turned into like 3.2k words and also a piece of art so... thank you so much. also shout out to my amazing art pal @mawbwehownets for the little comic!!

this contains lots of 90′s/early 2000′s nostalgia so there is also that

tw: hornyish, smooching, perilous music video situations (corny)

---

“Do I have to?” Geralt groans, letting his forehead thud down against the linoleum surface of their tour bus’s shitty dining table.

“Yes,” Vesemir says. His tone leaves no room for argument or whining. “But what if I let you pick the winner personally?”

“There have to be like fifteen thousand letters to go through! How will I manage that in less than two days?”

“There were a few more than fifteen thousand applications, Geralt. There were probably closer to five hundred thousand.”

Lambert wolf whistles and Aiden claps.

Geralt grimaces and keeps his face hidden against the table, releasing a slightly muffled: “Fuck.”

“Language,” Vesemir frowns. He tugs gently at Geralt’s loose ponytail and the singer lifts his head up from the table again, looking at his manager with beseeching eyes. “Anyway, we’ve narrowed it down to about fifty. You can go through those and choose whichever person you’d like to play your love interest. But you have to give me an answer by Friday. The shoot is in three weeks and whoever wins this stupid competition will need time to make arrangements.”

“I thought we were footing the bill for their food and their hotel room,” Geralt raised an eyebrow. “What would they need to arrange?”

“Not everyone can board their pets at the flick of a wrist, dude,” Lambert scoffs from his seat on the couch. Aiden lies draped across his lap, as usual, and the two of them are halfheartedly watching The Lion King. They can only watch movies when the bus is stationary, otherwise the VHS player might move too much while running and damage the film inside the cassette. Even taking advantage of such a rare opportunity, Lambert and Aiden still seem more interested in each other than Jonathan Taylor Thomas’s voice acting. 

“Lambert has a point,” Vesemir sighs. He scrubs his hand over his lightly whiskered face like a tired grandparent and sighs again, more heavily. “It’ll be good for you boys to have a normal person around for a few days. Maybe they’ll be able to put some things into perspective.”

Geralt can only roll his eyes a little bit and thank his manager regardless of his own feelings; he and the rest of TW5 owe the seasoned musical expert their entire careers. Without Vesemir’s help and mentorship they would never have made it past their first disastrous record deal. They certainly wouldn’t have reached the heights they’re at now, enjoying international fame and recognition. 

The begrudging frontman accepts a heavy plastic bin of file folders from Vesemir and sets them down next to his bunk. “Are these organized in any particular way?”

“Nope.”

“Cool.”

Geralt digs his hand into the pile and pulls out a piece of pale-pink stationary, eager to get started and, by extension, get finished. He can already tell that it’s going to be a long couple of days.

---

“I want this one, please, Ves.”

“Huh?” Vesemir looks up from his palm-pilot. Geralt is standing in front of him and trying to hand him something. 

“I want this guy to be in the music video with me.” Geralt holds out the letter again, fingers trapping the accompanying polaroid headshot with great care. A pair of bright blue eyes stares up from the photo, highlighting the subject’s bright smile and unruly mop of messy brown hair. Vesemir tries to hide his amusement; totally Geralt’s type, if the big oaf could admit to having one.

“Alright. I’ll get everything in order. We start shooting in two and a half weeks so get your asses to the gym, please.”

“Yes, Ves,” all five young men chorus. 

“Tomorrow,” Coen mutters a moment later than everyone else, not glancing up from his composition notebook. Vesemir nods in understanding. Coen is the best lyricist of the lot and it’s easier to let him work when inspiration strikes than beg him to focus when he can’t get a solitary idea to stick.

“So why’d you pick that one, Ger-bear?” Lambert drawls. Aiden nods and leans against Lambert’s side. Geralt can’t help the mild jealousy that overtakes him every time he sees his bandmates touch each other with such casual affection. He wants that intimacy, that softness behind the veneer of famous indifference. He wants someone to hold. 

“Yeah. What drew your attention to that poor unfortunate soul. Was it the floppy hair, the big blue eyes, or the dopey grin?” Aiden smirks.

“Hmm.”

“Fuck you,” Eskel sighs, looking between the two troublemakers with the tired gaze of an eldest sibling, “Fuck you for even asking in the first place and expecting a straight answer.”

“Straight is the furthest thing from his answer,” Lambert chuckles. He is promptly smacked in the head with one of the couch’s hideous throw pillows. The youngest member of the band rubs the side of his face and chuckles, “Alright, I deserved that one.”

---

“Holy shit!” Jaskier practically screams. “Holy motherfucking shit!”

“What!?” Yennefer comes flying around the corner. “What’s wrong!?”

“Nothing is wrong, Yenna! Everything is awesome! Everything absolutely fucking rocks!”

“Did you get hit on the head by a falling branch between here and the mailbox or what? You were whining about your finals work not five min-”

“Look at this!” Jaskier shoves an open envelope into her hands and cuts her off. Yennefer reads the watermarked documents once. Twice. Her eyes almost pop out of her head when the words and their meanings finally sink in. 

“Are you fucking with me right now?”

“No, I am absolutely not!” her giddy roommate cheers, bouncing up and down in place. “I did it! I won!”

“Holy shit.”

“I know! I get to kiss Geralt deRiv!” he practically cackles. Then freezes. “Holy fuck I get to kiss Geralt deRiv.”

“You said that already,” Yen teases. She shoves the paperwork back into his hands and grabs a takeout menu from the junk drawer near her hip. “Since you won the makeout lottery, you get to buy lunch. Lucky bastard.”

---

“So this will be your dressing room,” someone’s underpaid PA says, ushering Jaskier into a small, bright room. “Priscilla will be here shortly to get you into hair and makeup.”

“Oh, uh- thanks!”

“Yup.”

And with that, the young man disappears back down the hallway toward the sound stage. Jaskier jogs his leg anxiously as he waits for Priscilla to arrive, nervous and otherwise totally alone in the huge grey building. As the minutes tick by and his heart rate rises, Jaskier’s intrusive thoughts make an unwanted appearance: What if they forget about me being here? What if there’s been a mistake and they accidentally hired two love interests and I just sit in here for hours all alone while-

“Hi!” a bright, peppy blonde woman flies through the door and startles him back to reality. “Nice to meet you, I’m Priscilla! You can call me Priss; I’ll be doing your hair and makeup for the video this week!”

“Oh… hi. I’m Julian, but I prefer Jaskier.”

“Lovely! Well, Jaskier, is your hair naturally this color?”

“Y-Yes?”

“Perfect! I don’t want to mess with such a lovely shade of natural brown, but do you mind if I give it a bit of a trim? I have a few ideas for styles right here in my book- How do you feel about some feathering back here? I think-” she fluffs a few of the hairs around the nape of Jaskier’s neck “-I could really bring out the curls if I adjusted the length a bit and used some product.”

“Just, uhm, go for it, then! Feel free to make me as pretty as possible!” Jaskier declares. He’s committing to this experience wholeheartedly, determined to allow himself every opportunity for positive change. He wants to really let himself enjoy it, and he needs a haircut anyway. Priscilla spends an hour washing, cutting, drying, and styling his hair into a lovely fringed sweep across his forehead. It ends just above his brows, giving his face a slightly softer shape than usual. He grins over his shoulder, “I love it! I’m going to miss you when I’m back at Oxenfurt. Good stylists are so hard to find.”

Priss blushes and nudges against his shoulder, “Oh, you little charmer.”

“I mean it,” he says, examining himself in the mirror. “I look like I could really be worthy of a heroic rescue! This is going to be such a fantastic memory, and I appreciate it. Thank you so much.”

Priss bites back a genuine tear and smiles, “Now that your natural prettiness has been mildly enhanced, let’s get you over to wardrobe, shall we?”

“Wardrobe? Do I have, like, a costume? What’s the music video even about?”

“They didn’t tell you any of this when you got here?”

“Not… not really.”

“Well, my darling, I think you’re really going to like it; they’ve got you in Versace for the first scene.”

“Versace!?” 

Then Jaskier is being ushered into a bright, colorful room full to bursting with grim-faced, middle-aged women and he loses track of his only braincell for the rest of the morning.

---

“You must be Julian!” Lambert declares, bounding up to him and grinning. It’s a feral, animalistic grin and Jaskier resists the sudden urge to take a step back.

“I prefer Jaskier, if you don’t mind too much,” Jaskier corrects him quietly. Lambert rolls his eyes in a long-suffering kind of way and throws a meaty arm around the shorter man’s shoulders, completely ignoring the wardrobe technician’s wincing as he wrinkles the expensive silk jacket. 

“No need to be quiet and polite around here, my dude. We’re just a bunch of rowdy idiots, aren’t we, guys?” 

“Hell yeah!” Aiden calls back. Eskel sighs like the put-upon nanny in a Victorian Redanian comedy. 

“Speak for yourself,” Coen barely lifts his frosted tips up from his book long enough to speak. Geralt is-

Holy motherfucking Britney Spears on toast.

Geralt is the hottest thing Jaskier has ever seen in his short, unfulfilled-until-right-now life. Forget Ralph Macchio. Forget Leonardo Dicaprio and Kate Winslet and Winona Ryder. This man is… Geralt deRiv is… he’s the picture of perfection. And he’s right there, standing in front of an elaborate party set with his thick, beautiful arms crossed over his chest and his eyes trained on the floor, as if willing it to swallow him whole. Jaskier realizes that he probably didn’t have any choice in the matter; maybe this was just as awkward and uncomfortable for Geralt as it was for Jaskier. 

“Ger-bear!” Lambert whoops, yanking Jaskier closer to the brooding frontman. If only he were brave enough to struggle for escape; alas. “This is your boy-toy for the week. Goes by Jaskier, apparently.”

“Nice to meet you,” Geralt manages to grunt. “How did you like the script?”

“I haven’t uh- I haven’t actually seen it?”

“Shit. Fuck. One second,” Geralt huffs, disappearing into the crowd of technicians and machinery operators and PAs. Jaskier loves him already, for real. Sure, he was pretty in the music videos and promo material, but the way he said fuck like it was the noblest word he could think of… Geralt interrupts his train of thought by coming back with a sheaf of papers clutched in his hand. He shuffle-shoves them into Jaskier’s arms immediately. “There you go.”

“Thank you!” Jaskier smiles. It’s genuine and shy, more tenuous than his usual goofy grin. He flips through the pages, glancing between the script to his expensive suit, “So I’m guessing we’re at a party for this scene? Or something?”

“This is… where we meet. This is where… you and I uh…”

Jaskier’s eyes scan the page as Geralt’s ability to speak slowly leaves him. 

Lover ENTERS LEFT, dressed to the nines. Lover adjusts their tie/boa and takes a look around the room. S/He looks sad and a little hopeful. PULL BACK to Geralt, who approaches slowly. Their eyes meet. HOLD SHOT. PULL BACK as they move towards each other. Geralt pulls Lover into his arms and they begin to dance.

“Oh, wow.”

“I hope it’s okay! If you’re not comfortable with that kind of thing we can-”

“I’ll be alright, thank you. I came here to put my acting chops to the test. Well, that and meet my favorite band, of course. Thank you again, by the way. It’s been wonderful so far and I really appreciate you allowing me to be here.”

“Allowing? Psh. Geralt ha-” Lambert is cut off by Aiden, who elbows him sharply in the side. “Ow! What the fuck, babe?”

“I knew it!” Jaskier crows, distracted. “I knew you two were an item!”

“They’re not exactly subtle.”

“They never confirm anything either,” Jaskier retorts. Geralt shrugs his acknowledgement and moves back towards the set. Jaskier follows after the taller man like a lost puppy, eyes flicking from one thing to the next, hungry for detail even in his anxiety ridden state. This is a once-in-a-lifetime experience and he doesn’t want to waste a solitary second of it. “This is incredible, really just...wow. You guys do this all the time? You get to make tiny little movies for already great songs that you get to perform for millions of adoring fans? And you get paid!?”

Geralt hadn’t ever really thought about it like that. He’d been raised in the industry. He’d signed to Kaer Morhen Records as an early teen because his mother was a member of the Board of Directors and he’d been making music ever since; an outsider’s perspective to things was… new. A little strange. “Yeah, I guess that is pretty much what we do.”

“Wow.”

“It’s not that exciting, I promise.”

“Have you ever written a fifteen page paper about the history of lute-string design and manufacturing?” 

“No.”

“Then kindly shut the fuck up about what I should consider exciting,” Jaskier grins. Geralt is immediately and irrevocably smitten. Fuck. It hasn’t even been fifteen minutes! “So, which door am I entering from?”

“Left,” Geralt points. Jaskier skips over and begins to introduce himself to the sound and lights crew. His smile seems to be as infectious as his cheer and soon the entire set crew is smiling at one another. There’s been a literal shift in the atmosphere; if he didn’t know any better, the TW5 frontman thinks Jaskier might be some kind of magical creature, because he can’t just be human. Geralt is well and truly fucked, and everyone in the band already knows.

---

“What do you think?” Jaskier asks, slipping anxiously from behind the changing screen. The Versace is gone and in its place are a pair of tight, high-waisted blue pleather pants and a billowing white shirt, which has been strategically ripped in several places to reveal slivers of the lightly tanned skin that lies beneath. He looks like he’s in desperate need of rescuing. He looks like every fantasy Geralt has ever had about the perfect guy. He looks like a fucking dream.

“Nice,” he says.

Lambert and Aiden wolf-whistle and cheer as they approach. Aiden claps twice, loudly, and shoots Jaskier a set of finger guns, “Hot damn, baby. You single? You lookin’ to mingle? Because I am bi and spoon like a Pringle.”

“First of all, babe, I love you but that was the most horrific combination of words yet known to man. Second of all, yeah, I’d dump Aiden for you for sure,” Lambert adds. Jaskier is at a total loss for words. His mouth hangs open and his breath comes in uneven little gasps for a moment.

“Uh… I- Thank you?”

“Oh god, Eskel! Eskel, he’s short circuiting, do something.”

“You absolute-” Eskel groans and makes his way over to the gathered group. He tugs Jaskier away and over to the other end of the set, where a comically huge rocket/bomb (Jaskier can’t tell) is standing at the center of a vaguely science-themed room. A laboratory, maybe? Or like, a really weird spacecraft? A hospital run by rocket scientists? It doesn’t matter, it’s the Evil Lair of the Villain and that’s where Jaskier is being held captive. “Here, Cameron and Elise will help you get set up for the next scene. I’m sorry about the boys they’re... gay?”

“I understand,” Jaskier nods sagely and Eskel relaxes. Then for comedy’s sake he adds an equally dramatic, “I too am... gay.”

The set dresser, an electrician, and a few specialists (likely a rope rigger among them) come over and tie Jaskier to the bomb/rocket/villainous mechanism, ending his conversation with Eskel, who is now in a much better mood than he was before. 

Jaskier is told to make sure his hands are crossed behind the small of his back and the director instructs him to wiggle back and forth “as convincingly as possible without actually getting loose or moving the ropes too much”. Which is manageable, he supposes. 

“Then, when the chorus comes up, we’ll get a few shots of the boys dancing in front of you,” the director continues to explain. That’s… kind weird, but okay. I’ve seen weirder. “Then we’ll do the action shots, with Geralt rescuing you. Are you okay to do the kiss, or would you rather not? We have dynamic shots with or without, so it’s totally up to you.”

“I’m fine with that,” Jaskier smiles shyly. “I consent to be smooched.”

“Adorable,” Lambert calls. Jaskier blushes and the director shoots Lambert a glare. 

“He’s already pink enough, don’t make me change my gels you little shithead!”

“Sorry, Pierre!”

“Fucking sorry my ass,” Pierre grumbles beneath his breath. Then he smiles at Jaskier. “Do something nasty to him for me, will you? Not too nasty but… just a little?”

“I’ve got your back,” Jaskier winks. 

“No plotting! Not fair!” Aiden whines.

“You have a team,” Pierre retorts. “Now I have a team.”

“Rules are rules,” Eskel sighs. “Now can we please shoot this damn video?”

“Right,” Pierre claps, getting everyone’s attention. “Places!”

---

Geralt races up the stairs, trying to keep the long sleeves of his black mesh shirt from catching on any of the set pieces. The solid black t-shirt he’s wearing underneath makes his arms and back look bulkier than normal; it’s a visual technique to make him look larger than Jaskier, whose billowing white shirt will hide how wide his shoulders actually are. Fuck, those are some nice shoulders. And the smattering of dark chest hair that peeks from the front of the college student’s shirt? Geralt wants to bury his face in it.

Okay, focus. 

He reaches the top of the set and rushes towards Jaskier, ripping the ropes from around his torso and pulling him close. He cups the back of Jaskier’s head with his upstage hand, framing the slightly smaller man for the camera and making him seem even shorter, another trick of angles and body posturing. Geralt plays Jaskier like an instrument, bending him back by placing his downstage arm around Jaskier’s waist, pressing their mouths together and holding them still for as long as it takes the director to yell, “Cut!” with a satisfied tone of voice. 

Geralt’s suspicions are confirmed when Pierre laughs and claps some more and cries, “Print it, lads! That was a one-take wonder!”

He tries to ignore the way Jaskier’s shoulders slump as if disappointed. “Good job,” he manages to say.

“You, too.” Geralt wishes he could keep a picture of Jaskier smiling in his back pocket forever. No other sight could light up the world so effortlessly. “Thanks for being gentle.”

“I’m trying to sweep you off your feet,” the singer shrugs. Jaskier wiggles his eyebrows and follows Geralt down the narrow set stairs.

“Are you, really?”

“Is it working?” Geralt asks, turning to look up at Jaskier. The student pauses to look at him and his foot catches on an uneven board. He topples forward with a short cry of surprise and seems surprised when Geralt reaches out to catch him. “Jaskier!”

“Oh my god!” Lambert races over, Aiden hot on his heels. “Are you okay, dude?”

“I’m fine,”  Jaskier laughs, a little breathless. “Just a little shocked.”

“You should take him to get a snack or something,” Eskel says, nudging his shoulder against Geralt’s. “He’s been busy all day and hasn’t even been to craft services.”

“You haven’t eaten?” Geralt asks, honestly baffled. Jaskier shakes his head, face heating once again. He wishes he could stop blushing, but Geralt’s presence seems to make it impossible. He wraps one arm around the younger man’s temptingly slender waist and leads him towards the food carts. He shoves a couple of sandwiches and a bottle of punch into Jaskier’s hands, not giving him a chance to argue. “Here, I’ll have something, too.”

“Thanks,” Jaskier smiles, understanding that he is, in turn, being understood. They sit comfortable folding chairs off to the side, food spread across their laps. Jaskier laughs and chats around his mouthfuls, pulling things from Geralt like his favorite color and his least favorite nicknames. Songs he liked and dances he disliked. 

“You made it fun again, today,” the singer smiles. “Thank you for that. I wish you could be here for every video shoot.”

“Looking for another member of the band?” Jaskier jokes, doing some half-hearted jazz hands. Geralt shakes his head and laughs. 

“I wish we were,” he sighs. “But I guess five is the magic number.”

“Makes the dances look cooler,” Jaskier nods. “I agree with whoever made that decision. I wouldn’t dare ruin the aesthetic.”

Geralt laughs again and Vesemir turns to look, honestly shocked at the volume of the sound. 

“Plus, you can’t be the frontman if there’s no front.”

“Shut up,” Geralt chuckles, still grinning broadly. 

Vesemir makes a phone call.

---

2 Weeks Later, Backstage in Kaedwen

---

“He’s been sulking like this ever since Jaskier went back to Oxenfurt,” Lambert whines. “C’mon Vesemir, do something.”

“What do you want me to do, make Geralt’s boyfriend appear out of thin air?”

“Not my boyfriend,” Geralt growls, stomping past his bandmates and manager. He can’t help but feel grumpy. Jaskier had been like the sun, bringing light and wonder to everything he touched, and without that joy around it doesn’t seem worth the extra effort to smile. So he’s been moping. 

“Fucking hell,” Vesemir sighs. “Thank goodness I thought ahead.”

“What do you mean?” Eskel asks, joining the little group in the hallway outside the dressing room. “What did you think of?”

“Three,” Vesemir smiles, glancing at his watch. “Two… One…”

“Boooooys,” echoes a high tenor. “Where’s my welcome wagon, Vesemir?”

“Jaskier!” Aiden practically screams, leaping out of the dressing room and flying down the hall. Lambert follows at a sprint and Vesemir hears the resounding oof oh fuck of both giddy musicians hitting their mark. 

Geralt comes back down the hall at a jog, eyes searching frantically. “I thought I heard-”

“Geralt!”

Vesemir’s heart clenches in his chest at the way Geralt’s face lights up. At the end of the hallway, surrounded by spilled luggage and apologetic boyband members, is Jaskier. Geralt floats to him, it seems, like he’s dreaming the whole thing. Jaskier takes his hands and then releases them and wraps his arms low around Geralt’s hips instead. 

“I missed you the most,” he whispers, just for Geralt to hear. “Couldn’t sleep without listening to your CD. I know it’s silly but I really like you.”

“Jaskier,” Geralt whispers reverently into his shaggy brown hair. “What are you doing here?”

“I was going to do my thesis on pop culture’s relation to music history,” he says. “And then the manager of TW5 called Oxenfurt and offered me the opportunity to do some… first hand research while I worked on finishing the paper.”

“R-Really? You’re going to be here… every day?”

“Do you… do you not want me he-”

Geralt kisses him before he can even finish the question. It’s a stupid question anyway, of course Geralt wants him here. Wants him right here, kissing him silly. The singer presses his lips desperately, crushingly against Jaskier’s; he never wants to part from this man again. He never wants to be without that glorious laughter and contagious liveliness. Who knew that life could be so full of delight and happiness if he only let it? 

He kisses Jaskier for all he’s worth and more, pouring his heart and soul into it. When they pull apart, both gasping for air, Geralt asks, “Stay with me, Jaskier? You don’t have to do anything I just-”

“I’d love to be the big spoon,” Jaskier winks, whispering again. “Thank you, Geralt, for the rescue.”

[carriagelamp]

Art of Aardman

I found myself a cheap copy of the Shaun the Sheep movie, so I was rewatching a bunch of Aardman films earlier this month and decided to hunt down some books too. For anyone that doesn’t know, Aardman is a British stop-motion studio that does fantastic work like Wallace and Gromit, Shaun the Sheep, Chicken Run, Early Man… tons of cool stuff. They’re always quirky and funny and warm-hearted. This was just a very nice art book for anyone that’s a fan of Aardman stop motion and wants to see a bit extra; it shows some cool concept art and blows up the neat details in Aardman work, especially in their intricate stuff like The Pirates! In an Adventure with Scientists!

Asterix and the Picts (Asterix and the Chariot Race, and How Obelix Fell Into The Magic Potion)

I decided to try a couple of the new Asterix comics that were done by the new team, just to see if they stand up to the old ones (that and How Obelix Fell Into The Magic Potion cause I’d never read that one before). They were pretty decent! Asterix and the Picts was my favourite of the two though I wouldn’t say either are going to contest for my favourite Asterix comic... but still! The art looks good and the stories felt like what I would expect, they made for a pleasant couple evenings of reading especially since it’s been so long since I’ve read a new Asterix comic. If you’ve never read Asterix it’s one of the biggest name French comic series in North America, as far as I know and very worth the read. It’s about a single Gaulish village that’s holding out against the invading Romans through sheer force of will, slapstick hijinks, and a magical super-strength potion brewed by their druid. Lots of fantastic visuals and cute wordplay, even in the English translations.

Bear

I found out about this bastion of Canadian literature via tumblr post that was losing its collective mind over the fact that some bizarre bear-based erotica novella somehow won the most prestigious literary prize available in Canada. Since I too found this hilarious and unspeakably bizarre I had to give it a read, obviously. And yes, the flat surface level summary is... a librarian moves out into rural Ontario and falls in love with a literal for-real not-supernatural-not-a-joke bear. And I have to say… it is actually worthy of an award, which I was not expecting given that I was there for a laugh. It has beautiful writing, and the subtextual story is pretty interesting… it kind of makes me think of The Haunting of Hill House actually in terms of themes. (Womanhood, personhood, independence, autonomy partially achieved through escaping the male gaze by claiming non-human lovers... listen if I were still in university I would right a paper comparing the two novels).

I dunno man, it’s fucking weird. Actually a well-written book, but sure is about a woman falling in love with a literal bear. Give it a read if you want something bonkers but like… high-brow bonkers.

Hunger Pangs: True Love Bites

Best book I have read in like… a while. A long while. I am not a fast reader, and I consumed 90% of this book over a weekend. It’s not at all like Terry Pratchett, but at the same time it scratched an itch for me that I haven’t had satisfied since Pratchett’s death. A very clever, hilariously funny poly romance between a disabled werewolf, an anxious vampire lord, and an incredibly powerful woman, with heaps of social satire, political commentary, and sinister undertones. The whole thing reads a bit like fanfiction and I say that in the most flattering way possible -- it is so easy to jump right in and be immediately taken over by the characters and the world and the plot, you never feel like you’re fighting to engage even though the world-building is fascinating and expansive. It welcomes you in right away, it was the book equivalent of a quilt and a hug which is something I sorely needed with all this pandemic bullshit. If you read any of the books on this list, go read that one while I sit here in pain waiting for the sequel.

Kid Paddle

I watched the cartoon of Kid Paddle as a kid and was thinking about it recently, so I decided to hunt down some of the original comics online. They’re fun and weird, with a cute art style and fantastic monsters designs. (My favourites are always about Kid either daydreaming or playing games that involve Midam’s weird warty troll creatures. It’s like a cross between Calvin and Hobbes and Foxtrot with the fun sort of quirks that I love in Belgian comics. Unfortunately, unlike Asterix, I’ve only come across these ones in French, but if you can read French it’s totally worth popping over to The Internet Archive and reading the ones they have available.

The Last Firehawk: The Golden Temple

The lastest Firehawk book. Despite being written for quite young readers, I did enjoy the early books in this series quite a bit. They’re about a young owl and squirrel who found an egg for a magical species that was believed to be extinct. With the newly hatched firehawk, the three of them head off on a mission to find an ancient firehawk magic that could save the entire forest. Very basic adventure story but a good intro to the tropes for children. Unfortunately the quality really feels like it drops with each subsequent book; this will probably be the last one I bother reading.

Lumberjanes: The Moon Is Up

I honestly think I enjoy these Lumberjanes novels even more than the comics just because it really gives time to delve into each story and examine how the camper are really thinking and feeling about everything. (Also I’m always weak for novelizations of anything.) The Moon Is Up is a book that focuses more on Jo, and takes place during the camp’s much anticipated Galaxy Wars, a competition between cabins that goes over several days. While the campers prepare for these challenges though, they also run into a strange little creature with a penchant for cheese and theft. Roanoke cabin needs to keep ahead in Galaxy Wars and somehow deal with the fearsome Moon Pirates that a closing in...

Lumberjanes v4 (Out Of Time)

One of the Lumberjanes comics, a cool, girl-focused, queer comic series. Honestly, this is just a fun series that I never got as into as I should have. My advice is honestly to skip book one because it gets better as it continues, and I’ve really been enjoying the later books now that I’ve given it another go. It follows five campers at Miss Qiunzella Thiskwin Penniquiqul Thistle Crumpet’s Camp for Hardcore Lady Types (Jo, April, Molly, Mal, and Ripley) as they handle all sorts of challenges, from friendship to crushes, camp activities to supernatural horrors, getting badges to not being brutally killed. Great if you liked the vibe of Gravity Falls but want it to be queer-er.

Mooncakes

Another queer graphic novel, but unfortunately not a very good one. It really looked appealing and I had high hopes, but the book itself really didn’t hold up… I actually couldn’t even finish it, the plot was just too… non-existent. The art is fairly mediocre once you actually look at it, especially backgrounds, and it feels very… placid. Not much conflict or excitement or even a very compelling reason to keep reading. If you just want a soft queer supernatural you may get more mileage out of it than me, but it didn’t really do it for me. There’s better queer graphic novels out there.

New Boy In Town

One of the worst books I have ever read. My girlfriend had ordered a very different book online but through a frankly stupendous error was sent this 1980s pulp romance instead. Absolutely nauseating on levels I couldn’t even begin to enumerate here. Naturally we read the whole thing out loud. Probably took us 10 times longer to finish than it warranted because I had to stop every two sentences to lose my mind. If you like bad decisions, baffling hetero courting rituals, built-in cultural Christianity without actually calling it that, and gold panning then boy howdy is this the book for you.

(seriously, you better have patience for gold-panning if you attempt this one, because I sure learn that I don’t)

Piggies

This was a picture book I enjoyed as a kid and had a reason to reread recently. Honestly it’s just very cute and simple, and the art is completely mesmerizing. Wonderful if you know a young child that would enjoy a simple goofy boardbook.

Shaun the Sheep: Tales From Mossy Bottom

Related to my Aardman fascination earlier this month. I tried reading a varieties of Shaun the Sheep books — most of which are mediocre at best — but the Tales From Mossy Bottom Farm series is genuinely good. Just chapter books, of course, but the illustrations match the series’ concept art and each story feels like it could have jumped directly out of an episode. They’re just cute and feel-good! Kinda like Footrot Flats but more for kids, and from the sheep’s perspective moreso than the dog’s.

[scottymcgeesterwrites]

90′s kids are actually 00′s kids

Let’s be honest: there are only four things I really remember about the 90′s - Princess Diana, Monica Lewinsky, Seinfeld, and Pokémon. Everything else is a random mix of personal memories, like friends I made in school and the times I got seriously injured or sick. But the outside world was still a bit of a blur, waiting to be discovered. A few years ago, my fiancée and I went to NYC Comic Con. They had these mystery boxes that you could buy. Each mystery box had a different theme, so Star Trek, Star Wars, DragonBall Z, etc. You would pay like $50 or something like that for items inside the box related to that theme. We saw a 90′s theme mystery box and bought it. 

We opened it up, expecting to be excited about reliving the 90′s.  We didn’t recognize a single fucking thing in the box. 

No idea what any of that stuff was. 

My formative years were really the early ‘00′s. That’s when I was becoming a “person” and when I developed my emotions, for better or for worse. 

For me, the real “nostalgia” is the GameCube, skinny jeans, drum and bass, Fatboy Slim, bad action movies with washed out colors trying to imitate The Matrix, Homestar Runner, Internet forums, and the final days of the true arcade. The early ‘00s were truly a weird, transitional and liminal space between two worlds. It was a world of twilight, where two ends met. It saw the decline in physical copies of movies and music and the rise of the digital age. It was the final goodbye to the analog world. It saw the rise of hacktivism, and the early days of social media was the Wild Wild West before the corporations brought the hammer down with rules and threats of copyright infringement. The new millennium was unsure of what it would become, but storm clouds loomed in the distance. The 90′s didn’t end on December 31st, 1999 at 11:59 PM; they ended on September 11th, 2001 at around 8:45 AM EST. That was when “the fun” stopped, and when we all had to rethink our lives.

I remember Craig Ferguson (my favorite late night host), and a bunch of underrated celebrities who we used to make fun of (or loathed) who have now been vindicated. Keanu Reeves. Britney Spears. Guy Fieri. Robert Downey Jr. Cara Cunningham. Everyone you loved back then turned out to be a monster, but everyone you took for granted was really a good person all along. I remember being mad at seeing open fields being taken over by cheaply-made, mass produced McMansions near my house. I vandalized one of the construction sites. When I confided in someone about it, they called my cause petty and stupid. Two years later, the Great Recession started because of the housing bubble. I tried, in a brief violent moment, to fight back something I didn’t understand. It was inevitable.   I saw the world transition and the storm clouds roll in. I felt the paradigm shift. I saw the party end as millions of people looked up and said, “I have a bad feeling about this.” I overheard thousands of conversations from the stairwell late at night as my parents talked worriedly with their friends about the Iraq War and the Patriot Act. I remember the start of the Bourne movies. In a way, they were a response to the Bond movies. James Bond was the 20th Century hero, the upholder of “Western civilization” and the status quo. Jason Bourne was the first of the 21st Century heroes - the hero who regretted and fought to change the status quo. I remember movies trying to make bold, serious takes on superheroes. Some succeeded, like Batman Begins and X-Men. Others failed, like Daredevil and Ghost Rider. Everyone wanted to be serious then. That, and so much more, is what I remember about my childhood - my real childhood. In my heart, I am a 00′s kid.

[geekgemsspooksandtoons]

The Mask 1994

*I finally wrote the whole thing. I finally watched the movie that involved something I’ve been talking about A LOT. I think this took about an hour since I finished the movie. Forgot to mention Charlie.*

I wanna make this clear, even before I watched movie or ever writing this. I am legitimately a stupid and lazy person. Because my mom told me about this, and last week, my dad rented A Quiet Place Part 2. When I was trying to go to sleep but was looking up movies...I literally forgot my tv can do that too...and that I can rent or buy a movie...I rented the movie this morning, and deleted it afterwards...after all that talk...I could’ve done that...wow. I should do that more considering some movies I wanna see or like. Not too much though. My tv has DirecTV. Just a heads up.

But a few or couple of minutes ago, I finally watched The Mask film from 1994. This post is gonna be filled with spoilers and it’s gonna get long. Gonna be kind of a review. My overall thoughts on it. This was my first reaction to the whole movie.

I’d just wanna talk about this too. I like comic books, I like comic book movies. Mainly my favorites are ones like all of Zack Snyder’s DCEU movies, Spider-Man 1 & 2, The Suicide Squad 2021, Wonder Woman 2017, The Dark Knight(Despite whatever issues I have with it), and Joker 2019. Yeah, those are mainly DC films and two Marvel related ones. I don’t even mind Spider-Man 3 as well. I also forgot Dredd 2012 is another one of my favorites. Along with Batman 1989.

I was hoping The Mask could make that list of favorites. Because I read the comics first. I don’t think I ever watch the movie fully as a kid MAYBE. I’m a fan of the comics, I know this movie was gonna be a lighter take on the series. 

In a nutshell...I liked it. It’s possible it will be on that list of favorite CBM’s...but I want to talk about it. I’ll also admit I think what got me interested in seeing this film and this series was me liking Jim Carrey as Ace Ventura...now, let’s get to the point.

Yeah, I liked it. I thought the movie was genuinely entertaining. Despite seeing some clips before. But also Ryan Hollinger’s video about it. Revealing the ending, the twist, and other stuff. But I didn’t wanna watch more more that I haven’t seen yet.

I will be honest, it still made me laugh. Even some scenes I already have seen. I will admit, the Cuban Pete scene is actually one of my favorites. XD But what also surprised me is that at times, despite being a funny film. It can genuinely be touching in a way. And I am mainly talking about the developing relationship between Stanley and Tina.

I just wanna talk about the characters right now. I’ll just admit unless I haven’t already. I’m a Jim Carrey fan. Mainly because of his more goofier roles. Particularly his roles from the Ace Ventura movies, Liar Liar, and especially Sonic The Hedgehog. I also will admit this, Jim Carry nails playing Big Head or who they call...The Mask in this movie...I’ll nitpick about that later.

But yeah, Jim’s entertaining as Big Head in this film. He does make me laugh. But I think another role he does well despite there are some sillier moments, which is fine. I feel like in a way, Stanley Ipkiss in this version, is maybe one of his more normal roles. But I know I’m wrong considering whatever other roles he’s in. He portrays a likable good guy who’s sadly mainly pushed around. Which is quite the difference from the comics, except being pushed around. But that’s another topic. Yet for this story, even if maybe Stanley’s name could be changed. But him being a genuinely kind guy works for this story.

Even before I saw the movie, learning more about this version about the character. I can relate to Stanley in some ways honestly. Which is something that I like. He basically shines as a protagonist. 

He portrays both sides well. Despite at times...honestly, this Stanley is wacky. I shouldn’t be judging. Jim does a good stuff with what he played, and he’s the highlight of this movie. He also delivers possibly my favorite Jim Carrey line of all time now. Sorry if I get this wrong. I was looking for a clip of it to help me.

“Daddy’s gonna go kick some ass”. A literal line from Jim Carrey in this movie and I love it. He even brings a pistol with him.

I also wanna admit Peter Greene as Dorian is pretty good as a villain. The dude can be threatening and he works with what he is given. And he’s effective as an antagonist. I just wanna admit that I swear, one of these guys. One of them could’ve Walter in a way and I just think that could’ve been possible. But I’m not sure. Just one of Dorian’s henchmen looked like a huge guy. It just got me thinking about Walter from the comics.

Will admit, I think Kellaway is fine. And I just found out Christopher Reeve was one of the actors considered for the role...damn. But again, Kellaway was fine. He’s more like a supporting character and again, this is like an origin story. I do feel bothered Lionel Ray wasn’t added but replaced with this Doyle character. I will admit that Doyle is silly, which is the point of his character. I guess the writers and director didn’t want two sensible cops or something. I like Kellaway alright, but I’ll always dig Lionel too.

I really wanted to get this point. I thought Cameron Diaz was good as Tina Carlyle and Amy Yasbeck as Peggy Brandt. I will admit, I do strangely like the subversion with Peggy in a way with it’s twist. I get the idea if that it was going for that theme of, “We all wear mask” and Peggy turning Stanley into the mob said a lot about her character. While Tina was genuinely the one that truly supported Stanley.

I think was surprised me more was the fact despite Peggy turned in Stanley for selfish purposes such as paying for her condo. Yet what surprised me more was she was actually concerned for Stanley being killed, and didn’t want him hurt...which explains even more why she stuck around in the cartoon. And honestly, it makes me glad the director took out that deleted scene of her getting killed. So she wasn’t that heartless.

Also...it made me think that...my ideas and changes towards her character...maybe hold some weight.

I’ll just put this out there too. Milo is great, one of my favorite fictional dogs maybe. Good dog.

Trying to think what else, the score was fine. But the licensed music was good or something. Overall, I think my negatives could be just...nitpicks. Such as the Big Head part I wanted to talk about. Listen, I understand this is a different version. I just feel it’s weird to call him, “The Mask” instead of Big Head. I know other characters mask in their name or something. But...some reasons, the name Big Head is there. I guess it’s because of the title or something.

Honestly, I think my negatives are more that it feels short. And maybe Stanley becoming Big Head a bit too early. I sound kind of stupid, I know. But this was the 90′s and whatever else. This was a different take on the comics. But I did genuinely like it. Maybe I’m just a bit attached to those comics. Despite knowing the changes they did.

But I will admit, considering the development for this film. And learning that it was meant to be a horror film. But the director Charles Russell found the violence in the source material to be off putting. So he made it less grim, and more fun. I’ve also read somewhere that trying to make comedy with that violence was difficult.

Back to the point, to be honest. I feel like for that time and age. A more light Mask film was maybe the best choice to go. And we wouldn’t have Jim Carrey in it. I do also wanna say, I feel like The Mask series, you can do a lot of it. You can have something dark with it, or maybe more lighter.

There are still some of those darker elements. Mainly considering the moments with the gangsters and all that. But I will admit, learning that Charles mostly directed horror films. I think it’s impressive he made a more family friendly film and it worked. 

I liked it, despite my love for the comics. I thought when writing this, maybe some folks reading this may think I sound like fans who read the comics who first experienced this movie. But the film isn’t bad, it’s just a different take and a pretty nice one at that.

And to be honest, as much as I would of loved to see an actual sequel. And not that bad film known as Son Of The Mask. I understand why Jim Carrey dropped out, and I would’ve loved to see Peggy back because the director planned to bring her back reformed. But I feel like this film works as a one off in a way. And there’s also the cartoon, which works fine as a sequel despite some differences. Yet...I’ll admit, I would’ve loved The Mask 2 if we got Jim Carrey as Stanley again fighting against maybe someone like Walter.

The Mask 1994 is a good film. Despite changes from the source material, but the changes for this vision work. It’s cool this film has a cult following, and the fact I have used elements and story beats from it for The Mask Rebirth stuff I’ve been talking about. Even before watched this whole movie.

It’s a genuine fun flick. But I’m hoping down the line, if Warner Bros stops being fucking stupid with how they run things. Maybe we’ll get a reboot or how about an animated film that seems more true to the source material. 

I know The Mask/Big Head doesn’t have a big legacy such as the likes of Superman, Batman, and Spider-Man. But I do think this series could be reimagined and expanded upon. Using elements not only from the original comics, but even the movie and cartoon. 

And...despite it was because of Ace Ventura...I would like to thank @kaijuguy19 for being such a supportive dude, and talking about this franchise with me. Including wanting to talk about this movie long ago when I haven’t seen it. But I want to say...no...he’s one of the big reasons why I’m a fan. Because he’s one of the only guys I know who’s a fan. It started with Ace Ventura, but it was because of talking with Kaijuguy that I guess things started to escalate. So thanks man for talking about this stuff with me.

Also, Charlie was silly and he was fine as a character. I forgot about that dude despite wanting to talk about him. Gonna tag him too in case. Charlie schumaker

[helenarlett-rex]

Helen rambles on in a long post about her her relationship with Ninja Turtles.

Something my readers may or may not know about me is that I am a huge old school fan of Teenage Mutant Ninja Turtles. I was born at just the right time to be just the right age for the original Ninja Turtles cartoon back when it first came out in 1987. I lived through the big Ninja Turtle boom of the late 80s/early 90s when you couldn’t turn on a TV or step outside your house without having the Ninja Turtles shoved into your face one way or another. And I loved it. It was glorious. I fully blame Ninja Turtles for turning me into a furry. And I’m cool with that...

As a kid I watched TMNT every single day, read the comic books any chance I had to get my hands on them, and had a massive collection of Ninja Turtles toys. (Like... thinking back to the financial state we were in when I was a kid, I’m really not sure how my parents even afforded to buy all the stuff I had.) Until the day came that Ninja Turtles became “occultic,” and then I didn’t have any of that anymore... My mother bought into the satanic panic pretty hard back then so it was always just a matter of time before something I loved became “of the Devil” and it would be taken away from me. Once my Ninja Turtles collection (which would have been pretty fucking valuable today if I still had all of it) made its way to the dreaded bi-annual yard sale, I wound up slipping from the fandom.

I never fell out of it entirely. Yeah, I never got to watch the original cartoon all the way to the end of the series, but I would catch an episode here and there when my mother wasn’t around. And by the time The Next Mutation started airing in 1997 enough time had passed that Ninja Turtles wasn’t on my mother’s shit list anymore (she’d moved on to other things) so when I was a teenager I got back into watching Turtles with that series. I watched the 2003 series, and the 2012 series after that... But it never really went back to being something I was obsessed over like it had been when I was a kid. It was just something I watched on TV because it was nostalgic.

Ninja Turtles still held a special place in my heart... Always has... I’d even attribute much of career as a writer to the existence of TMNT. Eastman and Laird kind of came up with the idea as something of a joke, but then they published it anyways and despite how insane the idea was, it became a massive hit. So I’ve always looked back at Ninja Turtles and told myself no idea is too stupid or insane to find an audience or even become successful. But even with the esteem I hold for the franchise, I wouldn’t have considered myself in the fandom anymore.

So when IDW got the rights to start producing comic books for Ninja Turtles I didn’t really pay it any attention. I had read the old Teenage Mutant Ninja Turtles Adventures comic book published by Archie comics back in the day, but by this time I had fallen into just being a casual fan so I wasn’t really interested in getting back into comics. I was happy to see that someone was publishing comics for it again... Just didn’t feel any need to read them.

And then I heard that IDW had introduced a 5th turtle... A turtle woman... And I was like, that’s cool. We already had Venus de Milo back in The Next Mutation, so it’s not really a new concept. Despite the way many of the fans reacted, I actually liked Venus de Milo so it was nice to see someone giving a turtle lady another shot. I hoped this new one would have better luck than the last one did, but that was about the extent of my thoughts on the matter.

Then I saw her and I was like, okay... She’s actually kind of badass...

And I approve of giving her a body shape that isn’t any different from the guy turtles. Not that I hated Venus‘ more feminine body shape or anything... But portraying her as just another Ninja Turtle instead of feeling a need to draw attention to the fact that she’s a woman every single time you look at her is a nice change of pace.

This got me interested enough to look into the comic she’s appearing in and to my surprise I learned that the comic is being written by Kevin Eastman, one of the original two creators of Teenage Mutant Ninja Turtles. (The better of the two if you ask me.) Now suddenly I’m really interested... A new Ninja Turtles comic book by Eastman himself? Without Laird there to interfere with all of his bullshit...? Okay, that settled it. I was going to have to give this a look.

So I did... And not only have I found the comic to be surprisingly good... but then I get to see our new turtle, Jennika (Jenny) and see what she’s like, and... oh god... Not only is she a tough, smart, capable Ninja Turtle, but she’s also an ex-con who’s done time in prison and completely hilarious? And oh god... she’s self conscious of the way she looks...? That’s something I can relate to heavily.

Okay... You are already making me love this character far too much... I mean, the only thing left that you could possibly do to make her any better would be to have her come out a queer.

Okay and then it fucking happens!

You made a tough, badass, turtle lady with a shady past who looks like a guy, is self conscious about how she looks, dresses punk, is humorous without being over the top about it, AND she’s bisexual? It’s like... Did someone tell Eastman I stopped being a hardcore fan? Did he sit down and deliberately write a character I could relate to on nearly every level just to get me back? Because that’s what it feels like right now... I mean, she’s even dating a hot pig girl, which is very much to my tastes...

Eastman may not realize this was written for me, but... this was fucking written for me...

So I guess I’m back in the Ninja Turtle fandom again... *Shrugs*

[popculturebuffet]

Static Shock: Shock to the System and Aftershock Review

“You know what? 13 years ago, me and some friends sat in a restaurant all night and daydreamed about the kinds of stories we would tell if we had the chance. We wanted to expand the concept of superhero to include characters that kind of looked like us, who had some of the same background, experiences and dreams as we did. We wanted to create something fun that a new generation would respond to the same way we responded to our childhood heroes -and damn if we didn't succeed beyond my wildest dreams. Today, Static Shock is a household name with millions of fans of all ages (Is there stuff I'd do differently? Yeah, almost all of season four but why nitpick?) Static is the most successful thing I've ever helped create and I'm both proud and gratified that people have taken it into their hearts. “ 

Dwayne McDuffie, Co-Creator of Static and Writer for Static Shock

This review is dedicated to Dwayne McDuffie and Robert L. Washington III.                                                        Rest In Power Static Shock is awesome. I grew up with the show watching it both first run on the WB and second run on Cartoon Network and loved it as much as I did other large parts of my childhood courtsey of DC like Batman the Animated Series, Teen Titans and both Justice League Shows. What makes this unique among the DC Properties is that Static wasn’t really a big name when he got a show. He wasn’t even part of the DC Universe. 

See as I had no idea for probably a good decade, Static actually came from Milestone Comics, a company ran by and focused on african americans. The goal was understandable: While black heroes existed at the time, and there were some fantastic ones like Storm, Jim Rhodes and Steel... these guys weren’t the center of their universes. The big faces of the big  companies, Spider-Man, Wolverine, Hulk, Iron Man, Superman, Batman, Wonder Woman, The Flash.. were white. So milestone was a shakeup of that with the main teams and heroes all being black, from Icon, an alien who’d lived among man but rather than end up in kansas like say superman ended up imprinting on a slave woman centuries ago and has been with us since, who was encouraged by an energetic teenager named Rocket to put on a costume and do something with his powers and his community, Hardware, a tech genius who had his work stolen by a white asshole and wanted to fight back and BLood Syndicate, a group of gang members all caught in the “The Big Bang”, a huge fight between all of Dakota, the midwest city where the comics take place, that ended when the police released a bunch of experimental gas that gave them all super powers. 

As most of you who have watched the show already know, this is where Static comes from. Static was the company making their own Spider-Man, i.e. a nerdy teenager who suddenly gets super powers, in this case Virgil Hawkins who at the prodding of a friend took a gun to The Big Bang to get revenge on a bully. .but ultimately couldn’t go through with it, decided it wasn’t him and got rid of the gun and ran.. and still ended up in it, becoming Static, a young hero dedicated to using his powers to fight other “Bang Babies”.. a term that dosen’t really sound that great and they really should’ve thought through. But Phrasing aside the character was great and I look forward to reading more and only haven’t because I have to buy the issues gradually, but DC is currently re-releasing the individual issues of Static, Icon, and Hardware weekly in anticipation of a reboot of Milestone Coming in May digitally on Comixology at only 2 bucks a pop, and rereleased the original print collections that were long out of print for 10 bucks each, though i’m getting static on it’s own since i’ts really not that much less expensive as it only collects four issues while Icon and Hardware both collect 8, so I can wait a bit there on Hardware and already own Icon: A Hero’s Welcome.. and really need to review it at some point. 

While Milestone’s output was good, at least from the two books i’ve read, with Robert Washinton III, who sadly not only ahs also passed but was fucking homeless for a while  in the 2000′s.. what the actual hell, writing Static alongside Dwayne McDuffie, whose later moved onto animation writing tons of Static episodes all of them classics including the school shooting episode, the first three rubberbandman episodes and both Anasazi episodes. Point is it had good writers and artists and even had a distrbution deal with DC, so they had a leg up on the glut of other comic book companies.. but happened to start at the start of the comic book crash, a huge downturn in sales in the 90′s as the speculator boom, i.e. a bunch of people assuming every number one would be worth golden and silver age money, forgetting a character has to BUILD INTREST and this stuff takes time, and whose attempts to sell fast flooded the market with comics no one wanted,, caused the roof to cave in and with a bunch of assholes pegging milestone as a “Company for black people” rather than you know, a company trying to add fucking diversity and represntation to the comics industry, and that simply wanted a unvierse that was centered around people of color instead of white guys. The company eventually had to shut down, and was left to lisencing.  This is where the show comes in. Producers HAD been trying to make shows based on Milestone for a while, as far back as the mid-90s and the company was was all for it but the closest it got was an x-men style team series using various characters whose first draft was terrible and whose second draft by Alan Burnett, a producer on various DC Animated shows who’d go on to produce Static Shock, that McDuffie and others really liked but sadly did not get picked up. eventually though with presistance Static ended up getting a series and as I said McDuffie went on to write for it though he did not develop it. Some changes went into place naturally to make it work for an early 2000′s kids show and while i’ll probably miss so since again, only read one issue as we go. But due to Milestone coming back my intrest was peaking, hence finally reading the copy of Icon I had to buy from the library years ago due to keeping it overdue but am now EXTREMLEY glad I own as i’ts incredibly rare and really damn good, and wanting to read static, doing so lately since it’s finally on digtiial and again not too expensive. So join me as I give you a shock to the system and revisit this hell of a series to see if it holds up.. which just to cut that short it does and i’m only holding off binging MORE because I want the first two eps to be fresh enough in my head to review properly.. and also go over the various voice actors because that’s a thing with me now and charcter co-creator dwayne mcduffie because he’s awesome. 

As I like to do when covering a series first episodes, let’s run down the voice cast. 

First up is an UTTER LEGEND, and I use the term voice acting legend a lot, and mean it every time and have good reason to use it when I say it, and Phil LaMarr is a GOD in the buisness, having done a metric ton of voice acting roles, and being easily the most proflific black voice actor in animation. He’s also done some acting work, mostly in pulp fiction which I have not seen, but his true staying power and talent is in animation so here’s just the roles I feel are most notable or may not be very notable but i’m bringing up anyway because it’s my list. 

His roles besides Virgil include Lester Payton the Texas Ranger who showed up for one very good episode of king of the hill to be badass and show up the hickish, stupid and very punchable local Sheriff, Gearld’s obnoxious older brother Jamie O on Hey Arnold, Hermes Conrad from futurama, Carver from the Weekenders (PUT IT ON PLUS DISNEY), Axel Foley for exactly one bit in Clerks the Animated Series, but anyone whose seen it will know exactly which one, Micheal on the Proud Family, Black Vulcan on Harvey Birdman (In His Pants), Hector Con Carne and Dracula on Grim Adventures of Billy and Mandy and Evil Con Carne, Jack on Samurai Jack something I didn’t know for decades (and I didn’t know about the carver thing till today though i’ts obvious in hindsight), John Motherfucking Stewart on Justice League and later Steel and Adult Static in the Unlimited seasons, Osmosis Jones on Ozzy and Drix, Bolbi Strogofski on Jimmy Neutron (And yes i’m just as shocked as you are.), Wilt on Foster’s Home for Imaginary Friends, Marcus on Life and Times of Juniper Lee, Bull Sharkowski on My Gym Partner is A Monkey and Also a Sociopath Please Help God My Life is a waking nightmare..... okay the rest of that title is implied but we all watched the same show, we all know in our hearts that was the title

Moving on, he was also, and yes there’s MORE: Maxie Zeus on The Batman, Philly Phil on Class of 3000, Both Robertsons AND Fancy Dan on the Spectacular Spider-Man, Jazz on Transformers Animated, Kit Fisto and Bail Organa on Star Wars the Clone Wars, Gambit and Bolivar Trask on Wolverine and the X-Men, Aquaman I, L-Ron and Green Beetle on Young Justice, J.A.R.V.I.S. and Wonder Man (Simon Williams) In Avengers: Earth’s Mightiest Heroes, Gabe and Carny on Kaijudo: Rise of the Duel Masters (Really miss that game and have been snapping up what cards I can get lately), Baxter Stockman in the 2012 Teenage Mutant Ninja Turtles (And there’s also an awesome photo of him with 2003 Baxter... the two best together in one place. I got chills), Dormammu (I’ve come to bargin) in various Marvel Shows, Noville in Mighty Magiswords, Zach’s dad Marcus in Milo Muprhy’s Law, Craig’s Douchey Brother Benard on Craig of the Creek, showing he’s clearly come full circle, And Mr. Scully on the Casagrndes. And given It took about two paragraphs to cover all of this, yeah, I MEANT legend. 

Next we have Kevin Micheal Richardson as Virgil’s Dad Robert, and it’s the first time since I started introducing Voice Actors on a show that i’ve overlapped. I already covered him during the second episode of legend of the three caballeros, but for the short version he’s also very acomplished, very damn good and I somehow missed he played the old blind guy in hey arnold> Needless to say the dude is awesome. 

Virgil’s Sister Sharon is played by Michele Morgan who was in the rap group BWP and did some smaller roles outside of this the one exception being Juicy on the PJ’s, which I have not watched much of but REALLY do not like, though i’ll at least give it credit for being a decently long lasted black claymation sitcom at at time when there were, and hoenstly still aren’t, many black animated shows. 

Back to long casting sheets, next up is Jason Marsden, who is one of my faviorites as i’ve realized recently as Ritchie. As I also found out only recently he started on the Sitcom Step By Step and while that show is .. ehhhhhhhhh, he is great in it because he’s great in everything. He also apparently has his own internet variety show which I have to watch now. His roles include Max Goof, ironically given I was just talking about that role a few days ago, Haku in the english dub of Spirted Away, Micheal, the kid being yelled at by a bunch of 80′s cartoons characters not to take drugs in Cartoon All-Stars to the Rescue!, Nermal in the DTV Garfield movies and The Garfield Show, Tino on the Weekenders (SERIOUSLY DISNEY), Snapper Carr on Justice League, Rikochet on Mucha Lucha! for the last season (Why I do not knkow and while I love the guy he was not the right choice), Felix on Kim Possible, Chase Young on Xiaolin Showdown (WHich I did not realize was him and now I do easily his best role and I REALLY should’ve), Red Star and Billy Numerous on Teen Titans, Speedy on Batman Brave and the Bold, Impulse/Kid Flash II on Young Justice, and Fingers on Kaijudo. He hasn’t done as much lately which is a shame but hopefully i’tll pick up again. 

Next up is Hotstreak, Virgil’s brutal bully turned unhinted pyromancer played by DANIEL COOKSY, another actor i’m happy to talk about and another faviorite I haven’t seen much of lately. Daniel was an actor from childhood, playing Budnick on Salute Your Shorts, but he quickly gained a long and storied catalogue of VA Work: His first big roll was as Montana Max on Tiny Toon Adventures and if there is a god he’ll be back for the reboot, Stoop Kid on Hey Arnold, the incomprable Jack Spicer on Xiaolin Showdown, far and away his best role and part of why Chronicles sucked so bad was he was he didn’t get to reprise the role, The titular Dave the Barbarian, Django of the Dead on El Tigre (Had no idea), Kicks utterly insufferable big Brother Brad on Kick Buttowski and apparently he’s back at it again after laying low for a bit as he’s voicing Snag in Long Gone Gultch.. which I already really needed to watch but hot damn, I missed him. Sign me up. 

Frieda, Virgil’s crush and close friend who in the comics was his main confidante and love intrest but here is eventually pushed aside, is voiced by Danica Mckeller whose work didn’t seem all that familiar.. until I found out she was Ms. Martian on Young Justice. Hello, Megan. Very talented and she did get a major role in a dc show eventually so good for her. Can’t wait for season 4. 

So with our major players out of the way,  let’s talk about Dwayne. McDuffie is an AWESOME man and my respect has grown for him more and more with time. A writer and editor at Marvel, McDuffie has a decent resume doing smaller but awesome books, which I got most of for free last year when Marvel was giving out free digital collections due to the lock down, like Damage Control, a sitcom set in the marvel universe about the company that picks up after superhero battles and the logistics and antics that insue and Dethlok, about a pacfist trapped inside a cyborg zombie. He was as mentioned one of Milestone’s founders, and wrote Icon, Hardware and co-wrote the first few issues of Static. He’d go on to a pretty stacked career in animation, writing on this show and Justice League before becoming  story editor and show runner for Unlimited , even making a return to comics as a result writing the Marvel miniseries beyond and an arc of Fantastic Four in which Black Panther and Storm filled in for Reed and Sue while the two of them worked on their marriage after Reed did.. pretty much everything he did in Civil War. He also became head writer and show runner for Ben 10: Alien Force and Ultimate Alien, revamping the franchise a bit, and Alien Force, at least the first two seasons are awesome and I feel people overreacted on the changes. Ultimate Alien is okay, but has it’s problems but the finale was awesome and left the man’s legacy on a high note.. as he sadly passed in 2011 due to heart complications. He is truly missed and produced some utterly amazing stuff whlie he was alive. So on that melacholy note let’s see what happens when his creation hits the tv screen shall we?

Shock to the System:

This episode is written by Christopher Simmons, who is apparently a huge art designer guy.. but i’m not sure that’s the same chirsptoher simmons. Much more notable is the writer of the episode after this Stan Berkowitz, who was showrunner for season 1 and has done a LOT of DCAU work and is suprising talent, having written a lot of awesome Justice League episodes including Secret Society and The Royal Flush One. Point is we’re in first class hands.  Before the episode itself I want to talk about the intro and how it’s unique among DCAU shows. Like most Western Animation the intros for DCAU shows didn’t change much over the seasons with the most I can see is JLU changing up the footage to preview the current episode and later adding Hawkgirl to the intro after her return to the team. I THINK superman the animated series changed some of it’s footage too, but I can’t confrim it and may of just been imagining it. As i’ve talked about on my blog it’s normally a pet peeve of mine, mostly because shows you know, change after season 1, characters get added some one shot characters used for the intro never return, and after a while it can feel dated especially in more recent shows where the status quo is not at all set in stone and things change quite a bit. But sometimes it can be good enough that either the dated elements don’t matter or general enough that you don’t need to change it and i’ts just that good.. and given Batman the Animated Series has both in spades, you can see why i’ts probably my golden standard for intros and after superman the animated series DC mostly followed suit. But being part of the teen superhero boom of the 2000′s Static is unique in that it splits the diffrence: It’s intro gets the character across perfectly like a good intro should starting with Virgil getting out of bed and running a comb across his head before showing off to his sister to bug her and literally running into his dad who hand shim his bag and smiles, silently showing off his family. He then runs to school and runs into some trouble.. and said trouble changes for each intro, with Rubberband Man for season 1, Kanga (Whose name I only know because I happened to run across it) for season 2 and your guess is as good as mine for seasons 3 and 4, though Hotstreak is a constant. They still save some money for seasons 1 and 2 by recycling some animation.. but that’s alright with mea s it was good animation, and the improtant thing is cycling out old villians for new ones, while Season 3 is the only out and out redo to show off Richie taking on the Gear identity, adding about 10 seconds of intro to let him show off.  Seriously it’s an utterly great intro and like the other DCAU intros outside of superman, stuck in my brain. 

The other change that’s ENTIRELY diffrent from the rest of htem is that the music changes each time. The first two have the same formula just with a difrent vocalist and backing track: a superhero theme but with some hip hop beat boxing over it. The first intro is fine enough, not specattcular but stilll god. The second song.. is eh. Not really great and feels like a marked downgrade from season 1 and just dosen’t blend an ocrehstiral superhero theme with the beatbox elements NEARLY as well. The third song though is my faviorite.. even if I HATED Little Romeo as a  kid because I really did not like his nick show, it’s more a straight up rap song, but it has a faster beat that fits the intro better, and Romeo’s bragging fits Virgil’s character and penchant for Spidey quips perfectly. I also find it ironic that the theme that blends in with the dcau the most, the first season’s, is the one from BEFORE they decided to put it in the same universe. Still this season’s intro slaps, I just like the LIttle Romeo one a bit more.  The opening scene is picture perfect. Some masked crooks looting a warehouse are loading some stolen TV’s into a van when suddenly the lights come on one by one above one of the crooks before his tv switches to various channels before going haywire. Cue our heroes’ entrance. Let’s tak ea good look at him

Static’s Costume is awesome. While I prefer the season 3 redesign, and clearly DC agrees as the redeisgn was used for both pre and post new-52 when they used him, and while he’s getting a fresh design for the reboot, said design takes a lot of cures from said outfit. As for how the outfit differs from the comics itself  this is the design he had in the comics

It didn’t change much from the first issue, with the exception of his now iconic big puffy jacket which was added pretty early into the character’s history but I was unaware of that and just assumed he had the bodysuit the whole time. The more you know. But as you can see outside of the cool puffy jacket over a costume the two couldn’t be more diffrent. While the Dakotaverse outfit is more a standard superhero outfit, with some regular clothes touches on top the first cartoon outfit comes off more realistic, looking fantastic, but still coming off as something two teenagers could realistically have thrown together with what clothes they could buy, while still looking awesomely superheroy. IN short it’s perfect and only topped by the season 3 onward look...

But the slicker look, with an even cooler jakcet and the new colors all fitting the lighting ascetic better, but fits: not only has Virgil come along farther since he started, but with Richie now having a genius brain as Gear, he can provide a far slicker, far more professional superhero outfit on the budget the two have.  This show is just great  at costume design. 

So getting back to the episode at hand, Static puts up a huge sign in elecrticy saying “Bad guys here”, PFFFT, and then hides away and narrates that a few days ago he’d be the last person anyone would’ve expected to be a hero. Cue Flashback. 

We meet Virgil Hawkins on an average day: rapping into his razor, getting into a petty argument with his older sister Sharon, as a younger brother myself I relate to this, and talking to his dad who tries to get them to cut that out. We find out his mom has passed via his sister making really terrible eggs and saying that’s how mom made them. Exposition! Though we do get a great bit through this as when his sister gets distracted by her boyfriend calling, he uses the opportunity of her leaving the room to dump the eggs.. after having earlier jokingly prayed to his mom for a way out of breakfast. “Thanks for looking out for me mom” That’s both very sweet and very hilarious. 

This is a change from the comics it turns out as I was utterly flored to find Virgil’s mom alive and well when reading the first issue of Static. Turns out this was a change made during development and one Dwane McDuffie admitted in the interview I got the tribute quote from to not liking as he had a good reason for having Virgil have a nuclear family, as most black families in media at the time were just one single parent and a kid or two with the other having either left or died. He wasn’t too bothered by it as while he preferred what he came up with in the first place, the show DID get some really good stories out of her being gone and didn’t just have her be absent because shut up. Virgil is still working over her death and the way HOW she died ends up playing an important role in this episode and gives Virgil a dislike of guns, as she died to gang violence. So the change wasn’t for stupid or racist reasons, but likely both to keep the character count down while giving them something to work with for storylines. Or it could’ve been for stupid reasons and the writers simpily made lemonade out of that very dumb lemon, either way it ended up working.  Virgil also plans to ask his friend Frieda out. Frieda was a bigger deal in the comics, being Virgil’s friend and confidante as well as his ocasional love intrest, but here while she was inteded to at least be his love intrest here, that sorta fizzled out. As for the best friend role we meet her replacement in Richie, which McDuffie conceded was the kind of change a studio would make swapping out a female character for a male one. That being said the crew made the best of it and Richie is awesome, a bit of an overcompensating dipstick at times, but a good sounding board and pal for virgil and funny as hell too. He was also gay, something only revealed post series by McDuffie.. but unlike say Dumbledore, it’s a bit easier to swallow here: The early 2000′s were an even worse time for gay characters in tv let alone cartoons, and if they couldn’t kiss or have sex scenes on regular tv, there was no way we were getting any representation in a children’s show. So it was largely just hinted at by Richie overcompensating in how “into girls” he was and i’m once again fine with this being word of god as it was literally the best they could do and his counterpart in the comics was also gay, if not as relevant.  Ritch encourages Virgil to work on his opening to ask her out as it’s awkward as heck, hits a bit close to home.. but I do appricate the show just .. having him try and ask her out from the first episode. They likely would’ve drug thigns out a bit granted had they used Frieda more, i’m not blind to the convetions of the time. .but as someone who got the very wrong idea from tv that just waiting around meant a girl would like you eventually, when no you need to actually try even if rejection happens, I honestly wish we had more of this in media than the other garbage morals at the time. 

So he prepares to , not helped by her mentioning guy after guy is asking her out.... but before he can F-Stop, the future hotstreak, shows up.  F-STOP

That being said...... it’s not as bad as the original gangster name for the comic’s version, Biz Money B. Yes BIZ MONEY B

So yeah while F-Stop is no more intimidating, it at least means I can stop laughing. Francis, because I can’t type F-Stop without laughing and this review is already behind, shoves Virgil out of the way and agressively hits on Frieda, even saying “you smell good”, the international sign your a douchebag and also to call the police. Virgil steps up to the guy and gets PAINFULLY slammed into the lockers, something I give the animation team a lot of credit for, as you can FEEL how fucking painful that was. Virgil is saved by Wade, another local gangbanger who in the comics was a close friend of Virgils but here saves him seemingly just because.. seemingly. 

On the way home though Virg’s problems don’t end as naturally, the giant sized asshole with nothing better to do has his goons corner virgil before VIOLENTLY beating him.. off screen but the noises, and the clear brusies including a black eye, on virgil afterwords.. just holy damn i’m suprsied they got away with this but it shows just how horrifing it was and that this is a step above regular bullying, which make no mistake is absoluttley terrible and the series would later do an episode on it and school shootings, into straight up gang violence. Wade shows up again and gets the bastards to flee.. but also makes it clear he can’t keep doing this.. and forces Virgil to meet him at his base under the bridge. And it’s a tense sequence, with Virgil KNOWING this is a bad idea but having no real choice and Wade making it abundantly clear that he wants Virgil to join his crew, and makes a chilling point: while Virgils dad RIGHTFULLY dosen’t want his son to join a gang as Virgil points out.. he can’t be there for him all the time and eventually one of those times, Francis will be around. And he may not surivive that. Virgil nods noncomittaly.  At home it gets even more grim as he dosen’t open up to his family, understandably as his dad would jsut say to call the police and well.. we’ve seen how the police treat black people. At best they’d just try and use Virgil as an informant and that likely wouldn’t end fucking well for Virgil. Ritchie points out he can’t join a gang, virgil’s mom died that way.. see told you it’d be important to the plot.. but I like how the story dosen’t offer an easy answer.. well okay he gets electric powers soon enough but without the fantastic element this is just an innocent kid caught between either joining the very thing his mom hated or hoping a system not built to protect him will keep him alive. It’s utterly saddening and chilling and holy shit is it amazing a cartoon in the early 2000′s was able to get away with.. ANY OF THIS, and they handle it great, paired down a bit from the comics but even then it’s still incredibly balsy they got THIS much in. 

Naturally Wade calls in his favor and our hero is forced to come running.. and soon finds out Wade’s brought him in for a massive gang war. Welcome to the big bang, baby. He hands Virgil a gun as things get started and Virgil.. drops the thing and tries to escape, in a harrowing sequence.. and runs into Francis because god apparently REALLY hates this kid today. As if to prove that the police show up and while that prevents a beating, they demand they disassemble. then release untested gas on them because of course they do. 

As a result the big bang truly begins, with the various gang members getting mutated.. and naturally so does virgil. Though he wakes up the next day seemingly fine. How’d he get home? Does his dad know where he was?

I don’t know and we’re not getting any answers, but Virgil soon finds weird stuff happening like his clock shorting out, change being attracted to him and his razor going wild. It’s only once he get sback to his room he gets an inkling of what’s going on and calls Ritchie to meet him at the Junk yard.. though it is a bit of a dick move as he dosen’t you know, tell him anything about Wade or Francis right away. He does at the yard though.. and that he has powers, having finally figured out how to use them to a point. And the series does provide a decent justification later as to why he’d get this so quickly: Virgil is a smart kid, gets great grades at school and apparnetly there’s even an episode later where he gets a scholarship to a fancy genius school. So him getting how elctromagntisim works or being a quick study on it makes perfect sense. 

Richie suggest the obvious.. to become a superhero. And the thought.. hadn’t occured to Virgil. It’s honestly a nice twist on the old trope. That he hadn’t thought of it, not because he’s selfish or any of that or needs to learn a hard lesson, those have been done.. simply because the rush of getting his powers, and implicitly of having a way out of his current predciament, a way to keep Francis off his back and keep Wade from pulling him in further. His own path. But once i’ts brought up.. he jumps on it. Part of it is being a nerd like you or I, of course he wants to.. and being a good intetioned one, he knows this is the right thing to do. It’s waht makes a superhero a hero: Anyone can get powers in a universe like this, esepcailly the dcau, but it takes true courage and heart to use them selflessly and knowing you’ll be in danger. It’s why I love surperheroes: they often didn’t ask for this but they do it anyway because somebody’s gotta. We also get an intresting wrinkle is superman is, at least I think in this episode I could’ve missed it or misremembered things, mentioned as a fictional character. That’s because originally like the comics this wasn’t part of the DCAU.. but eventually the crew decided it shared staff from it, shared a network, both first run and on reruns, why not just make it part of the DCAU proper. I fully support this decisionf: While i’m midly annoyed unlimited never really used anything from static shock outside of Static himself in the time travel episode, despite you know Static and Gear having BEEN to the tower and not being much younger than Kara and defintely older than Courtney, I chalk it up to weird rights issues or something like that. But having Batman, Batman Beyond, Superman, Green Lantern and the Justice League itself all guest star was a good idea, and expanded both static’s universe and gave the DCAU something differnt as most heroes in it were older and more experinced in contrast to the up and coming virgil. Again really would’ve been nice if he and gear could’ve been a part of the expanded league but production might of just been too far ahead or, given he had his own series, they might just have wanted to stick to toher characters. Also begs the question why Icon or Hardware wasn’t adapted for the expanded League but hey, questions for later and the tricky logisitics of the milestone rights might’ve been the issue. I don’t know I wasn’t in the room. 

So we get a costume montage, including Black Vulcan from Superfriends, who again ironically would be voiced by Lamarr not too long after this, though weirdly they DON’T use his outfit from the comics for this montage. I mean why not? It fits the gag and would’ve been a good second to last choice.But what could’ve been aside we get our winner and cut back to present day...

Thanks boys. Static finds out one of the things in the warehouse is a shipment of computers for the school and can’t help but show off, showing up to the school, where Frieda and Richie are setting up for the dance, and dropping off the computers, and even saying his catchphrase for the first time “I’ll put a shock to your system” (Which Richie chimes in with awesome line and I agree, great catcphrase), before helping set up and flirting with frieda. 

Though as Richtie says he’s a natural. He’s not wrong as he can work a crowd. .but back it up too as his first run out had him easily taking out the crooks, and as many teen superheros and fans of heroes of hte type, myself included will tell you, getting it right in one is not easy. Not even Miles MOrales was immune. All Static needs now is a villian. 

And the end of the episode provides one as we see, in horrifc and once again damn suprising detail most of hte new metas aren’t doing so good and are melting and other stuff and we catch up with Francis whose burning up.. and naturally given that hair, though given he named himself F-Stop it’s the least of his problems, he’s got fire powers and escapes to “Have me some fun”

So with that we end episode 1. And it’s excellent, a great way to introduce the hero and while the warehouse opening is a bit superflous, it is a decent addition, showing our heroes first outing in costume and giving us a bit of an action scene to get us through the very heavy rest of the episode. But the rest of the episode is no less grippping, telling the tale of a teen caught in an unwinnable scenario who suddenly finds a way out. And speaking of which waht of Wade? Will we see him again? Is he perhaps Ebon, the series big bad as I thought when I was a kid? What comes of the man who directly caused static’s origin?

Yeahhh that’s the one mistep I think the pilot makes. Frieda is understandable as that was likely a simple change in creative direction. This though? Why build this guy up if your not going to bring him back. I mean where he went was probably the grave, as he probably did due to his mutation, but it’s still VERY weird to spend a whole episode focusing on this guy, building him up as a big personal threat to our hero.. and NOT have him become the series big bad. And maybe he WAS supposed to be ebon and they just changed their mind. I don’t know but it bothers me it bothers me a lot. Otherwise though flawless. ONe more to go. 

Aftershock: We open outside an electronics store, as our heroes watch the news reacap what happened in the first episode, with the media dubbing it the Big Bang and revealing their could be hundreds of “Metahumans”, as Virgil dubs after deciding the media’s term “Mutant” dosen’t fit, a nice wink to the fact that that’s the term used in dc comics and I believe milestone but could be wrong there. Me I like the term, has a nice ring to it. 

At the store while Richie mulls over waht this means Static finds out he’s a human CD player.... this was before mp3 players and streaming on your phone made them horribly obsolete mind you and if you don’t know what one is congradualtions you live in some sort of bubble and you made me feel really old junior. 

Frieda happens to be there and Virgil quips “What’s the matter they run out of britney cds”. Dude she’s not bad. Also be careful what you wish for man. Nickeback returned the year after this. You have not truly suffered through bad music yet my young friend. They spot a kid looking feverish, and he soon turns into a purple werewolf, as you do. It’s a bang baby.. those are richie’s exact word and you may not want to start a panic there bud. Just saying your best friend is one. THeir not all like this. Our heroes book it only to run into Francis who naturally refuses to let them leave and only doesn’t try to beat up Virgil because Virgil points otu the werewolf and nonplussed, he goes to fight it, scarring it off by revealing his own powers. He’s now dubbed himself Hotstreak which points for getting an actually good name kid. No points for what happens next as unsuprisingly getting powers did NOT mak ehim a better person and he attacks Virgil who blocks with a garbage can lid and thankfully is blasted into an ally. Richie tries to guard frieda for damn obvious reasons but gets hsi shirt burnt up because shut up Thankfully Static shows up, and we get our firsdt full on superhuman fight as both fight each other with aplomb, and it’s a damn good fight.. and one that goes pear shaped for Virg as he’s caught off guard when he finds out Hotstreak can use his powers to fly, and tackles him and his previous trauma causes him to freeze up. Thankfully , as Frieda put in a call earlier, the fire department arrive and HOt streak has to retreat, though Virgil is bummed that he “Choked”. And I love this as it not only shows Virgil’s inepxerince, as this is his first time fighting a bad guy but that just because he HAS power now dosen’t mean trauma and his previous fear of Hotstreak goes away or you won’t freeze up from time to time. It dosen’t make him weak or anything like some assholes would call it .. it makes him human. Humans make mistakes, and it makes him all the more relatable that he’s not pefect and that he did freeze up as I know I certainly would at last once in the circumstances. 

Things don’t get better at dinner as Sharon and Pops argue over the bang babies with Pops calling them a meance and Sharon pointing out Static exists so they can’t all be bad. See assuming a group of superhumans are bad because a handful of them ar edick sis why the x-men had to get their own island nation. You can only save an ungreatful populous so many times before you say “fuck it i’m getting my own island, pay me for life saving drugs, save your damn selves and stop doing genocides on us. Kay thanks”. But he does bring up a valid point that rattles his son: We don’t know anything about the Bang Babies or their biological structures and it’s likely they might further mutate into monsters, Static included. 

Virgil, understandably, wants to check this and thus he and richie compare blood samples in science, to no real conclusion. She he checks out with his doctor who assumes he’s sexually active in a great getting crap past the radar bit and a bit of realisim, but he agrees to the test though if something came up he would have to tell Virgil’s dsad and is up front about this. Nice dose of realisim.

That night City Council has a meeting and the Mayor TRIES to deflect Papa Hawkins questions about the bang babies which again, while being a judgmental ass as not every person hit was a gang member (Virgil, and as we discover later some others), and not every gang member is there by choice, some by circumstnace some, like virgil almost was, because they HAD no other option. Again years of reading x-men may of just made me a bit touchy on assholes admitely assuming superpower people bad. But it’s clear the public is upset and while she says an investigation is underway... Virgil and Richie are not only not convinced, but figure she’s actively covering it up. And unlike everyone else there who probably suspects the same, they can do something about it and tail her.  It’s during this, and cleverly as I didn’t realie till writing this using similar skills to his human cd player act, Virgil listens in and discovers whose behind it: Edwin Alva, whose apparently richer than bill gates and a beloved phinarophist Alva, as it turns out, was actually the arch enemy of Hardware in the comics, taking advantage of the guy in his civiliian idtentiy and thus casuing him to launch a war on the asshole. He does transition into this series well though, being the one behind the gas that caused it and with the mayor agreeing to back off, planning to simply dump the info about the big bang on a disc then destroy everything for now till the heat dies down. Yup sounds like a corprate douchebag. 

Static tails him, finds the lab and infiltrates it, stealing the disc.. but getting caught by Alva’s goon, and trapped in a glass prison, forced to use ALL his power to escape and barely getting out alive, but not before bouncing off alva’s car. Still he now has the proof.. and meanwhile Hotstreak, who I was wrong did get captured, is forced to take pill sbut spits them out once the orderly is gone. Dude.. WHY DIDN’T YOU WATCH HIM. Make sure he swallows that shit especially since, as he has no powers right now and can’t harm you. 

Hotstreak escapes off screen and our heroes discuss the disc before he shows up, and we get a REALLY fucking amazing scene: Virgil ducks into an Alleway and ritchie is worried.. and Virgil disarms him with just one word responses Ritchie: Virg you can’t take him.  Virgil: Gotta. Ritchie: Well at least wait for the fire department Virgil: Can’t.  It’s simpile but it gets the point across: This is his fight, he can’t wait for help, and people need him. And this is what makes a true hero: It’s easy to be a hero when everythings going well.. but it’s the true ones who stick it out against the odds and fight anyway. And he’s going to.  So we get one hell of a fight, though naturally Hotstreak burns up the disc. And I do like this as it dosen’t feel contrived.. yes Static could’ve left it with ritchie.. but he wasn’t thinking in the moment and dind’t really have time to think abotu the disc, only that people were being hurt and he was all they had between them and Hotstreak. It was no choice at all. Still that pisses Virgil off that the last night’s work is now worthless, and he fully charges up and curbstomps francis who retreats into a clearing. Hostreak brags when static follows, as even he’s figured out Static needs to be around metal, as he’s usually on his disc or the street, and in the park there suppodsidly isn’t any. But he’s not THAT smart as Virgil points out two things: one, he hoped to do this on PURPOSE so they wouldn’t be around people and no on e would get hurt and 2).. this is a city, there’s metal everywhere.. and he awesomely and cleverly proves it by unlodging a sewage pipe with his powers and dousing his foe, winning and proving his stuff. I love this solution, it’s a clever spider-man type way to disarm him, using smarts and the einvroment instead of just brute forcing it. Though the sewage part wasn’t intetional our hero still won and gets praise from the people dumb enough to follow the fight. 

However at home Virgil points out it was  Pyrrhic Victory and shows off his smarts by telling the tale behind it, which I didn’t know,because tv tropes didn’t exist yet: king pyrhus fought the romans and WON.. but had so little armies left that he still lost overall. That’s what this feels like to Virgil: he beat hotstreak but any chance at a cure for Bang Babies and Alva going to jail for causing them is gone. His mood does get a boost though as the doctor calls and reveals he’s fine, he just has a bit too much elctrolytes and just needs to lay off teh salt. He celebrates, we get a quick gag and the episode ends

Aftershock is another stellar episoe, giving us Virgil’s first super foe and a personal one at that, while showing some growth. As richie tells him he’s not virgil anymore he’s static and he can’t let his past get to him.. and he does’nt going from cowering in fear to easily beating his foe with simple logic. It’s a good followup that answers questions you may have from the first ep, like what does this do to virgil’s body, who supplied the gas, and why has no one done anything about this, and sets up another villian for Static in Alva. Great stuff. I highly recommend these episodes and the show as a whole: it’s fast paced, grounded and enjoyable, having just enough levity to not be too dour but just enough tension and stakes to be intresting. A throughly fantastic superhero show and one that i’d certainly love to revisit on this blog If you have an episode of static or the dcau in general you’d want me to cover, my comissions are open and details are on a tab on my blog or can be gotten simply by asking me via ask or dm. Tommorow we’re going deeper underground, there’s too much damage in this town as the Lena Retrospective continues. So expect gay ducks, straight ducks and some terrfirmains. See you next rainbow. 

[frienderbender]

hey frienderbender is it ok to ask for some lore/information on your magpickles 🥺 I’m very invested in those goods ( off the topic but can I just say I am in LOVE with the way you draw Skwisgaar my heart is just fluttering to fast when I see him 🥺💞 Anyways muah you’re wonderful artist thank you have a lovely day/evening )

oh sure! first off thank you so much for the sweet message! that made my night :'] i love drawing skwisgaar and im glad you like how he looks in my style haha

anyways im assuming youre talking about my general lore for them in the canon timeline, so ill talk about that under the cut

i think they first met some time in the late 80s while pickles was still with snb. they met after a show specifically. magnus introduced himself as a fan, and that was true! but (quick tangent for some general mag thoughts) it brings up something that ive always thought about when i look at mag. magnus definitely gives off the vibe of being the guy who was always just Around in the music scene, especially in the rock and metal scene of this era. like, hes a mysterious dude but he has connections. he will play with random bands sometimes. he knows so many fucking people in this industry (not saying hes friends with all of them though); what im trying to say is. Everyone Has A Magnus Hammersmith Story. hes the type of guy that gets talked about in podcasts decades down the line. ok all that to say he was able to get backstage because he just Knows People. and he introduces himself as a fan blah blah pickles and magnus drink and do some drugs and honestly i wouldnt be surprised if they at the very least made out with each other the first night they met.

so pickles is like, pretty into him right off the bat. magnus was too, but i think on his end INITIALLY he was more just interested in hooking up but they exchange info and keep in touch and all that. so. this is RIGHT before snb implodes. and theyre still meeting up fairly regularly and becoming closer and doing a lot of drugs and drinking a bunch. typical rockstar stuff.

but pickles had been on a steady downward spiral at this point (he was already like this before he met magnus), and in one night snb is no more. having burned all those bridges in his band (for now), pickles turns to his only friend left: magnus. and i think its at this point, when pickles comes to him, wrecked by the dissolution of his band, that magnus kinda starts to realize he might actually feel something for him too? seeing him like this, seeing pickles from fucking snakes n barrels, so raw and real and not at all like the fiery redhead he met that night after their show...it just feels different somehow. like yeah he was attracted to pickles from snakes n barrels, but he realized he had grown to care about pickles from tomahawk wisconsin. he liked that one better, there was no bullshit. no hiding beneath layers of glam makeup and hairspray.

so its the two of them against the world. its the early 90s at this point. on a whim, pickles decides they should leave LA and just drive. wherever. just away from the city because LA fucking sucks. he takes all his money and he and magnus get in his car and just start driving. they end up in florida eventually, because its the other side of the country. or something. they get an apartment, and for a couple of months they live together and its. kinda nice. its different, for sure. but not bad. magnus and pickles both always kinda skirted around the topic of their relationship. they never called the other their boyfriend. but i feel strongly that they did tell each other that they loved the other, once. and they meant it.

so heres where things get tricky for me. how did dethklok form? what was the order? who met who first? i dont know!! i wish i knew! its something i have a million scenarios for and i wish we got a canon order of the members joining at the very least so i can model my headcanons around it haha

with that in mind though, i do think magnus and pickles were a bit of a package deal. like, whoever joined first was able to get the other in. so. yeah. they joined dethklok some time in the early to mid 90s now.

they have a pretty decent few years. theyre still.......something....even in their new band. like they arent open about it and hook up when the other guys arent around and all that.

its around this time though that i think magnus is really starting to go through it. combination of feeling frustrated because of the bands status at this point, general untreated mental health, etc. anyways i think the stabbing incident occurred some time in the mid 90s, probably like '95 or '96 or something. so.....he gets kicked out. obviously. and those are the terms they end on for awhile.........

but uh. you see. pickles never completely cut ties with the dude because. well. what do you do when this happens to someone you care so deeply about. and i think probably a month or so later, magnus actually contacts him for the first time since the stabbing incident. and maybe i have a comic script and thumbnails about this encounter what about it. magnus tells him he wants to see him, so pickles slips out that night to meet up at an old bar they used to go to a lot. may or may not be the depths of humanity uhhh anyway. theyre talking for awhile but it just kinda devolves into honestly more one-sided arguing on pickles end. hes frustrated and sad and confused because fuck! magnus! why would you do that? why, when the bands just starting to take off? it becomes this whole like. you arent the same guy i knew. and in that moment it quietly hits them both that like. we arent who we were, and we dont know what to do about that. magnus asks if pickles would want to join him and leave the band, and pickles tells him to go fuck himself. and thats the last thing he ever said to him.

and thats where the magpickles lore/relationship timeline ends. i realize it really did kinda turn into a timeline but also i did write a timeline during a slow day at work once like two months ago but. anyways. this is basically that.

but uh. yes. i love them. they make me sad but in a good way yknow. its like. its one of those situations where i feel like under different circumstances, they probably couldve made it work in their own weird way. they have such a specific dynamic, whether in their background together in the canon timeline or just me fucking around with AUs and being like hmm what if i actually gave them a scenario where they could have the time to develop AS an actual couple. im rambling but i just love these two so much. this is so long.

i feel strongly they wouldnt get back together in any sort of canon capacity, but i do think they still have feelings for each other in that way you do when you remember people you loved in the past. old friendships that dissolved with no resolution. the person you still have things you want to tell them, even though you know you will never get the chance.

[inevitably-johnlocked]

Weird q..but i really dont understand why most fans hate season 4, especially the last episode. Why? I think it gave us a deeper look on both sherlock and mycroft! I felt it tells a lot about mycroft how he had to step in and take control of things ever since he was a kid himself. Also he is not a robot or a killer. Also redbeard thing. It was an appropriate deep psychological trauma (cause most shows usually disappoint in that area). I am not trying to impose my opinion. Just want to understand

Hey Nonny!

It’s all good, and I totally respect your opinion and how you enjoyed S4! It’s totally okay! I know that there are quite a few who got a lot of of S4, and who genuinely enjoyed it.

Sadly, I am not one of those people, and I’ll try to be as diplomatic a possible in my response, but PLEASE know that I don’t think you’re “terrible” or “stupid” for liking S4 because I DO get passionate sometimes in my responses, and I’m just merely speaking as someone who studied the series very closely for quite a long time before S4 aired, and as someone who knows Day-One-ers (ie., people who watched Sherlock on its day one airdate) who also are a large majority of the people who did not like S4. This is just me simply stating why I didn’t like it, but it’s different for everyone.

Stating what I DO like: The acting and cinematography of the first two episodes were brilliant for what they had to work with, and I’ve never faulted any of the actors for the flaws of S4. And for TFP, they did the best with what they had to work with.

That’s… pretty much all I really liked about S4.

Now, here’s my problems with S4:

Nothing made a LICK of sense to the narrative that they were telling in Seasons prior. 

This series was always based a bit in reality, and suddenly everything became comic-book rules: X-Men villains, shitty “redemption” arc, destroying favourite characters just for drama, ludicrous physics, explosions that only destroyed one small room in an apt where in previous episodes one explosion destroyed an entire block, etc.

Sherlock was OOC.

Mary was being built up to be a fantastic villain? Ah, nope, here’s the lacklustre twist where tee hee Mary’s just an assassin with a heart of gold that still emotionally abuses Sherlock and John and just won’t fucking stay dead.

And speaking of this, the DVD’s make NO LOGICAL SENSE unless she was planning to kill herself

AND she tries to make her death equatable to Sherlock’s??

Everyone was RIDICULOUSLY out of character in TFP, I’m so sorry: Mycroft is a bumbling coward for the most part, Sherlock disregards John when he gives the Vatican Cameos warning, the Holmes Parents are assholes because Mycroft COULDN’T SOLVE A PROBLEM WHEN HE WAS 12?? ARE YOU SERIOUS???? And that creepy Moriarty / Eurus thing, and LITERALLY they’re implying that EVERYTHING HAPPENED BECAUSE EURUS DIDN’T GET A HUG. Like, I’m so sorry, but that’s lazy writing.

And don’t even get me started on the ridiculousness of the entire character of Eurus. She LITERALLY had X-Men powers, and like… just nothing made sense. Her involvement in the entirety of S4 MADE NO SENSE. Why go back to prison if you can get out?? WHAT IS THE POINT?? AND I repeat: She did all this because she didn’t get a hug. Yes. I’m oversimplifying, but at the base level, that’s what it was, because she wanted Sherlock’s attention. Welcome to the club, kid, stand in line, everyone on the SHOW wants his attention.

The ENTIRE plot of the first 2 seasons got wiped out all because it wasn’t Moriarty who was interested in Sherlock, but Eurus?? What… What about Carl Powers?? Like…. the ENTIRETY of season one and TGG makes no sense now, because of that one 5 minute scene where Eurus “enlists” Moriarty. I… ugh.

The SUDDEN tonal switch from kind-of Sherlock to James Bond, for some fucking reason.

And on that note, how terribly lazy and cheap TFP looks in comparison to the other two episodes. The whole episode looks like it was filmed in a small house with 4 identical rooms.

EVERYTHING that was etablished in 2 episodes prior were COMPLETELY forgotten when Mary was “shot”.

The complete character assassination of one loyal blogger John H Watson in favour of Mary for some fucked up reason, even though AT HIS OWN WEDDING HE COULDN’T STAND BEING AROUND MARY. I’m sorry, but I don’t believe for one damned second that John would EVER forgive Mary for murdering his best friend after seeing what it did to him. That’s not love from her, and that’s NOT John’s character EVER in the ENTIRETY of the series.

And speaking of character assassinations, Molly’s character being devolved to S1E1 Molly, where instead of giving her agency like they were doing with her the ENTIRE series, so much so that Sherlock picked up on her dominance enough to give her a big role in his mind palace in HLV and TAB, only to make her a sad little self-insert Mary Sue pining for the main character, and in turn made Sherlock a TERRIBLE human being for MAKING HER say what she did. It’s gross.

AND speaking of Molly’s character, they’ve been setting up Mollstrade since as early as ASiB, but I guess that plot line got shafted. Look I LOVE Hopkins, and I am ANGRY they didn’t give her more than 3 fucking lines in the entirety of ONE episode after HEAVILY promoting her actress and character, but they essentially reduced her to a piece of ass for Lestrade to chase. AND THAT’S NOT HIS CHARACTER EITHER. EW GROSS.

The constant plot holes being gaped wide open, and the Chekov’s gun moments where they bring up shit but do nothing with it!! 

TD-12? Nope, just a lame reference to a story we like. 

John got shot at the end of TLD with a VERY REAL FUCKING GUN? Nope, it was a dart gun. 

John not suddenly knowing how to be a doctor.

The TGG one I mentioned up above. 

What was in the letter? And who was Anyone??

Moriarty essentially being erased as anything other than a hired thug and had no part whatsoever in Sherlock’s history. 

Eurus… Just all of her character is asinine. 

Everyone in T6T suddenly not knowing John’s the blogger, which is in direct contradiction to literally the entire series. 

The AGRA plotline was ridiculous, in the end.

Baby? What baby? It was only there when convenient.

They dropped whatever plotline they were going to do for Mycroft: He was being set up as either dying, or the villain.

Redbeard. I’m sorry, I disagree with you on that. Mofftiss is trying to tell me that a little boy fell down a well and went missing, and that WASN’T the first place searchers / the police wouldn’t have looked? Sorry, no. And then. AND THEN his parents just… go along with this thing where Sherlock shuts down and they DON’T get him therapy? Yes, I agree the mind is a funny thing, and we can be traumatised into forgetting or dissociating from traumatic events. I GET IT. But… like I don’t believe the Holmes are so heartless as to just never grieve or have memories around about their supposedly dead daughter. It’s another OCC thing for me.

John’s cheating.

Disappearing and reappearing characters, like this scene, and the entirety of the aquarium scene.

Mary and John being terrible parents

OH GOD THIS FUCKING SCENE. That bomb SHOULD HAVE DESTROYED THE ENTIRE BUILDING.

What… who was this girl on the plane? What? Like I know WHO, but if she’s supposed to be Eurus talking to Sherlock, why don’t we see Eurus… talking to Sherlock? I … Ugh.

NORBURY. 

The glass SUPER SECRET GOVERNMENT ROOM THAT NO ONE SHOULD SEE INTO in T6T.

Sloppy camera work that some believe was intentional, but if it wasn’t, jesus c’mon.

The RIDICULOUS amount of 4th Wall Breaking. Like… even the actors didn’t give a shit.

Essentially, everything on this list here and in this blog tag here.

And everything mentioned on these three posts:

T6T: 10 Revealing Things That Haunt You Late at Night 

TLD: 10 Revealing Things That Haunt You Late at Night

TFP: 10 Revealing Things That Haunt You Late at Night

There’s SO much more I can go into, but please go through my “something’s fucky” tag in that last link.

Notice how probably 90% of that has NOTHING to do with “johnlock not becoming canon” because the Johnlockers get MONSTROUS accusations as to THAT being why we didn’t like S4, even though it was, like critically panned by the GENERAL AUDIENCE who have NO investment in the series other than “I liked it in the past”.

Two of my fave YouTubers have interesting (not perfect, but still good) takes coming at the series as casual viewers:

‘The Day Sherlock Died’ by The Closer Look

‘Sherlock is Garbage, and Here’s Why’ by hbomberguy

So it’s NOT just Johnlockers. I’ve talked to Sher1011ies at 221B con who didn’t like S4 either, because most of them realized how shitty Molly was treated in the last episode. So yeah, a big middle finger to those who think I dislike S4 because of  “no Johnlock”. No, I disliked it because I need my stories to make logical narrative sense. I disliked it because I love John and they ruined his character all for the sake of drama and because Moffat has a “hurting Ben” kink. I disliked it because Mary should NOT have been “redeemed” because she was an abuser. I disliked it because Moriarty was turned into a cartoon villain, even though he was already overused in the series. I disliked it because the core of the show – the FRIENDSHIP of Sherlock and John, and their solving mysteries together – did not exist at all. I disliked it because John got sidelined. I disliked it because TFP was a ridiculous episode that, if you replace ANY of the characters, it wouldn’t make a difference, because it didn’t feel like an episode of Sherlock. I disliked it because everyone was OOC.

Anyway. Sorry. One too many accusations my way over the past 1100+ days LOL.

As for your assessment of TFP, I’m going to have to respectfully disagree with you. There was no growth and actually it implies something far more sinister: That the Holmes are and were terrible parents that gave no shits about their daughter, their traumatized son, and expected their eldest to essentially be a parent. It implies that Mycroft, at 12 years old, orchestrated the ENTIRE Sherrinford thing… Look I can suspend my disbelief, but there’s limits, and this is one of them. A LITERAL CHILD. Perhaps Uncle Rudy had a hand in it somehow, but then why not shit on Uncle Rudy? Why is Mycroft blamed for it all?

Look, I don’t doubt Sherlock had a traumatic experience regarding “Redbeard”. But then why play into the fact that he was a dog? Why bring another character into the series just to have a gotcha moment? Because Mofftiss wanted a “Shyamalan twist”, that’s why. They threw EVERYTHING away for a twist ending either because they GENUINELY thought it was good, or they got tired of doing Sherlock. ALL of TFP is LITERALLY a really bad plot twist because reasons. TFP makes no sense to the ENTIRE narrative structure of the previous 12 episodes. It erased EVERYTHING from the previous episodes, and coated it with a gross closing by a character no one wanted in the series, and then tried to convince us that it’s a new beginning – “a journey they had to go through” – but it SOLVED NOTHING.

Anyway. I have big feels about S4, and the only way I can enjoy it is to watch it subtextually, but even then, I cannot sit through TFP without cringing. 

That said, Lovelies, please do not attack Nonny for enjoying S4! I know you guys won’t, but Nonny came out with an olive branch and they just want to understand why the fandom is passionate about S4′s… whatever it was. We can have a civil discussion about it, and point out – without attacking – why S4 is universally panned. It’s okay to like things no one else does, and Nonny was respectful to me in this ask! 

So with that, feel free, lovelies, to express why YOU didn’t enjoy the series, or why you did! I’m interested in both “sides” / pov’s whatever :)