#and i can't remember what episode he says it in

[magniloquent-raven]

Day 4: Supportive Boyfriends

and for my next (LATE, SO LATE) @bucktommypositivityweek contribution. KITTEN FIC.

(read on ao3)

**

The 118 doesn't have a baby box.

In fact there aren't any in the state of California at all. Buck looked it up, after Maddie's postpartum episode. When half his family was missing and there wasn't much he could do besides wait and... think about things.

So he thought about safe haven laws. Read up on the training seminars for first responders who want to be better equipped to deal with hand-offs. Read a bunch of other stuff he sort of wishes he hadn't. Spent the next week haunted by articles about abandoned children.

He considered talking to Bobby about it. Only partly to ask him if they should get a box for the firehouse. Partly because Buck wasn't sure how he felt about the whole thing, and Bobby always seemed to have answers. But he never worked up the nerve to broach the subject.

And now. Bobby's not captain anymore, and Buck really can't imagine Gerrard giving a shit about any of this.

So, they don't have a box. But.

Well, this isn't a human baby. It's not like the same rules apply.

Buck has to wonder if wires got crossed somewhere, because. Someone left a kitten. Outside the firehouse.

Buck was just going to grab something—he can't remember what—from his Jeep, when he spotted an unlabelled cardboard box on the pavement, up against the side of the building. His first thought was bomb.

Until it meowed at him. A tiny, high-pitched peep of a meow.

Kind of scared the shit out of him, if he's being honest.

There's only one. All alone in the box. A poofy grey thing wriggling around half buried in an off-white towel. Like a very ambitious dust bunny with big round blue eyes and skinny legs. It wobbles slowly over a fold in the towel with all the effort of someone scaling a mountain.

Buck crouches next to the box, and pokes a finger inside.

"Hey, buddy," he murmurs, holding very still while the kitten inches towards his hand and squeaks. It's unclear whether there are teeth in that little maw. That means it's really young, right? Too young to be left alone for very long.

Shit, how is he going to explain this to Gerrard? He's still got, like, 12 hours left on his shift, but someone has to feed this thing. How long can kittens go without food?

Oh, it does have teeth. Really teeny ones. They're ineffectively poking his knuckle.

Buck fishes his phone out of his jacket—with the hand that isn't currently being drooled on—intending to go to Google for answers. How to figure out how old a kitten is. How often do kittens need to be fed. Do cats get separation anxiety. He has a million questions.

Only he doesn't pull up his browser. He calls Tommy.

It's a whim. Barely a seed of an idea. But when he unlocked his phone the first thing he saw was their text history (he'd been complaining about Gerrard off-and-on all morning, and Tommy had been sending random updates about all the chores he'd been getting done—his last message was a picture of a mop with no context) and he just thought... Tommy will know what to do. Not in so many words, more a feeling. Comfort and certainty, just from seeing Tommy's picture in a little bubble at the top of his screen.

"Evan?" Tommy answers almost immediately, and there's a subtle undercurrent of worry in his tone. Buck winces. Right, calling out of the blue while he's at work would look. Bad.

"I'm okay!" He says quickly, all in one breath. Then pauses. The kitten squints up at him, meowing again, long and loud. Its whole fluffy face scrunches with the effort.

"...What was that?"

"Uh. That would be why I called, actually."

—

Gerrard is less of an obstacle than Buck feared he'd be. Because he's holed up in his office doing paperwork when Buck sneaks in with the kitten, and Buck's decided he has no intention of letting him know the cat was ever here.

Tommy promised he'd come get her.

Buck didn't even really ask, and wasn't planning on asking. Didn't have any plan whatsoever, in fact. He just wanted to know if Tommy knew anything about taking care of kittens, and suddenly Tommy's voluntarily sacrificing the rest of his day off to scope out vets and pet supply stores and whatever else Buck's helpless little friend might need.

He hung up hours ago and his insides still feel warm and goopy about it. He can't stop thinking about the gentle fondness that softened Tommy's voice after Buck explained the situation. Buck would wrap himself up in it like a blanket if he could.

Tommy's getting so kissed when he shows up.

In the meantime, Buck's sitting upstairs, working his way through the dozen or so tabs he opened up after googling kitten care.

He thinks the one he found might be around three weeks old (ears not quite unfurled, can't sheathe claws yet, legs unsteady but mobile). And possibly a girl. She did not care for being picked up and turned over, and the indignant squirming made it difficult to tell what's going on down there. But he's almost certain he's right.

She was shrieking up a storm about it, and he was worried if he took any longer she'd alert Gerrard. (She didn't. She did, however, draw the attention of about half the firehouse.)

"You are disgustingly cute," Chimney coos, scratching under her chin with the tip of one finger. She's lifted her head as high as she can and her eyes are squinted happily. Buck can hear her purring from across the room. "Yes you are. Hen, can you get a picture of this?"

Hen pulls out her phone. "Sure... why?" She asks, leaning over his shoulder to snap a picture and eye him with mild suspicion.

"Jee. She'll wanna see when I tell her about my day."

Her expression softens to a smile. "I'll text it to you." She taps her screen a couple times. "Just had to make sure you weren't planning on calendar campaigning again."

Chimney grins. "Nah, my calendar days are behind me. The only person who gets shirtless pictures of me now is my wife."

"Gross," Buck says without conviction. He narrows his eyes at the site he's scrolling through, swiping away a Join Our Mailing List! popup. "You guys don't think she's cold do you? Are her ears warm? It's only, like, 70 today and we don't know how long she was out there."

Hen and Chim exchange glances, and then, disturbingly in sync, look from the cat to Buck. Chim gives her ear a perfunctory poke, which she does not appreciate as much as chin scritches, "She's fine, man."

Hen waves a hand at Buck when he opens his mouth again, "We're medical professionals. And in my medically professional opinion. She's fine."

"Okay, but—"

"Hey guys, look who stopped b—uhhh. Is that a cat?" Eddie slows to a stop at the top of the stairs, blinking at the kitten on the couch. "When did we get a cat?"

"Couple hours ago," Buck says, still frowning at Hen and Chimney. "Where have you been?"

"I found him polishing the engine."

Buck shoots out of his seat. "Tommy!"

He only half-hears Eddie muttering, "Favouritism," as he scuttles around the chair to meet Tommy halfway between the stairs and the sitting area. Tommy has just enough time to smile—and it warms Buck, like it always does, with a spark caught in his chest for safekeeping—and say hi before Buck's on him, palms clapped on either side of his face, smushing their lips together.

He makes a bit of a show of it, dramatically swooping in, because he knows the big smacking MWAH will make Tommy laugh, and he likes the way that feels rumbling against his chest.

Buck taps their noses together. "Hey," he says, savouring the mirth sparkling in Tommy's eyes for a second before kissing him again, properly this time.

His brain goes sort of fuzzy when Tommy's palm cups the back of his neck.

Someone in the distance wolf-whistles.

When they finally come up for air Tommy asks, "What was that for?" a little breathlessly, which is doing things to Buck.

"Mmn...y'know. For being you."

Tommy raises his eyebrows, kiss-reddened lips curling fondly. "Okay."

"Hey, Tommy. Good to see you," Chim calls in a very pointed way.

Right, public setting. Workplace. Friends watching. Buck exhales slowly, and tries to think about anything other than how much he wants to bite that bit of clavicle peeking out of the collar of Tommy's shirt. Like the fact that Tommy's hands are warm, and he's sort of rubbing his fingertips over the short stubbly bits of hair on the back of Buck's head, and Buck's lips are still tingling a little, and—no wait, not that either.

Tommy pulls away first, which is probably for the best, but also very sad. The corner of his mouth twitches like he can see Buck thinking it. He curls his index finger and gently taps Buck's chin with the knuckle before he turns to the group.

"Howie," he says, not even pretending to be contrite in the face of Chim's mock-judgement. "Hen."

"Tommy." Hen fails to contain her smirk.

Some time during all the kissing, Eddie moved over to the couch. He's sat next to the kitten, watching her attempt to groom her paw with all the grace of a toddler who's only a little bit sure they know how to hold a brush. She keeps starting and stopping at random intervals, sometimes licking the cushion beside her, sometimes sticking her tongue out at thin air.

She's so cute it makes Buck's chest hurt. It's a little much while he's still loopy from making out with his boyfriend.

Then Tommy goes and crouches next to the couch so he can get eye-level with the kitten while she sniffs his hand, talking to her all calm and soft with smile-lines crinkling his cheeks, and. Buck might need to lie down for a bit. Like, on top of Tommy, preferably.

The kitten seems to like him too, and he really can't blame her when she crawls up Tommy's sleeve to perch on his shoulder.

She looks so much smaller cuddled up on Tommy. He reaches up to steady her, and she's almost entirely obscured by his hand.

God, is it wrong that he's getting a little hot under the collar about that? He just looks so strong and competent and at the same time, like, gentle. Buck knows how it feels to be touched tenderly by those hands, and apparently just seeing it happen does not affect him any less. In fact it's only added dimensions to his desires.

"I should probably get going," Tommy says, bringing Buck back down to Earth with a resounding splat.

He opens his mouth to protest, then closes it. He's right. The last thing Buck wants is for Tommy to have another run-in with Gerrard, and they don't know how long the old bastard's gonna be occupied.

"Mhm, run while you still can," Chimney pipes up. "Before our dear old captain smells an opportunity to ruin someone's day."

"He does seem to have a sixth sense for that," Eddie adds sullenly. Buck makes a note to ask him what that was about. Later.

"I'll walk you out," Buck says, trying not to sound like a pouting child. He's fairly certain he fails, because Tommy laces their fingers together and gives his hand a comforting squeeze.

He says his goodbyes, the whole time being careful not to dislodge the kitten while she crawls across his shoulders.

Buck goes through the list of kitten care basics he memorized as they make their way to the parking lot. It's...more than he thought it was, honestly. It starts to feel overwhelming as he goes on, and on, and on. He's running out of time to get it all out, and he feels like it's just now sinking in his huge this responsibility that he's dumping in Tommy's lap is.

"You're sure you don't mind taking her?" The question bursts out of Buck before they make it to Tommy's car. "W-we didn't really, I mean. We talked about it over the phone, but..."

"Yeah, now that I've seen her she does seem like a real handful."

The kitten yawns, and curls up into a tiny grey ball in the crook of Tommy's neck.

Well. Alright.

"It's just, t-they need a lot of attention when they're that young, and I kinda just, just dropped this on you."

"Evan." Tommy gives him a look. "Are you worried that you baby-trapped me?"

Okay, when he puts it like that. Maybe a little bit. But also now he's having complicated yearning feelings that he really should not be having this early in the relationship.

Buck's pretty sure he looks like a deer in the headlights right now, because Tommy's doing his damnedest to pretend he isn't laughing at him.

He tugs Buck's hand, leading him the rest of the way to his car.

The backseat is full of cat stuff. Containers of milk-replacement powders, and a shiny plastic litter box, and toys, so many toys, baggies of fake mice and feathery things, just. So much stuff. Piles of it.

"I called up a friend who used to foster kittens. She had a lot of advice. And then I got a little carried away."

"I, uh. See that," Buck laughs breathlessly.

"Over the phone, you sounded like this meant a lot to you? And I think I got really attached to the idea of...this. Taking care of her for you. With you." He sounds hesitant, like he's trying not to say too much, and Buck can't stand it—

"I love you so much," he says in a rush.

"Well, good," Tommy purses his lips around a smile, eyes bright and crinkled at the corners. He reaches up to his shoulder, like he's absent-mindedly checking to see if the kitten's still there. "Wouldn't want her to grow up in a broken home."

Buck huffs a laugh.

"And I love you too."

[accirax]

Danganronpa: Despair Time Chapter 2 Episode 14 Dissection

I can't think of how to introduce this dissection other than just saying "god damn??". This chapter-- especially its second part-- has been a wild ride, and one that it appears we're nearing the end of. However, we still have one important question left to answer, which I'm sure I'll talk about here. So, let's chat.

SPOILERS for Danganronpa: Despair Time Chapter 2 Episode 14.

Also, I will be discussing Ace and Eden as equally likely blackened candidates in this post. If it will upset you to hear about the prospects of either or both of them being the killer, you might want to sit this one out.

Given what happens later in the episode, it's very interesting that the episode began with (more or less) Ace "admitting" that he has no idea how the murder mechanism worked. A truthful method of disqualification, or a masterful play by Ace to ask Teruko to ask him about the murder method only to pretend that he has no idea what it was? Time will have to tell on that one, because I honestly have no leads.

Similarly, is this Eden being genuinely shaken up and not remembering what transpired in the Gym, or trying to play the helpless innocent card to get out of having to help Teruko explain the murder method that she stole? Spoilers for my thoughts later in this dissection, I guess: they're so evenly matched that it's crazy.

I've always thought that Hu is the prettiest DRDT character, and this episode did nothing but prove me right. Hot damn, ma'am.

The insistence that this questioning is "traumatizing [Nico]" makes me think that Hu could be projecting her own experiences on to them. Perhaps she was once an innocent in a situation for which she kept taking the blame? That would be interesting as another connection between Hu and Nico, of both of them having taken the blame for someone else's follies.

This was a hilarious comeback; never change, Ace. Or, maybe you do need to change slightly, to become a less cowardly and impulsive person. Or maybe I should at least be rooting for you to have the chance to change in the sense that you live long enough to have that work out for you.

Yet another instance of J being the one to say that murder is bad. I wonder if this has to do with her character/backstory in some particular way (although given what we know about her past I have no idea what that would be), or if DRDTdev just needed a judgmental and confrontational person who would snap back at anyone to take over these kinds of lines.

(That's not me dunking on J's character btw she's valid for this)

This was a really clever way for Charles to phrase this to make Hu listen and settle down. I appreciate the out-of-the-box yet logical thinking. (Also I missed hearing Charles' voice :,D)

Woah, I was not expecting to get a Closing Argument comic for the Gym murder, but I am obviously delighted that we have one! Also, OH MY GOD, THE CEILING GRATE. How did none of us even think to consider that as part of the murder mechanism?

However, there are still some aspects of the state of the Gym that haven't yet been accounted for with this version of the murder timeline. I don't really think it's anything that would stop Nico from being Ace's would-be killer at this point, but I'll list them out here in case they are or in case they turn out to be relevant to Arei's murder. I'll also be trying to debunk them, though.

Moved Benches: Some of the benches near the pullup bar were knocked over. These probably fell either in some sort of struggle while knocking out Ace, or when Ace's body fell from the fan.

Moved Weight Rack: The weight rack was moved closer to the bench press and flipped on its back. I guess this really was also knocked over in the same fashion, no matter how unrealistically difficult it should have been to move due to its weight? Or it really was "workout preferences"???

Nico's Missing Cowl: When Teruko and Eden found Nico at the scene of the crime, they weren't wearing their typical dark cape thing. I have no clue why. You could say that Nico was trying to look less instantly recognizable, but it's not as if anyone (other than maybe Teruko) who saw a dark-haired 5'5" individual in a blue shirt instead of a gray cowl would think it was anyone other than Nico. There's also ye olde theory that they might have used it to soak up blood somewhere, but 1) Ace seems to have lost less blood than it may have seemed, and 2) the cowl was still not seen anywhere in the crime scene. I think I remember speculating that after Nico hypothetically used it to soak up blood (or, on second thought, maybe used it to gag Ace with the turpentine), they then stuck it in the fridge to hide it for the time being, at which point MonoTV discarded it and Nico got a new cape from their room. Maybe if it was used to apply the turpentine, Nico also could've put it away to prevent themselves from being affected by the fumes? I guess that's what I'm going with.

Lack of Tape on Pullup Bar: So, this one is obviously relevant to the murder already because Rose not being able to do a pullup is part of what tips off Teruko to the fact that something is off with the tape. However, I have no idea why the tape actually got removed from the bar. I still maintain that I don't think anyone could have stolen the tape off of that bar and repurposed it elsewhere-- most online sources seem to agree that kinesiology tape isn't reusable, and the fact that it was already wrapped around the bar in such a tight spiral would make it difficult to conform to any new specific shapes. My best guess is that Nico might have tried to use the bar instead of the light grate at first, determined that the tape was preventing the wire from sliding properly, and then removed the tape before determining the bar still didn't work. Or, Nico could have tried using the bar before settling on the broom, and thinking that it wouldn't work with tape on it... for some reason? Kinda scratching my head here.

I wonder how long ago it was. It's been four days since the Chapter 2 motive was revealed, although Ace was attacked only two days after the motive. Furthermore, Ace had started bullying Nico to some level already by the end of Chapter 1. I'm sure that Nico must have known what their secret was and probably didn't want it to be shared. My guess would be that they probably started cooking on murder pretty shortly after the new motive was released. That would also work with Charles-via-Whit letting everyone know what the custom weapons were in the first Class Trial.

This was the perfect response for Nico's character. They don't understand why an untruthful "sorry" would actually serve as a courtesy for most people, so they try to say what they feel and get ostracized for it.

Gotta say though, Ace, that was a pretty aggressive reaction from someone who said he "didn't need other people to tell him lies just to keep him happy" ;) (/j)

Damn, way to throw Levi under the bus. I can see why, for someone like Nico, they would want to assert themselves as not the most abnormal person here, though. I just want them to be neurodivergent buddies :(

If that's the case, then I'd have to imagine that we won't be seeing Nico as a killer again down the line. However, they could also just mean "getting caught"/"going in without a solid gameplan," so it's still possible we will. There's also the possibility of them doing something more like a sacrifice kill, although it would take a lot of character work to make something like that feel within Nico's nature.

Sorry to keep screenshotting every little thing Nico says but they keep saying really interesting things. The fact that Nico specifically mentions their father as opposed to "parents" or "family" makes me think that we'll hear more about their father specifically sometime in the future. Or, who knows, maybe their other parent left or died.

Nico: I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry.

This was very interesting as an addendum to the above screenshot. What exactly did Nico "ask for" forgiveness for in the past? Was it just more social blunders, as they described in ch2-e2, or did they get into more trouble closer to this level than we realized? It could also be an indication that Nico has spent time with people who believe that being nonbinary is a crime that Nico needs to feel sorry for. Fascinating stuff, indeed.

Points for Ace being the killer. We know that he went into this trial looking to suspect Nico ("[...] I'm pretty sure I know who the murderer is. It's not David, it's Nico"), so if Ace is the killer, it would make sense if he'd want to make the crime scene resemble Nico's to make his bait more credible.

Hey, it's the aforementioned T A P E T I M E, motherfuckers :D (still /j) Personally, it's quite gratifying to hear that it wasn't just a visual malfunction or a minor detail blown way out of proportion.

You're, uh... getting to this point much faster than I expected, queen. I don't think she's now going to go down the exact same distrustful rabbit hole that she was in before, but there's definitely still potential for her hopes to be crushed by the end of this chapter. Or, maybe she will accept some people as genuine friends, and instead in the future have to confront how she feels when she loses a genuine friend, or not blaming herself for the effects of her luck, or something along those lines. I like that Teruko isn't a static edgy protagonist, though. Like, don't get me wrong, I've always known and appreciated that she has depth, but it's refreshing that she isn't someone who's so stubborn about her own way of thinking that she refuses to admit when she's in the wrong. Teruko really wants friends, guys.

TERUROSE REAL??????

(Also Rose's speech was excellent as well I just didn't have anything in particular to say about it other than "wow" at the moment)

Yahoo, lockdown logic strikes again! Also, a quick

Is Teruko Correct In This Assumption?

Personally, I fully think yes, only Ace or Eden could be the culprit at this point. MonoTV confirmed that it tried to restore the Gym to the best of its ability but couldn't return the tape, which means both that there was no tape in the Gym to be taken and that there was never any spare tape in the Storage Room that MonoTV could have used to replace the roll. I guess you could say that there was an extra roll of tape in the Storage Room that someone else took before the murder took place, but that level of coincidence seems implausible at this point in the Trial.

No, for anyone other than Eden or Ace to have acquired the tape, they must have either stolen it from one of those two or asked for it from one of those two. Asking them seems very unlikely-- for starters, if it was Ace who took the tape, I don't think he'd be giving free hand-outs to anyone. And, if Eden isn't the killer herself, that means all of her fright regarding stumbling upon Ace's body was genuine. I don't think she's naive enough to then hand over what was used in Ace's murder to anyone asking... or at least not without bringing it up now. Beyond that, anyone who would ask either of them for the tape would have to know that the tape was used in the murder attempt, knowledge of which was very limited. This episode went to lengths to establish that Nico was the sole culprit behind the attack on Ace, and while it's still possible it could all be an elaborate lie, the explanation Nico gave felt very in character and important for their characterization moving forwards. So, while Nico would obviously know it was used, if Nico asked either of them for the tape, surely neither Eden nor Ace would trust them. Otherwise, I think Rose is the only one who could have found out it was gone, but even so, given that neither Eden nor Ace have tried to argue that Rose asked them for the tape, I don't think that happened.

You could also say the same of neither Eden nor Ace claiming to have had the tape stolen from them-- but I could see either of them feeling like claiming to have taken the tape at all right now would be a death sentence, so I understand why they wouldn't say it. Still, I don't know if the narrative is there to support the tape having been stolen from them. On the day after the Gym murder (Day 7), Eden isn't seen in the daily life at all. If someone stole the tape from Eden on that day, I would think that DRDTdev would at least want to show us who Eden was spending time with on that day (given that he put in the effort to make the tape sprite disappear from the Gym at the time it did), so that we would have any idea who might have done so. Ace is seen once in the Day 7 daily life, arguing with Hu, Nico, Levi, Veronika, and Arei. However, having just been attacked, I imagine he'd be hyper-aware of anyone getting close to him, and therefore would be more likely to notice if someone was rifling around in his pockets (if he has pockets?).

Really, I think the only possible candidates for who could have stolen tape from Ace or Eden would be Levi (mostly just for Ace) and Arei (from either of them). Levi might have had an opportunity to take the tape from Ace on the night he was attacked, the night of Day 6. Eden said last episode that Levi "kept trying to help him" after Ace was attacked, which could imply that Levi was the one to put bandages around Ace's neck. Furthermore, he does have a criminal past, which could make him better at stealing. Similarly, Arei is confirmed to be a good pickpocket, stealing Min's pen without Min noticing at all. I think she's the only one with the proper buildup to have taken the tape from Ace at that breakfast, and would be the most likely to have spent time with Eden when Eden was off-screen. (Although, it would have to have been before lunch, because Eden says the last time she saw Arei was at lunch.)

However, I don't think many people think that Levi is the killer anymore, and if Arei stole the tape from Eden or Ace only for the killer to then steal the tape from Arei, I would start to wonder why DRDTdev even made the tape such a scarce resource in the first place. Remember that, if the killer was purposefully trying to recreate Nico's idea, they likely knew in advance that they would need the tape to pull off their plan. It was used in enough places that seizing the opportunity to take it off of Arei seems unlikely, as it was too fundamental to the plan's inception. Besides, for the killer to replicate Nico's plan in the first place, the killer likely needs to be Nico, Eden, Ace, or Teruko, who are the ones who could have most easily taken the tape on their own.

I've already seen people accuse this Trial of being bloated, and while I strongly disagree (I only think cases are bloated when they're stalling for time and have nothing of interest to discuss, and we've still had PLENTY of interesting stuff to discuss), if we spent a whole 'nother who-knows-how-many episodes reversing all of the progress we just made to say that either Nico wasn't actually the one to kill Ace or that someone who didn't see the crime scene killed Arei, that bloating problem would only seem worse to those people.

I understand if you don't want to believe that Eden or Ace has to be the culprit for whatever reasons-- whether that be that they're your favorites and you don't want them to die or you really like your theory and don't want it to be false-- but I really think that this episode cemented that either Ace or Eden will be voted for as the blackened for all of the reasons above. Therefore, I shall be proceeding accordingly.

She was WILD for this. Hilarious line of reasoning.

What's Up With the Body Discovery Announcement?

The "reveal" of this line of logic was no surprise to me. As someone who's believed that Eden is the culprit for quite a long time, we've had to figure out ways to get around this thing before, and besides perhaps "not witnessing the murder," someone else seeing the body before the BDA rang is the most obvious way to cheese it.

However, in order for this to be a thing, we have to ask ourselves-- who would have actually seen the body first?

David claims to, but he has an alibi starting at 7:30 AM with Veronika and J. Both because Arei theoretically wasn't dead before then and because we've been operating off of the assumption that a meal takes about 30 minutes to eat, I don't think any of the three of them could have stumbled across Arei in the morning. Nico and Hu both have an alibi, which I'm going to consider solid enough to remove them from possibility-- one of them spotting the body would be helpful to make Eden the killer, and I think the only people who believe that Hu and Nico are lying only believe so under the condition that one of them is the killer. Whit is out, because him seeing the body beforehand doesn't actually accomplish anything, and so is Charles, because we can assume that, if he saw the body, he would be out of commission. I'm also going to strike Rose from seeing the body before breakfast, both because she's very likely to have been asleep and because if she had already seen Arei's body in the Playground, she probably wouldn't have refused to draw a diagram. That would leave only Ace, Levi, and Arturo as non-blackeneds who could have helped facilitate culprit!Eden from not being caught by the BDA.

However, we also have to consider that "before 8 AM" isn't the only time someone could have stumbled across Arei's body. They also could have seen it before Teruko, Eden, and Whit did while everyone was looking for Arei. So, what do we know about what happened during the search for Arei? Not much. Hu says that they should split up, while J says she's going to check Arei's room. Teruko says that most people are probably searching the first floor, an assumption that's supported by Teruko, Eden, and Whit not seeing anyone else while they check the second floor. You might think that would eliminate the possibility of anyone else seeing Arei's body during the search, but Teruko did say most people, not all. There's also what MonoTV said when Teruko and Veronika were investigating the Gym.

MonoTV: It's too high! If you stood in the movie screening room on floor one and started punching through the walls, you'd fall into the playground.

This not-yet-addressed piece of evidence got me thinking about the possibility of someone seeing Arei's body from above, standing in the Motive Screening Room. It still probably couldn't be Teruko, Whit, Charles, Rose, or J, but anyone else would theoretically be back on the table if that were the case. That being said, I can't find any visual differences in how the Motive Screening Room looks between the beginning of Chapter 2, when the search for Arei begins, and when Teruko goes to check the motive secrets (other than a curtain being added over the screen in the third case). So, unless there was already a heretofore unmentioned hole to peek through in the room, I wouldn't count on that being the case. The connection between the Motive Screening Room and the Playground will probably just be relevant to a different chapter.

Therefore, that leaves us once again with Ace, Levi, and Arturo. The main problem with believing that any of them could have seen the body beforehand is why they wouldn't have brought that up at this point in the Trial. Here are my best guesses as to why:

Ace: I have genuinely no clue why Ace wouldn't have brought up that he saw the body in the morning (assuming that he actually did) to defend himself at this point. It's not like it would make anyone more suspicious of you.

Levi: Levi does seem to be a bit dense regarding what is and isn't helpful behavior in a Trial, so the most likely possibility to me is that he just didn't realize that confirming he saw her was helpful. Like, "oh, I didn't realize that me confirming that I saw Arei would help us pin down Eden as the killer. I was just trying to figure out how David and I both saw Arei's body this morning and I didn't see him." "Wh-- David was obviously lying!" "He was?" "I already told you he was lying before..." "Levi... we talked about this..." Bonus points for it not being out of character for Levi to be unfazed by seeing a body, though.

Arturo: In Arturo's case, I think it would have to be that he'd still be worried about people seeing him as suspicious for saying he found Arei's body in the case of accusing Eden specifically. They already have a past history of conflict, and I could see someone brashly accusing Arturo of throwing Eden under the bus just to get revenge on her for the secret thing (even if I don't think he would actually do that). He also made an enemy out of Arei, so I don't think he would be particularly fazed by seeing her corpse either-- similarities to Felicity's cause of death notwithstanding. However, I also find it likely that he trailed after J in going to check Arei's room.

So, what's our conclusion here? Does this mean that Eden is basically fully cleared by triggering the BDA? I wouldn't count her out just yet, but the evidence isn't looking great for her. It's quite possible David only brought up this argument to A) hold out suspension of disbelief that it's not just Ace for a little while longer, B) drop this logic as foreshadowing for a future killer's plan, C) characterize the kind of logic he uses in a Class Trial, or D) bring up this argument in canon so that the people who theorized that the BDA might not clear Eden or Whit wouldn't be like, "wait, but what about...?" However, it's also possible that one of the possibilities I listed above, something I might have missed, or the "see no evil" idea (as FF put it) could keep Eden in contention. That dynamism is part of what makes Ace and Eden feel so evenly matched.

See, this is what I assumed David was getting at after Nico reminded me of his early-morning alibi. But then he just kept talking...

I'm not going to delve into what David was thinking here too much, because I already have an anonymous ask about what I think David's rationale was that this will almost certainly come up in. However, as a short version, I imagine that David is trying to get everyone angry at each other in the hopes that it'll incite another murder that he can get the class to fail? Or to cause enough discord in the group that they just fail this one. That would be why he also rags on Rose for not remembering the tape, and insults Arturo's sister-- he wants no one to trust anyone so that the murder-solving process will be as un-streamlined as possible.

The fact that he targets Teruko so specifically is probably because he (accurately) assesses her as the only real threat there. Charles and Rose can help, sure, but their mental struggles make them easy enough to eliminate if you play your cards right. Teruko's main flaw is her lack of trust, so if David wants to weaken her, it makes sense to go right for that jugular. Furthermore, by stating his plans so plainly and publicly, it might incite other people to fight back against him and say that Teruko should trust them. However, that kind of olive branch might make Teruko even less inclined to get close to them, if what Teruko said to Eden at the end of ch2-e03 can tell us anything. Didn't stop Eden from trying at the end of this last episode, though!

After taking some more time to think about what David was up to this chapter, I might change my mind on those being his goals. But, this post does serve as my initial thoughts of sorts, and that's what I initially think about this scene.

I wholeheartedly agree.

Does Ace Have Nothing To Do With Arei?

What Ace has to say is more or less true-- barring the breakfast in which Arei didn't talk at all (AKA, no conversation), Ace has literally never been in a small group event with Arei. However, although they didn't talk to each other, Ace did overhear the conversation between David and Arei, which does give him a connection to Arei. Quite relevantly, Arei did say this to David during their conversation:

Arei: You said that sharing our secrets would help fight against the motive. But when I think about it, not a single good thing has come out of that. Eden was stupidly naive, as usual, and tried to talk to Arturo, so now I have to protect her.

From this, Ace could probably surmise that Eden had Arturo's secret, she talked to him about it, and that Arei stepped in to save her from Arturo. He was one of the few people who could have known that Eden and Arei grew closer before the murder occurred: another connection Ace had to information about Arei.

However, before you use that evidence to call Ace the killer, let me remind you that he still doesn't have enough information to write the note from just eavesdropping on this conversation alone. As I outlined in this theory (same as the one I just linked above), whoever wrote the note had to specifically know that Arturo's secret was about his sister, which Arei doesn't divulge (quite possibly because she didn't even know) to David. Therefore, although Arei mentioning Arturo and Eden in this conversation is interesting, it doesn't actually make Ace any more likely to be the killer, because he still would have needed to find some way to spy on Eden's secret and/or Arturo and Eden's conversation to write that note. (Unless mentioning the sister specifically was an oversight plot hole, but I never want to use that as my reasoning.)

So, do I get what Arturo is getting at? Yeah, Ace and Arei were never particularly involved, and Eden clearly has a greater connection to the victim. However, there is more to the Ace/Arei bond than it might first appear, and it's possible that could come up in the Trial moving forward.

This distinction-- between "Arei was my friend" and "Arei could have been my friend"-- could be very telling down the line. Eden pauses mid-tear-filled rant to distinguish that Arei is not her friend, not because she's dead, but because they hadn't reached that point yet. Arei is not Eden's friend in death. What can that possibly mean other than that Eden killed Arei?

... BUT THEN HOW THE FUCK CAN EDEN GO AND SAY ALL OF THIS, BE THE KILLER, AND THEREFORE PROVE DAVID RIGHT???

AND THE "BECAUSE THAT'S WHAT FRIENDS DO" REFERENCE??? AT THIS HOUR????? I DON'T EVEN KNOW IF THAT MAKES HER SEEM MORE OR LESS SUSPICIOUS!!!!

OUGH AND THE MIN PARALLELS TOOOOOOO

MIN WAS TERUKO'S FRIEND BUT ALSO A KILLER. DOES THAT MEAN EDEN IS GOING TO BREAK THE CYCLE OR DOES IT MEAN THAT WE'RE STUCK IN A DOOMED STORY IN WHICH TERUKO IS THE PROTAGONIST? IT COULD GO EITHER WAY!!!

Jumping back in time for just a moment...

A Piece of Evidence That Lines Up to Them Only

I thought about making this its own separate post, but decided not to. If you guys want me to make this part it's own separate post so it's easier to find/comment on directly, let me know, and I'll set that up.

But before you can make your decision, I suppose I have to explain what I aim to do here. Basically, Teruko has told us that she's still torn between Eden and Ace (mood), and that, while she'll start off attacking Ace, she's looking for any pieces of evidence that could prove that only one of them could have committed the crime. Problem is, we have no indication of what that specific piece of evidence could be, and, trust me, it could be a lot of them. Thus, what I'm going to do in this "mini" theory is list out every piece of evidence that I can think of, and say whether it points to Eden being the culprit, Ace being the culprit, or it can't point to either of them. Perhaps once we're done, you'll see why I'm so conflicted on which of them it would be.

I'm going to tier these pieces of evidence in terms of least likely to be the missing piece to most likely to be the missing piece, starting with all of the aforementioned unexplained gym evidence. The knocked over benches and weight rack were not part of the replicated crime scene, and I have no idea how Ace or Eden would have wound up with any version of Nico's cowl. The missing tape on the pull-up bar has the greatest likelihood to be relevant, but as we're already suspecting both of them for having the tape, I don't think it'd be a decision maker. Any of those pieces of evidence would be likely to come up in proving that Nico wasn't the one behind Ace's murder, but this theory is operating under the assumption that Nico is the one who tried to kill Ace, and either Ace or Eden killed Arei. If you want the answers for your own theory, do your own homework. (/lh)

Ace or Eden will get a point for any evidence that I think would better be used to accuse them as being the culprit. Therefore, winning points is actually a bad thing if you want to be innocent. For convenience of "scoring," Eden will be purple because of her shirt and Ace will be pink because of his "maroon" hair... and because I needed red and orange for the likelihood ranking.

UNLIKELY FINAL PIECES OF EVIDENCE

Arei's Body Swinging: This evidence has already been used to establish that Arei was killed in the morning, not at night. Either Ace or Eden could have killed Arei at 7:30 AM, so point to neither of them.

Ace Trying to Assign Himself to Guard Duty: This one is obviously a point for Ace if it were the final piece, but it's such a minor happenstance that I doubt Teruko would think to bring it up as the main thing against him. Like, she could bring it up in general, but I don't think it'd be her crowning jewel. Still, it's a piece of evidence we haven't discussed yet, so credit where credit is due.

Arei's Bound Wrists: Bound by the grippy tape that either of them could have stolen. Point to no one.

Broken Playground Lights: The lights in the Playground are broken, likely from the mechanism being hung up through the ceiling rafters. You could argue that this is a point for Ace's strength, but I don't think throwing a ball that high requires so much strength that Eden couldn't do it, especially if you might be able to use the see-saw to launch it somehow. Point to no one.

Dried Up Puddles: This has nothing to do with either of them. Point to no one.

Carousel Wrapped in Tape: Again, either could have had the tape, so point to no one.

Two Pieces of Rope: Either of them could have taken the rope from Storage and cut it; point to no one.

Food/Utensils/Napkins in Trash: Probably David's dinner. Possibly evidence of Eden and Arei having breakfast together, but that's a stretch. Point to no one.

Cups/Tissues/Palette in Trash: Rose says these were hers. Point to no one.

Incense in Trash: I know thebadjoe had (has?) theories about this being used to conceal the scent of Arei's body being hidden in the Relaxation Room a day earlier than anyone thought, but I find that to be too much of a stretch to accost Eden for it here. I think it's just filler. Point to no one.

Grippy Tape in Trash: I should just stop writing out tape evidence. Point to no one.

Broken Jugs: The killer used jugs of water to make Arei heavier, which broke when she fell. They probably had the fish water in them, but we're not talking about the fish themselves at the moment. I'll say point for Ace because the jugs are probably from the Gym, and we've seen Ace in the Gym far more times than we've seen Eden.

Needle and Black Thread: This evidence... might have to do with the ball of clothes, which we'll get to later. However, if this is relevant to the murder, it's probably from the Dress-Up Room, in which we've seen Eden but never Ace. Point to Eden.

Construction of the Note: After a bit of internal debate, I'm going to call this a point for no one. Why? Well, it's because Eden would have reason to help construct the note whether she was the killer or not. If she is the killer, she might have wanted to guide the discussion that followed its reconstruction, to urge to Rose and Whit that she's innocent and that someone must have framed her. It would also give her reason to come into the Trial already having a handwriting sample on her. However, if Eden is innocent, she also easily could have just wanted to help out. Most importantly, Eden already brought up the note being constructed in her initial defense, so I doubt Teruko would reuse it as the nail in someone's coffin.

Splashing Arei With Water: Either of them could have thought of this and accomplished this. Point to no one.

SOMEWHAT LIKELY FINAL PIECES OF EVIDENCE

Body Discovery Announcement: While this may very well play an important part in solving the case, I don't think it'll be the final smash, so to speak. That's mostly because we already talked about it a lot in determining whether Eden could have done it. In the end, I think we'll either have to come up with a way to justify Eden having cheated the BDA-- by Levi or Arturo having seen it or via see no evil-- or we'll accuse Ace without the BDA being a problem. I guess I have to call this a point for Eden because if the BDA were to be the damning evidence, I think it'd have to be for her. However, in my heart, this is totally evidence supporting Ace being the killer.

Arei's Broken Neck: I'm using this as a stand-in for the strength of the killer, in the sense of lifting Arei up and being able to stop the carousel. This is a point for Ace, because he's a professional athlete and Eden is generally the weakest person in the cast.

Scratches on the Ground: This evidence certainly seems to indicate that there was a struggle at the Playground, but is there anything more to it than that? I'm more willing to believe that Ace could have beaten Arei in a fight, but does that point to Eden because there would've been more of a struggle, or Ace because Eden wouldn't have wanted to fight Arei at all? Ace also normally wears heels (while Eden and Arei don't), which is what Hu cites will naturally scratch up the floor. This evidence is vague enough that I don't think it'll be used to point to either of them, but if it did, I think it's more likely to be Ace.

Ball of Starched Clothes: For starters, I'll share (I think it's) thebadjoe's theory that the ball was adhered together using starch from the Relaxation Room that's sprayed on the plants at night, because I saw some people questioning how the clothes could have been stuck together. Anyways, the ball of clothes itself is definitely a point for Eden, because we saw her in the Dress-Up Room specifically looking for Teruko's clothes. Although, Ace certainly saw Teruko and Hu's new fits, so he could have figured it out for himself.

Actual Acquisition of the Tape: I don't think this will be used as the final piece just because I feel like the narrative is pointing towards the damning evidence relating to Arei's actual murder as opposed to Nico's. However, it's relevant to discuss, so I'll list it here. Although Teruko says that Ace and Eden had equal odds at the tape, on the surface, it really makes much more sense if Eden was the one to take it. Star explained it well here, but I'll add my own recap: in the moments when the tape must have been taken, in between when Nico leaves and when MonoTV kicks everyone out, Ace is recovering from unconsciousness, covered in blood, full of rage, and has all eyes on him. Meanwhile, Eden is scared, sure, but she had a clear moment to actually examine the scene of the crime and is also knocked to the ground-- potentially right next to the tape-- with all her wits about her. While it's not impossible to believe that Ace sleight-of-handed the tape, Eden had a much clearer path to taking it. Point to Eden.

MOST LIKELY FINAL PIECES OF EVIDENCE

Arei's Missing Glove: To my memory, Arei's glove hasn't been brought up in the Trial at all, which is definitely strange, because it must be missing for a reason. If DRDTdev is crafting so much detail into the BDA that the swinging of the body is plot-relevant, there's no way he would have just missed giving Arei her glove. The question is, what was this used for? Those who are familiar with my theories should know that I've never been a fan of dress-up theories, so I'm going to discount that possibility. The thing I thought was the most likely was that the killer donned the glove so that their hands wouldn't get super scratched up from grabbing the grippy tape-d carousel bars, before gleamingtempest reminded everyone that both Eden and Ace already wear gloves. Still, looking at them, Eden's gloves are probably made of something more like cotton while Ace's gloves likely have some sort of tougher grip on the inside. So, Eden would probably be more likely to need something else to protect her hands. Also, given that both of Arei's wrists have marks on them, the glove was likely taken off before her wrists were tied. I can't figure out why Ace would have taken off Arei's glove before restraining her or how he would have gotten Arei to take it off otherwise, while for Eden, at least, I can imagine her asking Arei to take off her glove. Therefore, I'm going to call this one a point for Eden, while also throwing out that it might just be missing if Arei didn't bother putting on her glove for the early morning meetup.

Fish on the Playground: You've heard it from me before, Eden has an alibi through the entire time the fish could have been taken. With seemingly no accomplices (other than possibly Arei) in sight, I don't know how Eden would have gotten her hands on those fish. Meanwhile, Ace had a great opportunity. Point for Ace.

Pieced-Together Note: This evidence is very confusing, because I don't see how/why either of them would have implemented it. For Ace, I wrote that entire theory (I'm not going to link it a third time) about how, based on the information in the note and the layout of the first floor, it really seemed like eavesdropping was impossible, and the person who wrote the note had to be Arturo or Eden. Then there's what thefandomenchantress pointed out about Ace's pedantry making it seem like he wouldn't misspell "responsible" in the note, and that he just doesn't give me the vibes of someone who writes in cursive. By all accounts, it really seems like Ace can't have written that note. But then again, why would Eden have written that note? Okay, bad phrasing; she wrote it to get Arei to come to the Playground. But still, why would she sign it? Or if she were to sign it, to make sure that Arei knew it was her, why include so much detail about what Arturo's secret was? More importantly, why wouldn't Eden have just stuffed the ripped up note into her belt, or her pockets, or her room if it would serve to incriminate her? Put it wherever she put that glove! Hell, why not eat the note, if it's a life or death situation? There's the "reverse psychology" argument, but similar to what Teruko said this episode, it would have been much simpler for Eden to have pretended that Arei came to the Playground for some other reason without the killer planting some sort of note meant to frame her. And it's not like I think Eden is really the type to misspell "responsible" either. So, I'm kind of at a loss. It's such a major piece of evidence that I feel it has to come into play again somehow, but I'm not sure how. I think I'm going to call this one a point for Ace because at the very least I understand why he would want to leave this evidence here, even if I don't know how he created it. For Eden, I don't get why she'd leave it lying around, even if in pieces. You can call it revenge for Eden getting the point on the BDA, if you wish.

So, what are the results? If you add up all the points together, you wind up with 6 points for Ace and 6 points for Eden. Funny. If you tier the points, however, with 1 point for unlikely pieces, 2 points for somewhat likely pieces, and 3 points for the most likely pieces, you get 12 points for Ace and 10 points for Eden. Of course, that's using my tierlist of which pieces of evidence are most likely and on top of that, assigning the BDA and the Note the way that they are (if you flip them it's 11-11), but still. If you're invested in my findings, these are the results.

Needless to say, I hope you can understand why I'm having such a hard time determining which one of them will turn out to be the killer. Although, I must add...

If we're suspecting Ace first before we've done our Debate Scrum, that's not a good look for Eden never being suspected again in this Trial.

Concluding Thoughts

What? A conclusion? I've never done one of these on a dissection before?!!

Yeah, well, this time, I have stuff to say that I couldn't really correlate to one image in particular! And also I ran out of images, so this is what you get!!!

I spent that whole "A Piece of Evidence" section talking about the physical evidence that could support Ace or Eden being Arei's killer, but in it, I really didn't get to talk about the narrative implications of either of them being the killer at all. I know that Narrative Defenses are typically Venus' thing, but I have my thoughts on this, too. Namely, that both of them are riddled with narrative problems for being the killer at this point.

(Note: I don't mean "problems" in the sense that DRDTdev has written anything poorly. What I mean is, my own perception of how the characters are conveyed has me currently raising red flags about how either of their stories will pan out as a killer or how the rest of the story will pan out without them. At the time the answer comes, I have full faith that I'll be satisfied with the results.)

Let's start by looking at Eden, the spotlight character of the end of this episode. After that whole heartfelt speech with the CGs and the tears and the brilliant voice acting and the everything, how could Eden possibly be the killer?! I'm the one who was trying to defend the possibility of her still being the culprit after her little rant last week, and while I could probably do that again with this speech, it just felt so... I dunno, sincere. You can really feel Teruko's reluctance to put her faith in Eden, but her choice to do it anyways. Teruko already showed signs of growth this episode by admitting that she can't always solve mysteries by herself, so could that be a sign that she might come around on the group faster than we initially anticipated? If Eden was the killer, it would crush Teruko so hard. Is there any recovering from that? Can we really prove David right?

On the other hand, Ace is, quite possibly, one of the most intertwined members of the cast. He's probably Levi and Nico's #1 correspondent, and he's up there for Hu as well-- assuming they both survive the chapter, I'm sure their animosity towards each other will only grow in Chapter 3. With Ace just having given up on Levi, having just been the target of Nico's battery and Hu's verbal lashes, can the story really work without him in it at this point? Eden hardly has connections with anyone other than Teruko-- Hu's probably next, but Eden probably ranks, like, fourth on her list after Nico, Ace, and David-- which should make her more expendable. Is it really Ace's time already?

However, despite my complaints, I also think that both of them could be really good options as the killer here-- the two options I prefer over anybody else.

Eden is the character who's most connected with Arei. She plays into the chapter themes of being a good person beautifully. She's a good person, a tragic figure, that killed not because she wanted anybody dead, but presumably because she had something back at home that she had to get back to at all costs. Killing her off would break Teruko-- would break everyone. With the reveal of everyone's secrets, next chapter is going to be a living hell, so why not make that hell worse by removing the biggest conflict de-escalator here? It would force other people to step up to bat. It would give everyone a chance to change, what Eden wanted for Arei most of all. Eden's development isn't an arc, per say, but a fall-- a reminder that even the "most good" people can do the unspeakable.

Meanwhile, Ace has perhaps the most obvious reason to kill someone: he literally almost fucking died himself. Ace's execution would be a reminder of the physical reality of the killing game. That actions have consequences. Even if the guy who started all those fights is dead and gone, you can still feel his presence lingering in the arguments between the others. The guy you underestimated most of all-- not for being kind, but for being dumb-- can send you into a multi-hour spiral in which you accuse even the sweetest of participants. Ace's development isn't an arc, per say, but a fall-- a reminder that reveling in your own distrust and anger might lead you to do the unspeakable.

For someone who's spent so long believing that Eden is the culprit of the chapter, it's really amazing how down-to-the-wire DRDTdev has made the end of the case, where either option feels so believable that it's like you can picture the rope in their hands. Whether my theories, old or new, were right or wrong, I am highly looking forward to watching next week's episode and discussing it with you all. See you on Friday-- just try not to freak out too much before then, alright? (/aff)

[fanfic-writer-and-rambler]

Barbara Gordon waits in her apartment complex for her father to arrive to take her upstairs because the elevator is broke.

Barbara: I feel like I'm in a bad episode of Big Bang Theory... So every episode.

Jason: Need some help?

Barbara turns to see a tall man with black and white hair.

Barbara: No I'm good, just waiting for my dad to ... Meet me down here. He's a cop. Carries a gun.

Jason: Barbara. It's Jason. Jason Todd.

Barbara: No... Wait.

Barbara adjusts her glasses and then her eyes widen.

Barbara: Holy fuck. Jason?! Jason! Wait, you're not here to attack me. Because I am strapped... With a taser.

Jason chuckles.

Jason: I came to see you for good news. I'm alive! Wanted to say and then I would leave, but looks like you need some help.

Barbara: Yeah the elevator is broken and no legs for the stairs. My dad will be here soon.

Jason: Why do you have an apartment not on the first floor?

Barbara: It was all they had left and rent is cheap, but I'm on the waiting list. Three years left.

Jason (nods understanding): Welp, let's get you up there.

Barbara: You can't carry me, my wheelchair is heavy.

Jason: Nonsense.

Jason lifts up the wheelchair with Barbara in it with ease and walks up the stairs.

Jason: What floor?

Barbara: Um, right second floor.

Jason: At least they were nice enough to give you one on the second floor. How you been?

Barbara: Jason, you are alive and you're asking how I'm doing? How are you. I heard you mellowed down after your path of vengeance.

Jason: Yeah, I have a team with an Amazon woman, and Roy Harper. You remember him?

Barbara: The crack addict?

Jason: He was on heroin. Red hair like you.

Barbara: Oh yeah, he's doing good?

Jason: Yup, got Lian back too.

Barbara: Oh my God, he won the court case?

Jason: Yup.

Barbara: Nice, oh and my place is on the left, 203.

Jason: Close to the elevator?

Barbara: Yup.

Jason: Smart. Mind if I come in for a drink?

Barbara: You're carrying me like a princess, I can at least let you have some flat orange soda.

Jason laughs.

Jason: Good looking out.

[flownwrong]

chaotic ckr c6d squee propaganda (?) post

This, started half a year ago for @ds30below, was initially a general c6d short reviews post but kinda skewed majorly towards CKR's repertoire and wasn't too review-y. So I gave up on making sense and on including the non-CKR works. I don't know who the audience for this is, because I never give basic details for people who don't know about this stuff but say too much for those who do. I giffed what I could and tried to avoid what I know a lot about but haven't actually seen. Here goes.

Frank's Cock (1993)

Not much to say. It's only 8 minutes, it's beautiful and you should see it if you haven't. I won't spoil the subject, but you can likely guess. Watch it, cry a little. Then go watch some more of Mike Hoolboom's stuff, the vimeo link above is from his channel.

Two X-Files episodes (1994 – 1995)

Well, I haven't actually seen X-files since I was about fifteen and watched the like two seasons, and I remember none of it. I rewatched the two early episodes CKR appears in and they were fun. I did not watch the, the movie or whatever where he's doing the evil gay thing. But really, this one is on the list so I can show you this self-indulgent gif of him being Very Long:

Double Happiness (1994)

You shouldn't watch this one for CKR. I mean, you absolutely should see him here, looking like he's barely out of his teens and playing up the insecure act and having devastating chemistry with devastatingly beautiful Sandra Oh, but this is not why it's great. And it's really, really great. It's touching and funny and sincere. If you wanna have some feels about complicated family relationships and identity and growing up (at any point in life), you'll find them here.

Curtis's Charm (1995)

Don't regret watching it, can't recommend. Not gonna lie, I was emotionally affected. But I usually am by things as in-your-face bleak as this. Mostly, it's trying very hard to be smarter than it is, I think.

However: CKR's One Wild Curl is everything to me (see above, on the right. It was, like, actually curly. I was rendered speechless). And like two seconds of Hugh Dillon made me do a double-take, lol. Incredibly weird knowing this was shot like half a year before HCL began shooting. Feels like it must've been a decade earlier.

Hard Core Logo (1996)

I could make three separate posts about this one, so of course I have no idea what to say.

This one, you should watch for CKR, actually, he's something, but so is every single other aspect of this film. I wouldn't change a thing about it. It hits you like a 16 wheeler. Perfectly cast, unimaginably beautiful, hysterical and melancholy and disgusting and compelling.

Related recs:

A wonderfully fun article/retrospective/interview for its 20th anniversary a while back.

You should also absolutely read Hard Core Roadshow if you enjoyed the film. It's a book documenting the whole thing from conception to release. It touched me for its own sake, not just a backstage glance, full of love for the craft and the people and carrying this tangible bittersweetness about the heightened and fleeting nature of this kind of work.

(here, I feel compelled to include a quote from another c6d-related interview on Slings & Arrows, which I read after the book and went like man, it's really a universal experience isn't it.

Coyne: <...> But I also think, and this is my experience, what we were all experiencing, because we were all talking about our lives, our life in the arts — there’s something very melancholy about doing something you love, because it will never be good enough, it will always break your heart.

McKinney: Or it will be fleeting.

Coyne: It’ll be fleeting. You come together with people you feel passionately connected to and two weeks later they’re tearing down the sets.)

Quotes from the article and the book respectively include:

McDonald: So there was a kind of mutual dependency society with Hugh telling Callum, “Don’t worry, man, I got your back, I’ll tell you how high or low to wear your guitar, I’ll tell you how you should dress, I’ll tell you what you should drink…” and Callum was like, “I’ll tell you what hitting your mark is, I’ll tell you why they pull out fucking tape measures, I’ll tell you why you have to do it again, I’ll tell you about not overlapping dialogue..” and you know they clung to each other, like the other one was gonna fucking save them.

And:

A final gathering at the back of the tour bus with Bruce, Callum, Hugh, Bernie. We listen to the tape of HCL songs, all the way through, one last time. And we belt the words out. Bernie sings loudest, performing for Salerno's camera. Hugh and Callum sit back, looks of sadness. I get the sense that if they could do it, they'd chuck their lives and be Joe Dick and Billy Tallent forever. Callum leans to Bruce and says exactly what everyone else is thinking: "I don't want it to end."

There's much more to both texts than *gestures* the whatever those two had, but it certainly doesn't hurt.

And Xeriscape is the best HCL fic I've read. Granted, I read very few because it's not a source that creates in me a craving for fic. But this one perfectly matches the film's fucked up beauty with its language while also adding a quieter, more fraught layer of humanity that we only get glimpses of in canon and that perfectly fits John. 10/10, would recommend.

Anyway. Watch it. Read it. If you haven't. Otherwise, come scream with meeee! And go reblog my gifs or something. Idk.

Letters From Home (1996)

Mike Hoolboom strikes again, with another short. This goes into the "don't watch it for CKR, watch it because it's great" box. Yes, you will cry.

For Those Who Hunt The Wounded Down (1996)

Another bleak one! It sucked to watch, I mean, on purpose. There were a couple of very effective scenes. I really enjoyed the opening. They say the book is decent too, I haven't checked that out.

Actually, let's just switch back from coherent thought to undignified staring at his mouth with this one. What the fuck is that cigarette thing. I couldn't help myself.

Last Night (1998)

These gifs are not representative of the whole movie. There is more happening than CKR kissing or hugging people. He's also doing more than just kissing and hugging. It's all very... impressive.

Guess who's also here again? Sandra Oh! And say hi to Don McKellar, who is an absolute champion for writing/directing/starring. You'll be seeing more of him.

Another one for the "watch it for its own sake" box. Seriously, that late 90s indie stuff is banger after banger. It's so beautiful! Look at those colours! Look at those shots! It's very uneasy and charming and melanchioly and itself in the best way.

Twitch City (1998 – 2000)

Don McKellar is back to murder you with discomfort! Bruce McDonald lends a hand. Molly Parker is also here. And Daniel McIvor, who'd go on to direct, for example, Wilby Wonderful. It's a party. If you watched some stuff from above (or below) on this list, most faces and names will be familiar to you, tbh (another Hugh Dillon double-take happens).

If you liked Spaced, you'll love this. You might also love it because it commits to its weirdness with an admirable resolve and is genuinely hilarious. (Honestly, CKR's outfits alone warrant a watch.) The idiosyncrasy is definitely Don McKellar's doing 200%. It couldn't be more different from Last Night, but if you've seen one, you'll recognise the other.

Battlestar Galactica (2003 – 2009)

I don't think a person should be allowed to look this pretty in the sweaty-and-dying makeup in that light (this sentence probably looks very weird to those not under the CKR magic spell).

I don't know what to say about BSG because I really, really enjoyed early it initially, but by the middle of S2 it got... well, whatever that was. If you know you know, if you don't, still give it a go. You might get invested enough to suffer through it all, as I have been, slowly.

The unfortunate thing is that CKR got to be there mostly in the "what the fuck" years and not the "wow that's so cool" years. That, as you might be aware, is a pattern with him. But! When he was here, he was so genuinely, wonderfully creepy not in the typecast-baddy way, but in this slow, half-absent way, which really worked. You can also see him tortured a little, as a treat!! <3

Also, a wild John Pyper-Ferguson appears! If you're looking at him thinking you know him from somewhere but not immediately remembering, you'll figure it out, I believe in you. I was very happy to see him.

Wilby Wonderful (2004)

Another win for the put CKR in more good shit team!!! Guess who's here again? Sandra Oh! Also, Paul Gross. Don't watch it for him either though haha.

Another one for whoever wants to look at pushing against the weight of others' (or your own) expectations and growing into who you are or reconsidering who you are or finding meaningful connections with others even when you're kind of a mess and they are too.

Not nearly the first time CKR's gotten to play a queer character, but man, this one really is the heart of the in-universe community, and, through that, of the film. A rare chance to see him so far out of the prickly persona! He's just so solid and calm and there for others in this one and, and soft, ough. It's awesome.

By the way, if any of you have the commentary track or know someone who has, please drop me a line here or on discord (emotionalrisotto), I really wanna hear that.

Supernatural (2005)

I love Supernatural a lot. It was a formative experiences (albeit a very late one) and I owe a lot of my favourite stuff about fandom-ing to the buddies I met through it. I can't believe I'm telling you this (because who hasn't seen it, not because I'm reccing it), but you should really try it if you haven't. It's pretty rad.

I had no idea who this guy was when I saw that episode (the second ever one!), though. I simply cannot fathom what @nigeltde-fic felt when she first saw it. I think I personally got very lucky she didn't combust on the spot. It would've been unfortunate.

On a sillier note, CKR's character has weird tension with both Sam and Dean in this episode, which is par for the course. I personally think they should've... no, I shan't say it. You can probably imagine.

Californication (2008 – 2013)

I haven't actually seen it, lol (and I suspect I won't enjoy it, but I'm very curious and also CKR looks really really good).

The real reason for this one on the list is to share a fic rec. Really, it's a due South F/K fic featuring Lew Ashby. It's ridiculously hot and very satisfying in its romantic resolution, too (but then, I'm kind of big on selfcest. And consensual voyeurism. And pretend relationships when done like this. And sublimated yearning. Erm.)

Shattered (2010 – 2011)

I wish this never happened. I badly, badly wish this never happened. I can't turn back time, but I can warn those luckier than me: do not go there. Yes, even for this dude. You'll sleep better not knowing just what it is he was the EP on. And the only important part — the mascara — can be seen above (yes, the show does look that bad, it's not just the gifs).

Just kidding — I watched it, didn't I? You'll have fun hating it! Just prepare for industrial grade cringe, lower your expectations (No, lower. No, still lower than that. And just a bit more.) and you'll have a great time!

Star trek: Discovery (2024)

Or, as I call it, Star Trek: The Mediocre Show. Discovery S5 was... what it was, but it was a wonderful viewing experience — mostly thanks to the gang (@kittkatk and @feroxargentea especially!)

What a joy it is, to follow a show week by week, yelling and laughing and discussing the whole time. And giffing, too. I was very happy to contribute to the Disco fandom from my own little obsessive corner, and I was glad to see people adoring Rayner, haha.

He's a pretty neat character — very much a stereotype, yes, but with CKR's usual twist of odd vulnerability and weirdness. Also, I loved the ears. I miss the ears. The ears were great.

I even wrote a fic! Although it's not within my usual range to write for canons and universes I don't know well — and back then, I'd only seen S5 of Disco. It was a lot of suffering, and a lot of fun.

Closing thoughts

I'd really love the dude to get a better agent. And possibly better taste, but I realise that's a tougher ask. Seriously, it's been too long since he was in something majorly cool. I'm grateful to him, at least, for not making terrible music on the side. And I still have a lot of his back catalogue to get through, some of it even good, so there will be more insanity. Until then!

[respectthepetty]

Pride Petty Watch (SOTUS) 1/5

The crowd picked two blacklisted shows for me to watch during Pride, which were Love in the Air and The Untamed, and so even though I finished the first, I've stalled on the second, and it's all because of the beast named SOTUS. I watched this show when it aired in 2016, but I don't remember any of it. All I remember is that I'm very mad at it, yet this was the wild card show that was unlocked during the voting, so instead of fearing this show so much that I cannot bring myself to finish The Untamed, I'm going straight to the big boss, and fighting this demon NOW!

It's me and the gear in a battle until the very end, and even though I cannot remember a single thing about this show, as soon as I pressed play, all the hate in my body rose to the surface, so I already know this is going to be a ~journey~

First and foremost, I'm going to give this show and Krist a compliment because I HATE Arthit, which is exactly what I should be doing in the first episode. He is 🎶The Worst🎶 and he leans all the way into it. He snarls. He yells. He forces a girl to give him her number through mere power dynamics and sexism, and this isn't just 2024-me thinking this. 2016-me knows that this character is written well because the worst thing Arthit can think of doing to another man is making him say he is gay.

Then to casually whisper in that man's ear that he could find him a skirt to wear . . .

Arthit really is the epitome of the homophobe-to-homo character and I can't believe that it worked in 2016 since I feel that was late for a character like this to still be a love interest, yet it's still working so well in 2024 because here I am, pissed, pressed, and ready to fuck him up for being the douchiest bro in this damn cafeteria. It's refreshing how much I'm allowed to hate him.

Because even the way he screams Kongpob's name with his student ID every fucking two seconds is setting me off.

And I'm very disappointed in BL Land for only ONE video existing of him screaming Kongpob's name, and it's only the times from the first half of the first episode. Thanks, OP, but we are slacking!

But, honestly, if I had a boy who looked up at me like this every time I screamed his name, I'd probably be a lot worse than Arthit. You know, instigating fights and hands on me or something like that.

And now I'm questioning this series because if these two would just choke each other out then kiss, I would be fully for it and enjoying all my snacks along the way. I'd be fine with Kongpob telling the entire room he would make Arthit his bitch, but Kongpob instead says he'll make Arthit his wife, and . . . the vibe is not as kinky as I need it to be to support all that is being thrown at me from these two.

Which is why I'm heavily shipping Kongpob with M! Kongpob got in trouble for having two books, one which was M's, and had to say he liked men. Now, they are drunk at this table with homophobe Arthit and the hazers are staring them down while Kongpob is just holding M's face.

But let me actually rewatch this show instead of reflecting on how GMMTV messed this enemies AND lovers premise up twice (looking at you, Dangerous Romance) because right now, this show is trying to make me believe the girls would not wave hello to a babyface Off.

Once again, back to the actual rewatch, and because I don't remember a thing about this, I don't know if Wad is good or bad, but him busting out this move when Prem told him to apologize was equivalent to an older white Southern Christian woman telling someone to have a blessed day, so I felt that shade through the screen!

And I'm not victim-blaming, but I do actually think Kongpob and Arthit are trying to push each buttons to see who will break first and fuck (up) the other one because this is not a sane answer to "why did you stay?" when the possibility of the hazers physically harming someone is extremely high.

I only see my Kongpob and M ship now because when Arthit asked if anyone knew M, Kongpob immediately stood up and knew his entire life story. I have known my best friends for decades, and I still could not recite half of that information. Kongpob, what are the heterosexual reasons for you know any of this information about M?

JAN!

Once again, Arthit is 🎶The Fucking Worst🎶 because instead of just taking his L, he made Kongpob say everyone's damn name, then ripped up May's name tag, only to scold Kongpob for giving her his, and now the kids are passing out from his ridiculous physical activities! As a member of a Greek-letter organization who was hazed because that was the culture of the time period, Arthit is being soooooo messy!

Hear me out - Kongpob and M would be so good together! Arthit is the antagonist. Kongpob is the protagonist who meets a sweet quiet boy on his first day of orientation. He helps the sweet quiet boy come out of his shell and watches over him. He cares for him. THEY FALL IN LOVE!

But instead I'm getting a love interest who nominated Kongpob because he knows he is cute, yet can't admit it because ~internalized homophobia~ Ryan from The OC would have never treated Seth this way, and they were in the early 2000s. What is your excuse, Arthit?! The show wants me to hate you, and for that, I'm thankful.

But I could never hate Minnie! Arthit came up quick like he was protecting the boys from Minnie being a predator, but Minnie would NEVER! I could never fear Minnie with the bisexual scarf? And now MDL is telling me the actor has only acted in one other series and that series is Deep Night. Gold star resume, and I truly mean that.

Look at them. LOOK AT THEM! Tell me they don't look good together. Tell me they wouldn't have wrecked every other ship. This is why I need GMMTV to let these MEN (no longer boys) kiss their homies. Kongpob x M. Singto x New. I ship it.

*punching walls and ripping doors off hinges* Kongpob gets kicked out the group and the FIRST one to stand up for him is the boy he loves (it's canon to me and IDGAF what the story's gotta say about it). Quiet and sweet M finds his voice just so he can ask to have Kongpob back. THEY ARE IN LOVE!

Arthit is wildin' out here trying to gaslight Kongpob with this bullshit of "if you keep helping out your friends, then they'll never stand on their own." Sir, you wanna fuck Kongpob so bad, you look stupid.

AND KONGPOB SAYS IT!

I cannot stress enough how kinky this is and could have been if 2016 BL Land was allowed to lean into this because Kongpob has already established through his actions that he likes showing up for the punishments, and here he says the quiet part very loudly - Arthit likes punishing him.

Taking a break from the kink to point out that GMMTV was always going to get My Love Mix-Up because in 2016, May's friend said that "In Japan, if you write down the name of your crush on an eraser and use it, that person will love you"

Then we have May asking for an eraser and keeping it just so she can write Kongpob's name on it. But who gets upset about it? M! Because he loves Kongpob and I'm not accepting that he likes May just like Atom realized he liked a boy instead of girl eight years later. M loves Kongpob. That is my truth!

And here comes the kink lite again! Kongpob could leave. He doesn't have to take this verbal abuse from Arthit. He doesn't have to eat that damn spicy ass plate of food. He doesn't have to finish it either because Arthit gets up and leaves, yet HE DOES! Because he likes this treatment. This makes sense if it's sadomasochism, and that will guide me through these next couple of episodes.

Because the decision to make Arthit the one who likes pink milk is a choice, and now I want an entire TED Talk on how Arthit is probably the most well done homophobic bully with internationalized homophobia falling in love with the boy he is bullying.

Because, joke's on him, the guy he falls for is into that kind of shit.

And all of this happens so we can end with Kongpob getting pink milk for himself after he finished an entire spicy meal that he didn't need to since he enjoys being punished should make me so happy, but the show is trying to lighten Arthit's behavior by having him pay for the bill (and get the freshmen food, and having been hazed himself, and blah blah blah) instead of just letting the toxicito be toxic and Kongpob being into it.

I never thought I'd write this, but I don't want Arthit to be tamed. I want him to be so much worse.

[fiddlefordisms]

Canon Details and Analysis of Fiddleford McGucket Part 2

See the first part here

Let's flash-forward to what we know about Fiddleford after college. At some point, he got married to Emma May Dixon, and they had a son together (Tate McGucket), they live in Palo Alto, and Fiddleford seems to be self-employed: McGucket's Computermajigs. Now, don't get me wrong I enjoy Fiddauthor quite a lot (and I'll give some in-depth analysis and theorizing and thinking of possibilities about that particular relationship in that context at the very end), but I want to focus on Fiddleford's character and what we do know about his wife and child.

We know from Journal 3 that Fiddleford keeps a picture of his wife and son on his desk because he says it helps keep him "grounded." It's very important to note that this picture includes his wife - if they really wanted to imply that Fiddleford's relationship with his wife was on the rocks, they could've easily made it just a picture of his son. We know that Fiddleford must have had strong feelings for his wife because in the Gobblewonker episode of Gravity Falls, Old Man McGucket claims that when his wife left him, he built a pterodactyl-tron (building giant death robots is something he does when he's upset or wants attention). If he was wanting to leave that relationship, he would not have been upset about her leaving him.

In another page of Journal 3 when Fiddleford quits the portal project, Ford writes about how he should "go back to his doting family." This tells us that while Fiddleford and Emma May did have a fight over him not getting her a Christmas present, Ford still somehow had the impression that his family was "doting." I think it's important to point out that Fiddleford has been erasing his memories since the Gremloblin incident - and the fight scene with his wife happens very shortly before the big portal test. We know the memory-erasing gun has side effects. So, anytime Fiddleford "forgets" something should be looked at as highly suspect and indicative that his memory-erasing gun is affecting him.

We know that Fiddleford must have been a good father before he left to work on the portal for Ford via context clues. In the show, despite Tate's original home being in Palo Alto, Tate chose to pack up his things and live in Gravity Falls where his mentally-addled father now lives. He chose to do that and seeing what became of his father, even though he's the town's biggest embarrassment with a reputation for being a crazy old man - chose to stay. In Shmeb U Unlocked, we're informed that Tate is extremely intelligent and capable of predicting lottery numbers.

He could literally go anywhere he wanted if he wanted. And yet, he stays in Gravity Falls where his father lives. He must have really loved his father despite it being so hard with his father's mental state and the fact that he has every right to be angry that his father left. We know that Fiddleford must have really loved his son because of that picture on his desk, because much later even with all of his memory problems, he still remembers his son, and he's desperate to spend time with him, and in the end, they're able to repair their relationship and spend quality time together.

Now, let's talk about a couple of details that I think a lot of people overlook. During the stargazing scene in Journal 3, Fiddleford mentions offhand that he'd like a place where "the screen door ain't broken." I think this is a VERY interesting detail because it makes it sound like Fiddleford's business hadn't quite taken off yet and that he might have been struggling financially because he can't afford to get his door repaired.

This opens a doorway into a theory of mine that Fiddleford is being paid for his time as Ford's assistant. Now, we're not told this outright in Journal 3, but I think we can gather this from a little thing I like to call context clues. After all, Ford probably thought the exact nature of payment deals for his assistant didn't need to be included in his research and personal journal. There's nothing interesting about it. Additionally from a narrative standpoint, it might have come across as looking like Ford had to bribe Fiddleford to help him, and that's not the vibe they wanted for Fiddleford. They wanted to emphasize that these two are at the very least good friends and that Fiddleford is the type of person who will set aside his own personal projects and self-sacrifice to help a friend at a moment's notice.

We know from the show and Journal 3 that Ford was given grants to study the anomalies of Gravity Falls. Presumably, this money would not only cover the costs of field research equipment and a research base (the shack) but also money for a research assistant if needed.

Fiddleford's wife would have to be the most permissive, most doormat wife in THE HISTORY OF EVER to allow her husband to go up to Oregon to work on a project leaving her to not only take care of her son by herself but also have to pay all the bills and rent/mortgage by herself. We know this is not the case because she (rightly) did NOT let it slide that her husband forgot to get her a Christmas present.

Fiddleford would not have had much time to work on his own business while working on Ford's portal. At this point in his life, he has his mental faculties intact, he's proven time and again to be considerate and sweet (Alex Hirsch even refers to him as a sweet soul). He's big on making thoughtful gifts, he wants to help others (in Journal 3, he is seen fixing up the ferris wheel at the carnival where he meets Ivan, although it was definitely wrong - he had good intentions in wanting to help people with their bad memories, even in the show - Old Man McGucket shows up in the sap-hole with the dinosaurs having fixed a broken lantern - Fiddleford is exactly the type of person who would see a broken-down car on the side of the road and pull over and get out his toolbox and help that person out), and he loves his family very much. He would NOT let them go unsupported and floundering for themselves while in his right mind.

So, this leads me to believe that to help convince his wife to let him help his old college buddy with his project, he'd be getting paid for his help. Ford likely would've found this reasonable and might have suggested it himself if Fiddleford expressed wanting to help but not being able to leave his family without any support. It probably wasn't a lot, but it might have been a bit better than what he was currently drumming up via his own business. This could also be why Ford is so adamant about referring to Fiddleford as his assistant in the journals rather than his friend.

Do I think his wife might have still had some reservations about her husband going to Oregon and could be a fertile field for argument later? Yes. Absolutely. But I think the fact that she let him go in the first place and the fact that Fiddleford is self-employed rather than more conventionally employed generally shows that she was a supportive wife and trusted her husband.

I absolutely DO NOT think, as some have posited, that Fiddleford abandoned his wife and son (especially his son whom he dearly loves) to have a "Brokeback Mountain" situation with Stanford. That is a terrible misreading of Fiddleford's character AND the situation. Again, Fiddleford is the type of person who HELPS people, and how much more so for someone who is likely his best friend? Not only that, but his FIRST EVER friend. A friend who Fiddleford probably knows has been alone in Oregon for years and who also has a hard time making friends, a friend who probably doesn't call him enough because he's "busy" with his research (Ford even says in the journal that he "has no choice but to call Fiddleford"), a friend who is probably stubborn about asking for help who is asking HIM (the guy who helps) for help?

Fiddleford might even already be worried about him.

And this is a "project" - a project has a beginning and an end. Fiddleford was NOT expecting to stay in Gravity Falls. He was going to go there, help Ford, and then go back to his family whom he loves. I'm not saying complicated feelings couldn't have arisen (again, I am a Fiddauthor shipper), but I am saying that Fiddleford didn't go to Oregon because he was running away from marital problems with his wife (on an additional note - people are free to write what they want - But what is WITH bisexual erasure and villifying / ignoring female characters? I mean, just because she wasn't in the show or talked about much doesn't mean we should do female characters a disservice) and intending on cheating on her.

Because again - A) He loves his family (family photo on his desk which doesn't exactly scream "Make sweet love to me Ford") B) His anxiety issues C) His empathy - he doesn't have the narcissistic traits cheaters generally have D) He's likely Catholic and all the religious hang-ups with that - (also adultery being a sin is mentioned waaaaaay more than homosexuality) E) The hostile time period for queer folks.

Also, Stanford "I find romance baffling" (Journal 3 - stargazing scene) is probably one of the biggest indicators that no cheating went on (but I'll throw you "cheating Fiddleford" headcanoners a bone much later on in which I think a possible "cheating" scenario could have realistically occurred - and I'll tell you my reasons for why I personally don't believe that happened either, but I'll begrudgingly accept a "possibility" and let you guys go nuts with the idea.)

More to come in later parts.

[guttersniper]

@quantumleapt​ said: [ clean ] Al being an Italian grandparent and wiping a smudge off of Mutt's cheek...

nonsexual acts.

when he turns, the furrow in his brow is so much an echo of sam, some stranger might think they really were of shared blood. he’s always been like that. picking up every little thing he notices about the people around them, many times without even fully realizing it. 

the quick upward jerk of his chin works as a replacement for words in acknowledgement of hearing his name, a sort of silent go on. al doesn’t look like he’s up to anything (mutt’s learned the signs), nor does he seem to be upset or hurt or uncomfortable (he’s learned those, too). he’s seconds away from opening his mouth to prompt him, maybe he forgot what he was going to say, but he swallows that when he notices al’s looking at him odd. 

instead: “ -- got something on my face? “ as a matter of fact, he does. a vague sniff, and a hand rose to scratch at the dirt-laden spot on his cheek. he goes entirely still when al approaches, and doesn’t even move a muscle -- it seems he’s even stopped breathing -- when he sees him lick his thumb, and put his unused hand on his shoulder to hold him steady. he stares, unblinking, following the finger as if he were in a doctor’s office and being asked to.

“ christ. “ mutt grunts, squirming away from the impromptu washcloth made of spit and the pad of his thumb. something adjacent to a smile kicks up one corner of his mouth. “ you’re gross. “ it’s teasing, and anybody who knows mutt and the things he’s been through knows not much manages to gross him out. he tugs the too-long length of his sleeve over his fingers, and rubs at the spot until he’s certain he got the worst of it. he never thought he’d one day spend more time properly clean than dirty, but. here he was. “ there. better? “

[beachboysnatural]

Every episode makes Sudden Shower ten times more devastating

[regicidal-defenestration]

CARPENTER: (As if revealing a wonderful truth) There’s...there’s a place someone told me about. A kind of barber’s temple, and you go there to get your hair cut in absolute silence. A perfect silence. A restful peace. We can go there together, the three of us, you and me and Paige. Make a day trip out of it. We just need to survive this. How does that sound?

(weakly) TSV road trip is still on guys

[oh-meow-swirls]

y'know i talk a lot about how funny the anime is (since i'm. very slowly rewatching it) but i really don't talk about westward yo! and uhhhh. the titanic parody episode that i can't remember the name of. but the titanic episode has one of my favorite anime scenes.

this picture is hilarious to me. help them.

[madegeeky]

Hannibal (the TV series) seasons in one sentence:

Season 1: The least amount of police procedural you will ever see in a police procedural.

Season 2: Reins are off now, fuckers, let's do some goddamn character work!

Season 3: Wherein the first half is Hannibal writing fanfiction and the second half has completely new main characters.

[weareuniqueandimportant]

SCARY... THIS HAPPENED 2 TIMES...

[permanentreverie]

The way that first love: hatsukoi is just hurting and pain but so good

[reachermori]

I continue to break my tumblr hiatus for this show because I'm so annoyed with this stupidity and feel the need to put my thoughts into words.

Apologies for the rant. It's a little all over the place, but I tried to put it in a coherent order. It mostly focuses on hating James and on how I think Ted and Jamie's relationship and arcs were wasted, especially in relation to one another.

If the ending scene is indeed Ted's dream, I think it's even worse in regards to Jamie and Beard. Essentially Ted's "happy" versions of them have them close to their abusers, who have done nothing to deserve it.

The idea that Ted's happy ending for Jamie is him reconnecting with his father, who seems proud of him, is pure projection. That's what Ted wants for himself, but he's also inserting his own good relationship with his father. (Which, if we were getting more episodes I might be okay with as it would be interesting to explore.)

The first two seasons really built up Jamie and Ted to have a good relationship, or at least be important to one another, and I still think they could have had a really powerful impact on one another.

While Jamie has grown a lot and that had a lot to do with Ted's influence, I think he could have had that talk with Ted instead of Roy about how having a positive male influence is important to his continued growth. Ted however, could have learned through Jamie and his struggles with his father's toxicity that it's okay to let go.

I have always been happy with the idea of the show ending with Ted returning to Kansas, because I thought it was important for Ted to learn that it's okay to leave and move on. Ted's biggest internal conflict is his inability to quit things, and I really wanted him to accept that quitting isn't inherently bad. Maybe even have an arc with Henry in a toxic situation that he's sticking with because he knows his dad never quits anything to reinforce to Ted how problematic that mindset is, and decide that it's okay to quit Richmond to be with Henry where he clearly wants to be. (Also I disagree with the idea that Ted has nothing in Kansas besides Henry. I doubt Ted Lasso of all people has no one. He built a community in Richmond in only three years. He'd been in Kansas the entirety of his life up until then, there's no way he has no one. Also, even if he didn't, his relationship with his son is more important and I don't fault him for prioritizing that)

This is where I think Jamie could have helped Ted's arc. They could have had parallel journeys in deciding their father's actions do not have to define them, and I think Jamie could have reached this point first and be the one to impart wisdom on Ted for once. You could even keep the "forgiveness" talk Ted gave to Jamie, and then have Jamie come back after the game and say something that conveys "fuck forgiveness, he doesn't deserve that. But I do need to let go of the pain or I'll just hold myself back from growing. Because I'm done letting him have any influence on who I am."

Instead of getting anything with any nuance or something different than every other abuse plot in any show ever, we just had the ghost of Ted all season. He was barely in this season! Especially with relation to the players. We only had one scene of Ted and Jamie talking as people (instead of talking about football strategies or Zava when the coaches just assumed Jamie was jealous instead of concerned about the team dynamics) and connecting, and it was for Ted to tell Jamie about the importance of forgiveness.

Sorry but abuse isn't something you should just forgive, especially since James isn't making amends. He's getting sober, and we don't know if it was his choice, it could have been court mandated for all we know. Also I said this in my previous post, but addiction doesn't just make you abusive, and it especially doesn't make you facilitate your child being sexually assaulted. So I don't see any world where just getting clean makes James worthy of forgiveness. More importantly is that Ted and Jamie don't know that James is even in rehab when they have this conversation!

It's bad enough that we had to deal with the cliche "forgive him for you" perspective, but now we know it either leads to reconciliation, or at least Ted hopes/thinks it should. I'm not sure which is worse, but Ted thinking they should reconcile when he lacks a lot of knowledge about the depth of abuse Jamie endured is just insane.

I really wonder if Ted knowing about Amsterdam would have changed how he handled everything, since that is - in my opinion - the worst thing we know James has done to Jamie canonically. (Or if he knew about him trying to murder Beard...) Though knowing this show and how this season was written, if there was any discussion about this they would mess it up even more. Like I can just imagine a tangent about how many sex workers are disadvantaged, and how they may not have had a choice either, and diminishing Jamie's trauma AGAIN!

However it shouldn't matter what he knows, it's not like Ted is ignorant to the abuse, he's witnessed it twice. The first time he just walked away, something else I wish the show addressed at any point. Ted only saw what James was willing to do in public, and doesn't seem to have ever considered it being worse in private or when Jamie was younger. Bringing up the first Man City match would have been a good way for Jamie and Ted to fully open up to one another and relate to each other regarding their trauma and how they've let it hold them back.

For a show that emphasizes the relationship between father and sons, they really decided to abandon all the father figure relationships they had, especially Ted with Jamie & Nate.

I actually think it works with Nate, since it's clear Nate and his father's biggest problem was that they just could never be on the same wavelength, and while they can't fix the past, they can now create the bond they always should have had. His father actually acknowledged his wrong doings and apologized, and that level of accountability is missing from James' "redemption". Also Nate's father had a good relationship with his wife and daughter, so it makes it more obvious that his and Nate's issues are due to a disconnect and not out of malice. James never had a single good character trait until they decided to redeem him out of nowhere in the last two episodes. If we at least had Jamie say something like "my dad was great before drinking" it would have at least made the rehab stuff seem a little more like redemption. But we only have Jamie and his mother talking about how James has always been like this, and will never change.

Just changing a few things to make Ted and Jamie's relationship pay off in this season for both of them, would have done a world of good.

Anyways this has been a little all over so I'll leave it here, but suffice to say, I disliked the finale...

[respectthepetty]

Pride Petty Watch (SOTUS) 2/5

Since so many people voted for the two blacklisted shows I was supposed to watch during Pride, it unlocked the wild card of me rewatching my sworn enemy SOTUS. I don't remember anything about the show, and the only thing I truly took away from it was hating Krist for the last eight years, so I'm settling in and revisiting the past to figure out why I forgot about every single plot point of this show including that Jan was in it and that Kongpob x M were the perfect ghost ship.

I left off praying that Arthit gets meaner before he gets nicer, which I consider as getting better before he gets worse, but since I'm getting Dangerous Romance flashbacks flash forwards, I doubt Arthit can commit to bullying Kong much longer before he turns full simp.

How am I not supposed to root for Kong x M when M looks so devastated every time Kong leaves his side to go talk to May. I know M likes May, but the way these scenes are set up, it's hard not to think that M likes Kong and he is in pain when everyone else gets his friend's time since he has known Kong SINCE JUNIOR HIGH!

Thrilled that Wad is always ready to lay hands first and ask questions later. Also excited that he is motivated by pettiness just like me, so the only reason he is playing in the tea product placement game is just to spite the seniors. Petty work makes the dream work. Amen.

The pink milk in this series needs to be studied because on one end of the spectrum, we in BL Land know the pink milk is a staple of a Thai BL (which is slowly coming back in Last Twilight, Only Friends, Addicted Heroin and I Saw You in My Dream), but on the other end, the show itself treats the pink milk like those dumb hot takes from people asking if drinking fruity cocktails makes a man a fruit, or if sucking on popsicles makes a man want to suck a dick, or if eating food in general makes a man queer. It just feels as if this show treats Arthit that way every time he orders it, like "GOTCHA, QUEER!"

If I were that food vendor, and Kong started popping out with these little nuggets while Arthit just kept threatening him, their business would be all up in the group chat because I'd be messaging all my friends that these two gay guys were practically foreplaying right in front of my salad pork skewers.

So of course Arthit would show up to the game just to stand there and glare at a man drenched in sweat from playing a hard game of basketball like the internalized-homophobic asshat he is.

God, some things never change.

WE GOT COCA-COLA MONEY?!

I gasped not because of the note on this conversation but because of the comment coming from AN OPENLY GAY MAN on the hazers squad. I am not Thai, so the only way I can relate to the hazers is through Greek life (fraternities and sororities), and even a long long time ago, I knew openly gay men in frats, and they pulled ALL the girls since girls felt safer around them than the straights, but the look Prem and Arthit are giving Tuta when he says this is what I'm laser-focused on because they show toleration rather than acceptance. I'm taking those looks personally.

Arthit continues to say Kong's face is annoying, but he never says it's ugly. Sir, I see your gay awakening on the horizon.

AND M WITH THE FUCKING LOOKS AGAIN! He is looking at Kong on stage then looking at May looking at Kong on the stage, and I know where this is going, but my god does it feel like M is sad because he believes Kong is straight and wouldn't reciprocate the feelings he has for his best friend SINCE JUNIOR HIGH!

I have made it clear that I do not like Krist (I believe his acting is flimsy but I can't even act like I like people, so who am I to judge), but I don't think the people behind the filming of this show liked him either because these opening title cards between the parts of the episodes are doing him dirty.

Excuse me, little stage presenter, I need to know what the fuck was going on with this performance that they had a western theme with modern guns. Was it Big Sean's "I Don't Fuck With You"?

And why is Jan looking like Taylor Swift in "Teardrops On My Guitar"? This show was in 2016, but the styling and hair are in 2003.

Now the judges are coming for Kong, and Lord knows he is going to answer in the most uncontroversial way because Kong refuses to pick a side against hazing and the boy he likes being punished by.

*eye roll* I did not think I'd make it here this quickly, but I'm on Arthit's side because Kong IS annoying. Jan's character looks full-on Stockholm Syndrome into the camera when Kong is answering, yet homeboy is just over there giving the most ridiculous reason of "our hazers have their reasons for hazing us" and now I see the direct line to GMMTV forgiving parents for abuse (Double Savage!).

Kong can play basketball really well. He remembers everyone's name. The whole class wanted him to be president. He is great in school. Now he is the Freshy Moon. Marsha, Marsha, Marsha. I hate this kid.

M, my most beloved, now I see why you're quiet a lot.

I appreciate M for also stating that Kong is just great at everything without trying, but it also feels that he is hyping up his boy because he has been IN LOVE WITH HIS SINCE JUNIOR HIGH!

In a room full of people, only Kong notices that M is unhappy, and now I see the direct they-are-married-but-not-a-couple line to Peaceful Property. New understands these roles well.

THE QUESTIONS THAT NEED ANSWERS! Can you run 54 laps, Arthit? Can you squat 200 times, Prem? These freshmen won everything, yet Arthit is still being a dickwad, and he just got his ass off of school probation. Bold move, sir! I want the juniors to suffer. Except for Bright. My boy has never done anything wrong, and if he did, he didn't.

I saw an umbrella in The Ex-Morning pilot trailer, and if that show doesn't give me a scene of these two arguing in the rain over the dumbest shit, then what is the point?

All those people watching Arthit, and none of his boys could run with him? If the purpose of hazing is unity, obviously the juniors didn't get that memo when they were being hazed as freshmen, so why continue the traditions that they don't even abide by?! Arthit is better than me because I would have crawled my ass back to my dorm before accepting their help SINCE THEY DIDN'T EVEN RUN LAPS! And now this little freshman wants to be up in his face. What's the point of the umbrella now?! He is a boy in a BL who has been in the rain for hours. HE IS ALREADY GOING TO DIE NO THANKS TO YOU UNHELPFUL DOUCHE NOZZLES!

I was just on Arthit's side, but then the show decided to tell me that entire seniors-hazing-the-juniors thing was a setup, and mixed with most of the images on Arthit's door being black-and-white, and one of those images being Charles Manson's Rolling Stone cover, I'm back to hating him again. So in case anyone is still following along, I now hate both of the leads. Can I get M and Bright back?

Kong says several times that Arthit can punish him, then he irons Arthit's clothes. If this show would just lean into the kink of it all, I would embrace everything about it. If Kong could just be a masochist dom, I would be delighted. JAPAN, COME HERE RIGHT NOW! Fuck remaking Love in the Air! Remake this kinky shit instead!

This is what a sado sub looks likes and Japan would know exactly what to do with him. Now I'm mad that I'm watching the babygirl-fication of a perfectly good jerk.

Well hello there you two! You wanna make out before going to the hospital? Maybe keep it all a secret from everybody else? I'm so pissed that I can't remember this plot now because I don't think they will be a thing BUT THEY WOULD BE PERFECT!

And I'm still rooting for my boy M to get his best friend since unlike Arthit, M can at least acknowledge that his friend is pretty to his face. No internalized homophobia here but probably because M isn't even a homo. I've sailed ships with less.

😬🥴🙃 Thank you subtitler for keeping the word. It's important. So are the looks that I'm taking personally. And BRIGHT IS THE ONE TO SAY IT! So I like M now and only M. Everyone can eat dirt and choke.

Arthit's nickname means warmth? I'm starting to remember why I forgot this show. Like Celine Dion, "It's All Coming Back to Me Now"

And I hate it.

[bumblingbabooshka]

I think Tuvok should have kissed Neelix on the cheek after getting his brain tossed around and I think he should pretend that he doesn’t remember doing that but he definitely does.