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accirax · 1 day

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Danganronpa: Despair Time Chapter 2 Episode 14 Dissection

I can't think of how to introduce this dissection other than just saying "god damn??". This chapter-- especially its second part-- has been a wild ride, and one that it appears we're nearing the end of. However, we still have one important question left to answer, which I'm sure I'll talk about here. So, let's chat.

SPOILERS for Danganronpa: Despair Time Chapter 2 Episode 14.

Also, I will be discussing Ace and Eden as equally likely blackened candidates in this post. If it will upset you to hear about the prospects of either or both of them being the killer, you might want to sit this one out.

Given what happens later in the episode, it's very interesting that the episode began with (more or less) Ace "admitting" that he has no idea how the murder mechanism worked. A truthful method of disqualification, or a masterful play by Ace to ask Teruko to ask him about the murder method only to pretend that he has no idea what it was? Time will have to tell on that one, because I honestly have no leads.

Similarly, is this Eden being genuinely shaken up and not remembering what transpired in the Gym, or trying to play the helpless innocent card to get out of having to help Teruko explain the murder method that she stole? Spoilers for my thoughts later in this dissection, I guess: they're so evenly matched that it's crazy.

I've always thought that Hu is the prettiest DRDT character, and this episode did nothing but prove me right. Hot damn, ma'am.

The insistence that this questioning is "traumatizing [Nico]" makes me think that Hu could be projecting her own experiences on to them. Perhaps she was once an innocent in a situation for which she kept taking the blame? That would be interesting as another connection between Hu and Nico, of both of them having taken the blame for someone else's follies.

This was a hilarious comeback; never change, Ace. Or, maybe you do need to change slightly, to become a less cowardly and impulsive person. Or maybe I should at least be rooting for you to have the chance to change in the sense that you live long enough to have that work out for you.

Yet another instance of J being the one to say that murder is bad. I wonder if this has to do with her character/backstory in some particular way (although given what we know about her past I have no idea what that would be), or if DRDTdev just needed a judgmental and confrontational person who would snap back at anyone to take over these kinds of lines.

(That's not me dunking on J's character btw she's valid for this)

This was a really clever way for Charles to phrase this to make Hu listen and settle down. I appreciate the out-of-the-box yet logical thinking. (Also I missed hearing Charles' voice :,D)

Woah, I was not expecting to get a Closing Argument comic for the Gym murder, but I am obviously delighted that we have one! Also, OH MY GOD, THE CEILING GRATE. How did none of us even think to consider that as part of the murder mechanism?

However, there are still some aspects of the state of the Gym that haven't yet been accounted for with this version of the murder timeline. I don't really think it's anything that would stop Nico from being Ace's would-be killer at this point, but I'll list them out here in case they are or in case they turn out to be relevant to Arei's murder. I'll also be trying to debunk them, though.

Moved Benches: Some of the benches near the pullup bar were knocked over. These probably fell either in some sort of struggle while knocking out Ace, or when Ace's body fell from the fan.

Moved Weight Rack: The weight rack was moved closer to the bench press and flipped on its back. I guess this really was also knocked over in the same fashion, no matter how unrealistically difficult it should have been to move due to its weight? Or it really was "workout preferences"???

Nico's Missing Cowl: When Teruko and Eden found Nico at the scene of the crime, they weren't wearing their typical dark cape thing. I have no clue why. You could say that Nico was trying to look less instantly recognizable, but it's not as if anyone (other than maybe Teruko) who saw a dark-haired 5'5" individual in a blue shirt instead of a gray cowl would think it was anyone other than Nico. There's also ye olde theory that they might have used it to soak up blood somewhere, but 1) Ace seems to have lost less blood than it may have seemed, and 2) the cowl was still not seen anywhere in the crime scene. I think I remember speculating that after Nico hypothetically used it to soak up blood (or, on second thought, maybe used it to gag Ace with the turpentine), they then stuck it in the fridge to hide it for the time being, at which point MonoTV discarded it and Nico got a new cape from their room. Maybe if it was used to apply the turpentine, Nico also could've put it away to prevent themselves from being affected by the fumes? I guess that's what I'm going with.

Lack of Tape on Pullup Bar: So, this one is obviously relevant to the murder already because Rose not being able to do a pullup is part of what tips off Teruko to the fact that something is off with the tape. However, I have no idea why the tape actually got removed from the bar. I still maintain that I don't think anyone could have stolen the tape off of that bar and repurposed it elsewhere-- most online sources seem to agree that kinesiology tape isn't reusable, and the fact that it was already wrapped around the bar in such a tight spiral would make it difficult to conform to any new specific shapes. My best guess is that Nico might have tried to use the bar instead of the light grate at first, determined that the tape was preventing the wire from sliding properly, and then removed the tape before determining the bar still didn't work. Or, Nico could have tried using the bar before settling on the broom, and thinking that it wouldn't work with tape on it... for some reason? Kinda scratching my head here.

I wonder how long ago it was. It's been four days since the Chapter 2 motive was revealed, although Ace was attacked only two days after the motive. Furthermore, Ace had started bullying Nico to some level already by the end of Chapter 1. I'm sure that Nico must have known what their secret was and probably didn't want it to be shared. My guess would be that they probably started cooking on murder pretty shortly after the new motive was released. That would also work with Charles-via-Whit letting everyone know what the custom weapons were in the first Class Trial.

This was the perfect response for Nico's character. They don't understand why an untruthful "sorry" would actually serve as a courtesy for most people, so they try to say what they feel and get ostracized for it.

Gotta say though, Ace, that was a pretty aggressive reaction from someone who said he "didn't need other people to tell him lies just to keep him happy" ;) (/j)

Damn, way to throw Levi under the bus. I can see why, for someone like Nico, they would want to assert themselves as not the most abnormal person here, though. I just want them to be neurodivergent buddies :(

If that's the case, then I'd have to imagine that we won't be seeing Nico as a killer again down the line. However, they could also just mean "getting caught"/"going in without a solid gameplan," so it's still possible we will. There's also the possibility of them doing something more like a sacrifice kill, although it would take a lot of character work to make something like that feel within Nico's nature.

Sorry to keep screenshotting every little thing Nico says but they keep saying really interesting things. The fact that Nico specifically mentions their father as opposed to "parents" or "family" makes me think that we'll hear more about their father specifically sometime in the future. Or, who knows, maybe their other parent left or died.

Nico: I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry.

This was very interesting as an addendum to the above screenshot. What exactly did Nico "ask for" forgiveness for in the past? Was it just more social blunders, as they described in ch2-e2, or did they get into more trouble closer to this level than we realized? It could also be an indication that Nico has spent time with people who believe that being nonbinary is a crime that Nico needs to feel sorry for. Fascinating stuff, indeed.

Points for Ace being the killer. We know that he went into this trial looking to suspect Nico ("[...] I'm pretty sure I know who the murderer is. It's not David, it's Nico"), so if Ace is the killer, it would make sense if he'd want to make the crime scene resemble Nico's to make his bait more credible.

Hey, it's the aforementioned T A P E T I M E, motherfuckers :D (still /j) Personally, it's quite gratifying to hear that it wasn't just a visual malfunction or a minor detail blown way out of proportion.

You're, uh... getting to this point much faster than I expected, queen. I don't think she's now going to go down the exact same distrustful rabbit hole that she was in before, but there's definitely still potential for her hopes to be crushed by the end of this chapter. Or, maybe she will accept some people as genuine friends, and instead in the future have to confront how she feels when she loses a genuine friend, or not blaming herself for the effects of her luck, or something along those lines. I like that Teruko isn't a static edgy protagonist, though. Like, don't get me wrong, I've always known and appreciated that she has depth, but it's refreshing that she isn't someone who's so stubborn about her own way of thinking that she refuses to admit when she's in the wrong. Teruko really wants friends, guys.

TERUROSE REAL??????

(Also Rose's speech was excellent as well I just didn't have anything in particular to say about it other than "wow" at the moment)

Yahoo, lockdown logic strikes again! Also, a quick

Is Teruko Correct In This Assumption?

Personally, I fully think yes, only Ace or Eden could be the culprit at this point. MonoTV confirmed that it tried to restore the Gym to the best of its ability but couldn't return the tape, which means both that there was no tape in the Gym to be taken and that there was never any spare tape in the Storage Room that MonoTV could have used to replace the roll. I guess you could say that there was an extra roll of tape in the Storage Room that someone else took before the murder took place, but that level of coincidence seems implausible at this point in the Trial.

No, for anyone other than Eden or Ace to have acquired the tape, they must have either stolen it from one of those two or asked for it from one of those two. Asking them seems very unlikely-- for starters, if it was Ace who took the tape, I don't think he'd be giving free hand-outs to anyone. And, if Eden isn't the killer herself, that means all of her fright regarding stumbling upon Ace's body was genuine. I don't think she's naive enough to then hand over what was used in Ace's murder to anyone asking... or at least not without bringing it up now. Beyond that, anyone who would ask either of them for the tape would have to know that the tape was used in the murder attempt, knowledge of which was very limited. This episode went to lengths to establish that Nico was the sole culprit behind the attack on Ace, and while it's still possible it could all be an elaborate lie, the explanation Nico gave felt very in character and important for their characterization moving forwards. So, while Nico would obviously know it was used, if Nico asked either of them for the tape, surely neither Eden nor Ace would trust them. Otherwise, I think Rose is the only one who could have found out it was gone, but even so, given that neither Eden nor Ace have tried to argue that Rose asked them for the tape, I don't think that happened.

You could also say the same of neither Eden nor Ace claiming to have had the tape stolen from them-- but I could see either of them feeling like claiming to have taken the tape at all right now would be a death sentence, so I understand why they wouldn't say it. Still, I don't know if the narrative is there to support the tape having been stolen from them. On the day after the Gym murder (Day 7), Eden isn't seen in the daily life at all. If someone stole the tape from Eden on that day, I would think that DRDTdev would at least want to show us who Eden was spending time with on that day (given that he put in the effort to make the tape sprite disappear from the Gym at the time it did), so that we would have any idea who might have done so. Ace is seen once in the Day 7 daily life, arguing with Hu, Nico, Levi, Veronika, and Arei. However, having just been attacked, I imagine he'd be hyper-aware of anyone getting close to him, and therefore would be more likely to notice if someone was rifling around in his pockets (if he has pockets?).

Really, I think the only possible candidates for who could have stolen tape from Ace or Eden would be Levi (mostly just for Ace) and Arei (from either of them). Levi might have had an opportunity to take the tape from Ace on the night he was attacked, the night of Day 6. Eden said last episode that Levi "kept trying to help him" after Ace was attacked, which could imply that Levi was the one to put bandages around Ace's neck. Furthermore, he does have a criminal past, which could make him better at stealing. Similarly, Arei is confirmed to be a good pickpocket, stealing Min's pen without Min noticing at all. I think she's the only one with the proper buildup to have taken the tape from Ace at that breakfast, and would be the most likely to have spent time with Eden when Eden was off-screen. (Although, it would have to have been before lunch, because Eden says the last time she saw Arei was at lunch.)

However, I don't think many people think that Levi is the killer anymore, and if Arei stole the tape from Eden or Ace only for the killer to then steal the tape from Arei, I would start to wonder why DRDTdev even made the tape such a scarce resource in the first place. Remember that, if the killer was purposefully trying to recreate Nico's idea, they likely knew in advance that they would need the tape to pull off their plan. It was used in enough places that seizing the opportunity to take it off of Arei seems unlikely, as it was too fundamental to the plan's inception. Besides, for the killer to replicate Nico's plan in the first place, the killer likely needs to be Nico, Eden, Ace, or Teruko, who are the ones who could have most easily taken the tape on their own.

I've already seen people accuse this Trial of being bloated, and while I strongly disagree (I only think cases are bloated when they're stalling for time and have nothing of interest to discuss, and we've still had PLENTY of interesting stuff to discuss), if we spent a whole 'nother who-knows-how-many episodes reversing all of the progress we just made to say that either Nico wasn't actually the one to kill Ace or that someone who didn't see the crime scene killed Arei, that bloating problem would only seem worse to those people.

I understand if you don't want to believe that Eden or Ace has to be the culprit for whatever reasons-- whether that be that they're your favorites and you don't want them to die or you really like your theory and don't want it to be false-- but I really think that this episode cemented that either Ace or Eden will be voted for as the blackened for all of the reasons above. Therefore, I shall be proceeding accordingly.

She was WILD for this. Hilarious line of reasoning.

What's Up With the Body Discovery Announcement?

The "reveal" of this line of logic was no surprise to me. As someone who's believed that Eden is the culprit for quite a long time, we've had to figure out ways to get around this thing before, and besides perhaps "not witnessing the murder," someone else seeing the body before the BDA rang is the most obvious way to cheese it.

However, in order for this to be a thing, we have to ask ourselves-- who would have actually seen the body first?

David claims to, but he has an alibi starting at 7:30 AM with Veronika and J. Both because Arei theoretically wasn't dead before then and because we've been operating off of the assumption that a meal takes about 30 minutes to eat, I don't think any of the three of them could have stumbled across Arei in the morning. Nico and Hu both have an alibi, which I'm going to consider solid enough to remove them from possibility-- one of them spotting the body would be helpful to make Eden the killer, and I think the only people who believe that Hu and Nico are lying only believe so under the condition that one of them is the killer. Whit is out, because him seeing the body beforehand doesn't actually accomplish anything, and so is Charles, because we can assume that, if he saw the body, he would be out of commission. I'm also going to strike Rose from seeing the body before breakfast, both because she's very likely to have been asleep and because if she had already seen Arei's body in the Playground, she probably wouldn't have refused to draw a diagram. That would leave only Ace, Levi, and Arturo as non-blackeneds who could have helped facilitate culprit!Eden from not being caught by the BDA.

However, we also have to consider that "before 8 AM" isn't the only time someone could have stumbled across Arei's body. They also could have seen it before Teruko, Eden, and Whit did while everyone was looking for Arei. So, what do we know about what happened during the search for Arei? Not much. Hu says that they should split up, while J says she's going to check Arei's room. Teruko says that most people are probably searching the first floor, an assumption that's supported by Teruko, Eden, and Whit not seeing anyone else while they check the second floor. You might think that would eliminate the possibility of anyone else seeing Arei's body during the search, but Teruko did say most people, not all. There's also what MonoTV said when Teruko and Veronika were investigating the Gym.

MonoTV: It's too high! If you stood in the movie screening room on floor one and started punching through the walls, you'd fall into the playground.

This not-yet-addressed piece of evidence got me thinking about the possibility of someone seeing Arei's body from above, standing in the Motive Screening Room. It still probably couldn't be Teruko, Whit, Charles, Rose, or J, but anyone else would theoretically be back on the table if that were the case. That being said, I can't find any visual differences in how the Motive Screening Room looks between the beginning of Chapter 2, when the search for Arei begins, and when Teruko goes to check the motive secrets (other than a curtain being added over the screen in the third case). So, unless there was already a heretofore unmentioned hole to peek through in the room, I wouldn't count on that being the case. The connection between the Motive Screening Room and the Playground will probably just be relevant to a different chapter.

Therefore, that leaves us once again with Ace, Levi, and Arturo. The main problem with believing that any of them could have seen the body beforehand is why they wouldn't have brought that up at this point in the Trial. Here are my best guesses as to why:

Ace: I have genuinely no clue why Ace wouldn't have brought up that he saw the body in the morning (assuming that he actually did) to defend himself at this point. It's not like it would make anyone more suspicious of you.

Levi: Levi does seem to be a bit dense regarding what is and isn't helpful behavior in a Trial, so the most likely possibility to me is that he just didn't realize that confirming he saw her was helpful. Like, "oh, I didn't realize that me confirming that I saw Arei would help us pin down Eden as the killer. I was just trying to figure out how David and I both saw Arei's body this morning and I didn't see him." "Wh-- David was obviously lying!" "He was?" "I already told you he was lying before..." "Levi... we talked about this..." Bonus points for it not being out of character for Levi to be unfazed by seeing a body, though.

Arturo: In Arturo's case, I think it would have to be that he'd still be worried about people seeing him as suspicious for saying he found Arei's body in the case of accusing Eden specifically. They already have a past history of conflict, and I could see someone brashly accusing Arturo of throwing Eden under the bus just to get revenge on her for the secret thing (even if I don't think he would actually do that). He also made an enemy out of Arei, so I don't think he would be particularly fazed by seeing her corpse either-- similarities to Felicity's cause of death notwithstanding. However, I also find it likely that he trailed after J in going to check Arei's room.

So, what's our conclusion here? Does this mean that Eden is basically fully cleared by triggering the BDA? I wouldn't count her out just yet, but the evidence isn't looking great for her. It's quite possible David only brought up this argument to A) hold out suspension of disbelief that it's not just Ace for a little while longer, B) drop this logic as foreshadowing for a future killer's plan, C) characterize the kind of logic he uses in a Class Trial, or D) bring up this argument in canon so that the people who theorized that the BDA might not clear Eden or Whit wouldn't be like, "wait, but what about...?" However, it's also possible that one of the possibilities I listed above, something I might have missed, or the "see no evil" idea (as FF put it) could keep Eden in contention. That dynamism is part of what makes Ace and Eden feel so evenly matched.

See, this is what I assumed David was getting at after Nico reminded me of his early-morning alibi. But then he just kept talking...

I'm not going to delve into what David was thinking here too much, because I already have an anonymous ask about what I think David's rationale was that this will almost certainly come up in. However, as a short version, I imagine that David is trying to get everyone angry at each other in the hopes that it'll incite another murder that he can get the class to fail? Or to cause enough discord in the group that they just fail this one. That would be why he also rags on Rose for not remembering the tape, and insults Arturo's sister-- he wants no one to trust anyone so that the murder-solving process will be as un-streamlined as possible.

The fact that he targets Teruko so specifically is probably because he (accurately) assesses her as the only real threat there. Charles and Rose can help, sure, but their mental struggles make them easy enough to eliminate if you play your cards right. Teruko's main flaw is her lack of trust, so if David wants to weaken her, it makes sense to go right for that jugular. Furthermore, by stating his plans so plainly and publicly, it might incite other people to fight back against him and say that Teruko should trust them. However, that kind of olive branch might make Teruko even less inclined to get close to them, if what Teruko said to Eden at the end of ch2-e03 can tell us anything. Didn't stop Eden from trying at the end of this last episode, though!

After taking some more time to think about what David was up to this chapter, I might change my mind on those being his goals. But, this post does serve as my initial thoughts of sorts, and that's what I initially think about this scene.

I wholeheartedly agree.

Does Ace Have Nothing To Do With Arei?

What Ace has to say is more or less true-- barring the breakfast in which Arei didn't talk at all (AKA, no conversation), Ace has literally never been in a small group event with Arei. However, although they didn't talk to each other, Ace did overhear the conversation between David and Arei, which does give him a connection to Arei. Quite relevantly, Arei did say this to David during their conversation:

Arei: You said that sharing our secrets would help fight against the motive. But when I think about it, not a single good thing has come out of that. Eden was stupidly naive, as usual, and tried to talk to Arturo, so now I have to protect her.

From this, Ace could probably surmise that Eden had Arturo's secret, she talked to him about it, and that Arei stepped in to save her from Arturo. He was one of the few people who could have known that Eden and Arei grew closer before the murder occurred: another connection Ace had to information about Arei.

However, before you use that evidence to call Ace the killer, let me remind you that he still doesn't have enough information to write the note from just eavesdropping on this conversation alone. As I outlined in this theory (same as the one I just linked above), whoever wrote the note had to specifically know that Arturo's secret was about his sister, which Arei doesn't divulge (quite possibly because she didn't even know) to David. Therefore, although Arei mentioning Arturo and Eden in this conversation is interesting, it doesn't actually make Ace any more likely to be the killer, because he still would have needed to find some way to spy on Eden's secret and/or Arturo and Eden's conversation to write that note. (Unless mentioning the sister specifically was an oversight plot hole, but I never want to use that as my reasoning.)

So, do I get what Arturo is getting at? Yeah, Ace and Arei were never particularly involved, and Eden clearly has a greater connection to the victim. However, there is more to the Ace/Arei bond than it might first appear, and it's possible that could come up in the Trial moving forward.

This distinction-- between "Arei was my friend" and "Arei could have been my friend"-- could be very telling down the line. Eden pauses mid-tear-filled rant to distinguish that Arei is not her friend, not because she's dead, but because they hadn't reached that point yet. Arei is not Eden's friend in death. What can that possibly mean other than that Eden killed Arei?

... BUT THEN HOW THE FUCK CAN EDEN GO AND SAY ALL OF THIS, BE THE KILLER, AND THEREFORE PROVE DAVID RIGHT???

AND THE "BECAUSE THAT'S WHAT FRIENDS DO" REFERENCE??? AT THIS HOUR????? I DON'T EVEN KNOW IF THAT MAKES HER SEEM MORE OR LESS SUSPICIOUS!!!!

OUGH AND THE MIN PARALLELS TOOOOOOO

MIN WAS TERUKO'S FRIEND BUT ALSO A KILLER. DOES THAT MEAN EDEN IS GOING TO BREAK THE CYCLE OR DOES IT MEAN THAT WE'RE STUCK IN A DOOMED STORY IN WHICH TERUKO IS THE PROTAGONIST? IT COULD GO EITHER WAY!!!

Jumping back in time for just a moment...

A Piece of Evidence That Lines Up to Them Only

I thought about making this its own separate post, but decided not to. If you guys want me to make this part it's own separate post so it's easier to find/comment on directly, let me know, and I'll set that up.

But before you can make your decision, I suppose I have to explain what I aim to do here. Basically, Teruko has told us that she's still torn between Eden and Ace (mood), and that, while she'll start off attacking Ace, she's looking for any pieces of evidence that could prove that only one of them could have committed the crime. Problem is, we have no indication of what that specific piece of evidence could be, and, trust me, it could be a lot of them. Thus, what I'm going to do in this "mini" theory is list out every piece of evidence that I can think of, and say whether it points to Eden being the culprit, Ace being the culprit, or it can't point to either of them. Perhaps once we're done, you'll see why I'm so conflicted on which of them it would be.

I'm going to tier these pieces of evidence in terms of least likely to be the missing piece to most likely to be the missing piece, starting with all of the aforementioned unexplained gym evidence. The knocked over benches and weight rack were not part of the replicated crime scene, and I have no idea how Ace or Eden would have wound up with any version of Nico's cowl. The missing tape on the pull-up bar has the greatest likelihood to be relevant, but as we're already suspecting both of them for having the tape, I don't think it'd be a decision maker. Any of those pieces of evidence would be likely to come up in proving that Nico wasn't the one behind Ace's murder, but this theory is operating under the assumption that Nico is the one who tried to kill Ace, and either Ace or Eden killed Arei. If you want the answers for your own theory, do your own homework. (/lh)

Ace or Eden will get a point for any evidence that I think would better be used to accuse them as being the culprit. Therefore, winning points is actually a bad thing if you want to be innocent. For convenience of "scoring," Eden will be purple because of her shirt and Ace will be pink because of his "maroon" hair... and because I needed red and orange for the likelihood ranking.

UNLIKELY FINAL PIECES OF EVIDENCE

Arei's Body Swinging: This evidence has already been used to establish that Arei was killed in the morning, not at night. Either Ace or Eden could have killed Arei at 7:30 AM, so point to neither of them.

Ace Trying to Assign Himself to Guard Duty: This one is obviously a point for Ace if it were the final piece, but it's such a minor happenstance that I doubt Teruko would think to bring it up as the main thing against him. Like, she could bring it up in general, but I don't think it'd be her crowning jewel. Still, it's a piece of evidence we haven't discussed yet, so credit where credit is due.

Arei's Bound Wrists: Bound by the grippy tape that either of them could have stolen. Point to no one.

Broken Playground Lights: The lights in the Playground are broken, likely from the mechanism being hung up through the ceiling rafters. You could argue that this is a point for Ace's strength, but I don't think throwing a ball that high requires so much strength that Eden couldn't do it, especially if you might be able to use the see-saw to launch it somehow. Point to no one.

Dried Up Puddles: This has nothing to do with either of them. Point to no one.

Carousel Wrapped in Tape: Again, either could have had the tape, so point to no one.

Two Pieces of Rope: Either of them could have taken the rope from Storage and cut it; point to no one.

Food/Utensils/Napkins in Trash: Probably David's dinner. Possibly evidence of Eden and Arei having breakfast together, but that's a stretch. Point to no one.

Cups/Tissues/Palette in Trash: Rose says these were hers. Point to no one.

Incense in Trash: I know thebadjoe had (has?) theories about this being used to conceal the scent of Arei's body being hidden in the Relaxation Room a day earlier than anyone thought, but I find that to be too much of a stretch to accost Eden for it here. I think it's just filler. Point to no one.

Grippy Tape in Trash: I should just stop writing out tape evidence. Point to no one.

Broken Jugs: The killer used jugs of water to make Arei heavier, which broke when she fell. They probably had the fish water in them, but we're not talking about the fish themselves at the moment. I'll say point for Ace because the jugs are probably from the Gym, and we've seen Ace in the Gym far more times than we've seen Eden.

Needle and Black Thread: This evidence... might have to do with the ball of clothes, which we'll get to later. However, if this is relevant to the murder, it's probably from the Dress-Up Room, in which we've seen Eden but never Ace. Point to Eden.

Construction of the Note: After a bit of internal debate, I'm going to call this a point for no one. Why? Well, it's because Eden would have reason to help construct the note whether she was the killer or not. If she is the killer, she might have wanted to guide the discussion that followed its reconstruction, to urge to Rose and Whit that she's innocent and that someone must have framed her. It would also give her reason to come into the Trial already having a handwriting sample on her. However, if Eden is innocent, she also easily could have just wanted to help out. Most importantly, Eden already brought up the note being constructed in her initial defense, so I doubt Teruko would reuse it as the nail in someone's coffin.

Splashing Arei With Water: Either of them could have thought of this and accomplished this. Point to no one.

SOMEWHAT LIKELY FINAL PIECES OF EVIDENCE

Body Discovery Announcement: While this may very well play an important part in solving the case, I don't think it'll be the final smash, so to speak. That's mostly because we already talked about it a lot in determining whether Eden could have done it. In the end, I think we'll either have to come up with a way to justify Eden having cheated the BDA-- by Levi or Arturo having seen it or via see no evil-- or we'll accuse Ace without the BDA being a problem. I guess I have to call this a point for Eden because if the BDA were to be the damning evidence, I think it'd have to be for her. However, in my heart, this is totally evidence supporting Ace being the killer.

Arei's Broken Neck: I'm using this as a stand-in for the strength of the killer, in the sense of lifting Arei up and being able to stop the carousel. This is a point for Ace, because he's a professional athlete and Eden is generally the weakest person in the cast.

Scratches on the Ground: This evidence certainly seems to indicate that there was a struggle at the Playground, but is there anything more to it than that? I'm more willing to believe that Ace could have beaten Arei in a fight, but does that point to Eden because there would've been more of a struggle, or Ace because Eden wouldn't have wanted to fight Arei at all? Ace also normally wears heels (while Eden and Arei don't), which is what Hu cites will naturally scratch up the floor. This evidence is vague enough that I don't think it'll be used to point to either of them, but if it did, I think it's more likely to be Ace.

Ball of Starched Clothes: For starters, I'll share (I think it's) thebadjoe's theory that the ball was adhered together using starch from the Relaxation Room that's sprayed on the plants at night, because I saw some people questioning how the clothes could have been stuck together. Anyways, the ball of clothes itself is definitely a point for Eden, because we saw her in the Dress-Up Room specifically looking for Teruko's clothes. Although, Ace certainly saw Teruko and Hu's new fits, so he could have figured it out for himself.

Actual Acquisition of the Tape: I don't think this will be used as the final piece just because I feel like the narrative is pointing towards the damning evidence relating to Arei's actual murder as opposed to Nico's. However, it's relevant to discuss, so I'll list it here. Although Teruko says that Ace and Eden had equal odds at the tape, on the surface, it really makes much more sense if Eden was the one to take it. Star explained it well here, but I'll add my own recap: in the moments when the tape must have been taken, in between when Nico leaves and when MonoTV kicks everyone out, Ace is recovering from unconsciousness, covered in blood, full of rage, and has all eyes on him. Meanwhile, Eden is scared, sure, but she had a clear moment to actually examine the scene of the crime and is also knocked to the ground-- potentially right next to the tape-- with all her wits about her. While it's not impossible to believe that Ace sleight-of-handed the tape, Eden had a much clearer path to taking it. Point to Eden.

MOST LIKELY FINAL PIECES OF EVIDENCE

Arei's Missing Glove: To my memory, Arei's glove hasn't been brought up in the Trial at all, which is definitely strange, because it must be missing for a reason. If DRDTdev is crafting so much detail into the BDA that the swinging of the body is plot-relevant, there's no way he would have just missed giving Arei her glove. The question is, what was this used for? Those who are familiar with my theories should know that I've never been a fan of dress-up theories, so I'm going to discount that possibility. The thing I thought was the most likely was that the killer donned the glove so that their hands wouldn't get super scratched up from grabbing the grippy tape-d carousel bars, before gleamingtempest reminded everyone that both Eden and Ace already wear gloves. Still, looking at them, Eden's gloves are probably made of something more like cotton while Ace's gloves likely have some sort of tougher grip on the inside. So, Eden would probably be more likely to need something else to protect her hands. Also, given that both of Arei's wrists have marks on them, the glove was likely taken off before her wrists were tied. I can't figure out why Ace would have taken off Arei's glove before restraining her or how he would have gotten Arei to take it off otherwise, while for Eden, at least, I can imagine her asking Arei to take off her glove. Therefore, I'm going to call this one a point for Eden, while also throwing out that it might just be missing if Arei didn't bother putting on her glove for the early morning meetup.

Fish on the Playground: You've heard it from me before, Eden has an alibi through the entire time the fish could have been taken. With seemingly no accomplices (other than possibly Arei) in sight, I don't know how Eden would have gotten her hands on those fish. Meanwhile, Ace had a great opportunity. Point for Ace.

Pieced-Together Note: This evidence is very confusing, because I don't see how/why either of them would have implemented it. For Ace, I wrote that entire theory (I'm not going to link it a third time) about how, based on the information in the note and the layout of the first floor, it really seemed like eavesdropping was impossible, and the person who wrote the note had to be Arturo or Eden. Then there's what thefandomenchantress pointed out about Ace's pedantry making it seem like he wouldn't misspell "responsible" in the note, and that he just doesn't give me the vibes of someone who writes in cursive. By all accounts, it really seems like Ace can't have written that note. But then again, why would Eden have written that note? Okay, bad phrasing; she wrote it to get Arei to come to the Playground. But still, why would she sign it? Or if she were to sign it, to make sure that Arei knew it was her, why include so much detail about what Arturo's secret was? More importantly, why wouldn't Eden have just stuffed the ripped up note into her belt, or her pockets, or her room if it would serve to incriminate her? Put it wherever she put that glove! Hell, why not eat the note, if it's a life or death situation? There's the "reverse psychology" argument, but similar to what Teruko said this episode, it would have been much simpler for Eden to have pretended that Arei came to the Playground for some other reason without the killer planting some sort of note meant to frame her. And it's not like I think Eden is really the type to misspell "responsible" either. So, I'm kind of at a loss. It's such a major piece of evidence that I feel it has to come into play again somehow, but I'm not sure how. I think I'm going to call this one a point for Ace because at the very least I understand why he would want to leave this evidence here, even if I don't know how he created it. For Eden, I don't get why she'd leave it lying around, even if in pieces. You can call it revenge for Eden getting the point on the BDA, if you wish.

So, what are the results? If you add up all the points together, you wind up with 6 points for Ace and 6 points for Eden. Funny. If you tier the points, however, with 1 point for unlikely pieces, 2 points for somewhat likely pieces, and 3 points for the most likely pieces, you get 12 points for Ace and 10 points for Eden. Of course, that's using my tierlist of which pieces of evidence are most likely and on top of that, assigning the BDA and the Note the way that they are (if you flip them it's 11-11), but still. If you're invested in my findings, these are the results.

Needless to say, I hope you can understand why I'm having such a hard time determining which one of them will turn out to be the killer. Although, I must add...

If we're suspecting Ace first before we've done our Debate Scrum, that's not a good look for Eden never being suspected again in this Trial.

Concluding Thoughts

What? A conclusion? I've never done one of these on a dissection before?!!

Yeah, well, this time, I have stuff to say that I couldn't really correlate to one image in particular! And also I ran out of images, so this is what you get!!!

I spent that whole "A Piece of Evidence" section talking about the physical evidence that could support Ace or Eden being Arei's killer, but in it, I really didn't get to talk about the narrative implications of either of them being the killer at all. I know that Narrative Defenses are typically Venus' thing, but I have my thoughts on this, too. Namely, that both of them are riddled with narrative problems for being the killer at this point.

(Note: I don't mean "problems" in the sense that DRDTdev has written anything poorly. What I mean is, my own perception of how the characters are conveyed has me currently raising red flags about how either of their stories will pan out as a killer or how the rest of the story will pan out without them. At the time the answer comes, I have full faith that I'll be satisfied with the results.)

Let's start by looking at Eden, the spotlight character of the end of this episode. After that whole heartfelt speech with the CGs and the tears and the brilliant voice acting and the everything, how could Eden possibly be the killer?! I'm the one who was trying to defend the possibility of her still being the culprit after her little rant last week, and while I could probably do that again with this speech, it just felt so... I dunno, sincere. You can really feel Teruko's reluctance to put her faith in Eden, but her choice to do it anyways. Teruko already showed signs of growth this episode by admitting that she can't always solve mysteries by herself, so could that be a sign that she might come around on the group faster than we initially anticipated? If Eden was the killer, it would crush Teruko so hard. Is there any recovering from that? Can we really prove David right?

On the other hand, Ace is, quite possibly, one of the most intertwined members of the cast. He's probably Levi and Nico's #1 correspondent, and he's up there for Hu as well-- assuming they both survive the chapter, I'm sure their animosity towards each other will only grow in Chapter 3. With Ace just having given up on Levi, having just been the target of Nico's battery and Hu's verbal lashes, can the story really work without him in it at this point? Eden hardly has connections with anyone other than Teruko-- Hu's probably next, but Eden probably ranks, like, fourth on her list after Nico, Ace, and David-- which should make her more expendable. Is it really Ace's time already?

However, despite my complaints, I also think that both of them could be really good options as the killer here-- the two options I prefer over anybody else.

Eden is the character who's most connected with Arei. She plays into the chapter themes of being a good person beautifully. She's a good person, a tragic figure, that killed not because she wanted anybody dead, but presumably because she had something back at home that she had to get back to at all costs. Killing her off would break Teruko-- would break everyone. With the reveal of everyone's secrets, next chapter is going to be a living hell, so why not make that hell worse by removing the biggest conflict de-escalator here? It would force other people to step up to bat. It would give everyone a chance to change, what Eden wanted for Arei most of all. Eden's development isn't an arc, per say, but a fall-- a reminder that even the "most good" people can do the unspeakable.

Meanwhile, Ace has perhaps the most obvious reason to kill someone: he literally almost fucking died himself. Ace's execution would be a reminder of the physical reality of the killing game. That actions have consequences. Even if the guy who started all those fights is dead and gone, you can still feel his presence lingering in the arguments between the others. The guy you underestimated most of all-- not for being kind, but for being dumb-- can send you into a multi-hour spiral in which you accuse even the sweetest of participants. Ace's development isn't an arc, per say, but a fall-- a reminder that reveling in your own distrust and anger might lead you to do the unspeakable.

For someone who's spent so long believing that Eden is the culprit of the chapter, it's really amazing how down-to-the-wire DRDTdev has made the end of the case, where either option feels so believable that it's like you can picture the rope in their hands. Whether my theories, old or new, were right or wrong, I am highly looking forward to watching next week's episode and discussing it with you all. See you on Friday-- just try not to freak out too much before then, alright? (/aff)

#danganronpa despair time #drdt #fanganronpa #drdt spoilers #drdt chapter 2 part 2 spoilers #ace markey #eden tobisa #hu jing #nico hakobyan #teruko tawaki #i'm glad i got to shout out so many people in this one! :D #i try to keep a pretty good pulse on what's happening (on tumblr at least) so i can give credit where credit is due #although i obviously can't read everything lol #i was freaking out so much while watching this episode #bc i felt like i was so right but then all of a sudden so wrong. unless?#also i really wanted to put the meme of “sickos -> ”yes... ha ha... yes...!“ after teruko talking about how the tape points to Eden or Ace #but i already ran out of images so. you'll just have to imagine that one sorry #my theories

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yuuuhiii · 2 days

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yandere themes, knife usage, mdni

a/n: I need to stop watching Dexter (*´ー｀*)

He loved you so so much. His beautiful bestfriend. You were to good for people, definitely to good for this world. In his eyes, no one was ever perfect for your time.

Nobody deserved it.

Not even him.

But he’d tell himself he was an exception since he was your bestfriend.

You were always nice and gentle to everyone that had the luck of talking to you.

But he hated.

Really hated.

When some morons could think they could have even a chance to be with you. Couldn’t they see that was his spot?

He adored the way you’d reject them, he’d like for you to be more mean but you could never do no wrong. And for the people that could ever mistreat you.

He dealt with them himself.

In the dark of the night, letting you know he’d go get you both snacks and you nodded, a kiss to his warming cheek. He feels the remnants of your lips still on his skin, even when he’s on his way to someone’s house.

It was a guy, someone who thought he could touch what was his. He stops at the end of the street, the guy walking into view.

He knows his routine, where he lives, his name and the best part, how to get in. So before the guy can even make it to his house. He’s settling in, the lights are off and a shot of adrenaline shoots through him when he hears the door unlock.

The guy walks in, unbeknownst of his presence on the couch until he turns the light on. He gasps loudly, almost tripping over his kitchen chair. He turns around from his place on the couch.

“Remember me?” He grins, standing up.

“W-What—Get the fuck out of my house!” The guy yells.

He snickers. “I asked if you remembered me.” He walks over to him. He towers over the guy, a psychotic glint in his eyes it has the guy gulping.

“N-No.” He pouts, placing a hand on his shoulder.

“Let’s try to remember okay? You saw the most beautiful girl today? You had your hands all over her, making her uncomfortable right?”

The guy nods his head. “I-I didn’t know she had a boyfriend.” He laughs, squeezing the guys shoulder.

“It’s nothing like that. I’m just her bestfriend, I gotta protect her from guys like you.”

He forces the guy to sit down on his own chair. He walks over to the kitchen counter, grabbing a knife. The guy squeaks, shivering in his chair.

“She was really scared you know? It hurt me to see her like that. I never wanna see her scared. It also makes me upset because I feel like I’m not doing my job correctly. So that’s why I’m here. To finish it.” He pokes at the end of the knife.

“Y-You’re fucking crazy!”

The guy takes off in a sprint for the front door. Making your bestfriend sigh. He goes after him and the poor guy isn’t even able to open the door before he’s dragging him back from the collar of his shirt.

“Gosh you don’t have to make this hard you know.” He rubs at his forehead.

“I swear! I didn’t mean to make her uncomfortable! She’s just really pretty—” He nodded along as the guy rambled on, dragging the knife along the guys chest.

“I’ve heard this so many times. Why do you guys always try to justify your actions in the end.” He sucks at his teeth.

“You guys always end up the same either ways. Dead.”

The guys plea’s are white noise in his mind as he plunges the knife in him. It’s always in these moments he feels like something takes over and when he snaps out of it, the work is already done.

He spends some time cleaning up the body. His hands his clothes. Making it look like a murder scene. He curses at himself when he sees the missed calls from you. He dials your number and your pretty voice engulfs his ears.

“Hey, where’ve you been.” He could hear your pout across the line making him smile as he makes his way to his car.

“A lot of the convenience stores are closed so I had to go to one far from your house.” He lies through his teeth.

“Oh ok then.” You murmur and he smiles.

“I’ll be right there ok pretty?” You hum and he hangs up.

When he’s finally back with bags of snacks, you cheer.

“Finally! I missed you.” You say as you throw your arms around his neck. You go to kiss his cheek but spot something.

“Hey what is this?” You swipe your thumb over his cheek, it’s a red stain.

“Huh?” He peers down at your thumb and places the bags on the floor. He laughs and you glance at him confused.

“I might’ve had a little snack without you, it’s ketchup.” You whine and push at his chest but he picks you up, letting you squeal as he places you on your bed.

“It’s fine, I got you all your favorites ok.” He leans in, his breath fanning your lips. It makes you gasp and your eyes lid. He pecks the corner of your mouth, getting off of you and grabbing the bags.

You’re left there on your bed a flushing mess as he hums, sorting out the snacks. You chew at your lip and sit next to him.

“Hey I have a question.” He hums, still taking things out.

“H—How come you don’t kiss me?” He faces you but you’re messing with your hands.

“You’re always calling me names and treating me like your girlfriend. You even scare away guys when they come up to me. But we’re still best friends?” He hates how confused you look.

“C’mere.” He pats his lap and you move to straddle him.

“You want me to kiss you?” He tilts his head and you nod.

His lips are on yours and they’re wasting no time. They’re feverish around yours and if the tv wasn’t on you would’ve payed attention to how loud your guys lips smacked against each others. When he inserts his tongue into your mouth you let out a moan, tugging at his hair. He smiles and pulls away.

“You’ve been waiting for this huh?” You nod quickly.

“I was beginning to think you didn’t feel the same way.” You rest your face on his shoulder. He places kisses on your cheek and down to your neck.

“Oh baby, if only you knew how far I’d go for you.”

YUTA OKKOTSU, KAZUTORA HANEMIYA, HARUCHIYO SANZU, Armin Arlert, Vigilante Deku, Hirofumi Yoshida,

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b4ddprincess · 14 hours

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I hope that everyone who reads this feels a little bit of peace of mind. I know how unbearable it is to want to have the life of your dreams right now! That anxiety and despair won't help at all. Nor will continuing to do what doesn't resonate with you, seeing countless success stories and each time trying to do the same as them. It's always like that, right? That's what most of us do, it's like being in a loop, I say this because this year I became pure consciousness several times while trying to induce it, whether through lucid dreams, sleeping affirming, some of the times I just came out of the state of pure consciousness without affirming anything because I felt so peaceful (and it didn't last long either).

Exactly 4 days ago I almost to induce pure consciousness again while listening to this audio that leaves me super relaxed

https://youtu.be/DMQjwuU_4c4

(not that to induce pure consciousness you need something like that, just relax your body and take your focus off thoughts related to anxiety, just relax)

and I relaxed so deeply, I relaxed my body and mind while daydreaming but as soon as I started to feel the symptoms it was so intense, like falling, spinning and being sucked at the same time. and I focused so much on the symptoms that I ended up losing focus and consciousness returned to 3D.

but I remembered when I was a beginner in all this and I read a blog (if I find the link I'll put it here for you)

https://at.tumblr.com/princess200417/697183954837569536/h6gg9e7y98bg

in which the blogger said the following

"Sit down or lay down in the most comfortable position to you

Start breathing in and out slowly and imagine/picture a black space or a black hole or just a black image in general ,so this can help you in feeling closer to void (ofc it's not necessary)

Now start AFFIRMING I'm void or any other blanket void affirmation/affirmations of your personal preference"

She also said to make affirmations during the day, such as "Void is instant easy and simple ," "I am God," and I remembered that when I did this for the first time, I was a little sleepy. All I did was read this blogger's post again, lay down, and close my eyes. I didn't think about anything. All I did was affirm without forcing myself. The symptoms were so intense. However, I wasn't anxious or desperate.

So, I didn't care about the symptoms. I kept affirming. I remember that the way I induced pure consciousness was so fast. I just hadn't affirmed anything because there was nothing I wanted to manifest. Then I just affirmed that I was going to go out, and when I did, I realized that I was still asleep. Then I woke up. Some time later, I did it again and manifested that I was going to pass a very important test for me. And guess what? I passed all the tests.

And now remembering this I feel upset with myself, for having consumed too much and having let things get out of control and become a little difficult. Until a while ago I was telling myself that I would manifest my dream life, but I was always putting it off until tomorrow and it was always like that, 5 months went by while I was procrastinating. Now I realized how much time I wasted, and I feel upset with myself. But I remembered that I have already induced pure consciousness, what is getting in my way is despair and anxiety, but now I will control this and manifest my dream life, I will send you my success story very soon :)

I hope this is like a little warning to everyone who is on this journey, I know that everyone's circumstances may be as difficult as mine, but never give up. Try to stop this despair, focus on who you are. You are gods, the co-creator of your own reality, don't give up and don't put off until tomorrow what you can and have the power to do today!!!

congrats on inducing pure consciousness and passing your exams!! it may not be your dream life, but hey! you still have a testimony to share, and ik you'll share your dream life testimony soon!! 💗💗

just apply your reminders, and ik i'll see your next success story! don't stress urself either! 💞

#b4ddprincess #b4ddprincess's asks

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lala-blahblah · 2 days

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I absolutely cannot sit down and write a nice version of this bc my brain says no, but i would like to let you all know I'm thinking of a fanfic where older Edgeworth is moving back to the US (or japan, whichever universe you subscribe to) and runs into Nick in the store while buying mass produced art to hang on the walls of his new house.

And Nick is like "dear god do you want your house to look like a dentist's office. Please do better" (in a friendly way, they are too old for rivalry at this point) and so Nick invites Edgeworth to come over and take any of his old artwork from college, since it is just sitting in a portfolio in a closet somewhere. And Edgeworth agrees to come over and look through Nick's old stuff together. There are themes of 1) growing older and like reflecting on the past and 2) Nick's character trait of finding meaning in challenges vs Edgeworth's tendency to stick with what he does well. In my head I imagine that Nick was good at art and it came somewhat easily to him and that bored him, and he was drawn to law in part because it was hard and it excited him and made him want to try harder. And i think tying that in with fatherhood, like it being unexpected and hard but something he thrives at because he feels good when there's a challenge. Potentially also touching on how like, when he lost his badge he felt very listless and depressed because he wasn't being challenged anymore, there wasn't anything to drive him and motivate him. And I think Edgeworth would be impressed by seeing Nick's old pieces (I assume he hasn't seen much of his art before) and wondering why he didn't choose to pursue art further. He also thinks about how art had always put him off personally because he couldn't get it "right" right away, and on the other hand how the structure and logic of law came easily to him, which led him to become a lawyer. I think he measures his self worth by his success in his field because he never had the support to believe he had intrinsic value as a person and maybe wasn't so good at making emotional connections with people. So that big contrast between them is so interesting... I think Edgeworth would be jealous of Nick's bravery in pursuing something he was bad at without giving up and Nick would be jealous of Edgeworth's success in law, but in a subdued way as they've grown older.

A far as actual scenes in the fic, I think I would use Nick's art as a conduit for my own agenda to have them talk about topics that are of interest to me... I would like Edgeworth to feel out of his depth for once and for nick to be the confident one as he talks about something he is well versed in, and for edgeworth to have to face that discomfort and also be a little impressed intellectually with Nick. I think I would do that by having them look through some abstract art Nick did (my intro painting classes were all abstract so we could focus on color mixing and getting comfortable with the medium). Edgeworth compliments Nick on a painting with a bunch of colored squares in gradient clusters and then gets embarrassed when Nick tells him those were just color mixing swatches. Alternatively, in my mind they are both asexual and I think even though this feels like a hallmark cliche I would have Edgeworth flounder and be very embarrassed over Nick's old figure drawing piece. I feel like Nick would be like "no you don't understand it's all very professional and normal when we draw them, like it's just about learning the shape language" and Edgeworth would be like "this is very improper and I don't know how to react can we please not look at naked people!". I don't think i would do both, but something to upset the power dynamic for a moment would be interesting! Nick is always the awkward one I want to see him shine for just a moment enough for edgeworth to go "wait what... i've known him for so long but perhaps i don't really know him at all..."

I would want Edgeworth to end up taking a series of 3 canvases Nick did in an oil painting class that were still lifes of objects the teacher had set up around the classroom. I headcanon that Nick actually far preferred drawing people to objects and rebelled against the assignment by hiding his reflection in one of the objects in each drawing- the top of his head is hidden in an ornament on a christmas tree, his eye is reflected in the shine of a china vase, etc. So it's a little secret, and Edgeworth kind of likes that... it is sweet in a way to see a much younger Phoenix captured in time like that. Something Edgeworth will be reminded of when he sees the paintings but nobody else will catch onto

I would want to layer this with a fatherhood storyline... I think i would frame it as nick inviting edgeworth over to dinner with him and Trucy and Edgeworth stepping into this domestic family life as a visitor and witnessing how its transformed Nick, like seeing him from a different lens. I think after they pick out paintings and have dinner they sit around talking. Trucy had been sitting with them, earlier she showed off some magic tricks and gave Edgeworth a picture of hers from the fridge to add to his new art collection (it's a rainbow dolphin and a sea turtle wearing top hats. Nick says she's in her Lisa Frank era). But she's been quiet for awhile and Nick realizes she's fallen asleep and it's like 11. He's like, crap, i screwed up i should've paid attention and gotten her put to bed, I'm a bad father and I have an audience for this failure. And on top of that, I already failed at being a lawyer, no matter what I try I always disappoint everyone. It's an unexpected moment of vulnerability there... like he's seemed so put together and grown up to Edgeworth this whole time like a whole different person, but he's not a different person he just has different sides to him. And this moment is one where edgeworth can be like hey, no, you're a great dad, and I'm impressed by you and everything you achieved. And I think that could lead into vulnerability from Edgeworth about his relationship with his dad and how he misses him/how he feels like he hasn't really been loved by anyone since his dad died, and how Trucy is lucky to have someone like Nick in her life.

Nick excuses himself to carry Trucy to bed and Miles starts cleaning up the kitchen. I would give a moments pause here to talk about the strange intimacy of going through someone else's kitchen cabinets and drawers, you feel like a stranger there trying to put yourself into someone else's shoes to understand how they live in this space. Maybe he guesses the right drawer for the silverware first try and he feels a little spark of connection. like "we are different in many ways but we are alike enough that we look in the same place for our spoons". Details on the kitchen too about the kid safe plastic bowls and knives that indicate a child is part of the household, that the household has been built around the child, in fact. Edgeworth lives alone and I imagine things are kind of fancy for him (he's a man who wears a cravat so he probably has fine china right). It's completely different from this shabby mismatched cutlery that Nick has, but this kitchen has personality. Maybe he wouldn't mind having a kitchen like this so much. This is a hint at him being lonely, being included in this family unit just for a day has given him this curious sense of longing, for what he isn't sure... does he want kids? Does he want Nick? Does he just want to be part of a family? These are confusing questions and he would much rather not feel anything at all, but unfortunately it is late and he did have a glass of wine with dinner so emotions are Happening.

He hears Nick sigh tiredly as he comes into the kitchen, and Edgeworth starts to ask him where his tupperware is when suddenly Nick is wrapping his arms around him and Edgeworth is Very Tense because he's never good at knowing how to act in situations like this and he and Nick have never been on a hugging level before and he's not sure what this is even for. Then Nick is like "I keep thinking about what you said earlier, about feeling alone ever since your dad passed away. I didn't know, that's such a long time to feel alone. I don't want you to think you're on your own". Edgeworth relaxes a little bit because now he knows what the hug is for and what he's supposed to feel from it. Its very kind of Nick to worry but its unnecessary and he says so. He has colleagues he's friendly with and people from law school he keeps in touch with, he's alright. And Nick says he knows but he also knows it's difficult living the way they do, and what he means is single and in your thirties. Because everyone else is getting married or living with a long term partner or at the very least dating and their lives are focused on that relationship as the center of their being. And when you don't have that, not only is it harder to relate to the people around you but it is harder to feel like you matter in people's lives, because they all prioritize their partner before their friends. And maybe their situations aren't exactly the same (Nick has a daughter while Edgeworth lives alone) and maybe their choices were made for different reasons (Nick used to date and didn't mind it but didn't see a need to prioritize it. Edgeworth found himself unable to distinguish with certainty whether or not he was actually romantically interested in people, and rather than make the wrong choice he decided he would rule out error by choosing no one at all). But regardless, they both know first hand the isolation that comes with trying to carve a path for themselves that does not include a life partner in a world where everyone else comes in pairs. And Nick is reaching out across that emptiness saying hey, we might both be building different lives, but there's room for you to be a part of mine if you want.

Outloud, Nick says "Really, Miles. You aren't alone in this." and Edgeworth says "Well, Phoenix, neither are you". And he stands there and lets his friend hug him, and it doesn't feel like butterflies but it does feel solid and warm and good. And he doesn't even worry about whether he's supposed to let go by now or not, because it's nice, not being alone.

They stand there in comfortable silence for a long moment before Nick speaks again. "hey, remember when you used to hate me? And look at us now." Edgeworth turns his head sharply. "I never HATED you, Wright. I simply thought you were foolish and a waste of my time." He realizes a little too late that this is probably a rude thing to say to the person that just gave you a pep talk, but Nick just laughs, his head still resting on Edgeworth's shoulder. Looking at him from this angle, face almost fully hidden, Nick could be any age at all. It's easy to imagine for a moment that he's the same nervous version of himself that stood across from him in the courtroom for the first time all those years ago. The only thing breaking the illusion is the subtle streaks of silver that cross his temples. Not entirely sure why he does it, Edgeworth kisses the top of Nick's head. He feels odd about it the moment he does so, realizing it comes across not as a platonic or romantic action but as a gesture suited for a dog or pet of some kind. Nick looks up, looking confused but not displeased. "What was that for?" "It was a thank you I suppose". Miles steps away now, still uncomfortable with perceived failures even if those failures are just in social interactions, and begins to gather his things while Nick gets down a tupperware from a cabinet. "Thank you, for the dinner and for the paintings." Edgeworth continues. "I'd like to repay the favor once I get settled into the new house. Trucy's invited too, of course". As he says it, he realizes he genuinely is looking forward to seeing them again. Nick walks him to the apartment door and they say their goodbyes while Edgeworth tucks the paintings (and Trucy's dolphin drawing) under his arm.

He gets halfway down the hallway when he hears Nick calling after him. "Hey! Miles! Take an art class with me sometime" Newfound friendship or not, Edgeworth just looks at him in disdain. "what, so you can show off your superior art skills? No thank you, Wright" "No, for fun. You can make things of your own to hang on your walls. We can do something I've never done before so we're evenly matched. Like printmaking? Origami? Um, pottery?" Edgeworth bristles at the suggestions but takes a moment to acknowledge why he's feeling that way; again, it's that fear of failure. But he's enjoyed himself today and deep down he thinks it could be fun to try something new, not with the goal of being perfect at it but with the goal of spending time together. Nick surprised him today. Maybe he can surprise himself. "... I would consider pottery" Edgeworth admits. And Nick looks really happy about it. "Great. I'll book us a session then. It'll be fun, you'll see. Edgeworth shakes his head, but there's no malice behind it. "Have a good night, Phoenix" "You too. Get home safe Miles".

Edgeworth gets home a little before midnight and props the three canvases against the moving boxes still stacked up in the foyer. Tomorrow, he'll figure out where he wants to hang them. Right now though, he walks over to the bare fridge and carefully pins up Tracy's dolphin drawing. There's a lot more work to do, but it's already starting to feel like home.

#are they in love? are they just pals? Queerplatonic? Babe i couldn't tell you but interpret it how you like xoxo #I have to call Miles “Edgeworth” because it feels like I'm overstepping to call him Miles #we aren't on a first name basis... we're professional colleagues at best #also if there are any canon breaking things i mentioned: I haven't played any of the apollo games i'm faking it so hard rn sorry <3 #anywayyyy #ace attorney #phoenix wright #miles edgeworth #ace attorney fanfiction #wrightworth #narumitsu #also i do read miles edgeworth as neurodivergent bc Ummmm have you Seen him?#his inner child is a gifted kid that was socially awkward and pretended to be superior to everyone to cover up his feelings of inadequacy

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darkficsyouneveraskedfor · 3 days

Text

A Guiding Hand 8

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as noncon/dubcon, age gap, parental neglect, depression, inference of self harm, violence, abuse, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: your online academics are affected by your personal struggles but your professor won’t let you give up so easy.

Characters: Raymond Smith, Lee Bodecker in the background

Note: I am tireddddd.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.

I love you all immensely. Take care. 💖

Professor Smith dresses you in a set of pajamas; white with blue stripes. They’re not your size, you assume they might be his. You’re not sure. You’re too woozy to think about much more than your throbbing hand.

He lays you in the hotel bed as you shake uncontrollably. You’re freezing cold but he keeps touching your forehead and saying you’re burning up. How can that be when you can’t get warm?

Your lashes flutter between glimpses of him pacing and sitting on the edge of the bed. When all is dark, you see his shadow beside you. His breathing suggests he’s asleep but you can’t tell. He’s up again as a halo of light shines around you. The lamp limns his figure as he pets your cheek.

“Sweetheart, shh, you’re alright,” he coos, “no need to cry.”

You’re crying? Why? You can’t remember. Your mind is a bubble of fractured thoughts and vague scenes. You can’t make scene of much between the visions of this man.

“Fever’s broke,” he lays a wet cloth over your brow. “Very good. We’ll be off in the morning, won’t we?”

“Mom?” You murmur in confusion.

“Mm, let’s take one step at a time before all that, yes?” He caresses your cheek with his thumb. “Back to sleep.”

He shuts off the light and you’re cast into grim blackness. His weight jostles the bed and you feel him spread out next to you. The bed is more than large enough for you both.

“Professor,” you croak weakly. “What’s...”

“In the morning,” he girds.

You accept it, “sorry.”

“Never be sorry,” he reaches over to squeeze your arm lightly.

You lay in silence. Your eyes close on their own. You are completely drained. You sink down into a solid void that suffocates away all light and life. When you awake again, you’re alone. You might think it was all a dream if it wasn’t for the bright hotel walls.

You remain as you are. You don’t have the energy to get up. You lift your hand and look at the bandage wrapped around it. It feels better and your fingers aren’t swollen. You bend them. It still hurts.

The door opens and you drop your arm. You squeak at the pain.

“Sweetheart, is all well?” Raymond rushes over, a tray in his hand. “I was only meaning to fetch some of the complimentary breakfast before we depart.”

You blink and shake your head, “fine. I’m... fine.”

“I hope you like coffee--”

“Coffee?” You whimper and close your eyes. “Coffee...” you mutter. “I went to get coffee and...”

“Yes, that fiend meant to attack you. You see, I did not come without purpose. How could I sit back and see you neglected?”

“You don’t... I don’t know... you.”

“Hush, hush, you must be hungry,” he insists. “It is good to eat. You are weak from the infection still. You must take care--”

“My mom--” you look at him.

He sucks in air and his jaw tenses. He steels himself and his fingers twitch. “Yes, a woman who allows her own daughter be abused.”

“She... she couldn’t stop him--”

“She should not bring the beast home with her,” he snips. “Please, you would not survive in such an environment.”

“Why... would you come here?”

He exhales and his eye bats, as if he can’t control it. “Why wouldn’t I after what I witnessed? Then you would not answer. I had half a suspicion you were dead.”

“I’m sorry, I... didn’t mean to worry you but... it’s not your problem.”

He hums and set the tray on the night stand. He offers a cup of coffee, “are you so used to being forgotten that you cannot accept kindness?”

“No, it isn’t... I’m sorry.”

“And the apologies. No need for it. I am not admonishing you. I am merely offering advice.” He takes your good hand and makes you take the cup. “There is much more you need to learn than accounting, I gather.”

You frown and look at the dark coffee.

“If you prefer milk or sugar, I grabbed some of each,” he explains and gestures to the tray. “Of course, you shouldn’t drink that in bed else you might stain the sheets.”

“Oh, yeah,” you push the blankets back and move carefully.

The pajamas brush against your stomach and you look down. You’re reminded of the day before. Naked in the tub. In front of him. You’ve never been so exposed before. You slump your shoulders and go to the table and sit.

You look down at your burnt hand and bring up to examine the bandage again, “thank you...” you raise it higher.

“Certainly. And who wouldn’t see to the festering infection? Are you not concerned that not even your own mother cared for that matter?”

“Can we not talk about her?” You sniffle and rest your hand in your lap. “You should take me home.”

“Home? That is no home. Now, you should eat. Keep your strength up so you can heal properly.” He girds.

You nod and take a cautious sip of coffee. You’re still reeling, maybe even slightly delirious. You set the cup down again and lift your chin. You look at his neck, not his face.

“Why?” You ask.

“Why...” He echoes as he sits across from you.

“Why help me?”

He takes a packet of sanitizing wipes and uses them to clean the cutlery. You watch his diligent work. Everything he does is precise and purposeful. And cleanly. He seems to detest the thought of dirtiness and yet you can only feel like filth next to him.

“Well, it should be a question, should it? It is humane. Decent. So, I shouldn’t need to name the reason for it.” He lays down each piece before he sets to claiming a muffin, then a scoop of the scrambled eggs, and strips of bacon with sausage too. “Though if you insist, I will give one. Firstly, let us underline that point. What you need, what you want, I would be more than willing to supply, but then, circle around to your query; why should I help you?”

He takes the rest of the cutlery and wipes it then hands it to you. He makes you up a plate as he continues, “you, sweetheart, have great potential. I’ve seen it. And that would be spoiled all for a poor foundation. Now that is not your own doing, mind you, you cannot help where you come from, and more admirably,” he sets the plate before you, “you were fighting against it and so I only thought to lower the ladder for you.”

You blink and focus on the food. You’re not very hungry. You feel slightly queasy but you would hate to be ungrateful. All these questions already make you feel so.

“Thank you,” you croak and make yourself look at him. “Really...”

You don’t know how to say it. You already feel pathetic and you don’t need to sink further. No one’s ever been that concerned about you. No one ever tried to help you. Most people just laughed, called you names, or pushed you down themselves.

“Please, don’t trouble yourself very much, eh? I have the means to help. It would be selfish not to. A sort of passing the torch. I wasn’t born to wealth myself, or peace. Life can be a war on its own,” he gives a gentle smile beneath his thick beard. “Oh, and I did take some clothing from your home before our flight. I was able to use the hotel laundry. It should suffice, though I hardly trust their cleaning staff.”

“Yes, sir,” you answer.

“Raymond, please,” he corrects you.

📓

Professor Smith, or Raymond as he insists, drives you across the city. He turns in the car at the rental place then leads you into the train station a block away. He’s patient, not hurrying you, and he pays for your ticket and his. You feel guilty for the expense.

As you sit and wait on the platform, you fidget. You chew your lip and curl your fingers, the burn stinging beneath the bandages.

“Are you well?” He checks in. He does every now and then.

“Um, yes...” you look at the tracks, “I’ve never been on a train.”

“A first, very exciting,” he muses.

You nod and let your eyes wander. You’re nervous but too much to ask what makes you so. He moves so his leg is against yours.

“Your hand?” He prompts.

“It’s feeling better,” you assure.”

“Very well.” He sits back and puffs out through his nose, “we will go to my home. You can recover there and when you feel up to it, we will go over your last assignment and see you through the course--”

“Professor-- Raymond,” you sputter as you face him. “You don’t have to do all this.”

“I am not a man who does things he doesn’t wish to,” he replies. “I’ve explained myself enough. It is unacceptable to me to let you return to where I found you. I couldn’t allow you in such an unsafe circumstance. Especially after what I witnessed.”

“It-- he just yelled, that’s all.” You murmur.

“Is that all? He had nothing to do with this?” He points to your hand.

You shrink and shake your head. He clucks.

“You are honest and so you are a poor liar. What I saw was more than yelling, sweetheart. You will not convince me otherwise. I know, this is a peculiar situation, but it is your way out,” he says, “tell me, you never thought of it.”

Your lack of response is enough of one. Your eyes are hot, and your mouth is dry. Your leg jiggles restlessly.

A lull rises as the chatter of others rolls through the platform. Soon, you hear the whine of metal on metal, and a bright beam shines from the tunnel. The train speeds through and grinds to a stop.

You follow Raymond’s every move. When he stands, you stand. As he grabs his bag, you go to do the same but he has it in hand first. He gestures you ahead of him. You reluctantly approach the train.

“The second from the front,” he instructs from behind. “I’ve our tickets.”

You follow his direction. You’re good at that. As a professor, he’s just as good at giving orders. As you approach the waiting attendant, he reaches around to hand over the tickets. The woman in her uniform tears of the ends and hands them back.

You step onto the small metal footstool and then climb the stairs of the train car. You pause as he puts your bags into the netted caddy near the front. He urges you on with another point and recites the seat numbers. You find them and stare at the row.

“Would you like window or aisle?” He tucks away the tickets.

“Mm, what do you like?” You ask.

“Please, have the window. You did say it’s your first,” he insists.

You duck your head and sit. He lowers himself next to you and slips a bottle from inside his jacket. He pops the cap open and offers it quietly. You glance over at the sanitizer. You don’t want to be rude so you put your unbandaged hand out. He dollops it into your palm, then his own, and puts it away.

He rubs his palms together and you sanitize around your bandage and your uninjured hand. You sit back and look out at the platform. He’s a very stringent man but you might only think so because you’re used to no rules at all. He’s thorough too. He seems to think of everything.

You look at him but think better of asking what you want to. He catches your glance before you can turn back. He shifts toward you, leaning on the outer armrest.

“Go on,” he urges, “you can say whatever you need.”

“Sorry, it’s nothing.”

“Please,” he opens his hand encouragingly.

You drop your eyes and wet your lips. You’re going to sound so dumb. “Do you really think I could... I could do something? Like you? Like... like... accounting?”

He chuckles softly. It’s not mocking or mean. It’s soothing.

“I do believe so,” he says. “You needn’t fret. Let yourself time to heal, then all that will come after.”

You sniff and sit back. You don’t know if you agree with him, but you’ll try. That’s all you can do. It’s what you should do after he’s gone to all this effort.

#raymond smith #dark raymond smith #dark!raymond smith #raymond smith x reader #the gentlemen #fic #dark fic #dark!fic #a guiding hand #series

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nb-octopus-writes · 2 days

Text

once you’re in the hive, the other bees assume you’re supposed to be there

[Masterpost]

Chapter 8: One Could Get Used to This

Wordcount: 1.5K

~~~~

No-one comes to drag Virgil out of bed. He wakes on his own the next morning and for a few moments contemplates getting out of bed, but then he rolls over and goes back to sleep. It’s his day off, he doesn’t have any plans, and he is cozy.

He wakes again around noon, and wanders downstairs. There’s no-one in the sitting room, but he finds Patton in the dining room, curled up in the armchair with a book.

“Good morning!” Patton greets cheerfully. “Did you sleep well?”

“Yeah,” Virgil says. “You?”

Patton’s eyes crinkle up in a pleased smile. “I did, yes, thank you,” he says.

Virgil fidgets, just a little, and he glances back toward the door. “Where’s everyone else?”

“Hm,” Patton says thoughtfully, tapping the book against his chin. “Logan’s in his office, and last I saw him, Roman was still asleep, poor dear.” He chuckles. “You two sure were up real late last night. And Remus and Janus aren’t here right now, but they were going to come to dinner, so they should be arriving in a few hours.” He pauses, thinking. “I don’t think anyone else was planning to be here today, but I might have forgotten something, or they might’ve forgotten to mention it. That happens sometimes.”

“Must make meal planning difficult,” Virgil says.

“It can,” Patton agrees. “But I like to make sure we have plenty of leftovers anyway, so a surprise guest or two isn’t very hard to accommodate.” He smiles gently at Virgil. “Are you hungry? Would you like some breakfast?”

“If you’re offering,” Virgil says, because they have been incredibly hospitable to him so far, but he doesn’t want to presume anything.

“Oh of course,” Patton says, setting his book down. “I hate to leave anyone hungry when there’s food in the house. What would you like? Are you in the mood for a breakfast breakfast, or something more lunchy?”

Virgil hesitates. “I don’t want to make you cook something just for me,” he says.

“Oh, it’s no trouble!” Patton reassures him. “I like cooking. But we do have leftovers in the fridge if you would like something quicker.”

Virgil nods a little. “What are my options?”

“Well, we’ve still got plenty of what we had last night, of course,” Patton says consideringly, getting up and heading towards the kitchen. Virgil follows. “And I made a fresh batch of boiled eggs this morning.” He opens the fridge and peers inside, then waves Virgil over. “Take a look, anything look appetizing?”

Virgil joins Patton in front of the fridge and looks inside. ‘Plenty of leftovers’ may have been an understatement. The fridge is quite full, mostly of containers. There’s no way Virgil can possibly see all the options without taking most of the contents out to see what’s behind them, and he is not about to do that.

Trying to be quick, Virgil scans the food visible through the sides of the containers. He sees white rice, mixed vegetables, something brown that’s probably gravy, mashed potatoes, a couple drumsticks…

He knows, reasonably, that everything in this fridge is probably very good. He is also sure that if he was sat down and served any of these choices, he would eat it without complaint and be pleased with it. But just now, looking at the leftover containers, his stomach and taste buds rebel, and nothing looks appealing.

“I don’t know,” Virgil says. It’s not that he isn’t hungry. His stomach is very helpfully informing him that it is currently empty. It is just also telling him, simultaneously, that there isn’t a single food in the entire world that will satisfy, and unfortunately it has annexed his tongue to its side. His brain, meanwhile, is yelling that he’s taking too long to decide, and he needs to hurry up and pick something before Patton gets upset at him for letting all the cold out of the fridge.

Patton makes a sympathetic sound. “Too many options to choose between?” he says softly. “Would you like me to prepare you a plate?”

Virgil’s very bones go limp. “Yes please,” he says weakly, glad to have the decision taken out of his hands.

Patton rests his hand gently on Virgil’s arm. “Why don’t you go wait in the comfy chair, and I’ll bring you some food in a minute,” he suggests gently.

“Okay,” Virgil says, and goes. Just as he settles, Patton appears in the doorway again with an empty plate in his hands.

“You don’t have any dietary restrictions, do you?” he asks. “I know it’s a bit late to be asking, but…”

“No, I’ll eat anything,” Virgil says, fondness rising in his chest. “Thanks for checking.”

“You’re welcome,” Patton says, and goes back into the kitchen. He returns a few minutes later, the plate now laden with a large slice of lasagna. “Do you want to come eat at the table, or over there?” he asks.

“Table, definitely,” Virgil says, moving. Much less risk of spilling red tomato sauce on their furniture that way, plus he’d rather not try to balance a hot plate on his lap right now. He sits, and Patton places the plate in front of him. Virgil’s eyes go wide. In addition to the lasagna, there’s a slice of home-baked bread with butter and jam, and a small heap of peas and corn. “Just how big do you think my appetite is?”

Patton chuckles. “Sorry,” he says. “Force of habit. Roman would clean that plate and then ask for seconds, especially after sleeping through breakfast.”

“I can believe it,” Virgil says with a laugh.

Patton pats his shoulder, then moves away. “If it’s too much, we can put some of it back,” he says as he reclaims the armchair. “You don’t have to eat all of it.”

He’s certainly going to give it his best go, Virgil’s stomach informs him seriously. His tongue agrees.

Virgil starts with a large bite of bread. It’s no longer fresh-baked, but Patton had re-warmed it. Toasted, maybe? There’s a bit of crunch to it, though it’s still pleasantly soft, not hard as a rock like most toast.

Roman makes an appearance when Virgil’s about halfway through his meal, wearing only a white tank top and a pair of red shorts. Virgil isn’t sure if they’re loose boxer shorts or thin actual shorts, but he’s not about to stare at Roman’s crotch and/or ass long enough to figure it out, and he’s certainly not about to ask.

Probably they’re actual shorts. Roman has so far struck him as having somewhat more decorum than Remus, and probably wouldn’t walk around in just his underwear with a random person in his house.

Probably.

“Ooh, that looks delicious, I want some of that, is there more?” Roman says in greeting, completely oblivious to Virgil’s inner musings.

“There’s one piece of lasagna left, and plenty of the rest,” Patton tells him, and Roman strides into the kitchen.

He returns after a few minutes with a lunch identical to Virgil’s, except that the heap of vegetables is taller, and he has a second, already half-eaten slice of bread in his hand. Also his jam is a different color. Roman plonks himself down in the chair diagonally adjacent to Virgil and grins at him. “Good morning,” he says cheerfully. “I see you did not flee into the night like Cinderella.”

“If I was going to turn into a pumpkin at midnight, it would have happened well before Patton came to tell us to go to bed,” Virgil points out.

“True,” Roman agrees. He turns and points his fork at Patton. “Patty Cake, if he ever turns into a pumpkin, don’t bake him into a pie,” he says.

Patton laughs. “How many times must I promise not to eat him?” he asks.

“Once more, it seems,” Virgil says. “For what it’s worth, I believed you the first time.”

Patton’s eyes twinkle. “I appreciate that.”

“Did you sleep well?” Roman asks Virgil. Virgil nods. As if he could have slept poorly, in that bed. And it was certainly nice to get to sleep in late. “Good, good. After breakfast, do you wanna watch more tv?”

Virgil laughs. “You’re insatiable,” he says.

“We left off on a cliffhanger!” Roman defends. “And I, for one, was thoroughly enjoying myself up until the point at which we were reminded of the cruel passage of time and the physical needs of our frail human bodies.”

“I was having fun too,” Virgil agrees. And, well, he doesn’t have any better plans for his afternoon off. It’ll be fun. He’ll just have to remember to actually bike home before it gets dark again.

“Excellent!” Roman says, clearly taking that as a yes, and tucks into his meal with gusto.

~~~~

Chapter 9: Come for the Bike, Stay for the Game Night - WIP

may have a brief break in my regularly scheduled chapter posting, as I've caught up to myself and am still writing chapter 9. So, we'll see if it's ready next week, but likely not.

#sanders sides #8 #nb octopus writes #polyamory #accidental polycule infiltration fic #multichapter

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blackbat05 · 1 day

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Biggest Supporter

Jason Todd x Library Assistant! Reader

Plot: Your week has been difficult and the emotions start to pile up on you. Luckily, Jason has the perfect plan for a Friday evening self-care.

Genre: PG-13, Comfort

A/N: Wrote this one shot when I should have been sleeping🤡 The week has not been the easiest and you know my style… writing to release the steam. I hope you still enjoy and that it brings some sort of comfort if you’re struggling as well. Reblogs appreciated!

This week was really not it.

You were almost reaching the end of the week, where you could taste the sweetness of a Friday when shit had to hit the fan.

First, the kids weren’t listening to you as you tried to conduct story time. You tried to be assertive and authoritative as possible but frustrating was only the one word out of many that you had at the end of the day.

The next day wasn’t any better as you had to sit through a meeting that left a bitter taste on your tongue. You felt eyes on you as you walked around the campus but tried to keep your head up high.

Then, it happened.

You had to stop an actual physical fight in the library.

Unsuccessfully should be the prerogative word.

Teachers came out of the staff room like bees attracted to honey- or screaming in this case and you had never felt more embarrassed. Still, you had a job to do. Reporting and crowd control.

The aftermath wasn’t pretty. You kept trying to tell yourself that the suggestions were out of goodwill. But it didn’t help when you kept replaying it in your head and they sounded uglier by the second. As if it was directed at you and your incompetence.

It took a lot to squash down your anxiety and insecurity to back where it rightfully belonged. But you were valid to be upset at the injustice you were facing. You wished you had quicker comebacks at the remarks instead of a weak defense that only made you sound like you were just making excuses.

No. You had to be strong, you had to believe that you were doing the right thing all this while. The air felt thick again and you were glad when school ended and you could leave earlier on a Friday.

As you head down the stairs, you see a familiar motorbike parked next to the security guard post and a mop of black hair with a tinge of white.

“Jason!” You waved happily as you reached the bottom.

“Hey princess.” He opens his arms for a hug which you gladly accept. “Looks like I got here in time.”

“You have no idea.” You groan into his chest, earning a chuckle from him.

Waving goodbye to Sam, the friendly guard, the two of you prepare to set off on his bike and straight into the weekend.

The ride was everything you needed. The gust of fresh air was a much welcome reprieve. Suddenly, the emotions from the week start to swell in your chest and you fight the urge to cry by leaning further into Jason’s back.

“Let it out!” Jason yells to make himself heard over the howling wind as you zoom across the expressway. “You’ll feel better!”

So you do. You let your tears run even if it means you’ll probably look like a puffy eyed demon when you reach your destination.

It wasn’t easy, coming to this point of your job. You knew how hard you had to fight for everything that you had achieved so far. You made sure to not make the same mistakes and all was going well.

That is why you absolutely hated the fact that this week had rattled you very badly that it dredged up old wounds.

Blinking away your tears, the bike slows down and you find yourself in front of a Korean Restaurant that you’ve always wanted to visit.

“You’re too good to me.” You thanked Jason, still riding high on all the emotions. But you didn’t care about putting them on display because Jason was the only one who knew and understood what you were feeling.

“I did nothing.” Jason is modest and guides you inside the restaurant, ready for a sumptuous and hearty meal of spicy stew.

As you wait for the pot to boil, Jason looks at you through the rising steam as you recount to him your week. He doesn’t interrupt, making the right reactions at the appropriate times.

“You did everything you could. Don’t be too hard on yourself.” Jason says as you finish. “I wasn’t there but you sounded really badass.” He tries to lift the mood, earning a small smile from you even though you don’t say anything.

Jason frowns. “What did your boss say?”

“She said that it was beyond my control and I did everything that I could.” You sigh. “But maybe they’re right. I have to be stricter than these incidents will stop happening.”

“Then, it’s settled.” Jason is firm. “You’re not at fault. Did you do what Macy did the last time?” He asks, referring to your recent librarian and supervisor who left the job to go to Spain with her family.

“Yeah. I didn’t want to change it too drastically.” You respond and Jason nods as if all this was logical.

“Exactly. You did what she’s supposed to do. You’re continuing what she is doing. And if anyone has any smart-ass opinions, tell them to take it up to management themselves instead of directing their anger at the wrong place.” Jason becomes more heated by the second and you can’t help but to be a little amused by this. You’re grateful for a loyal best friend like him.

“I’m serious! If this happened previously before you came, then it’s not on you.” Jason insists. “And! Where was the help when you needed it! Do more fights have to happen before you get reinforcements?” He rattles off, taking a big gulp of water from the cup.

“Thanks Jaybird.” You take his bowl and pour some stew in. “I knew I could count on you to be on my side.”

“Always. Besides, you couldn’t do any wrong.”

You laughed, taking a sip of the comforting stew that instantly made your worries go away for that moment.

“But I’m serious.”

“About what?” You ask.

“That you’re doing a great job.” Jason states. “Not because I’m trying to humor you,” he clarifies. “I think you’ve went out of your way to try to fill that empty gap as much as possible for these kids. Considering what you went through back then, you could have just taken a back seat.”

As Jason’s encouragement spills out from the bottom of his heart, you realized that was all you needed. That despite shitty moments, someone told you that you did your best, and that was all that mattered.

“So don’t think about it too much alright? At least not tonight. Because we are going to have the best meal of our lives!” Jason declares, ordering a soju bomb. You protest at that but he waves the concerns away, mischievously waving a black credit card which you could only assume belonged to one person.

“Only for my best girl.” He grins, offering to clink glasses with you. “To being your biggest supporter and shitting on shit people!” He raises his voice, earning some stares from other patrons, causing you to giggle.

“Cheers! To trusting myself and not listening to shit people!”

Jason roars with delight at your loose lipped declaration and pours you another drink, continuing the carefree evening with good food, good laughter and the best company.

Yeah, you were going to be okay.

#jason todd #jason todd fic #jason todd fanfiction #jason todd x reader

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sol-kha-ne-lubri-if · 3 days

Note

ros' reaction to mc having a hickey on their neck only to find out it's a mosquito bite later on?

Dear God you've been in inbox purgatory for a long while I'm so sorry, anyways, I'm gonna assume this is where they're crushing on you (not in a relationship) rather than the opposite lmao

AMBROSE ~

They've never been one to allow their siblings to deter them from doing whatever they please, so whyever would they stop now?

Especially when he has such a valid cause to it.

You see, it was your fault— that's what he was telling himself anyway. You just had to arrive in the dining hall with such a— such a blasphemous mark on your neck, proud for all to see, this should count as a slight against Baeurae! Fae knew you got around, that's not what was pissing them off about this whole thing...

It's the fact that you didn't approach them first of all.

Ambrose thought of himself as someone within your circle you could rely on, you know? Someone you— someone who could tell you which creatures were worth your time! You're an absolute beauty, everyone could be made aware of that just by looking at you! So why— why have you not told him a thing of what happened to lay such a— such an offensive thing on your skin?! What messy work it was as well, and how come there was only one? He really knew whoever had done it was a true loser then. If it were him, he would have pulled you in and not let you go until he could taste your—

"Mooooorning, you~" Ambrose hears Dottie chirp and he sits upright with his smile plastered upon his lips as though that was enough to prove to himself that he was perfectly fine with this— all of this. "Someone slept well, I denounce~!"

"If only!" you bemoan as you collapse into the chair and scratch at the mark on your neck. It's here that Ambrose sees just how upset you seemed to be, the way your body tenses so severely, the way your brow knits together, and you bury your nails into your own skin before Ambrose reaches out, making sure fae's hand was seen by you, and he carefully pulls your hand away before you scratch too deep. "My roommate— that dumbass— forgot to lock our godforsaken window the night before and a flupoflim wound up having gotten offensed by whatever dream they may have sensed of me and bit me right in the goddamn neck! I swear, I'm going to..."

"A flupoflim..." Ambrose repeats quietly to himself, biting his tongue to keep his smile from widening even further as he relaxes his hold on you far more, intertwining your fingers and slowly guiding you into his chest, his gloved thumb rubbing circles over the back of your palm as their cheek presses to your hair while you continue rambling about the pest in your room.

A small laugh shakes his chest, his eyes relaxing, half-listening to the way his sister plots with you on how to fume the flupoflims from the academy as he slowly raises your joint hands and drags his fingertips down from your palm to carefully brush against your pulsepoint.

"What a kerfuffle for my poor darling ditzy." Ambrose drawls, bring your wrist close to his face so he could press his lips to it, feeling the way your artificial heart beat inside. "Might I suggest a word of my own as remedy?"

Dottie ~

Dottie walks through the halls with her posse a few steps behind her, an idle smile on her expression as their voices carry through the grand halls, even though she had them step away from her so she could enjoy the peace and quiet to clear her thoughts. In moments as this, she would typically walk with you and your impecc-uliar companion. However, she doesn't know how much she can stand walking within your vicinity without wishing to slice at your neck and watch your good pour out like a fountain.

Maybe if she did that, the abomination on your neck would go away.

It was such a messy fucking job as well, it weren't even even, and you clearly didn't have that good a night if you were walking around with just one on your neck. If it were her, she would have mauled you for all to see! She would have tore at your neck until you'd have to be fixed up with stitches!

But no, apparently you decided you weren't good enough for her and you decided to go for some lowlife who clearly couldn't appreciate your beauty in the way she does—!

"—uite annoying, yeah." she's pulled out of her thoughts when she suddenly hears your voice around the corner, and she pauses, raising a brow as she hears your voice carried through the hall. "Maybe if you hadn't left the damn window open, I wouldn't be walking around with the bite of a flupoflim on my perfect skin! Do you even know just how itchy this fucking—!"

"It's a fly bite, calm down!"

"Of course YOU would be saying that, you're not the one who had gotten bitten by the damn thing— oh, Dottie?"

She had appeared around the corner with her books tucked below her chest and her hair gently blowing in nonexistent wind, before she strolls up to you with the air of majesty you came to know of (and expect) from her presence alone.

"There you are~ I was thinking of relaxing in the bathhouse whilst I set my books aside!" she chirps, stepping up to you and sliding a hand around your waist, pulling you close to her while she brushes her lips against your earlobe.

"Your friend is free to join us as well, if they so please~ In any case, I hear you have a flupoflim problem?"

She smoothly turns you and your companion around, allowing for said flupoflims to swoop in from the windows by her command to clean after the bodies their mistress had left behind, as well as all the ichorous organs that littered the floor.

She'd rather you not see such a distasteful sight~

Loriette Kei ~

"You've something there, I see." their face openly snarls at the sight of the offending mark on your neck, amidst the many other ones you allowed him to leave on you since it was his turn that day.

"I've a little something everywhere, if you couldn't tell." you respond dryly, feeling around your neck. He always mauled you, practically, as if he was trying to prove a point to his older sister and cousins. "You're not exactly the gentlest lover."

"Oh I can be gentle as a feather, you realize?" his strings envelop his body as his form shifts rapidly into a smaller one he was able to hop onto your shoulders with. "You don't give me many a reason to be gentle, is all. You're so... difficult sometimes, and by that, I mean any which time. Whatever you do or see that I may never think to be," their tail brushes against the bottom of your chin before they hop off your shoulder to sit on your lap, shifting back into his doll form to lean forward and pin you against the bed, a bit of their inky-black seeping through the cracks and running down his skin. "Is somehow always something you so readily use against me."

"I'm just looking out for whatever I deem to decree." you respond, your head resting back against the soft sheets of your dorm bed. You didn't often like sleeping in a bed that wasn't your own, after all, your bed was definitely the comfiest in the academy, and you were sure of that. "Now would you please tell me?"

"This," Loriette keeps himself hovered over your body while his strings reach forth to slowly wrap around your neck, the ends tickling against the mark he had seen earlier before they disappear, and his face is streaked with more of the void he kept inside himself.

"Oh, ugh. That." you roll your eyes and tilt your head to the window that allows you to look over sonder at the many bodies below your dorm. "My dormmate, Stesmi pray for them, didn't close the window before sleeping the night before, a flupoflim came and—"

Loriette Kei interrupted you by bursting out laughing, and rolling off and onto your bed, covering his face in one hand while his tail swished to and fro. A flupoflim... he had gotten jealous over one of those nasty little buggers.

"Hey, hey... forgive me, dearly, I weren't laughing at you per say, truly." he was quick to pull you close when he saw you were about to leave the bed, still chuckling over your pouty expression before burying his face into your neck.

"My... what am I to do with you, dear Alice?"

Lorelei Kei ~

"Oh that's a nasty piece of work, I see..."

She was the first person you thought to go to regarding your bite. Your companion had forgotten to close the window all the way last night before falling asleep and a flupoflim had entered and bit you since it... apparently didn't like your dream or something of that sort? Whatever, honestly. You wanted it gone, it was itching like a motherfucker.

"Right? I can hardly even remember what I were fucking dreaming about! I swear, the one time I decide to indulge myself and this is what happens!" you complain, moving your hair out of the way to allow her to get a better look at the bite you had received for daring to dream.

It wasn't even fucking worth it either, the dream wasn't even worth noting enough to remember.

"I've a salve if you wish to apply that. I'm terribly sorry for the flupoflims, I know I've squashed a good few against my neck for such a transgression before." she offers with a small frown, pulling a small bottle from her dress pocket before she tips it turvy against her fingers and a small bit drips out.

"You're an absolute darling, Lorelei Kei. Honestly, I'd adore for you to do this for me, thank you kindly..." you sigh, shivering when you feel her fingers massaging the bite on your neck. "You made this yourself then?"

"Mm... yes, yes I did." she responds, feeling her lips curl up a little as she carefully sits down before you, and she makes sure the salve is spread evenly along the bite. "It's a simple mixture, really. My noveur told me the importance of not relying all on my strings to heal... though that was more so because the way my strings heal is a bit grotesque. Not that I care."

"Why did you create a salve if you don't care then?"

She doesn't respond for a moment, lifting her hand once the salve was applied and blowing gentle air to the area to help it dry a little better, making you gulp.

"Because you might think my healing ways are grotesque."

Nadia ~

"You can't ignore me forever." you tell her firmly, watching as she continues to work at her desk, writing a letter to her kingdom's form of government in her room.

"Nadia, this is childish."

"No it isn't." she says simply, standing up from her desk and grabbing a bowl of fruits she hadn't yet touched before she tosses it in front of you, the spinning bowl filling her dorm with an unpleasant sound as it, miraculously, doesn't begin multiplying by the dozens or growing bigger. Then again, that was also likely because she was wearing her gloves.

"Yes it is— you're even responding like a child." you tell her with a small frown, tilting the bowl towards you to look at its contents before settling on a berry that had nearly fallen out. "Had I committed a slight against you once more? Add onto mine list of many that you refuse to tell me? Look, I'm well aware that my beauty's been known for rendering others speechless, but—"

"I am the one acting childish. I would like to keep acting childish."

Oh, you didn't expect her to just outright admit it. You watch as she sits down about a cushion away from you. "What are you—"

"That mark on your neck," he mentions, nodding her head towards you, making you lift a hand up to what you knew she was talking about. "It's... disgusting. I don't want to look at it. I want to be upset as I refuse to look at it. You are making me upset."

"Nadia, this is a mere—"

"I know what it is," they interrupt you, biting their tongue before sighing as he looks away. "But... please, just don't say anything, or I may die of mortification. I'm usually much better at controlling my own emotions. But that... that thing on your neck— I know what it is, rationally, but even knowing this, just the sight of it, the implication of what it could be, I'm sick of it."

You stare at her a moment, your lips quirking up as you realize why she isn't looking at you. She isn't actually mad... what she really is makes you pop the berry in your mouth, giving you an excuse to shut up.

"... Please, get rid of it...?"

"... I will, so long as you help me."

Noré ~

What on earth had been getting into her these days...

She found herself at your beck and call much more earnestly than they first believed themself to be, first of all. This wasn't anything new, they had done this with anyone and everyone that had passed by them that hallway.

What was getting to him now was that... thing, thing on your neck. It was terribly ugly. It didn't suit you. He would know what suits you and what doesn't, he's completely memorized the sort of style you adore so dearly.

He found himself glued to your side, hanging onto your every word as you speak, your hand repeatedly reaching up to rub at the spot he was eyeing and everytime you did, she felt the pit in her stomach grow wider and wider until it felt as though it would swallow her whole.

"Must you be so enamoured with whatever it is that has you recalling as you rub that?" it slips out of their mouth before they can even think to keep it inside. "You realize that I'm in your company, yes? How terribly rude of you to treat a ruler this way, I ought to try you for—"

"Treason?" you finish, shaking your head. You didn't believe him. Of course you didn't, they never gave you any reason to believe in his words, ever. "Alright, Mocking Turtle. Riddle me this—"

"I'm no hatter, but go on and riddle me what." he responds blandly, hands clenched around her own wrists behind their own back. "Riddle me how?"

"Lethargic eyes and weary bones, they try to rest yet nature would oppose," you reach up to rub the area again. "A draft to fill, the moon to shine, whatever could float decides offense to a dream of mine. Whatever does it do?"

"... Indeed, whatever does it do?"

"It bites you." you respond with a small groan. "Fucking windows and dormmates and... ugh, it's absolutely killing me."

"Oh, no, I don't believe it so." Noré responds from beside you. "For if it were truly killing you, you'd be but flesh and bone."

"You jest, but it truly feels as though the ichor were being—" you cut yourself off as you look to them again, the way they smile feels a bit more relaxed than before. "And what's suddenly got you in such a good mood?"

He blinks at your words, his eyes no longer smiling, though his lips stretch upwards a bit more. "Indeed, whatever does?" they hum, keeping step with you and linking your arms together, tugging you closer to their side as they do.

"Whatever, I suppose you've riddled me true."

#sol kha ne lubri #if #inbox asks #ask response #anon #ambrose hendrix #nadia #noré #loriette kei #lorelei kei #dottie hendrix

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