#and it turned out nothing

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[sysig]

Permission to headbutt: Granted (Patreon)

[a2zillustration]

And then Gale showed me a magic trick and I went to bed.

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[wasyago]

the brainrot won

[carlyraejepsans]

cringe gaymers hanging out. don’t know why but sans always seemed like a rhythm games fan

BONUS:

[bardspeak]

VERY late entry for Ulysses Week's prompt "the divide". Lyrics are from Autopsy Garland by the Mountain Goats. I have a project for fnv planned involving the whole song, but I couldn't get this concept for an alternate Ulysses thing for these lyrics out of my head. I love Ulysses and the divide very much. >24 hours of drawing on this one.

[anna-scribbles]

they should've been at the club(infertility treatment centers)

[cannibaleather]

I WILL NOT BE SHACKLED BY THE FAILURES OF YOUR GOD

I AM MY OWN CREATION

[redactedgoose]

Clark is aware that spying on others is more Batman's thing.

However... it's his little niece and nephew, okay? Just because they live in Illinois now (and aren't his blood relatives) doesn't mean anything. The Walker family's always been close with the Kents, even if only Grandma Walker still even lives in Smallville. So, just like he always keeps an ear out for Ma and Pa, he keeps an ear out for Alicia, Maddie, her husband Jack, and his cute niece and nephew's heartbeats.

It's easy enough and a pretty good indicator of their well-being, even beyond the obvious.

Clark really can't be held accountable for the chair that punched through the wall of the Watchtower's meeting room when he shot up out of it. He figures that he's being quite restrained, actually, since his nephew's heart literally just stopped beating.

In the time that it takes to pacify the rest of the assembled League members, though, Danny's heart starts beating again.

But it's different. Slower. Dangerously so.

He needs to get to Amity Park right now.

[chamoemileclown]

StarBobby!

[s0fter-sin]

something happening on a mission, something personal that has soap spiralling; panic and rage making him reckless, thoughtless, and ghost has to draw the line

“you’re compromised johnny; you know what that means?”

“you’re not pulling me out,” soap immediately snarls. he turns on him and ghost barely recognises him; venomous fear turning his eyes to unyielding ice. "you're not sidelining me; i need to be in this-!"

but ghost has never been afraid of venom; spat or dripped straight from bared fangs.

he snakes out a hand grip the back of his neck, jerking him in a rough shake. "if you can't think, you can't be a soldier," he growls and he flinches like he's been struck.

his lips quiver as they twist in a sneer and he wrenches, trying to free himself of his hold.

ghost doesn't let him.

"it means you give your body to me because your head ain't fucking attached to it anymore."

soap stills, body trembling beneath his hand as he sucks in shaking breaths.

he tightens his grip, pulling him closer and digs his forehead hard into his. “it means you give yourself to me so i can have the weapon that you are and use you the way you're meant to be used."

the ice in soap's eyes fractures.

ghost’s voice drops to a whisper, spoken only to johnny, not this facade of vengeance and pain, and wills it to reach him through the glaciers.

“so i can keep you safe ‘til it’s done and i can bring you back.”

[bixels]

Splatoon 3: Side Order is good, but not great. I still highly recommend it, but if you care about the story, you're going to be disappointed. Quick review: spoilers ahead.

Side Order was the devs experimenting with Splatoon's gameplay loop. The campaign is a rogue-like, and it works amazingly well. Super fun, super challenging, building my deck and fighting through challenges with the stakes of resetting really scratched an itch in my brain. They did a great job with it.

Unfortunately, I feel like priority went to game design rather than story. Much of the mysterious artwork we saw in the first teaser trailer was completely unused; turns out, all of that was just concept art that never made it into the final product. Side Order failed to make me care about what was happening. I don't know why the protagonist had to be Agent 8; it could've been anyone else and the story would've worked the same.

Octo Expansion was the absolute peak of meshing story and gameplay. The campaign's hook is insanely strong; we immediately empathize with Agent 8 because we know from previous lore that octolings like her have been trapped underground for all their lives. We care about her fight to the surface because it's a fundamentally ideological fight for freedom. The plot stuff about Tartar and the Thangs is just nice set dressing; 8's fight for freedom is the real story.

There's none of that in Side Order. I don't particularly care about Marina's metaverse, even if it's tied to Octo Expansion's story. I don't know why Acht is there other than backstory stuff. It really feels like 8 is just told to do something and she does it because she's the protagonist; she has zero personal stakes or motivations in the conflict. This is a story blunder the devs did in Splatoon 3's default campaign––forgetting to give the protagonist a personal reason to fight––that I hoped would be fixed here, but alas.

What makes it worse is that the gameplay and story progression are completely out of sync. I beat the entire game on my third run in 4 hours. With each run, you get up to two keys to potentially unlock bits of story. That means you'll get about one piece of the story every two runs. There are twelve pieces of the story; I got the first and then beat the whole damn game. Now I have to go back and grind to see the remaining story when I've already beaten the final boss and resolved the conflict. I missed the entire story because I never had to reset because I blazed through the gameplay! It's just a real shame that I experienced everything without knowing... why it's happening. The final boss had me asking myself what the hell is going on because I don't know the backstory at all.

Again, I still really recommend. The devs did a great job, but Side Order remains in the shadow of Octo Expansion's incredible success. Like the default singleplayer campaign, there's just a lot of lost story potential here that, while not necessary, would have really elevated this DLC into something amazing.

[steveseddie]

do or do not (there is no try)

for the @steddiemicrofic bonus round: birthday | word count: 290 | rating: t | happy birthday @steddieas-shegoes <3

this is also for my stficbingo prompt: lightsaber

***

Vvvrrroomm!

Steve ducks his head as Eddie swings his lightsaber, slaying imaginary Jedis. He’s been doing that since opening his birthday present, squealing excitedly at the toy Steve bought as a joke. 

Eddie’s real present is at Steve’s house. He’ll give it to him after his surprise party- new strings for his Warlock and a signed Metallica record that Steve drove three towns over to get. But if Eddie acts half as excited about those as he’s right now, it’ll be worth it.

“Join the Dark Side or perish,” Eddie says in a deep voice, holding the red lightsaber against Steve’s neck.

“No, thanks?” Steve thinks back to the night they met. “And, why do you keep holding deadly objects against my neck?” 

Eddie shrugs, withdrawing the lightsaber and spinning it, only to accidentally drop it. “Shit.” 

“Not very Jedi Knight of you.” 

He sits next close to Steve on the couch. “I shall convince you to join some other way.” 

“How?” 

“With my good looks. And my charm.” 

“Hmm, done.”

Eddie cackles. “That easy?” 

It was that easy for Steve to fall for Eddie, so.

“Yeah, to really seal the deal though, I suggest a kiss.” 

Eddie’s eyes widen. “A kiss? Seriously?” Steve nods. “Okay. Holy shit.”

And holy shit is right, Steve thinks, as Eddie gives him a short kiss. 

They pull away when Eddie’s walkie crackles- Dustin’s signal. 

“We’ll continue that after my party.” Eddie taps his finger against Steve’s lip.

“How do you-” 

“Robin.” Eddie says, sheepishly. “Don’t worry, I’ll feign surprise. Now c’mon I gotta show Henderson my lightsaber!” He waggles his eyebrows. “And later, I’ll show you my other lightsaber.” 

Steve’s face matches the red lightsaber, which Eddie picks up before dragging him outside.

[ghostlyheart]

Our Flag Means Death 2.03 | 1.04 | 1.06

based on this post by @badgerswake!

[hinata-boke]

dragon akaashi

[alleesaur]

felted nothing there, in containment jail for being too silly and smol