#and it's not quite the same feel imho

[mirai-desu]

Miss Scarlet & The Duke Read-a-likes

I had already started on a post of Miss Scarlet & The Duke read-a-likes before The News, and now I want to prove that hey, you can have historical mysteries with romance and the leads get together! When MSATD first came out I thought, this is like the books love to read! (whoops). The following are series that I feel like, as a librarian, skew closer to the actual original premise (ahem) of MSATD, but aren't the Historical Romance genre (i.e. these books are rated closer to the TV show, when it comes to the steam factor). In these cases, I chose titles that aren't just mysteries but feature the romance prominently, but also aren't just HR with a mystery in the background.

Disclaimer: mileage may vary; for some of these it's been awhile since I've read them and there might be mistakes. There's also a few other series that might work that are on my TBR list, so I might be updating this list in the near future.

Top Picks:

Veronica Speedwell 1880s, London | POV: First person; heroine You've probably seen this book listed as a MSATD read-a-like before, because not only is the time period similar, but so is the dynamic between the leads. The main difference is that the protagonists are actually natural historians and not detectives, and some of the plots are more adventure-like (think "Cell 99") than police cases. If I had to pick one series to rec, it's this one.

Molly Murphy 1900s, New York | POV: First person; heroine While in New York (har har), this series I think has a most general set up to MSATD; a lady detective with an agency that she takes over, and her love interest, a detective with the police force. There's even an Arabella. But don't fret! (ngl, though, this series proves that William wouldn't have an easier time with the NYPD than he does SY… RN might have wanted to do some research…)

Captain Jim & Lady Diana 1890s, India, US, UK | POV: Differs between books, 1st book is more his POV The first book in this series has a more layered approach with the setting of British India (which is fascinating in its own right), but the next two are more in line with MSATD and the other series listed.

Carpenter & Quincannon 1890s, San Francisco | POV: Third person limited, both hero and heroine This series is written by a husband and wife duo (HA), and might be a little confusing to figure out the order given the characters' appearances in their other works, but the actual series linked here is about two former Pinkertons who form their own detective agency together. Some of the cases are a little predictable, and there are a few books where their cases don't intertwine as well as the others, but it's still an enjoyable read of two detectives who make it work both professionally and personally.

Other Picks:

Wrexford & Sloane Regency, London | POV: Third person limited, both hero and heroine The latest volumes actually name check MSATD in their blurbs. I think the feel is slightly different, given the time period and a few other elements that are clear when you start reading them, but they are similar enough that I get the comparison.

Daisy Dalrymple 1920s, UK | POV: Third person limited, both hero and heroine 1920s historical mysteries with romance are a genre all into themselves, but I recommend this series over some of the others because of the HEA. (also tacking this on here: Miss Fisher's Murder Mysteries is loads better as a TV series, which is why I don't recommend the books).

Inspector Corravan 1870s, London | POV: Third person limited; hero There's only two of this series so far, but I feel like the male lead has shades of William to him.

Athenian Mysteries Ancient Greece | Male POV (from what I remember) This one is off the beaten path compared to the others, but I do recommend it because of the dynamic between the leads and the HEA.

Great series but… the Slow Burn is Still… Slow

Bess Crawford WWI, UK/France | POV: First person; heroine I really do like this series, but I have to have a somewhat spoilery caveat: we are still in the slow burn 13 books in. But I have to recommend it anyway, because there's some striking similarities in that the female lead's father is the mentor to the male lead. I will warn you; there are a few books that he barely appears in. So maybe try this one last lol

Promising Start

Dr. Julia Lewis 1860s, London | POV: Third person limited; hero and heroine + villain My hold on this debut literally showed up the day after I almost finished the post, but I after reading the first one, it's definitely in the same vein (there's also a very overt reference to something that I'm certain is a nod to MSATD...). Looking forward to the next one for sure.

[kneelingshadowsalome]

Ok this is very random but how do you think Ghost would deal w an s/o who is still a virgin at a very big girl age 🥴 maybe they’d be seeing each other for a while, and when things heat up and she confesses, how would he deal? Would he be honored and accept being her first or would he reject her altogether bc she is inexperienced?

(Because I’m in my 20s and safe to say on top of everything else in my life except this, I haven’t come across anyone with whom I’d like to be intimate with yet and though I try not to let it get to me, some part of me sometimes feels like a freak or like something is wrong with me)

I hope I did not cross any boundaries or make you uncomfortable by sharing this, if I did I apologize and please feel free to delete this ❤️🕊️

Ghost x FVirgin!Reader Word count: 2,9 k Tags/warnigs: Mild smut, light angst, fluff, comfort, praise & size kink Summary: Reader tells Ghost they’re a virgin while things are about to go down. 

A/N: Oh anon!! No boundaries crossed here at all! Your request (or at least I took it as such and got inspired to write a brief oneshot about it) was very sweet. This of course is my HC but Simon would only and only take pride in being your first. He would get a huge ego boost from this and feel absolutely privileged to hear he's worthy of such trust.  I think he would want to imprint himself in your head as the best man and the best sex partner you will ever have – he would do his all to eradicate even the very thought of wanting to try others after him. Again, an ego thing, but also a desperate wish to please his partner and make them feel safe. This man screams service top to me. I think Simon has a wild side – not mean, just wild, as in he might be into rough sex and certain types of kinky stuff every now and then but only if his partner is willing. He would be very gentle and considerate (passionate as hell though), knowing you're inexperienced, he would make you feel as safe as possible and wait until you were ready and willing to explore things further.  Also, I can't help but be moved by what you told me in this message. I understand where you're coming from with these "is there something wrong with me" thoughts, because gosh, I feel you! And speaking from experience… it's 110 % worth it to wait for the right person to come along! Sex can be awesome, mind-blowing, one of the best things – with the right partner. Not worth it with just whomever, imho. Stay safe and trust yourself! And I hope you like this short drabble I made for Ghost x Virgin!Reader ❤️❤️❤️ much love 😘

Simon Riley was a one of a kind man. 

He put every guy on every dating app to shame, and not just with his size. He was manly, in a word, even if you never knew you wanted such an overly masculine man. At least, not until you met him. 

Simon was not only sturdy and mature – he was armed with calm rage and dark humor. Just one look in his eyes told you he was not the life of the party. Actually, he was Death himself: one of those four horsemen that heralded the Apocalypse.

Perhaps unintelligibly, the same man was also extremely considerate. A true gentleman if there ever was one. He always placed you and your needs first. But underneath the calm, cynical surface you sensed fierce intensity: fire and smoke, something that screamed Danger, high voltage.

And you could not keep away. Quite the opposite, really. The combination of a wildfire and a tornado roaring upon this solid bedrock of a man was simply alluring.

Things had gone a little too far without you meaning them to. You were not a woman of one night stands, actually, you had never had a stand. But Simon changed that, too. Because now you were thinking about sleeping with him. 

After years and years of waiting for someone sensible to come along, you had begun to lose hope, especially when people seemed to fuck left and right while you wanted something real.

A bedrock. 

With that wildfire. Perhaps a tornado thrown in as well.

After weeks and weeks of flirting, the man asked you out, and after weeks and weeks of going out, you came to the conclusion that if someone deserved to be your first, it was Simon Riley. If there was any guy you wished would take you against a wall until you begged for mercy, it was him. At least in your fantasies, which were starting to get out of hand.

In real life, things were not that breezy.

Because what would he say if – no, when – you told him you were a virgin at this age? What if he would be bothered, what if things would get awkward between you two? 

What if he decided you were simply too much trouble than you were worth? 

It seemed like a miracle that the guy was still around, having been left blue-balled date after date. Either he was hellbent on conquering you, or then… Well, you didn't even dare to think about or's and then's and what if's. Especially when your own feelings were getting equally out of hand as those fantasies.

He probably had plenty of experience, and the thought certainly didn't make you feel any better. How would you compare, being not only inexperienced but a whole goddamn virgin? And it would probably hurt on top of everything. This man must be pretty damn big downstairs if 6 '4 feet and large hands were any indication.

Still, all fears flew out the window in record time every time he pulled you into a kiss. Your body molded into his already: the broad shoulders closed in around you, and it only felt thrilling. His warmth, his arms and scent enveloped you like the sweetest prison, and you held onto him as tightly as you could. Not because he wasn't clutching you with the same–if not greater–fervor, but because you wanted to make sure he was real.

And you realized what the allure of Simon Riley was. 

He felt safe.

In fact, he was safe. He represented safety in all its aspects. 

Who would've thought that death and wildfire could feel so good, so reliable?

You wondered if he thought this was some game; that you kept him waiting. The unwritten rule seemed to be that it was ok not to jump into bed on the first date. If anything, it was only a decent move. But what did the rules say about the second, third or fourth date? Not to talk about tenth? 

Things were starting to resemble some prudent high school romance. Well, perhaps not prudent, the way you two practically ground against each other while making out after every date. Without being vocal about it or pressuring you in any way, you could tell he wished for things to go further. Hell, every fiber in this man begged for more. He would soon burn your clothes off simply with that searing gaze alone. 

Watching the door close on that heated stare after at least 15 minutes of wanton, wicked kissing followed by clumsy Good night's and shy, apologetic smiles just wouldn't do anymore. The poor man was left breathless and puzzled in the cold night with nothing but a hard-on and the crumbs you gave him to keep him warm. 

Things were getting ridiculous, criminally so, and you felt pity for those pants trying to keep him in confinement. You felt pity for your own soaked underwear as you climbed to a lonely bed all hot, bothered, and wet.

Which was why this evening would end with you asking him to come inside. 

.  .  .

Lately, his hands have started to roam; they even cup your ass as he moans in your mouth – and hearing that raspy, low sound leave him forces the final decision. It's the final prophecy that tells you he is the one. You should’ve known it was only a matter of time with him.

The man hides his surprise well as you invite him in.

"Thought you'd never ask," he gives you a soft chuckle before stepping over the threshold to not only your apartment but also your life and privacy. 

You barely get out of your shoes before his shadow engulfs you and strong hands lift you in his lap like you weigh nothing at all. You instinctively reach for support by clasping your hands behind his neck. 

"You really know how to torture a man, don't you?" The brown in his eyes is nearly swallowed by warm darkness as he carries you to the bedroom. 

"I'm sorry," you whisper, and he gives a short laugh of gravel.

"Don't be. This has been fun." 

He sets you down next to the bed, and your heart is thumping so bad you fear he can hear it banging against your chest. 

"But it's about time I torture you, right?"

Oh God…

Things happen so fast that it’s hard to tell who undresses who, but somehow, you find yourself standing in your bedroom with nothing but knickers and a bra on while he's taking off his pants. The man has definitely waited for this to happen for god knows how long, and it only makes your stomach lurch.

He thinks you know what you're doing, your brain offers when it should know when it’s time to shut the hell up. You can see the generous bulge this man is packing, and while perhaps compelling to other women, to you, it mainly looks intimidating. Threatening, almost.

He doesn't take his boxers off, seeing you're just standing there like some statue, still in your underwear and almost shaking from thoughts running rampant. 

His form swallows you as he steps closer; wide hands slide up your arms, then draw you against him – against that demanding pulse that gets trapped between you two. Even through the black cloth, you can tell he's thick and big, just like you feared.

The man is blazing, and seems to have grown another foot in height as he towers over you with all that muscle. His shoulders are almost the size of your head, and you already know the hand that runs down your spine is experienced in crushing windpipes. It makes you breathe in shivers, and of course he notices something is wrong.

"Everything good?" He's eager and breathless, the erection pressing against you like a threat. He’s a man who has fashioned a weapon out of himself, so it shouldn't be a surprise that everything in him speaks violence.

"Yes," you try to assure him – a lousy lie only punctuated by the audible gulp that leaves your throat as you try to swallow your nerves back down.

"You afraid…?" 

"Just a little nervous," you tell him, a half confession.

"Mm. That makes two of us." 

He draws down into a kiss, the hands of a soldier and a killer nearly drawing you up from the ground as he pulls you close. You don't really buy his claim of being nervous too: you can feel how he throbs between you, heavy and impatient. 

Hesitantly, you reach to hug him as well, and you feel so small, so insignificant when wrapped around this… giant. The knowledge that you're about to be trapped under all this crushing weight leaves you both faint and needy. 

He’s a good kisser, but as he moves to devour your neck, you start to freeze from the middle.

"Alright… Come here."

He half carries, half lays you down on the bed, then crawls between your legs and changes his tactic a little. Gentle kisses are ghosted down your throat, and soon, he's at your breasts, soft as a whisper. But as he draws the fabric of your bra aside, your nipple is caught inside a hot, wet mouth, and the wildfire surges forth. There’s no way out from under him anytime soon, and you realize the colossal body is already spreading your thighs wide. 

The way he already looks so damn good there between your legs: big, the epitome of raw, masculine power… It's almost sinful that a man like him is here with a virgin. It's a whole new hell how he's kissing you gently as fuck while blazing like a bonfire about to engulf and devour you. You want to wrap your legs around his middle, attach yourself to him in any way you can, but your thighs are weak pudding. 

You feel both lost and found with him. In him.

He sucks and kisses your breasts like they're the only thing he's here for – and it feels good, heavenly, to be honest. But then he starts to travel down.

Shit… You need to tell him – and soon, or else there will be no time to say anything before the last of the shielding fabric is gone.

"Simon…?"

"Mm-hm?" 

He doesn't even stop with the kissing, merely hums on your skin as his mouth reaches your stomach.

"You're my first," you finally force the truth into the night; a soft and desperate fact. It's only the faintest breath, but he halts abruptly like he has been stabbed between the ribs.

Great… 

Here comes the awkward.

He rises. Softly, slowly, like a shadow, just a second away from getting to what's between your legs.

"Is that so?"

His voice is hoarse and dark from arousal. The whole man is intoxicating, and your heart is hammering in your chest, both from hunger and dread.

"Yes…?" 

A broad hand comes to rest on the dip of your waist; gently, like you're some frightened animal about to dart off from under his touch. 

"Love… Are you sure you want to do this?"

Are you? You almost ask, then bite your lip.

He just called you love, something he has never done before. You can see your breasts rising with the breaths you try to calm down with sheer willpower. 

He lets out a small sigh, then crawls beside you and takes you in his arms. The bed sags and wails under his weight before your body is pulled into a delicious bear hug.

"Sweetheart."

His voice is so smooth, so different from the intense, rough smoke that has followed you up until this point that you feel vehement tears burn your eyes. First love, and now, sweetheart…

"There's no need to rush things," he says while keeping you close. Ever the gentleman, but you fear that you've ruined everything.

"We haven't exactly been rushing," you mutter somewhere in the plates of his chest. You both feel and hear how another sigh travels up his throat and is breathed into the crown of your head.

"Now… listen to me, ok? I've wanted you ever since we met. Can't deny it. But the last thing I want is to force you to do something you don’t wanna do."

You squeeze your eyes shut from what he says. Ever since you met… You can remember the lingering gazes, the way his eyes lit up with something hopeful and pure, how it drove away the exhaustion that seemed to have made a home in this big, brooding man. You remember how he stole a few stares up and down your body, too; remember the hunger he never even tried to conceal – not until now.

He is the most enthralling being you have ever seen, a mystery and a force of nature, an indomitable man, and to say that you haven't thought about him that way ever since too would be a lie.

"But I want it," you look up at him slowly, feeling much safer now that he's holding you like this.

I want you.

You realize you're pouting when the warm look in his eyes gains a playful glint as he laughs softly.

"You want it?"

"Yes."

That little twinkle turns into a downright gleam as he looks at you like you're the most adorable thing he has ever seen.

“You want it with me?”

“Yes.”

"How much do you want it?" The charred voice is so soft now: it washes over you in generous waves. His hands keep you in safe custody – and you're the most willing prisoner there ever has been.

"Pretty badly?" You breathe into the air between you and see the corner of his mouth tug.

"Well, in that case…" His hand sweeps down your back and comes to reside on the swell of your hip. "I'm glad I'm here to help."

Pale eyelashes drop to your lips just before he kisses you again. You arch in his arms, like a flower leaning towards sunlight; your mouth, your whole being unfurls under his leadership. He rolls partly on top of you, then moves to kiss you all over as you lie on your back: he kisses your chin and neck, your collarbones and the hollow little crevice between them. The hand on your hip brushes down your thigh, then back up, up, until his fingers meet the folds already soaked through the fabric of your underwear. 

His touch is soft, but gains more weight as he sweeps slowly up, then brushes a thumb over the exact location of your clit.

"Oh–" 

He knows what he's found, even without the evidence of your voiceless shake of a breath. He brushes another stroke over it, and it doesn't matter that you still have your undies on – you can feel his weight, the gentle pressure he applies as he draws a circle to usher another soft moan out of you.

"You like that?"

"Mhm," is the only thing you are able to answer.

"That's it…" he cheers you on with calm assurance. "Gonna make you feel good. And that's a promise."

You catch a hint of ego in that promise, but there's something else, too. A fervent devotion, a bottomless need to please you no matter what. The right man, definitely: not someone who is only after their own satisfaction. You don't exactly need the answer anymore, but you ask the final, burning question nonetheless.

"Simon?"

"Speak your mind, love."

"Are you disappointed…?"

He stops again, a breath away from you. 

"Disappointed?" He sounds quite shocked, almost appalled. "...Disa–"

He huffs, then reaches to cup your face. You raise your eyes to his and see that he's…ardent, and very, very serious.

"Love, I'm honored."

You can only blink at the solemn vow, and he slowly shakes his head.

"Silly little thing…" 

It's something he muses almost to himself before he drags his fingers over your sternum and down your stomach, reverently, like you're a piece of precious porcelain. But the heat in his eyes is back, and your fingers curl to grasp a fistful of sheet as his hand disappears underneath the cloth, when he finally touches you with nothing in between.

You suppose it's his middle finger that sweeps over your clit this time, then slips between your folds without effort. It coaxes your thighs open to give him better access, and access he has: he curls the finger until it almost dips inside. Your lips part with a quiet sigh as your chin climbs toward the ceiling.

"Look at that… All wet and sweet for me already."

The way you expose your neck is like an invitation: he buries his face in your neck, tries to drown in the scent and feel of you while gliding across the wetness down below. He spreads moisture on the tight bud, and you jerk a little from how sensitive it is – he huffs a smile in your ear. It makes you release the sheet and reach out to grasp him by the neck, to make him stay precisely where he is, close like this, so close…

"Do ya even know how bloody sweet you are?"

The last of your wits make a vanishing act as he breathes more praise on your skin. You're languid in his arms, feeling both weightless and heavy, like you're sinking into the mattress, and then his hand moves lower; one thick finger is plunged slowly inside. 

Oh God oh God–

You feel him, all of him, filling and spreading you. And it's not enough… not nearly enough.

"We'll take it nice and slow, alright?" He whispers in your ear, and you tighten around him like on command. "Got all night to make a mess of you. That sound good?"

You can't help it: your lips draw into a smile when thinking about all the things he will do to you, all the sweet things you've always waited to happen. 

"Yes."

[helluvapoison]

hey there :3 it’s like 5 am here and I’m being plagued with ✨ideas✨

imagine if Adam had a thing for a demon! reader, like it doesn’t matter if they’re hellborn or a sinner or whatever, he can’t muster up any genuine disgust upon seeing them, and he fucking hates it. And the reader’s not too thrilled either because yeah sure he’s hot under the mask but they can’t really say the same for his personality (bonus if the reader has black feathered wings)

pleas and thank you

Hate Heart

Adam x Demon!Reader

He wouldn’t be opposed to a one night stand with someone from Hell (imho) Hit it and quit it, that’s his motto! Feelings though? Christ on a stick, demon or not, that’s something else entirely

ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ

• Adam can’t fucking stand this game of cat and mouse game that he never signed up to play

• It’s not subtle either because there’s no way for you to accidentally bump into him up in Heaven, he’s always coming to seek you out

• He always thought the itch to see you would subside, that eventually you’d leave his system and become nothing more than a faded memory

• Except he couldn’t seem to forget your face— and trust him, he’s tried just about everything you can think of to speed up that process

• Lute would turn on him in two seconds flat if she knew

• Sera would never let him lead exterminations again, she would scold him for not cutting off the infection before it could fester. Was Lucifer not example enough?

• Her threat to send him to you permanently should have scared him enough but it didn’t. Even though he knew she had a point, he already thought of that!

• You’re from Hell, your very existence is the epitome of everything he should hate and be disgusted by!

• And the sentiment was very much mutual

• Adam took extreme pleasure in killing Hell’s inhabitants (which, wildly, isn’t the biggest red flag about him!?)

• Somehow you were excluded from that category and placed in one all on your own. A tomorrow problem that was repeated daily

• “If you hate me so much maybe you should stop saving me, asshole.”

• “Keep bitching, maybe I will.” He growls back with as much venom as he could muster

• His actions scream the opposite. He’d never. The thought alone twists his heart awkwardly, filling him with urgency to make sure you’re safe rather than do what he came down to do

• Much to your dismay, Adam finds you every couple of months. “To make sure you’re still alive,” he claims, but proceeds to hang around for as long as he can

• It’s exhausting, he’s exhausting

• But then he leaves… and you miss him

[absolutebl]

Genuine Question: Given how much people hate problematic topics in BL eg: kp, mame, love syndrome, etc. why is everyone so damn excited about Only Friends? Like we know nothing about the show. It's GMMTV so how sexy is it going to get? you know, like it's GMMTV. I like the cast as much as anyone and particularly FirstKhao but I don't see this 'sexiness' everyone is going so crazy over? Is it some bts thing like I know the director is jojo and he's gay. Is that why everyone so excited? Is it because we just haven't gotten anything really brilliant this year that gets the whole BL fandom together and that's why people are hoping this will, is that what's going on? I like everyone involved well enough but 'sexy', 'crazy', 'problematic', 'high heat'... I don't get it.

Only Friends & Jojo

Genuine answer.

Okay so this question got me invested enough to get off the phone, over to the laptop, and onto hotel wifi, which means typos rather than dictation homophones, but there it is.

I guess what I am saying it...

mistakes will be made

From the tenor of your question methinks you have not watched Friend Zone? It's a 2 part series. Mostly messy hets but...

Also a TON of broad spectrum queer rep (lesbian, bi, ace, demi). Real queers, not sanitized for straight consumption.

Because yeah, GMMTV will get messy and go into higher heat levels in a late night way (not in a KP way).

But actually what has most people excited about Only Friends is it being sourced in this man:

Jojo Tichakorn Phukhaotong

Jojo is a screenwriter (originals) and director, openly gay, multifaceted and a little experimental, naturally talented (on the job trained - he's an archaeologist originally), and he is behind:

The Warp Effect, Friend Zone and MOST importantly (IMHO)...

3 Will Be Free

There are others too, but for the purposes of this post, those are the 3 that count. I think of him a little as the GMMTV director version of Ohm's acting.

Jojo specializes in:

ensemble pieces,

good chemistry (NOT necessarily high heat, so by this I mean actor chemistry with each other all around - couples, cast, team, production)

working with and finding actors within GMMTV's stable who work well together (even if that means busting up a pair),

a queer lens,

queer rep,

and often very messy story (as in he is not invested in the traditional beats of a romance, let alone a BL).

AND he can shoot action (this is a specific skill set for directors and it's NOT easy),

thus he will shoot his sex/intimacy & COMEDY scenes as if they WERE action sequences.

This makes his stuff particularly exciting to watch. It's dynamic, there's a lot of movement, the eye is caught and dragged places. He doesn't use dirty/peekaboo framing or central aperture or manga style (not with INTENT the way trained directors do). In fact he does none of those things I harp on about because I like the romance stuff.

He's not being clever with us. He's being honest, but still applying skill. His stuff not quite raw, but also not really directed. You can tell he gives his actors a script, throws them together and then instructs them to just BE THOSE CHARACTERS. He has a light touch, he trusts them. He's not fussy or nit-picky. He's not doing a million takes to get that sene exactly how he envisions it. His ensemble pieces are just that, group projects.

His eye is wide, even for intimacy, by which I mean: he controls and watches for multiple actors at once when there are a lot of them on screen together, without them feeling stiff.

His style is quite organic but not too gritty.

Struggling to understand what I mean?

For example, watch a Jojo "group of friends chatting" scene where everyone is just standing around then watch the same thing in, say, SCOY. You'll see what I mean. SCOY is also a very queer ensemble piece, but it will feel quite stiff, unnatural, and "planned" (staged) by comparison.

For the giffers out there you might notice that Jojo's stuff is particularly difficult to gif cleanly? This is why.

I find him an exciting director. I didn't cover him in my directors overview because at the time he hadn't done much BL (and frankly, he still hasn't). It's not his focus.

I think Only Friends is actually not likely to be very BL. Queer = yes, BL = NO. He won't hit the tropes and there is no reason to assume it will end happily for all couples (if any). That's not Jojo's point of view.

He doesn't play our game. As a result, some of those excited by the idea of this show (or excited the general enthusiasm & anticipation around it), may be doomed to disappointment.

It's one of the reasons you don't see me getting excited about it.

I'm a fan of specifically the fluffy side of BL, this will NOT be that. And I can appreciate a director without necessarily liking the stories he tells.

I am industry enough to acknowledge Jojo's skill (and I LOVE 3 Will Be Free - just not as a BL), but I don't always like his narratives. No matter how good he is, his stuff is not why I personally watch Thai BL.

It's GMMTV, so how sexy is it going to get?

Again, see Friend Zone. GMMTV has a late night pantheon, mostly for het, but they will get salacious. Lots of cheating and terrible decisions. There will be no archetypes. Characters will exist in grey areas, even the "good" characters. There will be no paladins in this show. No seme/uke.

To answer this frankly?

Only Friends will get soap opera or telenovella sexy but no more. So we will be in Midnight Chicken territory, not Bed Friends.

I think the words being bandied about:

'sexy', 'crazy', 'problematic', 'high heat'

are used here on tumblr (and in fandom) as an attempt to articulate expectations set up by Jojo's style.

Most viewers only react emotionally to the tenor of a director with this set of skills. That's fine, that's what the production company wants: A visceral emotional reaction.

But I hope I've managed to clarify from a film-critic perspective what's bringing this sensation about?

But ALSO seeing a bunch of, essentially, lower heat pure BL pairs, have to push themselves into messy queer spaces? (Notice GMMTV only let the more established actors into this one? No JoongDunk, no GeminiFourth)

This is probably really what everyone is excited about.

They are gonna see their favorites cheat, sleep around, be gay (not BL gay, but actual gay). Some are legitimately excited about this, some are shipper excited, and the BL-stans who don't know Jojo are doomed to disappointment.

I'm mostly excited by how messy this is gonna make the fandom.

Su su na.

(source)

[lxmelle]

Just some thoughts on 270

Yes the end is near.

Yes I almost threw up when I saw that unmistakable hairstyle...

Yes I was a bit disappointed that there were no visible satosugu crumbs - or are there? More on this later... and the it overall just felt a little bit 😔 empty 😪

Nevertheless, I want to just blab about a few things.

First, is it Geto/Kenjaku?

If we think about how Yuta’s copy CT works, Rika would need to consume a viable part of the sorcerer. The only part of Kenny left was his whole brain. He was the brain. The rest is Geto. We have not seen any evidence of Yuta having CSM, so it can be assumed that Yuta did not have Rika eat any part of Geto. Otherwise, it’s be Geto’s CT and not Kenjaku’s body-hopping technique.

Imho: The person with Takaba is not likely to be either Kenny or Geto. Geto cannot function without a brain, there was none “spare” either, so the theory of a spirit entering the body is going to make it alive again - no, it doesn’t. There is no other living sorcerer who can do that - Ui Ui maxed it out with the number of times and there is no other person to swap with. Just. Not. Possible.

And Kenny was seen to have told Mimiko and Nanako that he took Geto’s brains out to inhabit it.

So. My conclusion is that Gege is baiting. Just as he did with the “we have to help Yuta!” And the rude yelling that got so many of us wondering just who would speak to roughly to Yuta and what warranted it. We were all asking: who calls Yuta “Yuta” and not “Okkutsu-senpai” etc. I even thought it was Shoko, assuming that Maki was in the same hallway as the others, but the main culprit was of course the most obvious, Maki herself.

And that baiting thing with the clock theory about 2:21 pm linking with chapter 221 of Gojo’s unsealing - I theorised it’s about having presence (like how spiritualists, and in Shinto, believe that spirit is all around us) despite being dead and his soul with Geto.

And goodness know what other theories there are out there about time and Gojo revival. I’ve said before that I don’t buy into it, but it is interesting.

So is it Geto? Kenjaku? I 80% think not but... yeah, I am worried. To be completely transparent, I’m so scared that it is.

Because I’m in the camp of: please please Gege, please please please let Gojo and Geto be at peace in their eternal afterlife until they’re ready to be reborn and let them find each other over and over and over again.

So rationally, I doubt it is. But I’m worried. I’m worried for reasons like: why aren’t the bodies and resting places of Gojo & Geto still not mentioned?

Next thing to I have some thoughts on are about Itafushi. They’re really good friends and I think it’s also just one of those things Gege is doing because it’s JUMP and he doesn’t want to just pretend the Hana -> Megumi thing is forgotten. It also shows some character growth.

So overall, I’m rather neutral about the Megumi + Hana thing. They’re still kids, and Yuji + Megumi are compatible but they’re also not quite Satosugu, so their relationship will be undeniably different. Friends or otherwise.

It’s nice to see the Megumi is taking initiative and finding novel ways to make new meaning & connections. I wouldn’t read too deeply into it, especially since Hana obviously read too deeply into it and got it all wrong.

I will say that it feels cliche maybe. Again it’s maybe a JUMP serialisation thing shonen mangakas do, since a big portion of the fanbase are young boys too. Gege can’t be doing too much for lgbtq+ too obviously after all.

So it leaves me feeling it is a little reminiscent of the Sasuke and Sakura pairing in Naruto - as if it could become something seemingly out of convenience/settling/making do, but what do I know? Sometimes relationships in life are like that. I’d rather marry my best friend, but you know... different strokes for different folks. As they say.

Now it wouldn’t be me if I didn’t find a way to make it about satosugu. I’m imagining collective groans from people who may be reading this... so please skip if you’re bored of me now, lol. Or read on if you like to be in satosugu delulu brainrot like me.

One of the satosugu-related takeaways from this recent chapter is that it seems to reduce the possibility of interpreting Gojo not allowing Shoko to process Geto’s body as being out of consideration for her.

Her saying that the idiot should have let her process Geto’s body pretty much says Gojo took matters into his own hands. Not only was it protocol… but she also personally thought it would be a privilege. But Gojo did not let her.

We ofc don’t know the details.

So it leaves us with: He did it for his own reasons, or reasons at least relating to Geto. Kenjaku thought it was out of consideration. And Kenjaku is not a reliable narrator, nor was Geto... who tended to think he didn’t matter.

You know, as a person who can quietly just swallow vomit and shit rags without complaint. As a person who could practically transform the filth, negativity, evil, and darkness of the world into power that he could use for good - he was vessel of sacrifice.

Anyway, I digress.

It seems to indicate that Gojo kept his body to himself ... for his own reasons, breaking protocol.

And referring back to 270 again, for Shoko to talk about the afterlife right after preparing the body -> cremation is strange. Does preparing the body and cremating it have anything to do with the afterlife? 🤔 so somehow, prepare body -> cremate -> mourn/afterlife?

Interesting in that Gege is giving us yet another example of how everyone has a different reality / belief. If we believe what we saw in Gojo’s death, then there is one and Shoko will be proven wrong when her time comes like how Gojo was wrong about dying alone.

And it is also interesting in the sense that it’s familiar…

Something about how she said prior to Gojo’s unsealing, about “I couldn’t love either of you like you loved each other, but I was there too.” - am I reading too deeply? Probably. But it’s there for me to read.

Shoko prepared Tsumiki for cremation. She was made her beautiful for the afterlife - even if she was to be cremated, there was something about giving her something (dignity?) before she turned to ash. And those left behind can send them off into the afterlife feeling they did their best.

I think you’d need a certain level of trust for someone to hand your beloved over. Or at least feel like they would mourn the departed like you would. Or faith that your beloved would be happy with entrusting you with that decision. In some cultures, the family wash and swathe their dead in cloth with their own hands where possible.

So Shoko. Shoko could do it for Geto, for Gojo. She was there. She was willing. But. It was almost as if saying that Gojo 1. could not allow someone else to prepare Geto’s body, and neither did he seem to have mourned because 2. Geto was not cremated to be sent into the afterlife. As if he didn’t trust anyone. As if he could not let go.

Again, Rika kept Yuta’s body “alive” too. Parallels are paralleling.

I don’t know how Geto regenerated or if Kenny was responsible for it. Or if Gojo somehow did. But those are just unnecessary details at this point.

And again, Shoko was there but she could not be like what Gojo was to Geto and what Geto was to Gojo.

How complicated.

I’m reminded of that scene where he says to ichiji and Shoko: “There are just 3 of us remaining huh.”

In agreement to Shoko acknowledging that Geto’s body needed retrieving from Kenjaku, it was quite a pregnant pause from Gojo before he goes, “………yeah.”

He seemed surprised Shoko brought it up and decided to just gloss over it.

To me, it collectively implies that Gojo doesn’t let Geto be anyone else’s but his.

His friendship was his one and only. His loneliness was his. His dreams were his. His love was his. His life was his. His body was... his. And his soul was his too. As was his satisfaction.

I think Gege wants us to understand something here. By what he is showing and not showing us.

If I think about the exclusivity that they shared... the whole, “we are the strongest (together)” and “it wouldn’t be bad to be killed by you” or even “I’m jealous but if you were satisfied I’m glad for you.” and then “if you were there to pat me on the back I’d be satisfied.”

It’s a lot like... only YOU can be the one. And therefore I think Gojo kept Geto all to himself. Maybe thinking Geto would only want HIM to touch his body.

It was his exclusive right. And that was mutually shared... because Geto wasn’t really pleased with Gojo getting satisfaction from elsewhere (lol, you know, the “jealous” 妬けるね that got the fandom in a frenzy).

I’ve mentioned it in another post... link: https://www.tumblr.com/lxmelle/758015943938113536/i-love-the-idea-of-mutuality-that-is-deeply-rooted I really do like the idea of Gojo and Geto just teaching each other things. Like selfishness and love. Binding each other to the other. Selfishness and selflessness as part of being human.

Was this an act out of the side of Gojo that was “a little selfish, a little inhuman but a little too human”, and he wanted to keep Geto all to himself? Despite not giving his best friend a proper burial?

When I think about how he normally did what Geto approved of (you can dispute this if you wish) and I think back to how he might’ve really given Geto’s body back to his family- but what we saw in the manga seemed like they didn’t have much involvement either. Surely they’d have wanted Geto cremated?

So it leaves me with the idea that it was Gojo acting out his secret feelings.

Just Gege and how he shields Gojo’s privacy. Secret words. Secret thoughts. You know. Gege being Gege letting Gojo do Gojo things.

I think we might need to accept that Gojo and Geto just have this exclusive thing we aren’t privy to.

That’s all for now. Abrupt ending 🫡

Thanks for reading my rambling if you made it this far 🫶

Feel free to share your thoughts/comments/criticisms 😄

[nalyra-dreaming]

So, in that 2x04 argument transcription I'm debating Armand's "... and more and more of them.... they got through" as to whether that's in context of where Louis makes a jab about calling Lestat (as in, Armand making calls to Lestat when Louis was not around?), or if Armand is perhaps referencing Louis' buried memories. How are you interpreting that part?

A little bit of both is my gut feeling (if that transcript is, indeed, accurate).

Like... I do think it's mostly memories of Lestat coming through, of their time... and especially of what Louis is then suppressing - or what is suppressed for him.

Given 2x05 starts with a wholly different relationship scene it stands to reason imho that Armand "tinkered" again, after this. Buried the memories again, after.

Louis taunting Armand there is very interesting though. I mean, we see in 2x05 that Louis knew Armand called Lestat... several times. And if the transcript is correct then that thought is always on the back-burner of Louis' mind. But what Louis says there is the same thing that actually happens when he is talking to "Dreamstat" there - "Lestat" is hyping him up, coddling him, tells him what he wants/then needs to hear... and it makes me wonder if "Dreamstat" wasn't a LOT more present in Dubai, too. I mean, we see him later. But what if that is what Armand is actively suppressing there.

We saw Louis holding open the door for "Dreamstat" in Paris. He was talking to "thin air" as well, the hallucination of "Lestat" so real to him he probably talked "in reality" to him as well. Felt him.

Daniel's "Are you schizophrenic Louis?" was very much on point I think though I don't think it's a permanent actual mental illness for Louis.

It's more a... retreat, a representation of Louis' state of mind, a place that Armand can suppress the memories of, but cannot actually suppress, because "Dreamstat" comes from a place of longing and actual truth, from deep within Louis (source):.

“The thing that I love about Dream-stat is that it’s Louis’ idealized version. It’s the version of Lestat, or of their relationship that you never got to see really in Season 1. It’s the quieter side of their relationship,” Anderson explains. “They’re hanging out! They’re best friends. It’s a narcissistic version of that because he’s also a manifestation of Louis’ own feelings about things. But I think there is also quite a big element of friendship, companionship. It’s something that Louis missed. Lestat did see him. Lestat knows him probably better than anyone.”

I think that the jab, the accusation of "do you think I need to be hyped up", and the comments about Lestat and the memories all come from the same place, namely Armand not understanding that... Louis actually does want to be coddled. Hyped up. Cared for. Because... Louis wants his cigarette lit when he takes one. He wants support when he asks for it. He wants an honest opinion when he asks for it, or an emotional buffer when he needs that. He wants the money when he wants to buy the Fairplay Saloon. And so on. He wants to be cared for within his own agency.

(And Lestat often fulfilled his requests, even to turning Claudia, as we saw.)

But Louis does not want to be cared for the way Armand does it for the most part, which is actually taking his agency. Armand cares for Louis doing what he thinks best.

Armand literally "protects Louis from himself", which is something he states within the show. By taking the memories away, too. By tinkering with Louis' behavior. By putting whole phrases and words into Louis' mind.

I think what "breaks through" might be discrepancies. Things that don't fit. Louis is clever, he must notice. Daniel is a lifeline, that Louis needs to cast while keeping Armand "under control" ... somehow. Which is why he falls back into the power play there, imho.

Which is why "Rashid" happens at all I think.

Because, and I know I keep coming back to this scene, but this is Louis' face when Armand reveals himself in 1x07:

Yeah. Happy is something else. This is trepidation.

He knew it would get really difficult now (to break through). And he was right! Armand tried real hard to uphold the status quo - and almost succeeded, too.

[hwnglx]

for jk im curious to know what he means by the way ppl maybe assume he is a player or do they assume other things? I seen ppl assume he could be a cheater in relationships but thats not the case he is loyal asf imho, do u think its down to his people pleasing habits? he reminds me much of bangchan where ppl have said in readings he likes to be of use to ppl and to be able to help them where he can offer it. idk if its the same for jk

but fr when jk meets his fs shit is going to go down so maybe she can help jk even out his mindset towards all the stuff he has achieved which is more than the average korean so u think he would be quite proud to have helped put korea / kpop and in general hes done so much so I hope he is able to somehow feel accomplished. I do get what he means by it seems so superficial but ehh ppl have pushed for fame and fortune since decades ago and it either makes or breaks a person depending on their views of their experiences

well.. so much, if not the entirety of kpop idols' image is manufactured. since these people basically make a living by selling an image to the public, it's something that has to be calculated. your image has to be as appealing to people as possible, so what do you do? you only show off your best, and bury the rest. as an idol, you basically sell yourself as a fantasy, someone who appears to be perfect, but in reality is just as flawed as we all.

in jungkook's case, he's just tired of fame. it's like, the validation and admiration was nice at first, but after a while it just feels vacant and empty, and not real. these people love the manufactured you, they love the role you play in front of cameras. not the real and raw and weird you, with all your flaws and mistakes. and for a while, jk didn't know himself outside of being an idol, because that's all he did since he was a teen. so he was at this stage of “who even am i, when not being bts’ jk?” and easily fell into the impression that, his “normal” self is so insignificant and lacking in comparison. just unlovable. like people wouldn't love him if they knew of his more “unlikable” traits. everyone projects this fantasy onto him, but many don't wanna know his real soul. in his ideal type reading, i remember he had this intense craving for genuine love. not love for the idea of him, but for the real him.

you mentioned bangchan, while they do have similarities in their people-pleasing habits and desires to serve them, jk's energy is honestly much more pure to me personally.

bangchan is “i need you to like me, not just because i'm a person who needs validation, but also because it benefits me and my bag” (i don't blame him that's how shit works lol)

jungkook is “i need you to like me because i need affection and love and i feel empty otherwise”

in fact, jk's energy actually reminds me a lot of felix in this regard. they're surprisingly similar. (they do have similar charts)

[dykeulous]

so my mutual ( @tirfpikachu ) and i have been talking more recently, and we once brought up the topic of typical tra terminology (only briefly), and we came to an agreement that tras tend to encourage the usage of terms that, well, quite literally disconnect dysphoric people from their material reality.

the first obvious example that comes to mind is “afab” & “amab”. i found the usage of these terms pretty silly even while i was still immersed in mainstream tra spaces, and you would never catch me using them. i remember the first time i heard the term agab, around 2020– i was pretty confused to as what it meant, and when i was told it meant assigned gender at birth, i thought, “ohh that’s cool”– but then why are the terms afab (assigned female at birth) and amab (assigned male at birth)? female & male are not genders, and i knew this even back when my primary definition of gender was gender identity, and when i yelled twaw and tmam all the time. female & male are sexed terms, and even though sex dysphoric people do have a hard time adjusting to the fact that they are female/male– they still cannot negate their material/biological reality. i thought this was obvious– even while i was a tra. i thought– that is the entire point of being trans (i might also hold this belief because i was always mainly in the transmed & transmed lean crowd). you are not assigned female at birth/assigned male at birth. you just are female/male. from what has been brought to my attention, trans people borrowed this term from intersex people– but i simply cannot wrap my head around how it would be applicable in any way. intersex people use it because their experiences with sex aren’t the same as perisex people’s, intersex people can be assigned the wrong sex at birth– but perisex trans people literally can not. you can change your sex characteristics, some will even argue that this does actually change a person’s sex in part (which i disagree with, i’m just sharing opinions i’ve heard other people express), i’ve even heard some people make the claim that sex dysphoria itself signifies that the person’s desired sex already is somewhere in them, a.k.a ingrained in them, which imho is a pretty insane & essentialist thing to say, but whatever. however, you cannot ever truly change your sex in essence. i thought, maybe saying afab/amab eases people’s dysphoria– so, whatever, if they want to use them, they can. but i still feel it pretty much advocates for gender essentialism, metaphysics, and for the existence of an innate, internal gender. that is pretty much the entire tra movement in a nutshell, at this point– but while i was still part of it, i didn’t see it like that. i just thought of it as this silly, unnecessary thing. now that i’ve left those mainstream trans spaces, i feel more free to discern my concerns regarding it, as a dysphoric person– it pretty much discourages us from connecting ourselves with our material reality, and is anti-recovery at the core. that is, in essence, the entire tra movement.

i have seen that recently, people in mainstream trans spaces, started getting offended at being called ftm/mtf. i genuinely do not understand this phenomenon. those terms always felt pretty fitting & beautiful imo (and again, while you aren’t literally going from one sex to another, using ftm/mtf as a metaphor to explain your trans experience feels fitting). “saying mtf instead of trans woman is unnecessary”– they said– but it literally means the same thing, does it not? how can they claim ftm & mtf are useless, unnecessary terms– while still loudly & proudly parading afab & amab? afab & amab are more unnecessary & useless, imo. you aren’t assigned a sex, in a way that you can literally change it, you just are that sex. you are, however, assigned a gender class– a phenomenon that is unfathomable to the average tra anyway– since their primary definition of gender is not gender class, but gender identity. they believe an infant that turns out to be trans goes from identifying as this gender, and later identifying as another gender. they genuinely believe that an infant is born with an innate gender, and this alone is proof of trans rights activism functioning as a religious system.

another example that comes to mind is t4t. now, while i won’t say that this term is inherently wrong & serves to disconnect dysphoric people from their bodies in & of itself– and i will even admit that it can be useful; the way it’s being used is often in such a way that disconnects trans people from their natural sexuality. often, you will see transmascs say they’re t4t, and then strictly only date other female trans people. this is often because they’re same-sex attracted (lesbian), and wish to date people with similar experiences (so, dysphoric people & trans people)– but tras want to diminish & hinder this. they want them to describe their relationships with other transmascs as gay male relationships (and i can understand & respect if the couple calls themselves this between themselves, without pushing themselves in male gay spaces, to validate each other & cope with dysphoria, even though i do think it’s unhealthy), and so same-sex attracted transmascs repress calling themselves lesbian, and call themselves t4t instead (and yes, you can very much be both– but it’s being used as a way to repress homosexuality). i used the term t4t in such a way while i was in tra spaces, and i’m aware many other same-sex attracted transmascs (and transfems!) use this term like this, as well. i would say i still am t4t, and mostly seek out to date other transmascs– but that is because i want to date a female person who shares similar experiences with me (like, being lesbian4lesbian, or butch4butch, or literally anything else that comes to mind lol). i have no problems calling myself t4t, because i no longer use it to repress my homosexuality– and it’s a harmless term on its own. but like i said, the way it’s being applied & used often isn’t all that harmless.

another example that i just have to mention, which wasn’t completely “discarded” because of the desire to disconnect dysphoric people from their bodies, but i feel still deserves a mention– is the word transsexual. tras have abandoned this term & consider it outdated, offensive, derogatory– whatever. they attack trans people who decide to call themselves transsexual rather than transgender & call them bigoted. this term literally just describes a trans person who took medical steps towards transition– but because tras decided it was derogatory & offensive to even imply that dysphoria has anything to do with illness, and that transness is absolutely not medical– they naturally discarded this term as a byproduct of their obtuse denial of reality. transsexualism is a beautiful term, and i 💗 every trans person who persists on using it, despite the community’s narrow-minded reactions.

who is going to tell the tras that their newly coined terms, tme & tma– actually actively harm trans people who are trying to live as their desired sex, by forcing them to disclose their agab? and not only that, but there clearly is not a linear border of who experiences transmisogyny. they love alienating trans people, a little too much for a community that claims to be based on love and unity (funny story, i think also worth a mention here– i remember the time a transfem who identified as lesbian & persisted on using the term agp as a “joke” & had tma everywhere in their bio made a joke telling transmascs to join the male suicide rates– i remember telling them that they’re only alienating the trans community– their response was: “transmascs are not my community. i do not care about any of you.”).

the time i spent in tra spaces was filled with utter paranoia, fear of using terms & flags that were considered outdated (and this changed like socks) & fear of being called a bigot for not being able to keep up with all the new terms, flags and meanings. this is a large problem, and an indicator of a cult. they often shout at “exclusionists” for being dismissive & “policing people’s identities” & call themselves radinclus, radqueers and whatnot, when they’re quite literally the ones policing people’s identities– creating “contradictory” and “clashing” identities. my dysphoria does not cancel out my homosexuality, and my homosexuality does not cancel out my dysphoria. they essentially believe sexuality is based on an internal gender, and that people are sexually attracted to a “gender” in someone’s head– this is literally beyond insane. sexuality is sex-based, not gender identity-based. we aren’t attracted to feelings or identities. this isn’t transphobic to point out.

[shamixlour]

IWTV - Louis, why?

I am really curious to know and like don't get me wrong, I'm not being sarcastic or judgmental, I really want to know why as this gets me quite baffled and dumbfounded and what I mean by this is people who are surprised or don't understand why Louis stays with Armand after Paris or even SF.

Like, sure, in a way I understand where you are coming from... like how can Louis stay after what Armand did to him and Claudia in Paris? How can he continue to be with him after SF even though their relationship has been nothing but decades of boredom? Why is he still with him, years later in Dubai? Why didn't Louis leave him after everything? Imho, regardless of the mind controlling and all that memory erasure that did happen between them, it is a rather simple answer.

Where do you want Louis to go?????? Like genuinely. What do you want him to do?????? Who do you want to meet??? Is there anyone else for him now???? Is there someone????? Same for Armand, really. They are both almost forced to hold along because who would want to be with any of them? Who would want to be with Louis? Who would want to be with Armand? They both think no one would, and so they hold onto each other, they've seen the worst of e/o anyways and so they stay with each other because that is the only thing they can do and there might have been love at some point, affection but when we see them in Dubai, only an empty shell remains or rather they are both a lap of resentment and unuttered feelings.

Louis's got all eternity spread out in front of him. He is immortal and he is all alone, or at least he believes so. Claudia is dead. He probably thinks Lestat doesn't want anything to do with him anymore or maybe they can't be together for some other reasons, the point is Louis is alone and has nowhere else to go other than stay by Armand's side. He has nowhere to go.

He's like a bird stuck in a really pretty cage.

Louis is all alone, and his hands are tied, and his heart aches, and he is half a world away from where he belongs, from where he really wants to be. Again, it is not complicated, it is that simple and tragic (for both of them btw) and so i don't get why it is such a big deal for a lot of people although I'm always open for conversations and speculations and all of that but for this particular thing, idk I feel like it is quite crystal clear. It is made crystal clear, it is painted very outwardly and it is utterly sad and purposefully expressed in subtle ways but it is here.

Daniel and the interview shine a big fucking spotlight on it, on the entire situation, on all the flaws and pain and bitterness of Loumand's relationship throughout the years but also the mere condition of being a vampire and coming in terms with it and all the struggles that comes with it.

Daniel and the interview also will be, imho, what will help Louis break free from this cage, from this golden prison and finally be himself, accept who he is deep down. It will free Armand too because they deserve better and it is definitely not each other.

But yeah, that is why they stay with each other all these years, because what else could they have done??? Who would have want their company? Would Louis even indulge himself in accepting said company? *crickets* yeah exaclty.

Anyways, this was way too long, so if you read all of this, heart on you! Also, in no way i'm trying to belittle people's interrogations and emotions, it was mostly just some brain splash of things i wanted to express but also because Louis is not to blame for staying...like there are plenty explanations as to why he stays just like there are some explanations as to why Armand does what he does for this relationship to keep going forward. Besides, i'm always curious to read how people view them ect so feel free to hop on the discussion!

[super-paper]

I still don’t understand AFO. Why is he like this. This series repeatedly goes out of it’s way to humanize the villains but AFO is still just evil because he wants to be the demon lord and I don’t get it.

That would be the point, I feel-- AFO doesn't want to be understood or seen as "human." He wants to completely lose himself in character, wants other people to mindlessly play along with the story he's written for himself like good little extras, and wants everyone around him to acknowledge what a ~perfectly inhuman demon lord~ he is-- and he's bent the entire narrative of MHA around himself like a shield in order to accomplish that. Like, the idea of people breaking the same black and white narrative that he's been using to protect himself (and trap others) quite literally drives him insane:

"That murderer--" "You killer--" oooooo you're so mad that human nature is basically good, that people are endlessly capable of growth and healing, and that actual human beings can't simply be shoved into teeny black and white fictional boxes ooooo all the more evidence that he's gonna completely lose his shit when Tomura ultimately refuses to kill Izuku lmao

I wanna point out his speech bubbles in the second image, bc Hori frequently uses speech bubbles to emphasize a character's mental state-- Like.... Bro is literally coming apart at the seams with rage that Stain is trying to be anything more than a starter villain. 😭The english translation also kind of sort of makes it seem like AFO is simply referring to Stain by his moniker (Hero Killer), but the term he uses in the original text feels a little more... loaded, imho?? The kanji used for Stain's "Hero Killer" Moniker is "Goroshi" ("殺ごろし"), but here, AFO instead refers to him as a "Murderer" (殺人犯/satsujin-han). Calling Stain an out-and-out murderer instead of calling him by a villain moniker feels a lot more specific, a lot more pointed, and it also tells us a lot more about AFO’s fucked up sense of values.

Anyway, I've said this before, but AFO is a character who reads heavily as an escapist fantasy gone horrifically wrong. "Why is a world where villains are allowed to climb back up from rock bottom and heal so intolerable to AFO?" "why does the idea of people breaking free from their roles make AFO so angry?" "why is AFO literally trying to BECOME a comic book character?" are better questions to ask than "why is bro just evil for the sake of it," I feel. Like obviously, a world where the label of "villain" gets thoroughly and utterly dismantled is one where AFO loses his power over others.... but it's also a world that rips that protective layer of "fiction" away from him, exposes his own humanity, and destroys that delusion of becoming the "perfect villain king" that he's wrapped himself up in.

tfw you LARP so hard that it ends up getting your brother killed and now breaking character means you gotta Process All Of That .................................................... Unless...? :)

What I find especially interesting about AFO is that MHA's narrative actually cooperates with shielding him from the readers, to a degree-- scenes that depict rare moments of genuine emotion are overlaid with contrary, cartoonishly evil narration that's meant to distract the reader from what's actually being depicted. The bulk of the series depicts his face being hidden in shadows even though it *literally* has no reason to be, and we don't get an unobscured look until the other characters finally start rallying together to reject his story. He is literally introduced to the series through a TV screen, which MHA has been using as a shorthand for its depiction of fantasy since day one:

In my opinion, I feel the final act of "rejection" that AFO fears isn't from his brother, or his followers, or "his other self"-- what he fears is the story itself rejecting him and finally exposing him for what he is: an utterly mundane human. Like, a total freak of a guy to be sure, but still totally human. The narrative revoking its various "protections" and working against AFO to humanize him acts as the final insult to everything he claims to believe in while doubling as the last bit of confirmation that he was never gonna become a "perfect demon lord." MHA being what it is, this is something inevitable.

Where other characters in this series draw strength from their origin-- the moment that defines them as a human and individual-- AFO likely fears and rejects his own origin for this same reason.

Anyway. I would describe AFO as a wannabe-author who refuses to make public appearances or divulge details about his personal life, but ultimately reveals a little too much about himself through the "stories" and "characters" he tries to write-- so ppl still know he's a freak with issues by virtue of how fatherless his content is. ¯\_(ツ)_/¯ Putting together all the pieces of himself that AFO accidentally lets slip is part of what makes MHA so fun (to me, at least!).

[galvanizedfriend]

HIII if you don’t mind sharing, what are your fav klaroline fics? New and old, I’m in need of new reads 🙏

I'm probably not the best person to be doing new fic recs. 🥲 I have sadly not been reading that much Klaroline myself these days. When I do read fic, it's for other stuff. So my recs are either old or new-ish. 😂 But hopefully you can find something to your liking that haven't read yet here.

Buckle up because I took my sweet time with this list, nonnie.

. Inertia Overcome by @avari20

The first KC fanfic I remember reading the reason why I finally got pulled into the fandom after years of watching TVD as a reasonable spectator (so rly, if you guys can't stand to see me around anymore after all this time, it's this fic's fault for being so good). Honestly one of this fandom's statement works. If you haven't read it yet, please do.

. Timeless by @marvelouskatie

Same as the above. One of the most iconic KC fics of all time imho. The canon AU to end all canon AU. When I first decided to come out of the shadows and create a tumblr and actually start interacting with folks, this was the first fic that was recced to me. I was very grateful then, and now I'm here to pass this knowledge on.

. Picturesque by @supernutellastuff

Honestly of the sweetest, most heartwarming fics I've ever read! It's a human AU that's a How I Met Your Mother sort of adaptation, and honestly the first time I've ever enjoyed HIMYM. I love a good ensemble fic and this is just it! Supernutella is so talented.

. Quiet Light by @definedareasofuncertainty

This fic was WRITTEN FOR ME because of how much I pestered my friend Luiza about Carolijah and this will forever feel like a trophy to my heart. 🥰 It made me feel ALL THE FEELINGS. I hated Caroline, I loved Caroline, I loved my baby Elijah, I hated him, I also hated Klaus (he's such a fucking asshole omfg), but then the end was just DHAGHDDASAS!! You think you're in for a certain kind of story and it turns out to be so much more. It is, deep down, about the brothers, how selfish they are, how they can hurt each other more than anyone, but how they love one another above anything else, even when they want to kill each other (and fall in love with their brother's girl!!!). It's beautiful, like everything Luiza writes, and it genuinely made me cry.

. long limbs and frozen swim by @definedareasofuncertainty

I saw a discussion the other day about how whoever wrote this fic JUST GOT IT, and I have to say I completely agree with the person who made that comment. Luiza just NAILS Caroline's grief and loneliness after her mother's death, how isolating and gut-wrenching it is. Klaus being the person who finds her, who knows exactly what to say without her ever having to spell it out, the one who can truly see her, is so honest too. This fic is sensitive and absolutely beautiful. Luiza's writing is perfection and this is for sure one of my all-time favorites.

. Whisper to me, Help me remember by @lalainajanes

This story reimagines the plot with the "villains" of TO S3 in a way that proves my point that the premise of that season was good, but execution was absolute crap. All of the potential the De Martels had to be incredible antagonists was completely destroyed at the hands of the show writers - but explored to perfection by Laine's much more capable hands. Klaus is freed after 10 years in captivity to find that Caroline had been working with Tristan this whole time in order to take him down - except something is not quite right about that. While you're at it, please read all of Laine's fics! It's a delight.

. Into the Woods by @jinxedwood

I wept when I read this because it's the post-TO canon fic I didn't even know I needed. Caroline's search for a way to stop her twins' merger ends up leading her to someone who's been watching over her on the Other Side. 😭 I thought I'd always rather live in denial when it came to how TO ended, but this fic made my heart so full! Also, jinxedwood's use of fae mythology here was incredible.

. All I Need by @euvixen

This story is HOT. It taught me things about the werewolf AU universe I was not prepared to learn, but I am a much happier person after reading it. It's a canon mates AU that will leave you 🥵🥵🥵🥵 I speak as though the story was merely about the smut, but it's actually much more than that. A TVD S3 reimagine of sorts that is incredibly satisfying. That's my favorite season of TVD, but this is still even better.

. the birth and death of the day by @little-miss-sunny-daisy

Anyone who's known me for a some time knows how this fic was my entire personality for a while there. I'm obsessed with Kelly's writing, and I have this fic on a freaking pedestal. I first started reading it when it was on a six years hiatus, and I was *so* into it I didn't even bother me that it might never get updated because it was so good I was just happy I'd found it. But then my silly comments inspired Kelly to come back to it, finish it, and it has honestly been my greatest accomplishment as a part of this fandom because this is a masterpiece. It's a TVD/Supernatural crossover where Caroline is a step-sister to the Superbros. It's truly, truly epic, with beautiful writing. This could genuinely be a show. It's amazing, just read it.

. this is a harvest by @highgaarden

This, right here, is the perfect Klaroline-within-canon story. This is the story that put my revolt to rest and gave my spirit some much deserved peace where those two are concerned. This is exactly what canon should've been like. I'm not even joking, this is IT. If you'd asked me what I thought the perfect Klaroline development should be like I probably would've said something very vague because I couldn’t explain it, I’m not that great or creative a writer, but now I can just show you this story and let you bask in the amazingness of a fantastic read that will not only keep you thoroughly entertained, but will also be the answer to all the questions you didn't even know you had.

. Paradise Lost by Borzoi

When i grow up, I want to learn how to write like Borzoi. All of their fics are incredible novella-like reads. It's addictive. And this is probably my favorite (it varies though, sometimes I'm in a Parisian Deal era). What happens after Klaus and Caroline sleep together in 5x11, and how they eventually find their way back to each other. It's just one of those stories that you can't stop reading after you start. It's so rich, so deep, so perfectly IC. One of those fics to end all fics.

. The Stubborn Grace of Being Loved Regardless by @helpless-in-sleep One of the modern day classics, if you will. This fic is such a stunning, vivid and delicate picture of Caroline's mind as she was dealing with the consequences of the abuse she suffered at the hands of Damon. She's still human, but she's probably more IC than we've seen her ever on the show when it comes to this. The bond she forms with Klaus is truly incredible too, and speaks a lot of how the two of them really do have a lot in common (even with Caroline still as a human), but it's really the Caroline study part of the story that touches me. The writing is absolutely beautiful as well.

. it takes a while to settle down by theviolinist

This story is a punch to your stomach, but it is PERFECTION in 8k words. It's hot, it's bittersweet, it's SO in character and, in my head, I kinda like to pretend that this is what happened before Caroline married Stefan. lol

. Wanderlust by @bellemorte180 Anybody who was a part of fandom around the time this story was being published can tell you how much of an EVENT it was. There were discussion groups about the mystery. It was so entertaining. Erica's attention to detail and how she wove the little clues throughout the chapters made this a genuine thriller. I particularly some of the side-characters here. It's honestly another fandom staple I think everyone should read.

--

In terms of newer fics that I can rec you, I have two that are on my TBR. One of them is a WIP that I've been slowly going through, and the other one I know was recently finished.

. make them bow by @stars-and-darkness

This was recced to me by two friends recently and I started reading it a while back and thought it was incredible! I have sadly been awful with keeping up with stuff, but just based on the raving reviews and the five chapters I read, I fully believe it to be just as awesome as it seems to be. The writing was so good, and I was just in love with Klaus' voice in this story. It was so reminescent of early-days TVD Klaus, which is by far my favorite Klaus of all. Sexy and dangerous and so smooth. I loved it! Need to get back to it.

. Wolf Club by @Radioactive79

Listen, if you like kid fics, this is absolutely for you. The whole story is narrated by an eight-year-old OC, the daughter of Ray Sutton, the first werewolf Klaus kills when he's trying to start his mass-production of hybrids. She's a little wolf herself, and a while little thing who was subjected to her fair share of child trauma. Klaus has no idea what to do with her, but ends up taking her with him as continues on his journey, and ends up forging a bond with the little girl. I cannot tell you how delicious this story is. It has Klaroline, yes, but for me the little girl is the absolute star of the company. I usually hate OCs, especially children, in fics, but this one is AMAZING. Seriously. The way this story is written is glorious. I can't recommend it enough.

[vidavalor]

How do you think the Ineffable Husbands reacted to the 1914 Christmas Armistice?

Also, it is autumn now and very cloudy and soggy, so here is a seasonally-appropriate recipe: https://www.hairybikers.com/recipes/view/caramelised-apple-cheesecake

Aw, a recipe! You're lovely. 😊 That looks amazing!

I envy you being in one firm season over there. September is a transition month here in New England. Half-summer, half-fall. It's very strange, though, not terrible. One day is lemonade and watermelon and the next is where's my blanket? and I need an apple something and looking up what day Bake Off starts to air over here. Another week, though, and it'll be pretty much fall from here on out. Definitely going to make that cheesecake. 😊

I think they probably reacted to the Christmas Armistice the same way many of us do when we learn about it-- that it's both beautiful and morbidly depressing at once. It showed people coming together to express a sense of shared humanity but then they went back to killing one another afterwards. It wasn't a new story for Crowley and Aziraphale because they had seen that in people all throughout history but I'm sure they found the same mix of hopefulness and sadness in it that a lot of people do.

The one who understands what it takes to bring about peace now best in the series is actually Gabriel, imho. It's because he understood the deeper meaning of Sandalphon's words that Sandalphon didn't actually understand himself: "you can't have a war without war."

Some short thoughts on ties between war, frozen peas, and one of my favorite of Agnes Nutter's prophecies beneath the cut.

When Sandalphon said: "you can't have a war without war", what he meant was: "Look how clever I think I am to use this word twice in two ways in one sentence! You can't have a war without War: The Character! Mirelle Enos is playing a character that shares a name with large-scale killing and destruction and I pointed it out! I'm so smart!"

Gabriel, though, heard the potential of bigger ideas: "You can't have a war (a large-scale military conflict) without war (people willing to fight in a war and, also, a person's inner struggle leading them to be willing to fight in war)."

Meaning: A war can only happen if people are willing to fight the war.

Meaning: No soldiers, no war.

Gabriel knew Aziraphale heard it like that, too, and was like lol Aziraphale, this guy thinks he's a poet omg let me flatter him enough that he won't notice that I just tried to help you sell more erotica and didn't murder you for having a lover and then we'll get out of here...

Gabriel saying that he "might use that one day" about what Sandalphon says is a line that-- delightfully-- ages quite differently the more we get to know Gabriel.

We know he said it in that moment to make it sound like he was telling Sandalphon that what Sandalphon had said was just so profound that Gabriel was tempted to use it himself... but we also know that Gabriel is neither as dumb nor as vapid as he strategically lets people think he is and that he understood the deeper way of looking at what Sandalphon said more than Sandalphon did.

Looking back on it, it's Gabriel actually joking about mutinying in front of Heaven's most fervent Metatron-worshipping fascist in a way that is very much going over Sandalphon's head. Gabriel is all can't have a war without war-- yeah, true dat, Stasi a Fond. I'm slowly losing it over here and my favorite fantasy is just peacing out entirely of this whole 'Commander of The Heavenly Host' shit and wouldn't that really completely eff up The Ineffable Plan? Oh, my secret daydream... if only I could...

Then, what happens, though, by the end of S1?

Gabriel sees a kid do just that.

The eleven year old spawn of Satan is all yeah, no, you can't have a war without war. I don't want to start a war. I like the world. I've got enough on my plate dealing with my own life-- I don't want to rule over everyone. I want everyone to feel at peace and be happy and take care of each other.

Gabriel was freaked out because of the consequences of this and the fact that he, at the the time, thought The Metatron might kill him for failing to start Armageddon but, after the day was over and Gabriel had a moment to breathe and think about it, you can't tell me he didn't hear Adam saying that it was too much pressure to be in charge of every other living being in existence and he just wanted to chill with the people he liked and live his own life in peace and let everyone else do that, too and think to himself:

Yeah, kid. Me too.

The dude who is told he's responsible for everyone in Heaven and who sees angels falling as partly his fault and whom the humans deify and to whom they make statues was like fucking hell, the little antichrist brat was right.

He realized that it's not about Armageddon, it's about living and building a life until you have all the world you need. It's about what Crowley and Aziraphale have been trying to do and about what he and Beez were as well. Gabriel's proposal to Beez is a simple one:

What if, instead of Armageddon, there was no Armageddon?

What if, instead of war, there's no war?

So, he ended up fulfilling his own prophecy a bit when the one day came when he used what Sandalphon said-- just not in the way that Sandalphon meant it but in the way that Gabriel himself and Aziraphale heard it: you can't have a war without war... no war exists if enough people refuse to fight it.

That's the way to stop Armageddon.

Gabriel came to realize that the best thing he could do as a leader in Heaven and commander of its armed forces was to refuse to fight, come what may. He quits the army and defects to the embassy of the only independent country that exists in the supernatural world: the United States of Crowley and Aziraphale.

As Agnes said:

...the calm cometh when Redde and Whyte and Black and Pale approache to Peas is Our Professioune.

In this case: Redde/Red (Crowley), Whyte/White (Aziraphale), Black (Beez), Pale (Gabriel). To profess: to state. Peas = the talking of frozen peas because homophone: peace.

The calm cometh when Crowley, Aziraphale, Beez and Gabriel talk and each get closer to their own peace and to peace with one another and help each other to spread that mentality throughout all those willing in Heaven and Hell and Earth.

That's what you feed the other ducks-- your frozen peas. Your own stuff that is disturbing your own inner peace and creating inner wars and small-scale conflicts that, if left unchecked, can build into larger-scale ones.

If you break that shit down and talk about it, there needn't be any war.

Sometimes, it means shedding some armor, keeping an open mind, and admitting that you were wrong-- all things that can be difficult...

...especially for those are secretly tender-hearted but put up that armor to survive in worlds steeped in toxic masculinity...

...and, sometimes, it's maddening because people are scared and get set in their ways and do dumb shit and you have to upend power structures and reinforce more positive behaviors to get them to shut up long enough to start listening to one another...

...but the more who learn to unlearn the harmful stuff at the core of their own struggles and who open their minds up to listening to others, the more we're professing our peas to our fellow ducks and getting closer to peace within ourselves and within the world as a whole and that's what it's all about. It might always be approaching Peas is Our Professioune rather than a perfectly peaceful world but the point is the effort of the approach and to just keep making steady progress as much as we can while we're walking the Earth. After all...

[manic-marzal]

hot take but i think the novelty of ancient breeds and their line breaking genes has worn out a little and i don’t think it makes up for them not being to wear apparel at all or breed with normal dragons

imo aethers, dusthides, gaolers, sandsurges, and veilspun aren’t wacky enough to be ancient breeds. we’ve got bug with horns, smooth boi fat tail, big shaggy moose tundra, not quite ridgebacks, and bug (?) with hair. they all fit the head neck torso arms legs wings tail layout modern breeds do, it’s literally just the line breaking genes that are the issue and the customization from apparel feels better than what the terts offer anyway imho

abberations, auraboas, banescales, and undertides i understand a little more, but…

abberations literally just have two heads and two tails. you can make head and tail apparel just go on both. some people might not want that but there’s a lot of things on the site some people don’t want already so that’s kinda a moot point

auraboas, okay. they don’t have legs or anything analogous to legs. i get why they don’t wanna have a dressable dragon with no legs. i’ll accept that

banescales don’t have arms, but i feel like that’s more manageable since the wings are in the place the arms should be. i think it’s workable putting arm apparel on wings though

undertides i can understand the most. they don’t have arms or legs and the best they have in their place is tiny fins. i can live with them not being dressable

“but the terts are so cool! it would take too long to draw all the apparel for all the breeds! you’re breaking the rules!”

i don’t think the line breaking ancient genes are cool enough to justify it. i’d rather wait longer for them to draw all the apparel stuff than get something kinda mid quicker. people make fake clothing accents for ancients all the time so it’s definitely doable. hell just get creative with how the clothes lay around the line breaking terts. put the terts on a different layer so they can overlap when needed. idk

don’t get me wrong, i’m really appreciative of the art team and everyone else on staff, i just don’t think this is working as well as intended or paying off enough to justify continuing. make the terts crazier (if you can even do that within the square they’re stuck in) or just make them modern breeds <:/

edit: i don’t expect them to change existing ancients if they change anything at all. that would be an enormous backlog and frankly unreasonable. i just think going forward they should be more lenient on what is a modern breed that deserves time put into drawing apparel for them and what should be dug deeper into to make truly weird and crazy enough to justify not being able to customize them with the thousands of different apparel pieces on site when that’s like half the game

also if they’re gonna add parallel genes anyway why can’t you breed them with other ancients or moderns. if it’d result in a gene the other breed doesn’t have just make it default to basic or something

second edit: just make the weird terts some kind of apparel. no it wouldn't have the same color range as genes but looking at clothing stuff like roundhorns and antlers and feathered wings and claws and whatever else, they could make 90% of the weird tacked on line breaking terts into apparel pieces with a good variety of colors and it'd be more or less the same thing

[writing-for-life]

Give me your head-canons:

How do you solve the Orpheus problem?

[And as always: Send me asks about everything Sandman-related!]

As in: It’s the elephant in the room in so many canon-compliant or -adjacent fanfics I read (we obviously don’t need to talk about coffee shop AUs) and Orpheus either keeps on existing somehow (and no one cares, because Dream and whatever love interest just literally fuck off into the sunset and pretend everything’s okay), or he gets killed by someone else who quite strictly wouldn’t be able to kill him.

Is it a solvable problem?

If he keeps existing as a severed head, it’s honestly a bit shite for him, isn’t it? So these are the fics where we keep on visiting severed heads. I don’t know, I find that… dissatisfying.

If Dream kills him, it’s over. Unless he stays in the Dreaming and lets the storm blow over. Will it though? I mean yeah, he could sit there for all eternity (groan), not take Death’s hand and make sure he doesn’t conveniently leave so the Kindly Ones get in and start ripping the Dreaming to shreds. But that doesn’t really sound like a solution to me either, because the problem won’t go away. Also: Probably no meetings in the waking world with you-know-who ever again. Plot hole, people, it doesn’t work that way.

If someone else kills him: Who? Please don’t say Hob, I know he’s immortal (so was Murphy), but the very idea is that no one can kill the poor kid because he made a deal with Death, which she apparently can’t revoke. Is there an entity who could? Which links in to the question: Why could Dream (somewhat rhetorical question)? Could any similar entity do it if they also had to grant him a boon? But don’t forget: Can’t be one of the Endless, they’re all family. Unless one sacrifices themselves. I mean, I think I’ve seen Death doing that in a fic somewhere, I think the assumption was she’s okay with dying a mortal death, but I also felt that’s not quite right, since it’s just not the same (also: in her mortal form, she wouldn’t have those powers). Does it have to be The Presence/Glory? Why would they care?

Yeah, he could use the Saeculum I guess, but really? If the problem never existed, it would also feel… wrong? Plus, we all know that changing the past always has implications on the future that go far beyond the thing we want to change. Plus plus: I honestly think it would be a bit OOC for him because he’d feel there’s not enough at stake (like a whole universe imploding) to ever justify that. So no, that’s, IMHO, making him into someone he really isn’t (can of course be an option in fanfic I guess).

Same goes for the Dream of a Thousand Cats Spiel. Someone who is so wrapped up in his duty just wouldn’t do that for his own personal gain, and not even for one loved one (he also wouldn’t be allowed to kick it off by telling anyone, and what 1,000 dreamers would dream that? I mean, WE all would, but that’s a bit… meta?😂). I said what I said.

Or is it some sort of magic? Like, he’s still a severed head, but we make him *think* he isn’t, give him back a body (in his own mind, or maybe even for real)? But that’s also… not great and feels like gaslighting him. Really not keen.

So what say you?

Is this just a case of: Unsolvable problem, hence we might as well pretend we solve it in some ridiculous way or pretend it doesn’t exist in the first place?

[windbelle]

I'm not sure if this dialogue is new, cuz I don't remember having it before. After sleeping with the Drow twins with Halsin, you can ask him more about his past experience as a prisoner in the Drow house when he was young. At first he sounds like it was just a misadventure and time allows him to change his perspective. You can remind him that he still has trauma, and he will reflect on that. It's more interesting if playing as Astarion origin as I did here and choosing the mild mockery "Confusing slavery with a fond memory is quite the shift in perspective", then Halsin will first apologize and say he meant no offence, and then proceed to reflect.

I think this makes a lot of sense for Astarion and Halsin. Compared to Astarion's ongoing trauma, Halsin's seems to be lighter. He got away with it, and the result for him was not that bad, so he could take it lighter and subconsciously disguise it in some sort of nostalgic mood. Astarion is the one who is more entitled to point out that Halsin is simply using the glorified memory as a mechanism to hide his trauma, and he is more or less grounded to feel a little offended by Halsin's downplaying trauma in front of him. Halsin feels him and immediately apologizes. It also helps Halsin reflect on his own trauma. I don't know what's the difference if it's Tav, but this feels especially healing if it's Astarion and Halsin IMO.

Edit: it may not be an Astarion Origin exclusive thing. I think you can get the same dialogue as Tav/Durge too. It just makes more sense to me if it’s Astarion origin. IMHO it doesn’t sound very much entitled for Tav to blame Halsin, and it also sounds a bit out of place for Halsin to apologize here. I mean, how is it offensive to Tav? And what does Halsin need to apologize for if Tav doesn’t have that similar backstory? Of course it depends on how you role play as the player but it feels more natural if you put Astarion in the player’s position.

[fuckyeahaudiodrama]

🪸 JULY LISTENS 🪸

(ft. some lovely coral for those of us caught up on The Magnus Protocol😌)

this month, i’ve been working through some of the stuff that’s been languishing on my listen list for approximately a million years as well as revisiting some old favorites. here’s what i enjoyed most in my earholes:

G.O.B.L.I.N.S — (pilot, crowdfunding now!) for fans of Stellar Firma, the Meredith brothers have reunited with some other familiar voices to spin a story about an overly ambitious human office worker who gets dragged through the veil into the fae realm by a pair of chaotic goblins. the show is scripted but it’s marked by the same sense of humor that has characterized the Meredith’s other improvised works. 8 episodes projected if it funds.

Larkspur Underground — (11 eps, complete?) a fictional exposé about the sole survivor of a serial killer’s disturbing abduction and grooming. i was giddy to discover this one as an ardent fan of Showtime’s Dexter. it’s gory and glorious, and if you’re keen you might spot some clues; if not, the final episode is going to shock you. creator wants to make more, but it’s been a few years so who knows.

I Found A Wormhole — (5 eps, complete) a short yet existentially harrowing series. exactly what it says on the tin. mind the content warnings on the final episode but by the time you get there you’ll definitely know what’s coming tbh.

The Grotto — (10 eps, ongoing) a pull-no-punches exploration of messy grief with a supernatural twist. season two is here! this series has an absolutely killer soundtrack and immersive sound design. it has such a unique vibe. you’ll definitely like it if you like WOE.BEGONE.

Dear Bastard! — (16 eps, complete?) an epistolary comedy about a bunch of squabbling neighbors. i like to use this show as a palate cleanser when i’ve been listening to a lot of gruesome horror, because it’s just so light and fun.

Deviant — (10 eps, complete) a space pirate dramedy! i stumbled across this purely by accident and did a little binge. i love an absolute mess of a protagonist, so this was right up my alley. it’s a little abrasive at times but overall i enjoyed the narrative and it wrapped up nicely.

Murphy — (6 eps, s2 in production) a folkloric monster-of-the-week mystery with very charming characters. the first season is complete and although it is short, the episodes are long and make great use of their runtime. pleased to see their recent crowdfunder has been successful so there will be more!

Ghost Wax — (45+ eps, hiatus) a horror anthology facilitated by a “reclaimer” who can extract the final statements of the dead. this is similar to How i Died but the lore feels much more fantastically intricate. i don’t want to spoil too much of the meta plot but there’s a LOT going on, and i’m looking forward to s2.

Fulmar’s Folly — (12 eps, ongoing?) people on reddit love this series so i decided to give it a spin. fans of zombie survival like We’re Alive are most likely to eat this up. it can be a little overwrought at times, but the constant tension feels genuine in context. episodes are quite long but the length feels satisfying and necessary.

Nowhere, On Air — (46 eps, ongoing) another spooky small town radio show about a girl in a world she doesn’t belong to. this is one of my favorite genres of AD. fans of WTNV, King Falls AM, Tiny Terrors, and other shows of that ilk will probably enjoy this. it leans a little more surreal and introspective than comedic. IMHO, the host also just has a lovely voice. the meta plot is currently really hitting its stride.

All In My Head — (19 eps, ???) night terrors turn out to be something much more sinister. so intriguing, i was devastated to realize it may have been abandoned. i’m not going to completely give up hope for a final season though!

Zoinks! — (11 eps, complete?) a darkly comedic homage to scooby doo and other childrens detective fiction. i loved the way the narrative approached the subject of child neglect, while still maintaining a thread of silliness that saved it from complete bleakness. s2 has been mentioned but it’s projected release date has come and gone without a word, so it may or may not happen.

Trice Forgotten — (10 eps, ???) an aspiring cartographer gets accidentally mixed up with some pirates. i relistened to this series in honor of its anniversary and was just blown away by the sound design all over again. the setting is made so rich and alive by the effort put in by the production staff! and the character dynamics are so intricate and gorgeous. i am especially a fan of the tension between alestes and gammon. beautiful first season with SO much left to explore, i really hope to see this come back for a s2 someday.