#and make sure you acknowledge the wrong aspects!

[camellia-thea]

initially this post had some commentary about interests right now. and then it turned into a ramble about personal healing in the tags. so the interest post is going separately.

[bravevolunteer]

1:30am. plagued by thoughts of michael and everything going on in his tiny 10-13 year old head :(

[kosije]

sins in silk

c/w ★ ׂ duke!miguel ohara x princess!reader, they are from different kingdoms, mentioned age-gap, forbidden love aspect, pregnancy kink, mentions of masturbation, unprotected sex, creampie, mutual head, fingering, size kink, art cred: kammie_arts1903

"Princess, the Grand Duke is here. May I bring him in?"

"Show him to the study for now. Tell him I will be right out. Be sure to thank the Grand Duke for his patience."

"Yes, Princess."

"Oh, Will?"

"Yes, Princess?"

"After you inform the Duke, please excuse everyone to their chambers, yes?"

"But princess, you know if the king found out we had left your side, even with the Grand Duke we could lose our-"

"I will not let that happen. So please, Will, do this for me."

All though apprehensive, your servant bows and disappears from your room, in long strides to the Duke.

It's the 5th time this month he has come to the estate. Always with the intention to see the King and ruminate. And despite him being so much older than you, your father's closest friend and strongest connection to the 2099 kingdom, and is only to wed a woman from his territory, each time he has come has left you tangling a hand in your silk sheets, hushed cries of the Duke's name left to fall from your wet lips in a silent plea.

Every time he drops by unannounced, talks to your father, and leaves. Every time he has his salt and pepper sprinkled brown hair combed back away from his face, showing the wrinkles on his forehead. Every time his eyes have focused on you, running over you like the pretty oil portrait that hangs above the study's mantle as his jaw flexes brows furrow, something in you ignites and the yearning becomes almost palpable.

Never does he say more to you than a few words, only acknowledging you after with how his body tenses when you're around. He runs as cold as the marble under your feet as you move to your vanity to reapply your perfume and shift your dress to expose enough of your collarbone without looking intentional. You're buzzing at the thought of seeing him, taking the rollers out of your hair with bubbling anticipation. This is the first time he's come amidst nightfall and the first time you two will be alone. With your hands resting to your front, you walk to the study well aware of how low your neckline is dipping while high pillared walls with paintings of cherubs and past battles trail you illuminated by ivory candles.

When you push past tall burgundy doors, you're greeted by the sight of Grand Duke of 2099, Miguel O'hara, who's stretching his back with two large hands on his hips. The deep groan he lets out makes your skin flush, and when his cold gaze meets yours you almost shiver. His eyes drift from your face to just right where your dress exposes a bit of the fat on your breast, and you smile when you hear him suck in a breath.

"What do I owe the pleasure, Your Grace?" His eyes tear from your chest as he focuses on the crackling fireplace.

"Just here to see your father, is he near?" He asks, brown eyes fixing back onto yours. Your smile only widens.

"I'm afraid the King is away, but he should be returning soon, you are more than welcome to stay 'till his return."

"I shouldn't-"

"Humor me, Your Grace. After all, I am a bit lonely without my father to talk to." you say, batting your eyelashes at him bashfully.

Apprehension is so clear on his face, but still he nods, straightening his white button up and waiting for you to go on.

"Follow me," you say, walking back down the hall until you reach your room.

"Princessa, I will not go further, this is inappropriate. A young lady shouldn-"

"'M not as young as I was before. Surely you can agree, no?"

"Even so," He coughs. "That is not the point-"

"You should have no trouble entering. I have already given my permission."

He doesn't look convinced.

"Do you not trust me? Have I done wrong by you?"

"That is not it, Princessa-"

"Then please, my duke, time is slipping right past us." you whisper, slipping through the doors, intentionally brushing your hand across his thigh. You grin when you hear his shaky breath, and hear your door not only close, but lock.

"What is it that you have here that we couldn't be anywhere else for?"

"Are you putting on an act," you ask him, turning around to face him still at a distance. "Or are you truly this aloof, Your Grace?'

"I’m sorry?-"

"I have a confession," you say. walking closer and closer until his breath is caught in his throat, and your lips are just a nudge away from his.

"My father won't be returning anytime soon." And suddenly, it seems it has clicked in his head, as his eyes darken.

"This can not happen."

"You're right," your hand is pressed up against his chest.

"Someone could hear us," He whispers, making no effort to push you away.

"I've already dismissed everyone to their chambers."

"If your father ever found out there could be a war," he tries to argue, but his head is still dipping down, ghosting over your lips.

"We have all night to just the two of us."

And just a second after saying that, he kisses you. His lips are hot, hungry, and experienced in the way they move against yours, swallowing your every breath. His hands find your waist, but he hesitates and you can tell he hasn't given in completely. And something about that excites you.

You pull away from his lips, leaving him noticeably confused until your hand reaches down and palms his cock, happy at the way he's already hard.

"Do you know just how long I've been wanting this?" You ask shifting him around you.

He doesn't say anything, only shakes his head "No."

"Ever since the day you came back to visit, I haven't been able to think of anything else." When you push him down on the edge of your bed, he shivers when you drop to your knees and play with the button on his slacks.

"Every night, I touch myself on these sheets to the thought of you." You confess, finally free him from his pants, leaving him in the thin fabric of his underwear, painfully soaking up the front of them with his pre.

"Princessa," He finally says in almost a whine. "If you say things like that I'm afraid I won't be able to hold back."

And dipping your hand under his waistband to grip his cock, you savor how thick and heavy he feels and the groan he lets out with a kiss to his base. You can't deny the bit of worry that flushes through you when you see just how big he is. Thick beads of cum pulse out of him that you lick up hungrily, humming at how you can feel hus veins on your tongue.

"Then please, Your Grace. Give me everything."

That seems to shatter his self control, because suddenly he has a hand in your hair and a hand on his cock as he forces your lips over his angry brown head.

"You're such a damn tease, you know that?" He gritts out, bullying his cock all the way to the back of your throat and then some. You gag and choke around him, already feeling your throat burn and eyes well up.

"Always coming around me with your father with your body on display in those cute little gowns, batting those pretty little eyes at me when you talk. What would your father think if he knew all of that was because you were trying to get my attention?" He coos between groans while using your face like just a vessel to get off, and your cunt starts dripping. "Just so I could fuck your pretty mouth like this?"

You can't do anything but moan around him, croaking out gasp when he finally lets you catch your breath before immediately pulling you back down onto his dick rapidly as snot mixes in with tears, spit, and cum starts to drip down your jaw and onto your floor. He begins to unbutton his shirt, before tearing it off completely, leaving buttons to fly across your room. Looking up through teary eyes you take in the way his usually combed back hair sticks to his sweaty forehead messily, as his abs tense and relax with every rapid breath as his mouth lulls open with lidded eyes, moaning when he sees just how well you swallow him.

Swiftly, you run your tongue over the slit of his cock, hearing him whine, and feeling the grip on your hair tighten enough to burn your scalp. Your throat aches with every heavy thrust that only spurs on the throbbing between your thighs as your hands play with his balls and he stutters in your mouth, shooting his seed down your throat, midst mumbling praises.

Without word or warning, he flips you over, effectively pinning you down to your bed once he's come down from his high. His large calloused hand runs up and down your thigh before tossing your nightgown up, and he groans at the sigh.

"You needed me so bad you didn't wear anything under this frilly thing? What a filthy girl." He grins, slapping your dripping cunt and drinking up your moan in a kiss.

"Your Grace,"

"That's not what you should be calling me." He grits, crouching down to his knees to lick a stripe up your throbbing pussy.

"M-miguel,"

"Yes, Princessa?"

"Please."

"Please what, Princessa?" He says, licking another stripe, but slower.

"Please...don't tease me." You whimper, muffling your moans with the back of your hand.

"And what shall I do instead?"

"Kiss me harder, please. I need it, Mig-" and your sentence is cut off by the feeling of his nose kissing your clit as he buries his face into your sopping heat, groaning at the way you suck his tongue in. You're writhing at the feeling, but when you feel one of his calloused fingers push through you, you lose your vision for a second.

"Fuck- you're even tighter than I thought you were," he groans, and you feel your body ignite at his admission.

"You'd think of me?" You ask with such a worn out voice, Miguel's hips buck up in search of any friction at all.

"All the damn time. Would fuck my hand everyday over those pretty eyes and lips, imagine how pretty you'd look all happy and spent, with the image of my love spilling out of you." He confesses, speeding his assault on your hole, hitting spots with his fingers you could only dream of, before latching his mouth back on and fucking you with his tongue and fingers. The arousal in you was rushing through you like a wave and just after a strangled moan it blows out of you in pleasurable burst that leave you flushed. He hungrily drinks you up like a starved man until you're whining from the sensation.

When he rises from the floor he doesn't bother wiping your slick from his mouth, only laughs at your fucked out expression, and runs his lips over yours, amused by how you trail after him. Annoyed, you wrap your hands around his collar and pull his lips onto yours, gasping and licking into his mouth. Between the taste of you on his tongue, his rock-hard cock rubbing against your puffy folds as your hands run through his sweaty hair.

"Gonna give me one more?" He asks, voice low like gravel.

"I'll do anything for you, Miguel. Anything you want."

He kisses you again, a passionate thing as you both whine at the feeling of him bullying into you.

"'Ts too big, Mig- oh! S-slow down!" You cry, but his hand slaps the fat of your thigh and grips it, hitting you even deeper at a fast pace. The pain is still there, but feeling of pleasure is much more intense. And it only skyrockets when you hear his voice.

"Sshhh sweetheart. You're-fuck-already taking me so well. so damn tight around me. Be good and take what I give you. So I c-can tell your father what a nice cunt his perfect little girl has." He rasps, pounding you even deeper than before, and your nails dig up the fabric of your sheets, leaving fabric frayed in long scratches. One hand grips your thigh as the other moves up your dress to tweak and grope your breast, making you clench down around him. He drawls out a curse as his head falls into the crook of your neck, inhaling the smell of your sweat and perfume that makes him impossibly more needy to where he's plowing through you in quick hard strokes that move your bed to knock against your walls, shaking the shelf above you.

His teeth sink into your neck, almost as a mark of ownership, before sucking a bruise into your skin, continuing his markings lower and lower to focus them on your breast. Your back arches at the sting and you cry out at the imposing feeling building up inside you.

"Such a pretty girl," he says, leaning over to look you in your eyes, studying the gaping of your mouth and tugging on your brows as your orgasm builds up. His eyes are trained on you, as he throbs inside you, stimulating you further.

"I'm close-" you whimper, voice cracking as he licks a stripe up your neck.

"Yeah?" He asks, smirk practically audible as he hums in your ear. "Do it. Squeeze me, sweetheart."

It only takes a few heavy strokes to hit your sweet spot before you are gushing around him, making his thrust sporadic and moans louder.

"Yes-shit- let me fill you up. I'll give you an heir, and then I'll-hah- fuck you again, and again, and again."

"Yesyesyes, please." You think you exclaim, but can't tell if you said it out loud or just in your head because of how overestimated you are. His hand rubs circles on your clit, and your toes curl as your heels dig into the muscle of his back.

"Fuck- I'm gonna-" He spits out, just before spilling his seed into your cunt, carefully riding out his orgasm inside you while pushing his cum deeper into your womb. His palm stretches over the expanse of your chest as he leans down to kiss just above your belly button. The room is quiet now that he is still inside you, and you watch Miguel lean down to kiss you once more, in the form of a soft peck to your swollen lips. Once he pulls back, he leaves you briefly before returning with a warm damp cloth that he wipes you down with. Once he is done, he discards it into a bucket and lies himself down next to you.

"If we continue to do this," he says, carefully pulling out of you. "We will eventually have to tell your father."

"You're right," you whisper scared, but when you feel his strong arm pull you flush against his chest, hope surges through you and you bury your face into his warm body.

"We'll need to get up early, the maids would appreciate finding us like this."

"We'll be fine. After all, a pregnancy will shock them far more than this."

"I'm sure it will," he laughs, kissing your forehead.

Since envelops the two of you, as you notice his breathing deepen.

"Your, Grace-"

"Miguel," he corrects, eyes dancing across your face with a small smile.

"Miguel, my father will be gone on the next full moon."

"The next full moon, huh?" He asks no one at all, pushing your hair behind your ear.

It’s bittersweet asking him to sneak around with you again. And yet, all he says is a simple "Okay," placing a kiss to the palm of your hand, and you understand what the gesture is:

A promise.

[narutouzumakiarchive]

what are your thoughts on the “kishi based off naruto and sasuke off him and his brother so it’s weird and morally wrong to ship sasunaru.” IMO I’m like…you know what else is weird? kishi making the two characters that are supposedly based of him and his brother kiss accidentally and not only did they accidentally kiss but that scene is replayed multiple times in the manga and anime. So yeah…

Well I many thoughts.

For starters, the interview in question (and I'm still not sure of the source) states that the bond between Kishimoto and Seishi, his brother, was based on the aspect of feeling mutual pain.

Now let's look at another interview, from Kishimoto the lying liar. In it he states that his wife might secretly realize that Hinata isn't the real model for his wife because his wife is quite strong, which the interviewer noted was kind of like Sakura. Isn't that interesting.

In this interview he also implicitly acknowledges the implicit similarity between Sakura and his wife based on the particular aspect of strength. And yet, sasusaku's wouldn't use this interview as an indication that Sakura was in a romantic relationship with Naruto. Nor would they claim that Kishimoto (who frequently acknowledged that Naruto was a reflection of him) was writing a manga in which his wife (Sakura) was romantically in love with the analogue of his brother (Sasuke) Why?

Because while fiction is a reflection of life, it is in no way an exact representation of life. People in real life are complex multi dimensional beings and have complex and multi dimensional relationships; in other words, people and relationships have dimensions and depth that extend beyond one singular aspect, especially characteristics that are as common and generic as strength, and shared feelings of pain. Thus, Naruto and Sasuke, who also have additional depth in their bond beyond feelings of shared pain (let me know when brothers have feelings of uncertainty regarding the nature of their relationship btw) aren't a perfect analogue of Seishi and Kishimoto.

But I also want to note that they never extend this logic to the reverse. For example, Naruto and Sasuke are explicitly likened to Izanagi and Izanami, who in the Japanese mythos Kishimoto drew inspiration from, on the basis of perfect complementarity, were married. Surely, according to their logic, since basing the fictional dynamic between Naruto and Sasuke of of one aspect of the dynamic between two Gods who were married means that Naruto and Sasuke had romantic feelings for eachother, right? And yet something tells me those hypocrites who are triggered by Naruto and Sasuke would disagree. Because even they can intuit that fictional depictions don't necessarily have a perfect 1 to 1 relationship with the things they derive inspiration from.

But, additionally I need to add that Kishimoto could say that Naruto and Sasuke are the most brotherly of brothers and that it would be a crime to ship them — he could even have them end the series affirming they were like brothers — and it still wouldn't matter for two reasons.

One, intent does not equal impact. It would not matter if Kishimoto intended for Naruto and Sasuke to have a brotherly dynamic if what we were shown in the text is NOT a brotherly dynamic. People put a lot of stock in information from interviews, but while that paratext can help enhance our understanding of the text, ultimately, it is seperate from the text and the text is king — in other words, the purpose of a system (in this case, the Naruto text) is what it does.

But let me talk about a funny example first before I discuss Naruto and Sasuke. In 2009, Folgers Coffee released an infamous commercial that made the relationship between a brother and sister take center stage.

Now I suggest you watch the video for yourself, but for people who want the TLDR: It received a ton attention and backlash as a result of the very obvious incestuous undertones.

Now the video was obviously meant to depict the dynamic between a normal brother and sister. I mean, taboo themes in a commercial for a brand that has consistently utilized rhetorical appeals to wholesome conservative family values makes for bad business. And yet, despite the commercial making it obvious that the main characters in the ad were brother and sister by having them explicitly indicate as much, that line didn't do much the quell the underlying tension that viewers picked up on when watching the coy flirtation and intense gazes.

Which brings me back to Naruto and Sasuke. Most people that interact with media do so casually. Many are looking for simple minded entertainment. They aren't going to comb through the internet to look for cherry picked interviews to discern the nature of Naruto and Sasuke's relationship. They'll simply look at what's presented in the narrative to do so, and what the narrative presents is that of an overwhelmingly romantic dynamic between Naruto and Sasuke.

Romance is a "social structure that's biologically potentiated." This will receive more elaboration in another post, but at its core much of what we consider to be romantic has been shaped by shared socioculturally produced conventions (that can be specific to particular cultures/societies or more globalized). And when it comes to determining what is romantic in a narrative, the shared conventions and expectations are further mediated by the values that the text promotes.

People who interact casually with Naruto won't see Kishimoto's interviews, but they will see things like...

The classic romantic kiss/almost kiss intimate moment in the rain

Sakura stating that all she wants from Sasuke is acknowledgement in an explicitly romantic context (which is an example of a convention/ideal being promoted in the text as romantic), Naruto internally identifying with Sakura in this regard, and Sasuke giving Naruto the acknowledgement that he wants but not Sakura

Naruto getting tingles in his lower parts when thinking of said acknowledgement from Sasuke

Sasuke thinking about his kiss with Naruto and Naruto's dream during what he believed to be his final moments, and indicating it was one of the many reasons why his body decided to move on its own to save Naruto, a moment that was explicitly paralleled with Haku's sacrifice for Zabuza's dream a mere few chapters later, the same Haku that was implied to have subtextually romantic feelings for Zabuza [and a quick interjection, acknowledgement of what is presented in the text does not equal promotion. Moral critiques are important and just as valid as more stylistic analyses BUT they are distinct things. "Haku was never implied to have feelings for Zabuza because that's gross" is not a meaningful analysis]

Naruto making a proposal that significantly resembles the structure of shinju (double suicide), (a concept that has great significance in Japanese and Western popular culture, hello shared cultural conventions, hello Chikamatsu Monzaemon, hello Romeo and Juliet) a concept that was invoked by Omoi at the beginning of the volume that Naruto's proposal was in. This concept is promoted as a romantic value in the text via Omoi, and of course, is accords with popular sociocultural understandings of what we know to be Romantic.

And make no mistake, Kishimoto was intimately aware of the history of the romantic convention he drew from.

Naruto being Sasuke's tether to humanity in the same way that Rin was Obito's tether to humanity as well as Naruto being visually framed in Sasuke's memory in the exact same way that Rin was framed in Obito's memories in back-to-back chapters.

And there's more, but there's no need to continue because even just these moments highlight how far beyond the het dynamics Naruto and Sasuke are in terms of mutual, romantic implications. Naruto and Sasuke's dynamic is shown as romantic which it why it wouldn't even matter if Naruto and Sasuke weren't intended to be romantic.

Now, the second reason why it wouldn't matter if Naruto and Sasuke were intended to be non romantic brothers is that.... they aren't brothers. Like the most surefire way to make a bond be brotherly is to make the characters related. [And not have their first pivotal interaction be a classic "accidental kiss" ship bait moment that was iconic enough to be recycled by their kids who are now love interests.] And further, the trope of two people (gay people in particular) who aren't siblings but have a unique, powerful and intimate bond that's metaphorized and/or euphemized as sibling-like doesn't inherently negate romance.

But let me provide an example. There's a show called Breaking Bad, centered on a man who ostensibly turns to a life of crime in order to protect his family, but he's not important here. In the show, we're provided with the backstory of the primary antagonist in Season 4, Gus Fring. And the viewer gets to see that the reason Gus decided to devote his life to getting revenge on the cartel was because the loss of someone that was particularly close and precious to him, a man named Hector.

Within Gus' backstory, there's really only one scene of note that implies the two are gay. When a previous antagonist named Hector crudely pees into the pool, in the presence of Gus and Max, and is chastised by a fellow associate, Hector remarks that the two men won't say anything because they like what they see and makes suggestive kissing noises at them.

But there's something interesting about the way Max describes the relationship between himself and Gus. He explicitly states that he knows Gustavo like a brother. Hell, the name of the business that he planned to start alongside Gus was called Los Pollos Hermanos (translated in the show as The Chicken Brother's) and even the episode in which their story is expounded upon is named "Hermanos." And yet, many viewers picked up on the romantic subtext between Max and Gus, subtext that the showrunner confirmed was intentional. In the viewers minds, the subtext wasn't wholly negated because they knew eachother like brothers.

And that's because, the metaphor of the sibling, is often merely utilized to invoke desirable traits of idealized siblinghood (like friendship and trust) while setting aside the biological limitations of actual sibling bonds. Hence, in Japanese and Western media, this invocation of the sibling-like bond often occurred (and still does) in tandem with romantic subtext, and this is especially common in gay narratives when characters are trying to understand the nature of their feelings.

But this is a nuance that is lost by people that only chronically consume battle shonen. If you showed them the scene of Max talking about his dynamic with Gus they'd decry the people who dared to call it gay and make some fake deep statement about how people want to undermine pure brotherly bonds by making everything romantic. Because only in the Naruto fandom will people complain about you bringing up the fact that maybe it's gay to think about a kiss when you're about to die or to feel special butterflies when you're acknowledged by your rival. They'd combust if you tried to explain that idealized characteristics present in particular relational categories (like friendship and brotherhood) can overlap.

And if you go back to the interview, in which feelings of intensely shared pain are regarded as brotherly, you'll see that Kishimoto notes just that. He states that feelings of brotherly love and friendship are the same exact thing. Which means that in the period when Sasuke considered Sakura a nakama, something that obviously ended after he left the village, according to the very same interview that narusasu antis foolishly claim debunks our ship, it would mean that Sasuke also had fraternal feelings for Sakura as he did for the rest of Team 7 and thus was morally wrong. But you can't expect logic from het shippers.

Which brings me to my final set of points. I've already reached the 30 image limit so I can't post more images on this post (and will probably save it for another ask) but my post this far has only adressed the demographic that genuinely believes in the narusasu are like brothers argument. But, you need to understand that a significant portion of the people that push that argument don't even believe in it themselves, and I'm not joking. Search any narusakusasu account or popular "poly Team 7" art post and I can guarantee that at least 7 out 10 times, if you click on the profile of a someone with a cherry blossom and tomato emoji pair and search "incest" or "brother" on their account, you'll find a post of them speaking negatively about narusasu. It's almost funny how consistently it turns out to be true, but again, I'll address that in another post (along with the behavior of naruhina's because they tend to use different argument against sns). The point is that their issue with narusasu has never been about "moral wrongness" but about the fact that Sakura (and Hinata in the case of SasuHinaNaru's) isn't involved in their dynamic.

In fact, many Sakura stans are multiSaku's that have no problem shipping her with every man that ever breathed in her vicinity (Madara, Sasori, Itachi, Kakashi, etc.) and even the ones that didn't (Shisui).. I mean they're even publishing reworked fanfiction, [see this ItaSaku novel]. And yet they only bat an eye at Naruto and Sasuke. That's why ultimately, you shouldn't take them seriously, because they aren't looking to engage with you in good faith. They just want to undermine narusasu while stealing our tropes for their ship.

But since the word of Kishimoto is law to them, just bring up any one of the interviews in which Kishimoto's mocked Hinata, Sakura NH and SS, like him calling Sakura detestable, or his reaction to someone liking Hinata being "so you like girls with big boobs," or him initially agreeing that SS and NH were unrequited, or him stating he didn't know if Sasuke and Sakura would last, or him stating that Hinata isn't a regular heroine that stands at the main character's side but the type that watches him from the shadows (when her entire goal during the manga was to stand by Naruto's side), him laughing at an interviewer that stated Sasuke dealt with Sakura by leaving, or Kishimoto stating that he didnt have any devotion to the love story between Naruto and Hinata and he didnt plan to write it until Studio Pierrot suggested it, or Kishimoto stating that he avoided writing the reason for Sakura's love because it would sound too contrived, or — well, you get the point.

[reareaotaku]

I'm in Love with You

He's so gentle with you, almost as if you're made of glass. He would never raise his voice and is terrified of hurting you in any way or form. Though sometimes he can be a little much, since he controls pretty much ever aspect of your life. He makes sure to keep you in his eye shot no matter where you are. Creepy Stalker

You'll never have to lift a finger with him around. Does everything for you- You don't even have to ask! He doesn't want you to ever get hurt, even if you piss him off. He would rather treat you with rewards then punishing you, because it's just easier for him. He doesn't ever want you to be scared of him, so he avoids punishments. Besides, people are more inclined to react positively when given rewards and acknowledgement of positive behaviors.

He wants nothing more than for you to be safe, especially in a place like Hawkins. He doesn't want to kidnap you, but he might be pushed. He'll probably trick you into staying at his home, without actually kidnapping you. He just wants to keep you away from all the Upside Down stuff.

Though, don't even worry about you spending most of your time in his house, because he gives you everything you could need or want; Keeping you comfortable in his home. He'll buy all your favorite things and comfort items so you forget that he forced you in his home. Stockholm Syndrome much? He thinks that if he keeps treating you well then you'll never want to leave him.

If you ever try and leave him, it breaks his heart. He has to control himself, because he gets so upset. Why would you try and leave? Were you not happy? Did he do something wrong? He twists the narrative by blaming the outside world. Yes, that has to be it. It's everyone else who is the problem, not him.

Would kill for you, all you have to do is ask. I mean he's killed creatures before, so what's the difference? You don't ever have to worry about anyone hurting you again with him around. They'll all disappear- forever.

He's always telling you how much he loves you; Touching you, kissing you, snuggling with you, etc. If you try and fight him, he just thinks that maybe you need time. I mean, he's Steve Fucking Harrington, why wouldn't you want his attention? Hell, girls have fought each other for just a look from him and you have all of him. You really should be grateful. Girls would kill for what you have, so just love him back already- Please

[evilbihan]

Bi-Han is an honorable man

I can't believe that I'm making yet another post pointing out the obvious but every time I go into a Youtube comment section I'm starting to question whether me and the rest of the Mortal Kombat fandom have even played the same game.

1. He shows opponents mercy

Sub-Zero: You want peace? Let us be. Liu Kang: The Lin Kuei's sins aren't easily forgiven.

Sub-Zero: Surrender and Shao will show mercy. Mileena: If you believe that, you're a fool.

Sub-Zero: Walk away while you can. Raiden: I'll never give up, never surrender.

Sub-Zero: I won't hold back, Brother. Scorpion: Do your worst.

Sub-Zero: We have no cause for dispute. Kitana: You aided Shao's attempt to steal the throne!

These dialogues honestly speak for themselves already, they don't even need explaining. Compare that to actual villains like General Shao who sends Reiko after Bi-Han to kill him simply because he "doesn't like loose ends" even after Bi-Han saved him or Shang Tsung who killed Reptile's family out of nothing but sheer cruelty.

The fact that Bi-Han is willing to let people walk away from a fight, that he gives them a chance to walk away alive, speaks volumes about his personality. He warns his opponents in his intros and even during his end of round taunts ("Flee now and live."), he tries to solve things peacefully and without violence if possible. He's not bloodthirsty, malicious or eager to kill anyone, but will do so if given no other choice.

Despite Bi-Han's flaws, a man willing to show an opponent mercy is an honorable man. SPOILERS AHEAD: May I again remind you that Kuai Liang is not willing to show a defeated and dying Bi-Han mercy when he gets turned into Noob against his will? Not only that, but Kuai Liang wouldn't have hesitated to kill Frost who is probably around Hanzo's age at his own wedding if Harumi hadn't stepped in to save her. Harumi had to beg Kuai Liang to show someone mercy, while Bi-Han grants it without a second thought. Like it or not, at least in that one aspect, Bi-Han is the better man.

I don't know why some people think of him as this aggressive guy going around trying to pick fights with everyone when all he wants is to be left alone? It's wild to me how people think he's the problem here.

2. He respects/admires their fighting skills

Sub-Zero: You will surely test my might. Ashrah: I will overwhelm it, Sub-Zero.

Sub-Zero: This fight I will long remember. General Shao: Who says you will survive it?

Sub-Zero: I'm pleased to fight Outworld's foremost mage. Rain: Will it also please you to lose?

Sub-Zero: I hear your skills are formidable. Li Mei: As are those of all who have been Umgadi.

Can we also talk about how respectful Bi-Han is towards his opponents? He compliments them on their skills as opposed to Kuai Liang who even talks down to his own allies. Yes, Bi-Han is arrogant, but he can still acknowledge other people's strengths and respect them, even if they are his foes.

3. He admits when he's wrong

Sub-Zero: I was wrong to trust you. General Shao: Yes, Earthrealmer. You were.

Sub-Zero: I wasn't aware of Shang Tsung's experiments. Liu Kang: Had you known, would your choice have been different?

Sub-Zero: Your mother's death is regrettable. Kitana: I consider you complicit, Bi-Han.

You can say what you want about him, but he certainly takes responsibility for his actions and even shows regret over some of them. Bi-Han might not be the most compassionate character, but he does express some sympathy towards others. Compare that to Kuai Liang who tells Havik it's his own fault that his face was burned off as if he had nothing to do with it. Yes, Bi-Han doesn't show much sympathy towards Baraka for his condition, but neither does Kuai Liang. Why Kuai Liang is still considered the more honorable brother regardless of that and his very obvious ableism, is beyond me.

Bi-Han's good traits are all too often overlooked. I don't know if it's because people don't pay attention to intros, but it's so easy to see he's not a bad person deep down. It's just the media comprehension skills of most MK fans that are seriously lacking.

[24hlevi]

— THE IDOL

itoshi rin x male!reader

summary: y/n is a famous pop idol, and rin is his biggest fan. what happens when y/n announces his brand new album "mood swings in this order" along with a tour to be held later in the year? surely, nothing too bad. right?

warnings/tags: language, nsfw implications (cum is said)

wc: 2.6 k

chapter one of the PAPARAZZI series

Being a pop star was difficult at times. From dealing with promotions, tours, and interviews, to crazy fans, trolls, and stalkers. But, none of that fazed you. Should it? Compared to some other idols, you went through a bit more than others, purely because of you embracing your sexuality in both the romance aspect and the performance aspect. You weren't afraid to do crazy concepts that would make fans turn and hate on the idol immediately. You definitely weren't afraid to express how you liked men, and while that may have caused a ruckus during your debut, it all worked out in the end somehow.

At the current moment, you were doing a photo shoot for your new album that you were soon to release the first single for. You had been taking photos for at least two hours, and you were getting irritated by the photographer telling you to do the same pose you’d already done fifteen times. After one last shot, you clasped your hands together.

“Can we take ten?” You said it loud enough for everyone to hear.

Murmurs of yes and thank gods came from the staff at your words, and everyone immediately split off into different areas of the house. With a sigh, you got up off the bed and walked outside where the balcony was, looking down at your backup dancers practicing the routine.

“So, how do we feel about the shoot, Y/n?”

You turned your head to see your assistant and best friend, Mikage Reo standing beside you. “Well, I’ve been taking the same photos for hours, how would you feel?”

Reo chuckled and nodded. “I know.” He followed your gaze towards the dancers before speaking more. “How do you feel about the choreo? Is it too hard? Do I need to make any adjustments? Do you not like any of the backup dancers?”

“Reo,” You said, placing both your hands on his shoulders. “Everything is fine, I swear. As long as things don't go shitty, everything will work out amazingly.” You reassured him.

Reo sighed and nodded again. “I guess,” he said. “I just want this album to be your biggest yet, and that's what Anri wants as well. She’s been super stressed recently trying to put all this together.”

“I understand,” You acknowledged, removing your hands from his shoulders. “But everything is going to be fine, stop worrying so much.”

“Okay,” He sighed again and nodded.

Meanwhile, your manager, Anri was dealing with a big problem with some of the other staff.

“What the fuck do you mean?” The woman spat out angrily at their social media manager.

“Look,” They handed Anri the phone.

She looked at the picture and her eyes went wide. “Has this hit the public yet?”

“Yes.”

“Shit,” Anri cursed, handing the phone back. “We have to tell him.”

“Are you serious?” The social media manager looked at her with shock. “What if it causes a breakdown of some kind?”

“He can deal with it. Follow me.” Anri told them, starting to walk to where you and Reo were.

“Y/n!” Anri called your name. “We have a big problem!”

You and Reo both turned to look at Anri speed walking towards you two, making you look at her in confusion. “What’s wrong?”

“This.” Anri shoved the photo in your face. “What the hell were you thinking going to a club with Ryusei and having this happen?!”

Looking at the photo, your eyes widened at the image. “I thought- he told me he deleted it!” You defended.

“And you believed him?!” Anri exclaimed. “Y/n, this is already trending on all social media, and not in a good way. You and Ryusei are not together. But now that everyone has seen this image, it's chaotic. His management isn't responding and either we have to say it's not real or you admit it and we pray this doesn't fuck anything up. So what do you want to do?”

“I guess I should admit-”

“We’ll say it's fake,” Reo cut you off before you could finish, making you look at him with confusion. “This will damage everything if we say that it's real. Can you imagine what the public will think? How are we supposed to hold a tour when they have seen someone's fucking cum on his face?”

“It’s not like Ryusei is some stranger,” You said.

“It’s still not good, Y/n,” Reo replied. “We have to say it’s fake, and hope his management says the same thing.”

“This is the best decision, Y/n,” Anri told you. “This also means you cannot see Ryusei anymore, he is going to damage your whole career if you go out with him again. Do you understand?”

You felt cornered. It was rare for Reo to take this kind of side in things, and it made you feel like you were being cornered into doing what they thought was best. While, usually they were right in matters like this. It was like you had no real control over anything anymore. With a short nod, you responded. “I understand.”

“Good, now get back to finishing the shoot while I figure out how to deal with this,” Anri said before walking back inside the house.

As soon as Anri was out of hearing distance, Reo quickly turned to you. “Dude, what the fuck?”

“What?” You asked, looking back at him. “It’s not that big of a deal.”

“You look like a whore!” Reo whisper-yelled to you. “Do you understand that? This is not good! Ryusei is going to ruin this whole album! You need to stop seeing him!”

You stared at your friend in slight shock. Yet, you knew he was right. Consistently time after time again Shidou Ryusei has done something to fuck over your reputation leaving you to rebuild it again and again. But, you couldn’t stop seeing him. It was hard. But, you had to stop now. “Okay,” You said quietly, nodding your head.

“Now let’s get back to the shoot,” Reo said, grabbing your arm and pulling you along with him back inside the house.

You sat back down on the bed, adjusting your robe as the photographer came back and stood in front of the bed. You stared at the camera with what they later called a “killer look” that you should’ve had from the very beginning in your debut album. But, they didn’t understand what that look really meant. Not even Reo, who had been your best friend since you two were in middle school. They said the distant look in your eyes was perfect for the album, but they didn’t realize that this was going to end up being just the beginning of things. It was just that no one knew it yet. Not even you.

…

“Y/n, wake up,” Reo’s voice woke you up as he opened the curtains of your room.

You groaned lightly, covering your face with your hands as Reo sighed, walking over to you.

“Come on, you have to get up. We have to talk with PR,” He said, handing you a cup of coffee.

“Oh, great,” You mumbled, sitting up and taking the coffee from him. “I’m fucked, aren’t I?”

“Not yet,” Reo shook his head. “Ryusei’s management finally responded an hour ago.”

“What did they say?” You asked, taking a sip of your coffee after.

“Well, they are with us on saying the picture was fake,” Reo started. “Which is good, but…”

“But?” You tilted your head to the side.

“But, they also want to say it’s for your concept of this album,” Reo finished.

“What?” You questioned.

“Anri already told them how terrible of an idea that is so hopefully that won’t happen. But, it’s obvious Ryusei is trying to work his way around things. You must not let him, do you understand?” Reo told you.

You nodded your head slowly. “I understand.”

“Good, now get up.”

…

After finishing the long meeting with your PR team, you were finally able to go back home. You sat at the pool with a drink in your hand, sunglasses on with your eyes closed when you heard footsteps approach you.

“Yo! Y/n!”

You opened your eyes and turned your head to see your best dancer for your career so far, Hyoma Chigiri. “Chigiri! What’s up?” You replied, taking a sip of your drink.

“Do you wanna go out tonight?” Chigiri asked you. “There’s this new club I checked out last week and it was killer. You should come with me tonight.”

“Will Ryusei be there? I’m not really allowed to hang around him anymore.” You said, stirring the straw around in your drink.

“Nope,” Chigiri shook his head. “But who knows! Maybe you’ll meet someone better.” He smiled.

“True,” You acknowledged with a nod. “Sure, why not?” You eventually answered.

“Awesome, I’ll be here at 8 to pick you up then,” He said, patting your bare shoulder before walking away.

You hummed shortly in response, waving your hand and taking a sip of your drink. Hopefully, this would be nice for you. If not, it at least couldn’t hurt to go out with your friend. You finished your drink in another sip and set it down beside you, putting your arms behind your head as support and closing your eyes again.

…

Chigiri showed up a little late, which you didn’t mind since you weren’t even ready in the first place. You put your shoes on and heard your phone buzz, making you look at it to see Chigiri’s message that he was there. You put your phone in your pocket and left your house, immediately spotting the car near the front gate and you hurried towards it, the cool air freezing through the light materialized shirt you were wearing.

You opened the door and climbed inside the car, seeing Chigiri and he smiled at you.

“Hey! Looking good,” He said to you.

“You too,” You responded, putting the seatbelt on. “So, where’s this place at?”

“Only where the best clubs are,” Chigiri answered, pulling out of your driveway and back onto the road.

“Awesome,” You said, leaning your head against the headrest.

By the time you two arrived, it was half past nine, and the club had just opened at nine. When you stepped out of the car, your eyes squinted at the bright neon lights saying the name of the club that you were unable to read.

“Come on,” Chigiri grabbed your arm and pulled you inside with him.

You were immediately met with the loud booming music and neon lights, making you look around in awe at the place. “This place looks wicked,” You said.

“It is,” Chigiri answered, pulling you along more to get drinks.

While waiting for the drinks, you felt eyes on you. You turned your head to see a man staring at you. He quickly looked away once you noticed his gaze on you, and you watched as one of his friends started talking to him. You looked away when the drinks arrived, and Chigiri took his and went off somewhere, leaving you alone at the bar. You took a sip of the drink and made a sour face.

“Not your taste?”

You turned your head at the voice, seeing the male who was staring at you now standing in front of you. “Not really,” You shook your head. “I like harsher drinks.” You answered.

“Hey! Rufio!” The man called for the bartender, who hurried over to you two. “Get this lovely man here a new drink. Let’s say, a double jack and coke?” He said, glancing over at you for confirmation.

“Yeah, that works,” You nodded your head.

The bartender quickly made the new drink and handed it to you. You took a sip and looked at the male in front of you. “You can sit, if you want,” You offered, gesturing to the chair.

“I was actually going to ask if you wanted to dance,” He said.

“Ah,” You let out. ‘Well, I usually like a drink or two before dancing.”

“But-”

“Hey!” A voice echoed throughout the club.

The man looked away from you and at the younger male approaching the two of you at a fast-paced walk, and he looked terrified.

“What the fuck did I say about you coming back here, huh?!” The younger male exclaimed when he finally reached you two, smacking him in the face.

“I-I’m sorry! I th-thought-”

“Thought what? Get the fuck out!” The male kicked the older man a few times, watching him scurry away.

You stared at the new male in front of you with shock on your face, not knowing entirely what the hell just happened. When he looked at you, his face dropped, making you look at him confused.

“Uhm, do I know you?” You asked politely.

“No,” He shook his head. “But, I know you.” He answered. “You-You’re L/n, Y/n.”

Ah. A fan, great. “Don’t tell anyone, please,” You said quietly, holding your finger up to your lips. “I really just wanted a night out with my friend.”

“I won’t say anything,” He quickly shook his head. “I’m Rin,” He held his hand out to you.

“Nice to meet you, Rin,” You shook his hand.

“Do you maybe wanna dance?” He asked.

Looking at your drink, you took another big sip and set it down, nodding your head and standing up. “Sure.”

Rin grabbed your hand and pulled you with him to the main dancefloor. His hand let go once you both were in the middle of everyone, starting to dance to the electronic music blasting throughout the club. You generally weren’t one for electronic music but you didn’t mind it at the current moment. You felt hands wrap around your waist from behind and a body press against you, turning your head to see Rin towering over you while behind you. His gaze was stuck on you as he moved against you to the rhythm of the music.

He leaned down to your ear and quietly whispered. “Is that your friend over there?”

You followed his eyes to where Chigiri was talking to someone else and started walking towards the exit, and you nodded. “Yeah,” You said.

“Looks like he’s ditching you,” Rin spoke quietly. “Is he your ride?”

You nodded again.

“Hm,” Rin hummed, his hands gripping your sides tightly. “How about you let me take you home?”

You looked up at him with a mixture of confusion and shock. “What?”

“You have no way home now, right?” Rin asked. “You can’t get an Uber cause of your status, and I’m the only one who knows a famous idol is in my club right now. So, I say you have no other choice.”

You stopped dancing by now, his hands keeping you in place as you thought. He was right in all sorts of ways. You couldn’t afford to let anyone else know that you were here, and who knows what would happen if someone took a picture of you out clubbing just after the issue with Ryusei? You were stuck. “Okay,” You nodded.

“Come on,” Rin said as soon as you spoke, grabbing your hand and dragging you out of the club through the back entrance where his car was.

You followed him out to the back, mentally praying that you wouldn’t die on this ride back to your house as he opened the passenger side door for you. You hesitated for a split second before getting in the car, letting Rin close it behind you. He got in a few seconds after and started the car.

“So, what way to your house?”

feedback and reblogs are greatly appreciated!

tag list: [ @d4y-dr3am3r ; @paleenthusiastfox ; @kaitfae ; @will-o-the-wisp ; @pleniluneg4ze ]

[koheletgirl]

Would love to hear about how you became an anti Zionist!

before i get into this, i'd like to direct you to some of @jewishvitya's posts: [x] [x] [x]. i think their perspective is more relevant to the current situation than mine, and they address issues that i won't get into here because they had no personal relevance to me and you asked about me.

so my family is considered left-wing in israel. my parents voted for ha'avoda (israeli labor) in most elections i can remember, my mom even went "as far" as voting for meretz (as far as jewish parties go, they're the furthest to the left. still zionist though. didnt get enough votes to get into the knesset in the last elections). i grew up mourning rabin, hating bibi before i even knew who he was, believing that the settlements are the source of all israeli wrongdoings. in 2005 people would put ribbons on their cars – green if you support dismantling the settlements in gaza, orange if you're against it. we had a green ribbon. my family talks about the two states solution, about going back to the '67 borders. my grandmother jokingly calls herself a "leftist traitor", because that's how the right labels them.

i grew up with these values. i was taught to value human life, i was taught that all people were equal, i was taught that nationalism and imperialism were wrong. we weren't afraid of talking about the occupation. we weren't afraid of calling israeli fascism what it was. you might have heard about the democracy protests that have been happening in israel in the past year; my parents went every week.

i think this is why it took me so long to break out of my zionist worldview. people talk about zionism as if it's explicitly genocidal and built on racial supremacy, and i understand why (and agree with this to an extent), but you have to understand how absurd this idea sounds to people like my parents. they don't think zionism is the issue, they think the israeli right is. they acknowledge the evils of the settlers in the west bank, but they would never consider themselves settlers. it's very easy to see the wrongness of a person going to someone's house and violently kicking a family out of there because they believe it should belong to them (not a hypothetical, this is happening in the west bank as we speak); it's a lot harder to think that maybe everything you were taught to believe about your own right to be here was a lie from the beginning.

and that's the problem, that it is a lie. we are literally taught there was nothing here. swamps and malaria and sand and sand. the zionists built a civilization out of nothing. that's the story, that's the myth.

another aspect of this that's essential to acknowledge is the dehumanization of palestinians in israel, which is still prevalent in leftist circles, despite taking a different form. the israeli left Loves to make the distinction between palestinians and "israeli arabs" - a term that some people that i have met have used for themselves, and i am not the right person to speak on (i'm sure there's nuance here i'm unaware of). these people don't think of themselves as racists. they don't mind arabs in general, they only mind "the arabs who want to harm us". and it's so easy for them to pat themselves on the back because they have plenty of arab friends and they actively oppose the goverment's racism; but they all draw the line when it comes to palestinians. to them, once a person calls themselves a palestinian, it means they believe jews have no right to exist here. it means their existence is at odds with their own. they don't see palestinians as people, they see them as an agenda.

i was going to add a bit about how the israeli left's aversion to religion (which stems from the influence orthodox jews currently have on israeli law) plays into this, but this is getting really long.

anyway. for me, it wasn't a revelation as much as it was a willingness to open my eyes to the fact that everything i had been taught was a lie. it was always there, this doubt, this uneasiness. i knew that there were a lot of people over the world whose opinions i generally agreed with – except when it came to israel. it just took me a really long time to be able to doubt Everything.

because that required tearing down everything my worldview was based on, everything i had believed in, and it was scary. it's a very, very difficult thing to do. not knowing what to believe is horrifying. realizing you have believed in lies your whole life is horrifying.

but at some point i had to ask myself: how can i hate everything this country stands for, and not doubt what it's taught me? how can i know what i know about the idf, and still believe it's acting humanely? and the thing is, i still don't know what to believe a lot of the time. i still doubt everything, all the time. i'm critical of all of my beliefs, and i think it's good to be. but i listen, and i look, and i feel, and above all i try to be compassionate. and there's only one stance you can take here if you value human life above all else.

here are some israel-based organizations that influenced my political views and i recommend checking out (even though i have my disagreements with them): b'tselem, standing together, breaking the silence, mesarvot

[doll-elvis]

PRISCILLA (2023)

~ my thoughts as an elvis fan

(credit to @urpinkstargirl for the photo)

WARNING SPOILERS AHEAD:

so I saw it last night and I’ve been stewing on it ever since as I wanted to be 100% sure in myself before saying this publicly

**brace yourselves**

After just one viewing… I feel confident in saying that I preferred this film over “Elvis” 2022 🤧. It was just so immersive and so deeply intimate that I walked away from the theater feeling like I had just lived a life with Elvis, and experienced all the ugly and wonderful things that came with it

I am seeing it again tonight and possibly tomorrow just to recapture that feeling (which made me cry… three times…)

And although I’m not the biggest fan of Sofia Coppola, there is simply no denying that she has perfected showing “girlhood” in film, and making the most unique experiences, like being Marie Antoinette and being Priscilla Presley, somehow universal to everybody. I haven’t felt being “14” since I was 14, which was a whole 5 years ago, but WHEW… I most definitely felt 14 again when watching Priscilla navigate life in Germany

Also- we all saw how Austin Butler was completely cheated out of an Oscar and so I’m begging that we do not do that again. Give the Oscar to Cailee Spaeny (who played Priscilla) right now 😤 There are no words besides “immaculate” to describe her performance. Her future is so bright as an actress, I just cannot wait to follow her career + she just seems like the sweetest person ever??

And I know it might seem insane to say that I preferred “Priscilla” over “Elvis” and some of y’all might crucify me for that take but my preference solely comes down to the fact that I appreciate Priscilla’s perspective much more so than the Colonel’s, who to me, has always been the least interesting aspect of Elvis’ story

My biggest gripe with having the Colonel narrative/tell Elvis’ life in the 2022 film is the fact that it made the film feel rather impersonal to Elvis as I don’t think the script or the storytelling ever fully allowed for Austin Butler to explore what he was like beyond the stage

And personally speaking, I have a much deeper love for Elvis the person as opposed to Elvis the performer, and I think that “Priscilla” showed the human side of him far more than “Elvis” ever did (like y’all we actually get to hear and see him reading his philosophy books in this!!!)

But before I get into what was actually depicted in film, and all my praises, I thought I would briefly state what I thought could have been done better. Don’t get me wrong, this movie was beyond amazing, however, it was definitely not without its’ faults:

1. If you have seen a lot of reviewers talk negatively about the pacing in this film- just know that they are unfortunately, completely right in that assessment. The whole timeline of Germany felt literally five minutes long, and the 70s also, felt maybe 10 minutes long which just made both the beginning and end feel rather rushed. Also there were at least 5 scenes that just faded to black before going onto the next one, and some very abrupt cuts in scenes which felt a bit awkward

2. Because this is a biopic, and because it’s based on a real life, there is no climax like you would be accustomed to normally in a film and so I think that the average viewer, like someone who may not really care about Priscilla or Elvis, will probably walk away from the film feeling unsatisfied- possibly bored. I saw it with my mom and my sister, and my mom was asleep in like 45 minutes 😭. The movie definitely got repetitive at some points but I acknowledge the fact that life is repetitive, especially for Priscilla in the 60s while Elvis was off making movies

3. While Priscilla (played by Cailee Spaeny) aged realistically and seamlessly, Elvis (played by Jacob Elordi) was essentially the same person (physically) for 95% percent of the film. For some reason, his hair was already dyed black in the Germany scenes, although we know it was brown at that time, and so there was no real transformation for him until Lisa Marie is born. The height of the actor was definitely jarring at first but eventually I got used to it…however…I damn near busted out laughing when they showed him in the Comeback special outfit 💀 His performance was nothing but incredible (ESPECIALLY THE VOICE) and so I learned to get over the physical disparities rather quickly

4. The ending of this film, particularly the song, was overwhelmingly sad and impactful but I was really disappointed that we didn’t get to see Priscilla’s and Elvis’ relationship after the divorce. This film ends with Priscilla leaving Graceland, starting her “new life”, which didn’t make much sense to me considering this movie was adapted from her book, which very much explores that part of her life, especially with Elvis

I would have really love to seen moments like this from Priscilla’s perspective ⬇️

excerpt from “Priscilla, Elvis and me” (avoid this book)

5. NO CIRCLE G RANCH!!! It is borderline criminal to make a film about Priscilla and Elvis and to not include their time spent at Circle G ranch ** which Priscilla has always said were their happiest times together **. I assume that this was likely an issue because of the budget and the fact that they only had 30 days to film but god… I would have really appreciated some of the domestic bliss that Priscilla and Elvis shared while living in the trailer on the ranch. There were many happy moments/sequences (y’all are going to die when you see the rollerblading/go cart scenes) in this movie, but I think their gradual separation/withdrawal from one another (post marriage) would have hit harder if we saw how happy they were together during their ranch phase

6. For those who have read “Elvis and Me”, we all know about the famed LSD scene that takes place and unfortunately, Coppola heavily missed the mark on it. We don’t see Lamar Fike making out with a tree, we don’t see Jerry Schilling in a closet- instead we see Priscilla and Elvis just kind of rolling around, laughing amongst themselves while the room around them turns different colors

There were definitely many key moments/stories like that missing from the film, and I honestly wish that the movie was an hour longer so that we could have seen the book more fully fleshed out

Lastly, here’s just a general synopsis of the scenes in Germany… I was going to do the whole movie but I don’t have the stamina to type it all out 😭. If y’all want to know something specific please feel free to comment below and I will let you know <3!!

After the beginning credits are shown, the film starts with Currie Grant (who was renamed as Terry West) approaching Priscilla in a diner, inviting her to a party at Elvis’ house. After talking with her parents and assuring them that Priscilla will be looked after by him and his wife, it cuts to her in the back of a car, on her way to meet Elvis. The scene is exactly like how it is in the book, Elvis asks her how old she is, he remarks that she is “just a baby” and so on- Elvis then plays “a Whole lotta shakin” at the piano and that is one of three musical performances we see from him

Priscilla is then re-invited by Currie aka Terry via Elvis to comeback to the house again. Elvis invites Priscilla up to his room, she looks around and sees letters from Anita Wood, and a poster of Bridgette Bardot just like in the book. After Elvis talks about Gladys and how he is still reeling over her death, and how lonely he has felt since then, they share their first kiss to the song “Crimson and Clovers”

There are some scenes of Priscilla at school and some scenes of her sort of convincing her parents to let her continue to see Elvis. And they do agree, but just like in the book, they want to meet him first. Elvis is questioned by Priscilla’s father on why he wants to be with her to which Elvis replies that she is very mature for her age and that he likes talking to her since she is from home aka the United States. He then assures Priscilla’s father that she will be taken care of. After that we see them going to the movies where Elvis expresses how much he wants to be a serious actor, and then they share another kiss on the car ride home. It then cuts to Christmas time where we see Elvis giving Priscilla a watch and then BOOM- Elvis and her are on the way to the airport where they say their final goodbyes as he leaves for the United States

The film really does follow closely to the book (at least from 59’ when they meet to 69’- again the 70s were really rushed) and so I really recommended to read that prior to watching the movie

As for the more sensitive scenes-

There is no explicit sex, no graphic nudity, and no scene where Elvis forces himself upon Priscilla. He does say “this is how a real man makes love to his woman” but all he does is kiss her before she pushes him off. There is a rather long “polaroid-taking” sequence where it shows all the outfits that Elvis would Priscilla dress up in but other than that, we only see Elvis and Priscilla make out

And it did show when Elvis accidentally hit Priscilla in the eye during the pillow fight scene in her book, along with the scene of him throwing a chair in her general direction after she expressed she didn’t like a demo of one his songs, and the scene where he grabs all her clothes from the closet and tells her that she should go visit her parents. I don’t think that the scenes made Elvis look abusive: Coppola was surprisingly nuanced in showing that he had reasons for his sometimes bad temperament i.e the pills he took along with the fact that he was frustrated with his film career

It also shows Elvis’ infidelities but really only through movie magazines that Priscilla sees. So it’s never explicitly shown, I would say it’s more hinted at than anything

And there are two scenes of Priscilla with Mike Stone but again, nothing that is explicitly shown, it’s just hinted at

Finally, to finish this up, this is what I wrote on my Instagram account which I very much stand by ⬇️

Just please give this movie a chance y’all, it was so beautiful and so sensitively done… I cannot wait to watch it again <3

[multiplicity-positivity]

Here’s some positivity for systems who have recently rediscovered their plurality!

For many systems, their process of plural discovery can be messy, complicated, or difficult to understand. Some systems may have members who completely forget about their multiplicity, only to rediscover it later on. There is nothing wrong with forgetting, rediscovering, or struggling to come to terms with or remember your systemhood! This post is for all those who are rediscovering or re-questioning their plurality!

🌸 Shoutout to those who rediscovered their plurality after being made to forget for their own safety!

🕊 Shoutout to those who aren’t sure whether or not they are plural despite having identified as such in the past!

💕 Shoutout to empty systems who have recently realized that they are in fact empty systems rather than singlets!

🦢 Shoutout to dualconscious systems who forget about their plurality from time to time!

🌸 Shoutout to systems who feel like they’re in a constant state of discovery or rediscovery!

🕊 Shoutout to those who rediscovered their system after forgetting due to being fakeclaimed, hurt, or traumatized in some way!

💕 Shoutout to those with complex dissociative disorders whose dissociative barriers makes it difficult for them to maintain awareness of their system!

🦢 Shoutout to those who rediscovered their system after forgetting due to having memory issues of any kind!

🌸 Shoutout to individual headmates who have recently realized or remembered that they’re not alone in their own minds!

🕊 Shoutout to systems whose process of rediscovery has been challenging, upsetting, or painful!

💕 Shoutout to systems who have easily embraced their plurality after their rediscovery!

Having multiple instances of system discovery is actually a normal and common aspect of the questioning process for many systems. If you have recently rediscovered your plurality after forgetting about it, hiding it, or brushing it aside for any reason, we want to let you know that we see you, we believe you, and your rediscovery does not invalidate your plurality in any way, shape, or form! Know that you belong in the plural community, and we are so very happy to have you here!

If you’ve rediscovered your plurality recently, please don’t go hard on yourself for forgetting or refusing to acknowledge your system. What matters most is that you have made progress on your journey of self-discovery! Even if you forget again in the future, that doesn’t negate your progress whatsoever. Please remember to take it easy and have some patience and compassion for yourself and your system! Thank you so much for reading, and take care!

[onesidedradiostatic]

Real talk

Im sooooo tired of Vox always being portrayed as the victim and Alastor the only one 100% responsible for their friendship falling apart

Did we all suddenly forgot that Vox is a terrible person too? He brainwashes his audience, he supports Val, he is willing to offer his lowest employees for Val to kill, he's also prob abusive to his employees as well, he stalks pretty much everyone, he has like 5 cameras inside Angel's dressing room, also it's like implied he's jealous of Angel because he gets Val's attention, him being jealous of Angel for being a victim of abuse is pretty messed up if you ask me. Oh he also told Sir Pentious to fucking kill himself and he also gets hard of seeing people in pain and get hurt! (Sure it was Alastor but still messed up)

" he looks so sad at the end of stayed gone when Alastor threatens him I feel so bad for him:(("

Really ? Well maybe if he had just kept his little hate boner for Al to himself instead of feeling to need to start publicly slandering him it wouldn't had happened. Just saying. Also I don't see how people feel bad for him. If anything he looks so extremely pathetic it's laughable I want to kick him

Okay this is kinda out of the point I want to make it's just many people who make him the victim seem to forget he's a terrible person so I just wanted to friendly remind everyone that he's as awful as Al ^^

Anyway

I think, we should acknowledge, that it's a complicated, and probably tragic, situation. What if, maybe, they're both as equal at fault for shit going down hills for their friendship. Vox because he doesn't respect others wishes and cannot take no for an answer, he prob tried forcing Al to move on with recent technology, which Al hates. ((His request to Al to join the Vees also prob meant catching up with the nowdays stuff and new technology, like the rest of them)) and Al because he was prob unnecessary cruel and brutal with his rejection.

I don't think Al was just using Vox like I've seen many people say. He allowed Vox to take a picture of them together. For Al to do that I think it confirms their friendship was genuine. "Ah but it's Alastor so that means it was fake cuz he's an evil manipulative bastard who only cares for him-" You're wrong, but also right lol. He's an evil manipulative bastard, but , he's also capable of genuine friendships with others (( did y'all forget Rosie lol? )). What I think happened is that, time passed , things changed. Vox became obsessed with new technology and tried to force Al to follow in, Al didn't like that, but instead of communicating with eachother and solving their problems by talking it out and respect eachother's wishes, they had an unnecessary argument and fight. They're both to blame for this, they're no victims in the situation and it's okay you can still sympathise with eithers side

Also people who make Al the villain for like not returning Vox's confession and feelings in most One sided Radiostatic videos/fics I've seen-- yikes.. I really hate that I have to literally say to PLEASE don't villiantise the aroace character for being aroace and rejecting confessions. It's extremely ace/arophonic (and yes I get to have a say to this, I'm a replused aroace videos/fics like this genuinely make me feel negative emotions) even if he was extremely cruel with his rejection -- villiantise the fact that he's an asshole- not his rejection.

yes I agree!! this is essentially a consolidation of points I've made before ksdlfglg

like yes, alastor's an absolute shithead but I think there are some people who forget that vox is also... not a good person. I don't think there's anything wrong with there being sympathetic aspects to vox but I feel like there's such a huge amount of fanwork where he's the only one portrayed sympathetically without showing his own bad points in their relationship, and I absolutely hate it when alastor is fully blamed for how vox is now and vox is seen as

yeah

vox got pissy at a rejection, that's not being able to take no for an answer, that's incel behaviour LMAO

feel like there's something to be said about people feeling the need to sympathise with the one with unrequited feelings compared to the one who has to deal with someone expecting romance from them when they don't feel the same. does it have to do with society's expectations about romance that unrequited feelings are more sympathisable?

but yeah I am glad that at least the "complicated" part of the description of their relationship implies to me it won't be as simple as "vox was the poor victim and alastor was just using him", I think it is much more interesting if there's no clear victim and both were at fault in a way

[xmarchwarden-of-lothlorienx]

Nothing is Trivial

Elrond x nonbinary!reader

Requested: Anonymous

Summary:

TW: Fight scene that describes some injury

Hello sir can i request a elrond x gender neutral reader where he confesses his feelings for them thinking they are a girl but they come out to him as nonbinary (they do share the feelings though) and he's like "i love you anyways" ?

Also i love your writing 💛

Authors Note: Happy Pride Month!! Once again, I apologize for keeping you waiting. I do enjoy that as a trans masc writer I get quite a few requests for LGBTQ+ fics, so keep 'em coming!

As the early evenings sunbeams danced across the valley, the waters of the trickling falls and brooks appeared as though they were teaming with diamonds. As a traveler, you had passed through Rivendell more times than you could count; Yet, those visits had been brief, never exceeding more than a week, despite the assurances of Elrond that you were welcome to stay as long as you liked.

You were fond of the Lord of Imladris - after all, he had proven a faithful friend time and again, was wiser than any scholar or wizard, and always extended some kindness to those residing in or passing through his lands. However, wanderlust had kept you on the road - at least that is what you told yourself and others you encountered - the excitement of seeing new lands, discovering yourself by trying on the lifestyles and customs of those coming from all walks of life. You were still young, believing you would have plenty of time to stay in one place once you had grown old and grey.

While this was not necessarily a lie, you were leaving out a portion of the truth. You avoided any extended stays within the hidden valley because in your heart, you knew you could stay forever, especially if it’s lord simply asked. It made your heart race - feeling as if it was sitting inside your throat, half choking you - to think of what may, or more likely may not, happen should you stay. It was easy to run away from the uncomfortable prospect of life changing (or failing to) after your heart had led you to crawl back to Rivendell between criss-crossing half the continent. That is, until an unexpected ambush resulted in an extended stay within the valley.

--

You passed Weathertop two days ago. Another day's journey and you would be able to spend a few nights resting in Rivendell. It had been well over three years since you had last sought respite in the valley.

While on your travels, you encountered Brunwulf - a kindred spirit. Months of travel and fireside chats with the individual resulted in many realizations, including one acknowledging your gender identity. Brunwulf's friendship was instrumental in becoming comfortable, and later proud, of being non-binary (a term and a concept they introduced, but fit like a glove once explained to you).

You promised yourself that during this short stay in Rivendell you may share the news with Elrond - he was your friend after all, and the time felt right to share this aspect of your life with him. His reaction was sure to be welcoming, you were only friends after all, yet you couldn't push away the building anxiety surrounding the "what if's?" rushing through your mind.

That shall be a problem for the future me, you thought as you lifted your pack onto your back. For now I must actually make it to Rivendell. The day seemed to drag on, the mild morning weather given way to a blistering heat by the early afternoon. The last leg of the journey taking its sweet time now that rest and warm food were finally in sight.

You had nearly passed over the border of Imladris when a sense of dread grew in the pit of your stomach. Your heart rate increased, every hair seemed to stand on end, and you quickened your pace. Nothing is wrong, you are simply worried and weary from travel, you tried to convince yourself. No foul being would dare come this close to-

The hideous echo of an orc horn upon the surrounding hills sent a shiver up your spine. You began running through the sparse pine wood and golden grasses. I only have to make it to the border, I only have to make it to the border, I only have to make it to the border, your mind repeated again and again. It felt as though you were running in a dream: no matter how hard you tried to run, it seemed the distance in front of you only grew greater.

A warg mounted by an orc rider cut across your path. You nearly tripped right into its jaws as you struggled to redirect your momentum. The beasts rider took a swing at you with his foul blade. You narrowly avoided what could have been a fatal blow, ducking and drawing your own dagger. The warg and it's rider were strong and cruel, yet you were cunning and quick, easily able to outwit the pair. Feigning your movement to one side, you dropped and rolled in the other direction, sticking your dagger in the side of the beasts neck while it tried to turn to where you had been a moment ago. With a grunt, you removed the small blade and the warg collapsed. The orc rider muttered something, probably a curse, in Orkish. He dismounted from the warg, and you readied your dagger for the offensive.

It was easy to parry and direct your own attacks at first, but the exhaustion of days spent traveling were creeping up on you. Perhaps your reaction time had delayed, for in an unregistered blink a sharp pain extended across your abdomen. You could feel blood starting to seep from the wound and into your clothing. Pressing one hand to your side to stay the bleeding, you fought on.

Blocking a forceful blow from your opponent sent another shot of pain through you. Your body felt as though it were on fire and the world was spinning. You fell to your knees as another call from the orc horn sounded. The orc gave a guttural laugh. You felt your eyes rolling back as you crumpled to the ground.

The sound of a sweeter second horn, though this one you could not tell if it was real or just a dream.

A steady thunder of riders moving closer.

Nothing but blissful ether.

--

That had occurred over a month ago now. You woke up days later, wrapped in a cozy blanket on a soft, warm bed. Elrond soon visited you. He asked how you were healing and told you of what had happened after you collapsed - how he and his riders fought the orcs, brought you to Imladris, and tended to you himself.

For once, he looked... tired, as though his thousands of years may finally be weighing on him. Surely that must be a projection of your own state, elves rarely displayed such things... right? Regardless, Elrond insisted that you stay until you were fully healed. You agreed given your near-brush-with-death, and were still resolved to have a heart-to-heart with Elrond about your identity. You just had to wait for the right time.

Except, it had been over a month, and still it had never been the right time. This is what led you to wandering the gardens on this particular evening. To continue waiting for the right moment, or to make the right moment, or to just abandon the whole thing completely and wait for some other visit to the valley. You plucked the petals off a flower, going between the three options. You had already gone through this process with two other flowers, unsatisfied with the results both times.

"I wonder what the flowers have ever done to you." A voice that was as warm as a late spring breeze caused you to jump. You jerked your head to the source.

"Sorry," You placed the naked flower down beside you on the bench you had been occupying. "I thought it may help me make a decision, but I guess I just made a mess of your gardens instead." Making room on the bench, you gestured for him to take a seat, "You may join me if you wish."

"They will grow back," He smiled, taking the seat you had offered. "I cannot say I don't blame you. I have also had to make some decisions of late." Elrond's gaze dropped towards the ground before meeting yours. You had seen the elf Lord worried before, but something else, something more personal, seemed to be a miss. You gave him a slight nudge.

"Well, I may not have all the wisdom of the elves, but I am here if you would like someone to listen."

"You are precisely who I've been needing to talk to," he held your gaze, his voice laced with earnestness. You quirked your head to the side, slightly confused, but remained silent waiting for him to continue. "We have known each other for awhile now, and recent events have shown me I must be bold as the world grows dark once more. I should like if you remain in Imladris."

"Forgive me, but I'm not sure what you mean." Bold? Bold how? Against the orcs?

"I have met many elleths and daughters of men, yet none have stirred my heart quite like you. I understand many of these attachments often result in tragedy, but after the grief your injury gave me I believe it would be a greater tragedy if I were to bury my heart for all the ages of the world." You swallowed, taking in the full (and very clear) meaning of his words. The right time is now.

"I confess, I have something I must share with you as well." Elrond's expression dropped, fearing for the worst. "I do return your feelings," You reassured. "It's just... I do not want to be referred to as a daughter of man, or even a son of man, simply a child of man. It may seem strange, and I hope that we may continue to be friends at least, but on my recent travels I learned of this term: non-binary..." You had started fidgeting with your hands, feeling as though you were losing control and losing everything you had only dreamed of hoping for until a moment ago.

"Ah, I see." Elrond took your hands in his, running his thumbs across your knuckles. "I am familiar with the term. I understand that in the world of men such things may take more time to be accepted," he said, gently squeezing your hands. "But among the elves, our ideas on this subject are much more fluid. I shall always stand with you, melleth nin."

At these words, you could not help the tears that began to brim and fall from your eyes. Elrond raised one of his hands to cup your cheek, wiping away the tears sliding down your face. Noticing the concern knitting his eyebrows together, you couldn't help but softly laugh.

"They are happy tears, I promise," you explained, placing your hand over his. You saw the relief wash over his features and the corners of his mouth turn upwards into a small, relaxed smile. You couldn't help but lean into his touch, pressing a small kiss against the inside of his wrist. "Your words have meant the world to me. I cannot believe I have been so lucky to know you in this lifetime." Your eyes glanced towards his lips. "May I?"

"You may," he returned with a smile, closing the gap between you.

Tag List: @themerriweathermage @entishramblings @miriel-estelwen

[redbuddi]

Do NOT Read "Lady Crystal is a Man"

People who know me know that I'm a little bit of a webtoon addict. I'm basically always reading a million different fantasy romances, even as someone who is not personally interested in romance in real life. Because of this, I am well aware of the more problematic elements of a lot of webtoons, to the point where it's easier to list webtoons that aren't problematic than to name ones that are. It's unfortunate, but it's a common aspect of webtoon consumption that most people get used to. (Note: When I say webtoons, I am talking about the genre of phone-optimized romance webcomics as a whole, not just things from the WEBTOON app. The series in question is on Tapas.)

Because of that, I will admit it is partially on me for assuming this comic was going to be more progressive than it actually was. People new to webtoons may be fooled, but I should have known better. On top of that, I am well aware that female-oriented romance stories can sometimes be a little toxic, and while this is a problem that needs to be worked on, I also know about what can happen when something meant for teenage girls is criticized. Even when the criticism is in good faith, it can start a trend of bashing anything teenage girls like and shaming them for wanting to explore media that is anything but flawless. I don't want to add to that.

But this series isn't just a little problematic. It doesn't just have some questionable elements or common plot failings. This is a series that has the potential to seriously hurt anyone who is trans, gnc, or gender questioning, and could give anyone who isn't any of those things the wrong idea about what is and isn't appropriate when it comes to trans/gnc/gender questioning individuals.

If you would like the td;dr, then in a nutshell this comic portrays material that could make an individual feel shame, discomfort, or even body dysmorphia. And on top of that the protagonist is cruelly gaslit and manipulated in ways that the series presents as if it were just light teasing, and that is all only in the 19 chapters that I was able to stomach before dropping the series entirely.

If you would like a more detailed description of this series' flaws, then I will continue below the cut.

cw: transphobia, body dysmorphia, gaslighting

Lady Crystal is a Man follows the story of a man raised as a woman attempting to escape a forced marriage by going to the mysterious and dangerous duke Illian, unaware that Illian is secretly a woman. The story is essentially a combination of two tropes, the Crossdressing Romance trope, where the main character and/or their love interest is secretly not the gender they present themselves as, a trope which has been around for as long as female-oriented comics has existed, and something a little more specific to webtoons (to my knowlege,) the Contract Marriage trope, wherin the protagonist escapes a bad situation by entering a temporary marriage with someone else, only for true romance to bloom between them. I have read many webtoons about Contractual Marriages, but not very many about crossdressing. As a nonbinary person, I tend to be uncomfortable with the highly traditional way many webtoons portray gender roles, and so I try to steer clear of series that tackle gender directly, but that is not to say no webtoon as ever handled it well. In particular one of my favorite webtoons, Alien Idol, tackles gender in an extremely understanding and informative fashion, even taking the time to acknowledge places where it's knowledge is lacking, which I've never seen a comic do so honestly before. Most webtoons are not like this, unfortunately, but that is only to my knowledge, and recently I've been wanting to expand my horizons a little bit. How can I be sure so many comics handle it poorly if I don't even read them for myself, after all? That is what convinced me to check out Lady Crystal is a Man.

In the first few chapters I was hooked. The series has extremely good artwork, and it first appeared to me that they might be trying to do a metaphor for t4t couples. Crystal is constantly coached on how to act and behave as a woman, because if he lives as a man he will be killed by his cruel and uncaring family. He takes a drug to halt his growth, and this drug is actively harming him, he is literally being torn up from the inside having to live as something he is not. He envies masculine traits he observes in others, and dreams of running away to live with the people who truly love him, cutting his hair short, and living as himself. It's because of this that I made the mistake of buying multiple chapters in advance instead of just waiting for them to unlock, and that's why I read so far into this series when normally I would have dropped it the moment it started to go downhill. Anyway, Crystal meets duke Illian, and already a connection is established by the narrative in how the two have had to live in fear of being who they really are. And at this point I was ready for them to start relating to each other and forming a bond.

This does not happen. Not really, anyway.

Illian tricks Crystal into thinking that the marriage paperwork went through extremely fast, and that they are now husband and wife. This is a red flag, but in the same chapter Illian reveals that she's just teasing Crystal as payback for trying to trick her, and that she will fully support Crystal's escape to be with her family as soon as the snow clears up. But then she doesn't. Even when Crystal admits the truth to her, and the snow clears up, Illian maintains the facade that they are married and that Crystal will have to keep staying with them until the annulment paperwork can go through. This happens because Crystal, under the impression that they are really married and that he has tricked Illian into falling in love with him only to have her heart broken, decides to take responsibility for his actions instead of running away like he originally planned. And Illian, hearing this, continues to lie to Crystal about their being married. This establishes a pattern that will continue from here: Crystal will show genuine care and consideration for others, and will be rewarded for it by being continuously manipulated by the people around him.

It's at this point that Illian finds out that Crystal is not a cis male. Not because Crystal told her, mind you, but because Crystal faints due to side effects from the drug he is taking, and Illian, who has taken the same drug, recognizes them. At first this is fine to me. I like that Illian does not get angry or upset, or even wants to confront Crystal on this, and at first I thought it was because Illian respected Crystal's boundaries and would only acknowledge it if Crystal decided to tell her. She even continues to refer to Crystal with female pronouns, even when she deduces that Crystal might be living as a woman just to not be killed in the battle for succession. But then, Illian decides to "make sure" that Crystal isn't cis. And while we aren't directly shown, it is heavily implied that Illian looked under Crystal's nightgown to see his genitals.

There had been one or two red flags up to this point. In particular, focus on the size of Crystal's hands. This was off putting to me, as this is something that could hurt people. Even people who aren't transfeminine could be hurt by this, the fact that having bigger hands than what is considered "normal" for a woman and how this is treated like a clue to Crystal's gender identity is something that would hurt anyone who identifies as a woman but doesn't fit what is considered a normal body standard. Focus on hands is even something that can be a big dogwhistle for TERFs, although I don't suspect the author is a TERF since I'm fairly certain this is a Korean comic, and I don't know what the discourse on gender in Korea is like.

Regardless, even with my growing suspicions, this was a massive shock. Crystal was unconscious at the time, unable to consent. This is unambiguously a massive violation, but the comic portrayed it as just a silly, over-the-top bit of shenanigans by our female lead. I know for a fact that this wouldn't have happened if the genders were swapped, in every webtoon I've read people who try to look under women's skirts are treated as disgusting perverts. But because Crystal is a man, suddenly it's cute and funny when his privacy is undermined. And this is the turning point where the series goes from a seemingly flawed but earnest attempt at a trans metaphor to a showcase of the most disgusting abuse I have ever seen in a story, all written as though it were just silly antics by people who are ultimately in the right.

Soon Illian and the doctor she had look at Crystal begin internally referring to him with masculine pronouns, all without asking if it's what Crystal wants to be seen as. As the doctor mulls over Crystal's potential circumstances, she thinks "Few people pretend to be the other gender, even fewer do so against their will," the series acknowledging the existence of trans people, but only as "petenders." And again, this is before they even know for sure if Crystal is doing this against his will. All the while, Crystal is portrayed in more and more infantalizing ways. He plays with snow like a child. He doesn't understand basic social cues, or even that people might be lying when they speak to him. He accepts everything Illian tells him without checking, even when he knew going into this that he would need to be careful. Illian secretly alters Crystal's communication devices so that she can see everything that Crystal says when he sends out messages to his friends in the east, who are waiting to take him in, unaware that he has been manipulated into staying against his wishes. Illian is drawn in by the way Crystal wears his heart on his sleeve, and doesn't want to let him go, even though she knows that Crystal has a home somewhere else. Crystal is prevented from escaping, and isn't even giving the courtesy of knowing that he is a prisoner.

There is another character in the comic, a cook who is portrayed as being large and strong, completely unfeminine despite being female. For one thing she's a show of hypocrisy, a cis female is a female, without question even if they don't fit eurocentric standards of femininity, but a trans female has to pass these standards with flying colors, and even then they don't really count. But there is another thing about this character. She is regularly referred to as a "monster" for her immense strength, size, and endurance. She owns it, seeming to be perfectly content with it, but not all real people who look like this would enjoy being called that. I feel that this is another acknowledgement of the other, that yes there are cis people who also don't perfectly fit their expected appearances, but they're not normal. They are exceptions. Monsters.

And then came the chapter that made me drop this series for good, completely overwriting my buyers remorse with disgust. Illian has to leave for a mission, and had instructed the Doctor to take away the drug that Crystal is using to maintain a feminine body. The doctor confronts Crystal, telling him that she "knows" he's a man, and blackmails him, threatening to tell Illian if Crystal doesn't hand over the drug. In exchange, the doctor gives Crystal a magic ring that she says will make other people perceive him as female. This is already bad for a few reasons, namely that even during this confrontation, the doctor never asks Crystal if he truly identifies as a woman or not. If Crystal did identify as a woman, then the ring would be a terrible trade. A person who wants to look at themselves as feminine does not do so in the hopes that other people will see them the same way. While the perception of others is certainly a concern, the main consideration is if the person sees themselves as feminine. A ring that only allows other people to see them as feminine would certainly be useful for people who don't want to be misgendered or seen in a way they don't want to be seen, but it wouldn't be an adequate replacement if it wouldn't help the wearer get a body that makes them comfortable. At best it would just be a supplement to something else.

But worst of all, it's all a lie. The ring doesn't actually work. It's all a trick to get Crystal to give up the drug. Yes the drug is harmful to Crystal, and Crystal himself doesn't want to take it, but as far as the Doctor knows Crystal could be trying to appear feminine for his own reasons. But without even consulting him, Illian and the doctor assume they know what's best for Crystal and trick him into giving up what could very well be the thing making him happy and comfortable in his own skin. Imagine how horrific things would be for Crystal if that was the case. Seeing his body change in ways he does not want, entirely against his will, and since the ring doesn't actually work his transformation would be fully visible to everyone around him. But instead of asking what if he wants this, Illian and the doctors decide to play the odds, and this is written as though they're being helpful by doing this. To add insult to injury, the doctor internally criticizes Crystal for accepting the trade without questioning it, seemingly forgetting that Crystal was essentially forced into it.

For obvious reasons, this was the point where I had had enough. This was abuse, plain and simple. Yes characters are not real people, and there is a place for stories that tackle things like abuse and manipulation, but this series never acknowledges the horror of what it's characters are doing, treating these things as though they're just cute and quirky romcom gags, maybe not normal but ultimately harmless. Meanwhile in the real world, these things are deeply harmful and hurtful to the readers of this series, especially those who, like the characters of the story, are forced to live in identities that are not themselves.

It's pretty common for webtoons to tackle things like this without really knowing what they're doing, and usually I'm able to shrug it off and keep reading, even if still criticizing it, as long as it seems the writers have the best of intentions. Making mistakes is how we learn, after all, and a lot of webtoons are written by young adults living in conservative societies who just need the chance to see other people's experiences. But there is a point where I draw the line, and that is when there is no perceivable compassion whatsoever for the types of people they are portraying. As I mentioned, the comic clearly shows an understanding that there are people who do not live as the gender that they are assigned at birth. But it does not see them as people. Even beyond the "pretend" line, gender is portrayed as concrete, inescapable, with terrible consequences for trying to change it. It portrays transfeminine people as clueless, weak, and unable to decide for themselves what's good for them, and illustrates anyone who doesn't fit typical standards of appearance as a strange and terrifying other that shouldn't be considered on the same level as everyone else. In general webtoons already have a massive issue with beauty standards, (don't even get me started on the way fat people are usually written,) but this is a whole other level of cruelty. While this comic was probably not specifically made to harm people, it takes careful steps to put people it doesn't like "in their place." It wants you to feel bad about yourself. This comic and comics like it should never be supported, not just for political reasons, but because, like it's characters, this comic is trying to enforce ideals that it feels for best for you, regardless of if it's what you actually want. And no one deserves to be hurt like that.

So if you see this comic or a comic like it, I encourage you to turn away. If they won't portray us as human, then we don't have any obligation to give them our support.

[average-mako-enjoyer]

Mass Effect LGBTQ+ representation issues and some headcanons

I've seen a few Mass Effect posts about the sexuality of the trilogy's characters, and I'd like to add my 5 cents, since none of those posts take into account the whole xenophilia aspect of canon relationships. And some of us are here for it. For the aliens. I am here for them. I'm not sorry.

Also, I have to acknowledge the fact that Bioware has made some very questionable choices, and the in-game representation is bad. Like BAD-bad.

I.E.(this list is going to be looong):

All Male Shepard/Kaidan Alenko dialog for ME1 and ME2 was written and fully voiced, but NOT INCLUDED in the final version of the game. And I know that the same thing happened to FemShep/Ashley, but that a bit different because...

The only "gay" romances in ME1 and ME2 are for femShep, and either with a female-representing human-like aliens (who like to dress in tight clothes that emphasize the size of their breasts), or with the equally feminine Kelly Chambers in ME2. Because, you know, guys who buy this game will be more tolerant of two "hot chicks making out" (insert a bunch of mods that make your femShep wear only lingerie and look like a TikTok e-girl) than a more realistic same-sex romance.

Especially when this romance is between two guys. Because ew. Right, Bioware? But you also wanted to sell your games to LGBTQ+ folks, so you installed a…

… so-called "gay button" into your games.

Before ME3, no one except for "hot chicks asari" states their sexuality. You can go through two entire games as a straight character completely surrounded by other completely straight characters. Oh, maybe Kelly likes aliens a little too much, but "who doesn't like asari", right? Even asexual salarians are into them. Sure, a straight woman like femShep…

"Hot chicks making out" really sells those game copies, I guess.

If you think ME3 is better, think again. The only two gay characters in the game are Cortez and Traynor, and they are both supporting characters, who are not even in your squad!

Cortez and his whole "I lost my husband" drama is conveniently placed on the lowest deck of the ship, so if this story offends your bigoted sensibilities, you can just ignore him along with the "dumb jock" Vega who is really unpopular with the players. Is it because he's really friendly with an openly gay character? Oh, who knows?

Meanwhile, Traynor is either mocked (oh, she found EDI voice hot and commented on that! what a shame! awkward lesbians, amirite?) or fetishized (don't get me wrong, Donnelly is funny, but his remarks about Traynor are even more yucky than the way he talks about EDI and lube).

But don't get mad about all this, because all the women in the trilogy are fetishized and heavily sexualized. The best example of this is Samara, whose character design is a war crime.

Bioware made Benezia look horrible (she tried to make Saren change his ways not with her power or wits but with those giant bazooms and the cleavage, I guess), and then they doubled down in ME2 and gave a warrior samurai nun a boob window. A FUCKING BOOB WINDOW. Because boys buy games, and they love boobs, y'know.

Oh, and any inappropriate remarks made by NPCs in the game are directed only at the femShep. Just like the MShenko romance, the male version of the dialog is fully voiced, but conveniently excluded from the game. Because guys can't tell other guys that they look hot in "that soldier getup". That can make bigots uncomfortable.

And let's talk about bi representation, because Bioware apparently hates bisexuals as much as straights and some queers do (trust me, as a bisexual I've experienced both types of hatred, and it's ugly). The only bisexual characters in the game are Kaidan and Diana Allers.

If you're a bigot playing as the maleShep, you can "safely" kill Kaidan on Virmire in the middle of the first game and not have to deal with his uncomfortable love confession at all!

So, yeah, Bigots: 1, Representation: 0. The bisexual is successfully killed, congratulations!

If you play as femShep, you won't even know that Kaidan is/was bi. Because who wants a bisexual guy who is comfortable with his sexuality? You can't sell that kind of romance to the good ladies who buy this game.

Diana Allers romance, meanwhile, is laugh-worthy. If you play as maleShep, you won't even know that she's bi. And if you're femShep, this romance is as insignificant as the one with Kelly, you won't even get an achievement for it! You can also kick her out of your ship without any consequences, so she will be KIA offscreen. You will find about it via fucking email. Bigots: 2, Representation: 0. Both of dirty bisexuals are successfully killed, congratulations!

The bi-xenophile Kelly suffers the same fate: no achievement for her romance, you cannot continue the romance after ME2, and she will either take a poison pill and die or be killed in the Collector's Base/Citadel offscreen in ME3. If she survives both the base and the Cerberus attack, you won't even get to say goodbye to her before the final battle of the game. Bigots: 3, Representation: 0

9. And I almost forgot about Omega DLC that kills the only female turian in the game. Who's also into asari. God, they did her dirty.

"Those were different times," you might say, but all of this could have been fixed in 2019, when the Limited Edition was released. Instead, we just have fellow modders changing the design of Benezia and Samara, restoring MShenko (one of the most healthy, respectful, and mature romances in the entire trilogy) and other gay romances in the game, making all NPCs flirt with your character, adding female turians and krogans to the environment, etc., etc.

Still, I think these games are great. The characters, the cinematics, some aspects of the writing, great! I love that canon. But the LGBTQ+ representation in those games sucks. Big time. But that doesn't stop me from having a bunch of headcanons. For the sake of convenience, I'm going to separate out all the characters for the games in which they debut.

Mass Effect:

MaleShep/FemShep: Both are canonically bi. Both don't mind the alien physiology thing and polyamory. Both are "married to your job" type, so they were okay with casual sex and one-night stands, and only mellowed out while in charge of the Normandy crew. Because of convenience, both had more hetero than same-sex hookups.

Ashley: Straight as a plank and xenophobic, but not homophobic. She's definitely into maleShep, but more into the idea of him as a sole survivor/war hero/butcher of Torfan than an actual person.

Garrus: He likes turian and quarian women. And both fem and maleShep. But with maleShep, he's more busy with the whole "flirt him to death" aspect of their bromance, so there's really no time to get on the floor and get dirty.

I also feel that turian society in the game is very patriarchal, so Garrus has a bias towards femShep and feels less restricted by her rank. With mShep, I think he would have only acted if mShep had specifically pursued that relationship. But mShep is also more interested in just flirting with Garrus.

Kaidan: Canonically bisexual (more into women) and demi. Not into aliens, but not xenophobic. Not a stranger to casual sex, but would really prefer to go steady because #introverted and has enough problems already. "How can you flirt with all these people, Shepard, it's exhausting…"

Liara: She's into both versions of Shepard. And maybe a bit into one drell. Classic demi/asexual. Also, imo, all asari are agender and Liara is not an exception.

Tali: Is a mess and can definitely go cross-species (her romance with Garrus is canon, after all). She's also a massive nerd and a bit kinky. I think she's into human/turian/quarian males, but maybe this femShep really is THAT SPECIAL.

Wrex: Krogan women - that's his sexual orientation. Real bros with mShep, more cautious with femShep because bias. Another "married to his job" character.

Joker: Straight and nerdy. #Irony. Too cool for homophobia.

Chakwas: More married to her job than anyone on this list. Cool lesbian aunt.

And this post is already so long that I'll make a separate one for ME2 and 3.

[sleepygremlin11]

The reactions to Miquella as a character is honestly so telling about the broader souls gaming community. I mostly mean on Reddit because I am like 90% straight cis Reddit guys couldn’t analyze a evil character with any sort of benefit of the doubt. TLDR at the bottom because I’m a hoe who loved to ramble…

I’m not gonna pretend that I have a perfect grasp on Elden ring lore, so if anyone notices anything like crazy wrong with this feel free to let me know. But, from what I have seen on YouTube and Reddit people are desperate to make miquella out to be the most evil mf to ever exist in a video game. In all of the analysis I’ve seen of him as a character. People don’t seem to want to acknowledge that he’s probably mentally stunted from his curse. Like be so for real 10-year-olds are the most evil motherfuckers to ever exist, being stuck like that for hundreds of years, would drive anyone to a little bit of mass genocide. People also don’t want to see that he had majority positive intentions, and if you’re looking at it in a way that acknowledges that he’s probably despite his actual age only thinking with the mental capacity of a young child, the sort of black-and-white morality that he used in his campaign is completely fitting for a kid of that age. I think dudes on Reddit just are all not allowed within 60 feet of school so they’ve never interacted with children before, but I think if I asked my cousins that are that age they would solve a corrupt world they would say they would force everyone to be nice if given the opportunity.

Also, please take a second to consider the situation he was raised in before you make judgments on him just being a completely morally black character. Marika is absolutely insane from what we know of her, and wouldn’t you know it? So much of what Miquella does is similar to his mom. But he also leads with intentions to be better than her and a more positive force broadly. anyone who has played Elden Ring can and should tell you that the setting of the game is absolutely grim dark. Most of the characters you meet want you dead and if they don’t want you dead, they will probably end up dying by the end of the game. Even in the games happiest endings, the end is still bittersweet and nothing is really fixed. particularly because that’s just what the souls like genre goes for in it’s messaging.

I don’t want to make baseless accusations of homophobia to an entire group of people and a fandom that is admittedly accepting for websites that tend to be cesspits of homophobia and transphobia. But I feel like despite They being similar intentions and results Rahni does not get as harsh of a reaction as Miquella does. I firmly believe that this is because he is one of the few queer characters that we see in any soul games. It’s of course not great that the one aspect of queer representation is an incest pairing where one of them is getting molested. But I would still categorize him as a queer character. I think with a het pairing people would be more willing to make the relationship seem less predatory, but because it’s a queer relationship and Miquella is admittedly a bad character, people don’t look at their relationship with any sort of nuance. Radahn and Miquella are not the only examples of incest in Elden ring, and I think it’s also very common for stories based on pantheons to have incest. That sure is weird as hell, not a good thing, and it’s weird as fuck in my opinion. But it’s common in these stories. This could just be me being naïve, but I have never seen such a harsh reaction to a couple in media even when discussing other similarly, toxic and abusive pairings within media.

Idk if anyone’s willing to share their thoughts on this, I am more than happy to talk in the comments, so please let me know what you think 🥺

TLDR: Miquella is an evil but well written character and his actions make sense in the story. Fandom should not regard him as harshly as they do. Especially on sites like YouTube and Reddit, which are adorably dominated by straight cis men. I think part of the reason fandom reguards him so harshly in these communities is because he is a canon queer character. It’s also two in the morning right now when I’m writing this so this probably makes no sense and I’ll delete it tomorrow. 





[stateswscarlet]

hi this is the 3p person. how do i stop feeling like im doing this to change the 3D? can i acknowledge that it will change the 3D? im just confused. this manifested really fast but ive fulfilled myself with the state of being with him a bunch so why didnt that reflect like this? idk. im just scared im gonna imagine and enjoy it and nothing will reflect. i was thinking of getting coaching with you because idk what to do anymore. i hate my 3D. i just miss sp.

you need to give up on the 3D fully. you need to accept and acknowledge you (all of us) CANNOT change the 3D, we do not have the free will to do that as our free will ends in imagination. you must really sit with this and decide if you'd rather be trying to chase a shadow world and be frustrated, or would you rather 100% enjoy your imagination and feel good and be stressfree? hopefully the latter. we don't do anything to change the 3D as imagination and who were are is CONSTANTLY reflected, even before you knew about this stuff. we cant make it or un-make it reflect as creation is finished hence why we shift states. knowing the 3D changes is very different than chasing it and doing things for the 3D. the 3D will never fulfill you, only YOU choose how things fulfill you or if they even do at all. you need to understand you only want the feeling, not the actual; physical desire.

its like your shadow, do you only walk and move just so your shadow moves? or do you move because you want to? your 3d is the same, you're not constantly thinking of your shadow when you're doing things because the LAW is that its always there anyways. the law shouldn't be a comfort factor for you because it just is.

as i said in the previous ask about your situation. I'm pretty sure you haven't been fulfilling yourself as much as you think you were, and you were fulfilling yourself for stuff that wasn't even your end goal.

youre relying too much on the 3D and seeing this as smth you have to do to get them back and that is exactly where you're going wrong, you need to give up on changing the 3D completely, as edward art says you need to imagine as if there was no outer world bc the outer world has never fulfilled you and never will.

i get missing sp and those feelings are valid, but you need to realize that your life isn't going to end if you're not with them. manifesting an sp shouldn't be something you need, its something you CAN have and definitely shouldn't be approached from a desperate/needy mindset because that will lead to codependent (not saying you are like this but I'm putting it out there in case there are others). please stop revolving your life around an sp and put your crown back on. YOU made sp special, YOU are the secret sauce, they're just some random who YOU decided means something. you need to realize that (manifestation stuff aside) you will 10000% will ok if you don't be with them because you're more than content on your own and can date anyone else. i say this with love but as someone who was in your shoes and knows how it feels, you will only be running in circles if you don't approach this from a healthier mindset. work on your self concept (don't tie it to manifesting ur sp at all) and LIVE your life, do things that you enjoy, have fun/date around with other people (if you have the chance to bc remember that you're not pretending, you are single in the 3D), and stop trying to get back someone. give yourself the feelings of your dream relationship first and how it makes YOU feel, then add sp into the equation. you don't want them back, you want a fulfilling relationship. how would you feel if they came back tomorrow yet the same issues happened as they did back when you were together before/theyre just not good/the relationship sucks? that isn't what you want, you want the fulfilling relationship so focus on aspects about that and give those to yourself. you don't want their physical body back bc it means nothing to you unless you get the feelings you desire.