Yes, I’m highly invested in learning how the Coast Kids are faring during the Scary Moon Times, but I'm also eager to know:
Did Fjord and Jester ever acquire sufficient pasturage to support a herd of domesticated unicorns?
What is the current proportion of "homicides solved" versus "homicides committed" by Veth and Jester's detective agency?
Has Fjord managed to sweet-talk his way into the Mother’s Lighthouse, thus enabling Jester to learn what’s kept in said lighthouse’s boob?
To what extent has Jester leveraged her studio’s success to foster a broader public arts initiative on the Menagerie Coast, encouraging artistic expression both phallic and non-phallic in nature?
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writing a modern shades of magic au is great fun until you realise you need to give these bastards real world jobs and make them somewhat functioning members of society. holland vosijk does not have an employable skillset he was too busy being possessed and losing all bodily autonomy /:
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last night, during the chaos of halloween weekend festivities and the energy of the full hunter's moon, a vampire not only frenzied, but Monstrositied in the middle of Times Square. about two dozen people were killed, many more injured. most of the injured will need to be watched by the church for early signs of vampirism
the Midtown parish lost two Missionaries fighting the Monstrosity, another was injured beyond returning to the field, and at least one other will quit within the next two weeks. Orion was in the area, and able to assist, ultimately being the one to deliver the final blow to kill the Monstrosity.
Le was not able to make it in time to help. something that will be eating at her for a while. Nico was, but he was too late to stop most of the carnage, and was nearly another casualty before Orion saved him. something that's going to eat at Nico too, for a few reasons.
Orion and Nico made eye contact, but Orion disappeared too quickly for them to have any actual kind of reunion, but Nico is at least now aware that she's in the city.
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actually while im feeling sad about stupid bullshit (not being popular anymore oh woe is me) lets take a little summary of atbb's pre-hiatus inbox
someone trying to roleplay as sans because they didnt look at the blog for more than two seconds
someone saying the skeletons are cute and asking to hug them
someone asking to be friends with [Enter Skeleton Here]
someone asking what their brothers are like
How are you?
You're cute!
You're cool!
How have you been?
Nice outfit!
Nice outfit!
Nice outfit!
Nice outfit!
someone who does not understand the concept of dramatic irony who wants very badly to explain the full plot so far to characters who would never know that in any context otherwise as if that wouldnt be lame as hell for them to suddenly know
why is [thing that was a very big plot point]
HOW HAVE YOU BEEN
HOW HAVE YOU BEEN
HOW HAVE YOU BEEN
YOU'RE CUTE
HOW HAVE YOU BEEN
HOW HAVE YOU BEEN
HOW HAVE YOU BEEN
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grrr tysm for the happier snippets into the fushiguro’s family’s earlier days! Ive been starving for sth not so painful, and now i can happily dream about “fluffier” shit lol like the desperate scramble to tidy up toys, dvds, and candy wrappers before nanami comes over to pick up the kids for the weekend; or shoko being a total panicky hypocrite when tsumiki comes home one day smelling of cigarette smoke; or the kids absolutely sweating whenever there is a kiss/sex scene on tv during family movie nights (and they dont know if they should fight through the awkwardness or avert their gazes). Stupid but totally normal family behaviors that arent fluffy per se but just NORMAL.
that tsumiki getting hit on at the beach story? THANK YOU for feeding me that! Starving for more but im happy with the crumbs ❤️❤️❤️
I’m a chronic angst writer but I’m absolutely incorrigible with wanting fluff. The issue is so much of the fluff is not plot relevant to the angst and it gets cut. I talked about this in another post, but pez dispenser debris is my silly “bad writing” story where I have a shit ton of irrelevant asides because I just want to talk about the silly little situations that I imagine my blorbos in without regard to plot. The entirety of chapter 4 is unnecessary in that fic. I find it delightful.
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honestly as entertaining as they often were the minisodes/flashback stories were just altogether too long... like. it's always interesting to see them bond and react to different situations throughout the ages but i don't really feel like spending literally around half the episode watching aziraphale hem and haw about graverobbing while crowley goes scot wild. the main plot is fun and engaging! i would really rather watch aziraphale investigate in edinburgh than sit through ~30 minutes of filler. to be clear, i'm by no means anti-filler! i love character-focused stories! i just. i just feel like if you take huge chunks of time out of your main plot to tell almost completely unrelated stories that never come up again, it's a sign you don't have enough confidence in that main story to let it carry things. like i said, i don't HATE the minisodes, they're quite fun at times, but they really could've been cut in half.
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wildly fun to have the opposite experience and play a “would NEVER stoop to this and is horrified by the actions of her formerly beloved best friend” hawke as a “actually this guy’s onto something” person
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I could theoretically nyoom through a lot more of the ptn main story than I have but I'm on chapter 6 and the it feels like everything I read merely extends my agonies. So I dread every time I sit down to read it. I just want this painful arc to be OVER I need it to give me a little break a little relief PLEASE JUST. MAKE HELLA SAY SOMETHING SILLYVIOLENT I CAN'T DO THIS ANYMORE
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How to introduce your character in 3 steps
A friend of mine was the source of this very pertinent question. So I decided to write a blog entry about it. Because how do you introduce your character without sounding fake ?
Remember that, in real life situation, no one calls you by your name. Have you noticed that none of your friends is adressing you by your name, unless they're trying to get your attention or that something serious is happening ? That should be the same in your story : find a situation where it is relevant to use names. Or stick to nicknames, which is a more common way to address your friends.
Use another character. If you can’t come up with a situation, you can always rely on a side character to introduce your MC. It’s also the perfect way to describe your character rather than simply using mirror, which is convenient yet very cliché. But the fun thing to do is to make several characters talk about your MC : their opinion might go in different directions due to their relationships, their own sensibility and attention to details. It’s also a good way to breath life into your side characters so please consider that option seriously.
The reader doesn’t need to know everything, especially on the very first page. Unless the info is relevant to the plot, there is no need for the reader to know MC’s favourite food or eye’s color. If you’re on character-sheet-side (which I’m not btw), you should be careful about wether the reader the story will progress or not. Try to be balanced !
What I really want to stress in this article is the importance of action when introducing your character. You want the reader to know your character is courageous ? Put them directly into a situation where they can show courage. You want to describe their hair color ? What about that moment when the light is flickering in a way that gives their hair a peculiar effect that catches the eye of another character ?
Don’t worry, your creativity will always find a way ~
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