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writing-with-olive · 3 years

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How to write essays fast

I've been writing a lot of papers, so that's what's on my mind.

So this mostly applies to your standard 5-paragraph paper, though it's fairly straightforward to adapt it to longer (or sometimes shorter) assignments.

One of the main things to note is that essays are VERY formulaic, so knowing the formula and being able to write down your ideas in a way that fit into the formula is probably the number one way to get stuff done fast. Because of that, most of what I’m covering is breaking down the formulas so they’re more accessable.

Also this got very long. If there’s anything you want me to expand on just let me know in the comments or send me an ask/DM and I’ll make another post that goes more in-depth about it.

Structure (I hate this step, so I’ve figured out how to do it very fast becuase it’s still important)

The first thing to consider is prewriting and structure. To start, there are two major paper structures I usually consider. The first goes

Introduction

Main point #1

Main point #2

Main point #3

Conclusion

This is good if you have a lot to say on the topic, or if it's something closer to a summary essay where there's not really an opposing side. In something where there are distinct sides, (or if you have less to say to support your own side), you may want something that looks like

Introduction

Main point #1

Main point #2

Why the other side is wrong

Conclusion

The "why the other side is wrong" side is involves thinking through the MOST credible arguments the other side might make, and methodically breaking them down to show how they don't work. The stronger the argument you choose, the more effective this is.

Since I personally hate prewriting with a passion, I usually do this step very fast and end up with an outline that looks like

Intro [insert thesis statement]

P1: [three word summary]

P2: [three word summary]

P3: [three word summary]

Conclusion

(thesis statement, introduction, body paragraphs, and conclusion tips are all below the cut)

Usually, this is enough so when I look at my outline, I can see what I'm trying to focus on for each paragraph - and do so without straying from my main point.

For the prewriting, the main things to do are identify with basic structure of the two will serve your purposes better, and write a thesis statement that solidly supports your argument.

Thesis Statement

There are so many guides about creating thesis statements that are powerful, but I'm just going to quickly go over how to be fast about it.

The first thing to know is that a thesis statement is usually a complex sentence: it's your entire essay distilled down to a single line. The general formula I follow goes something like this:

"In their [media type] [name of specific piece], [creator's full name] explored/demonstrated/other verb [theme you're going to be arguing about] demonstrated/using/as evidenced/as shown by [example 1], [example 2], and [optional example 3]."

For example, a thesis statement that follows this format might go

“In his short film Job at Place, David Davidson explored the manifestations of human stupidity through the absurdity of the main character’s home, school, and office.”

Or, if you're writing a historical piece, it might look something like this:

"In [place/time period], [thing you're arguing was happening]: they had to/the conditions were such that/other thing to set up a list [example 1], [example 2], and [example 3]."

For example, a thesis statement that follows this format might go

“During the Tusken Invasion of 32nd century Tatooine, it was the lives of the children that were most affected, from their social development and connections with others to more personal struggles they didn’t yet have the tools to overcome.”

The examples you give are going to correlate to your paragraphs - example 1 is for body paragraph 1, and so on.

Introduction

I like to think of the introduction as a funnel that gets more and more specific.

First, write a broad statement that touches on whatever theme you’re referencing.

Job at Place is about human stupidity, so something like “while great minds have flourished throughout the ages, so have the not-so-great.”

Tatooine is about war, and about child development, so something like “children’s development has always been impacted by the state of the world around them.” or “war has many effects, many of which impact those not directly involved with the conflict.”

The idea is that it’s a broad statement that can almost be looked at like a universal truth.

Next, you’re going to go deeper - two sentences that narrow down the time and place you’re talking about specifically, and how that time and place fit into your universal statement.

The fourth sentence gets even more specific - introducing how the thesis sentence fits into your first three sentences.

Then the last line is your thesis statements.

Body Paragraphs

Your three main body paragraphs all follow the same formula. (I’ll get to the “why the other side is wrong” paragraph in a minute)

The first sentence you’re going to want is a topic sentence. For this, you’re going to want to look at the example you gave in your thesis statement that corresponds to this paragraph, and see how it relates to your central claim.

If we’re going with the Job at Place example from above, for the second paragraph, you might open with a line like:

“A striking characteristic of Davidson’s short film was the abnormality of the main character’s school, used to showcase exactly what happens when poor decisions get taken too far.”

Everything within the paragraph will then back up the claim you’re making in the topic sentence (which in turn is backing up your thesis).

For each paragraph, you’re probably going to want about three pieces of evidence, either in the form of direct quotes (plucking words directly from the source) or paraphrased quotes (summarizing what happened in your own words). The quote should be used to directly support your argument.

After each piece of evidence, you’re going to want about... twoish lines of analysis (this number can change as you need it to, but two lines is something solid to fall back to).

While analysis can take all kinds of forms, one pattern you can use if you’re stuck is

evidence sentence

what it means

how that meaning ties back into your main point

Following this pattern, a piece of analysis of Job at Place might look like:

“One of the first images of the private school is that it’s a tall spire with creaking stairs and loose floorboards. Despite this, the principal has eight personal cars parked outside on full display. While the first glimpse of the school might indicate that there is little money to care for the structural integrity, the notion is directly negated by the principal’s actions. By using these two images, Davidson demonstrates what can happen to the youth when those in power let greed carry them away.”

After you write your analysis, include some kind of transition phrase, and go onto the next piece of evidence.

The last line of your paragraph is going to transition into the next paragraph while also summing up the main point of what you talked about in the current one. (This line can also get moved down and tacked onto the beginning of the next paragraph, before the topic sentence, but I have found it tends to look less cohesive that way).

You might choose something like:

“While the school was a disaster in its own right, it wasn’t the only example of human folly.”

If you’re writing a “this is why the other side is wrong” you’re going to want to think about the MOST compelling arguments the other side could make. Take the top one (or two), and figure out ways to crack them apart using evidence from your source material.

In this case, your topic sentence might start off with something like

“While opponents might say [insert compelling counterargument], their reasoning breaks down when one takes into account the evidence.”

At this point, you’re going to follow the same formula as above. The main thing to keep in mind is that for the duration of this paragraph, your point is that the other side’s claim of X is wrong.

Conclusion!

If you know what you’re doing, this is actually the easiest part.

(wait, what??????)

The thing is, you NEVER want to introduce new ideas into your conclusion. Instead, you’re summarizing your main points.

The formula I follow per sentence is:

Thesis statement but reworded (you can change the sentence structure too)

Topic sentence for paragraph 2 or 3, but reworded (I’ll explain why you shouldn’t do the sentence for P1 in just a sec)

Topic sentence for paragraph 1 or 3 but reworded

Topic sentence for paragraph 1 or 2 but reworded

Wow sentence or question (i’ll get to this too)

The idea for the middle three sentences is you don’t want them to read as repetitive, so you’re going to mix up the order so it doesn’t match the order of the rest of the essay. This will help to keep it fresh.

The wow sentence is basically the last impression you get to make. I find it’s usually a good idea to go just a tad dramatic (it sounds dumb, but it has never failed me). If I can’t think of anything, a declarative statement on whatever major theme was being discussed throughout the essay usually does the trick.

Examples:

All of this shows that in the absence of friendships and platonic love, humanity will falter.

Fiction may seem far fetched now, but if the world falls into those same mistakes, it’s only a matter of time until it becomes a reality.

Art has existed for as long as humans have populated the earth; it’s not going away any time soon.

A lesson everyone must understand is the most powerful weapon isn’t anything physical or tangeable: it’s the ideas that exist in the minds of those who care.

(I told you they were going to be dramatic) A way I look at it is if you can’t imagine dropping the mic on the last line, it needs to be stronger (yes I found that plagiarized with not even a whisper of credit on Pinterest, but it works).

If you wrote a SOLID essay, consider ending with a question aimed at the reader (this will push your essay in the direction of either the positive or negative extreme: a strong essay will become stronger, a weak essay will become weaker). Questions can be a call to action or rhetorical as a means to drive home your final point. Becuase they’re more nuanced to the content of the essay, I don’t really have great examples to give you though (sorry).

Hopefully this is useful to at least some of you - good luck!

++++

Tagging:@candlemouse

If you want to be added to or removed from any of my taglists (found pinned to the top of my blog) just let me know :)

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bunchofstraydogs · 3 years

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Dazai Osamu in a relationship

Just a lil warning before you proceed: dis a chonky one, kay?

○

Depending on why Dazai is in a relationship affects how he will act with his partner.

If Dazai is curious about them, enough to enter the relationship,

it will last at best a handful of months, at worst about 2 weeks. Enough to get to know them, test them out in terms of reaction, values, honesty and morality, and get bored of them. Thus leading to him braking up with the person or, if he predicts that the person would react badly and cause a scene, get them to break up with him. But even that is dubious because i doubt Dazai would make the relationship official. He would probably just act as if they're dating, leading the partner to believe they actually are without having to verbally confirm anything, and then as soon as he loses interest, pulls a now-you-see-me-now-you-don't and disappears with little to no notice. Hey, he never said they were dating, he calls everyone Belladona, the fault is that person's for being delusional. Yes, he is an asshole, what did you expect of Dazai?

But if Dazai is in love?? Unrecognizable.

I will make a separate headcanon(? whatever these are I'm writing) on what i think a person should be like to sweep Dazai of his feet, but now i want to concentrate on what he would be like in such a relationship.

Is it possible for Dazai to fall in love? Absolutely. He loved Odasaku and Ango, perhaps not romantically, but he's definitely capable of love. People like him- aware of the world's cruelty, dealing with demons and guilt, roaming the world for the sole reason that they haven't died yet, hoping to find something worthwhile they can feel the need to be selfish about and call theirs; don't fall in love, they crash desperately. It takes a lot for them to feel those emotions, but when they do, they can never really let them go.

He would try to act as he usually does in public and try approaching the subject of his trepidation and disarray in many different ways. Distancing himself and going as far to actively avoid them would just come back and bite him in his boney ass. To effectively avoid someone, you need to know their schedule, hobbies, interests, habits, etc. And having learned that would just constantly remind him of them, they'd never leave his mind. He'd look on the clock, see the time and know that they'll be in that specific class because he knows their whole curriculum and class schedule/ at the grocery because they're surly out of their favourite snack/ doing black laundry and yes, he knows unnecessary details about them as well. After that disastrous failure, he comes back running and commences new ways to handle that person. These beta testings are for him as much as they are for them. Just how much and what exactly does he feel for that person, what buttons can he push and which ones he doesn't want to.

When i say Dazai in love would be unrecognizable, i mean it. Not superficially, where everyone can see it, but where it matters.

After doing his best to rail in the unfamiliar feelings under control, going as far as using some of Mori's techniques, the realization of the situation he's found himself in hits him hard.

He comes back as if nothing happened.

The deadpan that person gives him and a "Are you done with your bullshit or do you need some more time to brood about issues you made with yourself?" He doesn't even blink, "Oh, my Belladona! Does that mean you've missed me? Were you worried about me as well??"

All of this was said in your typical, Dazai maniac style, the only difference is that he actually wants an answer. He wants to hear the confirmation, in whatever form it may come- he can read between the lines and body language, just give him something to work with. He's desperate.

While the public Dazai persona won't change, his inner musings and his approach to the love interest will.

Osamu will, sometimes sneakily, usually not so subtly, immerse himself into their daily life. Get them accustomed and used to his presence. What this will do is cause a sense of familiar coexistence, that of people living together; make the person unconsciously continue to include him in their activities; learn to depend on him (not in a unhealthy, yandere way, but if their car brakes down or they're feelinh unsafe, Dazai will be the first person they feel the urge to call) because Dazai can be reliable and he will be reliable for that special person. He will also be the first person they share good news with as well, because if someone is always there for and with you, it's only natural.

Make no mistakes, Dazai is transparent only when he wants to be.

The reasons he does this is because 1) he wants to gauge their reaction to his great interest in them, 2) mask his subtle advances which are the most important part of integrating himself into their life, 3) to get that person in the position where he needs them to be for him to move on to the next phase of his plan.

Now, i may have said plan, but that's a somewhat loose term since what he'll do next depends on their reaction. He definitely has a rough outline of the whole thing in his head, but he's also adaptable and ready to react accordingly to whatever they may throw his way.

[I will be using l/i or LI for "love interest" bc I'm tired of writing that person or whatever, okay? Good.]

Once his l/i made effort to go out of their way for him or commit any type of love language, basically:

act of service- pay for his bills, massage his shoulders, buy crab based food or alchohol he really likes for their own fridge so that he can have it when he's over (often) even if they don't like those things especially then

words of affirmation- thank you Dazai, how was your sleep?, please take better care of yourself i can't help you if you're not making an effort

physical touch- ruffle his hair, lean on him when tired, hold his hand or wrist because it's crowded and it would be a pain to search for you Dazai

gift giving- "I noticed you were running out of bandages", "I bought you food, figured your lost case would forget to eat", "saw this mackerel, reminded me of you^^" "BELLADONA, NO >:("

quality time- spending nights with him because he has insomnia, playing games at the arcade, drive around town run from the cops

He would be overwhelmed. In the best way possible. He'd feel overwhelmingly good and pleasant and warm and worried.

He didn't feel like this, ever.

Not even with Odasaku and Ango. They were probably his first friends, but that's the thing. They didn't make his heart race, they didn't throw him into panic attacks, they didn't overwhelm him, they didn't keep him up at night because he couldn't get them out of his head or completely monopolise his mind during the day.

He gets panic attacks.

A lot of them, actually. Usually he can fake being fine, but sometimes he hyperventilates and can't breathe and all that he can smell is the blood on his hands and his chest is as hollow as l/i's eyes. He knows what can happen. They can and will be used against him. Hell, it could even be an accident. He is vulnerable just because they exist and he can't do shit about it.

He could do his thing: pull some strings, have them move to another country and never speak to each other ever again. He has the power, but he lacks the strength. He could do it, but he doesn't want to. His thumb won't press the numbers, his voice died out, his mind went blank.

The wind blows and it carries their scent with it. The bells ring and it's their laughter that resonates within. His bandages ruffle and it's the warmth of their touch he feels. He's dying, but he's not just ready yet to leave. Hopefully, Odasaku will patiently keep a seat for him.

That was what gave him away, actually.

That's when Ranpo realised, with zero doubt, that Dazai Osamu is in love.

Dazai could be going on and on about suicide.

Enter l/i.

"I found an amazing tree yesterday with really sturdy branches. I wanted to test them out today, but i promised l/i I'd go to the new bakery with them today and who would they go with if i die?? Unacceptable!"

Ranpo: "A new bakery? I'll happily take your place."

"UNACCEPTABLE!!"

With every panic attack he feels stranded on an island in the sea of death.

He's exhausted. For the first time he finally wants to escape alive. Then they walk in and the storm in the sea moves to his heart. And into his stomach and his hands and his knees.

"I'm here for you, Osamu. Everything is going to be fine."

His insomnia goes by a different name now.

It still keeps him up at night and makes him restless.

But this time, when he fills his nth glass of whiskey for the night, when the TV is muted and the trafic quiet, when he can hear their breathing beside him in their shared bed, he raises the glass to hope for the halcyon days.

●

Fucking finally. You think you're exhausted, you waste of bandages?? I have a final today I'm going to fail and actually wrote about your musky ass. You try doing that with my brain.

Hope you guys like it and if you made it this far, here's a cup of ☕ or 🍵, whichever you prefer. I wrote him as i see and envision him. Hope it all makes sense. He's a complicated character, but he is still human and he is not immune to emotions.

Have a good one~☆

I will probably come up with more things for him, because i doubt i covered everything, but for now this shall do.

#bungo stray dogs #bsd #dazai osamu #bungou stray dogs #dazai osamu headcanons #dazai osamu x reader #dazai osamu in a relationship

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glowingbadger · 3 years

Note

How are there no SFW and nsfw modern day Felix HCs? I must remedy this.

Ah, I actually have a few Modern AU Felix thingies- they're just scattered throughout posts about multiple different characters lol. You can find them all in my masterlist, but lemme go ahead and compile everything I've written for him so far~ ((There aren't many NSFW ones yet, so if anyone has a nice Modern AU spicy concept for Felix for me to toy around with, I'm all ears :3))

Felix (FE3H) x Reader, Modern/College AU

SFW (nsfw below the cut):

From the BL Modern AU hcs: He’s a business major, but his heart clearly isn’t in it- he’s only doing it because he’s expected to run his father’s company some day. He’s at the gym every time you go (presumably plenty of times when you’re not there too), before you realize it, you start looking for him there. You tell yourself it’s just because you admire his motivation. He catches you staring though one day, and calls you out. Somehow, you stumble your way through introductions, but before long he’s telling you how you’re not stretching properly at all, how your jogging pace is inefficient, and just like that, you’ve got a gym partner who eventually becomes the most secretly-sweet boyfriend.

From 'modern AU w/ insecure Reader': He’s a funny one about this, honestly- his feelings for you are strong and enduring, and because of the intensity of what he feels, he does have a hard time understanding what you’re insecure about. He’ll grab your hand and grumble that, “I’m your boyfriend, aren’t I? I wouldn’t waste my time if I didn’t love you.” He’s also definitely one of those types who wants to help in concrete ways, so he’ll interrogate you about what’s making you anxious and what he’s screwed up- he knows he’s not good at romantic stuff, but he’s willing to do absolutely anything to make you happy. He will never admit it but he somehow finds himself lurking on relationship forums to better understand how you’re feeling

From escape room BL hcs: This poor boy. He does not understand why you would intentionally put yourself in the position of being trapped somewhere for fun. But you get so excited and so into the whole thing that he simply can’t help wanting to help you if he can- not that he would ever admit it. It’s just that your moods are so contagious to him and he can’t help wanting to see that adorable, triumphant smile you give when you’ve figured out the next clue. Absolutely the type to get impatient if one code or riddle is taking too long, and will 'test out’ the structural integrity of the doors, walls and locks.

From 'modern AU soft hcs': - He’s so bad at being soft, but he wants to be for you, but also doesn’t want to be because ew feelings. Which he has a lot of. This is why the main way he expresses his affection is through physical contact. It’s mostly in private, where he can be super cuddly with you- but in public, he’ll still find times to lightly brush his hand against yours, or an excuse to “fix” your hair, mumbling, “It’s flying all over the place, hold still-” even though it’s really not that out of place, he just wants a reason to touch you.

- Felix is a funny one to bring your problems to. He’s actually a surprisingly good listener for someone he cares about, so he’s happy to just hold onto your hand and listen to you vent about whatever’s bothering you. If it’s an interpersonal problem, he’ll probably offer to confront or straight up fight whoever is giving you trouble, which might at least get you to laugh, even though he fully means it. But for a more serious problem, he’ll quietly wipe away your tears and remind you, “Hey, listen- you just… keep living your life as you, okay? You can’t be anyone else, and I don’t want you to be.”

- He secretly loves it when you play with his hair. While he’s studying or gaming, he likes to lean back against the edge of his bed or a couch and have you sitting behind him brushing out his hair, or even braiding or pulling it up for him if you like. He finds your touch incredibly soothing, and there have even been times when he’s spaced out a bit and completely forgotten what he was doing because he was just enjoying your nails along his scalp and your fingers through his hair. Honestly, it’s a bit like scratching a cat’s ears- he’ll even subconsciously lean against you if he’s not careful.

From general modern AU hcs:

- he’s very cat-like in how he chooses to show his affection. He’ll almost never verbally express it, and to many, he comes across as cold. But if you know what to look for, the signs are incredibly obvious. The mere fact that he goes out of his way to just be near you, the fact that he’ll jump to your defense the moment someone dares to give you a hard time, small gifts that he’ll give with a carefully neutral, “It’s not a big deal, it just seemed like the kinda thing you’d like.”

- Once you’ve been together for a bit though, he’s extremely physically affectionate in private- only in private, mind you. Alone in your dorm or apartment, he’s very cuddly, holding you close to him at any chance he gets and resting his chin on your shoulder, or nuzzling against your neck. Sometimes he doesn’t even realize he’s doing it, but he’ll run a hand along your back or your waist when he moves by you, or his thumb will rub little circles along your thigh when you’re sitting together. Don’t call him out on it though- he’ll lurch away immediately and be too shy to touch you for an hour or two.

- His friends definitely know he’s developed a thing for someone very early on. He tends to be notorious among his friends for never checking his phone or responding to messages, and when he does respond, it’s in five words or fewer. Once he’s started getting close to you though, he keeps his phone in his hand while he’s hanging out with the other Blue Lions, glancing down at the screen every ten seconds, and completely impossible to communicate with when he’s thinking of what to send you when you do message him.

NSFW 18+ v

- he’s the type to feel most comfortable initiating sex when you’re just relaxing in one of your rooms together. In the middle of a movie or playing video games together- or even just sitting quietly and studying together on his bed- he glances over at you and it just hits him that you’re his, you chose him, and damnit he’s just so crazy into you. He leans over and kisses you without a word, then slides his tongue past your lips, pulling you closer until you can very evidently feel that he needs you now.

- His roommate (Sylvain) is quite the renowned flirt on campus, and likes to tease Felix by openly hitting on you in front of him. All three of you know that it’s genuinely in jest, and that Sylvain would never push things TOO far… but that doesn’t stop Felix from fucking you extra hard and deep once you have the place to yourselves again. He’s generally not very vocal during sex, but if his insecurities have been prodded a bit, he’ll lift your legs into a mating press and pound his cock into you, groaning out, “tell me you’re mine, Y/N. C'mon- again, louder-!”

- Overall, isn’t much one for intimacy in public places- but once or twice, you’ll encounter a bit of an exception. Gym dates with Felix are generally common and comfortable enough, and he’s actually very helpful in improving your technique and efficiency when working out. But he won’t let on for quite some time that it also turns him on immensely to see your body moving like this, and the scent of your sweat and pheromones drive him near feral. If it’s late enough at night and there’s no one else to overhear you, he’ll drag you into one of the changing room showers and fuck you breathless against the wall, his tongue dragging along your neck and his hands groping every inch of you he can reach.

#felix hugo fraldarius #felix x reader #fire emblem #feh #fe3h #fire emblem three houses #fire emblem modern #modern au #fire emblem headcanons #fire emblem x reader #x reader #felix fire emblem

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homoose · 4 years

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Through the Smoke

Request: could you do spencer x bau reader where they aren't dating yet but they both feel for each other? where both spencer and reader are very closed off people and the whole team knows that. but after one rough case on the flight back, they're both just exhausted mentally and physically and seek comfort in each other. then spend the night at reader's apartment and kiss for the first time there. sorry if this is specific but thank you (:

Pairing: Spencer Reid x fem!reader

Category: angst with a happy ending

Warnings/Includes: typical CM stuff, cults, kidnapping, violence, etc.

Word count: 8.1k

Music recs: Through the Fire by Jake Etheridge and Margot Todd; scared by Jeremy Zucker

a/n: anon, I have no idea if this is what you were looking for, but this is where it went. It’s a generous rewrite of 300, substituting the reader for Garcia. Also this blog operates with the understanding that the season 14 jeid arc does not exist lmao. JJ is firmly in the “I love you as a brother” camp and I will not be taking questions at this time. Also, this is a reminder that my requests are open! send me some fresh ideas, head cannons, rambles, whatever!

———

“Metro PD and the Bureau have been made aware of the Believers and possible activity following their leader’s arrest,” Prentiss confirmed, looking out over the team mingling in the bullpen. “But taking Theo at his word—”

“We only arrested three. There’s probably more out there, but if they follow cult dynamics, they’ll break down on their own without the messiah,” Matt finished.

“Typical cults: you think it’s a cast of thousands when really it’s just four whackos sitting around in the dark,” Tara mused.

Prentiss smiled. “I think we deserve some decompression time, and Rossi’s kind enough to host.”

Rossi leaned over the railing and nodded. “And I have some top shelf wine picked just for the occasion.”

The team started gathering their belongings and heading towards the elevators. Y/N hesitated, looking toward the case file still sitting on her desk. Something about how this had all wrapped up just… didn’t sit right. Her nearly five years with the Critical Incident Response Group had given her an up close view of some of the most prolific cults in American history. She’d studied Jonestown, Waco, Ruby Ridge, Liberty Ranch; new cults emerged onto CIRG’s radar regularly. And there was something about The Believers that just didn’t add up.

Y/N began shuffling things around on her desk, trying to look busy. She caught Spencer and JJ out of the corner of her eye, talking quietly. They ended their conversation with a hug, lingering just a little longer than Y/N would have preferred. She shook her head to try to physically clear the thought from her brain. She knew that Spencer had been through a lifetime’s worth of trauma before she joined the team, and that JJ had been an integral support for him. Y/N was also aware that she had zero grounds to be concerned with any of Spencer’s relationships, romantic or otherwise.

“Y/N, you coming?” JJ asked, walking toward her desk. Spencer headed out of the bullpen and down the hall.

Y/N gave her a half-hearted smile. “Yeah, I’ll be there in a little bit. Just wanted to finish up a couple things here.”

“Well, don’t stay too late.” JJ pressed her lips together for a moment before adding, “Maybe you and Spence could drive together. He said he might not make it, but if he had some company...”

Y/N hoped her immediate flush wasn’t too obvious. After nearly a year in the unit, she finally felt like she had built some solid relationships with the team, and Spencer was no exception. She relished their card games on the jet, the laughs over too-sweet coffee, discussions about books and films and music. But she also adored the way his hair sometimes curled and fell into his eyes, his animated and rambling tangents, the way his hands traced over the tiny print of his books. Most of her adult life had been spent surrounded by men who would gather up her trust in their pitted hands and crush it on a whim. She’d kept her heart behind glass for a long while, but Spencer was slowly chipping away at the fragile panels. She was certain he had no idea that he was even holding the chisel; but just about everyone else seemed to have figured it out. JJ, with her hands clasped together and an eager smile, definitely had. Y/N smiled, too. “I’ll see what I can do.”

“So we’ll see you in a bit?” When Y/N nodded, JJ gave her a warm smile and headed out.

Turning back to the case file, Y/N pressed her fingers to her temple and looked over the documents. Some of the pieces fit together, but the whole case felt littered with gaps and holes. The tale that Theo had woven about The Believers seemed true enough— his parents were simply the suppliers of potential cult members. Although, she still couldn’t figure out the reason for the kidnapping and torture. There were much easier ways to recruit vulnerable people.

She flipped past the pages of written statements and read over the report from the warehouse raid. It was short— the take down of Merva was too easy. Why was he sitting alone in an empty warehouse with only two unarmed, sleeping followers as a defense? Where was the rest of the cult? Matt was correct that most cults fall apart without their leader; unless the loss of a leader was a possibility they’d already prepared for.

The burns on Quinn’s hands didn’t make sense, either. Why use the initiation ritual as a torture device? Shouldn’t that be saved for people who had accepted the invitation? And then there was the one coincidence that nagged at her the most: what were the chances that Theo just happened to be enrolled in Spencer's course? Why did Spencer seem to be at the center of the whole thing?

Y/N sighed as her phone lit up with a message from JJ. She realized she’d been poring over the file for twenty-five minutes, and she had to laugh. As the least experienced profiler on the team, what could she possibly see that the others hadn’t? She closed the case file and quickly packed up, grabbing her jacket and bag and making her way toward the elevator lobby. She paused at the glass doors, retrieving her phone and pulling up Spencer’s contact information. Her thumb hovered over the call button for a long moment before she huffed out a breath. If even JJ hadn’t been able to convince him to go, there was no way she’d be able to change his mind. Despite herself, she glanced down the hall, allowing herself one moment to imagine an alternate timeline where she asked him to come along with her— to Rossi’s, to the moon, anywhere.

With a sigh, Y/N pushed open the glass doors and saw Agent Meadows leading Quinn to the elevator. She pushed down the little red flag in the back of her mind. As she stepped onto the elevator, she smiled politely at the two agents.

“I knew you didn’t do it. I just knew,” Meadows said to Quinn. She turned to Y/N. “And I can’t tell you what a privilege it’s been working with the A-Team on this case.”

Something about the calm in her voice made Y/N uneasy. “Yeah, it’s— um. It’s a great team to be a part of.” Her phone lit up again, this time with a phone call from JJ. “Okay, okay,” she muttered under her breath. Y/N answered the call, half an ear still listening to Meadows speak to Quinn. “Hey, I’m just leaving now.”

“Are you still at the BAU?” JJ demanded, voice low.

“Yeah, yeah, sorry. But I’m in the elevator,” Y/N answered.

“Listen, we’re pretty sure Quinn was converted,” JJ told her. Y/N’s heart dropped into her shoes. “I need you to make sure he doesn’t leave that building. We’re coming back now. Where’s Spence?”

Y/N took a breath to try to even out her voice before speaking again. “Mom, we already talked about this. I don’t know.”

JJ paused. “Is Quinn in the elevator with you?”

“Yep.” JJ spoke quietly to someone on the other end of the phone. Y/N watched as the elevator dinged to the floor of the parking garage. “I’m going to have to hang up, mom. I’m gonna lose you, but I’ll try to take care of it tonight, okay?”

“Y/N, we’re on our—” The call dropped as the elevator hit the basement level.

Y/N took a deep breath to steady her voice. “Ugh, lost her.” She glanced at Meadows and Quinn, forced a smile and shrugged. “Elevators, right?”

The elevator doors began to open and Y/N stepped out, surreptitiously reaching for her holster. She had just lifted the strap when she heard the crack of metal hitting bone. Her face hit the concrete before she realized it was her own skull that bore the impact. She watched as her gun skidded across the parking lot floor, the taste of iron flooding her mouth. “Fuck,” she muttered, wincing in pain and scrambling up off the ground as a gunshot went off.

She didn’t feel the impact of the bullet. She looked down at her body, expecting to see a blooming rose of blood. She stared dumbly for a second too long, before remembering that she needed to get to her gun. Her hand instinctively went to her nose as she stumbled forward, coming away wet with blood.

“Stop, Agent Y/L/N.”

She heard the sound of a gun cocking, and then another. She closed her eyes and ran through an internal stream of curses. Raising her hands up, she turned slowly around. An older white man stood to her left, his gun trained on her. Meadows walked slowly towards her, lowering her own weapon. Quinn leaned against the back of the elevator, clutching his abdomen and blood staining the front of his shirt.

“Surprise,” Meadows sang, a sick smile spreading across her face. She stopped in front of Y/N, sweeping her hand in the direction of the man. “Now, John’s going to make sure you don’t do anything stupid. Get in the car.”

Y/N glanced in the direction of the vehicle, a dark sedan, driver armed to the teeth as well. “The team knows something’s up. You won’t make it out of this garage alive.”

Meadows laughed, loud and unhinged. “Oh honey. They’re not looking for lil ol’ me. And they sure as hell won’t be looking for an ambulance.” Her smile returned. “Plus, I already erased 299 murders from the Bureau’s radar. What’s a couple more? Now, shut up... and get in the car.”

Y/N moved to the open car door, keeping her back as straight as possible and her chin up, refusing to show them any cowardice. The barrel of the gun jabbed her in the back as she lowered herself into the vehicle. The door slammed shut, and in a moment, the gun was back on her, the man sitting next to her in the backseat. Y/N waited for the car to pull out, still trying to make sense of it all. Meadows was a Believer? What did she mean by “erased” 299 murders? Why would she blow her cover to shoot Quinn? Did she think that he had figured her out? Or that Y/N had? If that was the case, why not just shoot her? Why wasn’t the car moving?

“Drop your gun, Agent Reid,” Meadows’ muffled voice penetrated the inside of the vehicle. Y/N’s heart began to race. John dug the gun further into her side.

“It’s been you the whole time,” Spencer deduced.

“Yes, it was. Quinn somehow figured it out first. Pity having to shoot him,” Meadows mocked. “But he can’t give me what I want. And you can.”

“What’s that?” Y/N’s brain scrambled to put the pieces together as she listened to the exchange. Spencer was at the heart of it after all. It was right there, she just couldn’t quite put her finger on it.

Meadows continued, “You and I are going to go upstairs and free my Messiah.”

“You’re in the heart of the FBI. As soon as the rest of my team figures out it’s you, you’ll be dead before you’re out the door.” Y/N hoped to god that he was right.

“Then we need to work quickly.”

“I’m not going to cooperate with you,” Spencer told her. “Might as well shoot me.” Y/N didn’t even have time to panic before the car shifted into drive.

“I have a better idea.” On Meadows’ cue, the driver squealed out of the parking space and into Spencer’s line of sight. His eyes fell on Y/N, hands nearly pressed against the window, John’s gun pointed at her head. “Now, what’s it gonna be? Because you can either join us, or she dies.”

Y/N tried to radiate her rage through her eyes and screamed, “Reid, just shoot her! Shoot her!” The last thing she saw before the second crack of steel against her skull was the hesitation in Spencer’s eyes.

⧭⧭⧭

Y/N’s eyes fluttered open and she groaned at the pounding of her head, the rhythm of her heartbeat throbbing in the space behind her ears. She tried to lift her hand to check for blood, only to strain against the hold of a zip tie attached to the base of the chair. Instead, she surveyed the room around her. A warehouse, lots of shipping containers, and even more men— this time armed with assault rifles and machine guns. One stood at the entrance point of the small area she was being kept in.

She worked through her memory, putting the pieces together. Meadows was a Believer, had been for quite some time to pull all of this off. Quinn wasn’t special, he just got in the way of her real target. Ben Merva might have been the messiah, but Spencer Reid was clearly just as important to whatever mission they were carrying out. Every twisting thread of information somehow traced back to him: Theo in his class, Quinn’s attachment to him, Meadows’ demand that he be the one to free Merva.

“Good, you’re awake.” Meadows strode through the space with a laptop in hand. “I need your handiwork.”

Y/N stared at her. “Is that so?’

Meadows set the laptop on the barrel in front of Y/N and then leaned down to cut the zip tie. “Besides being my collateral for the good doctor, you’re also going to help me access CIRG’s surveillance data.”

“Fuck you.” Y/N spat on Meadows’ shoes. “I’m doing nothing for you.” Her head rolled back, eyes piercing daggers into Meadows. “You should just kill me now, because this is a waste of your time. And I’m sure you know the A-Team isn’t going to waste theirs.”

Meadows narrowed her eyes and gave a theatrical sigh. “I should’ve known you’d make this difficult.” She nodded to John, standing at the entranceway.

Y/N spat again, this time to rid her mouth of the taste of blood. She steeled herself for the next onslaught, compartmentalizing every emotion outside of her fury. Her mind raced to salvage and scrutinize the memories from her time in CIRG, trying desperately to identify what Meadows could be looking for in the surveillance reports. The Believers hadn’t even been on the Bureau’s radar. The reason had to be linked to their interest in Spencer… a piece of information that involved both Spencer Reid and the existing surveillance data. A single grain that could bring the whole damn bushel down.

She heard a scuffle at the entrance of the room and raised her head. Her heart jumped into her throat at the sight of Spencer, bloodied and bruised. John dragged him into the room, throwing him down onto his knees in front of Y/N. His eyes tracked over her face and clouded over with an emotion she couldn’t quite place.

“Shit, Reid—”

“I’m fine—I’m sure it looks worse than it is,” he murmured. The concern in his eyes told Y/N she looked about as bad as she felt. “Are you all right?”

“I should’ve seen it. I should’ve known—”

“No,” Spencer interrupted. “This isn’t your fault. We all missed it.”

“What’s the end game here?” Y/N asked. “What’re they doing?”

“I’m going to be their last victim.” Spencer shook his head, barely able to keep himself upright. “I don’t know why, but I overheard them. There have been hundreds.”

Meadows stepped up behind Spencer, grinning at Y/N. “Have you changed your mind? I sure hope you have.” She raised her gun to his head. “Because if you don’t do what I want, I’ll blow his big, beautiful brains out.”

Spencer locked eyes with Y/N. She held his gaze for a moment, then tilted her head slightly as the gears started turning. The tie between Spencer and Benjamin was where it all unraveled. “No, I don’t think you will.”

Meadows’ grin faltered for less than a second, but it was long enough that Y/N knew she was right. “Is that right?” Meadows questioned.

“Yeah, it is.” She furrowed her brow, and Spencer looked at her. “You need him, don’t you? Alive.” Meadows’ tongue darted out to wet her lips, and Y/N was sure. “Because this isn’t just about Benjamin Merva. It’s about Benjamin Cyrus. It’s about Liberty Ranch.”

Meadows held her gaze for five seconds, then ten seconds. Y/N raised her chin, refusing to be the one to blink first. Meadows shifted the trajectory of her gun a foot to her right and fired off one shot. The breeze from the bullet shifted Y/N’s hair.

“You have two minutes to decide,” Meadows advised. The phone in her hand began ringing. “The next one won’t miss.” She answered the phone and stepped out.

Spencer spoke quickly. “Do whatever she’s asking. We have to get you out of here.”

“Reid, are your eyes broken?” Y/N snapped. “There’s a cult loyalist with a machine gun every five feet. You got a plan for that?”

“Listen to me.” His voice was calm, determined. “You’re right about them wanting me alive.”

The frustration bled through Y/N’s voice. “You should have just shot her.”

He shook his head. “I couldn’t do that.”

“You could’ve shot all three of them and ended this in the garage,” Y/N argued.

“And then I would have watched you die,” he said quietly. “That was never even an option.”

“I’m failing to see how that would have been any worse than this. Look at us.” She gestured wildly between them. She watched as the storm of emotion returned, a cyclone swirling in seas of gold and brown. “The team needs you. Spencer, I—” I need you. She reached a hand up, almost touching his face before dropping it back in her lap. He had found the chink in her carefully constructed armor; a fissure he’d fractured a little further with every smile, every look, every moment. All at once she knew she’d never be able to keep him out, no matter how much it might hurt.

“You’ve got one minute,” Meadows barked, hovering over them.

“Y/L/N, listen to me… Please...” Spencer’s voice was thick with tears. “Tell my mom—” The phone rang again, and Meadows stepped away to answer it. Spencer dropped to a whisper. His eyes flashed with urgency. “They’re taking me and Theo. We’ll distract them. The car we were in is right outside the door. We’re 18 minutes from Quantico. Turn left outside the parking lot, take a right at the light, you’ll recognize the rest. They stay off the highways.”

Y/N’s voice was frantic when she asked, “What about you?”

His eyes pleaded with her to respect what he was asking her to do. “I’ll delay them. Get the rest of the team back here. And do not worry about me.” John hauled up him off the floor.

“Time’s up.” Meadows, in a rare display of mercy, allowed them a hug.

Spencer leaned into her and Y/N wrapped her arms around his shoulders. She squeezed as hard as she could and whispered his name. She felt him take a deep breath into her hair, holding it for one impossibly long moment. Just before she released her hold on him, he mumbled, “It’s all happening. 10:23.” John dragged him back out the way they’d came.

“I gave you what you wanted.” Meadows ordered, “Get to it. Now.”

⧭⧭⧭

Y/N worked and waited, then watched and worried. Spencer spoke to Meadows. He was stalling her, offering a deal, boosting her ego, granting Y/N the opportunity to mentally prepare. But no matter how much time he gave her, she would never be prepared to leave him in that warehouse. He met her eyes across the movements of the operation and gave her an imperceptible nod before lunging forward to reach for John’s gun.

Chaos exploded throughout the warehouse. Theo ran in one direction, accosted by half a dozen Believers. Spencer and John tussled over the gun, one fighting for control and the other fighting the inevitable. Y/N sprinted, largely unnoticed, toward the huge sliding doors left slightly ajar. Bursting out into the night air, she immediately spotted one of the black sedans, unbelievably unlocked and with the keys in the ignition. She slammed the door behind her, turned the key, hesitated with her eyes on the door and her mind on Spencer for one moment too long. A single gunshot sounded from inside the warehouse.

Meadows raced out of the doorway, gun drawn. “Stop!” She pointed her gun at Y/N and there was nothing to do but step on the gas. Y/N had her eyes wide open as Meadows bounced off the windshield and onto the asphalt. She didn’t look back.

She drove. Left out of the parking lot. Just a dark, rural road—nothing particularly special or descript. She drove. Right at the stoplight. Then it was, just as Spencer said, familiar terrain. She wondered how it was possible to have seemed so far away— a world away— when it was right under their proverbial nose. She drove.

Her brain navigated of its own volition. Her mind couldn’t have been farther from the inside of the vehicle. She didn’t realize she’d arrived at the Bureau until she was attempting to pull into her usual parking spot, only to be met with her own abandoned car.

She turned the car off, left the keys in the ignition, and nearly floated out into the garage; up the elevator; across the cold floors of the lobby. Her body had walked this same path so many times before; it carried her without hesitation. She could hear the voices of the team, drifting through the open glass doors.

“She accepted their help knowing she would betray the government,” Tara deduced.

“Not every survivor wanted help,” JJ clarified.

Rossi continued, “We ran those who left the ranch and kept their names. A few relocated in rural Maryland and Virginia.”

“They could be helping now,” Luke suggested. “Any of them have large pieces of property?”

“A few,” Emily confirmed. Y/N turned the corner as she continued, “The Washington field office has started searches in Maryland. We’ll take the lead in Virginia.”

As she moved into the doorway, JJ’s eyes went wide and she rushed to Y/N’s side. “Oh my god, are you hurt?” She gently grabbed Y/N by the shoulders.

“It’s a warehouse in Hillcrest,” Y/N said flatly, eyes unfocused. “I can take you there, but we have to hurry. They hurt Reid; he looked— bad. He told me to r-run and take the car, but he’s still there.” Everyone headed for the doors except JJ and Garcia. “They won’t be there long, they have lots of trucks.” Y/N’s eyes locked on JJ, and for the first time since the whole ordeal started, she allowed herself to splinter, just a little. “I heard a gunshot. JJ, I heard a gunshot. I tried—”

“Shh, it’s okay,” JJ nodded, drawing her into a hug. “I know. I know you tr—”

“I left him there.” Her voice broke, but she couldn’t cry. Not yet. “I couldn’t get him. There was no way to save hi—”

“Stop,” JJ ordered, pulling out of the hug. “Y/N, look at me. You got out, you got back to us. If you hadn’t, we wouldn’t even know about the warehouse.”

“What if— what if I got him killed?” Y/N asked.

“You didn’t get anyone killed. Spence knew what he was doing.” JJ’s voice softened. “That’s what he does. He always figures things out before the rest of us. He has a plan and getting you back to Quantico was part of it.” She raised her eyebrows, making sure Y/N was listening. “And now we have to help him by putting the rest of it together.”

Y/N ran a hand over her face. “You’re right. Of course, you’re right.”

Garcia stepped forward and laid a hand on her arm. “Let’s get you cleaned up. Then we’ll get Reid back.”

They cleaned the blood from her face and hair as best they could in the bathroom sink. JJ patched up the lacerations with steri-strips. Back in the conference room, Garcia insisted she should get screened for a concussion as Y/N rubbed the knot on the back of her head. “There’s no time. Reid said, ‘It’s all happening. 10:23.’”

“But it’s past that,” JJ considered.

“So what did he mean?” Garcia asked.

“Could be a clue here.” Rossi's voice came over the speakerphone from inside the warehouse. “They got sloppy since they left in a hurry.”

“Okay, well you can’t be that far behind them,” JJ insisted.

“I know,” Emily agreed. “But there’s easy access to three major highways, and we don’t know which way they went.”

“Right, but they’re in tractor trailers. That means we can track them through weigh stations.”

“Garcia?” Emily prompted.

“In order to do that, I’d need the transponder identification numbers,” Garcia answered.

“Which we have no way of knowing,” Rossi sighed. “Everything they used was almost definitely forged.”

“We’re going to do another sweep here, and then we’ll head back,” Emily said. “Try to map out the most likely routes they’d use to get out of dodge.”

JJ hung up and looked to Y/N. “What do you remember about the warehouse?”

Y/N pressed her fingers into her temples. “It was full of supplies. They were disguising them, but they had stockpiles of weapons and ammunition; non-perishables and other food items; water. Enough to be off the grid for at least a year.” Y/N leaned back in her chair. “But it wasn’t just about The Believers. I mean, we know they’re a reincarnation of the Separatarian Sect.” She looked at JJ and Garcia. “It was more than that, though. Reid was at the center of everything; he was the target all along. Merva is the messiah, but it somehow all comes back to Spence.”

“Makes sense. They blame him for the downfall of the Sect,” JJ supplied.

“Yeah.” Y/N cracked her knuckles. “But—and I can’t—I can’t really explain it, but Meadows really wanted to kill Reid right then. She was— she was irritated, more than anything else.”

“So what stopped her?” Garcia asked.

“That’s what I can’t figure out. She threatened me with it, with ‘blowing his brains out,’ but I— called her bluff. And she was pissed.” Y/N rapped her knuckles on the table. “I mean, really, really furious. Which tells me that, even though she wanted to, she couldn’t kill him.” She looked between the two of them. “Merva was pulling the strings, and he wouldn’t let her do it there.”

“So it matters where the final sacrifice takes place,” JJ concluded. “We’ve got to figure out where they’re going.”

⧭⧭⧭

They’d been rehashing the details over and over. Liberty Ranch, The Strangler investigation, The Believers, Meadows, Merva, Cyrus, 300 victims, the hyoid bones, all of it. About the only thing they knew for sure was how far the cult could get in the trucks. Spencer could have told them the exact square mileage, but the potential geographical range of the trucks was dauntingly large. Y/N tried not to panic as she stared at the map.

“If this is about a Believer's rebirth, babies are born with 300 bones,” JJ said. “And they’re taking the hyoids.”

“And the hyoids we had in evidence are missing, which means Merva needed them back,” Tara reasoned. “And that means they mean more to the end game than we thought.”

Y/N felt her patience waning. “But why did Reid need us to know it all happens at 10:23?” Y/N hated that her voice sounded snappy and desperate. “That’s got to be important. It’s the last thing he said to me.”

Matt put his hand on her shoulder. “Listen, you’re right. It means something to him. We’re trying to figure it out.”

“Yeah, well, we better figure it out soon.” Y/N shrugged off his hand, pushed back from her seat at the conference room table, and turned for the door. She couldn’t think, couldn’t breathe. Every minute they spent floating ideas was another mile between them and Spencer. Another moment closer to losing him. She shoved the bathroom door open, hurrying into the stall and emptying the contents of her stomach.

She slumped back against the side of the stall, head gently knocking into the cool metal. She needed to pull herself together. The team was always strongest when they did their group think sessions, building upon each other’s knowledge and perspectives and filling in the gaps. If they’d done more of that earlier— if she’d had the confidence to call it out as soon as she saw the holes, Spencer might not be locked in the back of a truck, hundreds of miles away.

Y/N hoisted herself off the ground and out of the stall. She braced her hands on the counter top and tried to breathe evenly. She turned on the water and splashed her face, tapping against her cheeks. With water dripping down the planes of her face, she stared herself down in the mirror, willing her tired brain to make that last connection, to find that missing thread. It was all about the Benjamins, and she had a feeling that Cyrus was the key.

Y/N rolled her shoulders back and made her way to the conference room. She listened to their rotating conversation, knowing that this team was the only group of people capable of getting Spencer back alive.

“We have confirmation that there’s been no activity in or around the old ranch,” Matt informed them, pocketing his phone.

“If this is about rebirth, they’ll choose a new place,” Luke posited, arms crossed.

Tara leaned over the table. “Given their adoration of Cyrus and his love for the country, he’d want them to stay within our borders.”

“But Benjamin Cyrus wasn’t his real name, and he wasn’t born into the Sect,” Y/N reminded them quietly. Everyone turned to look at her. She gave an apology grimace to Matt. He just shrugged and smiled, motioning her over to the table.

Garcia nodded. “Right, let’s see. Uh, he and his mom arrived there when he was a teenager. He was kicked out for molesting girls. And then he served time in prison in Kentucky.”

“And that’s where he found religion,” Y/N recalled, thinking back to the report she’d studied dozens of times. “So he was reborn as Benjamin Cyrus in Kentucky.” She closed her eyes and flipped through her mental file cabinet, looking for 10:23.

“That’s within the area,” Garcia confirmed. “Maybe that’s where they’re headed?”

“Find out what city he was born in or where he was in prison,” Luke said. “We’ll spread out from there.”

“He found religion,” Y/N repeated, mostly to herself. “Chapter ten, verse twenty-three. 10:23 isn’t a time.” Y/N shook her head and then dragged her hand through her hair. “It’s scripture.”

“Let’s get in the air; we can narrow down which verse and city before we land,” Emily instructed.

⧭⧭⧭

“We’re approaching Kentucky; the pilot needs to know where to touch down,” Rossi informed them.

The team was scattered throughout the jet, scrolling through scripture on their tablets, reading out verses. Y/N held her chin in her hand, eyes unfocused, dragging a net along the furthest corners of her mind.

“Hey guys, listen to this,” JJ said. “Matthew chapter ten, verse twenty-three: ‘When you are persecuted in one place, flee to another.’”

“They’re going to the next town,” Emily said.

“Flee to the next town. But which one?” asked Garcia.

“Their end game is also a new beginning,” Rossi explained. “Cyrus brought religion back to the cult. They’d honor that by wanting to start fresh.”

Y/N raised her head. “Like the Garden of Eden.”

“That’s how 300 fits,” Tara concluded. “That was the number of angels that protected the Garden of Eden. Are there any Edens in Kentucky?”

The sound of Garcia tapping across the keyboard came through the laptop. “Um, no, but there are two synonyms: Canaan and Arcadia.”

“Cyrus is the original messiah. Which one is closer to where he was born?” Y/N asked.

“Arcadia,” Garcia informed them.

Y/N stood up. “That’s where they’re going.”

“Garcia, pull land deeds. I’ll notify SWAT,” Emily instructed.

JJ grabbed Y/N’s hand. “We’re going to get him.”

Y/N met her eyes. “I just hope we’re not too late.”

⧭⧭⧭

The new compound proved easy to find. In the middle of nowhere but illuminated by hundreds of lights, there were rows and rows of tents. The team began strategizing, looking for the best route to Spencer.

Emily tried to convince Y/N, now showing clear concussion symptoms, to stay with the SUVs.

“With all due respect, there is no way in hell that I’m going to sit in this car while Reid gets sacrificed by a homicidal cult leader,” Y/N said. There was a hushed pause, the team exchanging knowing glances.

“Fair enough,” Emily conceded. “Matt and JJ, I want you on the left side. Luke and Tara, the right. Dave and Y/N, you’re with me. We’re clearing every tent; eliminate any threat that would give away your position.” She unholstered her gun and swept her eyes across the team. “Our objective is to extract Reid with minimal loss.”

As they approached the first line of tents, Y/N could faintly hear Spencer speaking. “To everything there is a season, and a time for every purpose under heaven.” Her heart hammered against her ribcage. “A time to be born and a time to die.” She could feel the blood rushing through her ears. “A time to weep and a time to pluck up that which has been planted.”

“Okay, he’s stalling,” Meadows snapped. “That’s enough!”

“All right. Let the sacrifice begin.” That was Merva now, riling up the followers. “Protect us from all harm.”

As Merva led The Believers in a monotone chant, Y/N tried to block it out. She scanned a tent, watched as SWAT took out a bodyguard, looked for Spencer. Rinse and repeat, again and again. It was taking too long.

“And we thank Our Guardian, who will protect this family now and always,” Merva’s voice rang out. “Spencer: keeper of provisions!” Y/N saw the gathering of followers, but she couldn’t see Spencer.

The SWAT commander stopped them. They had reached the final line of tents. He signaled to the leaders on each side. They were ready to strike.

Y/N’s eyes scanned the crowd. She could just barely make out some sort of hanging mobile, white u-shaped decorations suspended from string. The hyoids, she realized, a wave of nausea hitting her like a truck.

Merva continued, “You have given selflessly to others and will be rewarded by the highest honor we could bestow. Your blood will be our blood. Your life will fuel ours.”

A gunshot rang out. The followers gasped. There was a split second of calm before the bedlam. Y/N took a single breath. Then she heard Matt yell; saw John lift his rifle and be felled by a solo shot to the head; watched Luke take down another bodyguard directly after.

And then she saw him. Strapped down under a canopy of bones, Spencer was silent and unmoving. He didn’t struggle. He didn’t call out. And there was Merva, knife in hand— still trying to complete his mission.

She didn’t vacillate, barely breathed, just let her legs carry her forward. She heard Emily call out his name. When Merva turned, the curved blade of the knife poised at the column of Spencer's throat, Y/N’s trigger finger compressed. She felt the gun recoil, felt the force of the shot travel up her arm as she put a single bullet in his chest. As he fell, she didn’t stop, just stepped over him, knew one of the others would take care of it.

She tripped over the small platform Spencer was restrained on, stumbling and holstering her gun. Her hands moved over the straps, loosening the one over his waist, then the ones at his hands, finally pushing the leather from his head. He panted and muttered his thanks, but she didn’t dare speak, afraid that if she did, she’d never be able to stop. Instead, she flung her arms over his shoulders, pulling him down and close and over her heart. She wondered if he could feel the way it pummeled against her chest, because to her it felt like it might smash through at any moment. His arms came around her, chin resting on her shoulder, nose in her hair. She heard him inhale and hold his breath, a mirror of that last moment together in the warehouse. She held onto him as an overboard sailor holds a life ring: single-minded, unrelenting, desperate.

There was a touch on her opposite shoulder and Y/N swung around, adrenaline still racing through her veins. JJ put her hand out in a placating motion, and Y/N came back to herself, allowing JJ to step forward and help Spencer off the platform. Y/N let out a breath and reached a hand out to steady herself, only to flinch when it brushed one of the straps that had held Spencer down. Luke caught her on one side, Tara on the other. She grasped at them, her emotions teetering right along with her physical form. Luke pulled her out from under the macabre canopy and into a hug. Tara held her hand. For the first time since the parking garage, she let herself go.

⧭⧭⧭

The jet was quiet. The team was spread out around the cabin, each of them lost in their own heads. There was a tranquility over the space, one that only ever happened when unmitigated relief overwhelmed even the joy or fulfillment of a life saved.

Y/N sat in one of the single seats, across the aisle from where Spencer was settled. Tara and Luke had finally convinced her to get checked out by the EMTs, who had confirmed her concussion. She convinced herself that the fuzziness on the corners of her vision was just a symptom of that, not a product of the tears she was struggling to hold back.

The team each stopped by Spencer’s seat, patting his shoulder, squeezing his hand, or in Rossi’s case, gently ruffling his hair. They all spoke briefly in hushed, grateful tones. All except Y/N. She couldn’t formulate a sentence that seemed adequate. There was simultaneously too much and nothing to say. Everything felt contrived or insufficient or intemperate.

Spencer was safe. They hadn’t been too late. He was bruised and undoubtedly sore, but ultimately, he’d been through worse. So why was her heart still aching? Why couldn’t she catch her breath? She hadn’t spoken more than a few words since leaving the raid, so why did her throat feel like it was on fire? She closed her eyes, leaned her head back. She incessantly pressed her hands together, trying to crack her sore knuckles over and over again.

A pair of hands gently closed over her own, stopping the abuse, and she didn’t have to open her eyes to know who they belonged to. His thumbs stroked over the backs of her hands and she cursed the tears that spilled over her bottom lashes. He didn’t say anything, didn’t force her to look at him or acknowledge her shattering. He waited her out, rubbing a rhythm on her skin and steadying her without a word. She opened her eyes but couldn’t bring herself to look at him just yet. Instead she focused on their joined hands, reciprocating the gentle pulses he gave every so often.

She turned her head to wipe her wet cheeks on her shoulder as the landing announcement came over the cabin speaker. She did look at him then, and the emotion in his gaze left her feeling raw and exposed. Their hands reluctantly separated to buckle their seat belts. Y/N closed her eyes again, turning her face into the warmth of the early morning sun as the jet began its descent.

When they landed, everyone wearily shuffled off the plane, eager to get home to their beds. Penelope met them at the elevator, enveloping Spencer in a long hug, the rest of the team smiling at their embrace. They each moved through the bullpen, gathering their things and talking quietly. Y/N’s eyes paused on her bag, brought up from the parking garage by one of the team after she’d gone missing. They lingered for a long moment on the case file, still sitting where she’d left it hours ago, before she let herself let it go. She grabbed her bag and turned to see Spencer standing in the aisle, hands in his pockets and eyes fixed on her.

“Hey,” she said dumbly.

He smiled. “Hi.”

Her hands wrung the straps of her bag. “How—how’re you holding up?”

“I’ve been worse.” He shrugged. “How’s your head?”

“I’ve been worse,” she agreed.

“That’s good. Because I think after all that, the least you could do is give me a ride home,” he joked.

Y/N knew he was trying to reassure her that he was fine, but she couldn’t bring herself to laugh. If anything, his attempts to provide comfort made her feel worse. Because she couldn’t forget the sound of the gunshot at the warehouse, the sight of the knife at his throat, the feeling of nearly losing someone whom she knew she could love if she just had more time. Too exhausted to hide her emotions, she could tell by the change in Spencer’s eyes that the pain was apparent on her face.

“Actually, you probably shouldn’t be driving, even if it’s just a mild concussion. Where are your keys?”

“It’s fine. I’m all ri—” Y/N started.

“I know I phrased that as a question, but I’m not really asking.” He held out his hand.

Normally she would have argued, but she just didn’t have the energy. Y/N dug into her bag, fishing out the keys and dropping them into his hand. He closed his fingers around them and jerked his head toward the door. “Come on,” he murmured. He waved to the rest of the team, and Y/N nodded, avoiding their eyes.

The ride in the elevator was silent. The walk to the car, too. They were pulling out of the garage before Spencer finally broke the silence.

“You know this wasn’t your fault, right?” he asked. Y/N stayed quiet. “We all missed the connection to Liberty Ranch.”

“But I knew something was off, and I didn’t say anything. I— I almost came to find you before I left, and if I had just done that—”

“Y/N,” Spencer interrupted. “The plan was already in motion. Meadows and Merva would have just figured out another way to execute it.” His fingers tightened on the wheel. “And without you and the leads from the warehouse, the team might not have figured it out in time.”

Y/N opened her mouth before realizing she didn’t have a response. She didn’t even want to consider that possibility. She leaned her head against the window, pressing the thumb and fingers of one hand into her eyes to stave off the throbbing.

Graciously, Spencer let her remain in silence the rest of the ride to her apartment. There was so much to say, especially now; she didn’t know where to begin. And even after everything, she couldn’t stop herself from bringing up that wall— protecting herself from what she knew could hurt her more than any unsub.

They pulled onto her street, fairly empty at such an early hour. Spencer parked in front of her apartment, opening the car door and coming around the other side of the car. She expected him to give her the keys, but as she exited the car, he waited by the gate for her. “I’ll walk you up.”

Spencer opened the gate, allowing her to walk through before closing it behind them and following her up the sidewalk. “I need the keys,” she told him.

He shook his head as if to clear it. “Right, right.” He placed them into her outstretched hand, and she wondered if she imagined his fingers lingering over hers.

When they reached her door, she unlocked the deadbolt and swung the door open, stepping over the threshold. He waited outside, hands in his pockets. Y/N rolled her keys in her hand, and Spencer watched them.

“Um— thank you for—” Y/N started.

“I told Emily on the jet, and I’ll tell you now.” Spencer raised his eyes to meet hers. There was that look again, the one she couldn’t quite identify. “I’ve always had a hard time saying what I feel. And maybe sometimes it’s because I’m afraid of being disappointed. But sometimes it’s because the words I’m looking for don’t exist in the English language.”

“Spence—”

“Please just let me get this out,” he said. “There have been a couple moments over the past few months where I thought maybe we were sharing mamihlapinatapei.”

“Mamih what?” Y/N asked.

“Mamihlapinatapei.” He repeated, gesturing with his hands. “It’s a Yagan word that originates on the Tierra del Fuego archipelago off the southern tip of Argentina. It translates succinctly as ‘the wordless, meaningful look shared by two people who both desire to initiate something, but are both reluctant to do so.’”

“Oh.” Y/N felt a flush rising up in her cheeks.

Suddenly, Spencer couldn’t meet her eyes. “I, um—I wasn’t sure, and I didn’t want to do anything that would jeopardize our friendship or make things awkward at work. But last night, I… I just— I’ve had too many moments in my life where I thought it might be my last, and I hadn’t said all the things I needed to say.” He met her eyes again, and there was that familiar storm. “Last night I was out of time, and I hadn’t told you how I feel, and I realized that I wouldn’t get another chance, and it’s okay if you don’t feel the same, but I needed to—”

Y/N stepped forward, grabbed the front of his shirt, and crashed their mouths together. She tried to pour everything into the kiss: every blush, every worry, every laugh, every panicked moment, every mamihlapinatapei. Spencer cradled her face in his hands, opening his mouth and capturing her bottom lip, accepting everything she gave him. She wound one of her hands into his hair, pulling him impossibly closer and grounding herself to this new reality that almost wasn’t. The height of the kiss tapered off, and Y/N drew back, untangling her fingers from his hair and her heart from his grasp. Spencer watched her carefully, honey eyes uncertain.

“I do. Feel the same,” Y/N confirmed. Spencer’s lips twitched. “I’m not good at vulnerability. I’ve got a great track record of getting hurt.” Spencer grabbed her hand and opened his mouth, but Y/N continued, “But then I thought we might lose you, that time was out, and that I— I wouldn’t get the chance to see if you could be— if this could be more.” She gestured between them and then met his eyes again. “And I guess being vulnerable isn’t so bad in comparison. Because I think I could fall in love with you. I think maybe it’s already happening.” She held her breath and pressed her lips together, fighting the regret of saying too much.

“Actually, there’s a word for that, too.” Spencer smiled, warm and soft and genuine. “Forelsket. The origin is Norwegian, and it roughly translates to ‘the euphoria experienced as you begin to fall in love.’”

“Forelsket?” Y/N asked.

“Well, it’s more like forelsket,” Spencer corrected.

“Wow, okay, 187.” Y/N laughed for the first time in what felt like days. “Forelsket.”

“Better,” Spencer praised. “There’s also the Tagalog version, kilig.”

Y/N took a step closer to him and smoothed his shirt where her hands had wrinkled it. “Translation?”

“‘The sudden feeling of an inexplicable joy one gets when something romantic happens,’ or alternatively ‘the feeling of butterflies in your stomach.’” Spencer moved his hand to her waist and stepped over the threshold.

Y/N cupped his cheek in her hand, soothing the bruises and guiding him back to her. “Yeah. Sounds about right.”

#spencer reid #spencer x reader #spencer x y/n #spencer x you #spencer reid fanfiction #spencer reid imagine #spencer reid fanfic #dr spencer reid #spencer reid angst #criminal minds fanfiction #criminal minds self insert #criminal minds #homoose writes

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luxwritesfanfic · 3 years

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Definitely Not Your Color

In true Sherlock fashion, he shows you exactly why green isn’t his color. Or, the one where reader can read auras and Sherlock is going through it at the sight of her new friend. AU!Bucky makes an appearance because I can’t live without him. Enjoy!

Sherlock Holmes/Reader

You were stood off to the side of the crime scene recounting your conversation with the last witness of the night. There had been yet another murder and Lestrade had requested Sherlock’s help for what seemed to be a serial killer in the making. Two murders in less than a week and Sherlock was thrilled and it was easy to tell. An array of yellows and subtle oranges surrounded him, engulfed him, as he explained how vacant Scotland Yard truly could be and how quickly he had figured out the killer’s M.O. He shined like the sun, and you swore you saw tendrils of sunlight shoot off of his fingers as he analyzed every aspect of the scene before him. All confidence, he paraded around the crime scene in a way you knew so well, pointing out things that even after working with him for months that you wouldn’t of picked up on. He was happy to be working again, to be playing, no, winning the game once more.

You were thankful no one else saw his colors like you did. Because as sure as you were that he was what they meant when they said, “let there be light!”, you were sure that others would gravitate towards him even more until it got to a point that there was so much in between the two of you that you would only be able to see his shine from between the cracks of other people.

Pulling you out of your thoughts of Sherlock and things that you couldn’t control, you turned your head at the sound of someone’s throat clearing.

“He’s seriously brilliant.” An officer who you hadn’t recognized before stood behind you, holding his cap in his hands and drumming his fingers along the rim. He looked past you to where Sherlock and John were, a laugh slipped out from under his breath. “Makes it look so easy.”

Your lips twitched at the statement, a warmth you knew too well for your liking spreading around you. If anyone else could see you, really see you, you’d surely be figured out. Sherlock Holmes was a great man, you were sure of it. He was as intelligent as they came and as handsome as the devil, and sure— sometimes he could be rude, and maybe a little ignorant, and sometimes you really wanted to slap the smirk off of his face when playing Cluedo (Because, Sherlock, it can’t be the victim!) but you wouldn’t change him.

They told you not to stare at the sun but you couldn’t help it. You needed to see what was really there because you refused to believe that a man who couldn’t feel a thing made the world look that vivid. You were the moth and he was the flame and if that meant dying a painful death just to bask in everything that he was, so be it. Evidently, there were worse ways to die.

Stealing one last glance like you couldn’t help yourself, you shoved your notebook and pen in your purse and made your way back to your conversation.

“He really is. You’re new, right? Lestrade mentioned he had some new guys joining the force. Can’t say you didn’t have an interesting first week.” You wanted to lighten the mood as much as you could because you knew this wasn’t an easy crime to see. You still couldn’t look at the body too long yourself without feeling the black sit heavy in your stomach.

“Don’t worry ma’am, I can handle it.” As if he read your mind, he gave you a warm smile and nodded. “My father, he, uh, he was an officer as well. Started me with the bad stuff early. Said it would give me a little more character and a lot more advantage. There’s not too much that can scare me away, I don’t think.”

You returned his smile. He was a cool blue, and it matched his eyes perfectly. It looked good on him, you decided. “Good. London needs all the help that we can get. Oh- I’m Y/N, by the way! I work with Sherlock and John sometimes. I’m not a genius or a doctor but I can take damn good notes.” And at that you both laughed, as he reassured you that the boys would have nothing to study from if it wasn’t for you. In turn it made you laugh even harder when you realized he hadn’t got the chance to see Sherlock visit his Mind Palace yet, where everything you could offer him he already had.

“It’s nice to meet you. I’m James, but I hardly ever use my government if I don’t have to. Please, call me Bucky.” He reached his hand out to you and shook yours, that boyish smile never leaving his lips. From behind you, you could tell subconsciously that it had gotten significantly darker. Like a light had went out. You didn’t think enough of it to turn around and investigate it.

---

You found it was easy to talk to Bucky and you had more things in common than you could have expected. He was polite and seemed to have seriously believed that you were an integral part of the team that he needed to get to know. You appreciated his kindness and how friendly he was, and it seemed like more than anything he was grateful you were giving him a chance to belong. You couldn’t figure out why.

It just so happens that from the angle you were looking, you saw Sherlock’s shoes before you saw his face. It looked like moss had grown through the concrete and saturated him so thoroughly that you thought he wouldn’t soon be able to move. It made you uneasy how sickly the green made him look. You had never seen this color on him before.

“If I knew all you were going to do was stand around and disregard everything I say, I would have brought Molly instead. She listens. Intently.” Sherlock spat and cut his eyes at you before looking to Bucky and giving him a once over before digging in.

“Generally, they say to try again and again if you fail. I would think that wouldn’t apply to something like the police academy. Third, no... fourth times the charm as they say?” The green fog spilled out of Sherlock’s mouth and continued to cover him, wrapping so tightly around his body that you thought he might have trouble breathing. Even though you were standing a few good feet away from him, you could feel how heavy the fog had made you, and you worried for Sherlock as it encompassed him. You almost made to reach for him because you were afraid you’d lose him under all the smoke.

“You’re a favored drop out who still lives with his mother, no, father. That’s where the drinking problem comes from I assume? One failed relationship too many and now suddenly your calling is keeping the streets clean of the people you used to run them with. Now, I know Lestrade has horrible taste when it comes to putting together a team but tell me, how did he get so lucky as to stumble across you? It can’t be the... no wait, it is because of-“

“Sherlock!” You say exasperatedly, looking at him like he’s he’s got three heads when you can’t even see the one he’s got as it is. He is solid and dark and lost in this feeling that you can’t name and he’s not him. Well, he is him, but weighed down so much by whatever he’s trying to carry through that you can’t imagine he’s acting this hateful for no reason. You refuse to believe it.

Bucky sighed and somehow still managed to twitch his lips upwards, a ghost of the grin he wore before. “Well, Mr. Holmes, you are what they say you are. Brilliant for sure. Hell, you haven’t even spoken a word to me prior and you know my life.” You were shocked to see Bucky’s reaction, most people would of blacked out on Sherlock for an outburst like that and this one definitely warranted it. “You’re right, about all of those things. I guess I’m just trying to play the best game I can with the hand I was dealt. I’m not one for feeling sorry for myself.” He straightened up and fastened his cap back on as he caught eyes with Lestrade and returned a knowing nod.

Turning to you, Bucky grinned as if it never phased him, like he had grown used to being talked down on. The blue never left him and that made you happy. You didn’t want him to feel bad.

“Goodnight, Y/N. I look forward to speaking with you again. Mr. Holmes.” With that, he bid you both a good night and headed towards his team.

“Sherlock,” you murmured when you turned back to face him. The fog was so dark that you couldn’t make out his features anymore. You felt the fear creeping up your neck while you were trying to figure out what was so wrong with him. “What’s wrong with you? I figured you’d be happy that you practically solved the case...?”

You saw it, he had been happy. And then you remembered his earlier comment about Molly. Maybe he wished she was here instead to celebrate his win with him.

“Listen... if this is about Molly, you know you can always ask her to tag along instead. I don’t want you to feel... obligated to invite me. She’s probably more useful in a situation like this anyway.”

You felt yourself internally deflate as you spoke, but you were able to make out Sherlock’s face once more under the city lights. The green began to thin out. He must’ve been relieved at your confession, you thought.

Sherlock visibly tensed for a second before quickly masking it under an air of nonchalance.

“I could care less about Molly or what she’s good for. All I care about is the work and that it gets done. You know that.”

You watched as time passed and you could start seeing more of him. You realized you’d been holding your breath for some time waiting for the green to dissipate and set your detective free. Sherlock was back with you, and whatever feeling tried to take him away from you was lost now. That’s all that mattered.

And, of course, because there were still pressing matters to finish attending to, your moment with Sherlock didn’t last long. You swore something had changed within him. Something you couldn’t name just yet.

You weren’t totally quite convinced that whatever had happened between you two back there wasn’t about Molly, or some strange feeling that Sherlock was having that he’d surely never talk about. Even still you continued to follow after him wherever he asked you to go, as he still always asked you to go.

And if he happened to stand a little closer to you the next time you worked alongside Scotland Yard, you were none the wiser.

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fortunatelyfresco · 3 years

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A Holistic Integration of Type 1 Narcolepsy into the Reading of Moist von Lipwig

Literary Interpretation, Disability, and Finding Yourself Between the Lines

As it goes, "I wrote this for me, but you can read it if you want." It might be a fun ride for anyone who is very interested in Moist von Lipwig, or narcolepsy, or both, and/or anyone who enjoys collecting small details from within a body of work and arranging them into threads that are supportable by the text, without being actually suggested by it.

Personally, I find it very interesting to read the meta behind different headcanons, and see how creators can unintentionally write a character who fits certain criteria. There are only so many traits, after all, and some of them tend to travel in groups! Humans are pattern seekers, etc etc.

The first step of reading Moist von Lipwig as narcoleptic is wanting to read Moist von Lipwig as narcoleptic. Being narcoleptic myself and relating heavily to Moist, this step was very easy. I invite you to take my hand and come along, at least briefly, if you were interested enough to click the readmore.

Once you have taken that step, things start falling into place. At least they do if you're intimately familiar with narcolepsy, or if you first learn about it in detail through, for instance, a Tumblr post with an agenda :)

I'll break this down symptom by symptom, citing only the ones I both have personal experience with and see textual support for.

I'll be using OverDrive's search function to catalogue "evidence" in (the American editions of) Going Postal, Making Money, and Raising Steam, so I might miss passages that don't use certain keywords.

Please take any statements along the lines of "being narcoleptic means X" with a huge grain of salt. Sometimes it's just more succinct. Narcolepsy can manifest in many different ways, and is still being actively studied. Don't base your entire understanding of it on a fandom essay I wrote to cope with the crushing pressures of capitalism. I have not even fully read the scientific studies linked here as sources.

Here we go! Spoilers abound.

I. Excessive Daytime Sleepiness (EDS) and sleep attacks.

Being narcoleptic means (salt now, please) that your brain does not get adequate rest while you sleep, no matter how much you sleep. This is because of a disturbance in the order and length of REM and NREM sleep phases. This leads to constant exhaustion. Some sources describe narcoleptic EDS as "comparable to [the sleepiness] experienced by a healthy individual who has been sleep-deprived continuously for 48–72 hours."

(Source.)

Sleep attacks can come on gradually or suddenly. In my case, I become irritable and easily overwhelmed, and nothing matters except finding a place to lie down. A more severe attack, under the right circumstances, can put me to sleep while I'm actively trying to stay awake and engaged.

Moist refers to 6:45 am as "still nighttime." He is "allergic to the concept of two seven o'clocks in one day" and is "not good at early mornings," and the narration even cites this as "one of the advantages of a life of crime; you didn't have to get up until other people had got the streets aired."

In Going Postal, he repeatedly falls asleep at his desk. I can only find two instances, but the first one describes it as having happened "again," so it happens at least three times over the course of one week. Both of the times I found were after Mr. Pump cleared his apartment, giving him access to a bed, and I can't find any reference to the fire destroying it—just that his office is "missing the whole of one wall." His presumably wooden desk is still intact, even, just "charred."

There's also no build-up either time. No direct narration of the time right before he falls asleep, just retroactive accounting for it.

Which is primarily a function of stories not showing us every boring second, and secondarily one of the smaller ways we're shown Moist being overwhelmed and racing to keep up with himself, but tertiarily it's a great set dressing if you've already decided he's narcoleptic. Sometimes sleep is just a thing that happens, without any deliberate transition. Sometimes you sit down to catch your breath or get some paperwork done, and wake up several hours later.

I've found only one example in GP of Moist waking up in his actual bed at the post office: the morning after being possessed by all the undelivered letters. Presumably either they put him there, or Mr. Pump did.

There are two points in Making Money where Moist, in an effort to be a comforting and/or guiding hand, advises people to get some sleep. First Owlswick Jenkins, and then one of the clerks (Robert) who is worried about Mr. Bent.

I take the optimistic view that this is Moist genuinely caring about these people, not just trying to get them to do what he wants. He has always done some combination of those things (GP opens with him having befriended his jailers, after all), but there's definitely a thread of him learning to treat both himself and those around him more like real people. (See also.)

Looking at this thread through narcolepsy-colored lenses, you get Moist perhaps drawing from his own experiences in an effort to be helpful. In Owlswick or Robert's position, what is something he would want to hear from the man currently in charge of his fate, or at least his job? "Get some sleep."

If we accept this as a pattern, it culminates in Raising Steam, when Moist starts to worry about "Dick Simnel and his band of overworked engineers," fixating particularly on their lack of sleep.

What sleep they got was in sleeping bags, curled up on carriage seats, eating but not eating well, just driven by their watches and their desire to keep the train going.

[...]

"People are going to die if we push them any further," he said to Dick. "You lot would rather work than sleep!"

[...]

The young man swayed in front of him and Moist's tone became gentle. "And I see now that part of my job is to tell you that you need some rest. You've run out of steam, Dick. Look, we're well on the way to Uberwald now, and while it's daylight and we're out of the mountains it's going to be the least risky time to run with minimum crew. We're all going to need our wits about us when we get near the pass. Surely you can take some rest?"

Simnel blinked as if he'd not seen Moist the first time, and said, "Yes, you're right."

And Moist could hear the slurring in the young man's speech, caught him before he fell and dragged him into a sleeping compartment, put him to bed, and noted that the engineer didn't so much fall asleep as somehow flow into it.

Moist then recruits Vimes to help him talk the rest of the engineers into getting some rest. The two of them briefly commiserate about people not realizing how important it is.

"I have to teach that to young coppers. Treasure a night's rest, I always say. Take a nap whenever you can."

"Very good."

II. Insomnia.

This is a lesser-known but very common symptom of narcolepsy. Or a comorbidity, depending on how you look at it. It seems counterintuitive if narcolepsy has been presented to you as "sleeping all the time," but it makes sense once you know it's really a matter of disruption in the brain's ability to regulate sleep cycles.

The case for this symptom is flimsier, and I fully admit I'm just reading my own experience into it. But here are two excerpts from Going Postal that I find quite suitable for my sleepy agenda:

1. "A man of affairs such as he had to learn to sleep in all kinds of situations, often while mobs were looking for him a wall's thickness away."

I latched hard onto this detail the first time I read GP.

At my worst, I could not get more than a couple hours of sleep in my bed. I kept taking naps in the bath because it was one of the few places I could sleep. It seemed to fulfill some of the criteria (isolation, temperature control, etc) that my brain demanded in exchange for playing nice.

We're told over and over again, throughout Moist's books, that he functions best under pressure.

(Brief aside: This is often cited as a reason to interpret Moist as having ADHD, which I'm also fully on board with. Not coincidentally, narcolepsy and ADHD share a few symptoms, have a notable comorbidity rate, and are treated with some of the same medications. Source.)

So again, if you're already inclined to read Moist as narcoleptic, the following is an easy jump:

"Moist thinks he's good at sleeping in strange places under strange circumstances. This is because A) his basis for comparison is a disordered attempt to sleep in normal places under normal circumstances, B) something about danger satisfies his brain into running more smoothly, and C) he's a resourceful person who is 'not given to introspection,' and so is less likely to wonder why his body demands sleep at strange times and more likely to focus on finding a place for that sleep to happen, and chalk this up later as a skill."

And returning briefly to EDS: Why would someone like Moist waste time finding a safe place to sleep while people are actively trying to kill him? At the beginning of GP, he leaves Vetinari's office and immediately goes on the run. In multiple books, when he feels threatened, his brain instinctively launches into complex escape plans. We see him successfully blend into an Ankh-Morpork crowd at least once after becoming a public figure.

So why bother? After all, a safe place to sleep is also a safe place to change clothes, or at least remove whatever distinguishing features he's given himself. Why wouldn't he just become someone else and leave town immediately?

The obvious answer is that sometimes things just happen, and an author doesn't need to know or explain every single detail of a character's past.

I would suggest, though, that one of those things might be Moist reaching a point where sleep is just not optional. A point where he not only doesn't, but can't, care about anything else. Where he is too tired to think straight, too tired to talk his way out of trouble, too tired to even contemplate the long journey from one town to the next.

2. "Moist knew he ought to get some sleep, but he had to be there, too, alive and sparkling."

Sometimes (especially in combination with underlying mental health issues) narcoleptic sleep deprivation can bypass everything I've described so far, and lead straight into a manic state. You won't necessarily find that on Google, but it's been my experience.

That's obviously not what the text is implying. "Alive and sparkling" is just a very relatable description. And we do often see Moist getting away from himself, speaking without thinking, making absurd promises that he justifies immediately afterwards as Just Part Of Being Him, always raising the stakes.

And here are a couple of excerpts from Raising Steam that could be interpreted as Moist being a light sleeper, AKA struggling to get deep sleep:

1. "And slowly Moist shut down, although a part of him was always listening to the rhythm of the rails, listening in his sleep, like a sailor listening to the sounds of the sea."

2. "All Moist's life he'd managed to find a way of sleeping in just about every circumstance and, besides, the guard's van was somehow the hub of the train; and although he didn't know how he did it, he always managed to sleep with half of one ear open."

Moist is exactly the kind of opportunist to see that as a useful tool, isn't he?

III. Hypnagogic and Hypnopompic Hallucinations.

These are hallucinations that come on as you're falling asleep or waking up. They can also happen during REM intrusions while you're awake. My most memorable ones include piano notes, someone calling my name, being trapped in the waves of a large body of water, and a huge truck going over a guard rail and tumbling down a hill. These are often, but not always, accompanied by sleep paralysis (and sleep paralysis is often, but not always, accompanied by hallucinations).

In GP, Moist casually cites his own hallucinations as proof that what is happening at the post office is not one.

"They're all alive! And angry! They talk! It was not a hallucination! I've had hallucinations and they don't hurt!"

Obviously that's not true for everyone, but it's true for Moist, and he has enough experience that he immediately recognizes the difference.

At one point while awake, Moist "[snaps] out of a dream of chandeliers" to realize someone has approached him to talk, while he was busy having visions of what the post office used to look like/could look like again.

Now, that's cheating, because we're probably supposed to assume it's a side effect of being possessed, but... I'm putting it here anyway.

There is also perhaps a case to be made for the tendency of Moist's internal monologue to lapse into extremely specific and prolonged hypotheticals. The lines between hallucinations, waking dreams, and "regular" daydreams have always been very blurry to me. I'm especially curious about the example at the end of Going Postal, which goes like this:

"Look, I know what I'm like," he said. "I'm not the person everyone thinks I am. I just wanted to prove to myself I'm not like Gilt. More than a hammer, you understand? But I'm still a fraud by trade. I thought you knew that. I can fake sincerity so well that even I can't tell. I mess with people's heads—"

"You're fooling no one but yourself," said Miss Dearheart, and reached for his hand.

Moist shook her off, and ran out of the building, out of the city, and back to his old life, or lives, always moving on, selling glass as diamond, but somehow it just didn't seem to work anymore, the flair wasn't there, the fun had dropped out of it, even the cards didn't seem to work for him, the money ran out, and one winter in some inn that was no more than a slum he turned his face to the wall—

And an angel appeared.

"What just happened?" said Miss Dearheart.

Perhaps you do get two...

"Only a passing thought," said Moist.

In-universe... what is Adora reacting to? What did just happen? The fact that these incidents are not isolated to Going Postal is a point against it being some sort of literal timeline divergence caused by The Spirit Of The Post.

So maybe Moist visibly zoned out. Maybe he had some kind of minor but noticeable cataplexy attack (more on those later) as part of a REM intrusion, brought on by the intense emotions he's currently struggling with.

IV. Vivid Dreams.

Again, at least some of this is probably supposed to be part of the possession, but I've been professionally projecting myself onto the surreal dreams of magically afflicted characters for years. Do try this at home.

1. "Moist dreamed of bottled wizards, all shouting his name. In the best tradition of awaking from a nightmare, the voices gradually became one voice, which turned out to be the voice of Mr. Pump, who was shaking him."

2. Moist is uneasy about the Smoking Gnu's plan, and then he has an extremely detailed dream about the Grand Trunk burning down.

This culminates in "Moist awoke, the Grand Trunk burning in his head," followed by a paragraph of him thinking things through and starting to form his own alternative plan, followed immediately by "Moist awoke. He was at his desk, and someone had put a pillow under his head."

So he fell asleep at his desk, woke up from a vivid nightmare, was awake just long enough for a coherent train of thought, and then passed back out. Which once again is not "proof" of anything, but fits the predetermined interpretation like a glove.

V. Cataplexy.

Cataplexy is a sudden loss of muscle control, usually triggered by strong emotions. This is thought to be a facet of REM intrusion—waking instances of the atonia that is meant to stop us from acting out our dreams.

The most well-known manifestation is laughter making your knees buckle, but it's not always that severe. My own attacks range from facial twitching, usually when I'm angry or otherwise extremely upset, to all-over weakness/immobilization and near-collapse when I laugh. My knees have fully buckled once or twice.

This is the biggest stretch. This is the one that is absolutely only there if you've already decided to read entire novels between the lines. It's also not even necessary for the broader headcanon; plenty of people have narcolepsy without cataplexy (or such mild cataplexy that it's never noticeable, or very delayed onset, etc).

However. I am doing this for fun. So I want him to have it. It's also become a major part of how I imagine Moist engaging with emotion, and I'd like to make a case for that.

There are a few scattered references to Moist's legs shaking, or being unsteady, or outright giving way, but there's usually an external physical reason, and/or enough psychological shock to justify it without a medical condition.

The most compelling example I've found so far comes from Moist and Adora's conversation about people expecting Moist to deliver letters to the gods.

"I never promised to—"

"You promised to when you sold them the stamps!"

Moist almost fell off his chair. She'd wielded the sentence like a fist.

"And it'll give them hope," she added, rather more quietly.

"False hope," said Moist, struggling upright.

"Almost fell off his chair" at first sounds like casual hyperbole, but then "struggling upright" implies it was a bit more literal. It's also an accurate description of me recovering from my more severe attacks, supporting myself on a wall or my spouse, or pushing myself up if I've fallen over in bed.

That happens to me multiple times per day, by the way. It doesn't bother me, and I didn't realize there was anything unusual about it for a long time. I barely think about it, except to fondly note that my spouse is good at making me laugh.

Which is to say, even severe cataplexy is not always noticeable or debilitating. Sometimes it absolutely is! It can be downright dangerous, depending on where you are, what you're doing, and whether you have any other conditions it might exacerbate. I don't want to undermine that.

I am just hell-bent on justifying the idea that this fictional character could have repeated attacks throughout the canonical narrative that are so routine they don't merit an explanation, or even a description. Especially for someone who is used to hiding his few distinguishing features behind false ones that are much more memorable. (See also.)

(That link goes to my own fanfic. Sorry.)

On the milder side, between Going Postal and Making Money, there are three instances of Moist's mouth "dropping open" when he's shocked, upset, confused, or some combination of the three. This is the kind of thing that shows up a lot in fiction, but rarely happens so literally in real life.

(There's technically a fourth instance, but I'm not counting it because it seems to be a deliberate choice on his part to convey surprise.)

And then there's laughter. Or rather, there isn't. I could be missing something, but I've searched all three books for instances of laughter and various synonyms (not counting spoken "Ha!"s), and what I've come up with is:

Moist laughs once in Going Postal, when he receives the assignment for the race to Genua.

Two packages were handed over. Moist undid his, and burst out laughing.

There's also an instance earlier in the book where Moist nearly "burst[s] out laughing."

I find the specifics here interesting, and, for our purposes, fortuitous. Cataplexy is complicated and presents differently for everyone. In my case, when laughter triggers an attack, one of the effects (which is sometimes also a cause) is that I laugh very hard, with little or no control. "Burst out laughing" is quite apt.

Let's move on to Making Money, and start with a quick tangent:

Mr. Bent explains that he has no sense of humor due to a medical condition, and that he isn't upset about this and doesn't understand why people feel sorry for him.

Moist immediately starts in with "Have you tried—" before getting cut off by the frustrated Bent.

Out-of-universe, "Have you tried" is such a well-known refrain to anyone with an incurable condition, I'm not at all surprised to find it in a book written by someone who had at least begun the process that would lead to a diagnosis of early-onset Alzheimer's. And Pratchett has certainly never shied away from portraying ignorance in his protagonists.

In-universe, it feels a little odd. Moist's tongue runs away from him all the time, but usually in the form of making ridiculous claims or impossible promises. Moist's entire stock-in-trade is People Skills, and it feels strange for him to make this kind of mistake immediately after being told Mr. Bent is not looking for solutions.

But if one were reading with, for instance, the idea in mind that Moist himself has an incurable condition related to laughter and is enthusiastic about, but still relatively new to, the practice of drawing on his own experiences to help people... it is easy to imagine the gears in his head turning the wrong way, superimposing those experiences over the tail end of Mr. Bent's explanation. Disabled people are not immune to these well-meaning pitfalls.

There is another Mr. Bent moment that I want to discuss, but we'll circle back around to it later.

I found two instances of Moist himself laughing in MM.

1. "He said it with a laugh, to lighten the mood a little."

This is deliberate laughter, employed as a social tactic. A polite chuckle, probably. Not the sort of thing that generally triggers cataplexy.

2. "Moist started to laugh, and stopped at the sight of her grave expression."

The first and only involuntary laugh in MM. It doesn't always trigger attacks...

Which brings us to Raising Steam. Compared to the first two books, Moist laughs a lot here. I count nine instances. Two of them are "burst out laughing"s, a couple include him as part of a group, some of it comes off as deliberate, and some of it doesn't.

I've always seen a lot of... rage in Raising Steam. Combing through it for laughter, I realized Moist's emotions in general are much closer to the surface here, and he's much less concerned about letting people see them. He laughs with friends and acquaintances, he cries in front of strangers, he shouts at Harry King, he has that entire conversation with Dick that boils down to "I'm very worried about you," etc.

Opinions vary wildly and sharply on Raising Steam. I have my own hangups with it, as I do with most books in the series. (Every time I make a new Discworld post, Tumblr passive-aggressively suggests the tag "my kingdom for a discworld character who is normal about women and other species.")

But I like this particular change in Moist, and I choose to see it as character development. He's trading in the professional detachment of a conman for the ability to grow into himself as a person and make meaningful connections.

So, what does that have to do with cataplexy? A lot.

I don't want to get too maudlin, so I'll just say I have plenty of personal experience with emotional repression masking cataplexy symptoms. And so, I believe, does the version of Moist we've put together over the course of this post.

Which brings us back to Making Money, and Mr. Bent. He says something about Moist that I find very interesting: "I do not trust those who laugh too easily."

Unless I've missed something, at that point in the book, Moist has never actually laughed in front of him. And Mr. Bent is a man who pays very close attention to details.

So, what is the in-universe explanation for this? I'd like to propose that Moist is very skilled at seeming to laugh, without actually laughing. He smiles, he's friendly, and he makes other people laugh, which is another thing Bent dislikes about him. He gives the impression of being someone who laughs a lot. (He certainly left that impression on me; I was very surprised by the lack of examples in the first two books.)

Even staying strictly within the bounds of canon, it's easy to imagine why this might have become part of Moist's camouflage in his previous life. He wasn't looking to get attached to anyone, and he didn't want anyone getting inside his head. Engaging with people genuinely enough to laugh at their jokes would run counter to both of those things, but some of his personas still needed to come off as friendly and sociable.

Still working within the canon, it makes sense to assume he's similarly distanced himself from emotion in general. He sits in a cell for several weeks without truly believing he's going to die. He's bewildered when Mr. Pump points out that his schemes have hurt innocent people. He has no idea what to do with his feelings for Adora. Etc.

Interpreting Moist as having cataplexy adds an extra element of danger. Moist thrives on danger, but there's a difference between the thrill of a con and the threat of sudden, uncontrollable displays of vulnerability. And so it becomes even easier to see him stifling his own emotional capacity.*

We meet Moist at a moment of great upheaval. He is forcibly removed from his cocoon of false identities, and pushed out into the world as himself. And we are shown and told throughout Going Postal that he does not know how to be himself. (See also.)

He is repeatedly stymied by his own emotions. He gets tongue-tied and confused around Adora, he snaps at Mr. Pump, he lashes out at Mr. Groat, he gets lost in school flashbacks when he meets Miss Maccalariat. This thread continues in Making Money, where the sudden reappearance of Cribbins immediately rattles him into making an uncharacteristic mistake.

I called him Cribbins! Just then! I called him Cribbins! Did he tell me his name? Did he notice? He must have noticed!

Later in the same book, Moist misses a crucial opportunity to run damage control on the bank's public image... because he's excited to see Adora.

The Moist of GP and MM is not used to feeling things so deeply. It throws him off his game. I'm not at all suggesting cataplexy is the only (or even primary) reason for that, but I do think there's room for it on both sides of the cause and effect equation.

With or without the cataplexy, I find Moist's relative emotional openness in Raising Steam... really nice. (It's a work in progress. He's still getting a handle on anger.)

Cataplexy just adds another dimension. A physical manifestation of emotional vulnerability, which would have been especially untenable for a teenager on the run. Just one more facet of the real, human, fallible Moist von Lipwig who spent years buried beneath Albert Spangler and all the rest.

Another piece of himself that Moist is growing to understand and accept, as he learns to more comfortably be himself.

The Moist of Going Postal runs into a burning building to save lives without fully understanding why he wants to, and justifies it on the fly as an essential part of the role he's trying to play.

The Moist of Raising Steam mindlessly throws himself under a train to save two children, and then blows up at Harry King about the lack of safety regulations. Freshly traumatized by the murder of several railway workers and his own violent, vengeful response to it, he still offers, in the face of Harry's own grief, to be the one to inform their families. On a long and dangerous journey with plenty of moving parts to think about, he worries about Dick Simnel and the other engineers, and pushes them to take better care of themselves.

He also meets a bunch of kids who nearly derailed a train as part of a childish scheme. His admonishment is startlingly vivid.

"Can you imagine a railway accident? The screaming of the rails and the people inside and the explosion that scythes the countryside around when the boiler bursts? And you, little girl, and your little friends, would have done all that. Killed a trainload of people."

[...]

"I'll square this with the engine driver, but if I was you I'd get my pencil and turn any clever ideas you have like this into a book or two. Those penny dreadfuls are all the rage in the railway bookshops."

Maybe what he is also saying, between the lines, is:

I left home at 14 and began a life of smoke and mirrors. I was empty inside, and I thought everyone else was, too. It was all fun and games, and then a man made of clay told me I was killing people. Nip it in the bud, child. Write books.

------------

*There are studies suggesting that in addition to deliberately employed "tricks," people with cataplexy may experience physiological reactions in the brain meant to inhibit laughter. (Source 1, Source 2.)

Most of the information here is way over my head, but that second link also says "one region of the brain called the zona incerta (meaning 'zone of uncertainty') was only activated during laughter in people with narcolepsy, not in controls. Research on the zona incerta in animals suggests that it also helps to control fear-associated behavior."

The linked article about that (https://www.nature.com/articles/s41467-018-03581-6) is also over my head, but I would certainly describe Moist von Lipwig as having unusual fear responses.**

**Narcolepsy is a fun roller-coaster ride of constant scientific discoveries about exactly which parts of your brain are paying too much attention, not paying enough attention, or trying to eat each other.

#moist von lipwig #narcolepsy #discworld #disabled headcanons #oh my god this got so out of hand #earned itself a title AND a subtitle #mr. cybulskis i'm sorry i fell asleep in your class every day it was at the exact wrong time and temperature and lighting

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pumpkinpaix · 3 years

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Hello! Feel free not to answer this question if it is in any way too much, but I've been wondering about something concerning the "western" mdzs fandom. Lately, i have seen multiple pieces of fanart that use what is clearly Christian symbolism and sometimes downright iconography in depicting the characters. I'm a european fan, but it still makes me vaguely uneasy. I know that these things are rarely easy to judge. I'm definitely not qualified to do so and was wondering if you have an opinion

Hi there! thank you for your patience and for the interesting question! I’ve been thinking about this since i received this ask because it?? idk, it’s difficult to answer, but it also touches on a a few things that I find really interesting.

the short answer: it’s complicated, and I also don’t know what I feel!

the longer answer:

i think that this question is particularly difficult to answer because of how deeply christianity is tied to the western art and literary canon. so much of what is considered great european art is christian art! If you just take a quick glance at wiki’s page on european art, you can see how inextricable christianity is, and how integral christian iconography has been in the history of european art. If you study western art history, you must study christian imagery and christian canon because it’s just impossible to engage with a lot of the work in a meaningful way without it. that’s just the reality of it.

Christianity, of course, also has a strong presence in european colonial and imperialist history and has been used as a tool of oppression against many peoples and nations, including China. I would be lying if I said I had a good relationship with Christianity--I have always faced it with a deep suspicion because I think it did some very, very real damage, not just to chinese people, but to many cultures and peoples around the world, and that’s not a trauma that can be easily brushed aside or reconciled with.

here is what is also true: my maternal grandmother was devoutly christian. my aunt is devoutly christian. my uncle’s family is devoutly christian. my favorite cousin is devoutly christian. when I attended my cousin’s wedding, he had both a traditional chinese ceremony (tea-serving, bride-fetching, ABSURDLY long reception), and also a christian ceremony in a church. christianity is a really important part of his life, just as it’s important to my uncle’s family, and as it was important to my grandmother. I don’t think it’s my right or place to label them as simply victims of a colonialist past--they’re real people with real agency and choice and beliefs. I think it would be disrespectful to act otherwise.

that doesn’t negate the harm that christianity has done--but it does complicate things. is it inherently a bad thing that they’re christian, due to the political history of the religion and their heritage? that’s... not a question I’m really interested in debating. the fact remains that they are christian, that they are chinese, and that they chose their religion.

so! now here we are with mdzs, a chinese piece of media that is clearly Not christian, but is quickly gaining popularity in euroamerican spaces. people are making fanart! people are making A LOT of fanart! and art is, by nature, intertextual. a lot of the most interesting art (imo) makes deliberate use of that! for example (cyan art nerdery time let’s go), Nikolai Ge’s What is Truth?

I love this painting! it’s notable for its unusual depiction of christ: shabby, unkempt, slouched, in shadow. if you look for other paintings of this scene, christ is usually dignified, elegant, beautiful, melancholy -- there’s something very humanizing and humbling about this depiction, specifically because of the way it contrasts the standard. it’s powerful because we as the audience are expected to be familiar with the iconography of this scene, the story behind it, and its place in the christian canon.

you can make similar comments about Gentileschi’s Judith vs Caravaggio’s, or Manet’s Olympia vs Ingres’ Grande Odalisque -- all of these paintings exist in relation to one another and also to the larger canon (i’m simplifying: you can’t just compare one to another directly in isolation etc etc.) Gauguin’s Jacob Wrestling the Angel is also especially interesting because of how its portrayal of its content contrasts to its predecessors!

or! because i’m really In It now, one of my favorite paintings in the world, Joan of Arc by Bastien-Lepage:

I just!!! gosh, idk, what’s most interesting to me in this painting is the way it seems to hover between movements: the hyperrealistic, neoclassical-esque take on the figure, but the impressionistic brushstrokes of the background AAA gosh i love it so much. it’s really beautiful if you ever get a chance to see it in person at the Met. i’m putting this here both because i personally just really like it and also as an example of how intertextuality isn’t just about content, but also about visual elements.

anyways, sorry most of this is 19thc, that was what i studied the most lol.

(a final note: if you want to read about a really interesting painting that sits in the midst of just a Lot of different works, check out the wiki page on Géricault’s Raft of the Medusa, specifically under “Interpretation and Legacy”)

this is all a really long-winded way of getting to this point: if you want to make allusory fanart of mdzs with regards to western art canon, you kind of have to go out of your way to avoid christian imagery/iconography, especially when that’s the lens through which a lot of really intensely emotional art was created. many of my favorite paintings are christian: Vrubel’s Demon, Seated, Perov’s Christ in the Garden of Gethsemane, Ge’s Conscience, Judas, Bastien-Lepage’s Joan of Arc, as shown above. that’s not to say there ISN’T plenty of non-christian art -- but christian art is very prominent and impossible to ignore.

so here are a few pieces of fanwork that I’ve seen that are very clearly making allusions to christian imagery:

1. this beautiful pietà nielan by tinynarwhals on twitter

2. a lovely jiang yanli as our lady of tears by @satuwilhelmiina

3. my second gif in this set here, which I will also show below:

i’m only going to talk about mine in depth because well, i know exactly what i was thinking when I put this gif together while I can’t speak for anyone else.

first: the two lines of the song that I wanted to use for lan xichen were “baby, I’m a fighter//in the robes of a saint” because i felt that they fit him very well. of course, just the word “saint” evokes catholicism, even if it’s become so entwined in the english language that it’s taken on a secular meaning as well.

second: when I saw this scene, my immediate thought was just “PIETÀ!!” because LOOK at that composition! lan xichen’s lap! nie mingjue lying perpendicular to it! the light blue/white/silver of lan xichen in contrast to the darker robes of both nie mingjue and meng yao! not just that, but the very cool triangular structure of the image is intensely striking, and Yes, i Do love that it simultaneously ALSO evokes deposition of christ vibes. (baxia as the cross.... god..... is that not the Tightest Shit) does this make meng yao joseph of arimathea? does it make him john the evangelist? both options are equally interesting, I think when viewed in relation to his roles in the story: as a spy in qishan and as nmj’s deputy. maybe he’s both.

anyways, did I do this intentionally? yes, though a lot of it is happy accident/discovered after the fact since I’m relying on CQL to have provided the image. i wanted to draw attention to all of that by superimposing that line over that image! (to be clear: I didn’t expect it to all come through because like. that’s ridiculous. the layers you’d have to go through to get from “pretty lxc gifset” --> “if we cast nie mingjue as a christ figure, what is the interesting commentary we could do on meng yao by casting him as either joseph of arimathea or john the evangelist” are like. ok ur gonna need to work a little harder than slapping a song lyric over an image to achieve an effect like that.)

the point of this is: yes, it’s intentionally christian, yes I did this, yes I am casting these very much non-christian characters into christian roles for this specific visual work -- is this okay?

I obviously thought it was because I made it. but would I feel the same about a work that was written doing something similar? probably not. I think that would make me quite uncomfortable in most situations. but there’s something about visual art that makes it slightly different that I have trouble articulating -- something about how the visual often seeks to illustrate parallels or ideas, whereas writing characters as a different religion can fundamentally change who those characters are, the world they inhabit, etc. in a more... invasive?? way. that’s still not quite right, but I genuinely am not sure how to explain what i mean! I hope the general idea comes across. ><

something else to think about is like, what are pieces I find acceptable and why?

what makes the pieces above that reference christian imagery different than this stunning nieyao piece by @cyandemise after klimt’s kiss? (warnings for like, dead bodies and vague body horror) like i ADORE this piece (PLEASE click for fullview it’s worth it for the quality). it’s incredibly beautiful and evocative and very obviously references a piece of european art. I have no problem with it. why? because it isn’t explicitly christian? it’s still deeply entrenched in western canon. klimt certainly made other pieces that were explicit christian references.

another piece I’d like to invite you all to consider is this incredible naruto fanart of sakura and ino beheading sasuke after caravaggio’s judith. (warnings for beheading, blood, etc. you know.) i also adore this piece! i think it’s very good both technically and conceptually. the reference that it makes has a real power when viewed in relation to the roles of the characters in their original story -- seeing the women that sasuke fucked over and treated so disrespectfully collaborating in his demise Says Something. this is also!! an explicitly christian reference made with non-christian japanese characters. is this okay? does it evoke the same discomfort as seeing mdzs characters being drawn with christian iconography? why or why not?

the point is, I don’t think there’s a neat answer, but I do think there are a lot of interesting issues surrounding cultural erasure/hegemony that are raised by this question. i don’t think there are easy resolutions to any of them either, but I think that it’s a good opportunity to reexamine our own discomfort and try and see where it comes from. all emotions are valid but not all are justified etc. so I try to ask, is it fair? do i apply my criticisms and standards equally? why or why not? does it do real harm, or do i just not like it? what makes one work okay and another not?

i’ve felt that there’s a real danger with the kind of like, deep moral scrutiny of recent years in quashing interesting work in the name of fear. this morality tends to be expressed in black and white, good and bad dichotomies that i really do think stymies meaningful conversation and progress. you’ll often see angry takes that boil down to things like, “POC good, queer people good, white people bad, christianity bad” etc. without a serious critical examination of the actual issues at hand. I feel that these are extraordinarily harmful simplifications that can lead to an increased insularity that isn’t necessarily good for anyone. there’s a fine line between asking people to stay in their lane and cultural gatekeeping sometimes, and I think that it’s something we should be mindful of when we’re engaging in conversations about cultural erasure, appropriation etc.

PERHAPS IT IS OBVIOUS that I have no idea where that line falls LMAO since after all that rambling I have given you basically nothing. but! I hope that you found it interesting at least, and that it gives you a bit more material to think on while you figure out where you stand ahaha.

was this just an excuse to show off cool (fan)art i like? maybe ¯\_(ツ)_/¯

(ko-fi)

#Anonymous #asks and replies #art #fanart #art history #christianity #mdzs #mdzs meta #meta #mine #mymeta #cyan gets too deep in the weeds #lmfao this post is a mess ive been staring at it for like a week and at this point im just gonna post it to the wall and keep moving asldfj #hope you enjoyed

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blackcatclawsout · 3 years

Text

Majima x Reader- Bento Box

I also post to AO3 under the same username!

Morning was always her favourite time of the day. Y/N stirred in her shared bed, nestling into the arms that were already wrapped around her. Majima seemed to already be awake; his grip tightened and drew her closer. He peppered her cheeks and forehead in light kisses, giggling at her sleepy groaning. She swatted away his face, chuckling softly.

"No, I have morning breath," she whined, smirking as he drew her near.

They laid in bed motionless, letting dawn's light hit their blanketed bodies. Everything was soft and warm, as the rising sun began to wake greater Tokyo. Y/N could stay like this forever, pressed against his chest, breathing in Majima. He rarely took showers at night, so she always caught a bit of his cologne in their morning cuddles. Stealing glances at her beau, she saw his face, softened as he breathed softly. She admired his thin face and his high cheekbones. Y/N gently reached up, rubbing the backs of her fingers across his motionless face. She cupped his cheek. Majima's eye opened, locking with her. His grey eye was softened in moments like these, pupil lazily dilating as he stared back at her. Catlike blinks between the two of them communicated their mutual appreciation for the silent moment they were currently sharing. Y/N's eyes darted towards his thin-lipped mouth. The hand she rested on his lean chest felt his heart speed up. The anxious pattering edged her to lean in closer. A giddy feeling rose from her stomach, compelling her to shut her eyes in excitement. The harsh melody of the phone cut through their synchronized breathing.

"Son of a..." Majima muttered, immediately turning to his bedside stand. Y/N sat up, calming her still fast-beating heart. "Nishida, d'ya even know what time- No, I haven't since... Fuck. I'll be there in a sec." He sighed, hanging up. Majima sat on the edge of the bed, fingers massaging his temple. His lover crawled to him slowly, resting a hand on his shoulder. Before she could ask, he stood up, turning around to face her.

"Shit's hit the fan, I gotta go." His hand extended, resting on top of her head. Fingers wandered absent-mindedly through her locks as his eyes flickered over her partly covered figure. His brows were once again furrowed.

"I understand. You better get going." She nodded, smiling up at the older man. His lips parted slightly, almost to say something, but pressed together again. He sauntered to the washroom, closing the door behind him. Y/N glanced at the clock on Majima's side table.

5:56... yikes. No wonder Goro was pissed off. He doesn't usually get up for another half hour.

She stretched as she got up, wrapping a robe around herself as she left the bedroom. Something Y/N had slowly grown accustomed to in her partnership to Majima was bento boxes. The idea of making someone a packed lunch seemed… childish to her; at least it did at first. She vaguely remembered her mother making her lunch when she was a child, probably because she couldn't be trusted to pack her own. She had learned quickly to become independent, fiercely so, and the thought of relying on someone else to make her lunch seemed strange to her. It wasn't until Goro explained that she caught the appeal.

"When you're a kid, your mom made one of them for you and your dad. It always had great shit in there- homemade and sometimes with cute decorations. Now, she only did this for you an' your ol' man, the two people she shoulda loved most. So when ya girl makes it, it means she loves ya!" He flashed a cheeky grin as he explained. Y/N just cocked her head.

"You... don't think of your mom when you eat it?" She asked warily, causing him to burst with laughter.

"Hell no, I don't! I just think of my girl, and how lucky I am to have her." he leaned forward, pecking her cheek as he finished.

Y/N washed the rice absent-mindedly as she thought back to then. A smile graced her lips as she turned the machine on to hum, beginning to make other parts of his lunch. There was a big learning curve at first; the rice balls would always fall apart, or she’d mess up some recipe. Far too often she had left out an element from the lunch box, only to find it waiting on the counter. Despite it all, Majima took a bento each day, calling after he finished to compliment her work. His praise motivated her, even driving her to go to a local bookstore, looking for any sort of help. Slowly, her skills improved. Her routine became more integrated and quicker with each passing day.

After a short while, she looked at her handy work. The layer bento was stuffed full of edamame, onigiri with fish, steamed vegetables, and leftover meat from their dinner before. She felt proud of her handiwork, even if it wasn’t perfect. Y/N glanced at the kitchen clock on the wall.

It’s been almost 20 minutes... He should be ready soon.

She packed the food up, tucking his chopstick into the small plastic container. After ensuring everything was ready to go, she padded back to the bedroom, looking around for her lover. Muttering leaked out of their washroom, prompting her to follow the growling.

“Hey, Goro-chan… You’ll need to be heading out soon,” She popped her head into the doorway, smiling as she saw him already finished. He turned to face her, an exasperated look already carved into his face.

“Those assholes…” He sighed as he walked towards her, He was dressed in his usual suit jacket and black leather pants. She could still smell the dampness in his hair and his body wash- one of her favourite smells. Y/N gave a soft smile to him.

They didn’t often talk about his work, they met in spite of it, and he seemed to prefer to keep it that way. When they first met, he was insistent that he was a businessman- he looked the part then too. At the time, his hair was long and neat, his suit always pressed and clean; he had kept himself well-groomed with a clean shaved face, so it wasn’t much of a stretch then. Of course, life got in the way and they fell apart, only connecting years later by chance. The drastic change in his appearance tipped her off that he was into… different work by now. But she respected his privacy. She wasn’t oblivious by any means; Y/N meticulously knew what he did and where he was most days. After a few months of being together, she began receiving text messages from Nishida, informing her on where his boss was, especially during late evenings. They chatted frequently, even going into topics not associated with work. He was her confidant and seemed to share the image of Majima that she had.

Goro finished with his hair and came to the doorway, kissing her cheek before heading out of the bathroom. He picked up a few things he left out on the bed before also leaving the bedroom. She tidied the washroom, bringing out the damp towel that smelled like him, and tiding the bedspread before also leaving.

“See ya! I’m off!” Majima called from the door.

“Call you later!” She echoed from the laundry room, “Have a good day!” She waited for the door to click shut before she continued with the laundry. Household chores weren’t her favourite, she didn’t enjoy doing laundry or cooking. But if it was left up to the two of them, both Majima and Y/N would starve and live the remainder of their days on earth as nudists. On her days off, she tried to get everything done quickly, leaving the remainder of the day to read or do whatever else she pleased. Y/N stretched as the washing machine began to purr lightly. She sighed as she looked around for something else to do.

Can’t seem to find anything else… Guess it’s time for breakfast.

Padding to the kitchen, she used the remainder of the food prepared from before to make herself food. She hummed happily as egg sizzled and soup came to a soft boil. The fragrant embrace of food brought her a joy that nothing else in the world could, and she almost hated to admit it. It was half-way through her rendition of some pop song from the radio that she noticed something in the corner of her eye, sitting on the countertop. Turning she noticed it was the bento box she made. Y/N held the container in her hands, turning it over lightly. She felt her brow furrow slightly, thinking of what to do. Should she bring it to him? Glancing at the clock she sighed,

It’s 7:00 am… If I get ready soon I can drop this off and pop around Kamurocho for a bit

It was 10:30-ish when she was dressed and ready to head out. Just because of the occasion, she decided to wear a knee-length black skirt and a simple creme blouse, pairing them with black penny loafers. She admired her reflection in the hallway mirror, her makeup light and perfect for a sunny afternoon out. Y/N made sure to gently tuck in the bento box to the fabric bag she had slung around her shoulder and headed out for the day.

Navigating the subways always seemed daunting during rush hour, so she grew thankful when she patted down the steps to find the underground mostly empty. It was a short walk through the underground mall to where she needed to go; the large hall filled with all ages shopping for what they needed. Sweet vendors sold their succulent items to the newly freed students, groups of teenage girls fawned over the newest character items displayed, some with their boyfriends. A light smile played over Y/N’s face as she too had been that way when she was younger. She understood the excitement contained within the first week off of school, how it drove young people to be out with their friends. As she left the mall area and came to her line, she noticed a pair of teens waiting. A boy and a girl stood side by side, rather stiffly. She eyed them, noticing the way they both twitched when talking to one another. How cute. She glanced down at her fabric bag.

I wonder what he was like when he was younger…

The train ride was about 20 minutes, dropping her off in the heart of Kamurocho. Despite the bright sun and lack of neon lights, people swarmed the warming streets, chatting and shopping to their heart’s content. The smell of grilled food, cigarettes, and sun-baked concrete filled her senses as Y/N darted through the crowd. Regardless of being the only foreigner for blocks, she was ignored completely by the other’s around her. It sometimes was the only redeeming quality of the busier areas. Endless roads seemed to carry on for miles, the farthest treks waving and fluttering in the edging midday heat. All of Kamurocho seemed to be gearing up for the impending festival season, which always impressed visitors from far and wide. Passing by, attendants called out in hopes of catching a customer, but their calls falling on deaf ears. The Millenium Tower loomed over the crowds in the bright sunlight, casting a sharp shadow; though it was a ways off, it still acted as a centre, or maybe more of a North star. She dawdled towards the quieter part of town where the Majima family office was located. She had vaguely remembered certain landmarks, like the worn down shrine that always seemingly had a fresh bowl of rice, or the old teahouse they had once stopped at. As she drew near the building, a tense feeling probed her stomach, though she had trouble understanding why. It was not like Goro was ever mean or told her not to come, yet she had the feeling like he had lived his life with her around his work, avoiding involving her in any regard.

Y/N bit her lip anxiously; She would be lying to say she had not considered heading back. Simply calling him to warn him that he might have to eat out for today, or feign ignorance over his forgetfulness this morning. Yet, the prospect of doing anything else plagued her mind with guilt. Glancing at her watch, she decided to head in, despite it being only 11:22, as she’d rather be giving him his lunch early than late. She cautiously walked into the building, immediately hit with a wall of air conditioning. She shivered in the artificial cool and looked about. The standard lobby was clean but dated and smelled of old carpet. Thinking back, Y/N had never gotten a good look at the inside, the most she saw was whatever she could see through the window the one time she saw Majima exit from here. The lobby only had a hallway attached, seemingly where the elevators and washroom would be. Gloomy plants sat destitute in the corner of the room. As she finished her look-over, her eyes settled on the high desk that rested on the left side of the room. Quietly, she approached.

The man sitting at the desk was middle aged and pudgy. His clothes and hair would have betrayed him for just another typical salary man and not someone who worked with the Yakuza. Several papers were strewn around him as he wrote on the one closest to him. As she stood waiting, she noticed the permanent fowl look on his face. It was decidedly funny when she realized it was the same face one makes at an offensive smell. Holding back a snicker, she spoke up.

“Um, excuse me…” her voice almost was a whisper. The man whipped his head up, visibly confused. His eyes quickly jumped about her figure as he rose from his seat.

“No english. Out.” He rattled quickly in english, stepping from behind the desk. In her initial shock, he nearly dragged her to the door before she retracted her hand.

“I’m here for-” She began.

“No english.” The man repeated once again, turning to face her.

“Is Majima Goro here?” She exclaimed loudly. The man froze where he stood, blinking owlishly at her. The air conditioning above them tousled both their hair, the moment silent, still and cold. He cleared his throat before straightening himself.

“Yes, I believe Majima-sama is in his office.” The man responded quietly, looking her over once more. Y/N sighed in relief, relaxing her own posture.

“Thank you. Can you take me to him?”

He shook his head softly, walking back to the desk, trailing her along dumbly. At first she thought he was refusing to help her anymore, but as he sat down, he reached for the desk’s phone and irritatedly called a short sequence. He muttered something under his breath before hanging up the phone and returning back to his papers. An awkward pause played as Y/N waited for any further instruction, standing dumbly in front of the pudgy man. Without warning, the elevator creaked opened, allowing two tall lean men to step out. She took that as her cue, and walked towards them.

Confusion seemed to be the theme of the Majima family office; Both men took a second to look her over before jumping back into action, patting her down rather roughly. While they avoided the obvious areas, they did seem to paw her skirt a little belligerently. She bit her lip to bite back a rude comment, deciding that it wasn’t worth pissing off men who killed people for a living. When one tried to take her bag, she yelped causing them to jump slightly. Her face was hot as she opened the canvas bag herself, showing them the contents After an additional minute of snooping, they led inside the elevator adjacent; The three of them stood compactly to one another. Y/N felt them shift their body weight. The small box had no air conditioning, quickly undoing the chill she felt moments ago. Her heart beat began to pick up again as they climbed slowly to the third floor, seconds stretching to minutes. When they arrived, she was hit once again with the cooled air.

The hallway was plain and for some reason nerve-wracking. The lack of scenery gave her less to take in as she tried to calm her beating heart. Checking and rechecking her bag, she made sure the food was in there. Her pulse was loud in her ears and her face felt hot. Why out of all the times she had given Majima a bento, this was the time when she was nervous about it? She thought back to their phone conversations after he had finished his lunch- Was he ever lying? What if he just threw it out at work and told her a pretty white lie? It was only an odd electricity in the room that made her tear her gaze from the bottom of the bag that she had been staring at.

Looking up, she found her gaze land on Goro Majima’s face, his brows furrowing as he looked over her.

“Y/N, are you alright?” His voice had an edge of concern as he stepped out a little from the doorway. She couldn’t help but find herself gawking- he felt too unreal to answer to. She had heard before that you often have trouble recognizing people when they are removed from the typical scenario you see them in; this seemed to be a prime example to her. Before she could answer, Majima led her into his office, draping his arm over her shoulder as he led her in. As she bustled in, he closed the door quickly behind them.

Her eyes wandered over his office- It was small and rather boring, only a small katana on the wall suggested that he would actually use this space. It was surprisingly clean, save for a large desk which was scattered in various papers. The filing cabinets and tables were covered in papers as well, though neatly stacked into piles. It never had occurred to her that he would have done any other work besides physical. Her thoughts were stopped as Goro came into her view. His grey eye was dark and his brow creased, which only made him look older. His gloved hands rested on her shoulders, his gaze even with hers.

“Are you alright, Y/N-chan?” His voice quivered slightly. Her face reddened in response, forcing her to break eye contact.

“Y-yeah, I’m fine..” she replied quietly.

A stale silence hung in the air before Majima straightened himself, hands dropping from her shoulders to hold her hands instead. He held her hands up, gently rubbing the backs of her knuckles.

“You’re not acting like yourself… What’s really happening?” His baritone voice was soft and pleading, making his concern more unbearable. The woman let out a shaky breath and urged herself to look at him. Her tongue felt swollen in her mouth and her throat seemed dryer than moments before.

“You left your lunch at home, but I… just feel silly.” She managed to mewl meekly. Her eyes stayed trained on him while he processed what she said. His face betrayed his confusion before he cocked his head.

“My… lunch?” He repeated. She sighed heavily.

“I came into the kitchen and it was still on the counter, and I didn’t want you to be hungry or to have to go out and stop what you were doing to go buy lunch-” She began only to be cut off by his howling laughter. He held his stomach and keeled over, gasping for air while he cackled brightly. Now she really felt embarrassed.

After giggling to himself for a while longer, he looked up at her, still doubled over and gasping, “You’re too cute.”

She fumbled with her bag, grabbing the bento and quickly shoving it to him. Even though her gaze was averted from him, she could still sense his smile as he gently took the container from her. He walked to his desk, plopping down in the plush leather chair, setting his feet up on the desk. Y/N drew near as he popped the lid open, surveying the contents.

“Okey-dokey, let’s see what we have... Karaage, edamame- always delicious… Ooh! Even salmon onigiri!” He loudly praised the humble contents of the bento, picking through the contents lightly. His lover settled on the edge of his desk, watching his reactions intently. He ate ravenously, akin to a rabid dog more than an actual person. She was the one to giggled this time, watching his face change with each side dish.

As he finished, Majima sighed loudly, sinking further into his chair.

“Delicious as always.”

Y/N cocked her head, “You think so?” He smirked, pulling her forward towards him.I know so.”

#majima goro #goro majima #majima x reader #yakuza #yakuza kiwami #ryu ga gotoku #rgg #i love domestic fluff

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michaels-reality · 3 years

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jsaghka whats wrong with ok ko?

Okay so I will spoil the whole main plot of the series with it but there are 3 main problems I’m gonna get into with this series and it’s problems with character design, jokes on child neglect, and ableism with system caricatures. And this is coming from someone who enjoys the show before anyone thinks I’m just hating to hate on it. But again, these issues are so big for me that I would not recommend this show to anyone skjhskjf.

1. Issues with character design

Alright, so first off, please look at this picture of the majority of the women of the show and tell me what’s wrong with it?

Yeah! Almost all of them have the exact same body type! I’ve seen people praise ok ko with its diverse character design but if you boil it down, almost all the women have the same cinched waist and big hips. And for the characters the characters that do have different body types, it's almost unfair to compare them to the rest of the characters, like you can’t compare Carol to Rippy Roo because Rippy Roo is an actual animal. And you can’t compare Dendy to Enid, because Dendy is a child and Enid is a teenager. And for the Ladies that have an actual difference in body type, that’s like 6 characters out of how many? And to those characters that have different body types, the Hue Troops only show up for 2 episodes and even then the main focus isn’t on them so they barely get any screen time, Punching Trudy shows up for one episode to fight Punching Judy, Pheobe shows up for 7 episodes but she’s a background character and I don’t ever remember her speaking, and then there’s Foxtail. Foxtail is probably the only female character that has a different body type that has an important role in the story and shows up for more than just background appearances.

Compared to the men in the show, there is way more diversity but even then, there is a lot of making the upper half of them bigger and giving them tiny hips and legs.

There is also the issue that kinda pisses me off is the racial ambiguity of everyone. Like most of the characters aren’t even human so whatever, but there are characters like enid that have darker skin but she has straight purple hair so what are we supposed to get from that? I mean, I guess there is some wiggle room for anyone that isn’t white to claim her but then you start to see that all these darker skinned characters seem to always have straight hair and that’s also a problem. The only character I can confidently say is black is foxtail and she has straight hair. And the only character that is said to have curls and an afro is RADICLES who is BLUE and an ALIEN! Like it makes me mad that our curly haired and black coded character is designed like this. Like, I get it, he’s an alien, he’s blue, he’s not human, BUT WHY DID HE HAVE TO BE THE ONLY ONE? WHY CAN’T THERE BE ANOTHER CHARACTER WHO IS DARKER SKINNED AND CURLY HAIRED?

It’s so ironic given that ok ko has one of the BEST racism metaphors I’ve ever seen in episode 28. Dendy says kappas don’t need pow cards to be heros but it feels nice to be appreciated but this show is not making me feel very appreciated right now sjglksjgds.

2. Jokes about child neglect/abuse

OKAY! BOXMAN! I LOVE BOXMAN BUT WHAT THE FUCK?

Okay, so in the show, Lord Boxman has robot minions that he is constantly annoyed with the performance of and punishes them and yells at them. AND I WOULDN’T HAVE A PROBLEM WITH THIS IF BOXMAN DIDN’T REFER TO THEM AS HIS CHILDREN! It’s shown in the show that Boxman raised them as baby robots and they call him daddy and they have a very familial relationship. But it’s constantly joked about with Boxman saying how they never make him proud not taken seriously in the show. Like, in the second episode, one of the first things we see Boxman do is put Darrel in the furnace and Darrel says “I deserve this” BUT DON’T TAKE IT SERIOUSLY CUS DARREL IS A ROBOT AND HE’S BACK 2 SECONDS LATER! The robots get emotional over any sense of approval, like at the end of “Villains Night In” Darrel and Shannon literally fall apart after Boxman gives them shirts and says to “keep up the good work”, and the end of Plazalypmics, Darrel, Shannon, and Raymond get participation trophies and are really happy with that. Like, this isn’t normal.

The whole relationship between the robots and Boxman is actually pretty toxic and kind of bothers me sometimes. The robots seem to have a very intense sibling rivalry but it’s over the affection of Boxman, which is unhealthy but most of the time it’s just played off as funny joke for the tv. And it becomes even more apparent because episodes without Boxman, like Rad likes robots, it shows them getting along fine and even worrying about each other. And in season 2, Boxman comes back from the sun and Darrel stands up to him and says he doesn’t need him anymore, but one “I’m proud of you” from Boxman and Darrel is back to wanting his approval. LIKE ITS ALMOST NEVER FRAMED AS A BAD THING OR TAKEN SERIOUSLY! I AM NOT A FAN OF HOW THEY TREAT THIS! Like, I can admit it gets better after Venomous comes into the picture and Boxman has that realization of “oh I should be proud of my kids achievements” but to me it looks like this whole forgiving your abuser plot line and I fucking hate it! And Boxman still admits to incinerating his robots after the company switches over to his and Venomous’ ownership when discussing what to do to punish them and he says “I usually see improvement in my robots after I incinerate them.”

And even if it got better, it’s still played off as a joke in all of season one and normalizes terrible behavior. Child neglect in tv shows, especially in children’s media, played off jokes and funny are never good and can be insensitive to children who are in these situations seeing it played up for laughs. You can argue that being on the villain’s side frames it as a bad thing but that kinda loses meaning in a show like ok ko where you start to see the villains as regular people and not necessarily bad, just “evil”. I just feel like this could have been treated so much better and not trivialized like this.

3. System Caricatures and ableism

Let me start off by saying, I am a singlet and I don’t have as much authority on this type of thing so feel free to correct me on anything I get wrong or add on in anyway.

With that said, KO and TKO along with Shadowy Figure and Professor Venomous are terrible system caricatures. KO is 6-11 years old is prime age to develop a system, so when shadowy figure comes into KO’s life and traumatizes him, he splits. And so we begin our little “evil alter ego”(quoting the show! using this phrasing is terrible and should never describe a system like that) stereotype.

I’ve talked about OK KO with my friends who are systems and it makes them mad that this show had so many moments to be good system rep and then it turns around and fucks everything up! Like TKO could have been written well. TKO is very clear on stating he isn’t KO and is his own person but everyone still refers to him KO and treats him like a bad thing because he isn’t KO. And when TKO acts out due to being referred to as KO and rightfully being upset, they act like it is some evil act against them and they need KO back! Like, the show misses its own point so much!!! If they treated TKO like a person (which he is!!!!!) then half the problems they have wouldn’t be a problem in the first place. And TKO has done nothing wrong other than wanting to front! KO even talks about TKO as another person but they address him as such!

The way people talk about TKO in this show makes me so mad, like when Dendy does tests on KO in “Mystery Science Fair 201X” to bring out TKO, TKO finally comes out to deal with the feelings KO can’t deal with and then they almost do it right when Dendy realizes she was the one that fucked up and then SHE APOLOGIZES TO KO INSTEAD OF TKO FSDGHSDFJ!!! And they always treat TKO as a threat as if he’s a danger! Like TKO’s a kid just like KO and acted out when the people around him upset him! Like a kid! And the last time TKO shows up in season one in the finale, TKO actually SAVES everyone in the plaza and leads the battle away from the plaza but because “oh but TKO is the evil” they go and try to stop him from saving them? Like yeah he got a little reckless but he only ended up hurting people in the plaza when Rad and Enid interfered. They treat him like a problem because they MAKE him a problem!

Also, the moments where everyone tries to bring KO back by saying “you are loved” and all that, that’s actually really manipulative! Like, they’re using positive triggers to kick TKO out of front and that’s actually a really rude thing to do. They’re trying to bring to front who THEY want to see and it’s not fair to TKO who is fronting. It also goes the other way around when Dendy is experimenting on TKO to try and get him to front.

And then even KO treats him terribly, locking him in a cage, then keeping him in his head all the time, and then when he finally lets TKO out and TKO acts out from being locked in his own head for so long, KO then traps TKO in his subconscious. Which is terrible! TKO should be allowed to front and should be treated like his own person! It’s so weird how the show almost gets it right but then does shit like this that makes it terrible again. Like KO has a headspace and he creates things in his headspace and he talks to TKO like another person and they communicate their feelings but then the show turns this all on their head when KO locks TKO away and blames him for destroying everything when he’s the one trapping him in his brain.

There is also the problem with TKO being the one with all the power and changing his appearance cus that all contributes to the system caricature. Also, TKO and KO integrating at the end of the series? ALSO VERY BAD AND HARMFUL CARICATURE! Alters are different people and they should be treated as different people and KO is not TKO all along THEY ARE DIFFERENT PEOPLE! And integration is possible but it’s usually not by choice. And even then, integration being the end goal of a story is a very ableist narrative and shouldn’t be written.

And it confuses me, why does shadowy figure have his own pow card but TKO doesn’t. Like, KO and TKO are established more as being different people than Shadowy Figure and Venomous so why doesn’t he get his own pow card? Like the end of season one, TKO fought the fight at the plaza and used his power to defeat Boxman jr but at the end KO ends up leveling up instead. And on the topic of TKO’s power, again, that shouldn’t be a thing. TKO and KO should both have access to the same power because they use the same body because that's how systems work! They use the same body!

And I know what the show was trying to do like “oh TKO is a manifestation of all the bad feelings that KO has!” but there are so many ways to do that without making a caricature of systems. Like if you didn’t make TKO a person then this would have been fine. Like if other people didn’t see TKO this could have been fine. There are ways to make a manifestation of your negative emotions without doing it like this. And the way this show did it is such bad writing, because you are meant to think TKO is this terrible manifestation of emotions but all you see is this scared kid who doesn’t know where he is and lashes out when he gets rightfully upset. BECAUSE LET ME REMIND YOU! TKO AND KO ARE BOTH 6-11 YEARS OLD! THEY ARE KIDS! THEY’RE SITUATION SHOULDN’T BE TREATED THIS WAY

And my guy shadowy figure...... bad. Shadowy Figure and Venomous’ is not only a terrible caricature but also very inaccurate. With KO and TKO, their system developed at the correct time as a child, but with Shadowy Figure and Venomous, they developed after Venomous got his snake disease. And, Venomous doesn’t even know about Shadowy Figure and that can be a result of dissociative amnesia but it’s really unfortunate. And again! the end of the series! Shadowy Figure and Venomous integrate into one entity and it’s terrible! Because they aren’t the same person and shouldn’t be treated as the same person! And again with the whole “evil alter ego”. Like Shadowy figure only exists to traumatize KO and make him split and create TKO. And the fact that they turn out to be KO’s dad??? Yikes??? Like again, these are terrible caricatures and are harmful to systems and should’ve been treated better in the show.

---

Like, I love OK KO, I used to hold this show very close to my heart and made me very happy to see this show with the amount of LGBT rep but looking back it was very bad in many ways. Like that racism episode I mentioned, that shit resonates with me! And I appreciate characters like Dendy and KO and I still love the boxbots and venomous, I just wished this show lived up to the potential that it had.

TL;DR: OK KO has a problem with misogynistic character design and colorism, normalizes child neglect, and has put out an ableist narrative with system caricatures.

#long post #racism m #colorism m #misogny m #ableism m #ok ko #malware-rants #intergration m

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onlyhereforangst · 3 years

Text

WWR

Alright y’all a likely final WWR coming at you, you know 3 months late the day of the dreaded s19 premiere. This definitely gets ranty and emotional, if you’re a Gibbs stan scroll the fuck away & don’t send me hate anon. This is bittersweet and it hurts and I’ve been living in denial for months but I needed this little bit of closure before the writer’s absolutely fuck it up in less than 6 hours. I hope you enjoy my emotional ramblings & I’ve absolutely loved writing these for the past two years, i’ll miss it & your reactions to it dearly ❤️

Badass Ellie is allllllways a treat, and protective nick contrasted to her making albeit slightly reckless decisions is top tier. And then followed up by him being impressed as hell??? He’s like damn my girl just did that and I am not turned on, no way, we are working I am not turned on, nope. Nick sitting at Ellie’s desk in the beginning PLS. Feet kicked up feeling mighty comfortable for someone who hates sitting at a desk 👀 only ok with it when it’s Ellie’s, huh Nick? Also I love that he’s sticking with the nonchalant approach like he did when he found her looking up Eastern Europe locations. He knows if he pushes too hard it won’t go well, but he is still concerned for her well-being. Those pieces slowly clicking into place that something isn’t just off- it’s worrisome off. Because while yes he’s still nonchalant he’s a touch more serious this time, ignoring her attempt at a brush off and claiming “he wants answers.” It’s a subtle step up from 18x14, but it’s there. His spidey senses are tingling and he’s getting less and less able to hide his concern for her 🥺 even if he tries to play it off as flirty banter because yes he’s still gd impressed with her moves and even tells Vance as such essentially.

Flash forward to at the stash house and they find the files plus the mini debrief back in the bullpen…I truly am inclined to believe Ellie doesn’t know here. I mean sure she realizes that the timing fits to a certain extent—she was at NSA when this happened, but I don’t think she knows this is the beginning of her end. She’s like “oh they’re selling secrets too” and “my contacts are all gone” like…I just, she seems too casual and not at all on edge. Idk so far I’m just not getting that vibe. She even brushed off McGee with the whole that was ten years ago almost like she didn’t remember it? But then at the same time she did bring up the whole legal vs ethical- she hedged, but she did mention it. She was not super gung-ho about OMG THIS WAS SO UNETHICAL WTF HOW COULD THEY DO THIS so still……..idk lets continue haha

Ok her knowledge of guns is slightly concerning but also Nick finds it concerning AND hot, boy can’t help himself lets be honest. That “damn” that slips out please, so many sirens going off in that head but also you’re just like well fuck talk dirty to me some more babe. Aaaaand here we go, here’s why I know Ellie didn’t know that odette was going to plant that shit right now. “Whoever took them from the NSA’s code-level servers risked a lot more than their career” with a little like duh face from Ellie SCREAMS that she did not, would not, EVER do that. The leak was fabricated by Odette and the fact that it would be planted during this case was all Odette unbeknownst to Ellie. Or why the fuck would Ellie so casually and somewhat judgmentally be like “who TF would leak something like that, man they stupid, committing treason and whatnot.” And Ellie is SHOOK when Vance tells her it was her. Like shook as in, blinks several times, shifts her weight back, glances at McGee with a flash of surprise in her eyes. That body language screeeeeams being caught off guard. If she had leaked those documents and if she had known this was a plant, she wouldn’t be caught off guard. And no matter how well you can try and play the part, that body language is legit. She’s shocked someone would even think about that and oh man, Nick. Nick’s face hurts me (and I know this is just the beginning). Because a man who has always seen himself as the bad egg, the criminal so to speak, the one who would do something shady before any of the others. He is shook and angry that Vance could even consider accusing Ellie of this. And then there’s the genuine concern etched on his face (and I’d know, the screen is currently paused on his face staring at Ellie with a worried furrowed brow and pain clenched in his jaw) because he knows logical Ellie wouldn’t do this but also he knows he’s been seeing little puzzle pieces fall into place of suspicious behavior and this is just one more thing that doesn’t sit right with him- doesn’t fit the woman he’s come to know and love. And while I know he truly believes she didn’t leak the files, I would bet right here he’s concerned about what the fuck she’s gotten herself wrapped up in.

And she continues to be adamantly against this, like Eleanor Raye Bishop would NOT ever leak intel, not as a baby NSA analyst who believed she was doing the right thing always in her role. Never once bringing up questionable ethics, she thought it was the greater good, that little patriot. She’s so adamantly against it and then Vance asks if she was framed, and I think that’s the point where Ellie realizes this is Odette. The word framed all of a sudden clicks it all into place and she picks up it might be “go time” for her. Her glances over at Vance have changed, they’re more cautious, calculating. She hears they’ve been leaked over ten years ago and she knows that she didn’t do it 10 years ago so this very well may be the notice of eviction from Odette. The “we’re coming for you, Agent Bishop” and her little look, oooooh Ellie is fired up. Her switch flipped and she’s now gotta hunker down and defend herself until she can confirm with Odette. Vance doesn’t even let her get a word in to “fight” for her innocence. But the fact that she’s getting sent home pisses her off, she wants to be close to the investigation, know what’s happening, and I’m sure a part of her still resists being dubbed that traitor of the state. Who knows, Odette may have never told her how she would become a disgraced NCIS agent, and this may have pissed Ellie off because her integrity is something she prides herself on. Her line, “I’m not Gibbs […] I’m innocent line” is like a tiny bright spot to chuckle in during this dismal finale. Gibbs hate train right hereeeee

Love that Kasie is immediately on the Ellie defense side, not looking forward to her reaction to Ellie leaving IF they even decide to show us.

Gibbs telling Ellie “sometimes there’s nothing left to be said” when he fucking up and left the team without so much as a goodbye or sorry for committing police brutality like fuck outta here Gibbs. Ellie is CLEARLY vulnerable right now, she’s been accused of leaking classified documents aka committing treason, she’s suspended, she’s on the brink of going on some dumbass undercover op and is begging, pleading, for any sign from you- her boss and father figure- not to do it. That he shows remorse for leaving the team without a word, that he regrets his decision to just disappear on them, that he wishes he hadn’t or he had done it differently. ANY kind of sign to tell her not to go through with what she’s about to go through. Literally any sign, and instead Gibbs gets defensive and bites back that she’s picking the wrong time in her life (LIKE HELLO YOU JUST SAID IT RIGHT THERE IDIOT, SHE’S GOING THROUGH SHIT MAYBE YOU SHOULD FIGURE OUT WHAT IT IS BUT NO YOU’RE WRAPPED UP IN GIBBS LA-LA-LAND AND HAVE SAID FUCK YOU TO YOUR SUPPOSED KIDS), so now Ellie is even more pissed and gets defensive back telling him he doesn’t even know what’s going on in her life and if that’s not a desperate cry for help I don’t know what is. like she is begging you Gibbs to pick up on it and figure it out, begging you to do your job that’s you’re supposedly so good at and save her from going through with this stupid mission. And then Ellie realizes that he stopped caring about them. He’d gotten so wrapped up in what he was doing, he stopped caring about their lives, the problems they were facing, anything. Him *not* realizing something was happening??? This is Gibbs, this is the man that always knows what’s happening before you even know what’s happening. So the words “I’m starting to realize that” hit like a fucking dump truck. He’s too preoccupied with his own boat-making nonsense that he can’t be bothered to have even an inkling of an idea of what’s going on in their lives. And he doesn’t seem to care that he’s dropped them from his life. And that’s when it hits Ellie, he’s never coming back. He’s cut the team out of his life and he doesn’t care. He has no regrets, he can’t even be bothered to have a single regret. And I think that, right there, is when Ellie decides she’s all in. I think there was always a small part of her that was hesitant to go along with odette. Hesitant to just upend her career and her relationships (aka Nick, but we’ll get to this), all of it. But hearing that the man she looked up to even though he’d made some mistakes, the man she viewed as a father, the one person who’d taken a chance on the nerdy analyst long ago, the one constant through all the turmoil she’d had, just left? Just left without a goodbye, without remorse, without even a parting thought for her? That was it for her. Whatever brainwashing Odette had fed her that she’d pushed back against from fully taking over finally broke free. And with it, Ellie grieves, she’s tearing up from knowing what she’s about to lose. Lose the man she viewed as a father, the coworkers that were like a family, the partner she’d found herself loving like she’d never loved before.

Ugh poor hurt Nick, he’s willing to do all the grunt work that he abhors in order to free up McGee so he can save Ellie. Nick knows he doesn’t have the skills and I think that’s killing him even more so. He can’t just do it himself, he has to rely on someone else to clear her name (to which he bumped back to last name in a last ditch attempt to maintain distance and keep some semblance of emotions in check, which is failing miserably), and that is killing the doer we know and love. LOL “so you’re both wrong” this poor man I love him, I can’t wait for the tears that will come from me later 🥲 nick immediately taking Jessica’s help, I love it. He’s like I don’t give AF who will help us but I am clearing this woman’s name if it’s the last thing I do. And then she walks in and he’s frozen. All these emotions running through him and then she’s there?? And she ignores him??? Ignores all of them?? Rushes past and storms up to the director on a suicide mission??? Yeah this is why I said that conversation with Gibbs was her last nail in the coffin. She hadn’t decided to go through with it (hence why she hedged earlier with Vance) and then he went and was a piece of shit so she said the hell with it and went all in. She can’t even bring herself to speak at Nick, barely looks at him, because she knows, she knows if she speaks to him, if he gets a chance to try and talk her down in the heightened emotional state she’s in after talking to Gibbs, she won’t be able to hold it in. She won’t be able to deal with seeing emotionally charged and hurt Nick. So she ignores him and McGee and does what she thinks she has to do. How hard did it have to be for Ellie to tell Vance not to defend her, and that their intel was correct? 🥺🥺 it goes against everything she’s ever stood for and she just went and did it. She hates liars and yet she lied. She loves her country and yet she claimed she committed treason. Her body language once again screams uncomfortable but trying to play it off. She’d nodding and repeating it over and over because she needs to convince herself of the words. They leave a bitter taste in her mouth and she can’t stop it. All she can do is clench her jaw a little tighter and get it over with and convince herself.

Nick is in disbelief, obviously. McGee looks like he’s five seconds from breaking down because his little sister is supposedly a traitor??? Like he can’t believe it. He’s hurt she would do something like this even though he still knows in his gut that it can’t possibly be true. And oh FUCK the part where Nick’s voice cracks asking if Vance fired Ellie. Fuuuuuuuck me. This man’s heart is breaking for what’s happening to Ellie and being completely in the dark about it. Sure they weren’t really clear on what “they” were after The Talk but still. He thought she was open with him. Ever since the jail cell, things had shifted and he thought she’d been honest with him. He’d picked up on those little things, but maybe it was just training or something, NOT committing alleged treason and quitting the one career she loved. Not leaving him in the dark and vanishing without so much as a word. Not that. Because she KNOWS his past, she knows how much shit he’s been through with people in his life leaving without so much as a goodbye. And his voice continues to crack asking about what’s going on because he’s literally in shock. McGee is desperately trying to keep it together, keep some sort of figurehead for the team. Nick is in shambles ok, just like I’m in shambles. He’s adamant she didn’t do it because he KNOWS her. He knows she would never in a million years leak classified intel and now he’s just confused like a lost and kicked puppy. She didn’t DO IT, and she’s not answering her PHONE. He just wants to talk to her, he just wants to know she’s ok, wants to comfort her, wants to convince her to stop and it’ll be alright and he’ll take care of her and he’ll save her because that’s all he wants to do and always has, right? Save her. Save her from everything in this world that could hurt her. Protect her from life’s dangers. Protect her because he can’t bear the thought of losing her. And that all is crumbling down around him. All of it, crashing down like an avalanche, ready to bury him alive in grief and guilt and despair and anger. How am I supposed to TALK to her, he just wants to fucking be with her. He just wants to be there. With her. For the rest of their lives.

Ellie looking at the hat, please. That’s a lifetime of regret packed into one facial expression right there. She’s looking at that hat, the one she cherishes from the moment Gibbs hands it to her, and knows it’ll be the last time she ever sees it again. It’s not something she can take with her, and it’s full of fond memories—most happy, some sad, a few bittersweet—but memories that have made her life whole the past 8 years. And there’s officially no going back, she’s admitted to treason, there’s no way out of that. She’s having to say goodbye to all of her career without saying goodbye to any of them, all of that is wrapped up in that hat. A hat that’s so simple but signifies so much to her. She definitely was not expecting McGee to come out and so her rebuttals to him are exasperated and grasping at straws initially. She tries sarcasm and then she tries to brush it off “it doesn’t matter, it’s done […] I get that, I don’t want to talk about it” when McGee voices that he’s hurt over this and her reputation matters to him. Because he’s like another brother to you dammit Ellie. Yeah he’s grown since he said Ziva was like a sister to him and just stomped on your heart, he didn’t say it then but you’re like a sister to him too Ellie. I love that he fights her on it, and Ellie is like shit I have to come up with something. I don’t think she expected McGee of all people to fight her on this and I’m so glad he did. A little bit of growth because he is not going to see another person he views as family leave him again. And Ellie’s half assed excuses please, all of it is just such BULLSHIT because when they first debriefed she was just like “ethical? Hmmm” nothing more, nothing about being a vigilante and being up in arms over this like she claims she was. Bullshit Ellie, bullshit. And the PARALLELS TO FUCKING GIBBS. THIS IS WHAT YOU DID GIBBS, THIS IS YOU. LOOK WHERE YOU FUCKING PUSHED ELEANOR BISHOP TO STOOP TO. McGee begging her to regret it and Ellie pulls a Gibbs and is like NOPE. WONDER WHERE THE FUCK SHE LEARNED THAT FROM HUH. Gibbs you are singlehandedly responsible for this shit and how Ellie broke Nick’s heart and whatever happens to her on this stupid mission. I’m glad your dumb boat blew up, you deserve it.

“I don’t want protection” because I can’t have you all following me.

“It kills me that I lied to the people I was closest to” not about what you think I’m lying about but what I’ve been hiding. It kills me that I can’t tell you the real reason for this. It kills me.

“It wasn’t years ago for us” McGee rip my heart out please it will hurt less. And Ellie just playing into all of it. Knowing that she needs him and everyone else to hate her and not trust her. Her entire livelihood and backstory rely on them hating her and not following her, believing she’s the enemy and she’s hid these kinds of secrets for so long. Believing she’s a criminal and it was all a farce. She has to play into it. She has to. It’s the only way she will survive, they’ll survive. Odette likely fed her this shit, cut all ties, make sure no one follows, make sure no one is attached, burn all bridges.

Ah and we’re back to pissed Nick. Nick who doesn’t like to be left in the dark ever, let alone when it deals with Bishop. Getting his edgy self being rude to Kasie but Kasie doesn’t even bat an eyelash. She knows Nick is hurting and she reaches out to him, she doesn’t take his tone to heart because she knows. Nick saying he wouldn’t know how she’s doing is just like a knife to the heart. He wants to know, desperately. He once thought he was the person she would go to in times like these but now all he’s getting is radio silence, a cold shoulder, and screened phone calls. He’s in visceral pain from the thought of her going through this alone, pain from everything he once thought true and good being destroyed in a day’s time. And Kasie is shocked that Nick hasn’t spoken to her. If that doesn’t tell you she knows that they are a thing and the gravity of all this, I don’t know what will. Nick should have spoken to her, clearly he wants to, in every other situation he would have already. But Kasie (and Jessica) just realized Ellie is shutting Nick out and that is Not Good.

Back to Gibbs. Fucking asshole he is. McGee comes to you desperate to help his sister, Gibbs’ “daughter” and he goes “I think she’s at a crossroads” ???? Acting like he didn’t fucking encourage her at this so-called crossroads???? Like ???? The fuck???? Her crossroads was painfully obvious when she came to talk to you and YOU basically treated her like you couldn’t care less about her. That you had no clue what she was dealing with in her life and said as much. So yeah, she WAS at a fucking crossroads until you SHOVED her into oncoming traffic and said have a nice fucking life. AND THEN. McGee wants to help her and Gibbs tells him he can’t??? “Not this time” bitch this is YOUR FAULT. YOU COULD HAVE HELPED HER. COULD HAVE TALKED TO HER AT LEAST SOMEWHAT AND YOU DIDN’T. YOU SAID YOU DIDN’T REALIZE SHE WAS SPIRALING AND THAT YOU DIDN’T REGRET LEAVING YOUR SO-CALLED FOUND FAMILY IN THE DUST AND GUESS WHAT. SHE WENT AND PARROTED YOUR WORDS RIGHT BACK AT MCGEE SO FUCK YOU GIBBS.

Ooooh Nick looks lethal, love that look, hate why he has that look though. Lol Nick getting ready to go murder the dude in interrogation because he set up Ellie and he’s just ignoring the fact that she claims she committed treason because he already knows there is literally no way on earth that she did it. And Vance realizing that Nick needs to stand down like fiiiiiiinally someone realized it. Obviously he isn’t gonna listen and poor Nick, this boy has it bad and he’s truly just SO WORRIED for what Ellie is about to do. Because right there, the confirmation that the file was a plant, that was the final puzzle piece falling into its perfect place. Every single thing he questioned, every little moment he’d replayed in his head, it all made sense. And he was so very pissed she hadn’t come to him- and honestly I think part of him is trying to ignore the WHY that’s behind that because he truly wouldn’t be able to think straight if he went there. I think that would be his end, going into the why she didn’t trust him, why she lied, why it hurts him so much. It would be the end, and yet…we’re just beginning here. And of course he knows exactly who is manipulating Ellie, he hadn’t trusted that scum from the start. So of course he goes straight to Odette’s cabin and lays in wait, probably pouring over all the documents and things Ellie did or didn’t leave behind there.

Ellie pulling up in the truck and that heavy sigh? Yeah, she’s still not convinced this is a good idea. She’s running on emotions but that logical part of her (and deep down, her heart, knowing what she’s about to do- who she’s about to cut out of her life) is whispering of how very bad an idea this is. She still has to gather her willpower to get out of that car but when it’s Gibbs calling her? The same Gibbs that basically just kicked her out the door without so much as a wave goodbye? Yeah, the emotion just came rushing back, pushing the logic aside. She claims she can’t tell Nick because no shit if she has to look him in the face and lie and still say goodbye, it’ll kill her. She’s honestly not sure if she can go through with it.

OH we back to a Gibbs hate novel, hold on. “I’M REALLY PROUD OF YOU BISHOP” WHAT THE ACTUAL FUCK. I’M REALLY PROUD YOU’RE THROWING EVERYTHING YOU EVER WORKED FOR AWAY, PUSHING THE ONES YOU LOVE THE MOST OUT OF YOUR LIFE, SACRIFICING YOUR ONE SHOT OF LOVE THAT YOU OF ALL PEOPLE DESERVE THE MOST. I’M SO PROUD OF YOU. Oh fuck OFF Gibbs. “Following your gut” oh shut UP. I just don’t understand this part. I don’t understand it, and I’m trying so hard for it to make sense, for it to be in character. Like does Gibbs have any clue?? I’m sure he recognizes the signs, I’m sure he has an inkling at this point. So how would he be proud? How the FUCK would he say he’s learned some stuff from her. Does he mistakenly trust Odette because of what she did for Ziva? Is he just so self-absorbed he doesn’t completely comprehend what Ellie is doing leaving Nick behind??? And Rule 91 is a load of shit. “When you decide to walk away, don’t look back” how FUCKING STUPID. Like Gibbs of all people, you should understand that is a SHIT rule. You’ve lost the people you loved dearly and you think she should just never look back? Like are you saying this so that Ellie has a clear head for the undercover op? Are you hoping she doesn’t get herself killed by being wrapped up in what she left behind??? What the actual fuck. Stupid ass rule honestly. It’s what you live by Gibbs and look how well that turned out for you. Look at the family you ditched. Nice fucking job.

“It’s done” and “what are you talking about I did everything you asked” ok she’s 100% being manipulated and almost blackmailed somehow. There’s no other explanation. Eleanor Raye Bishop wouldn’t do this shit. Not willingly, not if she knew how much Nick loved her and how much she loved him (which if her words in just a minute are any indication, yeah she had a fucking clue). Odette calling Nick a loose end just SCREAMS how she purposefully fucking chose the moment Ellie and Nick started to get close to decide it was time for Ellie to go undercover. I just KNOW it. She’s a manipulative bitch and there is no limit to the rock bottom she will stoop to.

Ellie knows who she’s talking about and the just look of fuck I have to actually tell him to his face. The doubt and grief and guilt and all of it, flashing across her face as she realizes she has to do this. She has to face this, she has to lie. She has to break his trust (not that she hasn’t already) something SHE made so painstakingly clear she needed from Nick. Nick is rightfully *pissed* I mean who can blame him. Ellie with her, “I have nothing to be sorry for.” I know Ellie is just doing her best to burn bridges, the hesitation and avoidance leading up to this lends itself to no other interpretation. She is going to say anything and everything to make sure Nick does not follow her. Make sure he stays as far away as possible from her. She can’t bear the thought of him getting hurt in some way from all this. Even though he may not get physically hurt, I don’t think she realizes the heart break is going to be worse. The painful part is Nick understands, he understands why she wants to do undercover. He had seen that glimmer in her eye when they were Charlie and Luis, he gets it, he’s been there. And he wishes so desperately he could impress every lesson he’s learned on her right then and there but at the same time he knows it won’t change a thing. He just wishes in vain that their love would change her mind, even if logic wouldn’t, their love surely could. I think Ellie starts to realize just how much Nick can see through her and that’s why she owns up to the fact that Odette planted the files, and also why I believe the leak was all an elaborate hack that Ellie didn’t know about.

Then we get to the even more painful part of Nick giving us a glimpse of his raw heart. The why now with a voice crack and Ellie’s hedge at now wasn’t her choice with her own voice cracking, just is so so so telling. She could lie, she could really work at burning this relationship in a blaze of glory but she doesn’t, she owns up to the fact that she didn’t purposefully choose now (aka right when they were starting to figure things out between them), she’s not pulling the strings. Nick coming back with so you had a choice is like the little 5 year old boy whose dad is walking out on him again and it just HURTS. And at the same time Ellie is also the young, insecure agent right now who just wants to prove herself. She wants to be viewed as “ready” and the man whose opinion she bases way too much of her self-worth in didn’t say he was proud of her until she was upending her career to go on some deep cover op where she ditches everyone important in her life.

“How long?” “Too long.” Yeah ok FUCK ME. They both know exactly what they’re talking about without even saying the actual words. Ellie’s voice cracks once again because of the emotion in Nick’s voice and what he’s implying. It pains her to leave him and what they’re becoming behind. It viscerally hurts her, you can see it on her face. She doesn’t want it to be too long, but she knows it will be. She can’t fathom that he’d stay or wait for her, she doesn’t think she even deserves that.

Tbh it’s so hard to put this all into words. To fully convey to you how angry and hurt I am over this shit. Ellie’s being manipulated and hurt that she has to burn this bridge and push Nick as far away from her as possible. She thinks its her only out and what should be expected of her based off her conversation with Gibbs because then she parrots his exact words back at Nick when he begs, literally begs her to say something after she was willing to leave without saying goodbye (which we know is because she didn’t think she was going to be able to look Nick in the eye and still go through with it all), “sometimes there’s nothing left to be said” like fuck you Gibbs for planting that in her head. There’s PLENTY left to be said. Clearly Nick was not pleased you blew him off Ellie, he wants you to say anything that would make this make sense (we all are tbh) and she says you know my *favorite* line, “I didn’t mean for us to happen.” Nick is all of us with his “something else” because WHAT THE FUCK. This is how I know Ellie was going full throttle with her strategy of pushing Nick away. This was the one thing she could say that would hit hardest for Nick. The man who is insecure about anyone truly loving him and him being a person deserving of a love that “stays” and for Ellie to say she didn’t mean to fall in love and even though they did she’s still going to leave because it was never in the plan, just damn, stab him in the back and twist that knife Ellie. And just like her body language this WHOLE TIME 💀💀💀 she’s just shaking her head because she doesn’t even believe her own words, she doesn’t want to confront this, she doesn’t want to end this. There’s tears in her eyes because everything she’s saying is a lie and it hurts it hurts so damn much but she has to. She’s been manipulated into believing she has to do this, has to say these things. And his body language too, I mean he is tight. He is standing so rigid, hands clasped behind his back because he’s trying to convey openness and vulnerability and it’s so much growth for Nick, so much growth and Ellie is still ripping his heart out and stomping on it. And when she chokes out that goodbye you can hear and feel how final she believes it to be. She doesn’t think he’ll stick around or even want to. In this vein I think she underestimates his love for her here. And if the show goes a different way with it, they’re little bitches. It is in character for Nick to do everything in his power and outside of the rules to find & save Ellie. I will riot if I don’t see unhinged Nick some point early in s19 (I say like I’m going to watch religiously), because that is the only logical reaction to her leaving like this.

The kiss. It’s a beautiful fucking kiss and it’s ruined by context. It’s an emotional kiss, Ellie throws her body behind it, gripping his face with both hands because she doesn’t want to let him go (even though she’s going to), she clutches to this memory like she clutches to his face. Nick’s clenched expression because he doesn’t want to open his heart up to more heartbreak but when he leans into the kiss and gives the kiss back you know he’s a goner. And maybe a part of him doesn’t care because this may be his last memory of her for a long time and he’s going to burn it into his memory too. It’s why he keeps his eyes shut after she’s left for so long, he doesn’t want to open them and the reality of her retreating back be the last thing he sees of Ellie. He wants the kiss to be the last thing, he doesn’t want to face his reality. His hands had even come out from behind his back, reaching out to her subconsciously willing her not to leave. Meanwhile, Ellie opens her eyes for that last kiss on the cheek to get one last long look at Nick, one last look that will hold her over for who knows how long. A look at his vulnerable face, a face she loves. A look that she hopes will keep her warm at night even though she knows she’ll never get it this close to her again because there’s no way in hell that Nick would entertain the thought of them together again after what she’s done. She doesn’t look back because she can’t. She can’t see Nick’s wounded face just standing there, broken or she won’t go. And Nick tries to stand resolute, the anger and pain flashing across his face before he grits his teeth together and *hopefully* resolves to find Odette and kill her I mean save Ellie I mean kill Odette 🙊

Anyways, there’s only a very specific way this entire finale makes sense. And I know Emily’s pregnancy threw it for a loop, but they can still SOMEWHAT fix this. Do I think they will? Hell fucking no. I have zero expectations, in fact negative expectations. I have a feeling what we were supposed to see is Nick going on an absolute swan rampage to find Ellie and clear her name throughout the first couple episodes of s19 and with Emily leaving the show, I’m not sure how they’ll twist this. I can see why they thought this was a fun cliffhanger because it would eventually be resolved and I do believe they would’ve eventually gotten ellick together after Nick found her. But unless Emily comes back at the end of the show, that won’t happen, at least not on screen. And with that I just 🥲 I’m still mad, I’m still broken inside but yeah. I’m a masochist before anything else apparently and so I made myself rewatch and write this out. A bittersweet pissed off adieu to the WWR. maybe one day i’ll find another ship & show that gets this level of meta out of me, but it’s been real ellick, it’s been really real ❤️

#ncis #ellick #wwr #anti gibbs #seriously do not read if you like gibbs #this is your warning and if you send me hate anon for my take after i warned you you're asking for it #6k of 3 months of emotions right here on the day of the premiere #truly bittersweet to say goodbye to the wwr in such a shitty way #if there's even people still reading/following along #thank you ❤️

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halfway-happyyy · 3 years

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Coming Home

AN: hello friends! it’s me again! and back (again) with something that no one asked for, but if this thought has to live rent free in my head... then it might as well in yours, too.

tw: nothing but fluff, since that’s all i can get my brain to create these days.

She awakens in the morning's hush to a dull throbbing in her head, her throat like sandpaper. Shuffling through a mental rolodex of the previous evening’s drinks, she swallows hard to keep the roiling waves of nausea at bay. An idle glance to the clock on the spare room night side table tells her that it’s later in the morning, and she waits until she hears the familiar sound of water hitting the metal drain of Alexander's shower before she lifts the duvet from her body. A cool, hardwood floor greets her bare feet as she pads to the closet in search of something to throw over her figure before she heads downstairs. Settling on a worn, crème cashmere sweater of his that falls to her shins, she stretches her arms high above her head to limber up. Stepping out into the hallway, the heady aroma of freshly ground coffee beans greets her as she makes her way down the spiral staircase towards the much-needed liquid. Muffled pieces of Swedish find her from the kitchen.

“There she is,” Gustaf beams at her, his wise, knowing gaze twinkles merrily in the sunshine filtering in through the open kitchen window.

Bill is already reaching for a coffee mug for her.

“Morning Goose.” She smiles, sleepily. “Good morning, Bill.”

He smiles at her, wryly. “Good morning kid. How are you fairing so far?”

She shifts from foot to foot- remembers the shots taken, the beers consumed, the martinis sipped, and she grimaces. “I’m uh… definitely feeling a little rough for sure, but it’s really nothing a couple cups of coffee and some food won't cure.”

Gustaf laughs heartily before taking a deep sip from his own mug. Setting it down against the oak tabletop, his smile bears a teasing lilt. “I confess I am impressed that you're even upright at the moment.”

She accepts the coffee from Bill graciously, notes that he has made it exactly how she likes it, and thanks a higher being for the Skarsgårds. Taking her first sip of the day, she savours the creamy bitterness of it on her tongue, and the warmth of it as it settles in her tummy and turns to Gustaf. “Me too, Goose. How did last night get so out of hand?”

Bill rolls his viridian eyes. “The same way it always does.”

She remembers the text she received from Alexander yesterday afternoon vividly: ‘Hey kid- I’m back on home turf for the next week. Having some friends over tonight to celebrate. Bill and Gustaf miss you. Maybe I do too. If you’re not doing anything, please consider dropping by. Don’t bring any liquor. I already have too much. Hope to see you soon, xx – A’ Her cheeks warm at the thought of it, and she swallows hard. “Yeah, I have no recollection of like… the last two hours of the evening.”

Bill chuckles into his mug. “You were pretty entertaining. Uh but eventually, and unfortunately for the rest of us, Alex hauled you into his arms and tucked you into bed a little after midnight.” Alex hauled you into his arms… And just then- a flash of a memory; his impossibly warm, sure arms around her, the softness of a bed, the sheer relief of him pulling a duvet over her body, a pair of tender lips against her temple, a sliver of pale light from the hallway on her arm, the sound of a door shutting softly. “But hey,” Bill murmurs, taking notice of the expression on her face. “You had fun, right?”

She’s about answer in the affirmative, when the water stops, and she clears her throat. “I wanted to run something by you two before Alex comes down.”

Gustaf sets down the script he had been reading and turns to her, his attention now suddenly all-consuming. Bill sets his empty mug against the marble counter and folds his arms across his chest. “Go on, then.”

“What do you think the chances of Alex setting me up with Joel are?” She picks anxiously at a patch of chipped lavender polish on her pinkie finger as she awaits their responses.

Gustaf speaks first, his expression deadpan. “Joel who?”

She has to fight the urge to roll her eyes. “The other Scandinavian giant who likes to hang around with you guys sometimes. He and Alex go way back apparently…”

“You don’t mean Joel Kinnaman?” Bill asks, tone incredulous.

Her cheeks grow ever warmer. “Yeah, that’s him.” He had made an appearance last night for a couple of hours- and she thought that they had hit it off well, all things considered. “But if you guys don’t really think it’s a good idea, I’ll just… leave it.” Gustaf opens his mouth to say something, but in place of any actual words, a booming laugh tumbles out and soon the pair of them are laughing so hard, they’re both silent. She folds her arms across her chest, suddenly defensive, and waits for their laughter to subside. She listens for Alexander’s weighted footsteps above her. “Alright you two, that’s enough. I get it, I’ll drop it.” She snaps.

Gustaf sighs, his eyes still glitter just as brilliantly as before. “Listen, little one. I don’t think it’s a bad idea at all. I just think that it’s precarious territory.”

“What’s precarious about it? Apart from the fact that you both clearly don’t think that I can make it happen.” She gets it before they confirm it for her. One of his ex-girlfriends was Olivia Munn for crying out loud. She suddenly feels ridiculous for even considering it.

Gustaf clears his throat and stares at her, and she feels like he’s peering into her very soul. “You are a very capable and brilliant young woman, my dear. So, you will excuse me if I find it difficult to believe that you truly don’t know.”

She stares at them both, expectantly. “Don’t know what?”

Gustaf shrugs and takes another sip of his coffee. “Alex carries a massive, blazing torch for you.” His admission hangs heavy in the air before them and she barely has time to register it before the sound of Alexander on the staircase rouses her. “So, you can absolutely ask him to set you up with Joel, but I doubt very much that it will go in your favour.”

She’s about to shake her head, to protest, but Alexander enters the kitchen. His dark blonde hair is still wet from the shower, and water droplets glisten above the collar of his blue t shirt. “What’s all the fuss about? I could hear you two yahoos laughing from the washroom.” His gaze turns to her, and he smiles. “Morning kid. Good to see you up and at it.”

“Good morning, Alex,” She mumbles. “I’m sorry about last night.”

His expression softens evermore, and he shakes his head. “Nonsense. I just hope you’re feeling alright today.”

She swallows hard, the throbbing in her head still apparent, but more tolerable after coffee. Gustaf’s words echo in the back of her mind. “Hanging in there.”

“It is suspiciously quiet in here now, boys.” Alexander murmurs as he procures an espresso cup from the same cupboard.

Gustaf clears his throat and closes his script. “Just an inside joke between the three of us. I'm off. I've got an audition with HBO on Thursday that I'd like to feel at least somewhat prepared for. Thanks again for your ever-generous hospitality, brother.” He stands up from the table, and slings an arm around her shoulders, kissing the top of her head as he does so. “You remember what I told you, hm?”

She nods her head. How could she possibly forget? “Yeah, Goose.”

“You coming little brother?” He cocks an eyebrow at Bill. The middle Skarsgård nods his head in the affirmative and leans over to tell Alexander something in their native tongue. It makes the eldest brother smile, and he throws an arm around Bill's shoulders to bid him goodbye.

Bill wraps his arms around her, and this is always when the full gravity of their stature hits her. “Good seeing you again, kid. Take care of yourself, hm?”

She beams at him and nods her head. “’Til next time, Bill.”

She listens for the familiar chime of the front door closing, before lifting herself onto the counter next to Alexander. “I found this in the spare room closet,” she murmurs, gesturing to his sweater. “If you mind, I can go change-

“I don't mind at all, kid.”

Alexander had been an integral part of her life for the better part of five years now, and in all that time she was simply grateful just to call him a friend- a wonderful one at that. But then she remembers the lingering touches, the playful- yet somehow scorching teasing of any new love interest, the general (and sometimes overpowering) sensation of sheer want for him at the end of a long night. She views him in a new light now; the crystalline water droplets from before have evaporated into his sun-kissed skin, but his hair still bears the weight of moisture and the sudden urge to card her fingers through it is overwhelming. “I have something to tell you,” He murmurs.

This is it, she thinks.

“It's about last night.”

And suddenly, the nausea that had been so persistent an hour ago, returns in full force and she swallows hard to keep the coffee from rising in her throat. “Alex, if it's something I did or said… I'm sorry.”

He shakes his head and lifts his gaze to hers, her azure orbs are alight with a fire she doesn’t quite recognize. “None of that, kid. It's Joel. He wants to take you out for dinner sometime soon and I guess he wanted my blessing first.”

“Oh.”

“Mhm.” He confirms. “Seems you made quite the impression on him last night.”

And god, she thinks this news would have been the best news to receive an hour ago. But then sixty-two minutes elapsed, and in that space of time, Gustaf handed her his eldest brother’s gift-wrapped secret, and here they are. “I didn’t mean to,” She mumbles.

And Alexander laughs at this, and in that moment, she swears it’s her favourite sound in the whole world. “You never do, kid. There’s just something about being around you that’s as effortless as breathing. You take up the perfect amount of space. It’s quite a thing to behold, actually.” He sips his espresso, his intense gaze on her makes her feel more naked than she’s ever been before. “So, what do you say?”

She offers him a half-shrug. “What do you say?”

He blanches now. “What do you mean? This is entirely your decision.”

“You know him better than I do. You also know me, Alex. What do you say?”

And like grains of sand through fingertips, his resolve crumbles before her very eyes. “I can’t quite articulate what it’s like to watch someone accomplish in a night, what I’ve thought about for nearly five years. That is entirely on me, though,” He trails off, setting his empty cup against the counter. “But he’s a good guy, kid. I’d be lying if I said anything to the contrary.”

Her throat constricts as she mulls over what to say next. “Why did you wait, Alex?”

There is a vast vulnerability to him that she hasn’t been privy to until now. And in this moment, he isn’t Alexander Skarsgård the movie star- Hollywood and Sweden’s most eligible bachelor. He is her best friend; the six-foot-four dork with the adorable overbite, the guy who can’t pronounce his ‘ands’ properly because of his accent. He is the man who would give the shirt off his back to anyone in need. A true, golden heart beats in his chest, it keeps him alive, propelling him towards greatness. “I don’t operate the way normal people do, and you know that. It’s like… I repel relationships. It’s the distance and the timing that throws people off, kid.” His eyes darken. “They’re drawn to the glitz at first; the premiers, and the award ceremonies, the tropical vacations. But then I miss birthdays and weddings and engagement parties, and no one ever seems to want to stick around after the dust settles.” He allows himself a deep, steadying breath. “And I’ve never blamed them at all for that. But then you came into my life, and we weren’t ever in a relationship in the traditional sense, but you became a really good friend- one of the best, and you stuck around." He sighs heavily. "You just... feel like coming home, kid. And in all this time, that feeling has never wavered or changed."

“Alex, I-

“So why did I wait? It’s a good question,” He clears his throat. “I waited because I thought that the minute I laid everything out on the line for you, you wouldn’t want it.” And god, she can feel her heart cracking under the weight of his honesty. “And even saying it now, I know I should have automatically given you the benefit of the doubt. But you’ve been around for all of it, kid. You've picked up the pieces. You know how ugly it can get.”

She swallows hard, heart thrumming wildly in her chest. “Come closer,” She murmurs. Alexander hesitates a beat before settling into the space between her legs, his denim jeans tickle the velvet softness of her inner thighs, and she shivers into the sensation. His face is mere inches away from hers now, and she can smell the refreshing scent of bodywash on his skin, the sharp citrus shampoo from his damp hair. “I want to try Alex,” It comes out as a whisper, but he catches it because his lips twitch into a small smile. “If you want to.”

His gaze travels to her lips, and he closes the distance between them to kiss her. His massive, warm hands find purchase in her hair as their kiss deepens, and every fiber of her being screams at her that this is it- this is what they’ve both been waiting for. When he eventually pulls away, he rests his forehead against hers to try to regulate his breathing. His gives her thighs a gentle squeeze and places a tender kiss to her forehead. “I absolutely want this, kid.”

And she believes him because she wants it just as bad.

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