#and the more mixed/melodic ones are just such a vibe

[dust-n-roses]

ok I’m getting a bit obsessed with Spiritbox guys

[jesuisgourde]

Okay, All Quiet On The Eastern Esplanade is out in the states, so time for a listen and a rambling track by track reaction. I'm listening to the whole album through and writing my thoughts, and then listening to it once more and adding any other observations.

I've already heard Run Run Run, and like I said before, it feels very classic Carl track. It's very catchy. I think I have the same complaint as everyone else, which is that it feels over-produced. No one should autotune the Libs, the whole point is that they're a bit wonky. Also I don't like that they've fucked with the equalizer and the vocals sound weirdly muffled? Also, upon this listen-through, this song reminds me a little of Frank Turner, which is a weird musical callback to like 2012. My favorite thing in any song is when the instrumentals cut out and it's just drums and vocals, so I love that as the ending of the song. This whole album has so many varied cultural references which I find very entertaining. Does Peter yell "Get your pants off" or "Get your hands off"?

Already I like the lyric to Mustangs A LOT. Feeling a Lou Reed influence there. Love Peter's high-pitched backing vocals and also the Pigman reference. I really love Libs songs where it's just a little scene set to music. And this is exactly that, in such a good way. Again, not a fan of the mixing. What is it with producers these days and mixing so shittily that the vocals get lost in the background instruments, and everything gets muddied? I had the exact same complaint with the last Manics album. Anyway, love the little jokey bits at the end. The second verse about the nun is such fantastic imagery. (Lastly, I thought it was Mustang, singular? But it's plural on Spotify?)

I Have A Friend has an AMAZING chorus I love it. Also that solo guitar bit from Carl right after, I literally could see him hopping up and down in my head. Love Peter's rolled R's. Okay, upon listening the second time round I really really really like this song. The lyrics are incredible. I think they're my favorite on the album. Social commentary but also absolutely beautiful and amazing imagery.

Merry Old England has a bit of a Hamburg Demonstrations vibe to it, which I love. The further I get into this song, the more I love it. It's such a creative and sarcastic critique of Tory policies and all that. Again, I've criticisms about the mixing. Also the pretty violins makes me miss Miki Beavis's wonky violin in Madres, which I think suits Peter/The Libs way better. Still, they add a nice touch.

Ohhh I love Man With The Melody, the clear pretty vocals. I like that each of the Libs have their own verse, that's so cool! Fuck the autotuning though. I really like this song. Melodically it sounds like a sequel to Milkman's Horse, and thematically a sequel to Fame And Fortune. It sounds like a "reply" or a look back at Anthems. Very pretty, with the lovely piano and minimalist guitar.

Hahahha Oh Shit! feels soooooo early 2000s American pop, in a fun way. It reminds me of something but I can't quite put my finger on it. Something that was on the radio a lot in like 2003 or 2004 maybe? This is clearly a Fun Song, like a slosh your drinks around while dancing all goofy type song. Peter's "And that was the news today" at the end is so silly. I think this track is my least favorite but it is fun.

I already know I love Night Of The Hunter. Firstly because anything that uses the Swan Lake motif has my heart instantly. But also because I love the lyrics, I love when Peter writes songs about noir-type vignettes. Finally, some good shared vocals that aren't drowned out by instruments. Gosh, I love the lyrics of this song, I love the dual meaning in that it is technically about an actual noir film but could easily be talking about Peter's past as well. I really like that the lyrics get priority on this one and the instrumentals are pushed back in the mix with the Swan Lake motif coming forward sometimes. It feels like it needs that minimalism.

The guitar on Baron's Claw is already great from the start. I hear Peter's taking a leaf out of Daniel Darc's book with the close-in breathy vocals, which I'm so into because since I learned about Daniel Darc from Peter and Frederic Lo I've actually fallen in love with his music too. Melody-wise it's very close to The Glassblower from the Fantasy Life album, which is my favorite song off that album, so I'm not surprised I like this song too. I like the story in the song and I like the jazzy brass and piano and Peter's vocals. It feels like it's being sung in a smoky jazz bar. This one is so good.

Shiver is sooo catchy. I find myself humming it sometimes at work even though I haven't yet absorbed all the lyrics in my memory. This is also the real "Libertines mythology" song, so of course it's good. The fact that the lyrical subject matter is made up only of criticizing the monarchy and talking about specific Libertines lore is just so them. It's so short, though! I wish it were longer!

The guitar on Be Young is so chaotic lol. It reminds me of Horrorshow a bit. Okay, actually this whole song is chaotic. Melodically, lyrically, it sounds like they were crashing around in the studio while recording, which is very fun. The random calypso bridge bit is so....random! I like it, just a surprise in terms of musical style change. Suddenly they're the Clash! A fun way to pay homage to influences, I think. Also Carl yelling "Woo!" and then collapsing into a cough at the end is really really funny.

I can definitely hear the early-ness of Songs They Never Play On The Radio. You can tell the scaffolding is there from that early set of Libertines-to-Shambles transition songs like East Of Eden/Love Reign Over Me/Merry Go Round etc. I really really like the guitar on this one. And the vocals are so nice. Again I don't like the mix, where Peter's voice is a bit overtaken by the muddiness of the backup singers and instrumentals. But I do like this song a lot. The lyrics are pure Libertines mythology. Ahahah the dogs howling! The bit of acoustic and messing about and chat, I really like that. I think it's a really lovely ending to the album, just a glimpse of them obviously being friends and having fun. It's like a beautiful reply to the question "What became of the likely lads?"

As I've only listened through the album in full twice at this point, I'm sure my thoughts will change over time. But at the moment I think my favorite is torn between Night Of The Hunter and Baron's Claw. I Have A Friend and Songs They Never Play also are just so lyrically good. Least favorite is definitely Oh Shit. I'm excited to see which songs grow on me and in what ways.

[colorisbyshe]

June's Monthly Music (PART DEUX!!)(I KNOW ITS TOO LONG IM SORRY)

Click here for part one (highlights being Kaytranada and Charli's albums)(listen to Cactus Water by Channel Tres who was on Kaytranada's album)

RECENT MUSIC:

Goat Girl's motorway is for the girlies into... the indie girlies. Music to reflect on your life to.

JESSIE WARE!!!!!!! & ROMY's LIFT YOU UP! Feel good dance track. Just vibrant and joyful. What a lovely way to end Pride month.

Normani FINALLY released her album. Not mindblowing (and some of the teaser versions of songs are better) but it's enjoyable to listen to all the way through. Highlights are "All Yours" which feels luxurious, "Take my Time" which is sweet and pleasant, "Insomnia" which has a sprinkling of Daft Punk in some of the vocoding, and a more energetic "Little Secrets" which closes the album out. This is a solid debut which promises greater things down the line. Good sensibilities, just needs a bit more oomph.

Spinning off of that, check out "Endless Night" by Maeta.

Tove Lo & SG Lewis are back at it again with a mini EP! Let Me Go OH OH sounds the way Kylie's Love at First Sight MV looks, if that makes sense. Busy Girl is for Cunts on the Runway. Heat is for dancing at the club. Desire is a club mix track that is generic and yet perfectly calculated--like a chocolate chip cookie made up premium ingredients.

Megan Thee Stallion has an album out and narrowing this down to a handful of tracks is hard, even with singles excluded! Rattle is scathing and yet too cool for the haters. Down Stairs DJ combined with Where Them Girls At has convinced me she needs to collab with Cupcakke*. Worthy is summery and poppy. Spin with Victoria Monet will have you doing body rolls without even realizing, Otaku Hot Girl is a fun sample... I forgive her for insulting Sasuke avis I know where she's coming from lol.

Nayeon's album is kinda hit or miss to me but I love ABCD's bigger than life energy and the dance break in the MV. HalliGalli is just like refreshing fruit punch on a hot day

Despite not feeling the title track, Red Velvet did pull through with some music you can just float around to, Last Drop and Night Drive would be nice to wade into the ocean and stare up at the stars to. Bubble has an almost 80s Jpop veneer to it. And Love Arcade gives the album some energy it very much needed, lol. Not my fave RV project but not the bummer I expected!

She, this blog's namesake, has a new mini album! Spectral Touch and With You are expansions of She's Chiptune sound but maybe with some appeal you might find in Kavinsky's music--not the same sound at all but that sort of "driving at night through neon lights" type vibe.

The Used has a new album out, it's more of the same, but I loved the video game trailer bombasticness of Depression Personified and the return to an older whininess (said with fondness) in Before I Leave. Emos, check it out.

Catharsis by 9mm Parabellum Bullet is more rock music. Japanese and surprisingly melodic, this track is haunting. Maybe Buck-Tick enjoyers should check it out.

If you liked the Tove Lo ep, check out Baddy on the Floor by Jamie xx. Honey Dijon absolutely elevates this track into transcendence.

Amaarae said "Fountain Baby Part 2!!!" this! is a swooning afrobeats track, wanted is a song that crawls to you and up your body and grabs your hips, and sweeeet is such a natural evolution of Fountain Baby. This whole project is worth a listen!

TuNGSTeN is by Hiroyuki Sawano (TECHNICALLY a different project than my other shout out) and it's just evocative and makes me clutch at my chest but also wanna run.

Power of Two by Victoria Monet. Idk why she's doing a Star Wars song but... fuck, she hit it out of the fucking park. It's like of Kendrick/Sza's All the Stars had a dark, more cosmic child.

Lynch. has some more Japanese metalcore for anyone interested. Standouts are the frantic Un Deux Trois and A Fierce Blaze while the track Remains might appeal more to the crowd who wants more of the melodic bits that Catharis had. Buck-Tick fans I'm saying try out Remains. Not as good but you'll see the vibe

Getting no Sleep by Tinashe is a surprising follow up to Nasty but suuch a good follow up to her album BB/Angel and its more cerebral elements.

"Know You Did" by bongjeingan is a korean indie rock song not afraid to get WEIRD with it. This is a song that is everything all at once. Goes surprisingly hard at the end.

Somethin Bout You by The Knocks and Holiday87 ft Betsy feels like a dream of the 80s had by someone who passed out at the club after too much fruity drinks.

"Security" by Raleigh Ritchie (AKA LOUIS FROM IWT!V!) is a a more lowkey track than some on this but the lyrics are relatable and I remain charmed by his blunt writing style--he gets to the heart of the matter and carves at it.

OLDER MUSIC I'VE BEEN INTO:

"Shout" SawanoHiroyuki[nZk]. Type of song that worked great for a Trigger adventure anime (but not dunmeshi lol).

Selecta by Chase & Status ft Stefflon Don. Dancehall drum & bass great for playing a first person shooter. Click heads and bop.

9m88 was recced to me and while I haven't explored much, "Love Rain" is crooning and jazzy and a song that exists outside of time.

A throwback older than some of my followers Sonique's Sky is just good eurodance.

*this month was too stacked and i haven't listened her new album but i WILL!!

[inseasofgreen]

(holds mic out) Can we have an insight with regards to your naming schemes and how you come up with them? Your collection of names are quite unique, cohesive, and impressive for me!

A lot of tears and vocal stims (only half joking) but yes!! I am one of those readers/writers who adores names “fantasy” names. I will die on the hill that “Overlord Zurkuth” is better than “Overlord Dan”

I’ll going to using my countries Ivaenia, Saevi, Vultis, and Zenier as the examples for this first bit.

So for my name schemes in regards to POTO, a lot of them derive from a the simular letters/sounds. I had in mind that I wanted them to all be variations of the same “language.” A lot like how Latin is. For POTO the language isn’t real (yet) but I wanted it to be believable. As it’s pretty obvious with the country names, a lot of ‘ae’ ‘v’ ‘i”. That’s the kinda back bone of the fictional language, which I then gave their own little spins to. Giving them their own different, but same feel to them. It also helped flesh out the language even more, giving it a lot of S’s and Z’s— which more on that later. As for how I got to the final names, I went through a lot of Generators and found even more sounds I liked. I also looked up different languages and listen to the sounds of their words through google translate. Another big help is dissecting real life words, much like I did with the generator. Even better if they have meanings that a line with said culture. The city Pyros in POTO is ripped straight from pyromaniac. The most associated character with Pryos is Zemorri, who is associated with fire and dragons. Now that I have an even better base of my language, I moved on to Character names.

For this part, I’m going to use Zrato/Irayo, Zaentriaean, Iveaenian, and Oscai names.

So back to my mention of S’s and Z’s. In my little fictional Latin, I decided that S and Z were once the same letter, but as the people who spoke the language moved around the Nite Region, they became two separate sounds and letters. A very weird bit of lore, but it helps tie it all together in my opinion. The Z tends to be used in Vultis the majority of the time, and S everywhere else. Vultis takes a lot of inspiration from ancient middle east, think Sumerians, Babylonians, Assyrians, and Persians. So I based their language off of modern day Arabic and Farsi, with a hint of Hindi as Vultis is a very large country (an empire if we’re being real here) and so I wanted different regions to have different vibes. So mixing all of that together, there’s so much to pull from, along with my fictional Latin to help guide me. There’s so much that goes into a Zrato/Irayo name because of how much I pull from, so I’ll go over the more notable names. Obviously, we have Zemorri, which have the “Ze” we see a lot. “Morri” actually came from Momemto Mori because it fit his character arc well. From Zemorri, I got Zevetta, which is a bit more melodic than most of the Zrato/Irayo names, but I ended up giving her region of Vultis more melodic names, so it works in my mind. I also got Xenari, Nazari both following similar melodic vibes. Ivemaar, “i” and “v” fit within the scheme, and “maar” come from the Farsi influence (also apparently means snake.) There’s a few odd ones that I got just some combining random sounds until I got something I liked, that being Qhuirex and Rhiari.

So Zaentriaean names tend to have the typical elf feel. I decided they would favor the “ae” sound, and pretty much ran with that. I did draw inspiration of Valerian names from ASOIAF, because they’re so pretty. As for how I come up with them, I will literally sit and combine all sorts of mashed up words until I think it sounds pretty.

So I actually already had Sciosa as a name from a long ago scrapped wip when I was in middle school, so how I thought of it I couldn’t say. But it did give me some great material for Ivaenian names. I was able to play around with the S and Ci of it, which got me Cyren, Cyn. I love the way “il” sounds and looks, so I combined it with is ‘os’ from Sciosa, and I already had two names with y. So “Ilyos” was born. Ryon is literally just Ryan but I didn’t want to just name him Ryan, and A’s are more Zaentiraeal than Ivaenia, so I swapped the a for o, which is littered through out Ivaenia names. Ivaenia still has some of the Zaentiraeal feel to it, and so some of their names to have “ae.” My thought process is those closest to the kings off dawn king to have more names influenced by the kings of dawn. The further removed, ei. A commoner, or nobility that lives to the north and thus closer to Zenier, the more Zaentriaean their names will be. The Kings of Dawn are often thought of as gods living amoung mortals, and with the common practice of not naming your kid too closely to a god’s name, I can see commoner’s erring onto the side of caution, while nobility who is around the chaotic family, feel like they are on the same playing field. (I have mentioned Nelia and Nae’lia in a previous post but that is the only exception to the practice)

Oscai names! So this one is actually the most straight foward. They’re all Latin, or Latin-esque names. I throw in a few C’s S’s V’s and so on from the other names, but they all derive from Latin.

Okay! I hope this was helpful, I tried to explain my thought process behind it all. It’s really just a bunch of sounds and me sitting at my desk talking gibberish to myself until something sticks. There’s also a lot of world building and lore behind it all which I think plays a big part. But my best advice is find languages, fictional or real, and dissect them into sounds you like. Okay I’m actually done now. I need food.

Good luck!

[lyliux]

My pikmin 4 rescue corps voice headcanons!!!

Been a little burnt out from art so I found some rescue corps voice hc's!!! Lmk your thoughts!!! I've got links on everything for your reference :)!

Shepard - Jessie, Pokémon

Collin - Dimitri, Anastasia / Raggedy Andy (i couldn't decide lol) (note skip a bit forward on the Dimitri video)

Russ - Wizard cookie, Cookie run kingdom

Dingo - Sun Wukong, Lego Monkie Kid

Yonny - Happy ENA, ENA - Auction day

Bernard - Kind Andrias, Amphibia

Pip (my Rookie oc) - Female vulpera, WoW

Thought process + ramblings below cut :0!

I tried to match them all at least a little bit to the canon voices(?) they have! Tbh these are like ALL subject to change because I have never done this before and I'll probably actively be on the lookout now lol.

Anyways notes!!! I cannot shut up

Shepard

She has such a distinct rich voice I struggled so hard to find something

Jessie was my first thought and what I ended up settling on, though I think Shepard probably isn't as animated as Jessie

Again, the timbre is SOOO specific,,, help me,,,

Idk what other people vibes on this one is but it's either spot on or super unconventional,,,,

Collin

My toughest one because there are so many white boy voices lmao

I was searching for mid range, a bit softer with not a lot of pep, and with a similar timbre of his canon voice

If I could mix the Dimitri and Raggedy Andy voices that'd be like PERFECT

Bonus points that a lot of the lines I can match up with other Collin hc's I have

Silly but now I have Collin singing hc??? hehehe :))))

Russ

Easiest one, silly nerd guy voice

I liked wizard cookie cause it's that vibe but also normal enough you can imagine him having a normal conversation and not just a science guy caricature

Dingo

Needed a voice that sounded SUPPERRR assured in himself

But that I could imagine very easily how they'd sound when they lost that composure

Tbh did NOT pay attention to canon on this one but Sun Wukong is a banger pic IMO soooooo

Yonny

I couldn't find anything to match canon too much so I'm sorta :((((

But I'm still quite happy with happy ENA! Very melodic, a bit higher pitched, quirky and silly

And a tad insane, cannot forget :)))

Bernard

Tbh I imagine this one a little more upbeat but ehhhh

Needed him to sound distinctly older than the rest but still sorta cool and a bit laid back

Pip

Tbh I sort just fell into this one without searching too hard for it lol

I was mostly thinking "what voice would sound good annoying the fuck out of Collin" lmaoooo

[therowdymagpie]

The Main 6 as AJR songs(pt.2.5): Living Room

A/N : This one is going to fall on the short side and have a bit of a different format because of my lack of connection with this album. I do think it's very underrated and has some unsual gems but I also haven't done as deep of a dive into these songs and relate them to the characters mostly based on feeling and aesthetic.(As always: spoilers for all routes of course)

Asra : The World Is A Marble Heart (/Growing Old on Bleecker Street)

In how there are undertones of frustration about a seperation in the entire song.

In how ~Feel like I need to forget you / Runaway girl, cause I let you~ could be guilt about the Mc being left behind during the Plague.

In how ~We could have been, we should have been what your heart couldn't handle~ fits so well with the backstory and destroys me each time.

In how a marble heart being a pararrel with Asra's distant attitude in the beginning and sometimes throughout the routes.

In how HEART METAPHORS (I will never stop making heart puns, why should I? *wipes away tears*)

Nadia : Big Idea

The idea of making it Big into an industry that is clearly setting you up for failure and all it's struggles can be a pretty good relation to Nadia is trying to build up Vesuvia again after the end of the Red Plague.

~Now you're on top of the world tonight / You can do anything you'd like / And through that struggle, we made a start / You can do anything you want~

No because seriously, the Big Idea has this feeling of extreme ambition despite the odds, that really suits the Countess.

~Pro tools, and a mic, and a big idea~ whic is basically about Nadia starting to bring the city back to it's feet but only having it in it's worst shape, some very corrupt people of power and a dream.

Julian : PitchFork Kids

~Just Vibeees~

The song and melody literally sounding like you're a criminal with an angry mob chasing you (I mean come on the title literally is "Pitchfork Kids")

~We had to part, couldn't break her heart 'cause their blood pumps through her veins~....I meannnn reference to MC's resurrection and Asra's connection orrrr MC's resurrection and Asra's connection.

~I know they're coming for me~

~And why should I spend time running for my life?~

~It's the loneliest life that we live~, as mentions to Julian's perceived life as a wanted man.

"Oh oh, she's the rough and the rowdiest kid" ?!?!?!?!?

Muriel : The Green And The Town

I really like to imagine this song as an ode to Asra and Muriel's friendship, I think that melodically it's a really good indication of their bond.

Especially since It has this woodsy and relaxed vibe at the beginning that progresses into a more lively and energetic one which really combines the two.

The references to childhood, with people like Lucio being the Giants in the beginning and no I'm still not over that tale

~And we will grow without our parents /Cause soon we will be giants too~

Lyrics refering to people always finding their way back to one another, which again really reflects Asra and Muriel's relationship as well with the Apprentice later on...

Portia : My Calling

A pop song?

With a bouncy and fun energy?

With Incredibly adventurous undertones and the feel of brand new beginnings? Oh yeah, it's all coming together

Refering to "My Calling" as Portia's chance to finally be in the spotlight for once is an obvious choice here. I mean ~And I wonder, is something in the water make me wanting more?/ Make me wanting more~, makes so much sense for Portia's longing.

(Maybe the water being in relation Portia's desires to sail and her conncction with the sea and travelling)

The idea of possibilities and all the different things you could accomplish, is very present in the song as a hidden meaning and you could easily connect it with her character.

Lucio : Woody Allen

A Loud and Obnoxious song under the wrong light, with a LOT of mixes and over the top beats really reflects Lucio's personality...

~Called you up so we could reminisce/ About the old days, gold days /How we've been /The city's rusty after what we did~ as well as ~Im the king of the island on a rusty throne~ referencing Lucio's time as the Count.

The use of Woody Allen as the title of the song and in the lyrics in general, being a controversial person fits A LOT with Lucio's character and how people perceive him whether that is in Vesuvia or even in the fandom.

~Finally, I'm right where I should be~ and the feeling of finally being on top the world thats all around the song.

~Make our way through rusty towns /Lift the weight up off your back /You're with me love, just relax~ matching with his and Nadia's relationship during both of them ruling Vesuvia. Him being nonchalant and trying to calm down Nadia thinking he has everything under control.

______________________________________________________________

[cozza-frenzy]

I know some of y'all's tastes, but I'd love to know what everyone's favourite bands/artists/musical genres are. <3

Tough question to ask! For some of these we've gone for vibes more than solid genres; since we're all parts of what should be one personality, we're like a group of people that grew up together. So we've kind of narrowed it down to what music makes us think "X would like this" or "this is X's vibe", as well as a few songs they (sometimes exclusively) like. Terry Moods: Duality, contradiction, mix of soft & harsh sounds, pass the aux cord at your peril because it's going to get weird Genres: Experimental, Glitch, Prog Rock, House Music, Nu Disco, Vaporwave, Outsider Music Examples: Deuteronomy - Clair De Lune Pink Floyd - Brain Damage Blank Banshee - Eco Zones

Chaos Moods: Psychedelic, Chaotic, Bassy, bouncing-off-the-wall madness Genres: Hair Metal, Bass Music, Moombahton, Drum & Bass, Jungle, Plunderphonics Examples: Bassnectar feat. Amp Live - Ugly The Prodigy - No Good (Start The Dance) Extreme - Play With Me Taffy Moods: "Spacey" vibes, themes of isolation, distance, and nature Genres: Braindance, Psychedelic Rock, Prog Rock, Prog House, Ambient Examples: Greenhouse - levällään David Bowie - Space Oddity Peter Gabriel - Down To Earth Andy Moods: Hyperactive, colorful, happy and nostalgic Genres: Speedcore, Happy Hardcore, Chiptune, Bubblegum Pop, Rock Examples: Anamanaguchi - Endless Fantasy Furries In A Blender - Wind Me Up Galactikraken - Best Band In The Universe Roy Moods: Lust, anger, violence, dark and moody, lyrics about yearning to be understood Genres: Dubstep, Power Metal, Harsh Noise, Neurofunk, Metalcore Examples: Bring Me The Horizon - Can You Feel My Heart Powerwolf - The Sacrament Of Sin Cookie Monsta - Mosh Pit VIP Dagwood Moods: Party time! Anything that's catchy or good to sing along to; happy, nostalgic, with a sense of bringing people together Genres: Pop, Parody, Electro Swing, Jazz Examples: Dexys Midnight Runners - Come On Eileen Lionel Hampton - It Don't Mean a Thing (Jazz Reconstruction Club Mix) Weird Al Yankovic - My Bologna Martin Moods: Simple and comforting; songs that are good to sing along to or emphasize a sense of togetherness, simplicity, and nostalgia. Genres: Indie, Melodic Pop, Europop Examples: Sleeping At Last - North Sigur Ros - Hoppipolla ABBA - Mamma Mia Vivien Moods: A sense of longing, or waiting for better times. Also likes songs that are good to sing along to, maybe to overcome those feelings that form the "basis" of their tastes. Genres: Synth Pop, Alternative, Britpop, Disco, Glam Rock Examples: Gorillaz - Melancholy Hill Coldplay - Paradise Red Hot Chilli Peppers - Black Summer Jenova Moods: Soft acoustic guitar and drums, soft lyrics, magical and fey-like Genres: Alternative, Indie, Pop, Folk Examples: Nirvana - Something In The Way Dodie - Ready Now Loreena McKennitt - The Mummers' Dance Thirteen Moods: Heartbreak, loneliness, distance, but with a hopeful tone Genres: Alternative, Pop, Geek Rock, Prog Rock, Jazz Fusion Examples: The Cure - Just Like Heaven Ludo - Drunken Lament Journey - Faithfully

Roses Moods: Feeling dissatisfied, leaving things behind, soft 80's-style synths and heartfelt lyrics and melodies Genres: Electropop, City Pop, Synthwave, Synth Pop, Melodic Rock Examples: Magic Dance - Restless Nights Porter Robinson - Something Comforting The Killers - Human

[residentraccoon]

Ok we have all the songs, time to make a top, with comments even 😳

1. Norway - I love love love this one, this eerie, thrilling melody mixed with the medieval theme and old norwegian language just makes this song perfect and no other song of this year can come any closer to it. Very unique, true to their homeland, absolute masterpiece. I'm definitely following more of Gåte's discography from now on!

2. Estonia - Well they're singing about drugs here and this song is exactly like a drug - addictive. What sells it is their awesome, slightly batshit crazy energy (I absolutely love it) and let's not forget the traditional instruments. I can see a Trenulețul scenario with this one tbh.

3. Slovenia - Absolutely magical, the structure of this song is pretty uncommon and the lil RRAH sounds are interesting, love how it takes a while to build-up and I just get chills all over. This one is a piece of art.

4. San Marino - This song is destroying my Spotify wrapped and it's not even funny, there's something about this one that makes it instantly addictive. I've listened to Megara since last year when they were at Spain's NF with Arcadia and all I can say is that I love their style. Sassy pink and punk rock with a touch of Spanish traditional sounds during the bridge, they just mesh together so well. I don't understand why it's so underrated (currently last in the odds lmfao) and I'm looking forward to their live performance.

5. Denmark - Generic pop song my beloved, why is it so catchy though? I've said it in a previous post, I just reminds me of songs I'd hear in 2013 or so and I love the "Oh-Oh" parts. Lovely

6. Lithuania - The beat hits, it's just awesome fr. Lovely staging and colors, Lithuanian sounds so pretty and melodic as well as his voice.

7. Belgium - Wonderful build-up, the song at first sounds very chill and gives me Blanche vibes (I looked it up and they have the same composer so not surprised lmao) but man, the climax is greaaaaat!! Especially with that choir in the backing. My only gripe would be that he keeps repeating the title over and over again, which can become a bit tiring. But just a bit. It's still a great song!

8. Switzerland - I don't know whose idea was to mix opera and drum n bass together but they're a genius, this is really cool, like absolutely nuts. I love how the bridge is very soft and quiet, opposing the loud and dramatic chorus, I feel like the song itself is pretty messy and inconsistent but I really like that, it's very out of the box and innovative. Genius entry.

9. Latvia - Underrated, I can see why it might fail to grab an audience in the fandom but I really like this one, especially his voice. The song flows nicely too, I only wish the staging would be a bit more...dynamic though? I really want Latvia to qualify for once, felt like it might have a chance since it could attract some casual viewers (some of my casual friend watchers really liked it!) but seeing how brutal semifinal 2 is (and one spot will be inevitably taken by...yeah won't elaborate) I'm afraid Latvia's out for this year as well. I hope at least for a surprise or who knows. That's only how I feel at this moment.

10. Spain - My biggest grower of this year and a total banger, I don't understand why it slaps so hard it has no business to, the message is SO real and it's so unapologetically sassy.

11. Czechia - Same story as with Latvia, underrated to hell and back, I know the live version is...a lil terrible but the studio one I really like. Love how you can feel the frustration through her shouty lyrics and how she's blaming herself for not loving herself more instead (also the beginning might or might not remind me of Aijā I mean the intro with the drums makes me think of it-) ANYWAY

12. Croatia - Listen I'm very happy for Croatia being seen as a most likely winner of this year, they deserve it, Baby Lasagna is an amazing man and the message is on point, even if it's not exactly my favorite I definitely root for him!! Please meow back if you agree. Besides this, the glam ethno rock sound is just 👌 chef's kiss

13. Armenia - Love love love that they brought something ethnic!! The girl's energy is infectious and she's such a joy to watch, the music video is very pretty and describes their culture so well, overall I adore this.

14. Netherlands - GREAT I relistened to it so I can rank it and now I have Europapapapapapa stuck in my head how wonderful. This tells me already that this is such an infectious bop that will never leave your head. Possible televote winner, love the quirkiness and Joost is really goofy we stan.

15. Greece - Welcome to Greece, everyone who visits the country is obligated to listen to this the moment they step out of the plane- /j It's so Greek, so fun, so ethnic, geez what's happening with everyone being so diverse and true to their culture this year? This song screams summer vacation in Greece and I'm here for it.

16. France - The raw emotions in this...he sings with his heart and soul, his voice is very deep and gruff which feels a bit unusual to hear such an intimate and emotional ballad from him, but this is what makes the song special.

17. Italy - Love her attitude and how she sells the song, it's very sassy and fun, won't be surprised to see Italy get yet another Top 5 finish with this.

18. Ukraine - Interesting mix of melancholic pop and energetic chanting and rap. Alyona just nails the rap part perfectly. Overall nice song, grew off me but still great.

19. Ireland - This makes me have chills all over my body. It's very haunting and suspenseful, I love the uncommon unique sound and how they recite the lyrics as they are a poem/creating a curse, I simply love how avant-garde Ireland are this year! Finally they're taking a risk and even if the song is unconventional i hope it will have a following that will help them get through the semi! 🤞

20. Poland - Oh look another grower, it's such a cute song for some reason and her voice is so pleasant to the ears.

21. Serbia - At first I thought it's a bit boring but now I find myself mumbling "Lila Ramondaaaa", like it has a hook even if it's a melancholic ballad.

22. Portugal - The emotions in this are immaculate, she conveys all her struggles in life so well into a ballad that's somewhat soft-sounding. Epic.

23. Australia - For some reason this song takes me back to 2015-2016 and I don't get why?? Maybe I heard music that's similar to this in that period, who knows. That chorus slaps immensely, as well as the didgeridoo(I hope that's the instrument), but I'm not extremely head over heels about it. It's enjoyable still!

24. Malta - Contrary to popular belief I enjoyed the revamp, she made it easier to sing live and it just has more oomph, good job, Malta.

25. Finland - The whole 3 minutes are absolutely batshit insane and I love it fr, these dudes are a delight to watch. The song tbh I like it but not that much to rank it higher, but I appreciate the craziness, the message, what sells it is definitely the staging and the guys' stage persona.

26. Austria - Mmmmm I know it's a fan favorite but I'm not a big fan of this, like I've said before in some other posts. The hype at first was highly irritating (especially on twitter, dear god 💀) for such a...just okay/good song? First of all I appreciate the throwback to the late 90s/early 00s eurodance/synthpop music that was popular back then, I think it does a great job imitating the vibes of it, but at the same time is it just me or this song feels so...calculated and has this eurovision-specific formula in its structure/sound? It was definitely made for it being performed live and to pander to the yass queen slay ate and left no crumbs-side of the fandom? Which honestly kinda drags it down a lot for me.

27. Sweden - I can't unhear parts of Air in this, well actually that's their style, neat electro pop tbh, I can bop to this, pretty enjoyable.

28. Moldova - Falls flat but what makes it a bit stronger is the vocalisations in the chorus, as well as the lil ethnic sounds. That drum is also quite catchy. They have to pull out a wonder-staging for this to qualify.

29. Georgia - If Georgia isn't qualifying with this one then that means their only hope is borrowing Loreen at this point. It's a competent girl bop with powerful vocals, that has a dedicated following, but I appreciate that even if it's a girl bop it's not so aggressively in your face like...other examples I've seen before. I'm personally not big on it, but it's nice.

30. Azerbaijan - Oh? Azerbaijan sends something in their language, what is this 2050? And not with a melfest reject? For the 2nd year in a row? I'm very impressed, but even with all these I don't feel that attached to the song, just glad they took a risk instead of renting a swede for safe qualification like they did in the past years. I love the ethnic touches though.

31. Luxembourg - Cute and peppy french bop, although a bit generic and that's about it, no strong feelings.

32. Cyprus - Mmm your regular girlie pop of the year, unsurprisingly from Cyprus as well. Pretty catchy, has a cool vibe but I'm not feeling anything about it.

33. United Kingdom - Just a competent mid-tempo boy bop, honestly nothing much to say since it kinda failed to impress me. Good effort though.

34. Albania - I don't get why they changed it into english, why they turned it more upbeat (I liked the balladier version more) and the rap part feels disjointed. Albania wanted to relive their 2016-2017 era I see.

35. Germany - I'm sorry but this song bores me to death and can't listen to it without zoning out which is a shame because he's a competent singer (his voice is the best thing about Germany this year) and I'm afraid they're again heading for a bottom 3 finish 💀

36. Iceland - Mmm this isn't is, Iceland. Very sorry. Sounds like it would get 13th in 2004, it's a very by-the-letters eurodance.

I will not rank Israel here. It's still mind-boggling that they're still allowed to participate.

[ladynahualli]

Artwork cover, mixing and mastering by Dead Sheep

Lyrics, vocals by me

Producer, Eddie at Nearfield Studios

Available on Spotify and YouTube.

Saturday 9th it will be available on Soundcloud

This song is about my love for adventure and being on the road. Roadrunner is a rap single with a more melodic touch, the hook has a pop vibe inviting the listeners to not take life so seriously and have fun. The beat has a futuristic yet Retrowave style that will definitely leave an impression on you, as I'm careful when selecting beats, making sure they are on another level. This song was written in probably one night and i'm very satisfied with combining EDM with rap. I just wanted to have fun when songwriting it and I hope you feel the same way about it. 

[thats-the-teen-spirit]

Top 10 songs of 2023, reviewed by yours truly

As per tradition when Spotify Wrapped comes out I write short reviews of the best songs of the year so here we go:

10. One More Time by blink-182

The biggest reveal from the world of pop punk last year was that blink-182 is back... again. First I was a little sceptical especially after hearing Edging but this song, and its video made me listen. The lyrics are about the long lost friendship between Travis, Mark and Tom, and to be completely honest I shed a couple teardrops the first few times I gave it a listen. Amazing song from an amazing record.

9. Homicide by Magnolia Park

I'm completely new to this band, I found this song randomly in an Instagram reel that caught my attention. It's super catchy, almost Linkin Park-ish vibes that is a little "Octanecore" little pop punk, but nevertheless an absolute banger.

8. Jaded by Spiritbox

Spiritbox is the new shit in the scene, everyone and their mom knows about it. But just a little less than a month ago they put out an EP consisting of 6 melodic and heavy bangers called The Fear of Fear. This song stands out from the EP because of the insanely catchy chorus, the breakdown with the clean guitar melody and just the overall feeling of the song. Courtney has always been open about her influences (even and especially the pop ones) and this song is a great example to it.

7. Lost by Linkin Park

On the 20th anniversary of Meteora, Linkin Park released a bunch of unreleased material from the recording session of the legendary album and this was the first single off of it. What more can I say about it? If you haven't heard it despite liking Linkin Park then shame of you.

6. Without A Whisper by Invent, Animate

Another surprise as I've never been a big fan of the band. Not being so into the Deftones-y spacey vibes before, this band always has been a hit or miss. Until Heavener. It's blended so seemlessly that first I didn't even notice that there's now screaming instead of singing with a bunch of reverb. I still almost never skip this song despite Heavener being released earlier this year.

5. Fake Out by Fall Out Boy

This one is probably the only song on the list that is not a single, not even the top 3 from their album So Much (for) Stardust. The boys are officially back and this song proves it, The falsetto hook in the chorus got stuck in my head after the first few listens. I'm really really glad they are back to playing instrumental music because that's what they do best.

4. Might Love Myself by Beartooth

For me this year was about healing. Healing from a past breakup, losing my previous job, and just in general the depressing reality of adulthood. After hearing the first singles from the latest Beartooth album it was obvious that Caleb, the singer for the band had been through a similar journey prior to writing this record. This song stands out for me because of the overwhelmingly positive self-loving lyrics that are a must-listen when you have been through a lot of shit. I also like the little "whoo" before the second chorus, it really makes it sound like Caleb had a lot of fun recording it.

3. Haunted by Spanish Love Songs

The most underrated band on the list by a landmile. Also probably the most depressing band I've ever listened to, which says something. The whole new record No Joy has some really interesting musical changes from the previous ones, there's less screaming, less distorted guitars, it has more of a The Killers vibe than something off tumblr's 2015 pop punk hardcore best of (looking at you The Story So Far). Haunted is a bittersweet tune about being nostalgically sad about the old days, and for an old fart that is closer to 30 than to 20 it's a comforting thing that I'm not alone with this feeling.

2. LosT by Bring Me The Horizon

What do you get when you mix 'I'm not Okay' and current era Bring Me The Horizon? That's right, this fucking banger. I think throughout the year this song was the only one that I've never skipped. The pop punk-emo feeling is in every note, the breakdown is easily my most favorite of the year, the callout for it is even. "I think i'm gonna break down". Fucking genius by the most dynamic songwriting duo of the music scene, Oli and Jordan. The powerpop elements are also fun to listen to, it just blends really well. 10/10 banger, looking forward to the EP.

Ascensionism/Take Me Back To Eden by Sleep Token

The biggest band of the year was 100% Sleep Token. My Spotify was POSSESSED by their music this year, so obviously it was a tough choice to pick a song from their latest album so I cheated a little with the longest, most progressive songs of the record. Their music feels like a religious experience for me and the best example to this is Ascensionism, the "YOU MAKE ME WISH I COULD DISAPPEAR" line hits, the rap part fits perfectly, the guitars are heavy as balls, the piano intro is the perfect introduction, it's a 12/10 song, it's that good

And honestly I have the same feelings about Take Me Back to Eden. The titular song and its callbacks to Chokehold made me feel like I'm in a chokehold myself. The epitome of great songwriting was when from the nature sounds through rapping we got to the heaviest, low tuned breakdown of the last couple years

So there you have it, my personal top 10+1 list. If you read my review this far, thank you.

[sky-kiss]

You get so many Raphael asks which is great but how are YOU…. And what’s your fav part of writing out all our favorite little drabbles. And what’s your writing process, do you listen to music or anything when you write? ☺️

Aw, thank you, anon. I'm doing very well. I'm very excited to have a break from grad-school coming up. Two more assignments. Then I'm free until January. You better believe I'm going to make myself your problem.

As for writing drabbles, it's really just a fun way for me to engage with the characters without building a huge amount of narrative scaffolding. I can get in, play in the character's head, work in a scenario that I maybe wouldn't get to play with. It's a very liberating experience; I like to use it as a warmup exercise before I do longer or more intricate writing.

The writing process also depends on if I'm writing a drabble or long fic. I am horrible at plotting. Just truly god awful. It's another reason the drabbles are fun. It's typically just a scene; usually I have a very clear image in mind. Then it's just an exercise of translating the image in my head to a document. Longer stories...I struggle. I go into a chapter with a rough idea of what I want to happen (and then I pray).

I do listen to music when I write. Every chapter of Sex, Love, & the Infinite Void is named after a song, usually one I was listening to or associate with the chapter. I have a rough catalogue of orchestral music that also like...mixes with character's vibe. My Raphael tracks, for instance, tend to either be waltzes or mixed with heavy choir/some electronic influences (Laurence, the First Vicar is a big one, Eren Zahyo). If I'm doing like. A Joi sequence, she pulls more from something more melodic (Nier Automata's OST is a go to, Dependent Weakling for action sequences). It just helps me set tone.

For drabbles, unless it's something where I'm really struggling to get into a headspace, I don't usually write to music.

Thank you so much for the ask!

[married-2-the-music]

K-pop Discography Deep Dives: NCT Dream

A Disclaimer: I was planning, when I first started Tumblr, to be a lurker, but then I began an office job and needed something to listen to to keep myself occupied. And then, I started going through entire K-pop groups’ repertoires, album by album, and jotting down my thoughts. And then, I stumbled into K-pop tumblr and decided, you know what, there’s at least four people on this hell site who would read in depth rants about these discographies and at least five who wouldn’t read it and then get mad because it’s kind of our job as K-pop fans. My lukewarm takes should be taken with an entire silo of salt and the knowledge that this is completely for fun and occupying my very bored, very neurodivergent brain. With that being said, enjoy!

So, we’re talking about NCT Dream today; here are my credentials. I haven’t been interested in them for very long, to be honest. It’s only been since around the beginning / middle of June, when I was recommended their videos. Since then, though, I’ve listened to a decent amount of their songs (mostly title tracks but a few b-sides too), and while I wouldn’t call myself an NCTzen, I would definitely call myself a fan.

They debuted in 2016, at around ages 14-16 (and now, no longer being those ages, I wince internally), with the song Chewing Gum, which I did like. It has a nice mix of hip-hop and singing, but it’s definitely not as much my style as their later work. For obvious reasons, it feels childish, and I’ve never been a fan of sing talk.

The other two songs in their first single “The First”, are My First And Last and Dunk Shot. My First & Last starts out with a surprisingly hard-hitting beat, reminiscent of SHINee, and I liked it a lot more than I expected. Dunk Shot is actually my favorite, continuing the SHINee vibe, which of course I loved, hence the blog name.

What stuck out to me the most in these early songs is how distinctive and honestly great their voices are, even as young as they were. (I know I keep emphasizing age here, but being a celebrity at 14…just let that sink in.) I can almost always tell who’s singing, even not knowing their voices very well.

The voices who stood out the most, though, are probably Mark and Haechan. Haechan’s voice has a great balance of nasality and chest voice, and as a singer myself, I think he has great control. Mark’s is very different from that, but unlike many rappers, I almost always enjoy his parts in the songs; his breaks are good, he has flow, and a good singing voice too. Renjun, Chenle, Jisung, Jeno, and Jaemin have good voices too (especially Renjun’s lower tones, which offer a good contrast)

The next comeback is We Young, which, despite its somewhat silly intro, manages to balance the youthful feeling and their talents well. It feels like a day at the beach or a road trip, and also a bit like Seventeen. Walk You Home is my favorite b-side from the EP, because I’m a sucker for acoustic guitar, but I also love the anthemic nature of Trigger The Fever.

I know I’ve heaped praise on them so far, but as a first year of material, these songs are really good. Unfortunately though, we then get to NCT Empathy 2018, and their song Go, which feels far more like an NCT 127 song than anything to do with Dream…which unfortunately isn’t a good thing. After all the beautiful harmonizing and the floating melodies, the hip hop beat and pop-trap mix feels especially harsh.

We Go Up follows the hip-hop sound that Go established, although the chorus, though less melodic than the other ones before, is alright. The b-sides are also less melodic but better than the title; Dear Dream especially is very sweet and makes me smile, especially the “I’ll be your home”.

Some of their best songs are the nostalgic, feel good, and somewhat understated ones, with a stripped back production that allows the Dreamies’ voices to carry the weight and harmonize together, turning something average into something quite good, like Candle Light, written when Mark left the group due to becoming an adult. (He did return, although not for two years, and his absence is clearly felt; the songs feel a bit less full.)

Fireflies is also sweet; the full chorus is a welcome return to form and it becomes an anthem in its later moments. Boom, meanwhile, returns to the hip-hop sound, and although the choruses are alright, it’s also not close to their best. We Boom (Boom’s album)’s b-sides are also (mostly) not it. They embrace the NCT 127 idea of uncomfortable sing talk and waste their great voices, Stronger especially. Dream Run is pretty good, though.

Ridin’ is not their best, and again I’m reminded that they have so much potential that isn’t being used. The chorus is almost great and usually I can articulate better, but something stops me from liking it more.

Hot Sauce marks….well the return of Mark (sorry), and as happy as I am to hear him bring more balance, I wish he could’ve gotten a better song for that. The sing talking is back in spades and its genuinely grating on the ears, which I never thought I’d say about an NCT Dream song. The b-sides are alright, with All Night Long, Be There For You, and especially Irreplaceable (which feels a lot like old Dream with its bright energy) as some nice hidden gems.

Hello Future is, at last, a title track that reflects the best of NCT Dream: upbeat, hopeful, and optimistic, It’s delightfully odd and a bit off-kilter, and manages to blend hip-hop, straight pop, and even a little bit of the dreaded sing-talk in to make an honestly delightful song, which isn’t an easy talk. Bungee is a great b-side from this album too.

But, of course, this can’t last, and we’re back to the sing-talk with Glitch Mode, which I’ll admit is marginally better than Hot Sauce but still gets on my nerves because it has a pretty good build-up in the pre-chorus, but just no pay off, which is one of my pet peeves, I’ll admit.

The b-sides are all pretty good (barring Fire Alarm), and I especially liked the sleepy warmth of Teddy Bear, the upbeat drive of Better Than Gold, the chill road trip vibes of Drive, and the electro / R & B influences of On The Way. In fact, their b-sides after Hot Sauce are almost all good, and even the ones that don’t end up on my playlist, I don’t usually find myself skipping much.

Candy is a cover of H.O.T., but I really like it. It’s very much a holiday feeling song, which surprisingly I, a certified Christmas cynic, don’t mind. It’s fun and doesn’t take itself too seriously, which is a must with this kind of subject matter.

Graduation isn’t technically a single, but since it has an MV (and because I’m biased but let’s pretend I have a legit reason), I’m treating it as such. In my opinion, it’s one of Dream’s best songs. What could so easily become just another easy listening b-side turns into an honestly lovely ballad with their voices adding sweeps of genuine emotion. Overall, I think that it’s one of their most honest songs, which makes sense if you know the backstory, and it reminds me of my own (quite imminent) graduation, which means I never fail to sing along.

Broken Melodies starts like an understated ballad, but soon spirals into an anthemic song with an earworm of a chorus, a great chorus, and excellent use of their voices, which sound imbued with warmth and better than ever. It’s no wonder that I became a fan after listening to this song.

ISTJ, the actual single from the album, isn’t as good as Broken Melodies, but it’s miles ahead of Hot Sauce and Glitch Mode; the chorus is sprawling and definitely has me tapping my head. I’m not a fan of the intro though. As for the b-sides, Blue Wave has a nice beachside beat, but my favorite is Like We Just Met, which was written by the band members themselves, and feels like a warm hug or a walk by the water.

Overall, again I’m super glad I did this. I’ve added a lot of b-sides and early songs of theirs to my playlists and gained a whole new respect for the members’ voices. I think after my deep dive, I can consider myself an NCTzen, at least of NCT Dream, although that doesn’t extend to the other subunits yet.

So my top five songs by NCT Dream are Graduation, Broken Melodies, Fireflies, Hello Future, and Trigger The Fever / Dunk Shot (because I couldn’t choose). Overall, NCT Dream gets an 8.5/10 from me, because they are pretty good most of the time but when they lean into the sing talk…well, I don’t need to repeat myself. I do really enjoy the greater part of their discography though, and when they stick to their strengths, they’re hard to beat.

See you next time for a girl group!

[spicyraeman]

CHARACTER SONGS TAG

Thank you @jaymber @drunkchasind & @katsigian for the tag!

Game Rules: Choose one of your characters and list song(s) that fit them.

💀 AUGUST "LYNK" TAYLOR 💀

1. HYPNOSIS BY SLEEP TOKEN

And you make it more (you know you hypnotize me always) Than I (you know you hypnotize me always) Could ever feel (you know you hypnotize me always) Before (you know you hypnotize me always)

My main inspo for Lynk came with this song, I had it on repeat for days. At first, it was just for the vibes but now it's the backtrack for a dark part of their backstory. An era of their life plagued by a toxic relationship that changed them irrevocably.

2. SPIRITS BY NOTHING MORE

Lie down, come to Spirits come through Swim up to my head Make old things new It's a little bit heavenly A little bit sick

Another song that I had on repeat, this one is just purely vibes. It served as the backbone for their band's sound, melodic dark vocals mixed with hard breakdowns and growls.

3. LANDMINE BY POLARIS

No restitution, until you understand This world that left you cold Will feed you shit 'til you bite the fucking hand

Lynk is an anarchist and an activist and a lot of their music reflects that. They want their songs to inspire righteous fury and change not stagnation and self pity.

4. CROOKED BY DEALER

And after all these years, life might be rich But in this dog eat dog world You're still the fucking bitch

Every metalcore band has got a few edgy songs and Lynk's is no exception. When they were first starting out they were full of teen angst and following in the mold of their favorite bands. This meant lots of hard breakdowns and screaming meaninglessly at the world.

5. ALKALINE BY SLEEP TOKEN

I'm caught up in her design And how it connects to mine I see in a different light The objects of my desire

Another love song, this time with a happier ending. After swearing off love Lynk finds themself catching feeling for a certain someone. It's the slowest of burns but in the end, they're bonded in a way they could never replicate.

────⇌••⇋────

Tagging (with no pressure as always!): @noirapocalypto @breezypunk @gloryride @sammysilverdyne @chevvy-yates @pozerjacket

If you've been tagged before feel free to ignore and no need to add descriptions for every song I just did that because I felt like being extra lol

[neonradiation]

Album Review: 'Heart Engine' by Alpha Chrome Yayo

Key Quote: "For an ACY album, you have to expect the unexpected."

‘Heart Engine’ is the new 8 track album released on 10-Nov-23 by Belfast based artist Alpha Chrome Yayo. Par for the course for an ACY album, you have to expect the unexpected. So, I let the first listen wash over me then I inspected it a little closer…

1. All That Matters

Initially a little chaotic, this opener with freestyle organ does eventually find itself. For some reason I’m getting Frank Zappa vibes and then the humorous ‘Speak and Spell’ style vocals punctuate the music and I’m back in the present decade. It’s short and sweet. 

2. Heart Engine

This one is a different direction altogether - if it’s not an insult I’d describe it as chill or lounge music. It's a laid-back instrumental with a nice horn section, funky bass and even some pan-pipes for good measure. It’s also very melodic and has an old-fashioned fade out at the end - love it.

3. Dancing Is Love

So this one may split the listener's opinion - musically it’s very easy on the ear but the vocals are erm… not. Some kind of vocal changer is going on here I think but the lyrics do suffer because of it. I had to look them up and it was all about looking forward all week to dancing the weekend away. A good theme but not my favourite so far.

4. Stock Exxxchange

The market is open! Although the vocals have been manipulated here as well, we can hear the words this time around. This is a short essay about life in the financial City - I now feel qualified to buy high and sell low? It's an original sounding jaunty little number - what’s not to like?

5. Like A Mystery

Some wizard guitar playing on this one along with some beautiful electric piano and I’m already hooked. Although the lyrics are a little difficult to hear, this time it doesn’t seem to matter as much - it’s all about the vibe.

6. Snow Blossoms

That same vibe continues on this instrumental and I’m back in the lounge sipping an Old Fashioned cocktail.

7. Tuxedos And Tears

Out of all the vocal FX this one seems to work the best - somewhere between Daft Punk and a melodic Robbie The Robot. But what stands out on this track for me is the funky bass synth and piano riff which takes this track up a level. It’s one of my favourites on the album and it feels like we are just getting started.

8. I Wish I Was Watching X Files With You

ACY has saved the best ‘til last - I absolutely love this right from the very beginning. The house piano sounds sublime and the synth hooks are hooky. The vocals and lyrics add something special to the mix and the end result is one very catchy pop song. 

This is a mini-album really and I was disappointed when it came to end so soon (yes I know I can replay it forever). I just wanted to hear more new songs, especially in the vein of the last two. So I’ll be very interested to see which direction we go in next from Alpha Chrome Yayo - but I'm sure the humour will still flow...

Alpha Chrome Yayo Contact Details:

Twitter: https://twitter.com/alphachromeyayo

Bandcamp: https://alphachromeyayo.bandcamp.com

Spotify: https://open.spotify.com/artist/5zLis4yrXwIFGKX7ZKZd12?si=ey2eVv9AStOMKs3Gb2EMGg

[simlebrityblogger]

DISCLAIMER:

I would like to provide a brief disclaimer regarding the presented 'album,' which is essentially a compilation of several of my favorite songs by various artists, thus constituting a playlist. While I encourage you to explore and enjoy the playlist, it is essential to clarify that this fictitious 'album' is solely a curated selection by me. I wish to emphasize that I do not claim any credit for the individual songs included; all credit is rightfully attributed to the respective artists.

My involvement in this compilation is solely driven by my deep appreciation and affection for the artists featured and the chosen songs.

Annnnnnnnnnnnyway, back to the sim world:

'She's My Seasons' Album.

August Copour's Statement: "This album means a lot to me—it's a real snapshot of where I am in life right now, and it's a departure from my previous work. The vibe is more laid-back, with a mix of folk, alternative, and indie sounds that really capture the soundtrack of my life.

Each track in the album is a little piece of gratitude to my wife, a musical thank-you note for being my inspiration. The title, 'She's All My Seasons,' carries a deep meaning—it symbolizes her as the embodiment of all seasons combined, representing completeness and wholeness. It's like she brings different qualities to my life, just as each season contributes to the overall experience of the year.

In dedicating this album, I want to express my gratitude to my beautiful children, Charlotte, Christian, and Collin—they bring so much joy and purpose to my life. But the most heartfelt dedication goes to my anchor, my reason for waking up every day—Betsy. This album is a love letter to her, a melodic celebration of the profound impact she has on my existence. The music within these songs is my way of expressing the universal themes of love, family, and the ever-changing seasons of life."

Simlebrity Thoughts: Hold on to your hats, music lovers! August Copour just dropped 'She's All My Seasons,' and spoiler alert: every track is a certified hit! From start to finish, 'She's All My Seasons' is a hit parade, a musical journey that's bound to leave you hooked. August Copour has outdone themselves with this one, and it's nothing short of a triumph!

PS: My personal favorite is Track 5. Cheesy...i know!

[aturnipsingularity]

Turnip, what's YOUR album of the year if you had to pick one? Pitch it to me, infect me with ur music taste

Okay, so I can't pick just one, so I'll throw a handful of my faves that I discovered this year into the ring. The most recent would be Eternal Blue by Spiritbox. Underrated alt/prog metal band, and I haven't heard a whole lot of others talking about them. I really like the way the first couple of tracks blend together, and the lead vocalist has an amazing voice. She has this really melodic singing that meshes well with her death growl. I also really like that there's a good mix of slower songs with the harder music. There's a lot of good variety, and the pacing is really nice.

Favorite song: Silk In The Strings

I also finally listened to The Death of Peace of Mind by Bad Omens this year. I had heard a couple of their singles before, but I hadn't checked out the full work until recently. I was really glad I did, because it's amazing. Lots of bangers in there, 10/10 would recommend. I really enjoy metal/post-hardcore in general, but the synths and electronics give the music a really nice boost to the energy (see one of my fave albums of all time -- Trauma by I Prevail). It makes it really punchy, and I love that!

Favorite song: ARTIFICIAL SUICIDE or bad decisions

I also want to recommend Take Me Back to Eden by Sleep Token, because I was very hyped for it to come out this year. However, I was let down a little bit and do have a few reservations about the album in general. I think it's great. The vibe of it is really ethereal, and I appreciate the fluidity of the songs in terms of tone and sound. But, it suffers from a lack of variety in tempo. A lot of the songs are slower, and the sequencing itself doesn't lend any room for picking up the energy it loses after the first 5 songs. I also hate the songs Are You Really Okay? and DYWTYLM. They don't feel like they belong. At all. They feel like filler/billboard top 100 and less of this otherworldy, almost ghostly sound they're trying to go for. It also took me a few listens to come around to Ascensionism and The Apparition, but I do really appreciate those songs, and I really quite like them now. It's a really good album that took a few misteps. The Summoning is so good, though. There's a reason it's their most popular song. If you're going to listen to it, I would recommend listening in the following order, because it's the best one I've found for right now. Although it's also not perfect by far, and you can hear the tonal shift after the first three songs, I think it feels a bit more balanced. I can't say I'm quite satisfied with it, but it's still a lot better imo

Drop Are You Really Okay? and DYWTYLM. Don't put them in the playlist.

1. Chokehold

2. Vore

3. The Summoning

4. Aqua Regia

5. Ascensionism

6. The Apparition

7. Granite

8. Rain

9. Euclid

10. Take Me Back to Eden

Favorite song: Euclid or Chokehold

And a small honorable mention to these albums that I finally got to listen to, but don't have enough thoughts on (yet) to rant about:

So Much (For) Stardust by Fall Out Boy

Rain City Drive by Rain City Drive

The Click (Deluxe Edition) by AJR (don't judge me I really like them)

Opal (original soundtrack) by Jack Stauber

Frontiers by Journey

Empire by Queensrÿche

4 by Foreigner

I really should have listened to the older albums sooner, but I just never got around to it -- even though I know multiple songs from each one.

I'll eventually talk about all of the other entries on this list, as well as my all-time favorites (not listed) and the other couple of recents I have yet to finish. Mostly just because I like talking about music lmao but today is not that day. Also you have to tell me about your music taste now!