#and the one you want to fuck

[cadaverkeys]

You guys rlly don't realise how much knowledge is still not committed to the internet. I find books all the time with stuff that is impossible to find through a search engine- most people do not put their magnum opus research online for free and the more niche a skill is the less likely you are to have people who will leak those books online. (Nevermind all the books written prior to the internet that have knowledge that is not considered "relevant" enough to digitise).

Whenever people say that we r growing up with all the world's knowledge at our fingertips...it's not necessarily true. Is the amount of knowledge online potentially infinite? Yes. Is it all knowledge? No. You will be surprised at the niche things you can discover at a local archive or library.

[lastoneout]

People don't like to admit it bcs cringe or w/e but Homestuck really did revolutionize the webcomic as a storytelling medium and I am endlessly frustrated that before webcomic artists could really stretch our legs fucking webtoonz swooped in, set a new, more restrictive standard, and then monetized and monopolized the ever living fuck out of the concept of The Webcomic until it drove away anyone who couldn't be a professional quality manga artist for free, and now the only webcomics that actually feel like spiritual successors to Homestuck are so obscure they're basically cult classics that you have to beg people to read.

Like it's just so wild to be in high school and see Homestuck be like "we're using like fifteen different artistic mediums to tell this story bcs we can" and be really fucking inspired by that, only to grow up and see basically every webcomic ever have to conform to One Single Standard or fucking perish.

[diantha]

went to the grocery store today and i was very pleased by their pride cake selections

[artkaninchenbau]

A h-heartfelt reunion..?

Bonus

[sergeant-angels-trashcan]

Yall remember how Texas had that "report an abortion" form that they had to take down after a week?

Well, Missouri has one, only it's for reporting transgender concerns.

Comrades. Friends. Romans. Countrymen. You know what to do.

[mipexch]

I WAS MADE FOR YOU // YOU WERE MADE FOR ME

[crow-person]

i miss my wife tails...i miss her a lot

[haunted-xander]

Well, I guess you didn't have much of a choice either

[superdaisypowerhour]

There are two schools of thought on the locked tomb series; there are the people who took tazmuir at her word when she said gideon had a longsword and drew it as such; then there are the people who know what a longsword is and know that the thing gideon swings is at the bare minimum a fucking claymore.

[theonewhowails]

cult trait: good die young

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[greenglowinspooks]

Thinkin about a DCxDP where Danny’s helping ghosts find peace while he’s laying low in Gotham.

Like, he moved away from Amity for whatever reason. Maybe the reveal went badly, maybe he just couldn’t stand staying any longer. For whatever reason, he’s in Gotham, because the rent is cheap and he’s nowhere near the strangest thing there so no one looks at him twice.

However, this city is cursed. Like, cursed beyond cursed. It’s actively alive with how many curses there are, and the ghosts there are extremely unhappy about it.

(Of course, that’s not a problem for Danny. His ghost side filters out the toxic smog and the chemicals in the water, and his human side gives a resistance to the rank ecto and the hexes that are actively trying to devour him.)

He doesn’t really want to do anything about it, to be honest.

He’s sick of playing hero, considering how it went last time, and he’s busy working at Waffle House or Walmart or whatever other store doesn’t bother doing a background check (in Gotham, that’s probably all of them), and maybe trying to find a way to get highschool credits that don’t immediately disqualify him from every college in existence.

Still, the ghosts know he can hear them. They know, and they keep coming for help.

So, hey, why not? He definitely can’t put this as experience in any sort of job application, but he really doesn’t have much else to do.

So, he becomes errand boy for a bunch of ghosts.

Sometimes he’s finding objects that are important to them, sometimes he’s giving evidence they collected together of their murders to the police, sometimes he’s getting them the last meal they never had, sometimes he’s just spending time with them like they’re not dead.

The ghosts don’t always move on, but they’re always more at peace. Occasionally they pay him back in charms and blessings and the locations of valuables that he can keep or pawn for cash.

Eventually, a new ghost shows up.

She looks like a shadow, like all the ghosts of Gotham, but she seems stronger than usual. She asks him for a favor that those who came before him were never able to fulfill.

She asks him to find her engagement ring, and give it to her son.

Easy enough, he thinks. It’s a bit of a pain to buy the ring from the seedy pawn shop it’s in (he would usually just steal it, but he doesn’t want to implicate her kid in anything, which she seems grateful for), but everything’s going mostly alright.

Then, she tells him who her son is, and wow, no wonder no one’s helped her yet.

He’s Red Hood. The guy who is(/was) the crime lord in charge of crime alley. The title sounds a bit stupid to Danny, but he’s still a genuine threat to a living person.

Good thing he’s not one of those.

And so, the next time he sees Red Hood out and about, he goes right up to him. The man seems mostly unbothered, but Danny does notice how his hand slightly drifts towards one of his many weapons.

He tells Red Hood outright that he’s there on behalf of the man’s mother, then just holds out his hand with the ring inside, dropping it into Red Hood’s open palm.

Then he leaves, not waiting for a response.

—

Jason has a mystery on his hands, and he might just cash in some favors from Babs and Tim to figure it out.

He’s got to find the guy who gave him his mother’s ring, and find out everything he knows.

[bacchuschucklefuck]

soon it'll be dawn again

transcript under the cut ⏬

page 01

Fig: no way? - you're still up?

Riz: Wh– yes?

Riz: Why'd I not be.

page 02

Fig: I me~~ean - that took.

Fig: whole day.

Riz: Yeah?

Fig: 'm beat.

Riz: you should sleep.

page 03

Fig: nah. my guy's still up

Fig: I wanna hang out.

page 04

Riz: That's really nice.

Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.

Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.

page 05

Fig: yeah, but you do it…

Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.

Fig: That's right… - though. Yeah.

page 06

Fig: sometimes it's someone else who - doesn't want the same thing to happen.

Riz: … - mm.

page 07

Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.

Riz (off screen): to anyone too, not just. - the people you /love/.

page 08

Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.

Riz: So I'm doing as much as I can now… 

page 09

Fig: Hey.

Riz: ?

Fig: Go dig some dirt with me.

page 10

Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)

Fig: o yea.

Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.

page 11

Fig: here u go

page 12

Riz: uh

Fig: now we make a thing! - 'm pretty good at freehanding a bowl.

Fig: I'll show u

page 13

Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try

Riz: uh - What. do I carve?

Fig: anything!!!

page 14

Fig: and– yep just seal the inside uh. seam?

Fig: yep that works - okay time's up! all contestant hands up

Riz: [blank speech bubble] - okay - wh. what's next?

Fig: haha - watch this.

(sound effect text): FWOO—MP

page 15

Riz: WH– DON'T JUST DO THAT???

Fig: Now it's fired!

Riz: THAT WAS NOT SAFE

Fig: (actually it's just dry. if u add water rn it'll dissolve)

Fig: ok catch!

Riz: [blank speech bubble] - careful!!

Fig: dw no need haha

page 16

Riz (thought bubble): oh - it's warm…

Fig: now I want you to throw this.

page 17

Fig: u gotta do it - c'mon

page 18

Riz: wh– - It's like 3AM right now

Fig: oh it's not /fired/ fired it's not gonna make a loud noise

Riz: And then just? leave a pile out here?

Fig: pour water over it & it'll be gone I told u

Riz: but

page 19

Fig (off screen): RIz.

page 20

Fig: I've done all this before.

Fig: Can you trust that at least?

page 21

Riz: no, I– - I do. - I trust you.

page 23

Riz: okay what happens now

(sound effect text): glob

page 24

Fig: we do it again!

page 25

Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)

Fig: see! you're already learning

Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.

Fig: Things change.

page 26

Fig: I've learned my lessons with "forevers". - But - as an artist

Fig: I can give you one thing: - You can always do it again.

page 27

Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.

page 28

Fig: So?

page 29

Riz: Yeah. - Yeah! - let's make another one.

[givemewallywestorgivemedeath]

The funny thing about the PJO cabin system is that everyone's always all 'oh the twelve' this and 'the twelve' that but that's absolutely not even remotely accurate. To start, right off the bat it's thirteen, not twelve, because they don't count Hades. But not really because before Percy, there were no big three kids, so we're down to ten active cabins already but it's actually eight because Artemis and Hera don't make demigods.

And of those eight, Mr. D is stuck at camp (thus not really making new demigods all that often) and his only two kids don't even sleep in a cabin, they sleep in the Big House with him.

So, pre-Percy, there are seven active cabins at Camp Half-Blood:

Glee club, the Jocks, the Nerds, the Geeks, the Farmers, the 'Sketchy Kids' and the Popular Kids.

Or, in other words, the Apollo, Ares, Athena, Hephaestus, Demeter, Hermes (and the unclaimed kids) and Aphrodite cabins.

What's cool is that you can already see the cabin dynamics in the show. For example, the Athena cabin allies with the Hermes cabin for the numbers. The Hermes kids plus all the unclaimed kids? It's the biggest cabin in the camp by far. It's a battle strategy. Luke and Annabeth's close relationship is just the cherry on top for Annabeth. It'll be really cool to see how the show develops the differences in the cabins during the series.

[rendevok]

Act I ~ The Prince

A tapestry for Let No One Sleep by @azalawa-scroggs on ao3