#and the only differences between them are circumstance

[theminecraftbee]

Doc's about four beers in by now. It's just enough to loosen his lips, especially with Etho eating most of the pretzels so Doc can't eat them. Compared to almost any other hermit under these circumstances, Doc seems barely tipsy at most, but, well, it's not like Beef needs him drunk to vent his latest frustrations at the world, he just needs him tipsy enough not to notice he's talking.

"--and I just don't understand why people are so surprised, man. You--you all have teased me too much to be surprised!" Doc is saying. "Ren laughed at me. Laughed!"

He also, for the record, seems to need to complain about... apparently his husband? Which is new. Beef had been surprised. He's not going to say so, yet, because this is Doc's very belated NHO bachelor party--can they call it that when it's more "sitting around a TV drinking, eating snacks, and not doing anything because they're all too old to be partying", and when Doc is very clearly not a bachelor?--and that would be rude.

"That dog," Bdubs says loyally. "I can kill him for you. I'm the judge so I wouldn't get arrested and I'd make sure you get all his money as a widow."

"No, you can't kill him, man, I still need him for tax benefits!"

"What taxes?" Etho asks, sounding vaguely panicked.

Everyone stops to consider this.

"Beneficial ones," Doc finally says.

"I don't think that's what--I think you're misunderstanding your English again," Beef says.

"No, I'm always right," Doc says.

They sit in companionable silence for a few moments. Someone shouts on TV. The show is in Swedish. Beef has no idea what's happening. He's honestly just kind of waiting for someone else to notice.

"It's just. I don't get it, man! Why are you all acting so surprised I called Ren my husband? You! You all know me!" Doc says, somewhere between accusing and despairing, and hm, maybe these beers were higher alcohol content than normal, if he's already on despairing? "Ren and I have been--after season eight, making it official, it is only a natural thing, yes? But we had--he's asked to have my puppies. You've heard him say our babies would be beautiful."

"That dog," Bdubs says loyally again, this time in a much more suggestive tone.

"More than once," mutters Etho.

"It's not--I mean, we all knew you and Ren were... how do I put this?" Beef says. "It's not surprising that you two are. Er. Help me out here."

"Boning," Etho says.

"EXCUSE YOU?" Bdubs says, scandalized.

"Yeah. Boning," Beef says. "Doing the horizontal tango. Probably some vertical ones too. I mean, you're definitely into some things--"

"Fighting dragons," Etho dryly adds.

"THAT WAS STILL GROUNDS FOR DIVORCE," Bdubs shouts, apparently over being scandalized and moving straight to offense.

"Two seasons later? Man, you just wanted to wring as much alimony out of me as possible," Doc says immediately.

"And? I'm a judge now, I know these things."

"My point," Beef says, before they can start arguing again, or before Etho can point out that they hadn't ever really been married to get divorced in the first place. "My point. We, uh, all knew you two had a thing. It's just, uh, marriage is... different! It's different, and--"

"You didn't INVITE ME TO THE WEDDING!" Etho says, finally unable to hold it in. "Whyyyyyyyyy? Doc, I thought we were friends! I thought we were friends, Doc! I wanted to go to the wedding!"

"It, it was a little thing," Doc says. "A common law marriage as much as--"

"Hey, wait, why didn't I officiate it, huh?" Bdubs says.

"That's not fair, you can't be mad at me for not inviting you to the wedding, the moon had just exploded!" Doc says.

"It had?" Etho says.

"Yeah, well, I exploded too and I still would have shown up," Bdubs says.

"I don't remember an explosion?" Beef says.

"Wait, the moon did something?" Etho says.

"Focus," Beef says. "Look. Doc. Also, love you man, but I always figured that if anyone was going to propose, it was going to be Ren."

Doc scoffs. "Clearly you don't know my husband, then."

Everyone waits for him to elaborate. Ren, after all, is the one known for dramatic emotional appeals. While Doc is equally dramatic--that's why Beef is throwing a bachelor party for the great fit as opposed to off showing him that Big Salmon can still show someone how to sleep with fishes--he's not exactly great at emotions. Surely, he will elaborate on why Ren would never be the one to propose between the two of them.

He doesn't.

"Anyway, I think it's been obvious for, for years, and you all are morons, and--why is the TV in Swedish?"

"THANK YOU!" Bdubs says. "I thought it would be rude to point out."

"Oh, I like it, though," Etho says as Doc changes the channel to a home improvement show. Yeah, sure. Fits the vibes of this bachelor party as much as anything else. Beef grabs another beer. He pauses.

"Wait, you said a common law marriage. That means you haven't actually had a wedding yet, right?"

"Not really," Doc says.

Beef considers being reasonable, and then he lets it go.

"Dibs on planning it," he says.

"WHAT?" Bdubs says, rounding on Beef.

"I--hey, I didn't agree to this!" Doc says, as Beef begins negotiations with Bdubs. Etho laughs, louder than he normally does, and throws an arm around Doc.

"Let it happen, man. Let it happen."

It's a good party, and a good night.

[thehmn]

I wanted to make this post because we don’t see a lot of asexual characters in western media and despite him being from a hugely popular show (Seaside Hotel) you’re unlikely to know of his existence if you’re not from Denmark.

His name is Hjalmar Aurland and he’s one of the more sympathetic and realistic asexual characters I’ve seen. He lives in a time and place where asexuality as a concept doesn’t exist yet so he’s never labeled as such but rewatching the show made me realize that he acts exactly like the asexual people I personally know. Asexuality can mean a lot of things but his specific brand isn’t naive to sex nor is he repulsed by sex, sexual desire or thoughts simply doesn’t come naturally to him.

He can be convinced to have sex with his wife Helene but only if she appeals to their emotional bond. Just so you don’t get the wrong idea, he’s not being forced or emotionally blackmailed to sleep with her. It’s simply that he understands sex is a way to show emotional love too and he wants to express that love for Helene when it’s important to her, and seeing as sex isn’t unpleasant to him, just kinda boring, he’s willing to do that for her.

Unfortunately that isn’t enough for Helene and despite her love for Hjalmar she starts an affair with the dramatic and emotional actor Edward Weyse. He has a string of relationships, marriages and divorces behind him because despite what it may look like from the outside Edward doesn’t really want shallow sexual relationships. He just can’t help himself and keep falling in love with women left and right, fully and wholeheartedly, only to be dumped or dump them once the initial excitement has passed.

So Helene and Edward’s affair that was only meant to satisfy their carnal desires quickly becomes romantic. Helene feels torn between him and Hjalmar who she still loves and Edward understands the difficult situation they’re both in while also feeling jealous of Hjalmar. And Hjalmar? He doesn’t catch on for years. He’s not stupid but his brain just doesn’t jump to sex. He just assumes they’re good friends and why shouldn’t his wife be allowed to have friends, even male ones? Things get really complicated when Helene gets pregnant and she has to have sex with Hjalmar so he won’t wonder how it happened. Edward even has to join in on the seduction, reminding Hjalmar how much Helene loves him, even though it breaks Edward’s heart to do so.

But like I’ve said Hjalmar isn’t stupid. He saw the signs but chose to ignore them until one night when Helene accidentally says Edward’s name. It breaks the dam in Hjalmar’s denial and he has to face that deep down he always knew. Overcome by sadness and betrayal he wanders off into the night in nothing but his nightgown and gets a room at a different hotel where he can think in peace. Eventually he agrees to return to the first hotel with Helene and Edward and decides to take control of the situation.

He sits them both down and tells them that he understands that the three of them share a bond and that there are things he can’t really do for Helene so from now on he wants their relationship to be open and honest. He wants Helene and Edward to keep seeing each other and Edward is welcome in their house, but Hjalmar wants to be allowed to call Edward by his first name and makes it very clear that Helene and Edward’s children “belong to him” because he still thinks of himself as their dad and loves them as his own children. Both Helene and Edward agrees to it, though the emotional Edward is very flustered and confused by the acceptance and love he’s being shown by Hjalmar.

This is obviously a very tv drama situation but I was so stuck by how much Hjalmar acts like my asexual friends. Having a lover for your partner isn’t the most common solution but it’s an idea I’ve heard a lot of asexual people be open to under the right circumstances and of course that’s the most dramatic solution for a romantic tv drama.

Hjalmar is defined by so much more than his sexuality though. His main characteristic is his passion for social justice and equality, and other than some early show weirdness before they really cemented the characters, Hjamler is the only character who floats freely between the men and women. He’s just as likely to sit with the men as he is the women, often appearing in otherwise entirely female spaces. It’s never questioned or even brought up, not because he’s a “safe asexual” but because he cares and think their worries are as important as the men’s. He’s often called a pessimist by the other men when in reality he is determined to be hopeful and compassionate and spread the love he feels the world is lacking as WWII draws closer.

So yeah, I just wanted to share this sweet ace guy with you because you probably wouldn’t have known about him otherwise.

[tinydefector]

Rut Cycles- Optimus Prime

Human x gen 1 Optimus

Word count: 1.5k

Warnings: smut, size difference, breeding, Alpha/Omega hinted, mating cycles, scent kink.

Is it 1am? Yes, did I spend all night editing this yes. I'm posting this rather than heading to bed. The votes for the next character are still up, but the next fic piece is gonna be out of my Request pile.

_______________

"Hey boss Bot, how'd the meeting with the Cons go?" A soft voice breaks Optimus out of his daze of reading over reports and signed documents. He tenses his plating as they make their way up onto the table, the ever present scent that lingers on their skin makes his processor turn and twist in anticipation And want. 

Optimus vented deeply, attempting to cool his systems through will alone, he didn't need this now, everyone from autobot to Decepticon had been hit by the rut cycle and being around humans wasn't helping one bit. The meeting with Megatron had been, taxing, to say the least, as his counterpart struggled through heightened arousal akin to Optimus' own condition. Finding a solution had been their main concern outside of setting out rules of war while in rut. 

"It went as well as could be expected, given the circumstances," he replied wearily to the human who now sits on his desk, they are less worried about being in the room with the large thorny cybertronian that they should have been. Whether it was due to Optimus' unwavering control over himself or them just being oblivious was a different matter altogether. They look up at him for a moment, the sweet energon like scent wafts off their skin. Making Optimus breath hitch, his systems whining, craving desperately to claim what he so desperately wanted" strange seeing Cons in the Ark" they state while looking over their shoulder at the door. 

"Our cycles affect us all strongly, and it results in a domino effect. For your safety, little one, it may be wise to refrain from proximity until it has passed." He tries to explain hoping that he wouldn't have to spend too much more time in the room with them, their sweet electrum like scent would still hang in the room even after they left.       

Optimus vented unsteadily, intake dry, a deep rumble echoes from him as his optics move to where they look. "Their presence here was... unavoidable, it was only a matter of time before this became an issue between our factions" he replied, struggling to focus past rising mating coding demanding he seize this delectable temptation sitting infront of him as if they were a offering from Primus.

"Please, little one," Optimus rasped, field pulled taut as battle-thickened wires. "For both of our sakes, do not test my control overly long, even if I have my limits." He grumbles as he watches the door, finding it was best he not look at them less he be tempted to pin them down to the table and have his way with them. 

"I'd rather take my chances with you OP, I don't really want to deal with the Seekers who have been stalking me around base since your meeting ended" they mumbles, partly under their breath. 

A heavy sigh leaves Optimus as he looks back down at them, part of him now wanted to claim them just to spite the lingering Cons looking for easy pickings, the other part of him shouted that it was wrong. He reaches out a shake servo to grab his cube, Optimus gulps a draught of energon, processors whirling. “You're testing all of our instincts, do you wish for me to escort you out of base?”  he asked which only earns him a head shake of a no from them. 

"Very well," Optimus rumbled gently. They hum softly as Optimus stands there looking down at them, a shutter runs up their back as they look into his optics, biting their lip. " Optimus. Name one reason someone would willingly walk into a room with a large half freal horny cybertronian" they shoot back as their hand presses gently against his frame Optimus shuttered his optics briefly, vents catching at their bold reply. 

“You were planning this?” He grumbles but doesn't pull away, A slight creak of hydraulics announces his closing fist against the table as he struggles to hold back ravaging them.

 They slowly begin undoing their shirt, throwing it across the table as they hook their hand into his plating as if to usher him closer. “Don't ask for this little Light, I can't,  not like this” he clenches his denta as he desperately tries To change their mind. 

“Optimus.  Stop being a Prime for once” they shoot back at him. Optimus' optics darken with a mixture of desire, his servo to trail up their body, his digits tracing over their skin.

they let out a sigh of relief feeling the cool metal trace over their hot skin. Optimus leans in closer, pressing his frame against theirs, his servos continuing their exploration. The contact between their skin ignites a fire within him, and he can't help but let out a low growl. “I warned you little light, reconsider now, less I hurt you because I will not stop once I lose control” he nearly snarls out. 

They cling to him bringing him down into a kiss which makes his engine roar in delight as he presses them down into the table, his servo drifting down between their legs, pressing and rubbing against them. "Optimus please don't make me beg" they whine out while grabbing onto his arm plating. 

A growl rumbles from his vocalizer as he tightens his grip, his servo responding to their urgency. He wants nothing more than to take them as his and he would be damned to the pits if he was letting them go now. 

Optimus's frame trembles with need as he takes charge, his actions becoming more urgent and possessive as his digits tease them not bothering to work them open fully. He lefts out a feral snarl as he brings his digits to his mouth, savouring the sweet taste of their arousal. If his processor wasn't so consumed with the need to claim he would have taken it slow, eaten them out until they had begged, been gentle as he could, the gentleman that he swore he was but his rut had him acting like a beast. 

 His hungry optics focus on their sex enjoying the way the whimper and moan as his dripping spike lays across their stomach as he admires the size difference between them both. A sinful whine escapes their lips, and Optimus's spike throbs in response, aching to be sheathed within them. He positions himself above them, slowly grinding his spike against them as he paints their skin with the bright pink hue of transfluid. 

He watches the way his transfluid runs down their sex, it makes something primal in him snap with the need to have his spike bulging their stomach, filling them and breeding them. "Such an eager little thing," Optimus huskily replies, his voice dripping with desire. 

He positions himself, his spike throbbing with anticipation as he aligns it with their entrance. The hunger in his optics burns through them as he presses forward, slowly but forcefully breaching their tight heat.

"Oh, you feel so good," he groans. "You're mine to breed, to fill with my transfluid.” He states, optics hald hazed over as he grinds into them until his spike settles as far as they can take it. Optimus's thrusts become more powerful and relentless as he hunches over them, gripping their hips and lifting their smaller body to meet each of his thrust that knock the air out of their lungs. 

He relishes in the gasps, cries, and moans that escape their lips, the sounds of their pleasure echoing with the slick slapping noise of their coupling that bounce off the wall of the office. Their scent pushes him further into the depths of his rut and driving him to give them even more. "That's it," Optimus growls, "Take me, Primus so tight. You are mine, my rut mate."

He continues his relentless thrusts, each one driving them both closer to the edge of pleasure. The sight of his spike stretching them, bulging their tummy has his engine purring in delight with the thought of them carrying his sparklings. He knows if the rut is affecting his processor but at that moment nothing else mattered. 

Optimus Prime's vocalizer emits a low, primal growl as he thrusts into them, their desperate moans and arching body driving him further into a state of overwhelming pleasure. He pushes his spike as deep as they can take it, relishing in the way their walls clench around him. "By the Allspark," Optimus gasps, his voice laced with desire and need. "You feel incredible... so tight, so perfect."

His frame shudders with a powerful overload, waves of electricity coursing through his circuits as he releases a floor of transfluid deep inside them. His systems whine out almost in agony from how mind blowing the release is for him as he hunches over their body. Fans blowing heated air against their panting body as Optimus' systems struggle to register the need to stop before he's grinding into them again. 

He lets out a few heavy vents as he presses his face into their shoulder. “I'll Alert Ironhide to let everyone know that we are not to be disturbed” he mumbles against their skin as he pulls away. Optics focusing in on their stretched hole as even more bright pink transfluid gushes from them. They squirm under his gaze as he lets out a rumble of appreciation at the view.

“my berth now” he states, not even giving them a chance to protest before he's walking out of the room towards command deck. 

___________________

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[lover-of-mine]

Okay, I keep posting around what I actually wanna say about Buck, Eddie, and the parallel love lives, and, well, their love lives have been written as parallel but misaligned, but I don't think they are that misaligned anymore. Or at least they are the closest they have ever been. Abby and Shannon both serve as the first love who left and never gave them real closure, Abby left, forced Buck to leave her, came back and didn't admit to anything, just continued to force Buck to deal with it on his own, and Shannon left, only came back because Eddie asked her to, and she died right after asking for a divorce, so she never gave Eddie time to process the idea of permanently letting go of her before he was forced to do it on his own, and they are the love they keep reliving, because they were forced to find that closure on their own and they can't. Eddie because he is actively chasing Shannon and Buck because he is trapped in the same structure as his relationship with Abby, meeting because of work, the other person starts it, they leave at some point, at most times it feels like Buck is more in it than the other person. Buck gets a whole apartment because of Ali, Taylor was never as intense as we knew she could be about Buck, Natalia ran away because of who he is, Tommy doesn't seem to be putting in as much effort as he could. Ana, Marisol, and Kim and Ali, Taylor, Natalia, and Tommy, they get scrambled in the parallels between themselves though. I think mostly because where Buck needs time, Eddie needs intensity. Buck will realize stuff if you give him enough time, Eddie will only realize shit if it slaps him in the face. And Eddie's breakups tend to be Eddie's fault, where Buck breakups are usually because the other person does something. So one to one parallels are hard to draw, but they are there. Ana and Ali both are relationships that started because people keep telling them it was time to move on. Natalia and Marisol show up in their lives because of a call that wasn't about them, and they go out because they actually want to ask them out. Tommy and Kim both give the impression of it being about someone else, Kim is a carbon copy of Shannon, Tommy is presented to us as very similar to Eddie and he also parallels other Buck li, and there's also the way Eddie doesn't really want to date Kim and Buck and Tommy have the conversation about taking things slow. Taylor exists in a different situation because Eddie doesn't really have a multiseason love interest, Ana has a lot less episodes, so it's hard to compare the introductions, but Taylor and Ana parallel each other with the being introduced in an episode their family gets hurt, the whole thing with the brownies and Bobby and Chris and the skateboard, and the hurting Buck and Eddie part comes from their jobs, Taylor wants to capitalize on Bobby's addiction and Ana was the teacher responsible for making sure Chris stays safe, I think even the way Taylor's camera man teases them and the way Carla teases Eddie about Ana, structure wise Taylor and Ana are introduced in a similar way, and then coming back into their lives in unrelated circumstances, Taylor happens to be covering a scene Buck is working on and Eddie runs into Ana again during an unrelated call and later asking them out because of peer pressure. Ali, Ana, Taylor, and Marisol also parallel each other with being someone they meet while working and then start dating after a period of time has passed unlike Natalia. Taylor, Ana, and Natalia all get treated by them and that's interesting when they are not actually paramedics. There are a bunch of parallels between Natalia and Ana when it comes to conversations Buck and Eddie have with them too.

Kim parallels Taylor with the way both of them create chaos in their personal lives, Kim ends up making Chris want to leave and causes the breakup with Marisol, Taylor continues to try to capitalize on Buck's family even in a situation where their lives were actually at stake (and Chim is family in a more traditional way, now obviously because he's Buck's brother in law but at the time because he's the father of Buck's niece, and it is interesting that Chim leaves and actively wants to be as far away as possible from Buck and Chris is trying to get as far away as possible from Eddie, and I know the Chim's situation is not about Buck, but the person getting hurt the most over Taylor/Kim actions actually leaves the state while wanting to stay away from Buck/Eddie after finding out they were keeping something from them, which is something).

So the storyline parallels between all the love interests are there, but the things that's been getting me the most right now are the lines you can draw between Tommy and Kim. Because the thing is, while Eddie is actively chasing Shannon, I believe that Buck has let the Abby ship sail, but they are both looking in familiarity for something they already have with each other. With familiarity I mean the way Tommy parallels all of Buck's love interests, including Eddie, and the way Kim literally looks familiar. But also the way neither would have a chance of working long term because of that familiarity. Eddie can never bring Kim into his life, so that relationship would forever be surface level, and so far no real depth has been added to Buck and Tommy even though the show had opportunities to do so. Both Tommy and Kim presented Buck and Eddie with something they wanted but weren't fully aware of until they slammed into them, with Buck is the general concept of attraction to men he couldn't understand on his own and with Eddie, he didn't fully confront the way he still wants something from Shannon, that being more time, closure, or just the general feeling of grief that sometimes gets so unbearable you just want it to stop for a little bit and Kim was enough to trick his brain so it would stop for a second, I don't know, but she was offering something. But either way Eddie is finally at a point where he might actually look around to try and find out what he wants, because he was forced to confront the ghost of Shannon and Chris is not there, so he's at a point where he has enough puzzle pieces to realize that what he wants is the life he already has with Buck, the same way Buck can trip into the realization he already built his idea of love with someone, he just didn't understand Eddie is also an option. I think both of them work as a way to expand Buck and Eddie's dating pool, Eddie beyond what's expected from him, a mother for Chris, and Buck beyond women. So I think this is the closest they've ever been to actually being able to stumble into each other.

[wegog]

Okay, I still think people don't speak enough about how Hades and Persephone's love story is great in Hades game(s).

The way you have to figure it out is like a puzzle. And together with Zagreus you change your opinion about the situation every time. The way Persephone talks about how Hades was always gentle with her and gave her the space she so lacked on Olympus. The fact that after many years, she can still talk about him so dreamily. But at the same time, she is resentful of the way the relationship between Hades and their son turned out. She does not believe that Hades' love could survive all the pain that permeated the last days of their marriage. Although in fact this love is stronger than death. What Hades had always feared was that Persephone had never truly chosen him.

And he always put her needs and desires above the selfishness that often accompanies such strong feelings. Hades was literally the perfect husband who deeply respected his queen and recognized her strength, allowing her to shed the nickname "Kore" forever. And in his desire to do everything as best as possible for his beloved, he only makes things worse, dooming them both (and their son) to suffering. In turn, Persephone leaves Hades not only because she thinks that their son is stillborn, but also because she is afraid of the war that could happen between the gods due to the difficult circumstances under which she ended up in the Underworld (I'm looking at you Zeus).

They are both ready to leave each other so that their loved one is happy, in order to improve things in their kingdom. But it's separation that makes them so wretched, harms their son and the entire Underworld! The fact that the developers decided to make Persephone the Goddess of Verdure and Grain (what means she's kind of the Goddess of what gives mortals food, in fact, the Goddess of the Life), and Hades, the God of the Dead, makes their story so beautifu! Just as many characters in the game cannot imagine them together, it is also obvious to us that they are inseparable from each other, like life and death.

And, of course, small details, like Persephone pored over his portraits even before they met like she was some kind of his fan, what is very funny and breaks the stereotypes.. And how she likes to joke at Hades goodhumouredly, despite the fact that she admires him. And how the Goddess will always point out to him what needs to be done to fix his work or/and his relationship with their son. The way at first Persephone says she and Hades have little in common, but immediately mentions something they share like the same taste in music. Or the fact that they are both insanely smart and seem to be both incredibly good at that boring paperwork (which is doubly funny considering how terrible Zagreus is at it).

No one seems to say it in the game, but despite their outward differences (yes, that frown socially awkward huge God that everyone should be afraid of and that radiant little Goddess with incredible powers of persuasion that everyone adore), in fact, they not just complement each other, but also very similar, but on a deeper level!

P.S. I also see similar dynamics in Zagreus and Thanatos. Like, yes, the God of Blood and Life is together with the personification of Death and so on and so on...

[inesbaby21]

Hii! could you possibly do Jana El Alfy head cannons or just pure Jana fluff? There’s literal jana drought when it comes to fics

"All that matters"- Jana El Alfy

3rd Person P.O.V

It was a thursday, after 3 hard, weeks you and Jana were FINALLY free. Weeks of constant practices with no set times for the end began to take a toll on the once healthy relationship.

Not only were the two girls physically exhausted, but mentally. After taking the day off to reset, and just show each other much needed love the girls were back to their semi normal routine.

"J, do you wanna do a face mask with me?" the shorter girl asked giggling as she sat at the vanity seeing her girlfriend staring down at her eyes full of adoration.

"Yeah- of course my love" the Egyptian breathed out rushing to sit on the other tiny vanity stool.

It was a sight to see, the two girls maintaining contact as they began to talk about the busy few weeks, their respective sport practices, uniforms- just everything.

It was a relationship between two women who were completely enamored with one another, two women who had met because of y/n and her constant need to shout (not cheer what so ever ..) during basketball games at the players. This was something that Jana always supported, and giggled at when the captain got in a mood during the game calling out ridiculous loud cheers during guest free throws, choreographing flashy cheers that distract players, the ridiculously bright red lipstick.

There the two girls sat, Jana lying back on Y/n's lap, as bending over would have strained her already achy back- doing face mask and talking about a new tv show the couple started that they never quite got around to finishing.

"I love you so much J-" the cheer captain said looking down at the 6'5 girl with eyes full of love, and pride. The music in the background fading out to another song as she began to sing.

"I love you more Y/N/N! Even if you stress me out during games" the girl said teasing.

"Girl boo" the brown skinned girl said ultimately ruining the mood as she giggled. "Yall don't play, this is my songggg" the girl said in a childlike manner as she began to sing along to the song

"Oh-oh, just as sure as the stars in the sky I need you to shine in my life" the girl sang softly as she finished up Jana's clay mask.

"All done!" She sighed looking at the neatly placed now drying liquid mask

"Finally, you take 20 hrs every-time" Jana joked, standing over the vanity mirror to stare at herself subconsciously wrapping her hands around the shorter girls waist.

This was the norm that the two girls had craved for weeks, the stolen glances, the jokes only one another understood, and most importantly quality time. It was always important to Jana for you to be the center of her attention, the apple of her eye as one of the people who kept her so stable in Connecticut was you. Late night drives, going out to eat after practice, carrying your cheer shoes and megaphone laughing at you kicking her the night prior

Time with you was always something she never took for granted as it was so hard to get sometimes, especially with long practices, constant re-runs of plays that should have been cemented down pact as they were run daily. It wasn't everyday the two girls had each other for a full 24, either having to run errands, or the wash laundry. And the worst, school work- It was hard the two girls almost always had the odds stacked against them no matter the situation, and sometimes it got frustrating.

It took a lot out of the two girls to get everything done the right way, and to find time but they always seemed to manage. No- not just manage they always seemed to thrive, no matter the circumstances, or differences the girls always seemed to remember that picking on another up when they fall was always going to be something that happened.

"You're all that matters to me" Jana said staring at the girl leaning in-

"You're all that matters to me" the Girl said kissing Jana softy, and changing her now black speckled shirt.

[yourfingeronmytriggers]

The "Ghoulcy" Songs of Fallout (3/4)

“We Three”

This one is the most overt of the four I deem “ghoulcy”.

I've seen different takes on whether the Ghoul/Lucy is "Me" vs "My Echo"; personally, I feel this song is also respective to the ghoul. It just makes the most sense to me.

My echo- Lucy is the echo of his former self, already resembling his current self in some ways due to the parallels in their circumstances

My Shadow- Dogmeat who follows him loyally now like his “shadow” ever since he healed her (so cute she seems to have bonded with him despite their rough beginnings! maybe like a certain Vaultie in the future, wink wink)

Me- this leaves the Ghoul himself 

And it’s crazy how well the song fits once again.

 We three, we're all alone

Living in a memory

My echo, my shadow, and me

… We three, we're not a crowd

We're not even company

My echo, my shadow, and me

They may not be much "company" to each other yet but I'm looking forward to the development between them as they travel together in season 2. Cannot wait to see how they play out the "reveal" of Lucy finding out who he is.

I walk with my shadow

I talk with my echo

But where is the one I love?

I think it’s interesting to note he asks Hanks where his “family” is, not just where his “daughter” is. However, I still am of the opinion his love for Barb died long ago and he may even be looking for revenge. This is only speculation but I would find it very anticlimactic for him to potentially find Barb and then try to get back with her after all this time. I just don't see that happening after 200 years of bitter betrayal fueling him. Which gives me brain worms on how he’ll handle that (and Lucy if she’s with him when he does).

If that time comes, I can see him conflicted on whether to pull the trigger on her for what she did and Lucy gently placing her hand on his arm, saying something like "She'll hate you if you do, Cooper. Trust me. You don't want that."

And she doesn't even have to explain what she means, because he knows. And he knows she of all people knows.

Maybe he'd say "She doesn't need to know." Or a similar sentiment. Then Lucy looks him dead in the eye and says:

"She'll find out."

Oh man, I am getting myself so hyped up over these two. So many possibilities for next season and I'm having so much fun teasing them all out in my brain. Either way, I think the only one who he currently regards as "his love" is Janey.

[bloompawz]

Partnering aromantic writing advice

The topic of aromantic characters dating is a bit of a contentious one in fandom spaces, but I think that it can be a great way to represent partnering aros if you do it right. I'm not an author, but I am a partnering aro, so I want to give some advice (or at least food for though) to those who may want to pair aromantic characters with partners in their fictional works.

1. Start with their aromanticism first.

This is very important. Do not slap their aromanticism on as an afterthought to their relationships. Develop their aromanticism first.

How do they feel about traditionally romantic activities? Do they enjoy them? Do they feel indifferent to them? Are they averse to them? Do they perceive those actions as inherently romantic in nature, or do they not? Does it depend on the action?

How do they experience attraction? Do they experience some amount of romantic attraction, or none at all? Does it happen only under very specific circumstances? Do they experience other forms of emotional attraction, like platonic or alterous attraction? Do they experience physical forms of attraction, like sexual, sensual, or aesthetic attraction?

Why have they chosen to be partnering? Are they doing it to fill an emotional need, in a world where friends often don't prioritize each other enough? Are they doing it to fill a physical need? Are they doing it because they enjoy traditionally romantic activities, regardless of whether or not they personally view those activities as romantic? Are they doing it for financial, social, and/or medical security? Are they doing it out of social pressure? Are they doing it because they perceive no inherent difference between partnership and friendship, and don't object to either?

Are they romantically partnering, or are they partnering in a different way, such as queerplatonic partnership? Are they partnering in multiple ways? What does that distinction look like for them? Is there a distinction at all?

Do they ever feel burdened by their aromanticism because they feel like it "get's in the way" of their desire for partnership? Tread very carefully if you go this route. Do not "cure" their aromanticism. Try to build towards self acceptance.

Aromantic people can date, but our aromanticism can and often does impact how we date, and how we feel about dating. Even when aromantic people are in committed relationships, or want to be, we are still aromantic.

2. Explore how this impacts their relationships.

Being aromantic often makes dating/partnering more complicated.

Did their partner(s) know that they're aromantic when they started dating? If not, do they know now? How did that conversation go?

Did the aromantic character know about their own aromanticism when they first started dating, or did they realize it later? How did they come to realize that? If they were in a relationship at the time of realizing it, did the realization spark anxiety over the future of their relationship? Did it spark relief?

Do they experience difficulty finding partners? Is it because people are less willing to date aromantic people? Is it because of highly limited attraction? Is it because the aromantic character has very specific needs when it comes to relationships, such as needing a less common (e.g. queerplatonic) relationship, or having a lot of strong boundaries around traditionally romantic activities? Is it because their orientation is difficult to explain to potential partners? Is it a combination of factors?

3. If you're writing fanfiction, respect the aromantic character's canon identity.

If an aromantic character is canonically non-partnering, romance-averse, romance-repulsed, or similar, keep it that way. Hands off.

[emotional-support-demon-crowley]

Fic authors self rec! When you get this, reply with your favorite five fics that you've written, then pass on to at least five other writers. spread the self-love ❤

First off... just tickled to receive this in the first place. Absolutely delightful. My thanks to you!

These are all in the Good Omens fandom. I'm BraveLight on AO3.

Terminus - (T) 37,500: Astronaut / Mission Controller Human AU Crowley has devoted his entire life to a mission no one else cares about. Aziraphale is a reluctant astronaut who has spent nearly 100 years in space. As the two of them work together in an attempt to get Aziraphale home safe, they find a strong bond forming between them. This has a bit of suspense but overall, it's a fluffy story that focuses heavily on the relationship as it builds between Crowley and Aziraphale.

Unfallen - (T) 56,051: Alternate ending for Season 1 (written before Season 2 aired) When Heaven realizes that the archangel Raphael is required to start Armageddon, they scramble to locate and restore Crowley to his former angelic status. When Crowley has no interest in playing the part in question, his memories of the fall and all that came after are wiped. Now Aziraphale must come to terms with the love he was never able to express and his anger against what was done while he tries desperately to keep Raphael safe. Deep down, this is an exploration of their relationship as we knew it in Season 1 only their situation is more dire and they re forced to actually talk about stuff.

Some Version of You - (T) 20.424: Post Season 2, angsty fix-it When Aziraphale loses control of his Supreme Archangel powers, duplicates of Crowley from different points throughout their history begin to spring into existence. Worse yet, if the duplicates don't survive, Crowley will lose the memory that they came from. If they can't find a way to fix it, their relationship may never recover. This ends hopeful, but it goes some places before it gets there. I was deep in my Season 2 sads when I wrote this one. They do actually talk and are forced by the circumstances to really listen to each other for once.

Till the Hurting is Done - (T) 23,325: Post Season 2, this is actually a series all the current entries are complete, but the series is ongoing. When the pain of losing Aziraphale gets to be too much, Crowley takes a leaf out of Jim's book and decides to get some distance from his pesky memories. Each entry stands alone as a small story about the goings on in this universe. This was supposed to be a single entry, but writing a Crowley who isn't heartbroken or pining, but is still fundamentally very broken ended up being so much fun that I keep adding on. Each entry is it's own small story, but there is an overarching story being told.

As You Are - (T) 3,940: A demon and an angel admitting how they really feel for each other A short little exploration of feelings of insecurities in the post season 1 relationship and how Crowley and Aziraphale work to reassure each other, each in their own way. This was also written prior to Season 2. Pure fluff. I do love making these two talk through stuff.

[haunted-xander]

You ever think about how Ryne probably got a more honest yet closed-off Thancred while Minfilia got a more disingenuine yet open Thancred?

Like, the Thancred Minfilia knew and grew up with was the one we saw in arr, the flirty, teasing and sassy but friendly man who was clearly not very honest seeing as no one- not even Minfilia- noticed how worn out he was from his constant work. Even just by hw he's noticably more prickly and. not quite rude but. more outwardly cynical? He's always been kinda cynical, but in arr his teasing and banter hides it well, which never disappears but is more. natural? genuine? now. Krile directly points out that he's much more brusque than she expected of him based on how Minfilia described him.

And sure, you could attribute that behaviour to his grief and stress (which is certainly a part of it) but considering he acts much the same in ew, when he's finally moved on and come to terms with everything (and is also post-shb character development), I think it's safe to say that this is the most honest we've seen Thancred be.

But this is all Ryne has known him to be. She's never seen Thancred be flirtatious or as social and friendly as he is in arr, she's only seen him be brusque and cynical but still teasing and kind. But he's also far more closed off from her (and others) bc of That Whole Deal going on. Urianger has told her more about Thancred's true feelings than Thancred himself has. and even that's not a lot, for Urianger is not only not a mind reader and doesn't know everything that goes on on Thancred's head, but also is reluctant to share more than is necessary since it's not his place to divulge these things (and also he himself is not free from the folly of emotional self-isolation).

With Minfilia though, he's open enough that she's never doubted that he cared for and loved her even when he couldn't spend much time with her, and she felt comfortable enough to admonish him when he did his usual self-destructive behaviour (you know, becoming an alchoholic at 17 and All That Entails)

Just. food for thought

[crown-ov-horns]

I think, under the right circumstances, Callie would've turned out exactly like Shauna. She's clever - cunning, even. She has a touch of ruthlessness to her. The only difference is, she didn't end up in the wilderness, with an obscure, bloodthirsty deity that's probably also bored.

She truly is her mother's daughter, in spite of the distance between them.

[collabwithmyself]

sleep paralysis

[daz4i]

love my social worker he's so sweet and i love my mentor/guide/one day i'll find a fitting english word for what her role is too. last time i met the former he said they talked abt the thing i'm starting this thursday and said "while it feels like these circumstances may be impossible for you, logically speaking you shouldn't succeed there, yet both of us are certain you will" which is very nice but also AAAAAAAAAAAAA

[thomastair]

so i have a question that i think it's interesting but do you think camila was completely selfless during the hotel scene with daisy?. Don't get me wrong, i think camila cared about daisy but also i think she was trying to make her stay away from her husband because there was a huge part of her that was afraid of billy loving daisy and being stupid enough to leave his family for her. That doesn't take away from camila being a genuine person but i think there was a little bit of malice in her actions (understandable, she's human) and a part of her was trying to push daisy away from billy because she knew there was something really strong there that she couldn't hold back. Also her keeping daisy's number but not sharing it was a huge giveaway because i think deep down, she lowkey knew that daisy was always going to be really important for billy

camila is the hardest character to get an accurate picture of because every character is telling her daughter the best version of her recently deceased mother. none of them want to tarnish her memory Especially daisy and billy when they talk about anything between the two of them. if she acted completely selflessly in the hotel room scene then she’d be the most unrealistic character of all time tbh. she’s protecting her family against someone she perceives as a threat at the end of the day, however i think because she’s so empathetic and has experience with addiction she’s able to tell daisy what she needs to hear. there’s also always the chance that she said something to daisy in that moment that daisy wouldn’t want to tell julia. the number thing i think is less jealousy and more to do with the fact that billy probably wanted to never talk to or mention daisy in the aftermath of the band splitting because at that point theres no reason for camila to think he’s going to leave her she’s absolutely secure with the knowledge that he’d give up anything for her

[crowties]

kianas departure is more of a またね than a さようなら

[mxdotpng]

trying to figure out the best way to intricately mold a graces roleswap au just for me