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lulullia · 2 years ago

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Lyphuriaa Progress Report #1

Well, it's been a long while since my last post, because since then I've been in input – or learning – mode and spent my days absorbing information on my favorite topic: storytelling.

Before that, I was really creatively blocked, unable to do anything but stare at the screen trying to get my body to f-ing move and start drawing, writing, or coding – with little success. And so, in the process of searching for stuff to consume and kill time with, I remembered a favorite, huge resource I had already started reading but needed to finish, and that's how I ended up switching to input mode.

Lesson learnt: sometimes, if you're blocked and taking breaks doesn't help, it may just be because you're trying to output when you're really in need of input. That can take the form of inspiration (like browsing Pinterest or going back to a favorite book/movie/game…) but also actual education (like an online course or book, articles and videos on the topic, etc).

And sure enough, as I was expanding my knowledge on storytelling, I couldn't help but go and apply that to my current projects. I'll summarize the progress made on Lyphuriaa (or more like massive problem-fixing), and also share the two amazing resources I've been binging at the end, if you're making stories too!

Bird's eye view on the plot

For the longest time, Lyphuriaa was mostly in my head, and the plot was nothing more than "Lulu's life". That's because I started imagining it when I was a kid, and so it was never properly structured the way a story ought to be. Almost exactly a year ago, I realized the problem and started fixing it, cutting the boring parts, beginning the story at a more exciting point, changing up variables…

The result was already something that felt way more like I'd enjoy reading it myself, more mature and cohesive, but it still very broken structurally. It's only these past few weeks/months that I really started digging deeper and fix the core.

The core being, of course, the three basic components of a story – the Story Goal, the Protagonist (person pursuing the goal), and the Antagonist (person in opposition to the goal being achieved). Yeah, Lyphuriaa was that broken. Let's see how exactly, and then show the current fix.

The problems

The story goal was super fuzzy. I knew it was something along the lines of "taking back Lyphuriaa to rebuild it" but NONE of the characters, or events actually worked towards it. I also had no idea on the actual steps to fulfill it. Something fuzzy like "board airship or ship, fly/sail to the place, remove any stupid goons tryna stop you, plant flag, done! then epilogue showing the place rebuilt!" Plus, I didn't have enough details on the situation on Lyphuriaa (the place), like Why did it get abandoned if its people were literally genocided to take over the land? What's the situation outside Lyphuriaa – do the winners still have their eyes on it, don't care about it anymore, still claim ownership of the land? What about other countries? etc, etc.

The protagonists – Lulu and Vlad – are completely fleshed out as characters, but the problem was within their personal goals and motivations. If I just let them do whatever they wanted, they'd go live on a boat and sail the world, not "take back Lyphuriaa to rebuild it". I just struggled immensely to tie them to the "goal" somehow. That's part of the reason why none of the plot points worked towards the goal – the main characters don't even care about it. At some point I even considered the fact that maybe, they're not meant to tell this story, and that I should change either the goal or the protagonists.

That antagonists, well, they were almost non-existent. They're the least developed element. I just knew there was one group trying to get Lulu to use her unique power to open portals so that they could invade (a plotline that's now scrapped, because I figured a threat coming from inside the world is more interesting than one coming from outside, plus, I want Lulu to be special because of what she does, not what she's born with). And another group, the ones instigating the Lyphurian war, who don't want Lyphuriaa to be rebuilt again. And that's all I knew about the people who are supposed to bring as much conflict to the story as possible. Needless to say, they really did nothing throughout the story, it's as if they only woke up at the end when the cast finally set foot on Lyphuriaa, or something.

The glaring, glaring problem that took me a lot of time to spot, is the absolute lack of conflict. I had a 2k words outline of the story, but it was just about Lulu, Vlad and a few others going on about their life, smoothly. Then there were a few events that really had nothing to do with that, aka the "main plot".

Nothing is connected

I literally have a line saying, "somehow they find her father". Like, is it something that happens randomly (in which case it's lazy), or is it unimportant enough that we don't even need to show how it happens (in which case why keep it at all?), or it's supposed to be part of the plot (in which case why have the protagonists never even show a sign of wanting to do that)…?

"Somehow" is a red flag practically all of the time in storytelling, as it breaks consistency and believability. I know that in the outline, I wrote "somehow" as a shorthand for "this needs to happen and I have no idea how to connect it so I'm leaving it to you, future self :D" but even so it's a symptom of a larger problem underneath.

Literally the last bullet point of the whole outline: "I almost forgot that the story isn't Vladleen but Lyphuriaa. So I guess here be adventures to take back Lyphuriaa! yay!"

Random fluff adding dead weight

Another easier to fix problem was scenes or entire plotlines that were completely unnecessary to the story. As I said Lyphuriaa exists since my childhood and so, there were a lot of random stuff I added because I thought it was cool and I had no idea how to make a properly structured story, but that I never questioned when overhauling it. It's only when I realized that nothing is set in stone until I say so, and that I'm not bound by these boundaries just because they've been here a long time, sometimes even since the very beginning, that I started cutting stuff and, most importantly, change key parts to make them infinitely more interesting.

The scrapped plotline. The stuff about a virus, and Lyphurians having a special purpose, is scrapped too. Cutting such a huge part of the story led to literally no consequences, and felt so relieving.

Playing around with key variables

For example, I was under the assumption that Vlad can only come in later in the story and not the beginning, and that the Liance between him and Lulu can only happen waaay later when they start having feelings for each other. But one day I had this idea: what if we start the story at the point of their meeting, and have them be lianced right then and there, maybe even against their will?

And that's how one of the key moments in Lyphuriaa was born, bringing a ton of conflict and interesting situations and characterization with it to the table that could never have happened otherwise. Now both protagonists are on-screen right away (especially since Vlad is the most interesting out of the two at first), the Liance functions like a character arc for both of them because it's a problem they have to overcome, that results in a much more interesting relationship than just lovers, and is also an interesting concept to explore right off the bat that can play a part in hooking the reader, and on and on. All of that just from changing two variables.

Yeah, I write a lot in my notes. It's helpful to order my thoughts in the present, and leave a trace of the past for when I find it again in the future.

The fixes

This is getting very long, I wonder if you'd prefer if I split posts like these in parts…

The story goal – thanks to some adjustments and lots of inspirations from the resources below, I could finally find a goal that is similar to what I had in mind, but also agrees with the protagonists and antagonists. Even though I'm presenting this as three bullet points, the truth is, it's all interconnected and should be worked on as a whole, not just one at a time. So, now the main goal of Lyphuriaa is, "to (re)build a place where all Lyphurians can call home". It's not only clearer, but also more personal, and ties in perfectly with the theme of the story (finding the people you belong with – whose side you can call home).

The protagonists now have proper motivations and goals that align with the story goal! They became tied to it way more naturally, plus it connects with the theme again and provides conflict: Lulu is a Lyphurian, and because of her species' defining traits simply cannot feel like she belongs amongst Vampires and other people. Even better, she doesn't feel safe. Lyphurian blood is a luxury for Vampires, their horns valued products, and their glowing skin scare people away (especially since most people aren't aware of the existence of Lyphurians; they may be ghosts for all they know). And thus, coupled to something else that is spoilers, she sees Vlad as the perfect opportunity to stand up for her people and make a place where they can feel at home, together (Vlad has money and means). And what better place for this if not their original homeland? (The only issue still left is to tie Vlad into this as well, I already have an idea for this that also ties into the theme of finding home that needs tweaking, but it's spoilers too so I'll leave it at that.)

The antagonists… are still the least developed, but at least now I'm clear on who are the antagonizing groups, and what's their goal so I can build what they'll do on top of that. I still need to go closer and build them as individuals and give them a personal stake. What's certain is that I want them to be smart and unpredictable, playing an intense game of "who is actually one step ahead the other?" with the protagonists. They are active, just as active as their enemy. There are also a couple other surprise major characters that don't fit in either category, but will stir trouble in trying to achieve their own personal goals – aka pushing the story forward.

You can see the difference, now the story is packed with conflict and potential for conflict everywhere. It's starting to take the shape of one intense ride! There are a ton of little tweaks that improve the story overall, here's a few…

Everything is interconnected

Sharp contrast to how it was before, now every event serves a purpose in either the main plot or in major subplots (I took the time to clearly lay out the different plotlines, that's what the very first image is about; each "row" is one plotline). Not only that, but each character has a link to the main plot, or at least thematic relevance.

The side-character I'm most excited about is Ava, Lulu's bestie. It's through her that a lot of Vladleen's relationship is brought out, because these two mostly don't need to actually talk, they can just send brain signals. Ava is the kind of person who has no filter, can't read the room, but can easily spot subtle differences around her. Kinda hard to explain, but she does a good job of getting Vladleen to show themselves to the reader. Plus, she's gonna be the center of a very big choice (aka conflict) both Vlad and Lulu will have to make, you could say the ultimate choice that will show who they truly are, what they care about more than anything else (and thus ties into the theme as well).

Little preview of this energetic and fun character~

More playing around with variables

As I was reading up on the resources mentioned before, key points of the story kept getting challenged. Long-lost heir to a throne as a plot twist? Check. Heir characterized only by their blood? Check. Mentor who comes take said heir and push them forward themselves instead of letting her walk by herself? Check. Protagonists only acting after antagonist strikes, and never before? Check. Mentor keeping key info secret for no reason? Check.

That's a lot of hidden clichés I was aware of but thought I had added enough uniqueness to them, and I'm glad the articles made me see them in their true form and their bad consequences. So I took all of those and more and switched variables around.

The most important change was a set of tweaks to Lulu and her "heritage". She not only isn't a good fit to be a ruler, but also doesn't want to rule (remember when I said the MCs didn't care about the goal?). I didn't have any specific reason as to why her bloodline was special and why it had to be the ruling one. All of this made her into something I really didn't like: a person defined by what she was born with, not by her actions. She would have never been on this path if she didn't have this blood and powers. I don't know if you can see it but, it all feels like her actions are determined by her blood; she would have always made the same choices even if circumstances were different; she doesn't have free will. And when you know that protagonists' most important role is to make choices… Well.

So the first thing I did was dig into the bloodline's origin, which made me realize that if that's how it originated, then there should be more than one family with the same special characteristics, not just one. Just this change implies so much: the bloodline alone doesn't give you a right to the throne anymore, and Lulu can just rally her people and lead them to the goal, and step down then; Lulu is no longer the only one who can unseal Lyphuriaa, if there are other families, and thus her decision to do so anyway comes from inside her and not outside; imagine the amount of exciting stuff (aka conflict) that can happen with having other bloodline members around!!! and so much more.

Lulu getting back her agency to do what she wants is the highlight, though. I remember reading/watching a pretty long manga/anime (won't say the name to not spoil) where at the end it's revealed that everything that happened, only happened because a higher entity kept resetting time until they got the course of events that they wanted to see. It truly made the whole thing meaningless, just like "it was all a dream!" endings, it means the characters never earned anything by themselves, they're just puppets; I want to avoid that at all cost.

As much as I'd like to keep writing, I think I've covered the most important parts; this is long enough as it is.

Zeroth draft

Alright, I'm done talking about the plot changes, here's something more concrete: I think I'll participate in Camp NaNo this july to get a "zeroth draft" started.

Basically, that's a draft before the first draft. It's not meant to be the first stage of the final product, but something more meta before it. I have no pressure to make it make sense; I just write with what I currently have and improvise to fill in the gaps. What I actually write can range from detailed description of the action, to one-line scenes such as "here they fight". A barebones text that I can then use to make the actual first draft, later.

This is all because, for the longest time I thought I was a planner, but it turns out I may actually be a pantser, discovering the story as I write it. So I want to put that theory to the test and write like a pantser during Camp NaNo. I really, really want to write this story.

Here's a link to my NaNoWriMo profile, where I set myself a goal of 20k words for this month. I have no idea whether it's big or small, we'll see. (feel free to add me if you write too.)

This post took me a whole day to write, but I had fun summarizing these past months' progress. I also really want to try out animating a scene, and coding a prototype with it, but I'll make a post about that when I have something to show.

If you made it this far, I thank you sincerely. I know that people who enjoy long-form content aren't extinct, but it's getting harder to find them. Reblogging and sharing helps, but a simple like can let me know it's reaching some people at least c:

Storytelling resources

Two big resources that pack a ton of valuable advice and storytelling principles.

Limyaael literary rants – about 400 individual essays, mostly geared towards fantasy. Helped me improve my story in so many ways, and I'm still halfway through it. Start from the beginning, everything is useful.

Filmento – an absolutely incredible channel, each of his videos feel like a university-level lecture on storytelling and sometimes cinematography. The video is separated into clear points, always taking example from a movie, so you can see it in action, and it's super engaging and funny to boot. Most of the stuff applies to stories in general, don't let the word "movie" scare you! See his "Film Perfection" and "Anatomy of a Failure" playlists especially.

Taking notes is a must, if I had read/watched through all of these without taking notes it'd have been a monumental waste of time since I'd have forgotten all of it. Also, it's not enough to take them, if you can't find them later, be it tomorrow or in a year (looking at you, people who take notes in Youtube comments).

My Obsidian vault has close to 1,000 individual notes, and in 99% of the time I can find any note I need in less than 5s, even if I don't remember the note's title, because I have so many different ways to search for it. So find yourself a tool that helps you use your notes, not just create and forget them.

After only a few days of reading/watching, when I came back to my story's beginning that I previously thought was perfectly fine, I could 1) immediately spot problems and 2) immediately know how to fix them. Literally, I'm tempted to say that's all you need to learn storytelling in-depth.

Enjoy!

#lulullia #progress report #lyphuriaa #storytelling #storytelling techniques #writing resources #camp nano 2023 #camp nano july 2023 #writing

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mlenvs3000f24 · 6 months ago

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Blog Post 10

I think what I have learnt about being a nature interpreter through this course is the importance of reflecting back on your experiences, what it taught you and what lessons you take away from it. Even when I feel like I am learning so much at once, the process of reflection allows me another chance to experience it again and pick up things I was not paying attention to the first time. Being able to take the lessons from reflecting into my future experiences will let me build upon my overall skill as an interpreter.

I want to be able to bring my experiences to other people in a way that is meaningful for them. Through conveying what I felt and what I learnt I want to be able to pass that on to others for them to have and to learn from. I think that it is important for people to share their experiences as everyone is different and therefore has different stories to tell. Everyone loves a good story; it is a powerful form of communication which can be represented in many ways from film to text, images and in person experiences. I think that sharing is important to also help inspire each other. Learning from so many diverse people and their stories opens so many different streams of knowledge and curiosity that can inspire so much in a person.

Also being able to recognize certain privileges I have as an interpreter. I have talked a lot about my travels in these posts, something I would not have been able to do if it were not for my privilege. Acknowledging it as I talk about my experiences but using it in a way to bring some of the other places to others to introduce them to the nature of a new place. I think that gratefulness is part of my ethic as a nature interpreter. Being grateful for the places and things I have experienced, being able to physically get to certain places where I can fully appreciate the beauty, and grateful for nature and the earth.

My beliefs when it comes to nature interpretation look to that of taking care of the environment and the natural world that surrounds us. We cannot survive without all the plants and animals in their natural ecosystems, which is why I feel it important to make sure we take steps to do our best to protect it. That does not mean we have to change our entire way of life but just being more conscious of the environment and how our actions affect it. Maybe that could be carpooling or taking public transit to work or school, but at the very least not doing anything to do harm to the environment such as littering.

Another belief is understanding and communicating the benefits of nature for one’s mental wellbeing. Talks about taking care of yourself and your mental health have been becoming more regular where in the past they were not. Utilizing this moment to openly talk about ways that you can better your mental health. For a long time, there has been a stigma attached to mental health that is only now being broken down, but people still struggle to ask for help. Not that you should be discouraged from seeking help, but being able to communicate the benefits of being outdoors and experiencing nature on a person’s wellbeing could help them.

It works into another part of my ethic, not just as a nature interpreter, but also as a person which is able to help people. Showing everyone, kindness and caring is something I try to integrate into my nature interpretation as I care deeply about the environment around me, as well as the people around me. Feeling this sense of purpose that what I do can help someone in any little way is something I prioritize for myself in my future. I want to feel as if I am doing something that matters and what matters to me is helping people and doing that through nature. I feel it is also a responsibility to others. Something that I can do to help others feel good, or something that I can do to help, if I can, why shouldn’t I.

Other responsibilities that I feel fall on me as a nature interpreter would go to a call for action. Even if it is small and just talking to friends and family about certain things they can do to help it is important. Developing conversation with people about issues and how they can get involved is key in being able to make changes to problem solve big problems.

An approach that I feel would be fitting would be mixing my interest in art and using that to convey a story through text. Other forms of media like film and videos are exciting but would be a place where I feel too awkward. I like the idea of incorporating art and text together to tell a story because the text is enough to give detail but too much of it can seem overwhelming or a bit boring. However, with images that gives the audience a visual, something to see and picture as they read the story. It gives a certain context while also the text working to keep the detail and description informative. Some photos do not every require a lot of text, as they say, a picture is worth a thousand words. I would try utilizing that point, as well as letting it up to the viewer allows for more interpretation on the viewer's part. It puts important on the message while also allowing for creativity to be included.

Overall, my aim as an interpreter would be to share my stories and experiences with other people. Focusing on the impact of these experiences, how they helped me and how other people can find a similar way to help themselves through nature. I want to be able to help people use nature and the environment to help themselves and in return participate in activities to help the plants and animals that live around us.

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tamaradoubraomonibeke · 1 year ago

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MP (Understanding and breakdown of Unit)

This unit provides students such as myself the opportunity to specialize in particular sectors of visual communication, freely.

We can define our own brief or utilize pre-existing briefs which align within visual communication.

I am particularly interested in the User Experience, not just design but research and how it will enable me to create innovate and problem- solving innovations.

Not only that, I must be able to critically analyze the situation of my idea, how viable it is, if it reaches and can be understood by the target audience. Thus, minor issues, struggles and problems I had during this process must be evaluated with a response in how to rectify those details.

Aim One

"To provide opportunities for you to source information and knowledge from the diverse forms of rigorous research that are required to undertake and manage a comprehensive Major Project."

During the brief, Rich and Dot advised we should watch the news. I, personally don't keep up with world news or read to much about history because I know who I am. It personally hurts when you read things and feel helpless. This why some activists are seen as aggressive about their cause as it feels like no-one is listening or helping regardless of how much they make campaigns or even protest. In some ways, ignorance is bliss but it doesn't mean I go all my days, not knowing anything (with the type of parents I have, I need to be aware). Thus, I get some of my information from documentaries (which can be arguably biased but so is any form of media, social media is even seen as the worst source of information as it leans to clickbait but that's another story for another chapter). Most of the documentaries I watch are Netflix's In the Future or Mind Explained.

This informs me of current issues and how tech industries are planning how to create certain inventions. Thus, I can come up with ideas using those pre-existing features of pre-existing products without it being questioned as viable.

Thus, the first step of reaching this aim; discover pre-existing products and use the features for my innovative solution.

The second step would be to explore pre-existing solutions in different regions and not just the UK. As I've continued to study visual communication, what I've learnt is that we limits ourselves at times. For instance, if my target audience is UK, I'd only research UK brands. However, the solution to my problem could be find in a Chinese brand.

In conclusion, I plan to research other cultures, outside from my own or the one of UK if it is relevant to the solution I am seeking (also making sure to give credit to the original culture I spotted the idea from and appreciate it.)

Aim Two

"To provide you with the opportunities to exercise and enhance your knowledge and abilities in the development of a body of creative and technically competent work appropriate to your chosen subject field of study."

Not only will I focus on UX (as my chosen subject) but editorial as those design realms share similar features which I lack knowledge and understanding of .

They share the following features; grids, layout, hierarchy, typography and use of whitespace. These are areas I need to work on.

Aim Three

"To encourage you to apply the advanced level of discipline and time- management which are required to develop a cohesive and sustained body of work."

This aim requires me to finish my work within the timeframe and to a professional level.

Thus, I don't know what the future holds but I will require at least 2 weeks to focus on my process book. This will be done alongside all my projects but as I struggle there, it's important to give it the attention it deserves.

Another thing from what I've learnt this third year is to try and make my solution as reasonable as possible, in order to work on it and not be confused about the final output through out the process.

Aim Four

"To encourage you to work independently, albeit with supervision, in the development and documentation of your practice in how you understand contemporary professional practice and audience."

I'm great I'm working alone and okay with feedback (sometimes).

Learning outcomes

I can't break them down how I did for the aims as it will be evidenced through out the whole process of learning.

LO1 Demonstrate my ability to develop a clear understanding of the relationship of research to your practice in forming a personal and critical viewpoint in the realization, refinement and production of your Major Project.

LO2 Demonstrate sustained and effective development of a practical working methodology to a topic that you have defined and which includes speculation on new and effective approaches that are at the forefront of Visual Communication practice.

LO3 Demonstrate an ability to authoritatively and independently project manage ideas, practice, time and work strategies in the production of a well realized body of work, reflecting the complexity of the major project and engaging effectively with academic support and resources.

LO4 Demonstrate an ability to critically reflect on the process of your major project documenting its relation to both personal and wider professional contexts, practices and debates.

Deliverables

Translate and Transform Brief

Major Project and Learning Agreement Brief

Web portfolio

Tumblr and other forms to show development.

Process books.

#visual communication #brief #unit #majorproject

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paddy603 · 1 year ago

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Emmanuel - God with Us

"Behold, a virgin shall be with child, and shall bring forth a son, and they shall call his name Emmanuel, which being interpreted is, God with us."

I needed to revise and repost some of what I had previously written because I cannot leave it unsaid. As it is like in the "Parable of the Pearl" the story told by Jesus to illustrate the great value of the Kingdom of Heaven recorded in Matthew 13:45-46. Again, the kingdom of heaven is like a merchant seeking beautiful pearls, who, when he had found one pearl of great price, went and sold all that he had, and bought it—The one pearl of great price, instead of being found by accident, as in the former case, is found by one whose business it is to seek for such, and who finds it just in the way of searching for such treasures. The man is presupposed to have been seeking the “godly pearls” of wisdom, holiness, and truth, and has found them in at least some of their lower forms. Then he is led to the higher knowledge of communion with the life of Christ, and for that is content to resign all that he had before prized most highly.

"For unto us a child is born, unto us a son is given: and the government shall be upon his shoulder: and his name shall be called Wonderful, Counsellor, The mighty God, The everlasting Father, The Prince of Peace." Isaiah 9:6.

Can we even begin to understand the event of Christmas, the meaning of God coming into our world as "God with us." An entry into time as "Emmanuel" that has allowed us to live with the knowledge we are able to share our lives with our God. In reading William Lane Craig's book on "Time and Eternity" again I have to say I find it difficult reading as there is so much to try to understand. But as an avid reader and follower of science, religion and philosophy I have learnt much about the concepts, the language, the thoughts and theories written. As he attempts to analyse time and eternity I try to make sense of our world, our universe, our lives, GOD and meaning to being both within and outside of time. To say I fully understand his book is like trying to fully understand much of what is written within the bible that doesn't explain the how within his word.

We live in a physical world with its four known space-time dimensions of length, width, height (or depth) and time. However, God dwells in a different realm—the spirit realm—beyond the perception of our physical senses. It’s not that God isn’t real; it’s a matter of understanding His not being limited by the physical laws and dimensions that govern our world (Isaiah 57:15). Knowing that “God is spirit” (John 4:24), what is His relationship to time?

So why then if the biblical data concerning God's relationship to time are indeterminative. Then why it may be asked not simply rest with the biblical affirmation of God's beginningless and endless existence, instead of entering into metaphysics in an attempt to articulate a doctrine of God and time. Well I personally do accept in faith that which is written, but also enjoy discovering confirmation of my faith in the evidence revealed in any number of scientific disciplines. As the world begins to understand the fine tuning of our universe, nature, DNA the Atom and much more, the more we learn the more we understand the truth within the bible.

The “theory of everything” is one of the most cherished dreams of science. If it is ever discovered, it will describe the workings of the universe at the most fundamental level and thus encompass our entire understanding of nature. It would also answer such enduring puzzles as what dark matter is, the reason time flows in only one direction and how gravity works. Small wonder that Stephen Hawking famously said that such a theory would be “the ultimate triumph of human reason – for then we should know the mind of God”.

But theologians needn’t lose too much sleep just yet. Despite decades of effort, progress has been slow. Many physicists have confined themselves to developing “quantum gravity” theories that attempt to reconcile quantum mechanics with general relativity – a prerequisite for a theory of everything. But rather than coming up with one or two rival theories whose merits can be judged against the evidence, there is a profusion of candidates that address different parts of the problem and precious few clues as to which (if any) might turn out to be correct.

So to come back to Christmas we understand Jesus entered into our time as the incarnate logos the babe in the Manger. William Lane Craig’s book “Time and Eternity: exploring God’s Relationship to Time” is a philosophical exploration of the nature of divine eternity and God’s relationship to time. The book is an analytical work that delves into the two views of divine eternity, divine timelessness, and divine temporality. It is a great resource for anyone who wants to understand more profoundly the nature of divine eternity and God’s relationship to time. However in the bible also reveals much if we just look, like in the Apostle John's gospel how he explains Christ as being not only with but also as God in the beginning;

“In the beginning was the Word, and the Word was with God, and the Word was God. John 1:1. This verse establishes the Word as being both divine and eternal in nature. John continues to expand on this concept for the next eighteen verses in which we learn this Word was with God from the beginning and all that was created was created through Him.

"God created everything through him, and nothing was created except through him." John 1:3.

in the New Testament there are a number of very interesting passages that speak of God's existence before time. For example, in the doxology at the conclusion of the book of Jude, verse 25, we read, "To the only God, our saviour through Jesus Christ our Lord, be glory, majesty, dominion, and authority before all time and now and forever." In this passage, in an almost inevitable manner of speaking, the author speaks of God as existing before all time; in some sense, God exists beyond time. If time is finite and had a commencement, then God, being eternal, must in some way exist beyond time.

One of the most important verses in the Bible reads: “The Word became flesh and made his dwelling among us. We have seen his glory, the glory of the one and only Son, who came from the Father, full of grace and truth.”

The Word did not just appear to be human; the Word became flesh. This assertion stunned the Greek mind for whom the separation of the divine spirit and the mundane world (flesh, sarx) was an axiom of belief. But the second phrase is equally stunning for the Jew. This Word dwelt (skenoo) among us and revealed his glory (doxa). This verb for dwelling is employed in the Greek Old Testament for the tabernacle of God.

Hence it is important to note that the question of God’s existence and presence with us has always been as confirmed in Christ's entry into our world to fulfil his mission to reconcile with God. He confirmed this as in his crying out "Tetelestai" -meaning "It is Finished" from the cross In confirmation and with his mission to the world accomplished on leaving said; "I will ask the Father, and he will give you another advocate to help you and be with you forever." So God has never left us on our own He is with us now in the form of the comforter the Holy Spirit.

In Hebrews 13:5, it is written “I will never leave you nor forsake you”. This promise is a message of God’s faithfulness and assurance of His presence and support for His people. It signifies His unwavering commitment to being present in our lives and assures us that regardless of our circumstances or shortcomings, His love, guidance, and support will endure forever within both time and eternity.

"I think, it makes good sense of the relationship of God and time. God is timeless without creation and temporal subsequent to creation. Having entered into time, He is not dependent upon finite velocity light signals or clock synchronization procedures for knowing what time it is. Rather, existing in absolute time, God is, as Newton proclaimed, the Lord God of dominion of His universe. In the words of St. Jude: "To the only God our saviour through Jesus Christ, our Lord, be glory, majesty, dominion, and authority before all time and now and forever." William Lane Craig.

Draw near to God and he will draw near to you.” James 4:8

So for us we do not need to concentrate on the external arguments in as much as we fail to hear the inner voice of God speaking to our hearts. For those who listen, God becomes a personal reality in their lives because he is a personal God as seen.

Whoever has ears, let them hear.” When Jesus said this the disciples came to him and asked, “Why do you speak to the people in parables?”

He replied, “Because the knowledge of the secrets of the kingdom of heaven has been given to you, but not to them. Whoever has will be given more, and they will have an abundance. Whoever does not have, even what they have will be taken from them. This is why I speak to them in parables:

“Though seeing, they do not see;

though hearing, they do not hear or understand.

In them is fulfilled the prophecy of Isaiah:

“‘You will be ever hearing but never understanding;

you will be ever seeing but never perceiving.

For this people’s heart has become calloused;

they hardly hear with their ears,

and they have closed their eyes.

Otherwise they might see with their eyes,

hear with their ears,

understand with their hearts

and turn, and I would heal them. Isaiah 6:9-11.

I find this astounding surely that the passage quoted in Isaiah was written 700 years before He was born that tells us both the scriptures to be true and that Jesus came from God as our mediator and for Jesus once more confirming what had been written.

"But blessed are your eyes because they see, and your ears because they hear. For truly I tell you, many prophets and righteous people longed to see what you see but did not see it, and to hear what you hear but did not hear it." Matthew 13:16-17

To finish I again close with what he said to both us and God;

"As you sent me into the world, I have sent them into the world. For them I sanctify myself, that they too may be truly sanctified. "My prayer is not for them alone. I pray also for those who will believe in me through their message, that all of them may be one, Father, just as you are in me and I am in you. May they also be in us so that the world may believe that you have sent me. I have given them the glory that you gave me, that they may be one as we are one— I in them and you in me—so that they may be brought to complete unity. Then the world will know that you sent me and have loved them even as you have loved me." John 17:18-23

Hence now we are able to say;

"Let us then with confidence draw near to the throne of grace, that we may receive mercy and find grace to help in time of need. Hebrews 4:16

astarisborn

#astarisborn #emmanuel #godwithus #time&eternity #time #eterniry

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ashleyvbaird · 2 years ago

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Refined Podcast Script

After submitting my Work in Progress assignment, I continued on my podcast script, adding and refining details of it. I am now happy with what I have in terms of content and am ready to record. I am going to record the entire podcast over, scrapping the first 2 and half minutes I submitted as my Work in Progress, due to the fact I had Covid when recording that and sounded terrible!

I aim to have the podcast recorded next week which should give me ample time to then edit, add music, find a way to host it on Spotify, add my cover art and finish it to a high standard. My only concern is that the podcast may be under 10 minutes, compared to my initial idea that it would be 10-15 minutes, however, I don't want to add things in just for the sake of making it longer. So for now I am happy with my script and don't think I will make any changes, unless it turns out to be extremely short in length.

Below is the another snippet of my script (I would include the entire script but its over 1000 words and you'll hear it soon enough anyway):

And to reiterate how incredibly life changing Narcan can be, I will now share a story that has come out of America about a 16-year-old whose life was saved by Narcan. In September of 2021, Sofia Christoff took a Percocet pill, unaware that it was laced with fentanyl. Her father, Ryan Christoff found her in her bedroom unresponsive and barely breathing. He immediately called 911 and performed chest compressions until help arrived. Body-cam footage shows Sergeant David Cohen entering the home and taking over the chest compressions, asking Sofia’s father if she takes narcotics. To the fathers knowledge she hadn’t, but with the Sergeants experience and his assessment of Sofia’s situation he quickly administered Narcan. Him doing so saved her life. Within seconds her breathing started again and she was taken to a hospital where she was monitored for some hours before being released. Sergeant Cohen was later interviewed, saying that if it's not needed and you use Narcan, there will be no harm caused. But if it is needed and you use it, it's only going to do good. This story of survival is just one of thousands, however, not everyone's story ends as Sofia’s did. Countless individuals lose their lives to Fentanyl, with over 100,000 deaths in the US alone last year, which is why it is so important that 1) we know about Narcan and how it works and 2) we have access to Narcan. Because we can change that number. We can bring the number of deaths down by a myriad. Narcan can change that number.

That concludes this episode of Dropping the F Bomb, a podcast in partnership with the Be Safe Not Sorry campaign. We hope that you have learnt something from this conversation and that you share this knowledge with those around you. If after all of this information you are still eager to know more be sure to check out besafenotsorry.co.nz, which has a whole lot more info as well as links to helplines. Really it's got every resource you might need so be sure to check that out and we’ll see you next time.

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toa-arania · 2 years ago

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Time for everyone's favourite magic bitch~

Round two of the @homemadegirlbossbattle polls is here, and my girl Val is teaming up with the lovely Patience going forward (you can vote for them here).

So why does Val deserve your vote? Because her crimes are sundry and her list of needless grudges are even sundrier. We have several escapades to choose from, such as some systematic social dismemberment I've propagandised about previously, and what I've decided to talk about today: the Psychic Doublebird Reacharound, a tale of hubris and needless pursuit of magical power.

Val is a character I play for a game that has sessions (roughly) weekly (we've had a bit of a break for coursework), and as such there are recurring mysteries. One such mystery is that of cryptic notes being left in another student's locker that imply foreknowledge of events (like that time someone tried to murder Val because they Just Knew she would be too troublesome) that a member of the party worked out the way to decode. This was how we discovered the Murder Basement, which weirdly enough isn't all that relevant today.

Now the member of the party that discovered these things had recently bonded with Val due to their shared propensity for kleptomania, so one thing led to another and Val had the fantastic idea of "I just learnt a new spell, if you give me one of the notes I can use it to look through the eyes of the person who wrote it and we can figure out who it is." She did not mention that this would destroy the note, because destruction of very limited evidence for something that had a 1/6 chance of fully not working and a nearly 50% chance of going weird somehow didn't seem important at the time. Besides, it did work (sort of), so who cares :)

Thus we begin the Psychic Doublebird Reacharound, as Val takes this note and casts her spell. She sees through someone's eyes but can't tell who it is. Now the obvious thing to do here is keep watching and see what happens, which Val fully intends to do. What she did not expect to happen was for her scrying spell to get redirected out of the person she was looking through, because it would take an immensely powerful magical force to pull off something like that, and obviously she did not prepare for that at all. But of course, Val is nothing if not adaptable. Clearly someone managed to move her, so obviously she wants to know who it was. Conveniently, they happened to look in a mirror and Val is brought face-to-someone-else's-face with a tall, humanoid bird with blue feathers and two heads, with a powerful magical staff.

Now those of you who are familiar with the lore of Warhammer 40k might recognise this description, because the four chaos gods are canon in this game, as are jesus bible and his dad as well as the king of the fae. There's a lot going on.

Red flag number one was that this thing was able to rip Val out of a scrying spell. Red flag number two is that it looks like an incredibly powerful creature. Red flag number three was when it looked at itself in a mirror, screamed "get out" and forcibly ended Val's scrying. According to Val's knowledge of magic, this should not be possible. Obviously she was absolutely fascinated, much to the horror of everyone else in the room. She did not see red flag number four, which was that when her spell broke she flashed the exact colour of the magic used by something the party calls "The Dark Power".

This could be where the story ends, but then the party did some research. Val told the others about the creature that she decided to name "Doublebird", and they went off to a secret location that she is not allowed to go to. If you have read any of my previous Val posts, you can imagine how well she took being told she wasn't allowed to come along to the research place. However, she is a reasonable person, and did what any other reasonable person would do. Cast scrying again to specifically invade the privacy of the one member of the party who was actually starting to like her. Perfect planning. And to her credit, she was able to learn a lot by reading books through his eyes, including learning about the chaos gods, that Doublebird was actually called "Kairos Fateweaver" (a creature blessed with literally all of the knowledge. all of it.) and is an emissary of the Dark Power, known to some as Tzeentch, the god of change, knowledge, magic, lies, trickery, ambition, and destiny.

Normal people would discover they had accidentally got the attention of a god that they have concrete evidence is malicious and think "oh shit I fucked up", especially if they learn in the same event that another of their friends has the attention of a different demonstrably malicious god of war, anger and murder. Valerie Wester is not a normal people. She begins to scheme. She learns that this god of magic and trickery and knowledge and all of these things that it by definition make it the Worst Possible Entity To Try To Trick is the Dark Power. She remembers that the ex-infernalist she traumatised during the Heather Incident got her power from the Dark Power and it held a horribly abusive control over her that she was only able to escape from at the cost of her sense of self. Is her take-away that this is a being not to be messed with under any circumstances? No. Is her conclusion that magic granted by this being is not at all worth the price? Nope. Does she, instead, decide that the best thing to do is to try to outsmart this god of trickery into giving her more magical power and knowledge? Of course she does, because Hubris is Val's middle name. Possibly literally. She's my character and I can make that canon.

That is now where we're currently up to in the game, and Val was recently forced by the party to make a magically binding promise to mostly focus on the incident going on with all this shit. I expect the party will regret this decision imminently.

#val propaganda #oc #hmgbb #i find it so funny that after all this about getting the attention of a god whose attention she really should not get #val ends up teaming up with a different god whose attention it probably isn't wise to get #i know shes my own character but #sometimes i really want to just smack val and tell her shes an idiot #but i love her really #oc: valerie wester #val stories

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shinra-makonoid · 2 years ago

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It fucking sucks tbh. I can't really explain but it feels like I'm falling into the same trap again and again and again and again and I never learn the lesson. I wish I could be frank with him, but what good would it do really. He's basically a Hikikomori except when he comes out to go to some event in which he's cosplaying or listening to Imagine Dragons concert. And love doesn't really cure extreme agoraphobia nor social phobias.

Even then, I don't think I'd be good enough.

I think it's painful for the both of us.

It's strange because the last time I went to see him and all, it was pretty chill on my side, but I think it's because I was basically guarded. Like "he won't make any effort whatsoever anyway so you don't have to feel like he cares about you." I had absolutely no expectation. It's easier that way because then there's no real love story behind anything. We're just buddies chilling watching gay TV shows together. Like I know it's dumb, but that was like this. And then I ran out of shows, said "Well if you have shows you'd like to watch we can watch them! I basically gave you all of the ones I love these days." And he answered something like "idk really." I thought "A bummer, he doesn't do any effort that I can see like usual, but it's not a big deal" and then went on my daily life.

But then.

He just comes back 3 months later, apologizes, says he got caught on cosplays for a convention and how he didn't have any social battery because so many things were happening. That he didn't like how he worded his last message to me but didn't dare to clarify. He apologizes again.

And so there, it's like "Damn he made an effort, he came to me, expressed himself to me, apologized and all." And so, it's just not buddies anymore, it's "Oh look, he's being cute" and he shows the pictures and he's still gorgeous too, very modest, and it's like all those years again. I feel like I'm good enough, that he loves and accepts me like no one else, I want to protect him and care for him. I like myself with him. I realize that I only want him, I make plans with him, watching shows, maybe play BG3, he says yes, he'll just have to make a schedule because a lot of people play with him. "Don't worry, we don't need to play if your schedule is too tight. Here there's that movie I think you'd like we could watch." I suddenly have some expectations of things being planned, of me talking with him, maybe playing with him, sharing some time with him. I hope.

Then he doesn't answer anymore. After one day, I remember the disaster and the tragedy that was our relationship before. The resentment that built from all those years where my needs were simply not met. The time I screamed at him IRL and showed him the door. The last time I saw him. The dysfunctions. The anxiety. The pain.

I wish I could just... Forget about it, forgive myself. Let go of that resentment that's still there, after all those years, of things he couldn't help. Forgive him.

I wish I could possess him as a revenge, force him to play the lost fantasy in my head, of what it should have been. My delusions. Force him to enjoy it, to smile and love me no matter what. Even if I destroyed him. I guess I haven't really forgave him. I am jealous. I would lose my shit if I learnt he had someone after me that he kissed or saw more than he saw me. Because it would hurt so much. I feel as shitty and petty as I used to, but I actually have more self-knowledge to understand that I'm just hurt.

Uuuugh processing feelings.

Maybe I'll talk about it with him, we're more grown up than were used to, and probably wiser. But it would probably unecessarily hurt him so... Who knows what I'll do. I don't want him to feel like shit because I have feelings. I just wish I could forget.

I know he's probably gonna answer after a few days, he did say he had a tight schedule after all, but it's all the dramatic feelings that are still there today. And I don't think anyone can really understand what it is like so I'm just babbling on an anonymous blog. Please ignore.

Me: *minds my own business*

The ex I was in love with for years : *comes and apologizes for not talking more with me these past months*

Me: *immediate feelings of love and flirts a tiny bit*

He showed me pictures of his cosplay of Zevran and he's literally perfect. Even after all these years my heart skips a beat and all that stuff. It's really dumb. Mind you I think I was too vague for him to understand when I told him "I'm a little bit in love" when he showed the picture of his cosplay. Or he pretends to, I guess. Ugh I hate that it hurts. It's been what??? 5 or 6 years now? Why is this still happening.

#vent #long post

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lairofdragonagelore · 2 years ago

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Solas sharing Lore - Part 1

This post is focused on what Solas says about the lore of the world of DA series. It's not about Solas as a character [although I would try to explore his nature as a way to understand the nature of the Elvhen and the spirits]. Since Solas is one of the living elvhen who knows the truth of what happened with the Evanuris and the Tevinter expansion after the fall of Arlathan, I consider his words one of the most valuable ones in the series. He does not lie, but omits what he doesn't want to speak about or adds technicalities that make his statements true yet misleading if we don’t pay attention to the context. Unlike Flemeth, he speaks with less riddles, so I considered worth listing all the knowledge he shared with the Inquisitor in order to have a reliable information of how “the world” of Thedas truly works.

The list of topics related to the lore shared by Solas is

Dreamers and their powers

The Elvhenan and the Dalish

The Demon/Spirit Nature

Solas’ Personal quest [deeply related to Spirit’s nature and his own]

Solas’ nature

The Fade and the Veil

Magic

The Orb

The Evanuris and worshipping

Organisations/Institutions/Empires

The Blight and the Grey Wardens

Maker

Miscellaneous Knowledge

Trespasser Revelations

Solas sharing Lore: Part 1 - Part 2

Dreamers and their powers

Sommniari or Dreamers can sleep close to a ruin which has endured time, or battlefields that had been steeped in death, they attract spirits and it will help a dreamer to see the past of that place.

Solas claims to be able to walk “deep into the Fade” [which reminds me the codex The Deepest Fade and Walking the Fade: Frozen Moments]. The deepest Fade is, potentially, the place where the Forbidden Ones were exiled. It’s not clear how much literally he means “deep into the Fade”.

It's important to set wards when entering the Fade through dreams [we saw this with Felassan in The Masked Empire]

Solas claims that seeing those pieces of the past make him thrill, even though I suspect it is for different reasons than mere enthusiasm, they were part of his living past, one he yearns deeply.

I’m not so sure if I should catalogue this information as part of the dreamer’s power, but we know by all what Marethari said in Feynriel - Somniari and Fade, a dreamer can use the power of the Fade in a similar way as it’s described by rift mages.

We learnt in Solas’ personal quest that tea and blood magic interfere with the Dreamer’s ability of entering and walking in the Fade.

The Elvhen and the Dalish

During the first minutes of the game, Solas will share with us that he was attacked by Dalish when he tried to question the Keeper's knowledge of their gods and customs. This means that he tried to approach the People, these mortal elves that are so different to the Elvhenan, and tried to share his knowledge of the past, being rejected by them, and suffering what the game has subtly called the Dalish Pride. It’s quite an irony that the group that wants to treasure the old ways rejects the one who lived them in his bones.

Solas insists that Dalish Tales are misheard stories that were repeated wrongly thousand of times. This line is the main reason why I do not trust Dalish Tales for any kind of analysis. Solas assures us many times that, despite having some distant resemblance or detail to something that has happened in the past, they are mostly wrong.

He emphasise that the Dalish try to remember Halamshiral, not the Elvhenan time. Halamshiral was a time where the Dalish tried to recreate the Elvhenan empire, but they ended up accommodating and changing a lot of their own tales due to the influence of the Andrastian faith [as we see in Emerald Graves: Din'an Hanin].

The original [true] elven Empire was called Elvhenan, and Arlathan was its greatest city. He does not say what potential main god may have been central in it [we learnt that elvhenan cities seem to have a Temple in honour of one of the Evanuris around which the city develops, The Temple of Mythal].

Arlathan was made of spires of crystal twining through the branches of trees and of palaces floating in the skies. Elves [he makes the subtle detail of calling them beings, maybe because these elves were more elven-spirit] were immortal and magic was natural in this world. It may imply that, since magic was natural, all elvhenan had some degree of magical power.

Solas: The Dalish remember fragments of fragments, but that is more than most.

Solas: It is a shame, Sera, that you were denied an elven life. Even one as patchwork as the Dalish interpretation.

The Dalish lifestyle, separated in clans, developed a cultural diversification of the Dalish. Some clans are more bandit-oriented, others are more mercantile, and others disappeared into the forest [this is probably an allusion to the Dalish living in Tirashan; which seem to be quite a curious clan according the tabletop corebook of DA]. This implies that the Dalish, the “holders of the ancient true knowledge”, have followed a path that inevitably causes diversification and inaccuracy in the lore they want to keep, and this is even worse if we think they lore is usually kept orally, a form of transmission of knowledge very fragile to loss and modifications over time.

He is convinced that Dalish only hold fragments of an already fragmented History. We later discover in the game that the Dalish have been embracing a lot of slavery icons thinking it was part of their cultural history, which ironically, it is. The “old ways” was a lot about slavery and power of the Evanuris and noble over the less powerful elvhen: The People.

If we have low approval and kill Abelas’ people, Solas angrily says that the Inquisitor has destroyed the few “true elves” that were left. So, Solas is totally convinced that City elves and Dalish are not true elves. We see this same attitude with Abelas when he meets the elven Inquisitor, and it’s also believed by Felassan in the The Masked Empire. The only ancient “elvhen” who sees the Dalish as The People is Flemeth/Mythal, who has been “changed”, according her own words, due to her death and the suffering of betrayal [check “The Fade - Flemeth: Part 2″].

With low approval, he claims that the only way he can save the “elves” is to bring down the Veil, bring the Fade into the Waking World, and reshape reality, which is, ironically, exactly what he plans to do.

In Din'an Hanin, when we interact with a statue of an Emerald Knights, Solas says

Solas: The Emerald Knights. They once patrolled the borders of the Dales, protecting the Elven people. The Dalish saw them as romantic heroes. The Chantry called them ruthless butchers. I suspect both sides have some element of truth.

This reinforces the idea that he knows that situations are greyer than what the groups tend to believe.Especially when it comes to Dalish.

The Demon/Spirit nature

Solas is against the oversimplified explanations of spirits and demons made by the Chantry. The distinction he does between both is that demons are spirits that wish to join the living but the wish "went wrong".

In a world separated by the Veil, it's not possible coexistence between living creatures and spirits. But in a world without Veil, this is possible. [In fact, we saw this coexistence in Vir Dirthara: Attentive Listeners]. My personal speculation about why he says this is probably because most spirits that cross the Veil get extremely confused with the unchangeable nature of the Waking World and some twist into demons as this world makes no sense for them and they try to adapt to it but fail, making impossible to execute their purpose. We see that only through shape they can adapt a bit: Justice took Kristoff’s body in the beginning, and Cole created his own body reflecting the original Cole.

The presence of the Veil makes difficult true understanding between living creatures and spirits.

Solas has travelled and made lasting friendships with spirits of wisdom [who shared knowledge with him], and spirits of Purpose [helped him search].

These benevolent spirits don't seek the living world because they can't survive the exposure to the people. Wisdom and Purpose are easily twisted into Pride and Desire.

Solas explains that the reflective nature of the Fade makes the spirits try to reflect what the living creatures think they are. So spirits reflect all the time the intention that others want from them. In Solas’ personal quest we saw this clearly: If a person wants a fighter from a spirit of wisdom, the spirit reflects this expectation and ends up turning into a “demon” because it goes against its purpose of learning and teaching. Instead, if the person reinforces the wisdom, expecting from that spirit to teach them, the spirit becomes stronger in its own purpose and can exist more comfortable in this world. This is also confirmed by the Avvar, whose whole lifestyle is supported by their interaction with good spirits.

This lore makes the Chantry as the main cause of corruption of spirits through their teachings: they tend to teach that anything non-living is a demon, and a gentle spirit may end-up feeling the compulsion of becoming a demon just because the living are expecting that from it. We can see how terribly wrong the Chantry is, and what a deep understanding of the spiritual world the “savage” Avvar have in contrast.

If one understands the nature of the spirit and reinforces their nature, the spirit remains as a friend.

Solas brings here an interesting philosophical discussion about the nature of a “person”, making us remember another we had with Owain, the Tranquil mage of the Circle of Magi in DAO. The reasoning is the following: spirits are bound to their nature and purpose and not their shape, as it happens with people, hence they are people too. It’s explicitly said that the nature of the spirits may change depending on its contact with people [this contact is what can make them demons or stronger in their own purpose]. This concept brings us a lot of potential explanations about Mythal’s cryptic lines about she being changed and different to the embodiment of motherhood she used to be when you, as an elf, asks Flemeth why Myhtal was silent to the prayers of the People [The Fade - Flemeth: Part 2] . I think it’s clear that Mythal’s has twisted her role and nature after her death. In fact, she may have changed it even previous to that event, when she started to impart justice in the name of Elgar’nan [The Judgment of Mythal, then she ended up being a goddess of Revenge before her death: Arbor Wilds: Altar of Mythal,].

Solas says that anyone who can dream can make friends with these spirits if their natures are respected [this would explain why the Avvar mages seem to do so well with their willingly possessions, I really can’t stress enough how amazing and admirable are the Avvar in the way they see the world and treat their mages. Like… if the Chantry says that free mages always end up as Tevinter, they truly never saw the Avvar. They are probably the only humans who “got it right”.]

Solas defends the idea that spirits are people, despite not having a form as "we understand it". This brings to our mind several Ancient Elven codices from Vir Dirthara, where shape doesn't exist truly. One in particular is Vir Dirthara: Birds of Fancy where two spirits make love in the most amorphous way ever. So, it’s clear that in Elvhenan society, shape did not exist, and the personhood was given by the interactions with others and the personal purposes that each of them had. As an inference, we can assume that the basic sexuality in the Elvhenan society, if it existed, was pansexual since shape is always an ambiguous amorphous thing.

In Banter we have a reinforcement of all this information:

Cole: I didn't know there were spirits of wisdom. Solas: There are few. Spirits form as a reflection of this world and its passions. We will never lack for spirits of rage, or hunger, or desire. The world gives them plenty to mirror. The gentler spirits are far more rare. We can ill afford the loss of even one spirit of wisdom, or faith...Or compassion. Cole: I will try not to die. Solas: Do that, please.

Solas says that there are few spirits of wisdom because Thedas has little desire to learn and teach, instead, there are many spirits of rage, hunger, and desire, because that’s all what Thedas is filled with. The gentle spirits are rarer, specially, compassion, faith, and wisdom.

Solas: How go your attempts to ease the pain of those at Skyhold, Cole? Cole: I made the scullery maid stop crying and one of the boys in the stable is happier. Some of the servants are angry. My help makes work for them. Do you want me to stop? Solas: No. You exist to help others. You are kindness, compassion, caring. If you stop giving comfort, you would twist into something else, as you did before I suspect. Cole: Yes. I will not be that again. Solas: Good. Never forget your purpose. It is a noble one, even if this world does not understand

Here, we have a reinforcement of the vital importance of letting the spirits keep on their purpose, otherwise they twist into something else. Cole, however, is special. We know we can humanise him and in any case, he will evolve into something different but not demonic. I’m going to talk more about his case when talking about “Solas’ Nature”.

This concept is reinforced again in Crestwood when we meet the spirit of Command.

Cassandra: Solas, I am sorry about your... friend. Solas: Thank you. Cassandra: I knew demons and spirits were similar, but I did not know one could become the other so easily. Solas: Not similar, Seeker. The same. The Chantry sees black and white, but nature is, and always has been, grey. A spirit is a purpose. A demon is that purpose perverted. Cassandra: That might be true with a spirit of compassion, but what is the purpose of a hunger demon? Solas: Survival. Satiation. The pleasure of taste, of feeding. True hunger, however, is much darker. Think of all those who starve in this world. Mankind has itself to blame for the existence of demons.

We learn in this banter many things:

Seekers, and by extension Templars, had no idea that demons and spirits are the same but just a twist or corruption is what makes the difference.

Solas reinforces, once again, the idea that spirits and demons are the same.

Nature is grey, never black and white, no matter how much the Chantry wants it to be.

What Thedas produces is what the spirits reflect, and since Thedas is currently dominated by humans and their perception of the world, Mankind has a lot of blame in the existence of demons.

Cassandra: I had not considered how fighting in our world might affect the Fade. Is it always thus, Solas? Solas: It is worse this time, with the Breach pulling spirits through against their will... But, yes. Every war, no matter how just, leads to hunger and rage... and so come the demons. Cassandra: It is said that generals should avoid fighting in the same battlefield too many times... Solas: The deaths, the rage - all of it weakens the Veil. But nothing is ever said of the effect war has upon the world of spirits, what we might be doing to them. Every war has unintended victims. All too many go unnoticed.

Solas keeps reinforcing the idea that what happens in Thedas is reflected later in the Fade and in the spirits.

Dorian: Do you use spirits as servants, Solas? You'd have no trouble capturing them. Solas: No. They are intelligent, living creatures. Binding them against their will is reprehensible.

Here we can see how Solas sees spirits as people, and this comment is probably the reason why some frictions between Solas and Dorian can be seen later.

Blackwall: Do you have any advice for fighting demons, Solas? Solas: Survive the first thirty heartbeats, and you'll have already won. Blackwall: So I should try not to die? Helpful. Solas: I mean that demons are rarely intelligent enough to change their tactics. If you focus on defending yourself, you will see the full range of their abilities within the first thirty heartbeats. By then, you should be able to find a weakness and exploit it. Blackwall: Ahh, that is helpful! I will try to remember that. Solas: Also, try not to die.

Solas seems to claim that demons rarely change their tactics. Probably this is based on the most emotional demons, such as Rage or Hunger. I have my doubts when it comes to the Pride demons, who are considered the most powerful ones among the demons and the most cunning too .

Cole: Is there a way to save more spirits, Solas? Solas: Not until the Veil is healed. The rifts draw spirits through, and the shock makes demons of them. Cole: Pushing through makes you be yourself. You can hold onto the you. Being pulled through means you don't have enough you. You become what batters you, bruises your being. Solas: Yes, exactly. Deliberately crossing the Veil requires that a spirit form will, personality. That concept of self gives a spirit the chance to maintain its nature. Wrenched into this world unwillingly by the rifts, spirits suffer the same fate as my friend. Cole: Then we will help them.

This is something quite interesting lore-wise. It says that the only spirits that can pass through the Veil without being turned into demons through the shock are those who had developed personalities: the spirit has become complex, it can fulfil its purpose from different perspective and aspects, therefore it becomes stronger in their own purpose. I suspect the elvhen were in this level. So far we know, Mythal embodied things such as Wisdom, Motherhood, Justice and Revenge. Solas is a combination of Pride, Wisdom, and Rebellion. Abelas was also a combination of things we don’t know because we don’t know his previous names, but apparently, he changed his name every time his purpose changed. Cole is a rare exception as usual. Another spirit I can think of is Justice. He was certainly pulled into the Waking World, but it seems he had enough personality to survive as Justice, but the exposure to other people started to make him feel other things [remember he realised about Jealousy and Love with Kirstoff’s wife]. His change of purpose into Vengeance was more caused by the direct feeling of Anders’ rage inside, sadly.

Cole: If it helps enough people, it becomes more... wandering, wishing, touched by them, Maker loves you, and it grows. But I am me. Will I be more one day, if I help enough? Is this a task, timed, temporary? Solas: No. It is a mistake to ascribe human motivations to them. Cole: So I am always this? Solas: You are always you.

Here, Cole repeats the idea that reinforcing the purpose of the spirit makes the spirit be more themselves.

if Cole becomes more human:

Solas: How do you feel, Cole, now that you dealt with the Templar? Cole: I don't know. He hurt me... hurt the real Cole. I'm angry at him. I can't let that go. I have to become more, let it make me real. Solas: You may well become fully human, after all. I never thought to see it. Cole: When did you see it before? Solas: I did not say that I had. Cole: No, you didn't. It's harder to hear, sometimes. Sorry. Solas: Good luck, Cole. You have taken a difficult road.

Here, we can see that Solas saw this process once. Let’s remember that Cole, as he becomes more human, can hear less the depth of the creatures around him, so I’m pretty confident this banter means that Solas thought something along the lines “ I never thought to see it again”, but only said the first part. If we also remember that spirit-Cole says: "He did not want a body. But she asked him to come. He left a scar when he burned her off his face." we can suspect that Solas was implying that the other creatures who became mortal were the elves, or himself.

Solas personal quest

He teaches us that some spirits want to come to the Waking World, but not all.

By the description of it, this spirit friend of Solas sounds similar to the one giving the lecture in Vir Dirthara: Attentive Listeners.

The perversion of a spirit of wisdom can be done too by forcing them to speak or release a piece of information they don’t want to.

I’m not sure how important or meaningful is the fact that this quest happens in a place called Enavuris. Sadly, we don’t have any means to understand this word.

Demons are spirits whose purpose has been perverted or forced to be another. What corrupted Solas’ friend was to be summoned and commanded to do something different to its nature.

I think here we can see some details about the bound process and how a demon is created: summoning a spirit, bound it to obedience, and force it to do something different than its purpose. Forced change is different to a spirit changing itself due to the people they interact with. Clearly here the key is the willingness, as it seems to be key in all spirit-related matters [we need to always remember Flemeth’s words about “A soul is not forced upon the unwilling”].

The inquisitor can propose to remove the binding circle, so free of orders, the spirit should return to its previous form.

Once the spirit is free, we see that it speaks Elvish, and you only understand this if the inquisitor is an elf.

We don’t see its ears, but its physique looks like a human. I suppose this shape is consequence of the mages that summoned it, so it reflected a human shape. Its eyes are full of Fade.

Solas asks for forgiveness for having failed her. The spirit is grateful anyway because it recovered its nature. I find it curious how it asks him to guide it into death. I also wonder why it dies, as a spirit who recovered its nature and was not harmed in the process of releasing it… why does it die? I wonder if this is just a small incoherence to continue Solas’ story.

Solas will endure as yet another spirit of wisdom dies.

When Solas is back to Skyhold, he says he went to the Fade to see the place his friend inhabited. He claims it’s empty now, but “there are stirrings of energy in the Void”. I’m confused with the capital letter in Void. We know that Void and Abyss are exchangeable in DA lore, and they are deeply related, ironically, to the depths of the underground [The Uncharted Abyss, Forgotten Caverns, Bastion of the Pure, and The Wellspring], and the more lore we learn, the more we relate it to the Titans and the Deep Roads.

He says that something new will grow in that spot. So… is this a subtle detail about the nature of death of spirits? Does a death of a spirit cause a stir in the Void that will produce something new there, inspired by what was lost? Can anything of this be related to the “dreams of the Titans”? No real clues to follow.

Once more, I’m a non-native English speaker, and I can’t stop noticing how the verb “stir” is used in DA: it has been used explicitly with Titans, and then left vague in less explicit cases like this. “The Stir of the Void energies”, which seem to be related to the underground, could also mean that this comes from some residual power of a Titan? Did the Titans create the Spirits and the Fade in the skies as well as the dwarves in the underground? There is so little information to explore this question that I doubted to even write it here. We know that the future of DA may be related to Titans, as Exaltations from the Chant of Light - Part 2 as well as the Mural of “The Destruction of the Veil“ seem to imply. We should never forget this is a game where, obviously, dev choices lead the story, and the fact that Exaltations is a text which talks about the return of the Maker implicating creatures such as Titans and beast-humans should not be overlooked. This is, after all, a lore element used by the devs as an in-world prophecy.

Anyways, Solas explains that death is different for mortals than for spirits [implicitly he may be saying that death is also different for immortal Elvhen and for mortal elves]. The spirits return to the Fade; if the idea giving shape the spirit is strong [meaning, there is enough idea in the Waking World for it to have a strong impact in the Fade], or its memory has shaped other spirits [meaning, other spirits will remember the dead one and such memory, if strong, can reconstruct it in the new reborn spirit], it may raise again as a consequence of reflecting what others reflects from its previous life [ this is exactly what he explained to us in the beginning of the game, in Haven, when talking about the nature of the spirits and their personhood]. However, due to the semi-existence nature of the spirits, the return produces a reset in their memory and personality. This doesn’t seem to be the case for Flemeth or Corypheus, but they are more complex than mere spirits.

Solas’ nature

Cole: You're different, Solas. Sharper. You're in both places. Solas: I visit the Fade regularly. Perhaps you are sensing traces of it. You are a spirit who crossed the Veil and took human form. Cole: Spirit or demon. Solas: The two are not so dissimilar, Cole. While the world may exert a pull in one direction or another, the choice is ultimately yours.

Cole says that Solas is in both places. This plays beautifully vague: Creators and Forgotten Ones, Fade and Waking World. This may suggest that Solas’s shape as an elf and as a wolf may have been dissociated [ “Self-portrait”] and his Wolf shape is the one roaming the Fade or the inside the Black City, vigilant as we conclude in several murals [ “The actions of the Inquisitor”, “The Creation of the Veil”]

if Cole becomes more human:

Here, we can assume that Solas saw the process of a spirit becoming mortal once, and considering the line of Cole: “He did not want a body. But she asked him to come. He left a scar when he burned her off his face" we can suspect that the other creatures who became mortal were elvhen, or Solas himself. So there is a set of subtle details that may suggest that the process that Cole passed through to become a spirit with shape or even a human was similar to the one that Solas himself passed through long, long time ago.

Blackwall: I am sorry about your... friend. Losing someone is difficult. Solas: Thank you. The death itself was less painful than what came before. Seeing a good spirit twisted, its nature defiled. Those mages knew nothing of my friend. Worse, they did not care. Blackwall: I... don't know what to say. Solas: Nor will you, until you've seen ignorance snatch away all that you love. Pray such a day never finds you.

Another reinforcement of how spirits are twisted when forced against their purpose, which is a constant thing in Thedas, filled with so much ignorance about spirits due to, mainly, the Chantry’s teaching.

Blackwall: You make friends with spirits in the Fade. So... um, are there any that are more than just friends? If you know what I mean. Solas: Oh, for... really?! Blackwall: Look, it's a natural thing to be curious about! Solas: For a twelve-year-old! Blackwall: It's a simple yes or no question! Solas: Nothing about the Fade or spirits is simple, especially not that.

This is a very interesting concept that we saw and read in the codex Vir Dirthara: Birds of Fancy where, effectively, we can see the complexity in the lack of shape that creatures in the Fade had. Of course Blackwall makes it more like a joke, but we know that there is more to it.

Blackwall: For all your experience, Solas, you don't carry yourself like a soldier. Solas: You should have seen me when I was younger. Hot-blooded and cocky, always ready to fight. Blackwall: Ah, youth. Solas: It is a delicate balance for those who fight. If they lack sufficient passion, they never become truly skilled, and die or leave the life. Blackwall: But too much passion, and they end up dead; or monsters better off dead. Solas: Yes. It is a rare soldier who can fight without letting it define him.

Here, Solas speaks of soldiers and fighting as things that produce a change in the purpose of a spirit or an elvhen. He may imply that his fight may have changed him at some point, and hence my suspicion that he was more like a spirit of Wisdom or Pride, who due to Mythal’s request, he changed purpose and embraced shape, as it may suggest Cole’s cryptic line: “He did not want a body. But she asked him to come. He left a scar when he burned her off his face.”

Iron Bull: Nice job in that last fight, Solas. You really kicked the crap outta that guy. Solas: I suppose. Iron Bull: What, you don't think so? You ripped him a new one. It was great! Solas: Unless the fight is personal, violence is a means to an end. It isn't appropriate to celebrate. Iron Bull: I don't know. Gotta wonder about anyone who fights as much as we do and doesn't have some fun with it. Solas: We have fought living men, with loves and families, and all that they might have been is gone.

Solas: You fought the Tal-Vashoth for a long time, Iron Bull, did you not? Iron Bull: Every day. I'd kill some of them, they'd kill some of my guys, and then I'd kill them some more. Solas: No man can kill so many people without breaking inside. To survive... those you fight must become monsters. Iron Bull: The ones that kill innocent people, yeah. The rest... I don't know. Solas: The mind does marvelous things to protect itself.

This is something very impressive that Solas says, since it’s part of the process that many soldiers make up in their minds so they can kill innocents, specially in countries they invade, and keep it like “it is duty and shit”. Solas is basically comparing this mechanism with the one that the Qun uses in their soldiers. This speaks not only of the brainwash that the Qun causes and that Solas despises deeply, but also may be subtly speaking about Solas: he never stops repeating the Inquisitor that all those people they kill had families and loved ones, he is always making them “humans”, reminding their individuality and personhood, even if it fills the killer with a lot of guilt. These lines probably make sense only after a time of Solas living in the Inquisition to make him recognise the personhood of the current mortals of this separate world [we need to remember that in the Tresspasser DLC he confessed that he did not see mortals as people when he woke up from his slumber, it took him a while to recognise it]. So, this constant “humanisation” of the people they kill has been feeding the Regret demon that has been following Solas for millennia. Solas is a soldier, a smart one, that has killed innocent people or at least, people that did not deserved it, specially those that showed acts of rebellion [like Felassan] but he needed them out of the board so he could accomplish a “greater good” in his eyes. This makes Solas more like a rebel who has become a bit of a martyr because his motivations and “duties”, than an evil villain, for what he is going to do.

This is also why Solas is presented at the end of Tresspasser as a man who will follow a plan and will take hard decisions that will destroy the world as it is now, but always embracing the regret and the pain of such actions, because he is not forgetting that he is destroying people as he recovers a previous world. It’s also true that such current world, as it is, is doomed too [remember that the fall of the Archdemons is going to unleash the “true evil” in this world].

Solas: I wish to apologise for what I said to you, Blackwall. Blackwall: You were right, though. I deserved it. Solas: My people had a saying long ago - "The healer has the bloodiest hands." You cannot treat a wound without knowing how deep it goes. You cannot heal pain by hiding it. You must accept. Accept the blood to make things better. You have taken the first step. That is the hardest part.

In several parts of his banter, we learn that Solas has a deep old pain, caused by a “mistake” he did when he was younger. This mistake was the creation of the Veil and the end of the elvhen world and their nature. Through the acceptance of such mistake, he has put in movement a new plan to restore it, to make “things better”, in his eyes.

Cole: You are quiet, Solas. Solas: Unless I have something to say, yes. Cole: No, inside. I don't hear your hurt as much. Your song is softer, subtler, not silent but still. Solas: How small the pain of one man seems when weighed against the endless depths of memory, of feeling, of existence. That ocean carries everyone. And those of us who learn to see its currents move through life with their fewer ripples. Cole: There is pain though, still within you. Solas: And I never said that there was not.

Inquisitor [who romanced Solas]: Perhaps Cole can get a better answer from you than I did. Cole: He hurts, an old pain from before, when everything sang the same. You're real, and it means everyone could be real. It changes everything, but it can't. They sleep, masked in a mirror, hiding, hurting, and to wake them... (gasps) Where did it go? Solas: I apologize, Cole. That is not a pain you can heal.

Cole has several banters where he reinforces the concept that Solas has been in pain for a long while. In here, we also have a curious piece of information: “Old pain, from when everything sang the same”. We already saw that there are a lot of things in DA lore that sing [check Songs and elements that sing and whisper in DA Lore] which suggests that Solas is a very ancient soul.

There is also a reinforcement of the idea that through the romance, Solas may have changed even more deeply his vision of the personhood of the mortals of Thedas. I think this applies too for a friendly path, since he confesses in the DLC that, after a time, he began to see mortals as people.

Occurs after completing Solas’ personal quest:

Cole: Bright and brilliant, he wanders the ways, walking unwaking, searching for wisdom... Solas: I do not need you to do that, Cole. Cole: Your friend wanted you to be happy, even though she knew you wouldn't be. Solas: (Sighs.) Could you... if you would remember her, could you do it as I would? Cole: He comes to me as though the Fade were just another wooded path to walk without a care in search of wisdom. We share the ancient mysteries, the feelings lost, forgotten dreams, unseen for ages, now beheld in wonder. In his own way, he knew wisdom, as no man or spirit had before. Solas: Thank you.

Here we see again the repetition of the concept of Solas’ pain; this time added to the pain of losing yet another spirit of wisdom, or a gentle spirit in general. It is implied here that Solas looks for wisdom, in a word play that may represent the spirit he just helped to die now, or wisdom as in general. He has a deep understanding of wisdom [maybe the ideal or the spirit] that no other creature has.

When first encountering the Black Wolves in the Hinterlands:

Solas: The Breach may have driven them mad... or perhaps a demon took command of the pack. Cole: Do you know a lot about wolves? Solas: I know that they are intelligent, practical creatures that small-minded fools think of as terrible beasts.

This implies that Solas, whose animal associated with him is the wolf, is an intelligent, practical person who has a terrible reputation given by small-minded creatures.

Solas: Yes, exactly. Deliberately crossing the Veil requires that a spirit form will, personality. That concept of self gives a spirit the chance to maintain its nature. Wrenched into this world unwillingly by the rifts, spirits suffer the same fate as my friend.

This was already treated in the Demon/Spirit nature section, but it seems to me it can apply to Solas, if the suspicion that he was a spirit who took shape is true. He may have preserved his purpose mostly because he always had a personality.

Solas: You spied upon your own people. Iron Bull: Is that so different from Orlais or Ferelden? They have all kinds of people policing them. Solas: What they say and do, yes. Not what they think. Iron Bull: What you think is what you say and do. Solas: No. Even the lowliest peasant may find freedom in the safety of her thoughts. You take even that.

Solas: Surely, even you see, Iron Bull, that freedom is preferable to mindless obedience to the Qun. Iron Bull: How so? Last I checked, our mages weren't burning down Par Vollen. […] Solas: Do not equivocate. Would we or would we not be better under the Qun? Iron Bull: It's not that simple, Solas. Solas: It absolutely is.

Iron Bull: Alright, Solas, been thinking. You wanna know how this place would be if the Qunari took charge? Orlais, Ferelden, all of it would be healthier under the Qun. […] Oh, come on. I said I didn't want us to invade you! Solas: No. You said this world would be brighter if all thinking individuals were stripped of individuality. You only lack the will to get more blood on your hands.

Iron Bull: Tell me something, Solas. Do you think the servants here are happier than the people living under the Qun in Par Vollen? Solas: It doesn't matter if they are happy, it matters that they may choose! Iron Bull: Choose? Choose what? Whether to do their work or get tossed onto the street to starve? Solas: Yes! If a Ferelden servant decides that his life goal is to... become a poet, he can follow that dream! It may be difficult, and he might fail. But the whole of society is not aligned to oppose him! Iron Bull: Sure, and good for him. How many servants actually go do that, though? Solas: Almost none! What does that matter? Your Qun would crush the brilliant few for the mediocre many! Iron Bull: And then people feel like crap for failing. When the truth is, the deck was stacked against them anyway.

Solas: If your Qun is so wonderful, so fair and perfect, how does it create so many Tal-Vashoth? Iron Bull: Most Tal-Vashoth are nothing more than savages. Killing's all they know. The Ben-Hassrath are trying to lose fewer people to that sickness. Solas: It isn't a sickness. You are losing them because they see a chance for freedom! And most of them are "savage," as you say, because your culture taught them nothing else. They know nothing but the Qun. So even as they fight against it, they are guided by its principles. Iron Bull: Watch it, elf. You haven't seen the Tal-Vashoth like I have. Try watching a Tal-Vashoth kill a Tamassran and her kids. Then we'll talk.

When siding with the Qun:

Solas: The truth is, Iron Bull, you are Qunari. I cannot be disappointed in your decisions. As a mindless, soulless drone, you could never make any.

When not siding with the Qun:

Solas: You are no beast, snapping under the stress of the Qun's harsh discipline. You are a man who made a choice... possibly the first of your life. Iron Bull: I've always liked fighting. What if I turn savage, like the other Tal-Vashoth? Solas: You have the Inquisition, you have the Inquisitor... and you have me. Iron Bull: Thanks, Solas.

Gatt: Have I done something to offend you? Solas: You joined the Qun. Gatt: After they rescued me from slavery. Solas: And put you into something worse. A slave may always struggle for freedom, but you among the Qun have been taught not to think.

Solas has a strong sense of Freedom that he wants to give to all creatures. He values choice, hence he detests the Qun. This is also related to his sense and embodiment of Rebellion. Let’s remember that Solas’ latest purpose was/is, before anything else, Rebellion. He will always defend the smallest gesture of Rebellion. Rebellion also comes at a high price; he never denies it. Rebellion can cost you your life, and he is alright with that. The rebel has to be cunning to survive as well.

Solas also sees the Qunari as people without the ability to make decisions, defined as “mindless, soulless” drones; which I cannot help but relate with the dwarves: the elvhenan saw the “workers of the Titans” as “witless and soulless” creatures that they despised them [Old Elven Writing, Torn Notebook in the Deep Roads, Section 3]. The link between dwarves as a race created by Titans, with the Qunari, another race artificially created by someone else [Tevinter most likely] seems to give the impression that Elvhenan detested created races due to their lack of freedom.

Solas, as an entity that represents Rebellion and Pride, despises mindless obedience, and as an entity of Wisdom, the lack of thinking. In thinking by your own, you show individuality that may or may not obey a greater force, but the act itself is rebel enough to make Solas happy. This is why he has such a strange approval system all over the game: the more you question, the more you show him curiosity and a sharp mind, who thinks about the events and do not accept them as they come, so the more he approves. He disapproves all your actions that simply accept the world as it is without wondering about it.

These bits of banters also imply that the Qun has been a tool to control and tame a race that may have been seen as beasts. This coincides with the fragmented details we got throughout the game: Corypheus calling the race of a Qunari inquisitor “a mistake” and their blood as “engorged with decay”. Later Kieran says that the Qunari blood “does not belong to them” and that he “feels bad about what happened to the Qunari people” [details in Frostback Mountains: Somewhere North]. All this seems to suggest that the Qunari may have been a crafted race [I’m not sure if by the Elvhen or the Tevinter created them, I am inclined to the second one] which was tamed and forced into slavery and passivity through the usage of the Qun, which reinforces the idea of roles and “serving to the community” at the expense of the personal individuality.

Other bits of info we have about Solas and his nature from the Tresspasser DLC are the following [the screenshots and the details are in the section “Trespasser Revelations”]

Solas was first “Solas” [Pride], then he changed his purpose, likely due to the interaction with other people, and turned into Fen’Harel [Rebellion], which has some degree of pride, after all. However this name was given by the Evanuris, he did not pick it.

He is not a “piece” of Fen’Harel, like Mythal is in Flemeth. This elf has always been Solas, until he took shape, I guess.

After the creation of the Veil, Solas “lay” in dark and slumbered [he did not call this Uthenera because it was not final] to recover from the effort. History passed and he awoke, still weak, a year before the creation of the Inquisition.

He wants to restore the elvhen world, even if it means to destroy this one. On the other hand, in combination with what he said previously, if this world is slowly losing the ward that has been protecting it from the big danger he hid in the Black City, it’s just a matter of time for this world to fall anyway. Thedas is already a doomed world.

Solas takes no pleasure in destroying this world to recover the old one.

Solas acknowledges that his role as a leader of a rebellion always implied dirty hands. It was the price to fight mage-kings. He recognises he has used a lot of people in hopeless battles.

When he awoke in this world, it felt to him as if the world were filled with tranquils.

He recognises the people of this new world was not perceived as people at first, but the more he saw the struggles and the humanity of each living creature throughout DAI, he acknowledged their personhood. If Solas is your friend, he will claim it was you who showed him the personhood of the living creatures of Thedas and that there is value in this world. He recognised he was wrong in his previous impression.

Cassandra: Solas, if you do not mind me asking, what do you believe in? Solas: Cause and effect. Wisdom as its own reward, and the inherent right of all free willed people to exist.

Pretty clear what Solas’ beliefs are.

#solas #Dreamers #Somniari #elvhenan #elvhen #Dalish #demon #spirit #Spirits #solas' nature #qun #qunari

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roydeezed · 2 years ago

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Dungeon Meshi Thoughts 05

I think this will be the last of these Dungeon Meshi posts before I catch up because I’m finding it very hard to put down. Judging by the names of the next few chapters I’m on the edge of the fight with Thistle The Mad Sorcerer so I thought I’d stop off here and leave my thoughts before continuing. So this post is going to cover chapters 51-67. My spoiler filled thoughts down below past the “Keep reading”.

Last we left off, our intrepid heroes had just learnt of Senshi’s backstory and helped him overcome a great trauma in his life, the belief that he might have eaten his comrades in order to survive. Now, having been changed into different races because of the changeling mushrooms, the group talks about the differences in the ages of the races, which in hindsight after learning of Marcille’s desire, makes me realize how important this conversation was. It also makes me wonder how old Marcille really is. The story at multiple times obfuscated attempts at learning about her age. Has she somehow already learnt the way to increase her own lifespan as her worries about people dying on her due to age seem a little too real to be just worries for the future. And her traveling around picking up random bits of knowledge while also landing on forbidden magic screams someone who’s lived so long all they can do now is gather knowledge. Marcille’s backstory, for being supposedly so old, is still so vague.

Getting back to the story, the main draw of the cooking in a fantasy setting has been the fact that they get to try all these sorts of wild creatures that would never exist in our world. But leveling that up and creating a whole new method of cooking, through changing things with the changeling mushrooms is such a great evolution of the lore of this world and classic fantasy staples.

We also learn quite a bit about Laois and Falin’s backstory over the course of these chapters. The key motivation of Laios leaving his hometown was that he was sick of the people there, namely his parents with how much he didn’t want to look like his dad. His main regret was leaving Falin, which is why he’s trying so hard to get her back. His motivation, of wanting a world of harmony speaks to more of a desire of adventurers, to see a world that they haven’t seen before through Laios’s kindhearted view.

It’s a much vaguer wish, with an emphasis on discovery than someone like Marcilles wish, which, while grand, is very concrete. Maybe that’s why the Lion chose him, as such a vague wish is easy to manipulate. One other thing that stood out to me was that both Laios and Falin were engaged before it fell through. In between the cracks of what we know they have a whole set of lives and personalities. I want to know what Laios in love looks like so bad. The little scene of little Falin eating alone is so precious and heartbreaking. I just want the best for these siblings.

Sharing food as a form of love, for both of the siblings, shows how much they both care about the party. Two small moments that followed this revelation that I loved were Marcille crying because she realized how much Falin loved her and Izutsumi acting literally like a cat as she comforted Marcille.

Izutsumi should be the blueprint for all catgirls going forward, the authour really hit a homerun when they made her.

The group also comes to the conclusion that they can eat her to fix her, calling upon the help of all their allies so far. With where I’m at now, with the characters as divided as they are and the Lion manipulating Laios, I can only say this was an overly hopeful dream.

We then go over to what I now consider to be the manga’s secondary protagonist, Kabru. Who once again, I dearly love. I love all of the characters but Kabru is just great in so many ways. And we see his determination in not letting a repeat of Utaya, his hometown, happen again. We see how the dungeon has corrupted others and in an effort to drive out campers and get Thistle to come to them, the canaries incite desire in people by flashing money. Originally they seemed outright evil, but I should’ve known better as it’s never that straightforward with Dungeon Meshi. The Canaries are either royals or criminals who’ve meddled with dark magic, signified by clipped ears. This makes me wonder if Marcille has any relation with the Canaries because is she somehow authorized to learn forbidden magic? The Canaries seem like a lifetime membership though.

Misurn and Kabru manage to get one over on Thistle and just as Misurn is about to end Thistle, Kabru realizes that he needs answers. A bad faith take of this situation, upon learning of the demons and the dungeon mechanics, as well as Kabru’s later desire to stop Laios, would be to say this was just extending the story through a plot convenience. And it really very easily could have been. But this goes back to the systemic issue of the older races, dwarves and elves, not trusting the younger races. Seeing them as naive and impulsive. Kabru forcing this information out is one of the reasons I love him so much.

While I think some naivety is needed, Kabru looks forward to a world like the one Laios and Marcille look forward to but in a much more realistic sense. He understands the first thing that needs to happen, even before a magical resetting of the race’s ages, is that they need to trust each other. And that’s something we see happen on a smaller scale with our party.

Next, we learn Chilchuck’s backstory. He turns out to be a father and a husband, and through Marcilles incredibly empathetic prediction, we learn most of how the separation with his wife went. After Senshi, Chilchuck comes in as the second most known about party member, though we still don’t know why or how he got into adventuring. While filling out the role of the rogue in the party, he is also the most wholesome, having raised his daughters and loved his wife.

Next we learn about Marcille’s backstory. And even though we learn quite a lot about her, by the simple virtue of being an elf, there’s still a whole lot more we don’t know about her. This also drives home Marcille’s desire to eliminate the differences between races. With Chilchuck and Senshi, them belonging to a younger race and being younger respectively, we’re able to learn their backstories quite fast. Marcille, being an elf, has that much more of a distance between her and her companions as she has so much more ground to cover on formative memories and motivations. Also on a personal note, finding out that Marcille got into dungeon crawling because she’s basically that world’s equivalent of a flatliner is the dorkiest, stupidest, and funniest thing about her. She’s such a loser(affectionate), I love her so much. Her being into a dorky prince like person as her one true love comes second to that. But going back to it, Marcille is so intrinsically tied to the siblings that it’s just as much her story as it is theirs.

The next little bit has a few fun moments I want to mention. One is that the Dullhan looks like such a cool monster that I hope we see it again. Another is that I love how the story of the succubui helps Izutsumi come to terms with her animal nature so organically. It’s such a brilliant use of monsters to help realize the protagonists character arcs, you know I’m writing this down for future TTRPG use. Also Chilchuck’s wife is blonde, that’s so wholesome, he’s such a good husband. Them losing to the succubi because of Marcille’s lame taste is also so on brand. Though I would’ve thought Marcille would’ve seen Falin with how much they seem to care for her. I thought the story was alluding to a romantic relationship between the two of them but I guess I’m wrong as it sets it up that Laios sees Marcille as his type. Also Izutsumi is god tier ace rep.

We then meet the lion, who looks adorable by the way, and we learn that it wants to help Laios become the new lord of the dungeon and that Thistle is keeping it trapped. From what we learn later, it looks like Thistle was able to keep the dungeon safe for so long because he locked up the lion, preventing it from feeding on his desire more. The lion also probably manipulated the people of the kingdom to make them aid Laios in such a specific way. As we later learn from Kabru's perspective, Demons are beings from a dimension of infinite energy that grow strong by feeding on people's desires.

Here's where I think Dungeon Meshi delivers another masterstroke of storytelling. All throughout so far, we've been very clearly watching the world through our characters' eyes, learning what they want to learn about, being curious about what they want to be curious about, and more specifically learning about the characters themselves from little moments of dialogue to big chunks of backstory. And this has gotten us invested in the characters without much thought to the world. But now the world is developed in such a major way through the Canaries and The Demons and especially our characters' relationships with these two, specifically the Demons, that we can't help but care about the world as well. The main crux of the demon's powers being gained through desire lets the story function through the wants and needs of our main characters, making us, the audience, at the very least, understand, if not root for their desires. Desires that could very well destroy their world. It puts us at odds with the story as much as our characters are. It's genius.

Going back to the story once again, we follow Kabru as they tail Laios along his journey and we once again see that Kabru makes a quick and impulsive decision to follow Laios so he can speak with him one more time. Kabru is always quick to come to conclusions; we saw as much from his first interaction with Laios, where he chooses not to blame him for his party's death and gets a read on him instantly. It's one of his greatest strengths, but also could become one of his greatest weaknesses. Thankfully, up until now, it's worked out, but going forward, it could very well backfire as Kabru doesn't second guess himself enough to fully consider his assumptions.

Finally, on to the last stretch of events before I put it down to write this, our heroes come across Thistles cabin and partially free the winged lion after eating some phoenix.

The birth of the lion from the book as well as the whole sequence with Misurn and the goat are incredibly horrific.

As a horror fan, my love for this manga increased tenfold with the recent developments. The lion also looks like a biblical angel after it’s birth.

The imagery is absolutely breathtaking here.

Also I really like Misurn as both a character and a plot device. He’s so single minded about revenge but he also has a lot of personality even if that comes from having his desires taken away.

I also love how Kabru as a human matches wits with these supposed mature races. He meets them equally and I couldn’t be prouder of my boy.

Our heroes also attempt to kill some rabbits for Falin and things go horribly wrong with Marcille being the only one left to fend for herself in one of the funniest moments in the series where she has a ghoulish dance troupe with dead rabbits and her fellow party members.

Speaking of the rabbits, if anyones watched Re:Zero they reminded me a lot of the snow rabbits but like a 100% more messed up.

But here we get another moment that makes me wonder what Marcille has actually gone through.

She talks about how it would make her feel if everyone died like she has some experience.

I’m still mad that the story skipped over her age. Is she like a thousand years old or something? What’s your deal girl? How’d you get so adorkable? But really. Marscille’s actions make me feel like she’s not that old but hints to her backstory suggest she is. It’s so weird. Going into this next part, Kabru is still my favourite but with how much of a loser she is Marcille is a really close second. And the fact that she’s such a capable wizard makes it a hundred times funnier. We love emotionally unstable dorks here.

Also, I absolutely love the crying faces in Dungeon Meshi, they pack so much gentle emotion into them.

Anyways, they feed Falin and take her out before getting ready to fight Thistle. That’s where I stopped reading and right after posting this I am going to go back, I’ve been away from this for way too many days. With Kabru also converging on this point I don’t think this fight will turn out like a typical fight. There are way too many factors involved to accurately predict anything. Though it would be wild if Laios becomes the lord of the dungeon. Knowing how subversive and nuanced this story gets I wouldn’t put it past it. Our heroes have suffered so much, I just want a win for them at this point. With being on what I feel like is the precipice of a major plot point, I can’t really speculate much or analyze much as it all feels like it leads to the immediate next part. Like all the build up has been for a very specific set of circumstances that I probably won’t be able to predict. See ya next time when I've caught up! Unless something happens where I need to stop and gather thoughts.

#dunmeshi #dungeon meshi #delicious in dungeon #manga recap #manga discussion

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alastorswifee · 3 years ago

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Can I request tmnt 2007 turtles reaction to splinter who introduces them to another ninja who's visiting, that lives overseas in Asia?

Oh my god why didn’t this request show up in my inbox? I’m so so sorry let me write it for you!<3

Hm..let’s have a break down then since they’d all react a bit differently

Leo would be honored to be in your presence, gladly welcoming you into the comfort of their home and treating you as all guests should be treated, Donnie obviously doing the same. He would be curious about your methods and how long you’ve been training for. He would also be curious to what Asia is like, he would like to know about their customs and well..everything but that’s only if you’re comfortable sharing that is. He’s also curious on how you know master splinter, open to hear about how you two have met.

Raph is more on the ‘eh whateva’ side, he won’t admit it but he’s curious on your fight style and what techniques you’ve learnt, he also wants to know how long you’ve been training for but he’s as stubborn as ever and won’t actually approach you. He just stands on the sidelines and listens as his other brothers happily ask you questions. Secretly he does have a bit of respect for you tho after hearing the stories you’ve told to Mikey and witnessing how to fight during sparring sessions and actual fights.

Donnie like Leo is super intrigued, wanting to almost interrogate you from your ethnicity to your fight style and knowledge. He has a lot of respect for you and if you ever demonstrate your fighting styles or spar with them, he’ll almost memorize it all. He wants to try them and see if they suit him and if he could incorporate them into his own fight style, hell! He’ll even ask you to maybe help him out with his fight style and training from time to time. It’s fun and super educational to learn something new or out of your comfort zone so this is right up Donnie’s alley.

Mikey is the most energetic about it, he would immediately shake your hand or bow or however he thinks it’s suitable to greet you. He’d offer to take you out on the rooftops to show you their beautiful city of New York. He’ll get a good whack upside the head from Raph tho if he gets too hyper and overwhelms you. He’ll calm down after a while tho and actually sit down and ask you to tell him stories of your adventures or missions or anything about your life back in Asia, he wonders how different it is from his life here in America.

#tmnt leonardo #tmnt donatello #tmnt raphael #tmnt #tmnt michelangelo #tmnt 2007 #tmnt headcanons #tmnt x reader #tmnt 2k7 #tmnt imagine #tmnt blog #tmnt leo #tmnt donnie #tmnt raph #tmnt mikey

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armenelols · 4 years ago

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There isn't enough appreciation for Elrond's and Isildur's friendship.

I think much of this comes from the movies, where our only image of Isildur is his 'no' and Elrond yelling 'Isildur!', and then we see him die because he dives into the river while running away from a battle because the One Ring falls from his finger. Sure, there is some scroll Gandalf reads, but it only makes Isildur seem even more obsessed with the Ring than he already seemed. Add to that Aragorn's rambling about how he and Isildur share blood and weakness and you've got the perfect receipt for evil Isildur and 'cast it into the fire' memes.

Movie!Elrond's 'men are weak' really isn't helping.

So to start with, I think it is necessary to say that I am talking about book!Elrond and book!Isildur here, and while I don't recall either of them calling the other friend, it's a headcanon I have and it is to some extent supported by the books.

In the chapter The Disaster of the Gladden Fields in Unfinished Tales, Isildur shares a few exchanges with his son, Elendur, that I would like to show here.

Elendur went to his father, who was standing dark and alone, as if lost in thought. 'Atarinya,' he said, 'what of the power that would cow these foul creatures and command them to obey you? Is it then of no avail?'

'Alas, it is not, senya. I can not use it. I dread the pain of touching it. And I have not yet found the strength to bend it to my will. It needs one greater than I know myself to be. My pride has fallen. It should go to the Keepers of the Three.'

And later in the chapter:

'My king,' said Elendur, 'Ciryon is dead and Aratan is dying. Your last counsellor must advise, nay command you, as you commanded Ohtar. Go! Take your burden, and at all cost bring it to the Keepers: even at the cost of abandoning your men and me!'

'King's son,' said Isildur, 'I knew that I must do so; but I feared the pain. Nor could I go without your leave. Forgive me, and my pride that has brought you to this doom.'

Earlier in the chapter, we also get this passage talking about Isildur:

When he at last felt free to return to his own realm he was in haste, and he wished to go first to Imladris; for he had left his wife and youngest son there, and he had moreover and urgent need for the counsel of Elrond.

Nearer to the end of the chapter, when talking about Isildur's death, Tolkien writes this:

There suddenly he knew that the Ring had gone. By chance, or chance well used, it had left his hand and gone where he could never hope to find it again. At first so overwhelming was his sense of loss that he struggled no more, and would have sunk and drowned. But swift as it had come the mood passed. The pain had left him. A great burden had been taken away. There he rose up out of the water: only a mortal man, a small creature lost and abandoned in the wilds of Middle-Earth. But to the night-eyed Orcs that lurked there on the watch he loomed up, a monstrous shadow of fear, with a piercing eye like a star. They loosed their poisoned arrows at it, and fled.

And last from this chapter, this bit about the Ring itself:

It was little more than two years since it had left his [Sauron's] hand, and though it was swiftly cooling it was still heavy with his evil will, and seeking all means to return to its lord.

So what does this tell us? And in addition, where was I coming to with Elrond & Isildur friendship?

1. For all of Isildur's refusal to give up the Ring after the war ended here:

'Alas! yes,' said Elrond. 'Isildur took it, as should not have been. It should have been cast then into Orodruin's fire nigh at hand where it was made. But few marked what Isildur did. He alone stood by his father in that last mortal contest; and by Gil-galad only Círdan stood, and I. But Isildur would not listen to our counsel.

' "This I will have as weregild for my father, and my brother," he said; and therefore whether we would or no, he took it to treasure it.

- The Council of Elrond, Fellowship of the Ring

Isildur realized he was wrong. The Ring was still at its most evil, and it wanted to corrupt him, it wanted to go back to Sauron, yet Isildur resisted enough to be able to almost give up the Ring willingly or at least consider it.

When he was slain, he was already taking the Ring to Elrond. Whether he would have the strength to do it later, he resisted the Ring enough to at least consider it. How many would be able to do so? Of course, there was the factor of the very touch of the Ring paining him, but compared with the Ring's will, that's hardly enough to convince a man to give it up.

And at last, when the Ring slipped from his finger, he did not dive after it. He gave it up, and swam away; and even as the orcs killed him, they killed him a free man.

2. He was bringing the Ring to Elrond. At the very beginning I said this post is about Elrond's and Isildur's friendship, and finally, I am talking about it.

It should go to the Keepers of the Three, Isildur says of the Ring - and for that, he would have to know who the Keepers are, or at least know of someone who knows. And it is said repeatedly that he seeks Elrond's counsel, that he goes to Imladris; did he know Elrond has Vilya?

The location of the Three is one of the greatest secrets kept from Sauron, and it is said many times that almost no one knew of it. Did Isildur know, suspect? In addition to this, Elendur seems to have the same knowledge, which, as he is repeatedly called Isildur's greatest confidant, isn't much of a wonder.

All in all, Isildur either connected the dots well enough to realize that out of all high elven lords, it is Elrond bears a ring of power (and Isildur is clever, this is a possibility); or Elrond was not careful enough and Isildur figured it out from his missteps (which, considering Elrond's experience with cursed jewellery isn't very likely); or Elrond gave him hints on purpose; or he just. Straight up told him.

The last two options seem to be most likely to me, which brings me to Elrond trusting Isildur enough to reveal such a secret to him, which leads me to my Elrond and Isildur are friends agenda.

Should the first option be true, props to Isildur for figuring it out by himself without any clues from Elrond other than him being important. Should Isildur be bringing the Ring to Elrond in hopes that Elrond knows who the Keepers of the Three are, without knowing Elrond is one of them, it still shows Isildur trusted Elrond enough to bring him the Ring even for temporary keeping.

(there is also the matter of whether Isildur knows the other Keepers of the Three, as he mentions them a few times, but never enough to indicate if he knows who they are)

3. Parallels. It is said that Elendil and Gil-galad, the two high kings of their people are friends. Is it really so unlikely that Elrond, Gil-galad's herald (and possibly heir, even though he took no crown), and most trusted advisor besides Círdan; and Isildur, the heir of Elendil the Tall and his second in command, would strike a friendship?

The Isildur we are presented with is both bold and wise - he saves the fruit of the White Tree of Númenor alone because it needs to be done, and then he does it again, and he does it because it's the best for his people. He takes the Ring, and tries to make it listen to him, and realizes he made a mistake; he tries to fix it, and wants to bring it to Elrond.

The Isildur we are presented with has courage, and wisdom, and hope.

Do you know what does this remind me of?

Edain. Their ideals. The reasons why they got the gift of Númenor, greater wisdom, longer lives.

They resisted the evil, no matter how strong; they were loyal, true to their beliefs, brave and courageous.

Elros was chosen as the king of the Edain and really, I highly doubt Edain would choose him as a king just because of his heritage, or because someone told them to do so. Sure, someone could have pointed out Elros to them and say 'hey, look at this dude, he could be a nice king, what do you think?' but in the end, while they might start following Elros because someone else told them, I doubt they would let themselves be led by someone who wasn't the best representation of them. In Athrabeth Finrod ah Andreth, Andreth does not shy away from telling Finrod her beliefs, the beliefs of her people. And I don't think that changed with time.

What am I trying to say? I think Elros and Isildur were both similar in many ways, in ways that made them the leaders they were - and that in a way, Elrond saw Elros in Isildur, as well as himself; for Elrond still connected strongly with his mortal kin, and as I mentioned earlier, their political positions were similar.

And while Isildur was his own person and had done things neither Elros or Elrond would have done, and had his own good and bad qualities, it doesn't erase the similarities.

4. Aragorn was raised in Rivendell, by his mother and Elrond and his people. Of all the people there, it is easy to see which ones would influence him the most: Gilraen, Elrond, Elladan, Elrohir. It is repeatedly shown how close he was to them. To some extent we may include Glorfindel, for they were friends, but not as much as the above mentioned four.

Now, as Estel, he wasn't aware of his heritage. He is shown to be proud of his heritage, of his descend from Isildur; and yes, this could be a simple pride in one's ancestors. It could have been that he simply liked Isildur as a historical legendary figure and it became greater after he learnt of his descend from him. Or it could have been that he was told many tales of Isildur, of his deeds and personality, and his family, and decided I want to be like him, and like Elendil, even without knowing he was in any way related to them.

And really, when it comes to the above-mentioned people, who would be the most likely to tell him stories of Isildur? Gilraen who only knew him from stories, or Glorfindel who was never mentioned around Isildur in the books, or Elladan and Elrohir, born after Isildur's death, who could have any number of first-hand stories about hundreds of Aragorn's cool ancestors but not Isildur himself?

All I am saying is there is a potential for Elrond to be telling stories of his old friend Isildur and Elendil and Gil-galad to Estel, and Estel loving them.

There is also the fact that in the chapter The Disaster of the Gladden Fields, Elendur, Isildur's son, is said to be very similar to Aragorn. And I love the idea of Elrond's and Isildur's sons paralleling each other, in a strange way, thousands of years apart.

5. In the books themselves, we do no see Elrond speaking about Isildur much. (I checked almost every mention of Isildur in most of my Tolkien books. So yeah.) On the Council of Elrond, Elrond talks about Isildur the most, but it is mainly in historical manner and 'the Ring should have been destroyed that day' manner, as you can see in the passage from the book I mentioned above in point 1.

This doesn't tell us much about their relationship, much less their friendship - and thus as a source for my image of them as friends, I give the place to The Disaster of the Gladden Fields, thinking they would make a good duo, and the potential of how Isildur's death may have had affected Elrond.

Isildur's death was unexpected. No one expected the road not to be safe - there is a reason why Isildur and his men were unprepared for a battle. They were simply journeying on a familiar road, to Rivendell and then Arnor. Not even the Orcs that ambushed them knew of the Ring. In Rivendell, they learnt of what happened only thanks to Ohtar, Isildur's squire who survived; and even then, the specific circumstances of his death were not revealed until Aragorn found Elendilmir and the chain which bore the Ring among Saruman's things.

In all honesty, I don't think even Elrond knew Isildur planned on giving him the Ring. I do not doubt he expected him, for his wife and youngest son were in Imladris - but I found no reason as to why he might know of Isildur's plans with the Ring.

That could give him a reason to speak ill of Isildur, couldn't it? Yet when he speaks of him, he only speaks of facts and what should have been done - he doesn't call Isildur too weak to give up the ring, or power-hungry, or proud - and by the latter, Isildur calls himself several times (as can be seen here, in the passages I used above)

It needs one greater than I know myself to be. My pride has fallen.

And here:

Forgive me, and my pride that has brought you to this doom.

And yes, it was a formal Council - Elrond had no reason to speak of his personal feelings towards Isildur. Yet I think the little he said reflects his thoughts well. He might have felt some bitterness towards him, especially as he later learnt what the Ring's nature truly was; and especially as he had no knowledge of Isildur being willing to give the Ring to him, for better or worse, whether he would find the strength to do so or not.

Still, once Elrond learnt of the Ring's Nature, I think he might have understood Isildur better - especially as he himself did not dare to even touch the Ring.

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designurbate · 3 years ago

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This can come in handy in showing your fans just how famous you are in their region. And in areas you're not so famous yet, you can rest assured that any fan who visits your profile from there would definitely love to be the first.

Customizing your Chaturbate profile is one of the first things you should do as a new webcam performer, but of course this can seem quite daunting for those individuals that are not too computer savvy.As mentioned earlier, when I first started performing on Chaturbate, I too did not have the necessary knowledge to customize my Chaturbate profile.

In the end I learned and even though I was scared it would be too difficult to master, I came to realize that it is actually quite easy once you know what you're doing.

Thankfully, you also have the benefit of making use of this website to learn everything about Chaturbate profile customization, along with access to some of the most important tools you'd be needing for the process.

To start off my Chaturbate journey, I had to call on a friend to do the customizations for me. You can, too, but there are a few things to have in mind.

First of all, when hiring someone for your customization, it is advisable to go for someone with an extensive knowledge of what they're doing. In case you can't find a friend to do this, you can also choose to hire a freelancer or an expert to do this for.You can find experts willing to customize Chaturbate profiles for you on forums and websites like CamGirl Live. You can also make use of freelancers on Upwork, Fiverr and other similar websites.Secondly, it is also advisable that even while you hire someone else to do it for you, you should try as much as possible to learn the basics of it.

It is not as difficult as it seems, and once you start to keep an eye on it you'll find it is actually quite easy to master.

Lastly, another option to consider when customizing your Chaturbate profile is to edit and customize ready-made templates to suit your tastes.

Doing this will first of all offer you an alternative that is cheap and time efficient. Secondly, it will also help you get familiar with customizing Chaturbate profiles through graphics designing.

Customizing a Chaturbate profile looks difficult in the beginning, but with a little time and attention, along with a dose of open mind, you should find yourself becoming good at it with no hassle whatsoever. Designurbate aims to give you everything you need to make your journey on Chaturbate a highly successful one. This includes providing information on how to set up your profile, customize it, provide tools to help with this and many more.In the end, once you understand the importance of Chaturbate profile customization and commit to having the best possible design you can have on your page, you should get to enjoy the benefits in no time.

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