btw this might be me swinging a bat at a hornets nest but like. absolutely none of my disappointment from the tl finale comes from ship baiting or any relationships that didn’t happen (though to be clear, i think the tedbecca fake outs were meanspirited and served no narrative purpose - in noted contrast to the season's earlier jamiekeeley fakeouts, for example, which were explicitly there to demonstrate jamie's growth + maturity)
tedpendant is a really fun concept for me, and i LOVE the characterisation + thematic potential there!
but as someone who personally resonated with a lot of ted’s struggles, the idea that ted could leave richmond so… seamlessly, for lack of a better word, really doesn’t sit right with me. the thesis of the shows entire first season - assuming it can be said to have only one - was about how everyone needs the love and support of a community, whether that comes in the flavour of someone who hypes u tf up or someone who will relentlessly call u on ur shit (or, as happened quite frequently, both!).
rebecca, roy, jamie are the clearest examples as the characters with the most screentime: they were all deeply isolated and disconnected from the people around them, and that was making them miserable. the connections they made with the team, the vulnerability they finally allowed themselves to express (the ghost banishing ceremony comes to mind!), and them going on to want *more* out of their life are what made their arcs about *progression* rather than *regression*. without that clear theme of compassion + community inspiring positive growth in everyone who encounters it, there is, frankly, no season one.
my personal favourite scene from season one comes right after michelle walks away from ted, when they’ve agreed to get divorced. ted sits down on the bench looking gutted, and a little shell shocked - and beard sits down with him. hands him the drink, and they sit there together. silent, but together. to me, that scene is an implicit promise from the episode, to the audience: ‘it’ll be okay. it’s going to be hard, but ted isn’t alone, and his friends won’t leave him behind.’
it also makes it clear to the audience that ted isn’t the saintly-giver-of-grace who needs nothing in return, as one might assume on first brush, but rather that he’s Also struggling with his own shit (as is everyone, always, in real life!) and he has something he needs from the people around him too.
and looking at the text of s3, and the conclusion to his arc in the finale, i just don’t believe that he got it. he wasn’t just sad that he was leaving (which would be understandable!), he was completely closed off. unresponsive to the people around him reaching out, borderline confused as to why they were trying so hard!
(side note, while i completely respect the read of ted and trents last interaction being rather rude + ooc on ted’s part, i personally read a different motive into it. for me, it was more like… he didn’t understand where trents enthusiasm was coming from? like, he read that as trent being too invested in what other people think of him, and responded in a way that he hoped would emphasise that ted doesn’t *need* to laugh at everything trent wrote, bc trent Already Knows that he’s done something really cool and kickass, and he shouldn’t value anyone else’s reactions above that. basically, based on his demeanour in the episode, i genuinely don’t think it would’ve even occurred to him that trent was more invested in HIS reaction than he would’ve been with anyone else.)
again, looking purely at the text, the show had already established that ted has really strong depressive + avoidant tendencies, as well as panic attacks (largely triggered by his fear of not being ‘good enough’ in various roles, ie: a father). we saw one area he was able to calm HIMSELF abt these fears (worry for henry, which is a Hell of a choice considering the ending…), but in literally every other heightened moment, he had to rely on his support system to help him make the choices that he WANTED to make, rather than ones inspired by avoidance and fear (ie: confronting michelle abt jake, talking to his mum abt why she was visiting + his dads death).
and to be clear, this is a GOOD THING! we’re not supposed to go through life alone, no matter how bad OR well we’re doing. rebecca and keeleys friendship isn’t worth less for all the scenes where they’re both in good places. if anything, the opposite is true - it’s lovely that they both have someone who want to celebrate the achievements in their life!
and fuck it, we’re sure as hell not supposed to go through life with exactly one (1) person whom we expect to fulfill ALL of our emotional needs at all times either! like, im sure i don’t need to labour my point here, but tying everything to one (1) person in ur life doesn’t make u any less isolated than if u were going it completely alone, whether it’s a family member, a friend, or a partner. i won’t pretend to know the first thing abt what it’s like to be a parent, but i don’t think it’s unreasonable to say that no parent would be at their best if they had absolutely no support/camaraderie/general love provided to them from Anyone other than their child.
so when ted is SPECIFICALLY shown to be in a bad place, over and over again (did he come to terms w his fear to be close to henry overnight???????), and then removed from his community? of COURSE the audience is left feeling unsettled, and like the rug has been pulled out from under them. there was no time in this finale dedicated to how ted would still be in contact with anyone from richmond. no promises of visits, or phone calls - fuck, nothing about emails!! according to the text, we might as well assume this is a clean break (and the maybe-dream-sequence does Fuck All to assure us otherwise. if ted doesn’t go to beards wedding, what WOULD he go to????). and since the show has ALSO completely failed to give us even an IMPLICATION of who/what ted’s support system would be in kansas, there’s… a reasonable argument to be made that this is It for ted. that, after two seasons doing NOTHING but attesting otherwise, the audience is supposed to suddenly believe that ted can (and SHOULD!) pull himself up by his bootstraps, and cope entirely on his own.
that, to me, is a betrayal of the show’s premise. we were promised a show about how, no matter how dark things may get, none of the characters would be left to struggle alone. and then they ended the show with ted alone.
i don’t know. i guess if i had to give this post a tldr; if anyone has any gen fic/meta/Literally Anything in the pipeline, i would absolutely love to be tagged/directed towards it. i’ll be endeavouring to write something myself, as well, but it might take a while before i can return to my WIP, lol.
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Getting a PHD literally anywhere else: Wow! Congratulations! What a great achievement! Amazing!
Getting a PHD in Gotham: Wow! Amazing! You're now on several Government, Civilian, and Bat watchlists.
So if any of the Wayne kids get a PHD, then the entirety of Gotham would be squinting at them suspiciously. They're rich, so resources, and most likely already insane with all the shit they pull.
What I'm saying is if Jason went and got himself a Doctorate in Literature, the whole city would anticipate the appearance of his villainsona called the Dead Poet(emphasis on the dead) or Bookkeeper or something else similarly nerdy and themed like that for sure.
I just know that it would turn into some Gotham inside joke with memes abound, and everytime Jason would, I don't know, give more funding to the neglected Arts Departments in Gotham University, or go to a school for read alongs to encourage kids to read, Gotham social media would go crazy and be like:
"The Dreaded Villain Dead Poet Reads Alice in Wonderland to Children! How Despicable!"
"Villain Dead Poet Lambasts Government on Banning Books! Leads Librarians to Riot!"
"Dead Poet Ramps up his Villainy by Establishing Educational Programmes in Crime Alley! Uplifting the Poor! What a Dastardly Villain!"
"Dead Poet Goes on Live Ranting About his Favourite Books! Favourite Author is Jane Austen! Is this the Feminist Agenda?"
And so on! It's a meme that refuses to go away. His siblings actively participate, and make the situation worse.
Dick held an online Gotham Villains and Anti-Heroes Poll and Dead Poet came out on top, over Red Hood. Jason is an actual Gotham crime boss, but his crowdfunded villainsona is more popular. No he's not salty about it at all.
Duke would create a montage of Dead Poet sightings.
Stephanie would make a Dead Poet meme compilation.
Tim would arrange Wayne Enterprises to donate to local libraries after allegedly being threatened by the heinous villain Dead Poet. (Jason did ask Tim to do that but not like that)
Barbara created an extremely popular Villain Watch account for Dead Poet.
Cass tweeted out Jason's favourite books as the villain Dead Poets reading list telling people to avoid them 'wink wonk', causing a massive uptick in the sale of those books ala Bigolas Dickolas.
Damian of all people tweeted out a pic of Jason playing with Alfred the cat accusing the evil villain Dead Poet of attempting to kidnap his cat.
And thats not to mention all the shenanigans they pull in their batsonas.
God bless Gotham and it's home grown, organic, not even remotely ethically sourced, free range chaos.
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From Chuck Tingle, author of the USA Today bestselling Camp Damascus, comes a new heart-pounding story about what it takes to succeed in a world that wants you dead.
Misha is a jaded scriptwriter who has been working in Hollywood for years, and has just been nominated for his first Oscar. But when he's pressured by his producers to kill off a gay character in the upcoming season finale―"for the algorithm"―Misha discovers that it's not that simple.
As he is haunted by his past, and past mistakes, Misha must risk everything to find a way to do what's right―before it's too late.
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BURY YOUR GAYS cover has been released today and theres something TRULY INCREDIBLE about it, something that bends timelines and melts away the edges of the void and brings tears to my eyes. can you see it? let me explain in a thread as you PREORDER NOW...
for nearly ten years i have been publishing my stories despite pushback that they are too odd. us buckaroos are the outsiders, but this community has kicked open the door for art that is sincere and strange and beautifully unique. that is my trot and that is OUR trot as buds
we came out of nowhere and made CAMP DAMASCUS a usa today bestseller. every step of the way that book overperformed. buds were CONFUSED that a book from ‘silly meme erotica author’ could take flight. but us buckaroos knew it was inevitable because we know the power of love
i still recall the question ‘are you SURE you do not want a new horror pen name?’ HECK NO i am proud of the tingleverse. i am not ashamed of these queer erotic stories i drag up from bottom of my heart and spill with raw sincerity across irony poisoned timelines
i have been mocked my whole life as author that is ‘ridiculous no-content meme’ by those who have never read it. that my work is ‘not real’. i have been mocked for my autism and queerness and told THIS WOULD NEVER WORK. which brings me back to cover of my new book BURY YOUR GAYS
looks like the name chuck tingle is NOT a liability for the mainstream. all devils who doubted can gaze upon this cover and see bold CHUCK TINGLE staring back at them PROUDLY from the shelf in all its queer autistic glory... HOVERING ABOVE THE TITLE AND JUST AS BIG AND PROUD
thank you nightfire and chucks manager and chucks agent for believing in me. these buds have always had my back. thanks to BUCKAROO COMMUNITY who have always supported my way, this next step in our trot is not just about me IT IS ABOUT US. we kick open these doors together
so heres to making this world a little more unique and strange for those of us who are, ourselves, unique and strange. heres to bending timelines to us, instead of us bending to them. heres to name CHUCK TINGLE big and bold ABOVE the title on a big five traditional published book
and remember the best way to support an author, especially someone on outside pushing their way in, is to PREORDER THEIR BOOK. because of publishing business model it is SO IMPORTANT so if you would like to support chuck then PREORDER BURY YOUR GAYS NOW
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