#and ultimately wrong

[darkwood-sleddog]

Deciding that certain activities can be done by or even conversation and media subjects can only be talked about by certain minorities creates an unnecessary barrier of entry for said minorities and is harmful.

Requesting that only LGBTQ+ authors write about the LGBTQ+ experience requires a world where all authors are publicly out. When “straight” authors are confronted about this often closeted LGBTQ+ people are forced to come out to stop the negativity. This is harmful. LGBTQ+ identity is extremely complex.

Allowing only indigenous people to hunt would need a system for identifying who is native enough to do so. Indigenous people would have to prove their heritage to who exactly? Fish and Wildlife? The Federal Government? That they’re sufficiently native enough to hunt. This is harmful. Native identity is extremely complex.

While these situations are not exactly the same and are not the only two situations like this, they highlight the issue of applying a superior morality to minorities and closing off the barrier of entry for those that are not as visibly that minority. A visibly LGBTQ+ person is not inherently more deserving than their less visible peers of writing about their experiences and feelings. A visibly native person is not inherently more deserving of the ability to hunt food than their peers deemed “white passing” by arbitrary colonial standards. Requesting “proof” harms less visible, and often vulnerable, members of minority groups.

[evilsanlang]

talking to vote blue no matter who americans as a latin american

[annmariethrush]

we were genuinely so cheated not to have Cas possess Dean. Hell! He could have possessed Sam and it still would have gotten the point across. Jensen would have put his whole jussy into the Cas/Dean hand off, and they could have had a whole convo before or after about how “it’s okay Cas, I trust you. You can have control.” And then references from then on to “when I was in you…” and with Sam? Don’t get me started. Dean being so fucking uncomfortable because Cas looks like his brother. Or the complete opposite where Dean so clearly just sees Cas and keeps having to be like “oh shit” when he gets too close and realizes it’s Sam’s body and it’s weird. So many possibilities and we got none of them 😭

[fluffyartbl0g]

Everytime I go into the Zosopp tag, I just see people SCREAMING CRYING SOBBING about the lack of posts IN the Zosopp tag. THE ZOSOPP ECONOMY IS IN SHAMBLES

[markscherz]

Natural history museums hold innumerable misidentified specimens on their shelves. These specimens make their way into databases like GBIF, and muddy data that is used in global-scale analyses and other research drawing on such records. Careful verification of all specimens in a collection holding tens to hundreds of thousands of specimens would be a Herculean task that could take a dozen experts a decade. So, we often rely on spot checks.

Whilst searching our constrictor collection to see if we have any albino snakes (we don’t seem to), I came across this snake that had been identified as a Boa constrictor. It is in fact Malayopython reticulatus, a reticulated python. A quick new label and an update in our database, and I was able to move it over to the right shelf. Now it won’t muddy the waters further, and is able to be referred to by anyone interested in examining a retic.

How many more such cases are haunting our shelves of over 14 million objects? And that’s just the Natural History Museum of Denmark; there are billions of objects in similar collections globally. This is quite literally an astronomically huge problem.

[astronomodome]

i think he deserves one of those swords that's gigantic and cool-looking but functionally useless. for extra anime protagonist energy

[aro-aizawa]

i like to think everyone has a colour associated with them, whether its just your fave colour or what you generally wear most of or what colour your bedroom walls are. i always associate the name sophie with dark blue, my mum is always a nice turquoise, i like to think my colour is a bright sunflower yellow.

if you have a specific shade pls tell me i adore when ppl have associated colours and tell me them, bc i think of them when i see that colour

[mummer]

just saw asteroid city last night, pls explain the proposed significance of the kiss!!

answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****

i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!

the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh

[fumifooms]

I don’t like minimizing the importance and gravity of Laios and Toshiro’s fight into just being a childish squabble, even if to a degree it is framed that way, because to both of them it has a lot of personal significance and emotional weight and runs very deep to their characters… The fight isn’t nothing it’s a LOT, they made up but it’s not something easy to express and to get over for either of them which makes it all the more meaningful! I’m on both sides but there very much are sides, there’s no "they’re both having a ball, Toshiro and Laios hand in hand yay" side to the fight, that comes after

The fight with Toshiro WAS very scary to Laios, almost existentially so, but it’s moreso the "I thought I’d made a friend!!" bit and my god. My god actually

Like it’s not "just" about oh his friend liking him less than he thought, THAT IS SO MUCH. It’s a bond he thought he had being a lie it’s all the time and moments spent together either being a lie from his perspective or marred now looking back. It’s not only being upset at Toshiro for lying but upset at himself that he’s so easy to fool, it’s being upset that there’s something so wrong with you that you can’t even tell if your "close buddy" even actually likes you or not, it’s like. Holding my head. He can’t trust his own vision of events that happened do you see. There’s always this film of distrust that it could be a lie that should be there when he interacts with people there’s always this sense of cloak and dagger to expect backstabs out of nowhere because you CAN’T see it coming you CAN’T you CAN’T there’s something about you which makes it impossible so you CAN’T-

He’s so scared of not being able to read people. He knows it’s a weak spot he has, he’s always known. All of these bits are centered around social expectations and betrayals, the assumption that he doesn’t belong either in society or with other humans.

And Laios’ level of awareness is actually sort of complex to analyze, but it’s there, there’s how out of him and Falin he was the one sensitive to the ~aura of hatred~ he felt from the townspeople, there’s of course his nightmares whispering to him about the mocking looks, and how yeah actually he realizes that his gold stripper coworker was taking advantage of him. There’s of course the Winged Lion speech about his trauma and how he fundamentally mistrusts/dislikes humans to some deep seated degree, this distrust that he still keeps under control always. There’s how pre-canon he often wanted to suggest eating monsters but never worked up the courage to bring it up with the others. There’s how he gets across as stoic when he isn’t being enthusiastic…… We don’t know how aware and wary he is exactly in the moment but we do know he has some anxiety around social stuff, and looking back he does notice and aughh augh, the sense you have to hide yourself to not get hurt and be on your guard and shit and.

When you don’t know what to look out for and when to look out for it, the general ‘common sense’ of not always trusting people or noticing when someone’s messing with you becomes hypervigilance in social settings

"Man they really know what you hate huh". Being socially unaware literally plagues him, he knows, he knows it so well.

It’s so quick that it’s almost hard to digest how literal and blatant Laios summoning his monster to crush all the people who’ve hurt him is. His literal go-to coping mechanism for comfort in his literal monster-induced emotionally intense nightmares, saving him by taking away the upsetting element (the humans)

"Monsters are his coping fantasy, where they can whisk him away from humanity, all the hurt it’s caused him and its arbitrary rules" with the subtlety of a brick. Monsters are his comfort safe zone "because they kill humans" yes but no it’s because he pits them as the guardians against humans who to him are in the role of the agressors. To him they represent freedom from the shackles of what it means to be part of humanity, a fundamentally social species

[co-dependance]

I’ve seen people talk about the main theme of the owl house being acceptance, and I think they’re completely right about that. But I haven’t really seen anyone look at the sub themes depicted in the show around the acceptance theme.

Specifically how the owl house is really advocating for child autonomy. Specifically in the ways of discipline, showing that communicating and talking with children ends up being a lot more beneficial and effective than punishing them.

The most obvious example comes with the collector, where instead of talking to him, King’s dad punished the kid by putting him in essentially time out, for the actions of his siblings. Which he would’ve learned if he had talked to the collector. And then following that, every interaction before talking with Luz, has the collector being used or placated in some way instead of being treated like an actual child due to the amount of power he has. The titan trappers revering him as some sort of god, Belos manipulating him, and even king attempting to appease the collector, instead of really talking to him. Though for king it’s a bit more understandable. Even so, the show showcases the collector’s change only after he’s talked to like a person, and then shown why his views were wrong.

Luz, who’s the main focus of the show, has her character arc and journey centered around being punished for her not fitting in at school. And while, yes, some of Luz’s antics that were shown seemed to be legitimately dangerous, the real solution would’ve been to talk with her and teach her about safety and why bringing wild animals and fireworks into a school building is dangerous. It should have also been that Luz should be able to talk and negotiate with her teacher about what would be acceptable for her projects with her endless creativity. The solution was not to essentially punish Luz for being creative, and what that only did was make her feel worse about herself and more isolated from the people she thought would be on her side. And then we were shown in thanks to them and for the future, Camilla’s growth into understanding that not talking to Luz about this, and essentially forcing her into normality, was not the way to go about things.

And we see this theme again, with Willow forced into the abomination track because her parent’s thought that was what was best for her, until she was able to showcase her skills and switch to what she was actually good at. Alador realizing he missed a lot of Amity’s growth by not talking to her, and then making it up to Amity by letting her set the boundaries and reestablishing their relationship. Odalia being controlling and not listening to her children which lead to actively harming their social development, until she was confronted and then shut out. Belos manipulating Hunter, isolating him, and abusing him, not even listening to what he had to say. And all of these situations were made better and more bearable when they were given the chance to take charge and be heard.

All this, in an attempt to showcase that children can be vulnerable and malleable, but they are also smart and understanding. And instead of deciding what a child needs, it’s important to communicate with the child instead, asking what they need and listening to what they’re saying. And implementing that by guiding and supporting them, not attempting to control them to what someone else thinks is right.

Children are smart and observant, they just need to be taught how to communicate, and viewed and thought of as actual human beings.

In a way, the owl house is attempting to advocate for it’s audience, and that’s beautiful.

[silverskye13]

random thought, but i had a vivid image of, if helsknight and welsknight ever saw each other without armor (or just helsknight out of his armor tbh), helsknight showing welsknight the scar tanguish gave him and saying "this was intended for you."

i don't know how in character that is, but tbh it's haunting me. maybe it's part of helsknight's revenge against welsknight or something, calling out his unknightly behavior and unhonorable conduct.

"You didn't answer my summons."

Helsknight froze. It was a quick, momentary startle, a short-circuit of normality. The moment he did it, every instinct told him to keep moving. That old command [Do something.] blared loud in the quiet surprise of his mind. So he moved his hand to pick up the brush on his table, and pretended to be unconcerned.

"I'm not a dog. You can't call me to heel," Helsknight said simply. He smirked and growled, "Though if you feel like losing some limbs, feel free to try."

Behind him, Wels shifted uncomfortably. Helsknight liked making Wels uncomfortable, he didn't handle it well. He was a creature used to comfort and ease. Inconvenience often galled him more than a sword to the throat. Different tactics for different battlefields, and this battlefield was a delicate one.

Helsknight was cleaning his arms and armor, which was one of several reasons why he hasn't leaped for a fight when Welsknight had called him to one. He was only in a tunic and breeches. It was luck he even had his boots on. He had offered to run errands with Tanguish, but Tanguish had said he was visiting his church and wanted to go on rooftops. So Helsknight stayed home, and he left his boots on. That was the other reason Helsknight hadn't answered the call: Tanguish wouldn't know where he was, and he knew Tanguish got paranoid about being left behind. Besides, Helsknight had chores he could do at home [like cleaning his arms and armor] so he stayed. Cleaning the chainmail was almost a formality. Hels was hot and dry, and he wore it often enough that the rings clattering together cleaned themselves. But sometimes he just liked putting an extra shine on things, so he took out his brush and oil and started brushing it down for any miniscule specks of rust or broken links he could find.

Wels, always keen on the times he wasn't wanted, decided now was the perfect time to show up in his living room. He stood awkwardly, waiting on Helsknight to make some aggressive movement. When none came, he cautiously stalked further into the tiny living space. His emotions were loud and uncomfortable without the distance between their respective worlds to dampen them, and they clung like smoke against Helsknight's skin. Caution at an unfamiliar space. Disgruntlement at being ignored.

[Guilt, like ash on a burn.]

"Is this... Yours?" Wels asked, glancing around.

"No, I'm just squatting in a random house. Sounded like a fun way to spend a Tuesday."

Helsknight felt the ant-bite sting of vicarious agitation and smirked. He was already getting on Wels's nerves.

[Good.]

"Couldn't build something nicer?" Wels snapped impatiently.

"I'm a fighter."

Helsknight found a place on his chainmail to brush down and got to work. The rough, grating twinge of the coarse bristles on chain made Wels wince. Helsknight always found the noise pleasant. Like scratching an itch.

"So?"

"I have better things to do than spend hours building the perfect house."

Wels scoffed and looked around the room with renewed disdain. "Where's your little devil?"

It took Helsknight a moment to place what he was asking. He sneered, a quiet bearing of teeth, and caught the flicker of red in the reflective shine of his chainmail. Wels looked pointedly away from him.

[Like ash on a burn.]

"Not feeling remorse... are we, crusader?" Helsknight asked, finding a new place to polish. The coin-drop clatter of chain, and the shrill scrape of bristles filled the silence like an accusation.

"Of course not," Wels sniffed disdainfully, still refusing to meet Helsknight's eye.

"Careful." Helsknight murmured, that red flash reflecting off his chainmail again, anger simmering. "Lying's a sin."

"Why would I feel remorse for protecting my home?"

"A crusade well fought I'm sure."

"It's not a crusade!" Wels snapped, his own anger a living thing raising hackles. "A crusader invades! A crusader fights a holy war just for the principle."

"Right. And you're fighting because--"

"Because I'm protecting Tango."

"-because it's for his own good?"

Wels didn't exactly wince, but he did still, as though he'd heard someone draw a blade from its scabbard. Helsknight might as well have unseated his sword. He had stopped scrubbing, all pretense of work falling. The need to pace, to circle, to corner, rose up in Helsknight like a waking beast.

"Interesting choice of words. Protecting." Helsknight said, his voice low, his hands still. "I was under the impression they were friends. Do you often protect Tango from the people he's begging you to spare?"

"That doesn't matter." Wels said so firmly it was almost convincing. Almost. "People are convinced they need an abusive relationship. That doesn't change the fact it's bad for them."

"So many interesting words today," Helsknight hissed. He stood like a dark tower rising, all embered fury slowly stoking. Wels didn't bother turning to face him. He could feel his intent like thunder. "Abuse. Brings to mind the image of power. I do have a question."

"I didn't come here for your stupid questions."

"No, you came here looking for a fight."

"I didn't."

"You really do need to tame that lying tongue."

"I didn't come here for a fight."

"Did it feel powerful?" Helsknight demanded, pacing a step, and loathing the tiny room for denying him the space to circle. "The voice. The command. How did it feel."

"Shut up."

"To have someone begging you not to hurt them," Helsknight continued relentlessly. "Not your stupid play fighting on your stupid little server. True, shaking, terror. Did it feel good, crusader? Just?"

"I told you to shut up!" Wels shouted, taking a threatening step forward only to find Helsknight had closed the space between them and stood looming like a rook on a tombstone.

Fear, a caged thing howling, battered against Helsknight's anger. It made Helsknight feel almost giddy, the crash of malicious schadenfreude and self-righteousness against Wels; a flickering thing of brittle will. They made a terrible ouroboros together, fear feeding anger feeding elation feeding fear. They were always like this. No matter how calm either of them tried to be, once anger kindled in one, their emotions burned until there was nothing left but fury and loathing. Helsknight had been made to cut Wels down to size.

"Do you know what that kind of fear does to people?" Helsknight demanded again, his voice so near a whisper it was smothering. They were so close together, but they made so little noise, all will and wide eyes. "What happened to mercy for the helpless, crusader?"

"He wasn't helpless," Welsknight said, trying very hard not to back down. "He stabbed me."

"And a drowning rat bites. I wouldn't call it an apex predator. Certainly I wouldn't call it a danger to you, with your full armor and sword." Helsknight bared his teeth at Wels, something like a bitter grin. "I wasn't wearing armor."

Wels looked down, where Helsknight had drawn up his tunic to reveal the new scar in his abdomen. Wels looked like he'd stopped breathing.

"This was intended for you," Helsknight said. "You should thank me."

"You're-- you're here telling me he's harmless," Wels laughed nervously. "But he almost killed you. You."

Something in Helsknight snapped, and in the moment it took him to reach for it with white knuckles and compose it again, he'd shoved Wels hard in the chest. It didn't knock his other half off his feet, but he stumbled back hard enough hit the opposite wall. Not hard enough to hurt, but certainly hard enough to warn.

"He did," Helsknight snarled, pacing forward slow steps. "That's what terror does to helpless people, crusader. It makes them bite. It makes them beg. It makes them clamor to live. You. Did. That. What did it feel like to abuse that kind of power Wels? To turn someone into a scared animal? To make someone so desperate they would almost kill a friend? Did you find your righteousness there crusader?"

Helsknight didn't know what he planned on doing. Violence was in his blood like a serpent, and he wanted it. And Wels knew he wanted it. There was the ring of drawn metal, and the silver-bright glint of an enchanted blade in a dark room. Helsknight's advance stopped at the top of Wels's sword, not close enough to hurt, but close enough to warn.

"Stop." Wels said. A command. A plea.

"I'm unarmed."

"That doesn't matter."

Helsknight smiled, and there was loathing and euphoria in it, and the wine-dark dread of Wels right on the other side of it. The knowledge of a line crossed, a battle he hadn't even realized he was fighting made forfeit.

"Fine." Helsknight said. "My blood's already been spilled once on your behalf. At least this time do it with your own sword, coward. I'll make it easy for you."

He took a step forward, and nudged the blade with a knuckle, resting the point against his scar. The metal was cold, even through his shirt, the enchantments alive and writhing so close to his skin.

"How cruel have you gotten while I wasn't there to keep you in check, crusader?"

There was a long breath of silence between them. Helsknight stood, precarious and predatory, daring Wels to kill him. And Wels stood there, and dared himself to as well. And the room was dark, lit only by red anger and blue dread, and the pale, languid flicker of enchanted steel. And neither of them breathed. And the universe watched.

A loud clatter sounded on the roof. Both knights looked up towards the ceiling, Wels in startlement, and Helsknight in resignation.

"And he stays my hand once again," Helsknight sighed.

"What--?" Wels didn't get his full question out before Helsknight moved. He knocked the sword aside and lunged forward to grab Wels's shirt. In a move that would've made Martyn proud, he dragged Wels forward into his knee, knocking the wind out of him. In the time it took Wels to collapse to the floor, Helsknight had taken his sword, and held the point beneath his other half's chin.

"Go home Wels," Helsknight said, "before I send you there the hard way."

Wels, breathless on the ground, let out half a strangled laugh. "Why don't you?"

"Because I was asked nicely not to go running off and killing you."

"Helsknight?" A loud knock sounded at the door. Tanguish's voice, a bright comfort even in spite of its concern, called to him. "Is everything okay? I thought I heard something fall."

Helsknight glared meaningfully down at Wels, who only hesitated long enough for Helsknight to draw back the sword before slipping back to his world. The moment he did, Helsknight felt his breath leave him, the great void of being left to his own thoughts and emotions. In the wake of everything that was Wels, he felt ridiculous.

[What in hels had he even been about to do? Die on someone's sword to prove a point? Idiot.]

"Helsknight? The door is locked."

"I'm coming," Helsknight called, pausing only long enough to hide Wels's sword beneath the couch, where Tanguish couldn't see it and inevitably worried about it. He checked his tunic to make sure he hadn't managed to actually stab himself [he hadn't] and went to let Tanguish inside.

[kagoutiss]

oot zelda doodle i liked :’-)))

[wigglybunfish]

Mizu deserves a cat companion just as feral and scrunckly as her :)

original refs and clean artwork under cut:

[xserv]

BLACK DRESSES - IN MY MOUTH.

i fucked up.

[clairenatural]

i also think that cas as a character fundamentally feels like he doesn't Belong and that's something they did accidentally but can be interpreted as an allegory for multiple different experiences that all resonate with people. Misha has talked about how he wasn't intending him to be Not Like Other Angels, all the angels were supposed to be like that, they just. didn't end up doing that. And because it wasn't intentional at first I think the angel/human cas debate/endgame/storylines resonate differently to different people who relate to it in different ways. Outside of the debate of what should/would most likely happen in canon I've seen a cas actively choosing to be a man be important to people for gender reasons. I've also seen a human!cas who chooses to be human be important as an allegory for leaving a toxic family and choosing your own found family. And I also see angel!cas be important to people as an allegory for neurodivergency and the idea that he should be accepted as an angel the way he is, that there's nothing "wrong" with him as he is. he's such a beautiful complex character and i think people connect with lots of different aspects of him and idk i think it's really cool. i love castiel

[dollypopup]

'colin needs to grovel' 'colin should suffer' 'pen can't let him off easy'

please, his mother in law is about to be PORTIA, doesn't the man have enough curses in his life?