#and view too

[o0kawaii0o]

4 hearts

[miradeniz]

[arachines]

looking through old airheads files and trying to remember whether these were meant to be a canon style analysis or not

[that-dumb-dinosaur]

look me in the eye and tell me this isn't one of the coolest shots in any star wars tv episode. and don't even get me started on when his voice overlapped with Vader's-

[happyheidi]

Photo by Azad Balabanian

[theoldkyokodied]

One wedding and three funerals

Background paintings under the cut

[khruschevshoe]

You know, it's rather interesting to me that Taylor Swift's parasocial relationship with her fans is honestly more akin to a YouTuber than a writer's. When I scroll through her tag on tumblr/Twitter, it's far more regarding the connection to her personal life/relationship developments than the actual metaphors/fictional story she might be telling. Everything comes back to how her songs reflect back on her relationships with Joe/Matty/Travis/Jake/insert ex-boyfriend here. And what fascinates me about it is that even though she complains about it, she leans into that very perception because it strengthens the parasocial bond.

The marketing for TTPD so clearly being about Joe Alwyn and the songs to Matty Healy. The marketing/video for Red TV so CLEARLY being about Jake Gyllenhaal, with so many of the new lines in All Too Well specifically being digs at him (I'll get older but your lovers stay my age, casting an actor that looks like him for the video, specific lines in I Bet You Think About Me). The fact that songs like Getaway Car and Bejeweled and Gorgeous and London Boy and Lavender Haze being picked apart at time of release and long after for signs of relationships crumbling. The way she uses surprise songs in relation to her relationship development with Joe/Matty/Travis. The damn TTPD "stages of grief" playlists where she deliberately undid/changed the meanings of old songs just to keep her audience speculating on her love life.

It's not sexist to point out that her wielding her love life is a marketing tool and that the strongest connection to her audience isn't the strength of her writing/the composition of her music- it's her deliberate crafting of a connection between her music and her personal life, leaving the audience invested in her music as an extension of Taylor the Person/Girlfriend rather than Taylor the Artist.

[indivisiblecell]

"you're staring"

[gomzdrawfr]

[content warning:MCD, afterlife]

Back in your arms

[beacon-lamp]

r/malelivingspaces strikes again

[radiance1]

@puppetmaster13u You called Danny a space whale in the tags of one of this post.

Now what if that was literal?

Hear me out, Danny outlives his friends, parents, sister. Danny becomes a literal whale.

Well, not a literal one because he's a ghost, but he takes the shape one of at the very least. He's just a giant, glowing white whale that looks pretty divine not going to lie.

Danny leaves earth. It wasn't safe for him anymore, what with the GIW and all that as even the ghosts found it not even worth anymore to visit the mortal world.

Except for Desiree and Spectra, but that's besides the point.

But Danny doesn't retreat to the zone, he's always longed for space, but because of his new half humanness he doesn't get believe he could've ever gone because, well. Yea.

But Danny goes fuck it and goes anyway. His form shifts from human to that of a giant whale, and he swims out into the vastness of space.

Years pass, and Danny does start getting bigger as he aged. He explored the vastness of space, marveling at many things, the different planets, the stars, the formations of rock and other things.

Then he encounters someone he never though he would've.

Vlad.

Well, he knew Vlad was left behind in space by his father but he didn't think he would find him again and Vlad seemed... different, from what he remembered.

For one thing, he didn't even know where Vlad began and space ended. He got only see those red eyes that even hinted at it being the man. His body was void black and filled with stars upon stars, all glittering from his body and Vlad barely even seemed to notice him, or if he did, he didn't seem to care at all.

So, Danny took him.

He was both curious and felt a bit bad about what happened to Vlad, even if he didn't know exactly what happened, and he couldn't just leave him there either.

So on his back Vlad went, and his travels continued.

It seemed to be the correct decision, really, because slowly overtime Vlad seemed to be regaining his awareness. Then slowly, tentatively, started to speak with him through ghost speak.

Vlad only seemed to vaguely remember what he was before space. He remembered hating a man, loving a woman, wanting a son, loneliness and a boy with white hair and toxic green eyes.

Even though Vlad was his former enemy, his nemesis, and someone who took the world hostage.

He couldn't help but feel pity for him.

Then their travels continued.

Years pass unnoticed, when in space, with Danny slowly getting bigger and bigger as the two travel throughout. They've come into contact with various civilizations, some hostile, some peaceful, some neutral.

The hostile ones never lasted long, even if Danny never lifted a flipper to do anything most of the time, Vlad made sure of it.

They came at went as they pleased, and Danny believes that they've gained a bit of a reputations over their adventures, but neither he nor Vlad knew exactly what they said. It did prove useful in some cases, however.

A few more years, and Danny feels that this system is vaguely familiar. Which happens sometimes, considering he's been travelling for so long. He then finds out why it was so familiar.

He came across Earth and, oh. When was the Earth so small?

Well, not small really, but when was he just only a bit smaller than it?

Did it shrink when he was away? Or did he just grow?

That doesn't matter though. What does, is the fact that currently seemed to be an invasion going on, on his home planet thank you very much. He did not like the fact that there was a massive fleet parked right outside his home.

So he spoke to Vlad, expressed his displeasure, Vlad responded back knowingly and went off to make the source of his displeasure disappear. That doesn't Danny was idle either, the fleet was big and, well.

It's been a while since he's stretched himself in a fight.

[echoes-of-the-unknown]

Happy wedding day!!!

Clear of text below the cut

[miradeniz]

[battlekidx2]

Alastor Episodes 7 and 8 Thoughts

These two episodes really gave us a lot in regards to Alastor and I cannot wait to see where they go with him in season 2. What I find most fascinating about what they established with him in these episodes is how I think this perfectly sets up Alastor to directly challenge the show’s main themes of redemption.

Alastor is the only character in the main cast that I think could effectively challenge Charlie’s idea of redemption by making her face the question of “where the line for who can be redeemed and who is too far gone is?” 

Even Vaggie and her past as an exorcist couldn’t challenge Charlie’s ideals in the same way because Vaggie so clearly wants to be better and is trying to be better. She could only challenge Charlie’s idea of who could be redeemed. She couldn’t truly challenge the line of when someone is too far gone unlike Alastor. 

And to explain this I'll just jump right in.

It’s clear these two episodes were meant to show a shift in Alastor and Charlie’s relationship in some capacity. It’s a bit more of a subtle shift than with the other characters, but I think it’s setting up this future conflict well for the limited time the show has. 

At the start Charlie doesn’t think Alastor cares and calls him out on this. She directly states that she believes he enjoys the suffering. He refutes her idea of him by stating she doesn’t know what he feels. He purposefully hides his feelings behind a smile as a sign of control. (The first shift. It tells her there’s more beneath the surface)

Then Alastor helps Charlie enlist cannibal town and says he wants to mentor her in the song. This is more than the initial indifference and humor he got out of Charlie at the beginning. There’s an interest in seeing Charlie grow and being a part of it that wasn't there before. And, with Alastor helping Charlie here, trust is being built (at least on Charlie's end).

Then Alastor talks to Niffty (who he is clearly fond of) and admits he finds the group enjoyable to be around. He says he could grow accustomed to them after Niffty says she really likes them almost in agreement with her. He's very candid with Niffty and doesn't seem to feel the need to hide his emotions around her. They appear to be on the same wavelength.

And finally, Charlie is upset when she thinks that Alastor died against Adam and hugs him happily when he returns. In Charlie’s eyes Alastor has been helpful and risked himself and his power to protect the hotel. This is a true shift in their relationship on Charlie's end.

This bond is necessary because if (at the very least) Charlie doesn't care about Alastor then he won't be able to truly challenge her idea of redemption and the show implies it doesn't just go one way. It's just obscured.

To explain what I mean I want to look at Alastor's role in the final battle and that moment when he is alone after he escapes.

At the beginning of the battle he felt like the trump card he should have been. He makes the exorcists, before Adam destroys his shield, look like a joke. And he gives Adam a run for his money before he becomes overconfident and lets his guard down. He didn’t expect Adam to bounce back and have that much power left to show. He was caught completely off guard and paid the price. 

And instead of staying to face the end with the rest of the people in the hotel Alastor opts to save himself. He places himself first. When he leaves he seems almost smug, spouting off a one liner and smiling as he sinks into the shadows. It seems calculated and calm, but alone is a completely different story. This moment shakes Alastor and that moment alone puts his fight against Adam and decision to flee in a different light.

In this moment when he's alone he starts to lose it, saying there has to be a way out. This isn’t where things end. He will come out on top. 

He can feel his control over the situation slipping. His power and notoriety has been challenged left and right this season. First Vox, then Lucifer, then the loan sharks, now Adam. It’s one right after the other. And Adam almost killed him.

He’s struggling to grasp onto what little control he has left by forcing himself to keep on his smile and it calls back to the beginning of episode 7 when he says to Charlie that just because she sees a smile doesn't mean she knows how he really feels. His smile is a sign of control. And even in this moment you can see that last bit of control slipping. And it’s left him even more desperate for his freedom than before.

The Radio Demon was introduced almost as if he was an all powerful entity and now he is being brought back down to earth and he’s raging against it, barely keeping it just below the surface. 

But there’s even more to his breakdown than just his pride. The lines “Great Alastor, altruist, died for his friends. Sorry to disappoint that is not where this ends. I’m hungry for freedom like never before. The constraints of my deal surely have a backdoor.” strongly imply that he really does care for the residents of the hotel more than he wants to admit even to himself.

He is freaking out because he got too close to dying trying to protect and help people that he never thought he would care at all about and he’s doubling down on his plans from before. 

His immediate desperation to be free implies he is at the hotel because he is forced to be there, but he’s desperate to get out of the contract because he doesn’t like how it’s changing him. Alastor has always put himself first and here he is almost dying trying to protect this hotel and it's rattled him even more deeply than the blow to his pride.

I feel like they know exactly what Alastor can mean thematically and they want you to know he’s a villain while seeding hints there could be change under the surface (ones that Alastor himself is afraid of and wants to double down against). There’s a balancing act going on with him and it seems they really do want to challenge the idea of redemption with him. Not just Charlie’s, but his own as well.

Alastor is still in my opinion the best written character in the series. There’s just so much to unravel with him and he’s the most fun to try and dissect to me. I can’t wait to see what they have planned for him in season 2.

[jiiyawns]

based off the new sonic pict mistranslation but also bc why not. new shoes for him that remind him of someone always

[queermasculine]

if there's ever going to be a big bad butch slasher for real, my only demand is that they have to film her from the dicksucking angle at least once in the course of the movie. maybe even twice