#and written by a white person

[poorly-drawn-mdzs]

Gaslight, Gatekeep, Girl found dead in a hidden room.

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[ryllen]

Look what came through the mail today! The letters & ( •̀ω•́ )σ 3 little gremlins from letterstoear.

Just wanna say i adore the flower stickers on the letters too much, they are that much worth mentioning.

[official-saul-goodman]

The only thing I disagree with is the implication that Bechdels transphobia to trans men is not as serious, because it is. But in this case she has also done a lot of important activism in other areas which is why she's a legend in the lgbt community, and the flaws in her work and her personal politics cannot be overlooked. And in comparison to Andrew Hussie, her work is obviously more significant. Obviously. Andrew Hussie has always been an OPEN racist bigot who wrote the n word into their comics and just cause a bunch of white lgbt ppl found solace in a comic made by a blatant bigot who encouraged children to say racist, ableist, transphobic, misogynistic slurs doesn't make homestuck in any way comparable to Bechdel's comic.

You don't get to point the flaws out in the work of a lesbian historical figure just so you can get people to ignore the work of done edgy cunt who hasn't done a minute of actual lgbt activism in their life. If we're holding everyone accountable we will hold anyone accountable, get a grip.

[weedpoop]

redditors will be like “erm does anyone else think abed is a bit of a dick 🤓” as if their faves aren’t a disbarred lawyer who sees women as objects, a future cop who drugs her friends with amphetamines, a white feminist who equates virtue signaling with political activism and thinks animal abuse is worse than racism, a pro-life fundamentalist christian, an arsonist, and pierce

[tyriongirl]

Genesis 4:1-5, translated by S. R. Driver, from The Book of Genesis, 1905

A Clash of Kings, Prologue - Maester Cressen

Emanuel Krescenc Liška – Cain (1885)

Claus Westermann, Genesis : a commentary, 1984

Arthur Segal - Kain und Abel (1918)

A Clash of Kings, Prologue - Maester Cressen

Natalie Diaz, A Brother Named Gethsemane, from When My Brother Was an Aztec

Lovis Corinth - Kain (1917)

Genesis 4:6-9, translated by S. R. Driver, from The Book of Genesis, 1905

A Clash of Kings, Chapter 33 - Catelyn IV

Odilion Redon - Cain and Abel (1886)

A Clash of Kings, Chapter 33 - Catelyn IV

Genesis 4:9-14, translated by S. R. Driver, from The Book of Genesis, 1905

A Clash of Kings, Chapter 31 - Catelyn III

St. Omer, Benedictine Abbey of St. Bertin; c. 1190-1200

A Storm of Swords, Chapter 36 - Davos V

S.R. Driver, The Book of Genesis, 1905

A Clash of Kings, Chapter 42 - Davos II

Lazzaro Pisani - Death of Abel (1885)

S.R. Driver, The Book of Genesis, 1905

A Clash of Kings, Chapter 42 - Davos II

A Clash of Kings, Chapter 42 - Davos II

Cain and Abel - City of Zeven - 2015 (source)

Genesis 4:14-16, translated by S. R. Driver, from The Book of Genesis, 1905

[triviareads]

Liana de la Rosa calling this wave of "feminist" heroines in historical romance a new marketing tactic is hard facts

[tequiilasunriise]

Annabel Lee & Fears: A Short Essay Based On Ep70

Here it is, folks, the truest crux of Annabel’s character, her deepest fears is not going mad or even people discovering she’s not as put together as she tries to appear, but rather:

Was that gambit of constant scheming and using others worth it, Annabel? Was always trying to think ten steps ahead and always keep yourself in a position of power and control truly worth it, because how can you ever be trusted when all you do is play 5D chess with everyone?

There is is, folks!!! Just like her greatest strength- her cunning willpower- is centered around a certain bright moon, Annabel’s greatest fear is rooted in Lenore. The deepest, darkest trenches of her soul, the one thing that would shatter her heart and send her lungs choking fer breath? The killing blow that would end her and make all these charades worthless? It’s Lenore seeing her constant conniving and asking Annabel, “Why would I be any different? You already have no problem using everyone else as a pawn, how could I ever possibly trust you, Annabel Lee?”

The way Annabel is SUCH a great morally grey character, y’all tell me you love hot villains yet many a time I’ve seen people calling Annabel too heartless. She’s the opposite! She cares!! SO MUCH!!! She would burn the world down if it meant kissing Lenore one last time, to the point where her deepest fear is losing Lenore in the process of trying to protect her. All Annabel knows is using manipulation to gain the upper hand because simply being born a woman in the Victorian era she was so throughly disadvantaged by such a horribly misogynistic society that girlypop had to scrape together any form of control she could. Annabel wants so badly to protect Lenore but all she knows are her own methods of protecting herself, which involves plausibility deniability and facades and sometimes sheer cruelty, and that’s where the conflict arises. From the start Annabel assumed Lenore and her had the same understanding of this ‘fake enemies’ ploy going on but surprise surprise babygirl, not everyone is overthinking four parallel universes ahead like you do. This boils over into her lover having doubts on what’s real and what’s not, which then culminates into Lenore asking if Annabel is using her affections as empty currency to get what she wants, and Annabel’s first move to tell Lenore to fucken kill her????

“To you alone, I have left myself completely defenseless.”

The drama of it all!! The shattered facade leading to exploding vulnerability of it all!! The dim sun sparking out into a heat death just to prove her sincerity of it all!!! The exposed innermost organs ripping out my heart with my bare hands and begging you, “Do you see it now? Do you see the way it beats for you and only you? Tell me you see it, tell me you see me…” of it all!!

Oh baby the way Annabel still retains this deep fear of Lenore not truly believing in the “only thing that’s real” to her, the way her lover’s ghost still lingers and haunts her and is then ripped up from her innermost psyche like a desecrated grave and given form by Ada’s power. The way, after all this time- and I mean all this time from Lenore’s constructed resurrection, to their relationship blossoming into a wedding, all the fucking way up to that bell tower scene, the fucken way Annabel still never truly let go of her fear that Lenore doesn’t see her, doesn’t see how she alone bashed through all of Annabel’s walls and made a home where her heart laid. I’m sure during their living relationship all the way until the wedding Annabel’s fears were greatly settled, but it’s the fucken way these panels implied that this wretched heartache never completely left Annabel’s guilt-wracked soul.

I just know, okay I just KNOW, that even up until she was putting her wedding dress on Annabel still questioned if she even deserved this happy ending because she still feel phantoms of guilt fer this betrayal. This comic only furthers this implication of unabsolved guilt when it’s made clear as day that Annabel’s biggest fear is Lenore not believing in her love. And before anyone argues how Annabel can currently feel guilt fer betraying Lenore when she hasn’t recovered the memory yet, I’ll argue back that from the very beginning of the comic these two were inexplicably drawn to each other even when they had NO memories. Therefore, even if she doesn’t have the explicit memory, I highly doubt Annabel’s subconscious would ever let go of something as huge as deeply hurting the one person she truly cared about in such a wretched way.

Fuck, dude, I mean Annabel’s greatest fear wasn’t even Lenore dying- which was already a huge thing if y’all remember her tearstreaked, panicked, “What is left? If she’s not here, what’s the point?”- no her greatest is Lenore!!! Not!!! Believing!! Her!!! Like yeah losing Lenore physically definitely would’ve cut so deep even her bones would bear the scars, but losing Lenore in the form of the other woman walking the same ground as her but choosing to stay away?? Call her fucking selfish because some people would rather have their other half still be alive even if they’re not by their side, but Annabel ain’t one of them that’s fer sure. Babygirl has spent a lifetime perfecting the craft of deceiving others fer her own gain, but the ONE TIME she’s genuine her heart is to be called nothing more but empty??? Oh babbyyy that’s gotta fucken hurt.

The thing is, I don’t think Annabel really loves herself all that much. I really don’t. A huge focus on self-preservation doesn’t necessarily mean one really loves themselves, and when we add the aforementioned guilt she carries? Plus, the fact that Annabel being forced to swallow down her anxiety attacks from a young age could easily lead to her having a rather sour view of her 'not normal' self? Yeah no yeah, I truly don’t think Annabel loves herself that much, if at all. So really, this line is adding immense insult to already grievous injury. Not only does Annabel deeply fear Lenore not believing her affections to be true, she also fears the New Yorker misconstruing her as nothing more but a shallow as hell, prissy, little pampered damsel, a role pretty much everyone else regulates her into whether she wants it or not (right from the beginning, before she even set her schemes in full effect, Annabel was already explaining, “Ada wanted a queen, so I gave her one”). Lenore, the only one Annabel had believed to ever really see her fer her, is now discrediting Annabel’s vulnerable affections AND seeing her as that unloving ice queen like everyone else?? Horrible terrible horrible!!! She may have a ribbon threatening to strangle her right now, but it’s clear that ghost!Lenore’s words are what truly cut her down to size. Y’all seeing that fucken pain in Annabel’s eyes? Her worst fear is just so… personal.

Which actually leads me to my next point, which is how just before Annabel’s worst fear is revealed in stark, horrifying detail, we see Prospero’s. Lemme just preface this by saying what Prospero went through is n o t any less terrible and is a super fucken mega valid fear/trauma, but let me cook y’all just hear me out. Prospero’s fear seems to be about medical malpractice and/or being conscious during a painful operation that likely went south (aka ‘oh shiiitttt he fucken DEAD-‘), and that’s fucking tragic as all hell. Yet, okay let me cook here, it’s more… I don’t want to say general, because that does NOT mean his fear is any less significant but it’s like. Way back when, death via medical bullshit was more or less fairly common, especially during wartimes (which is the era I headcanon Prospero to be from); meanwhile, Annabel’s fear is so uniquely hers, it’s borne of a culmination of specific experiences tied together by her relationship with Lenore.

By contrast of a more common fear vs something so deeply personal and specific to this one person- because it’s not just unrequited love, it’s being so vehemently denied and misunderstood by the ONE (1!) person who you wholeheartedly trusted in your entire life who also oops mega died on you- this distinction gives way to an almost more raw, more visceral feeling to Annabel’s fear sequence. Again!!! I am not undermining Prospero’s own trauma, I promise!!! But you have to admit that there’s something, from a narrative standpoint, that hits so much harder with how deeply personal Annabel’s fear is. The contrast is even more great when you look at how Prospero’s involved a buncha bloodied hands not really tied to any faces or even any indication of personhood like accessories, scars, etc etc. It could’ve been a group of anyone holding him down hurting him; on the flipside, Annabel is being restrained by one very specific person we see in full view. The faceless crowd who could’ve been anyone at anytime vs the lone perpetrator whose history you know like a second name. It’s just!!! So personal!!!

In conclusion, on the surface level, one would think a character so deeply ingrained in using deceptions and manipulation would have her greatest fear tie into having her true nature revealed to everyone she’d fooled, but then it turns out it’s the complete fucking opposite. What homegirl fears the most is her truest, innermost self not being believed and accepted by just one (1!) person. The way it’s framed is just so heartstabbingly personal, especially when you parallel it to a previous fear sequence just a few panels preceding it. This is it, your honor, this is Annabel’s deepest driving force broken down to its bare essentials. To hell with whatever reputation she’s carefully crafted! Who cares what anyone else thinks of her if she doesn’t believe her, if she doesn’t SEE her. Really, truly see her. Lenore is the defining point that Annabel has revolves around so wholeheartedly, and there’s no point to anything anymore if Annabel loses her. This crux of her character, OHHH BBAAABBYY it’s just so well done because we, as the audience, have been given clear evidence to build up this narrative of Annabel’s characterization fer so long now and to finally see it come together in a fiery explosion of lesbian angst with this latest chapter??? Gods, the writing of Nevermore will never not drive me absolutely insane in the membrane.

[leiascully]

You know what, I am unbothered by disputes in TXF fandom because I have been here since almost time immemorial, longer than a goodly number of you have been alive, and I will be here at the end of time when the universe cools, listening to “Walking After You” as everything goes stiff and cold.  I have forgotten more thoughts about Mulder and Scully and the rest of the crew than most people have even had, and I have written and written and written until these blorbos are engraved in my bones.  Look for me in the deep places; find me at the wellspring writing with water on slates.  Listen for me on the wind, whispering “fuuuuuuuck chris carterrrrrrrrr.”

[ennaih]

Every Film I Watch In 2023:

240. It's A Wonderful Knife (2023)

[wormfunkie]

really gotta say. not a fan of norman. dude has to be one of the worst dads in pokemon and the bar is already pretty low 💀

[blueskittlesart]

Honestly who is even the target audience for this zelda movie. If it was for kids they would've made it an animation probably, and obviously they want it to reach wider audiences than just people who are already fans of the games, but like. This is a fantasy video game movie full of magic and weird and silly looking creatures, I can't help but feel like that would be off-putting to a lot of people who would think it's silly (which it will be probably. God I just know they're gonna make Link be like super sarcastic and have a bunch of one liners I can't do this)

im gonna be real i think the target audience is mcu fans

[dareduffie]

overhated female main characters who are products of their environment and are blamed for every conflict in their story because for some reason an extreme lack of media literacy has become the cool and interesting thing to do

[awkward-teabag]

I have to wonder how many people celebrating AI translation also complain about "broken English" and how obvious it is something was Google translated from another language without a fluent English speaker involved to properly clean up the translation/grammar.

Because I bet it's a lot.

I know why execs are all for it—AI is the new buzzword and it lets them cut jobs thus "save" money and not have to worry about pesky labour laws when one employs humans—but everyone else?

There was some outcry when Crunchyroll fired many of their translators in favour of AI translation (with some people to "clean up the AI's work") but I can't help but think that was in part because it was Japanese-to-English and personally affected them. Same when Duolingo fired many of their translators in favour of LLM translation. Meanwhile companies are firing staff when it's English to another language and there's this idea that that's fine or not as big a deal because English is "easy" to translate and/or because people don't think of how it will impact people in non-English countries.

Also it doesn't affect native English speakers so it doesn't get much headway in the news cycle or online anyway because so much of the dominant media is from English-speaking countries and English-speakers dominate social media.

But different languages have different grammar structures that LLMs don't do, and I grew up on "jokes" about people speaking in "broken English" and mocking people who use the wrong word when it was clearly a literal translation but the meaning was obvious long before LLMs were a thing, too. In fact, the specific way a character spoke broken English has been a way to denote their native tongue for decades, usually in a racist way.

Then Google translate came out and "Google-translated English" became an insult for people and criticism of companies because it was clearly wonky to native speakers. Even now, LLMs—which are heavily trained on English compared to other languages—don't have a natural output so native English speakers can clock LLM-generated text if it's longer than a sentence or two.

But, for whatever reason, it's not seen as a problem when it goes the other way because fuck non-English readers or people who want to read in their native tongue I guess.

[sk1llz-heeler]

I'm so, so sick of seeing posts where people act like or make jokes that all of Giancarlo's more recent villain characters are the same, along with people saying they're sick of Giancarlo playing the same role over and over. Sure, I understand if you want to see him in a different role from a "smart" villain, HOWEVER, Gus Fring is NOT at all the same character as Moff Gideon, and neither are the same as Stan Edgar, and all of them are not the same as Antón Castillo.

[stopiwanttotalkaboutcheese]

you know that diego was raised by a white dude because he told stan to call klaus “uncle” instead of “tío”

[nyxofdemons]

this is such a good video PERFECTLY encapsulating why exactly so much of the hellaverse fandom is outrageously vitriolic. great analysis of the release structure and how that impacts fandom expectations. valid critiques but also an acknowledgement that hazbin/helluva are uniquely torn to SHREDS for things that they did not cause/are not the sole perpetrators of. highly recommend everyone check out this video as we get closer to hazbin's release