#and yes i used my other arts of them as base because i am not talented enough to make new ones.. sorrynotsorry

[the-ancient-dragons]

Welcome back to Overcomplicating the Pyrrhian Tribes! This week: the beloved RainWings!!

You know what's up. Joy Ang and Tui are so cool and I am just me.

Details and explanation below!

Otherwise, next week are the chilly IceWings! See you then!!!

More overcomplicated dragons.

I knew the RainWings would be really important, and I think they turned out the best of all the ones I've done. I think they're my favourite because they are basically the perfect mix of extra realism spice without altering Joy's design too much. The SkyWing design is awesome and I love it to bits, but it is one of the two that are the farthest from canon.

As for the RainWing.... I had. So. Much. FUN. I heavily used chameleons and snakes - they're basically the two main species on my research board - but there is a dash of cuttlefish and frilled lizard in there. Where, you ask? Well if you look closely, all over the RainWing are little tiny flecks of darker colour. I found a beautiful reference of a close-up on a cuttlefish eye. Its skin is dotted in thousands of little marks and I thought that would be perfect for the RainWing, who can camouflage just as well as them. I don't know if it's been discussed in canon but I bet they could animate their scales more than just colour shifting - cuttlefish are known for using their rapidly shifting patterns to hypnotize prey. RainWings could do it too, sort of like Ka from Disney's 2D animated Jungle Book.

Speaking of Ka - snakes. I love snakes. The head structure of the RainWing here is very smooth and rounded with muscles based on snakes like the python. I was even going to originally draw them in a venom striking pose and got as far as completing the lineart, but ultimately decided it wouldn't fit the calm portraits of the other tribes.

Will you see it in the future? Hell yeah! Pure, unhinged, magical death spit. Looking at it now I might try to alter it to be a full piece of Glory attacking Scarlet or Crocodile.

In the striking pose you can see the frills much better, but I still took my time on this serene pose (this is where the frilled lizard influence comes in). If you notice that I've drawn every scale (every single scale) then, yes, I am insane. If you didn't know that yet, you know it now. You have to draw guide lines and follow them meticulously while you wonder why you don't make a scale brush, and then cry because you know the randomness and imperfections that come from drawing a thousand circles is how it looks natural. The eye area is actually my favourite part, since drawing dragon eyelids was the original inspiration for doing this. Did I mention that? I wanted to draw eyelids.

EYELIDS.

I digress. Besides the eyelids, I like the frills on the action pose, but this pose is where I like the body scales more. When zooming in on my chameleon colour refs, I noticed the very rhythmical distribution of their scales and figured I would give it a try. They actually do have extra large circular scales along their bodies, which is where I guess the canon RainWing design gets it from. Very clever, Joy!

Anyway, on this version, those small circular scales appear on the face. Not only that, but I added a bit of influence from the snouts of my ref chameleons by extending the nose bridges to wrap around the nose horn. They blend in so seamlessly and that's the reason why I love this design - it's subtle, barely there, mostly Joy but a little extra.

Wow, I talk too much. If you're here, thank you! It's not mandatory to read, but very appreciated. I heard once that visitors at an art gallery look at each piece an average of 2-3 seconds. Or was it 3-6? Idk, but it was shockingly short, and ever since then I've tried to encourage myself to pay more respect to other artists and glean their work for little details I skip after that quick glance. I could talk so much more about these designs but that would be like an hour long video, each, lol. If you have questions about anything, ask away!

[radfemsiren]

🤍A basic rundown of my beliefs as a radical feminist 🤍

(I don’t represent every radical feminist, but these are usually the standard opinions you’ll find of many radfems. Hate or disagree with them, that’s fine! But know the truth of who I am and what I stand for beforehand)

- there are 2 sexes, the male sex is oppressing the female sex

- femicide, rape, child sex abuse, hijab laws, female genital mutilation, domestic labor, trafficking, war crimes, revenge porn, prostitution… women and girls around the world are being exploited, tortured, and killed because of this oppression, and it must end.

- female oppression is sex based oppression, meaning a woman can’t just identify out of her oppression (for example hijab laws)

- sex is biological and an immutable truth, gender is a social construct

- gender should be done away with because gender roles are male supremacist and result in women and girls being stereotyped, dehumanized, barred from education, safety, bodily autonomy, etc.

- defining women with anything other than biology is misogynistic and relies on stereotypes

- the biological differences between men and women must be acknowledged in order to effectively end patriarchal oppression

- radical feminism is getting to the root of female oppression (radical -> root)

- misandry is not real and is just an extension of misogyny (for example, “men are told not to cry!” Yes because women are seen as inferior and any trait associated with us is seen as degrading/emasculating for men. This is why there is no female equivalent to emasculation.)

- all current religions are patriarchal and made by men to exploit and control women

- access to abortion is a human right and should never be threatened, women are the creators of life and deserve to gatekeep it, as well as exercise full autonomy over our own bodies

- Using sexist gender roles to define yourself is giving these misogynistic stereotypes power (wearing makeup or dresses doesn’t make anyone less or more of a woman, this is misogyny)

- the beauty industry is patriarchal and exploits women, our bodies and our money

- sex work is not work, it’s always exploitation (consent can not be bought)

- the porn industry is patriarchal and relies on trafficking, coercion, and rape to function. It also conditions its watchers to be aroused by violence against women, and results in more real life consequences for women and girls

- women’s spaces and institutions must be protected. Women’s safety is more important than catering to male feelings

- marriage is a patriarchal institution made to exploit the domestic labor of women for her entire life

- BDSM/kink are patriarchal and only center the pleasure and well being of men.

- hookup culture is patriarchal and the risk to reward is not worth it for women to engage in it

- gender ideology is patriarchal and is a direct hindrance to female liberation (we can’t define ourselves or our oppressors, we can’t create spaces away from our oppressors, we can’t create laws and policy based on these definitions, people who are gender non conforming are pressured to alter their bodies to conform to a rigid standard and become lifelong medical patients, etc)

- choice feminism and liberal feminism caters to conforming to patriarchal standards and institutions, and refuses to examine why women make choices under patriarchy

- women of color face oppression on the axis of our sex and race, men of color only face oppression on the axis of their race

- non white patriarchal institutions must be criticized: a mullah is just as dangerous to the liberation of women as a pastor is

- women should decenter the men in their lives just as men have done with women. That means prioritizing us! Engaging in women’s media, art, stories, fostering female communities and support networks, uplifting and empowering their sisters around the world

- being a radical feminist means consistently taking radical action, big or small, we all can do it! Go support a female artist, go donate menstrual products to a shelter, go tell off a man when you see him making a woman uncomfortable. We all can make a difference!

…My feminism focuses on criticism of Islam and middle eastern patriarchy, but there are radfems with many focuses/passions… some in eco feminism, some on uplifting Romani women, black women, neurodivergent women, women with disabilities, prostituted women… some are passionate about women’s sports, women’s art, women’s writing, women’s history, lesbian and bisexual women’s stories… everyone has their passion on here, so before you come to attack, just check out my blog and click around at the different profiles on this corner of the internet…. maybe we might not be the terrible witches you thought us to be. Or maybe we are, but witches are awesome so who cares lol

[weirdmarioenemies]

Name: Mino

Debut: Tetris

Tetris is all about blocks! You know that! Did you know that those blocks are called Tetriminos? Maybe you did! Geometrically, they are tetrominoes, shapes formed from four squares connected at the edges. "Tetrimino" is the official spelling of the ones used in Tetris specifically, which is a little confusing, but it's ok. Don't worry about it unless you are making your own game about tetrominoes! If you do that, be careful.

But what about the little blocks that make up the Tetrimino? These are geometrically called monominoes, but in Tetris, they are simply Minos! Humble little things. The game is named after Four, so what place does a measly One have?

If you ask me, they have all the place, because they are all over the place! There are no Tetriminos without Minos. Together, Minos are powerful, some of the most iconic and recognizable shape clusters in the world! Even in the form of a plush, The Tetris Company almost ALWAYS ensures that the individual Minos are visible. It is a part of the Tetriminos' designs at this point! The only exception I can think of is in situations unable to use their distinct colors, where other design factors are used to distinguish each. In this case, all but the I Tetrimino have their Minos visible, while I is just a solid color. Come on now, I. The most universally beloved Tetrimino, and you can't show some appreciation for the little guys who made you who you are? Sheesh!

While yes, Minos are a bit overlooked, they do indeed get the spotlight every once in a while! In game modes with items, you can expect that there will be one that turns all of your pieces into Minos, allowing you to instantly fill in gaps wherever you like. They are not particularly powerful, only able to clear one line at a time, but they ARE very convenient and easy to use!

Tetris Friends, my dearly beloved and departed Tetris Friends, uses Minos as the base for most of its avatars! I have already talked about these specifically, but I just want to point out these VERY default ones, each a piece of one of the classic Tetriminos, based on color... until the end, where we get what appears to be a Domesticated Mammal Mino! What are the implications of this? Have members of an intelligent species selectively bred the most docile of Minos together? Do Minos reproduce? Am I way off the mark, and is this Mino actually made of cookies and cream ice cream?

Finally, the reason I've been thinking of Minos in the first place! Here is a photo of the Tetris board game, with a single gray square in the Matrix. That's right! A Mino! In my opinion, this game is the most special Minos have ever felt. In this version, Tetriminos are dropped straight down into columns in the Matrix, and so they aren't as maneuverable as virtual ones. They can't be rotated while falling, and can't be slid into place to fill in any little notches.

This is where Minos come in! They are a sort of compensation for the lack of extra control, and can be placed to fill in extra space before dropping a Tetrimino. This is especially useful if you start with a Z or S block, since in this game, dropping one on a flat surface would leave a space no matter what! With a Mino, you can make a nice little ledge for your block to land neatly on.

This game's use of Minos really stood out to me! They're a major gameplay mechanic, they are explicitly named in the instruction manual, and, most importantly, they get their own PIECES. Physical, officially licensed, single Mino objects! They even get their very own color! A humble gray, not flashy like the rest, but distinct among all the others, and practical. A gray not to indicate a lack of interesting qualities, but instead, great potential!

There is no "official art" for Mino, so I just made the post's top image by editing some official Tetrimino art. Also, I have distinct memory of SOME official Tetris game, possibly Tetris Friends, referring to them as Tetrimonos. Does anyone else remember this? Please tell me if you do!

With that, we have reached the end of this post. But this is not the end of my fascination with Minos. In a way, it's only the beginning. In my Mino research, I have discovered some truly incredible things. Look forward to reading about them next week in Minos post part 2!

[luna-andra]

StepDad!König Headcanons (SFW & Wholesome) ✨

Image @cozyhuii (@miss_bozo on Twitter)

Headcanons I thought up of König being a step daddy to reader's kid

A/N: Y'all got my very first König headcanon list to 600+ notes earlier today and I had to pump this one out. I had been in a writing rut for a while (still kind of am? But I'm finding my way back) and this is my way of showing my gratitude. StepDad!König originally was something I did for me (König being step daddy to my kid? YES PLEASE) but I made this gender neutral (& gn kid) like the other ones 🖤

Domesticated!König Series: Part 1 Part 2

I write other stuff too! Masterlist here 🖤

👑 His reaction was the better outcome you had thought up when König found out you had a kid from a previous relationship. Why would that deter him from continuing to date you? He was a man that didn’t view single parents as “spoiled goods”, and would quite frankly curb stomp someone if they heard them refer to you as such.

👑 He was aware of the possibility of you postponing and rescheduling dates, and unfortunately they did happen. “Sitter canceled? No problem.” “Mom/Dad bailed on their weekend? I get it.” You were so relieved by his patience and empathy for the times plans would fall through.

👑 It was clear to König that you were going to hold off on introducing him to your child. He had great respect for that rule, it meant you were very keen on not having a revolving door of people coming in and out of that kid’s life.

👑 As time went on, he would always show an active interest in your child by asking how they are doing in school? Did they still like [insert movie/TV show here]? He hoped they liked the treats he had bought at the PX on base.

👑 But the one time you seemed extremely defeated and bummed out about another postponed date, he took his chance and threw out the idea of hanging out - the three of you - at your house. You hesitated, but it had been nearly long enough for you to be okay with it. The guilt weighed on you considering it had been a hot minute since the two of you had any time for each other. König was such a sweetheart, reassuring you that this is how he wanted to spend his time, with you and your kiddo.

👑 Almost every date after that became an outing with the three of you. He was referred to as Onkel König by your child, a title that warmed his gigantic heart.

👑 Came to every sports game/martial arts competition/band or orchestra event/etc. Became as active as the bio mom/dad (if they were still around) in their extra-curricular activities. He didn’t want to miss a single thing.

👑 Speaking of bio mom/dad/ex-spouse, he made the conscious effort to be acquainted with them if they were still present in Kiddo’s life. As long as they were cordial, so was König.

👑 Spoiled the hell out of Kiddo for Christmas and birthdays. They wanted for nothing and sometimes you hated it but were also thankful that he has come to love a child that originally wasn’t his.

👑 We all know König is of older age given his rank of Colonel. It’s so funny when he has to ask you about lingo the younger kids use. “What is bussies and why do they want to go there so much?” That was fun explaining it to König as his face grew intensely pink at his ignorance. It’s best if he comes to you every time he hears something new fly out of that kid’s mouth.

👑 He always used German terms of endearment for the both of you, and Kiddo picked up German the more time they spent with König. It forced you to learn too (you were already learning but you were putting in extra hours after bedtime to stay ahead of them).

👑 100% a prankster. And oh god… did it get out of hand quickly. You had to sit both of them down to scold them about putting soy sauce in your coffee when you weren’t looking; that was the final straw. No one messes with the morning coffee. 

👑 Came home with a puppy from the animal shelter because Kiddo got an A on their test (failed to mention to König that it was a test they had already got rewarded for).

👑 The only time you ever saw this man cry was at Kiddo’s graduation. They said to their friends “Can you take a picture of me with my Dad? He showed up in uniform for this.” He held it together for the event, but let the tear loose on the way home.

Likes & reblogs are always appreciated! Asks are opened for requests & ideas for others. Might do some for Ghost in the future ✨

[artjiayi]

[Confidential file.] SUBJECT NO-1 CODE NAME. SHARKMAN.

⌜ We do not know much about SHARKMAN right now except that he works for a human corporation. We assume he has a high social status in the corporation based on his fancy [but cheesy] outfit. He also carries a gold gun engraved with an odd word on it [#1 Maneater]. He seems to have an odd sense of humor and is aware of the reputation of his own species. How fascinating. SHARKMAN mostly works in the field and is usually accompanied with a WOMAN [SUBJECT NO-2]. She seems to be his partner in the field as she wears the same reddish outfit and carries another type of weapon with her. We need to gather more information about them because they might be the [KEY] to what is truly happening inside the corporation. ⌟ [Next confidential file.] SUBJECT NO-2. TO BE CONTINUED.

Dropped some lore about my new OC [SHARKMAN] and yes, another shark OC you’d day but he’s from a universe I am currently creating alongside other characters I will introduce to you very soon.

More information about the character and the universe itself will follow later but for now I am pretty excited to post the first step.

Not gonna lie, I’m kinda stressed to post it but this is a part of myself I am sharing and I truly hope you’re gonna like it. So please be gentle 🥺

Also, I glazed for the first time my illustrations against AI use. I don't know if it'll be enough but at least I did something for my art.

[crushedsweets]

Would you ever consider including nurse ann in more of your art/ stories? She's one of my favorite characters and I think your design for her is amazing lmao- I'd also sort of like to know what her relationship with the others would be like

yes. actually. i would love to . ok i have some vague ideas for how shed fit into the lore so thatll be under the cut !! i also start rambling about lulus lore too cuz i decided theyre friends.

ok so, again, my au is based around slenders forest being like... some sort of magnet for the paranormal. slenderman wants to keep all of these cryptids within the forest.

since its in a fictionalized forest in tuscaloosa, where marble hornets was filmed, i decided to move the abanonded hospital they visited up north of the tuscaloosa lake. she roams there.

SOOOOO nurse ann is just... a demon. slenders forest is sort of like limbo for a lot of the cryptids and kinda puts them in like.. a long daze and loops unless they're consistently leaving or being grounded by humans.

i dont EXACTLY know why/how she's in that specfic hospital, especially since i dont believe she has an official origin? maybe when the hospital shut down, she was let go and wasn't transferred to work in a new hospital, so she lost her shit and preformed some crazy rituals that ended up making her an undead nurse ? now she's forever roaming the hospital. or maybe she was killing patients when she was a human and kept doing weird demon shit with their bodies and the operator/zalgo fed off of her bad vibes. LOL IDK.

now about lulu cuz i drew her too.

i used to be sooo fond of lulu. and i originally said she was just going to be another ghost roaming the forest pointlessly, mourning everything and being incapable of interacting with humans, BUUUUUT. she is 24 and NOT A GHOST?!?!??!?! IDK WHY ALL THIS TIME I THOUGHT SHE WAS JUST A GHOST WHO AGES CUZ YK HOW CHIBIWORKS STUFF WAS BACK THEN LOL... i def am tired of little kids being tortured and all these children ghosts tho so im kinda glad to have smth new to write. anyway. so im thinking lulus just another little demon thing... i'm thinking her story goes.

she was in strict private schools all of k-12, and went to uni on her own in tuscaloosa. she wanted to branch out, have a little rebelious phase, make friends, etc. tried to join a co-ed frat. she experienced an absolutely horrific hazing when she was like 19, the frat fully believed they killed her by accident and in their panic, tried to bury her in slenders forest, and some demonic entity in the forest infected her before she was buried fully. she ends up climbing out of her shallow grave, never having died. perhaps the operator did it, perhaps zalgo like in her og lore ? PERHAPS ANN CUZ SHES A DEMON HERSELF?

anywaaayyyyy :3 l think theyd be cute friends. they just look really cute together and i could see good chemistry so i totally would love to expand on them and make them friends. maybe expand more on the type of species they are, what kind of powers they have(esp if i make ann the demon who infects lulu).

BUUUUT ALSO this made me realize i should totally look into adding zalgo to my lore. cuz it doesnt make sense for the operator to make anyone a demon, thats not really what he does.... and i dont want him to do that i just dont like the vibes. so mmm yes.

anyway in terms of relationships..

lulu and her are cool good besties beautiful they would take selfies and do tiktok dances together.

masky and hoody are incredibly indifferent to her, because they dont have to worry/visit her often. she stays in the hospital thats in the forest, and thats exactly where slenderman wants her, so theyre content. theyre kinda grateful she keeps lulu in the hospital too, cuz lulu actually freaks them out bc she'll be jumping at them and shit talking about their eyes.

tobys EXTREMELY scared of ghosts (bc of his hallucinations of his sisters ghost . . ). he eventually gets over it(kinda?) with sally, but he keeps accusing ann and lulu and the sort of being ghosts cuz they just.. kinda pop in and out. at least jack has to walk into the room to show up. so he doesnt like them

mmm jack wouldnt like her IF he knows that she kinda turned herself into a demon through like, a ritual or smth. he'd be beyond pissed to know someone CHOSE to be what he is. if he doesnt know, he doesnt care for her. he kinda jokes about 'well why dont YOU be their medic' and shes like 'dont fuckin wanna be'.

jane and liu and kate prob dont know her... kate might but wouldnt care.

jeff would prob think shes hot or some bullshit and nina would be beyond pissed. at first ninas like AHHH SHES SO COOL cuz shes a fangirl at heart, but the second she hears a single 'goddamn' from jeff shes livid.

ben prob wouldnt care much for her... hes so uninterested in demons idk why i just feel like he doesnt care.

clockwork would LOVE HER. she'd think she's so fucking cool. she'd try talking to her all the time but ann prob wouldnt be interested in clocky at all...

ofc the proxies purposefully come into contact with the paranormal the most because thats their job, so i wrote the most for them, but that doesn't mean theyre the closest or anything.

ok thank u anon you did smth to my brain that benefitted my mental health cuz i love writing this shit for the creeps thank u sm .

[the-amazing-digital-guardians-au]

The Amazing Digital Circus: Guardian AU

My TADC AU is now up and running! I will be making a poster, character cards, general art, and possibly comics based around the storyline. Here’s the information!:

Description:

Caine is the ringmaster and ruler of The Amazing Digital Circus, but there are some things that even he can’t control. NPCs go rogue all the time, often acting out and trying to genuinely hurt the circus members as they go on adventures. Because of this, Caine has always appointed two circus members he deems the most worthy to protect him and others from danger. They have been different over the years (mainly due to abstractions), but currently Jax and Ragatha are his Guardians. The two of them are more privileged than the regular circus members: they are allowed to wield weapons, swear, indulge in vices, and the like as long as they do so in private, do their jobs well, and don’t disrupt the "family-friendly" atmosphere of the circus. Caine trusts them…or so he says. And to make matters worse, it looks like NPCs are forming an uprising to overthrow Caine, led by none other than a revived Gummigoo! Travel through the colorful world of TADC, but covered in a grimy layer of violence, corruption, and deception.

Who will the story focus on:

Caine

Abel

Pomni 

Jax

Ragatha

Kinger and Queenie

Princess Loo, Gummigoo, and other/more NPCs as the canon Digital Circus web series progresses

Genre:

Religious and psychological horror

Comedy

Action

Philosophical(?)

Content Warning - Anything produced for this AU may have any of the following elements:

Religious themes

Implied/referenced torture 

Blood (No gore, but this may change in the future)

Mental health issues 

War themes

Gambling

Alcohol and Drugs

Foul Language

This AU is recommended for ages 16+

…Wait, there’s more?!

FAQ:

Can I make fanart?

Yes, fanart is encouraged and always appreciated! Just make sure to credit me as the creator when needed. Do not use my creations if you are hateful/racist/sexist/anti-LGBTQ or just problematic in any other way. I don’t want what I make to be associated with these things. As for NSFW stuff…I would prefer if you didn’t. (Okay, well…now that I think about it, sure, go ahead, go crazy. But please don’t send it to me, I don’t really wanna see it. And tag it appropriately! Be mindful of others!) Ocs are allowed!! Ships (Canon x Canon, Canon x OC, OC x OC, whatever) are allowed! Tag me in anything as long as it’s SFW. Seriously, do whatever you want!

What are the religious themes?

Christianity. I am a Christian myself, but I also really enjoy religious horror and researching different religions. Does Pomni represent Jesus in this story? Not really. But, I will be using themes/images of Christianity (like angels, for example) to enhance the horror. I also like studying Japanese and Chinese mythological figures, purely out of interest. I will never try to push my beliefs onto the audience in any way. People can believe in whatever they want!

Are there any ships?

Bunnydoll (Jax x Ragatha) is the main ship. It is mostly implied/referenced and nothing overly romantic happens. The story focuses on their emotional bond since they are both Caine’s guardians. If you don’t like the ship, please don’t be rude to people who do. And if you do like the ship, don’t be rude to people who don’t! There’s enough hate on the internet already. Just be mindful that we all like different things, and have fun!

How will the story be told?

Through comics, probably. It’s easier for me to write things in a document (as a script) and then draw, so it will take time. I will also make art on the side that may or may not have canon information or events. It depends.

What inspired you?

The 70s (lots of yellow, orange and brown colors), Skinnamarink, religious horror, vintage Las Vegas, vintage snacks, and other random stuff. I have specific inspirations for different characters. But my inspiration to even start this project is definitely @burrotello and The Amazing Digital Fight Club AU. It’s awesome!

Can I ask questions about characters, the story, etc?

Yes, but if it’s an answer I don’t want to reveal yet…well, we’ll see what happens. Sometimes, I will make drawings where a character reacts or responds!

[shikariiin]

HIII HELLO I would like to apologize for disappearing a-lot for this past few weeks??? I had some issues going on and momentarily fell into depression where I went to the hospital for a while??? But uh urm yeah I'm okay now!!!

Going off number because in order to upload Henry's I need to explain the classes and how they work, but for the sake of continuity I decide to release James! With a new concept art format and him being a biological class, RAMBLES BELOW!

I made James as an imported engine from indonesia set to work for Sodor, It's more of my bias and I kinda see him with the ethnicity where I am from, his story might be close to home for me.

James is a vain, arrogant, petty and an absolute pissbaby cringefail of a man.

He's A biological class, meaning he is made like how humans are made (yes I will feature his baby photos in the future), he's only 2-3 younger than Henry and Gordon. This also means he have a family back at his country, a (late) father, a mother, and 2 Younger brothers, both of which have one year difference to each other.

He's the primary cook in Tidmouth's shed, his Top-notch culinary skills can be thanked by his father used to teach him cooking when he was little, after his father died he treated cooking as something personal to him, I think James would be the type of person to when they have something they like, they would grow personal to said things.

Batik is also one of those hobby he have, making new patterns for future projects or just something he does to bide time, during this he would be out of character-ly quiet. Though Keeping all of his original personality I would just add that when he likes someone he tends to be more gentle to them, and more caring (difficult with his high standard).

Never touch his coat. <- this is important

Old uniform! Yes I based it on indonesia's most common uniform leave me alone HAHA

When he first arrived he was getting used to new surroundings, also funfact, he's multilingual!

Language he have learned :

Indonesian, English, Chinese, Japanese, Korean, Russian, and Spanish !

He used to be a-lot slimmer, used to be a twink if you may, but now he's Sodor's most famous Himbo, why he bulk up is, by his own admission, to withstand whatever shenanigans he would get into, basically becoming his own human shield to any dumbfuckery he put himself in.

Also to my indonesian followers, yes I laughed my ass off when giving his last name, thank you for asking.

Lmao okay bye 🤭🏃‍♀️

[abyssal-author-and-artist]

oh shit i just realized i forgot to post the trans dipper essay

oh well, better late than never!

Introducing - Why Mason "Dipper" Pines is Trans and Why that Matters - an essay I spent more time on than I did my actual college project today

Mason "Dipper" Pines from Gravity Falls is trans. Trans masculine, to be specific. Do I believe this was intentional? No. Do I believe that there's a seriously convincing case to be made? Fuck yes.

So first off, he's just like me frfr, which is pretty compelling in and of itself. But that's not enough for a whole essay, so we move onto our second point - character designs. Dipper is designed like, well, like every modern-era trans man I've ever drawn who isn't goth. The shorts, the one shirt in the one color, the absolute insecurity. He even does the hunch of the back! Also, I think I heard somewhere that the vest is to make his shoulders look broader, which I'm not entirely sure is canon but I am accepting this whole-heartedly. It's such a trans move of him. He's too young (and it's summer so it's too hot) to wear a dysphoria hoodie so he picked a vest. (I say too young because dysphoria hoodies usually cover your chest and Dipper and Mabel probably haven't hit puberty.)

The second part comes directly from science. According to this article, and many others, sex in identical twins is complicated, but most identical twins will be born the same sex. There are cases where this isn't true (which might be the case for Mabel and Dipper) or they might be fraternal, which is also pretty likely. However, looking at them when they were younger (and listening to their very similar voices), it's likely they were identical and both girls. That's not to say I dislike trans Mabel - every trans woman I draw dresses like her, so I do love her being trans as well and them hitting the age of like. 10. and swapping genders is incredibly funny and adorable to me.

So, we can't reliably use the aforementioned evidence, then, can we? After all, identical twins can be different sexes, although rare, and we don't have any proof they are identical beyond their visual (and when they were younger, audible) similarities. Well, first off, I'd say that's pretty compelling evidence already. In a cartoon, especially one as detailed and beautiful-looking as Gravity Falls (the art is good and I will die on this hill), visual language makes up for a lot. And Alex Hirsh has gone on record saying that he very much wanted Jason Ritter and Kristen Schaal for Dipper and Mabel respectively, to the point where he would have canceled the show if Kristen hadn't signed on, so I wholeheartedly believe every character (with the exception of Grenda and any other characters who had last minute va's picked) had their voice actors picked very specifically. I can't find whether Jason Ritter voiced younger Dipper, though, so that's a dead end.

Now, that's all well and good, but it's a lot of visual language, isn't it? Why don't we move into something more based in the writing itself?

So the first and most prominent example of Dipper being transgender is the episode Dipper vs Manliness. You know it, you probably have emotions on it, it's the episode where Dipper is trying his hardest to be a man's man. The episode was supposed to be about toxic masculinity and how to be a real man is to stick to your morals. It's a good lesson and in my opinion, holds up even in 2024. Pretty good. Does a great job of what it wants to do. Now, Dipper vs. Manliness has been dissected to hell and back already as a transgender allegory, so I'll keep this brief: the episode centers around Dipper being mocked for not being manly. While Mabel and Stan still see him as a man, albeit an effeminate one, it gets to Dipper. He proceeds to do anything to prove himself a real man. If viewed as a trans allegory, Mabel is teasing her brother and not realizing how deeply it actually hurts him (whether accidentally because she fails to realize how insecure he is over it or because she hasn't been there before, depending on how you want to headcanon it). As for Stan, I like to pretend he's supportive but regularly forgets Dipper was ever a girl, so he makes a serious slip up because of that (and/or he's regurgitating stuff said to him. That hits harder if you also headcanon trans Stan, which I am warming up to). Dipper proceeds to try and prove himself a man, crying when he takes even one more blow to his self esteem/sense of identity as a man, and eventually gets comfort from his family when they realize just how BADLY they messed him up. He is affirmed as a man and the episode ends. Everything that can be said, has been said - including that you don't have to act toxically masculine - or even masculine at all - to be a real man. Remember this part, it will be important later.

So, other trans moments for Dipper come a little sparser. Dipper vs. Manliness is the example for a good reason. But still, there's other moments. The short Voice Over from one of the short story compliation episodes is another one that's commonly referenced as a metaphor for voice dysphoria. Yes, Dipper's voice is cracking in ways common for a cis pre-teen boy his age, but the pitch and tone of his voice can also be seen as his more feminine voice peeking through. Taking the potion can be seen as taking testosterone or other hormones. Granted, this falls apart when you consider that Dipper is later discouraged from taking the potion, because that could be read as Dipper being discouraged from transitioning, but on the other side of the spectrum, it could be read as Dipper being affirmed as a real man despite his voice. From that perspective, his family prevents him from taking (possibly dangerous) homebrewed hrt. Also, the euphoria he gets when it does change his voice is just. Absolutely adorable.

Now, my favorite resource for Dipper acting trans is in the episode Headhunters. He's asking Manly Dan questions and Manly Dan calls Dipper a girl. And MAN the discomfort on Dipper's face. He immediately attempts to correct Manly Dan, but is shut down and the episode moves on. I think that for such a short moment, it does a good job of making Dipper seem trans, though. He is called a girl and feels extreme discomfort around it. He does not like being called a girl. He is not a girl. But he's not shocked or surprised or even really offended - he's resigned. He's used to being called a girl. Sure, he hates it, but he doesn't cry or scream or anything. Sounds to me like a trans man who's absurdly used to being misgendered but still hates it. That pain never goes away, but sometimes all you can do is flinch in discomfort, try to correct and move on, like the episode does.

For a (mostly humorous) video of more of Dipper acting trans, check out this video.

So I think we've made a pretty compelling point for Dipper Pines being trans masc here. Looks pretty good, yup, this is a great essay, let's wrap it up. Oh? What's that? The name of this essay?

Why Mason "Dipper" Pines is transgender and why that matters.

Well, let's dive into section two of this essay - why does Dipper being trans matter?

Someone could easily say it doesn't matter. Just fun fandom headcanons, that's it, wrap it up now. Nothing more to say. Dipper is trans and that's just a fun reading of his character.

But I don't think that's the case. I think that Dipper being trans means so much - to trans fans of the show, to fans who have never seen or spoken to trans people before, and to queer fans of Gravity Falls and similar shows. (I personally am a Steven Universe fan who really valued the representation there, so Gravity Falls and all it's queer coding means a lot to me.)

First and foremost, I'm not going to keep you in the dark as to why you're remembering my earlier point. As a recap, it was this: Dipper vs. Manliness, and by proxy, Gravity Falls as a whole, says that you don't have to be traditionally masculine to be a real man. For a show that spends a lot of time mocking a kid commonly headcanoned to be a trans man, that says a lot, and a lot of stuff I think more people need to hear.

You do not need to act like your gender to be your gender.

You do not need to present like your gender to be your gender.

You do not need to fit some rigid box that society enforces to be who you are.

If you are a man, you are a man, trans or cis, regardless of how you act. (And the same goes for women and nonbinary people! You don't have to fit a mold.)

You don't owe anyone anything.

You don't owe people masculinity. (Or femininity or androgyny for that matter.)

I think that's part of the reason Dipper vs. Manliness ages so well. Dipper reads as trans, especially to queer fans, and his story in that episode tells us that we don't have to be someone we're not for people to take us seriously as who we are. At the end of the day, the really masculine thing is staying true to you - a sentiment echoed and reversed in The Last Mabelcorn, where the most feminine thing you can do is to stay true to yourself. I can't find it right now, but I could swear that there's a That GF Fan video explaining my point a little better. The point is, there's nothing that makes you more of whatever your gender is than staying true to yourself.

Additionally, if Dipper really is trans and someone sees themself in him, that can help them explore their gender or explain it to other people. Young kids who have never interacted with trans people before can see Dipper and grow up to connect the dots - or grow up to have him crack their eggs.

I know I'm new to the fandom and I was already out before watching the show, but he really helped me explore my gender. I like dressing like him - he's very relatable, even though I'm old enough to be in college now. I see him as a very anxious, slightly paranoid trans kid, and I see a lot of myself in him. He has a lot of issues, and a lot of issues that aren't trans specific but definitely hit harder when you are trans. He makes me feel seen on a level that I never thought a cartoon character could do.

Honestly, here would be a good place to put a rant about representation in kids media - queer kids under the age of 12 exist and struggle. I liked a girl (before realizing I was trans) in fifth grade, so about 9 years old. There are kids who experiment with their gender when they're younger than that. We're here and we exist, and every single time a character in children's media is made and is prevalent, another kid is able to really see themself.

That's really the point of this section. Dipper is trans. That matters. People - mostly queer kids but people of all ages - see themselves in him. He's here and we see him as queer because it's validating. It feels so good to hear Stan affirm him at the end of Dipper vs. Manliness, because it proves that at the end of the day, you don't need to present as super masc or femme or androgynous to be who you are.

Gravity Falls, through coding Dipper as trans, sent a message:

You are seen. You are loved. You are valid.

Thank you for reading this all. Trans Dipper means a lot to me, and I love writing him and seeing him in general. I want more of him because Dipper being trans means the world to me.

I love you all. Have a wonderful day. Remember to stay true to yourself.

[1-800-deactivatednearu]

woag character design notes

[i.d.: a drawn line up of the half life vr ai characters, from left to right, gordon, dr. coomer, tommy, bubby, gman, and benrey. /end i.d.]

yeah i skipped some guys , i dont draw some of them enough to have much unique designs and some of them are a png of a dog

trust me i am just surprised as the rest of yall that i am doing hlvrai art . design notes below (very long, mind your step)

gordon:

wow this guy dont got no head

i didnt want to give gordon a face because of how unexact the person is as the fandom engages with it. is it wayne rtvs? (well as presented to an audience, yes) is it gordon freeman? (well as seen from an in game perspective, yes) is it a whole new guy entirely? (well as

i cut the confusion and took it a whole new direction: guillotine

hlvrai being treated as a very broken game is fun to me as a design perspective, so if you (the audience) are not supposed to see his face, what happens when you see it anyways? missing texture time

there are eyes drawn over because i did not have confidence in my expressions at first and then it grew on me

i think if i were to draw (and i have drawn) an actual person under the mask i would still censor the eyes because that is where the vr headset sits!!

(i do not like putting an actual flesh to gordon though)

though i really like seeing how other people interpret gordon hlvrai it is not . my gordon ? we are talking about the same guy . but this is my gordo . i made this one . this guy my guy . maybe i should draw other gordon designs

i can draw the hev suit from memory and it is also the entire reason why i can render metal confidently

i liked how people changed the lambda to read ai :] i also have no clue if i wrote the lambda correctly

(i did, i just checked)

dr coomer:

as much as i draw/drew him i find it more fun to not stick to one set design :)

so a lot of my takes on dr coomer tend to jump from idea to idea, especially from what other people are doing, though they could be fitted to the left and right designs!

the left design is mainly based off what i saw in fandom spaces

we see rounder shapes, making for a more friendly and welcoming appearance

i think of this as straying from the more professional uniform of the actual scientist models

enter swimming shorts and bright yellow socks, for some reason

so now he kind of looks like a cool science teacher :)

it might be the lab coat

the right design is mainly based off thumbnails for hlvrai itself

these use a more angular appearance

i want to push how comically buff he is because of strength he shows at times, especially since his left design seems to completely down play it as a comically not buff man who is still very strong

the shadows on right design coomer get so much more harsh and exaggerated because i have comic books on the mind :)

he really does look like a dehydrated comic book character huh

tommy:

stick bug (he gets it from his dad) (this thought process is explained at gman section)

i pushed a lot of the saturation of colours in her design because i think tommy gets to be a little silly with it

fun art story of the day! when you color, try messing with hue! you might notice you can get away with a lot as long as your values are about right

i like pushing this with white because you can get away with a lot of things reading as “off white”

old faithful for me is cool shadows with a warm transition colour to keep things visually interesting

i keep making white objects the trans flag

happy pride

tommys design looks a little like a school boy, with the tucked in button up shirt+suspenders+shorts+jacket tied around the waist . and the primary colours . but like it is really fun to dress up so brightly

i actually was strongly inspired by medieval babies if that is a weird descriptor? i wanted him to both be a middle aged man but also a young adult

do not be like tommy, who has their finger on the trigger of the gun while not even looking at where it is pointing and good god he is squeezing the trigger . top ten firearm safety of all time

bubby:

the absurd part is that i think bubby is tall . he is just between tommy and gman who are exaggeratedly lanky .

i wanted to make bubby a pointy kinda guy, so he is the only one actually wearing the lab coat proper . and the only one actually wearing dress socks but not even wearing dress shoes

i wanted to give him a novelty tie but i was running low on ideas and running high on boreds so we dont get a tie

he does have crocs though!! in attack mode!!

i do think we all kind of saw his model and collectively decided it works for him because i have honestly not seen major divergences from his model?

gman:

stick bug

i wanted to stress the more spooky and unknowable nature of him and took it in the dark souls direction of “make bigger than player character”

maked too bigger

he cannot walk through any doorways but you will have to crane your neck to look up at him

in the opposite direction of tommy, i pulled a lot of the saturation in gmans design

it feels important to make them both not fully match the rest of the slightly less broken npcs because there was so much work to make them look cool so i have to respect that

actually a lot of gmans and tommys designs are made in opposite to one another

gman has a largely stationary face and very stiff line work

while tommy is pushed to expressive as possible

thats pretty fun, way to go me

benrey:

benrey also has two designs

and in both of these i keep getting too lazy to use a reference so  the vests are super plain (forgetting the badge and black mesa logo) . i think the helmet is supposed to be darker actually .

the design ethos of benrey was “built like a brick shithouse”

a friend of mine took this cooler and interpreted it as a shield/wall/barrier as a physical (and narrative) obstacle

again the first uses fandom designs

most notably the overcast shadow (seen in video thumbnails but i never noticed it or understood why so many people did it until someone pointed it out to me)

i think hlvrai is such a great medium because it acknowledges it is a game and is able to play into that to great effect! i think the shadow is fun to imagine as solid black as a small reminder of the impossibility of the space :]

benrey is a smug cat in the body of a human . to be honest . and this is the full range of emotion i have ever drawn him with

the second was mostly because as fun as taking creative liberties are, i just really wanted to see benrey as is: the half life security guard model in all its slight wonk :]

i actually do prefer this design . it is a little more uncanny because i choose the worst translations of the model . i like it because it is a little more uncanny !

that can be said for like . every single design in this line up huh .

[cuddlytogas]

there was some Twitter madness recently where someone left a comment on someone's art to the effect of, "Ed shouldn't wear a dress, he's a man!" which I do disagree with on principle, but unfortunately, it brought out one of my least favourite trends in the fandom

so, naturally, I had to write a twitter essay about it. and I already largely argued this in a post here, but the thread is clearer and better structured, so I thought I'd cross-post for those not on the Hellsite (derogatory). edited for formatting/structure's sake, since I no longer have to keep to tweet lengths, and incorporating a couple of points other people brought up in the replies

so

I want to point out that the wedding cake toppers in OFMD s2 aren't evidence that Ed wants to wear dresses. Gender is fake, men can wear skirts, play with these dolls how you like, but it's not canon, and that scene especially Doesn't Mean That.

People cite it often: 'He put himself in a dress by painting the bride as himself! It's what he wants!' But that fundamentally misunderstands the scene, and the series' framing of weddings as a whole. I'd argue that Ed paints the figure not from desire, but from self-hatred; it's not what he wants, but what he thinks he should, and has failed to, be.

(Yes, I am slightly biased by my rampant anti-marriage opinions, but bear with me here, because it is relevant to the interpretation of the scene, and season two as a whole.)

The show is not subtle. It keeps telling us that the institution of marriage is a prison that suffocates everyone involved. Ed's parents' cycle of abuse is passed to their son in both the violence he witnesses then enacts on his father, and the self-repression his mother teaches, despite her good intentions ("It's not up to us, is it? It's up to God. ... We're just not those kind of people. We never will be."). Stede and Mary are both oppressed by their arranged marriage, with 1x04 blunty titled Discomfort in a Married State. The Barbados widows revel in their freedom ("We're alive. They're dead. Now is your time").

But even without this context, the particular wedding crashed in 2x01 is COMICALLY evil. The scene is introduced with this speech from the priest:

"The natural condition of humanity is base and vile. It is the obligation of people of standing ... to elevate the common human rabble through the sacred transaction of matrimony."

It's upper class, all-white, and religiously sanctioned. "Vile natural conditions" include queerness, sexual freedom, and family structures outside the cisheteropatriarchal capitalist unit. "The obligation of people of standing" invokes ideas like the white man's burden, innate class hierarchy, religious missions, and conversion therapy. Matrimony is presented as both "sacred" (endorsed by the ruling religious body), and a "transaction" (business performed to transfer property and people-as-property, regardless of their desires), a tool of the oppressive society that pirates escape and destroy. That is where the figurines come from.

When Ed, in a drunk, depressive spiral, paints himself onto the bride, he's not yearning for a pretty dress. He's sort of yearning for a wedding, but that's not framed as positive. What he's doing is projecting himself into an 'ideal' image of marriage because he believes that: a) that's what Stede (and everyone) wants; b) he can never live up to that ideal because he's unlovable and broken (brown, queer, lower-class, violent, abused, etc); c) that's why Stede left. He tries to make himself fit into the social ideal by painting himself onto the closest match - long-haired, partner to Stede/groom, but a demure, white woman, a frozen, porcelain miniature - because, if he could just shrink himself down and squeeze into that box, maybe Stede would love him and he'd live happily ever after. But he can't. So he won't.

The fantasy fails: Ed is morose, turns away from the figurines, then tips them into the sea, a lost cause. He knows he won't ever fulfil that bride's role, but he sees that as a failure in himself, not the role. It's not just that "Stede left, so Ed will never have a dream wedding and might as well die." Stede left when Ed was honest and vulnerable, "proving" what his trauma and depression tell him: there's one image of love (of personhood), and he'll never live up to it because he's fundamentally deficient. So he might as well die.

This hit me from my very first viewing. The scene is devastating, because Ed is wrong, and we know it! He doesn't need to change or reduce himself to fit an image and be accepted (as, eg, Izzy demanded). Stede knows and loves him exactly as he is; it's the main thread and theme of season two!

(@/everyonegetcake suggested that Ed's yearning in these scenes includes his broader desire for the vulnerability and safety Stede offered, literalised through unattainable "fine" things like the status of gentleman in s1, or the figurine's blue dress. I'd argue, though, that these scenes don't incorporate this beyond a general knowledge of Ed's character. Ed is always pining for both literal and emotional softness, but the significance of the figurines specifically, to both Ed and the audience, is poisoned by their origin and context: there is no positive fantasy in the bride figure, only Ed's perceived deficiency.

Further, assuming that a desire for vulnerability necessarily corresponds with an explicit desire for femininity, dresses, etc, kind of contradicts the major themes of the show. OFMD asserts that there is nothing wrong with men assuming femininity (through drag, self-care, nurturing, emotional vulnerability, etc), but also that many of these traits are, in fact, genderless, and should be available to men without affecting their perceived or actual masculinity. It thematically invokes the potential for cross-gender expression in Ed's desires, especially through the transgender echoes in his relieved disposal, then comfortable reincorporation, of the Blackbeard leathers/identity. It's a rich, valuable area of analysis and exploration. But it remains a suggestion, not a canon or on-screen trait.)

Importantly, the groom figure doesn't fit Stede, either. Not just in dress: it's stiff and formal, and marriage nearly killed him. He's shabbier now, yes, but also shedding his privilege and property, embracing his queerness, and trying to take responsibility for his community. In a s1 flashback, Stede hesitantly says, "I thought that, when I did marry, it could be for love," but he would never find love in marriage. Not just because he's gay, but because marriage in OFMD is an oppressive, transactional institution that precludes love altogether. All formal marriages in OFMD are loveless.

So, he becomes a pirate, where they reject society altogether and have matelotages instead. Lucius and Pete's "mateys" ceremony is shot and framed not like a wedding, but as an honest, personal bond, willingly conducted in community (in a circle; no presiding authority, procession, or transaction).

That is how Stede and Ed can find love, companionship, and happiness: by rejecting those figurines and their oppressive exchange of property, overseen by a church that enables colonialism and abuse. Ed is loved, and deserves happiness, as he is, no paint or projection required.

ALL OF THIS IS TO SAY: draw Ed in dresses! Write him getting gender euphoria in skirts! Write trans/nb Ed, draw men being feminine! Gender is fake, the show invites exploration, that's what 'transformative works' means! But please, stop citing the cake toppers as evidence it's canon. Stop citing a scene where a depressed Māori man gets drunk and projects himself onto a rich, white, silent bride because he thinks he's innately unlovable and only people like her can find happiness, shortly before deciding to kill himself, as canon evidence it's what he wants.

(Also, please don't come in here with "lmao we're just having fun," I know, I get it. Unfortunately, I'm an academiapilled researchmaxxer, and some of youse need to remember that the word "canon" has meaning. NOW GO HAVE FUN PUTTING THAT MAN IN A PRETTY DRESS!! 💖💖)

[befuddledcinnamonroll]

Intercultural Bias in the Fan Experience of QL

I've been thinking about writing this post for a while, and I think it's an appropriate time for it after reading @hallowpen's post today - which if you haven't read yet, please do so.

I'm saying this as someone who's been on a lifelong journey of learning, and is also extremely aware I still have so much that I don't know. I am from the U.S. and that comes with a truckload of bias and privilege. But this is something I have learned that I think is worth sharing.

There is a danger, for those of us who are progressive, yet grew up in countries that have been historically exploitative and oppressive to other cultures.

Because colonizer bias is insidious. And it can be very tempting to say, I'm aware, I've done the anti-racism training, I've read the books, I have my own oppressions I have to fight every day, I'm aware of my privilege, I'm an ally, etc, etc, etc. But this is just like racism - if you are not being actively anti-colonialist in your interactions with other cultures, you are likely perpetuating bias and oppression.

I grew up in a very liberal part of the U.S. and had a very progressive education starting from grade school. I got education on systemic racism in junior high, my high school had one of the first gay/straight alliances in our state. I studied science in college, but since it was a liberal arts degree, I also took classes on sociology of race, the religions of Asia, Chinese history, etc.

But despite all this I still grew up in a country with a fuckton of bias about our role in how we interact with countries around the world. And as we all do with bias that we grow up with, I internalized some of that.

It wasn't until I took some graduate coursework on Intercultural Training & Communication that I really was able to recontextualize my perspective and become aware of my unconscious bias, thank to an amazing instructor.

Other countries do not need us to come in, tell them what is wrong, and tell them how to fix it. Whatever problems there are, there are people in that culture who know, who are actively working on it, and they know better than anyone outside what needs to be done.

Honestly, it doesn't even need to extend to other countries - just look at all the nonprofits and charities in the U.S. that talk about helping the poor, but in the end just perpetuate the cycle of oppression by coming in to neighborhoods and doing zero work to center the perspectives of the people most affected.

You can absolutely support and spread awareness and send money and share expertise when asked, and do the things that the people of that culture ask you to do.

But if you come in, and try to say "this is what you all are doing wrong, and this is what you should be doing" - you are perpetuating a colonialist mindset.

And yes, this extends to media as well.

This is why I struggle with some of the takes I have read, especially those that attempt to rank the "queerness authenticity" of shows, from an entirely Western perspective, with no engagement with the idea that one's queer identity is impacted by one's culture (among other things), and that it can look and be expressed in a million different ways.

There are criticisms of queer directors, blaming them for a myriad of perceived sins, with zero understanding of what queerness might mean to them both individually and as a Thai person, and what they might also be trying to navigate socially, culturally, and politically.

There are people making broad sweeping statements about the direction that they think QL is headed in - some of which enter the realm of catastrophizing - entirely based on their own subjective opinion of what is most important for a different country and culture to care most about in a particular moment in time.

You know why I'm not worried about the direction of QL? Because I know there are millions of Thai people who care about it too. I know the Thai queer community and their allies are speaking up, and pushing for change and progress. I know that they are extremely cognizant of when representation fails, and I know they are the reason representation has already improved so much (sorry interfans, it's not about us).

And yeah, sometimes the pendulum swings the other way - those of us in the U.S. should be very aware of this. But the fight doesn't stop.

There are Thai people who are working to promote mental health and therapy, to encourage people to have strong boundaries with family who have hurt them, to provide more representation for groups who still aren't seen. And someone from a different country complaining about all the ways they think their culture is failing isn't helping a thing.

Like @hallowpen says, this is not about saying you can't critique. Most of the people I follow do a great job at making it consistently clear that their perspective is subjective, and they relate it to their own life and experience. That's great, and a place for people from different cultures to connect!

But those of us who are interfans have a responsibility as members of a global community. There are people from Thailand who read your posts. From Japan, from Korea, from China. Are you speaking up to support them? Or are you talking over them? Are you expressing understanding for what they are navigating from historical context and current political conditions? Or are you just lecturing them on how you think their world should be?

[starlyx0]

so I have noticed some people think Ben is boring (trust me I’ve seen it)

so I am here to talk about everything ben and try to explain his character!

This won’t be the best character analysis

as English is not my first language and I'm trying to bring more attention to stuff that's not talked about often.

So I'm going to split this into 6 categories to try to make writing this easier for me so bare with me.

Things I’ll go over!

personality 

looks 

hobbies

past & current 

relationship with family 

relationship with friends

This is going to have a bunch of stuff that are headcanons I'm only including them to show ppl if u can put some thought into it u can get some reasonable ones.

1 | personality

I see a lot of ppl reduce his character to only music and being mute? which really upsets me because he soo so much more,

but making his entire personality music makes me so mad

most headcanons I see are all the same PLEASE I AM TIRED of hearing what kind of songs he listens to that or all ship headcanons titled as Bens 

he's a shy awkward guy we all know that cuz he really just stands in a corner awkwardly scratching his neck most times and he also doesn’t like horror or anything scary (eps 11) 

hes a protective older brother not overly like Tyler where hes more protective of Tay from other people ben is more chill going and more afraid of what life throws at Lily, there’s not much here cuz more points I have fit in the other categories :)

2 | looks 

he looks kinda of basic nobody can deny that so I won't, but because of his past I imagine he would have a bunch of scars ik he doesn’t and that’s a bummer cuz I really wish he had 🥲

After he lost his voice he became super facially expressive but also really good at hiding his emotions so it’s either really easy to read him or really hard no in between. also because of his past bullying, I assume it affected him and the way he presents himself that why he sticks to basic outfits and look,

overall trying not to bring attention to himself even after therapy he stuck to his habit but if someone gave him a little push and helped him he would drop it and start putting thought into his looks,

saw this somewhere I don’t remember where they said he would have curly hair as a kid but his mom didn’t know how to take care of it so they ended up shaving it and i think curly or wavy haired Ben would be so cute also he would look amazing with an eyebrow piercing %100 and uhh I genuinely don’t remember him smiling genuinely in canon so i imagine his with a downturned smile I may be wrong about that idk

3 | hobbies

did I make this a separate category just to talk about him being an artist? yes I absolutely did 🙂↕️

I fear most people forgot about it n honestly and that is criminal 

there is not much said about it in canon but I’ll work with what I have,

he probably didn’t have much artistic skills when he was younger and only started doing it as a distraction and a way to calm down n he probably made himself draw

I feel like red projected onto him in that ifykyk😭

but from the picture Ben draws based on things that happen so he diff draws a bunch of random things he sees and thinks its cool, he would draw everything and everyone and I feel his art style would be more realistic tbh

but Ben also plays guitar, plays piano 

, fight, used to sing, and the medic of the group like what else he do?? he is literally perfect what more can I say here but most of these are not really hobbies but skills he had to learn for the sake of his life 

4 | Past & current 

I’ll talk more here about how his past affects him currently,

I love to think he has a fear of fires because of the fire that burned down his house more of a headcanon tbh

see the pan he burned in that official art? it took him half an hour in his room to calm down his heartbeat and gathering around the campfire is the opposite of relaxing for him

probably hates turtlenecks with his being 

and I want to talk about his voice as that affects him the most what really bothers me about the fandom is that a lot of people ignore the fact that he probably will never speak. 

I see plenty of ppl benlor shippers say 

“he would sing for —-🥺“ “he would whisper to comfort—🥺“ n it makes me wonder are we even talking about the same character???? which is absolute bullshit if he did that he is the one that’s gonna need comfort like please. he would probably never speak unless he sees someone's head gets ripped off there body.

It's said flat out in episode 27

That he has the option to speak but he doesn’t why? Because he hates his voice and if he hates his voice sm he chose to not speak for yearsss what makes u think he would speak for the sake of someone else's comfort when doing that only pains him? he is selectively mute for a reason I'm not saying he doesn’t have a voice but at least if u headcanon him to speak in the future at least let it be for his own sake instead of doing it for someone else or make it about ur ship.

5 | Relationship with family 

Starting with his parents I don’t think they are bad parents at all they tried to help him as much as they could but they couldn’t so they opened up other options and let him move away and heal even if he’s not with them I think what the did is a good choice for their situation and their relationship would still be great tbh considering the distance 

now onto Lily

I honestly can talk about them for days. I love them 

Their relationship is so sweet the way Lily is stuck to him every chance she gets and ah also used to sing to her can you imagine how she felt seeing her brother coming home later and later covered in bruises not singing to her to sleep anymore watching him sneak out 

she basically watched her brother spiral down and then leave she was probably too young to really understand what was going on fully so now she just wants to spend all the time she can with him and he tries to make up for lost time :(

now Aiden 

most people probably forgot Aiden is the closest person to Ben and the same goes the other way around.

Aiden is a life long friend of Ben’s

he literally trusts him, follows him everywhere and lets him decide for him 

they spent most of their time together since Ben moved in they live together there stuck together.

Aiden probably helped him a lot mentally helping him try new things and be more carefree

Ben also probably helped him mentally and physically patching him up and looking out for him overall,

I see some Aiden fics that are like “Oh no Ben’s gonna be so upset at me 😖” and they make him act like a nurse, not a friend and he just bandages him up then leaves as if nothing happened and someone else comes and in does all the comforting 

like I can count all the fics where Ben acts like a decent person and I'd still have more fingers up than down,

it’s so upsetting how ignored their relationship is in this fandom they deserve so much more honestly.

6 | Relationship with friends 

he is definitely the therapist friend 

He is that kind of friend that you can tell everything to him going from weird food to the worst time of your life and won't even realize it 

his friendship with Ash is very chill not the closest I'd say,

they're really just trying to keep their peace lmao

his friendship with Taylor

I imagine them as gossip girls tbh Ben being a quiet kid while Taylor is popular they definitely know some good gossip 

his friendship with Tyler is something he used to find him irritating but then he realized they have a lot in common especially when Tyler was teaching him guitar which was precise since he was the one who offered 

and his friendship with Logan 

it's really sweet Logan would try to teach him gardening while they talk about their interests

and be absolute nerds together lmao

overall the friendship between all of them is really sweet ik I didn’t give it justice here but the found family trope and the way they find comfort in each other is just everything to me

And I'm done yappin hope u enjoyed that because that was over 1,5k words 

if u have any questions feel free to ask 🫡

[sunshine-jesse]

Ashley Graves Did Something Wrong

TCOAL plays a lot of fun games with the ways it makes you perceive events. From the title screen itself, to various pieces of official art, it primes you to accept certain narratives surrounding the game. Namely, the one that Ashley is very not good. She is, in fact, very bad! And it's pretty easy to see why- many of her actions fit neatly into the mold of an abuser. She's controlling, she tries to deflect blame, gaslights Andrew into making him take the blame for things she pushed him to do to begin with, and harasses other women to ruin his relationships with them.

It's all so easy, and makes so much sense. Case closed.

Right? Well, no. But actually yes! But actually, it's not that simple.

Y'see, as I said, the game establishes this framing from the get-go. It introduces us to our, uh, heroes and tells us in no uncertain terms that Ashley is bad and Andrew is a non-entity. It sets this framing intentionally so that many players will engage in a little quirk of human psychology called…

Confirmation bias!

I'm sure we all know what that is, right? Well, for those who don't, it's when we start with a bias towards something- or an idea of how things SHOULD be- and view every piece of evidence as confirmation that said bias is correct. The game, very blatantly, does this with Ashley's actions by priming us to see them as part of an abuse dynamic, with her as the primary abuser. And, indeed, it's not too hard to dig into Andrew's behavior and figure out that he, too, is fucked up and awful and come to the conclusion that their relationship was mutually fucked up and abusive. I did that in my last two essays, so I won't cover that ground again here. With this, it's easy to think that they bring out the worst in each other and that any relationship they have would be toxic, fucked up, dark, and every other word or phrase that describes the same idea, whether it makes them happy or not.

… But what if I told you that this, too, was an intentional misdirection?

So. Let us, for a moment, completely remove the framing that their relationship is toxic. Let us remove the framing that their relationship is abnormal or aberrant. Let's even remove the framing that either one of them is responsible for the harm of the other. I'm not arguing that any of this is not the case. Please, for the love of god, do not think that I am, if only so you can take the rest of what I have to say seriously. What I'm doing is trying to examine the two of them free of as many preconceptions as I can, using nothing but textual evidence and inference to figure out why Andrew and Ashley treat each other the way they do.

I will later examine why they MIStreat each other too, but first comes the reasons they treat each other well.

I'm going to start with Andrew, because, despite being the more complex of the two, it's actually pretty easy to figure out why he treats Ashley the way he does based on what he says. Let's go all the way back to the earliest known incident between the two in the story, where the two of them were at their most, uh, "pure," for lack of a better word: The cupcake scene.

Leyley was supposedly a problem child. She was neglected by her parents, disliked by her friends, and had nobody else but Andrew to rely on. She got nothing- absolutely nothing- from anyone else. And so, Andrew decided to celebrate her birthday, by buying her the cupcakes she wanted, by giving her what she lacked from others. By providing for her, and taking care of her. All he wanted was to make her happy, more than anything else. And, as Nina learned the hard way, at the expense of everyone else.

He doesn't lack empathy, per se. Andy just loves Leyley more than he loves anyone else by such a wide margin that his desire to provide for her overrides his fear of consequences… until those consequences threaten to separate the two of them.

That is a very Gender Roles thing to do. More on that later.

So. Ashley. Everyone's favorite disaster. Why does she treat Andrew the way she does? What does she provide for him? Well, isn't it obvious? She, too, wants to provide for him. Remember, she wanted the lemon cupcake because she thought it's what HE wanted. She also does most of the chores around the house. She prepares food, cleans the house, and does their laundry. She also provides for his non-sexual physical needs by offering him comfort whenever he needs it. It makes her feel useful. Wanted. Needed.

Ah, another very Gender Roles thing to do. See where I'm going with this?

The two neatly fit into a standard husband/wife relationship in a lot of ways. It's THE platonic ideal of such a relationship, actually! They make each other happy and provide WHAT THEY THINK the other really wants. It's really cute and perfect! As long as you ignore all the bad.

ignore all the bad …ignore all the bad… But we obviously shouldn't ignore all the bad. That would be ridiculous.

What I want to do is, instead, examine where the bad comes from, and why it's there. With the abuser/abused dynamic in mind, it's pretty easy to come to the conclusion that a mutual desire for control and power over the other is the sole determining factor. It's arguably the Central Theme of the game, and maybe a big part of what Nemlei is trying to convey. But, like, why should it end there? Why should that be where the analysis ends? There's a reason for everything.

They don't want to control each other for its own sake. They don't want to control each other solely to cover their own insecurities.

So why?

Ashley, first. She's obviously an insecure little monster, having never received the validation that she needs to really come into her own as a person. She keeps seeking it. Keeps trying to provide for Andrew. Keeps trying to make herself useful. Now, let's look at her calls towards Julia:

"DO YOU THINK YOU'RE BETTER THAN ME!? Just because you can fuck him and I can't?"

Ah, wait, hold on a minute.

"You think that's love?! Are you fucking delusional?? Cumdumpsters like you are just that."

Where does that wording come from?

"He will never love you. Not like he loves me. I am the only one. I am everything."

She doesn't need validation just for the sake of her insecurities. She needs it because she needs Andrew to be happy, and in her mind, she's the only one who can provide it. She knows him better than anyone else. She can see how happy she seems to make him, and that nobody else can do what she does. She knows, beyond a shadow of a doubt, that she makes Andrew more comfortable than anyone. She knows how important physical affection is to him. She can feel it. She doesn't lack empathy towards his plight or feelings; she has more of it than anyone, actually!

But Andrew, crucially, never seems to provide her any validation for this, even though she knows better. That's why she's so insecure.

"But wait," you might say, "didn't he, literally, fucking kill for her?"

Yes. But he always tries to place the blame on Ashley or use her as a scapegoat, when he was the one who pulled the trigger. He never accepts even the smallest amount of responsibility. And if a man can't even take responsibility for the violence he inflicts on others, what does that say about him? What does it say about how much he actually cares? oh. more gender roles. huh.

In Ashley's mind, that validation isn't validation because he didn't do it to prove he cared about her. He did it to shut her up. And… he never says anything to the contrary. He refuses to. All his validation is depressingly, overbearingly conditional.

His words always come with a caveat. They're always said in spite of something. They lack warmth. They lack kindness. They lack affection. She is never, ever given a key to lock the door to her insecurities…

…even though Andrew obviously has that key. He just refuses to give it to her.

But why?

Society! :D

There is something so fundamentally, obviously wrong with the way Andrew feels towards Ashley. She is a tar soul. A pariah. So horrid that her parents don't want her, so obviously bad that even demons don't want her. And yet Andrew, in spite of everything, still wants her. He wants to take care of her, when society tells him not to bother. He wants to protect her from other men, and even from herself. It manifests as jealousy because…

He, too, thinks the only one qualified to provide for Ashley is himself, because he was the only one who ever had. Violence comes so naturally to him that he takes it for granted. He kills for her, threatens to physically assault her when he thinks she's putting herself in danger.

It's so second nature to him that he thinks it should obviously be enough. But it isn't. His violence is so second nature as to be passive. It's non-committal. And what Ashley wants is committment.

But because of how society views Ashley, and how the world would view a romantic relationship between them, he can't truly commit to her. He can't give her the validation she really needs, because everything and everyone has told him that it's wrong. That she's wrong. And all his parents ever taught him is to be afraid of how others will react to that wrongness.

hey look, a man fearing the commitment a woman wants from him! more gender stereotypes!! I wonder what this game is trying to say!!!

Maybe I'm crazy or something. Maybe I'm just looking into it too deep. But I don't really care. I don't care if this is the intended reading, and neither should you. The fact of the matter is that most of the things that define them as toxic are not their fault. Most of the reasons they mistreat each other come from without, rather than within. The only reason they can't love each other is because the world tells them not to. Because it expects them to fill certain roles, to be certain people.

But Ashley can only ever be herself.

Maybe someone who's an actual expert on this subject matter could weigh in and give a true feminist reading. But me? I'm just here to point out patterns. I'm just here to point out facts. And one of those facts is that, to the world around her, Ashley did something wrong: She was born.

The Steam reviews of this game are fucking funny, but a lot of them say one thing that couldn't be further from the truth:

"I can fix her!"

No, you can't. She's only 'broken' in the context of her environment.

But in the words of another analyst:

It's madness to expect tar to behave like water.

So cut them some slack! They might finally succeed in a world that wanted nothing more than for them to fail. It's not our right to take that away from them.

[offtorivendell]

On Elain, Gwyn and their apparent romantic worthiness.

TW: mentions of death, violent or sexual assault, infertility and pregnancy/childbirth related trauma. Please do not proceed if these topics bother you.

Disclaimer: please, please engage with this post with kindness. I promise I am not writing it to stir the pot, but because I - and many others - are fed up with seeing hurtful and harmful rhetoric spewed by the fandom, yet having no back up when dealing with it. Word vomit incoming, I'm sorry. This has been bothering me for a while.

My love to everyone who has been hurt by things they've read in this fandom. 💜

It's 2024 and I cannot believe we are still seeing posts, almost daily, about both of these women; all giving reasons why they cannot possibly be with Azriel. And I don't mean the debatable but utterly harmless discussions about Elain not looking good in black or Gwyn blabbing to Merrill when asked not to. Whatever, go nuts. I mean the truly horrific takes based around things these two women have had no control.

Now, my post history makes it very obvious where I stand in terms of ships, and yes, I'm well aware I've spoken before about the inherent power imbalance - that I perceive - which would exist if Azriel ever became involved with any of the priestesses in the women's shelter he is charged with protecting (to be clear, that's not me suggesting that Gwyn and her story isn't powerful, or powerful representation to those who see themselves in her, nor is it personal to Gwyn, or indicative of any of the sheltered priestesses and their ability to heal; it's purely a function of Azriel's position of authority over their sanctuary). I want to reiterate that my stating my feelings about this was never done with the intent to shame people who do ship them; we all ship who we like, and real world ethics should rarely come into it.

That being said, the following, in my opinion, is one of those times.

Firstly, I just want to say that lived experience informs how we interpret fiction, so please let me clarify something: the people who have said that they don't think Gwyn is ready for a relationship yet, and that NSFW fan art of her with anyone makes them uncomfortable, are not in any way in the wrong. They're simply the other side of the coin to those who find it empowering, and both are valid responses, often related to personal trauma. The problem lies with those very few who say that Gwyn could never have a romantic relationship, and call those who talk and/or post about it "gross." Some have called her "damaged goods." This is absolutely wrong and whoever is doing it needs to stop.

The entire fandom, even those who find romantic or NSFW content involving Gwyn uncomfortable to consume, frequently acknowledges that her trauma doesn't define her, and of course she should be able to enjoy love whenever she feels ready for it. Those who say otherwise are readily condemned from all corners. I've seen it happen and called the people out myself, as have many other Elriel shippers when necessary. However, Elriels are still very regularly and very publicly blamed for the actions of a few (some of whom I truly believe are burner accounts wanting to cause chaos, with their Elriel themed usernames and no post history), despite our largely collective action to call them out when we see it.

Could we do better? Absolutely, but so can you!

Because, on the other hand, I've noticed that, whenever I or others have tried to explain why the pliable bones "theory" - which attempts to reason that Elain could never be endgame with Azriel, as she and any baby would die during the course of pregnancy or childbirth - is equally as harmful, we are met with people publicly and wholeheartedly refusing to understand why (especially recently). Some horrific comments have been made to my friends, not to mention all of those I see well after the fact, which are never widely condemned by any but us. People will argue back that we're wrong, and have even suggested we're weaponising infertility! On Mothers' Day, of all the fucking painful days to say that.

Some of the push back I've seen recently includes:

"Nobody has said Elain is infertile."

No, nobody has, and that's not what we're saying or have ever said. We know you don't think this, as the Elucien fandom loves to write and draw Elain and Lucien's hypothetical future children (which is super understandable, as this is a romantasy fandom after all - no shame, enjoy your warm fuzzies).

What we are saying is that, if it's true that Elain's anatomy wasn't changed as Feyre and Nesta's was - and to be clear I cannot stand that entire plot, I wish SJM had chosen literally any other reason why Feyre's pregnancy was dangerous, as it is simultaneously degrading and doesn't fit with her previously established lore - then Elain and Azriel, together^, would be functionally infertile. Yet it's only ever framed as Elain's body not being able to work with Azriel's, never the other way around.*

^Why didn't the bat boys have to sacrifice their wings to keep their wives/mates safe? Why did the women have to change their anatomy? Because it would make it harder for them to be all powerful? Well Nesta sacrificed her powers! Why not just have Feyre be cursed by an enemy or something, and Nesta found a way to use the Dread Trove to save them all. Ugh. I love SJM's books, but this was such a miss.

*HOSAB/HOFAS SPOILER: funnily enough, this was never said about Ruhn and his eventual mate, even though he actually did think he may be unable to father children, thanks to the Oracle's prophecy. People shipped the hell out of him and a couple of different women throughout the CC series, despite the chance he could never get them pregnant.

"People haven't called Elain damaged goods, so it's not the same. We're allowed to not like her."

My faerie porn* lover in christ, what the fuck do you think the pliable bones "theory" is actually doing? It is suggesting that Elain's hypothetical inability to survive having children with Azriel, and for those children to also survive childbirth, is impaired. Ergo, she's damaged.

We don't care if you don't like Elain, we're allowed to have different preferences in characters and ships. That has never been the problem.

*I use this term with affection as a great lover of the genre.

But "damaged" vs a functionally "impaired" uterus? It's the same damn thing, and sorry, it's misogynistic af, not to mention ableist and homophobic at a minimum. In the same breath you are also reducing your favourite to her apparently functional uterus (even though the pliable bones argument is medically inaccurate, by the way - this is really damning of the state of health education across so many countries).

"Hahaha/lol."

Yes, I have seen people laugh and treat this as a joke. As recently as tonight, in fact. It's disgusting.

Regardless of your lived experiences and shipping preferences, both of these takes about Elain and Gwyn are equally degrading and horrific and need to stop, but if you're only calling out the comments that hurt you/your friends/your ship and not the others, then you should maybe attempt some basic self reflection and analyse those double standards you're carrying.

This entire fandom needs to do better. I'll say again, for the umpteenth time, to any of my fellow Elriels that if you think mocking Gwyn's past is funny, then you're not mature enough to read an adult series. But this works both ways, and if you think mocking infertility is funny/use it as a win, then you're just as immature. I would really and truly appreciate it if we were not left alone to argue over and over again why discriminating against someone who couldn't "have a man's children" is wrong, and why many, many people in this adult fandom - that is largely comprised of women! - might find such a theory, and the resulting discourse, incredibly upsetting.

Infertility hurts; not having a kid when you want one can be viscerally painful. Besides that, I know very few people who have given birth who don't carry around some sort of emotional or physical trauma from doing so. Treating a character's hypothetical infertility with one man as a joke is gross.

Please don't call Gwyn "damaged goods" or suggest that Azriel would choose somebody else over Elain because she couldn't have his kids.

They are the same thing.

It's not hard to be kind. Pain is not a competition.

We should all do better, and take care of each other.

[fahye]

Hello!

I’m re-reading A Power Unbound and I just want to thank you so much for these ridiculously wonderful characters. I have been wishing/hoping/waiting/making sacrifices at the Altar of Enemies-to-Lovers for the Ross/Hawthorn pairing since page 119 of ART (literally 😂), so I can’t even express how excited I was to finally read a whole book about them! 🎉🎉🎉🎉🎉🎉

The magic system in The Last Binding is fascinating to me, and I wondered what research you did that informed your choices, especially about the objects chosen to represent the Last Contract. The knife, coin, and cup harken back to (what I understand to be) some ancient Celtic symbols. Was that intentional, and if so, were there any books or other resources that you found helpful in fleshing out the magic system?

Thanks so much for the gift of your writing! It’s brought a lot of joy to the past year of my life.

Peace,

K

thank you!

and the symbolism of the cup, coin and knife went through some journeys during the writing of the trilogy: when they first popped into my head in the first draft of AML I was just like uhhhh need some nice magical archetype objects, they can be changed later if need be. but as I was developing my ideas about the overarching plot, and the themes of the trilogy as a whole, I realised that I could use them very deliberately for their tarot suit symbolism.

so each book and each romance thematically resonates with the base theme of the suit of tarot cards corresponding to the contract-piece most actively being sought after in that book. thinking about it in retrospect I could have swapped the knife and the coin and still had it work, but ART always had to be the cup. and I did want the two rings -> coin thing to happen in AML, because that commingling was ALSO a theme thing and also just....fun. to lay the clues of addy's ring and the ring in the clock literally in chapters 2/3 and have them lurking in the text to be discovered.

so yes! tarot. and then I got to fuck around some in APU with the idea of a fourth piece/s corresponding to the wands suit and the theme of willpower. that was in the nature of an easter egg for anyone whose pattern recognition had perked up all WHERE IS THE WAND, FREYA, YOU HAVE LEFT NEGATIVE SPACE IN THIS TEXT!

I did fill the space. just in a less obvious way.

(and to answer your other question, nope, the closest I got to reading books to flesh out the magic system were 'a children's book of cats cradle patterns' and 'a book on the history of a wide variety of trees and the use of their wood'. I am also very much on the beginner/amateur end of tarot knowledge, so I was going off the way I personally interpret and use the suits. and also vibes. so many vibes.)