eroticism of the machine this, eroticism of the machine that. what about the AROMANTICISM of the machine. what about the electric comfort of looking at a beautiful turbine engine and knowing that it is just like you. what about the urge to cut open your chest to prove your heart is made of wires and your ribs are made of steel. what about that
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hopeless time loop. the way out isn’t to save everyone. the way out isn’t to save even one person. the way out isn’t to change anything. the way out is accepting how it happened the first time is how it always will be. that’s how you acted, that’s how they acted, that’s how you would have acted every time if you weren’t given the curse of hindsight. the way out is accepting you can’t fix the past; you can only forgive yourself for it.
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something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
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idk if this is accurate but i’ve felt like in previous seasons riz & gorgug have been one of the inter-bad kids dynamics we’ve seen the least of & this season has been so great in that aspect. gorgug having helped make some of riz’s magic gear. riz helping gorgug with his studies. the shared birthday party. gorgug’s gift to riz being something he himself made to protect riz. riz’s gift to gorgug being something he illegally grabbed to protect gorgug. gorgug who utilizes rage to put his body on the line for his friends & riz who will take deep levels of mental stress for his friends. even though it was within the context of a joke, riz calling gorgug an “absolute sweetie.” like yea they might not be in a band together or both part of a presidential campaign team or owlbears teammates, but they’d go to war for each other, because they’re best friends.
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Siblings actually feeling like siblings is my absolute favourite thing in shows:
siblings sharing one braincell:
The same crooked smile:
And in the first 10 minutes or so you already know the dynamic between these two, Joel knows Tommy will tease him endlessly about the t-shirt being inside out, being an older sibling, when making a mistake I look at my younger siblings first because I just know they are gonna be insufferable about it. But Tommy respects the hell out of Joel, he immidiately puts out the cigarette when told so, this is responsible older brother Joel, who will bail him out of jail...
He's also the person he looks to, to make the decisions que 'What are we doin', Joel':
also the fact that they got two guys with patchy beards is dedication to me, they wanted these two to be genetically brothers:
These two walking in sync never fails to get me, they are walking the exact same way:
Also haven't seen each other in quite a while and doesn't miss the chance to tease little brother:
all I have to say is Gabriel and Pedro were dedicated to show us they were brothers and I love them for that.
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:) hello! :D hope you have a nice day and absolutely do not think of the possibility of one of the last story cards being of silver! and that his groovy will very probably be crying!!! THERE'S SO MANY CRYING PEOPLE IN STORY CARDS LATELY!!! SPECIALLY LIGHT USERS!! I AM!!! SCARED!!!! bc so far we got Lilia and Sebek in the beginning book 7.... so at the end.... so we're missing story Silver... and Malleus is the one with less cards, so they might add one for him... but... the tears... ego.... THE TEARS!!!! EGOOOO!! (LOVE YOUR ART BTW EVERYTIME I GET A NOTIF FROM YOUR BLOG I RUN HERE TO SEE!)
(thank you! 💚💜💚)
YES I am ALSO like...90-95% convinced that we're going to be getting a story card for Silver once we wrap around back to diasomnia. 👀 especially because the way things are going, Silver will be the only character whose dream we haven't seen -- yet???? -- and that just. y'know. makes me wonder!
although I do think it would be VERY funny if he got a story card and the groovy was just "regular Silver except with one beautiful single crystal tear". this is actually a lot coming from him.
(he used up all his emotion yelling at a baby that one time, there's none left for a proper groovy-level cry.)
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There’s something horrifyingly beautiful about Tess’s final moments. In the midst of the most dire chaos, as she waits for her death to come rushing past so she can blow it sky high and give cordyceps a big fuck you one last time, one of the infected stops. It looks at her, really looks. Her own mortality is personified in this infected. It’s death that’s looking at her, and it sees her. She looks her own death in the eye, and the suspense is so high as it approaches. But then, it doesn’t bite her throat out like we all expect it to.
It kisses her. What’s more, it kisses her gently. And I think it was a brilliant choice on the writers part, because it reminded me that the infected aren’t supposed to be evil. Sure, they’re scary as hell, but really, they’re just trying to survive. They’re connected to one another, they can feel each other from miles away. They seek out and want to be close to their own kind, just like the human survivors do. And when they do find each other, they kiss hello.
And after so long apart from a loved one, someone you know and trust with every instinct in your body, wouldn’t you want to kiss them too?
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Edwin probably never had anyone to talk with in hell, right? Maybe the occasional other person popping up like Simon did but even then Edwin had to be quiet because of the spider demon.
So I like to imagine that during the first few years with Charles, Edwin would think stuff in his head but not say them out loud and then be all frustrated and confused when Charles was like 'mate, I have no idea what you're going on about.'
Maybe having problems with speaking too softly or in broken sentences half said out loud and half only in his head.
And that'd be one of those weird quirks of his that, years and years later when Charles finds Edwin in hell and is told very desperately to be quiet, finally clicks and Charles goes ohhhhhhhh. Oh no.
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