#anyway overall its funny and technically true but also not true

[stealingpotatoes]

you say C-3PO is technically Luke and Leia's brother?

well i mean i depends on how one counts making a robot in a family structure. bc not everything u make is ur kid (even if i personally call half my discord bots my kids LOL). personally i think your relation to a robot is whatever you make it, so you're only your robot's dad if you act like one and anakin just acted like threepio was a lil annoying guy not his kid <3

that being said he didn't cut off threepio's hand or torture him so ya know. maybe he was MORE fatherly to threepio than the twins...

[todayisafridaynight]

NO LISTEN. LISTEN. I CONCEALED THE TITLE ON PURPOSE BECAUSE... IDK what it is but I have a tendency to like things that would be hard to watch for one reason or another for MOST of the runtime but then by the end it's like Oh So This Was GOOD Actually? Oh So My Brain Is Rewired?

And then it just becomes IMPOSSIBLE to recommend because I have no idea if The Majority Of It would actually be worth the conclusion to anyone but me😭😭😭SP is along those lines, sort of, but I've at least seen success with that... but this is also the case for my favorite Tsutsumi movie of all time, actually... alas...

Nevertheless. The show is called After the Rain! I think it was originally a manga and it has a live-action adaptation too [criminal not to actually cast Tsutsumi in either In My Opinion but FINE I GUESS]. It's about a former track star in high school, Akira Tachibana, who works part-time at a restaurant and has the MOST EMBARRASSING crush on her manager, Masami Kondo, the character I showed you before, who is Tsutsumi But As A Middle-Aged Divorcee With A Son. They befriend each other and help each other come to grips with the future and the past, respectively.

I was afraid of the obvious because a lot of media that tries to do this ends up making it fucking weird... like, this sort of dynamic means a lot to me for personal reasons and I've been burned too many times by characters I'd come to love and trust... but naw... my man Kondo is Normal About It that's all that matters to me... I had to breathe SUCH a sigh of relief...

I really don't like that the camera is sometimes not normal about Akira, though, it undermines the actual themes of the show a bit. IDK, I'm hypersensitive, I expect it's nothing super egregious compared to a lot of other media, but it's just disappointing because SOMETIMES there's artistic merit in terms of representing what Akira's feeling and other times it's just totally unnecessary and introduces a tonal clash... SPEAKING OF THERE IS A GUY WHO IS NOT NORMAL ABOUT AKIRA AND THE ENTIRE PLOT THREAD IS BASICALLY JUST DROPPED BECAUSE HE'S HARDLY EVEN IN THE SHOW AFTER THAT... I WANTED CONSEQUENCES...

But if nothing else, that's not even exactly why I said it's a hard watch, the actual reason is the NUCLEAR levels of secondhand embarrassment for like two thirds of the show. Like GIRL he is NOT INTO YOU AND HE SHOULDN'T BE... GET A GRIP OH MY GODDDDDDDD................. but like, I was That Girl when I was her age, right, so the fact it had me imploding thinking back on everything is a testament to its accuracy overall. Probably.

And NGL that type of dynamic is basically how I conceptualize RGGJo and Arakawa when they first met... Jo and Akira may be cringe-ass teens but I got a soft spot for it I do... it can be FUNNY... it can be WHOLESOME...

All of that being said, the last third or so might as well be a different show, and it kind of blows the rest out of the water for me. Maybe because it focuses on Kondo and Akira separately? But it's free of literally anything I could possibly complain about. I ain't mad about the first two thirds, it does set up a lot of what made the last third so enjoyable... buuut...

ANYWAY that's ENOUGH OF THAT I am CUTTING MYSELF OFF THERE I've gone on for WAY TOO LONG ABOUT SHIT NOBODY ASKED ABOUT☠️Not like you can say anything to All That I just don't have anybody to talk to about it☠️and despite the fact I'm still not REALLY Recommending It and don't think it sounds appealing from my description, I feel like I probably shouldn't talk about the endgame stuff I'm obsessed with so☠️☠️☠️Anyway. If NOTHING Else. Funny as hell to have Tsutsumi as the basis for The Perfect Middle-Aged Man... SOOO true...

YAYA the DQXI demo goes like, up to just after you get the? Twins? in your party. And you can keep playing the game without progressing the story + continue your save in the full game so technically speaking I COULD grind until I'm overpowered... but I shan't... I'm not positive when I'm getting it since I still wanna play the series in order... For Ichiban... [<- see this is RGG-related now]

It is SO sick to actually get to play though, that's awesome! Toriyama's worked on some bangers what can I say... My first DQ was one of the DS remakes, probably DQV, but the only DQ game I've ever actually finished was the Rocket Slime spinoff. Very Fun By The Way genuinely one of my favorite DS titles... but THAT'S NEITHER HERE NOR THERE... regardless... Arachtagon is not in the demo but I can believe he's a bitch to fight given one of the top results is this ☠️

So I'm glad you're past it and are having fun with the game :] I loved your comic SOOO SO SO much so having that bit of background on makes it all the more enjoyable! I had my own comic about RGGJo losing his mind "babysitting" Ichi and watching him grind for hours on end which was also lowkey about my experience with DQI... lol... lmao even...

I'M SORRYYYYYY THOUGH I TOLD YOU SP WAS SLOW TO START FOR A REASON 😭😭😭😭It took me a while to notice but title sequences are always something like Episode III Part I so they're almost all multi-ep arcs... threw me for a loop... Okay that's enough from me Jesus fucking Christ I am SORRY for going on this long but just I have to say:

inoue's chara is so funny like He's Super Human um doc… i think he's just autistic lowkey….. he still a baller regardless tho

REAL AND TRUE AND REAL AND TRUE AND REAL AND

and i've already added it to the To-Watch list :) NO BUT REAL I UNDERSTAND HOW YOU FEEL- in trying to sell something but having to be like Here Me Out I Swear on it BUT I BELIEVE YOU THAT ITS GOOD. i know i can trust your word on something and i def appreciate the preemptive notes given before watching. im sure i'll enjoy it in the end: it looks cute and im glad it sounds like it's doing something better with a Touchy trope ٩(๑❛ᴗ❛๑)۶ biggest RIP to no tsutsumi in the live action but... cant be helped.....

NO BUT IT'S SO FUNNY CAUSE FOR MY COMIC I WANTED TO SEE WHAT OTHER PEOPLE'S 'HARDEST BOSSES' WERE AND I FELT SO SEEN IN SEEING ARACHTAGON AS AN OPTION..... funnily enough tho when i redid the fight it wasnt nearly as nightmarish as it was when i first did it but Again i think i was just better prepared... (also during my first attempt i had Literally the most fuck ass luck where my team kept getting stunned and dying but rab kept bringing them back to life and i Just Couldnt Die or even move so... Horrible First Experience Ruined A Game For Seven Months For Me ( ￣▽￣ ;;;;)). the first instance of DQ i remember seeing was DQIX and being liek 'hey they looks familiar :)' and ive just been watchin it since 🤭 ROCKET SLIME IS SO CUTE THOUGH if you had to finish ANY of the games im glad it was that one... i wish i got to play the series in order since I Like Doing That but im annoying about wanting to play things on The Official Console...

AH BUT IVE ALWAYS LIKED THE IDEA OF JO WATCHING ICHI PLAY A GAME i mentioned i had an abandoned comic about it but its still such a silly and cute idea.. id very much like to do something with it someday if not see others have fun with it cause i think they should have them silly family moments too..

NO IT'S OK I JUST FOUND IT FUNNY AN ARC WAS LIKE. 3-4 EPS WHEN AT MOST THEY'RE LIKE TWO i'm just about rapping up the ohashi arc and its SOOOOO good... i also love how the drama has a pretty diverse soundtrack that i notice a lot of other jdramas lack so thats DEF been a bonus plus all of the choreography (´▽`ʃ♡ƪ) and real. inoue Is Just Neurodivergent that got solidified within me after seeing him mess around with that riddle book ☠️

[tears-of-boredom]

for some reason i get so much more enjoyment out of listening to songs on cd than i do from like, streaming them. especially this one cd i have because its slightly scratched so the same song always sounds a bit weird but in different ways every time. its lovely. also i figured out the mode system on my cd player so now i know what symbol means that it will repeat the cd until i stop it. i get so much more attached to albums when i have cds of them. i dont like the songs from trash by alice cooper that much to be honest, but i still enjoy listening to the cd. i also have vertigo by metallica, and i really do not care for most of the songs, but it is so lovely to leave on when im on my computer. the experience of getting a snack from the kitchen and coming back to my room filled with the sounds of vertigo is really nice. and i kind of wish i had pablo honey by radiohead on a cd too. ill look into burning cds. though i dont have empty ones really. can you use dvds for it? or is the visual aspect of dvds ingrained into the disk? because i do have useless dvds around. technically the only disc station thing is my ps4. its really annoying how tech companies have just kind of dropped disc readers from laptops and pcs. anyways heres my opinion on vertigo:

enter sandman, kinda boring, i confuse it with my friend of misery all the time.

sad but true, eh. chorus is kinda good, otherwise too repetitive for me.

holier than thou is kinda fun.

the unforgiven is eh. not the worst ig.

wherever i may roam.. its alright. i like the intro.

don't tread on me. eh. not my thing.

through the never. its okay.

nothing else matters is actually pretty nice. probably my favourite out of vertigo. tbh it sounds kind of strange when its mixed in with these other, up-beat, songs, it stands out to me so much when its the only calm one.

of wolf and man, i like the intro although its short. its a nice song.

the god that failed is pretty good. the guitar solo near the 3 minute mark is great.

my friend of misery. i like it near the beginning. drags on too much in my mind. i like the guitar part around 4 minutes.

the struggle within. tbh for the longest time i thought it was "struggle with air" as in, choking or asthma. its good.

overall its not a bad cd, its just not the greatest either.

oh and funny thing so my cd is this version:

but i guess the "metallica" text was like printed in a different way to the snake, because the text has just faded to nothing. you can see a small bit of the highlights if you're looking for them, but until this moment when i googled the cover, i had thought that it was just dust. and now that i know what its supposed to look like, i actually like my faded one better. completely black except for the snake in the corner that is quite hard to see also actually.

[microsofttothemax]

tagged by @clickergossip for top five tv shows!! you can be surprised at my answers lol most of them are cartoons

rise of the tmnt: you can pry this show from my cold dead hands. i love these boys so much and you can fight me on that. the show is v funny (even tho its a kids show technically JANSNSJSJ) and overall the characters are so shape and well animated. esp leo, his design kills i love it

stranger things: okay the show kinda bombed for s4 for me but i still love it. the characters are so complex and real and their CHARACTER DEVELOPMENTS??? LOVE THEM. also love ronancy v much im currently pushing them together like barbie dolls. lumax is adorable, mike kinda sucks, and hopper is so dad-shaped

the owl house: longtime followers of mine know this one was gonna show up 💀💀 i LOVE this show so much and was v emotional and meaningful to me. i kinda found it when i was questioning my identity and this show somewhat helped me find it?? idk its weird but anyways. hunter is lowkey ftm coded, lumity is so cute and well-developed (and raeda ofc) and i absolutely love willow and lilith. overall a great show and im hugging it close to my chest rn

arcane: okay yes i love caitvi v much but i mainly only watch it to enjoy vander parenting his kids for the first 3 episodes. this show was awesome and i love it dearly. spiderverse-style animation, the fighting and combat in this is SICK and so pleasing to look at. definitely one of my fav shows and im already ecstatic for the 2nd season

gravity falls: im rewatching it rn 💀 but anyway i love it and all its silly stuff. love dipper and mabel, true sibling core, and i still vibe to that intro bc it goes HARD!!!

i think you’ll find that im a big animation guy now!! WHOOPS

tags (bc i forgot WHOOPS)

@lauronk, @bearrycool, @jinxedgods, @st4rgems, and anyone else previously tagged or whoever wants to join!!

[the-technorats]

"good grief, ferb, i know what we're gonna do today,"

or my thoughts on how phineas and ferb is a timely adaptation of peanuts, and what it means that snoopy is trending again

so i had this thought a while ago and never had the time to elaborate upon it in my head, but Phineas and Ferb is modern day/21st century Peanuts, not only in media and character archetype, but in theme and message.

as for visually/technically, both are obviously 2D illustrations with very brief, episodic stories that are usually stand-alone but occasionally follow a broader arc, which is ofc true of many/most comics/cartoons. they both have pretty stylized character designs and super strong shape language (though in peanuts, the shape language is for the characters overall, while in p&f, the shape language is for the individual characters). anyway these are not very specific to the integrity of the media themselves, just common similarities. onto the real meat and potatoes:

both are media made for younger audiences but still funny for older ones, featuring a gang of kids who get up to shenanigans and are rarely/never in school or subject to their parents' or teachers' wills. the characters mostly function as adults though they are depicted as children, which is extremely important to the content overall. both feature a seemingly average kid (charlie brown/phineas) and another kid with whom he has a fraternal relationship (linus/ferb); they face the world together while their aggressive, violent older sister (lucy/candace) antagonizes them. that sister (lucy/candace) has a crush on a blonde dude who doesn't really give much of a fuck (schroeder/jeremy), so she spends her time talking about personal issues with other people (the psychiatrist is IN/talking to stacy on the phone). they have a dopey-looking, unassuming pet whom they think does nothing but lie around and eat all day but who actually gets up to crime-fighting shenanigans in a world the rest of the characters don't know they're living in (fighting the red baron//o.w.c.a./the agency/"agent p.").

there are obviously some p big differences; p&f has an overarching villain and the stakes are much higher for the kids (getting caught by parents, the law, etc) which ofc stems from the fact that the kids are simply doing larger scale things than playing baseball and chatting existentialism on a brick wall, but that has much to do with the time period; charles schultz drawing peanuts in the 50s and onwards reflects the nihilism of the post-war era, and p&f reflects the y2k end-of-the-world-via-technology sentiment as well as the changes in domestic life/security post-9/11. however, i think the similarity lies in the way that the artists chose to react to the time period and its sociopolitics - with abstract/whimsical absurdist themes told through the lens of children who express their childhood and adulthood in different ways but make similar arguments.

there is also, beyond the characters and logistics, the sweet overarching theme of growing up; charlie brown and the gang are very much adult-minded children who think and say a lot and seldom act like children or experience childhood. rerun, linus and lucy van pelt's little brother who makes more of an appearance in the later Peanuts comics, (and putting aside that utterly devastating name - being a product of the silent generation is a cruel joke) spends most of his time on the back of his mom's bicycle contemplating his own existence. him and the the rest of the peanuts characters being children, however, allows them to largely exist outside of societal norms: lucy does not face the drawbacks of being a woman in the 1950's and instead is a little girl who expresses her feminine rage as a big sister who threatens her brother and his friends, and more often than not, follows through. wonderfully, it is possible for her to be feared by peers, funny to audiences, and respected by both, all while maintaining her femininity. (she is expressly not a tomboy and instead to be considered a lady, ever the contrast to peppermint patty, the obvious tomboy, who is depicted as funny and boyish as a girl without any sexism or toxic masculinity.) moreover, and to return to the general point, none of the children face responsibility - from their parents or from school; even the act of taking of care of a dog, which charlie brown does, is offset by snoopy's own clear independence and autonomy - he could ostensibly live on his own, but it is his choice, because of the companionship, because of home, to stay with charlie brown and the kids.

p&f, though similar in theme, has a much more slapstick approach where, though the kids are subject to their parents' generous, unaware limitations as well as city laws and ordinances, they truly exercise - and push - the extent of their free rein by inexplicably building anything as small as a goofy contraption to anything as large-scale as a roller coaster, all while evading candace's attempts to sabotage their fun by getting the parents involved. candace's continued failure proves the importance of the kids' freedom to the message of the show - while phineas and ferb may be 'getting away with it,' they are supposed to, you are supposed to want them to. just like in peanuts, at no point is one of the themes or morals to abide by rules or even to do the right thing - the apparent time they have to spend and how they choose to spend it is always the priority. lucy will never get in trouble for pulling away the football or decking her brother; phineas and ferb will not face actionable consequences from the city or their parents, especially not because of candace. candace, who, in fact, could be having much more valuable experiences with her friends or her crush were she not so hellbent on "busting" her brothers (and who, also, must be suffering big-time from being the tragic eldest daughter, but that's a different essay).

-

peanuts experiences time in something of a limbo. the children are clearly children, yet are ageless, though some are clearly younger than others. (their vocabularies are far too extensive for being as young as one might assume, and therefore indicate nothing.) school exists in certain strips, but not in others, and the changing of the seasons is apparent though this only serves to change the atmosphere of the kids' given activity and not to depict the passage of time in any meaningful way. time is endless. the characters are jaded, melancholy, existential adults in kid bodies representing the desire for self-awareness within the innocence and freedom of childhood. (and this might be a different essay, but vince guaraldi's jazz being the theme and score of the peanuts animation adaptations of the comics matches the dichotomy of the characters' youth and improvisation with the pensive sophistication of maturity.)

phineas and ferb experiences time in much the opposite manner - unlike the quiet peanuts panels of autumn leaves blowing by, or gracefully gliding over a frozen pond, p&f episodes fly by in a frenzy of creation and destruction - the ambition to do, see, and become everything running rampant over the course of a hundred and four days. however, phineas and ferb may be juxtaposed with charlie brown and linus as they do engage in the world around them; instead of escaping from a cruel world with wars and injustice to a smaller bubble where, with childhood, comes freedom and escape from the adult world, phineas and ferb want to escape the monotony of the smaller bubble where, with childhood, comes the confines of parents and rules and instead bring their childhood to the freedom and autonomy of being an adult.

so what's the point? i'm not exactly sure. (my major is lit analysis and not culture/media analysis, for reasons becoming increasingly unclear.) but with the resurgence of snoopy's popularity and what i think i personally have been witnessing of the youth's disillusionment with the world around them, perhaps the pensive melancholy of a generation being overexposed to death, genocide - violence overall - would be creeping back up over the ambitious enthusiasm and desire that preceded it, since that generation has witnessed and continues to witness the aftermath of an appetite for technology and progression left unchecked and used for personal gain. we've seen people try to phineas-and-ferb a better future, and we've seen that fail so utterly and catastrophically - and fail upward, nonetheless. it makes sense to need to resort back to reminding ourselves of the quiet intimacies. to reconnect with ourselves and think about what it really means to be here, existing, if everything real, in the world around us that we're intentionally shutting out, is miserable and corrupt and lost (and far too fucking expensive to live in).

phineas and ferb gives me hope, though. (one, that disney can write shows that are creative and funny with appropriate and positive messaging for children (and adults!) that actively discourage being a nark.) and for, more importantly, the kids watching, who will hopefully learn that their creative and passion-driven endeavors are important to the world that they are helping to shape, like it or not, and that the empathy and whimsy and desire for goodness (moral goodness, but also creating a quality of life that is good, where creation for the sake of the community is valued over creation for the sake of profit generation, (fucking obviously)) they possess as children need to be a part of their adulthood - and that maybe, the delineation between the two need not exist at all. maybe, that generations prior to ours created adult problems for their own children - that those children as a result did not get to experience their own childhoods, and that in trying to grow up too fast, they couldn't grow up at all - that there should be less of a distinction between childhood and adulthood now than ever before - that we lose the complete honesty and bald-headed truth of being a child when we think we are lost to adulthood - that we need joy and self-awareness and creativity and autonomy and community and best friends and security blankets - and that none of those are exclusive to childhood or adulthood - maybe that is the point.

[telaraneas]

(i change my mind, copypasting this to its own post cause it really got away from me. long post warning)

i guess what im thinkin is like, that light is the domain of “things that MUST happen, for Reasons”; mind is the domain of “things must/will happen, for REASONS”; void is the domain of, like, “things happen or don’t happen for no discernible reason, necessarily”.

thats not really a great description of it i guess but, for instance, a good example is that one time Rosesprite happened…. For No Reason. and for no reason, really i mean no narrative reason- it ended up setting off a chain of events that resolved the subplots of many minor characters, so it’s not like it’s USELESS, but there was kind of no way to predict that whole thing from a “narratively this is something that we are leading up to” standpoint, which is why roxy’s actions brought it about on accident, and why rose was so thoroughly perplexed by it the whole way through. void is probably closer to the way things happen in real life, but it is sort of the anthitesis to the way things happen in stories, where everything is deliberate and happens for A Narrative Reason… but homestuck was always largely written on the fly at least in the smaller scale things, so this sort of thing just Happens lol

incidentally im pretty sure a mind player like terezi could have technically predicted that, if she had for any reason at all been previously informed of all the moving parts of that whole thing and TRYING to predict what the fuck jaspersprite was gonna do, because it IS perfectly logical in hindsight, but like… that’s the whole thing, why the fuck WOULD you be trying to look into that or predict it????? there was seemingly no narrative reason for any of that to be relevant! and that’s kind of what void is about i think!

on a similar note i thing breath is more along the lines of just…. Things Happen. similarly to void, it’s not about trying to discern WHAT will happen or WHY, but unlike void, the things that DO happen under the influence of breath ARE kind of things that the narrative called for. breath seems to be kind of the aspect dominating narrative contrivance

people often confuse contrivance with plot holes, but from what i understand they’re very different. a plot hole is when something happens, and it makes no sense for it to happen to the degree it breaks with previously established known facts, and it’s just never explained.

a plot contrivance doesn’t really contradict anything, necessarily, it’s just… like… there’s no reason for it to NOT happen the way it does, but there’s also no reason for it TO happen the way it does, and overall the reason it’s considered bad writing is because it tends to come across as lazy. oh, the heroes JUST SO HAPPENED to find the one magic sword that can defeat the bad guy, just laying on the side of the road. how convenient!

…incidentally, john’s entire story arc seems to be built entirely around moments like these skfnkenfke

i think it was smart writing to codify this as 1. the influence of an actual cosmic force that DOES operate on those principles, and 2. make john have to figure out how to get a handle on things by himself, even if the tools and circumstances just happened to be aligned in his favor by everything else in the story. john still has to be the one to turn HIMSELF into a deus ex machina, on-screen, to fix everything. it gives the story a good narrative and emotionally resonant reason to just contrive the hell out of everything john does and goes through, while STILL delivering on his arc as a hero’s journey

(i also think it’s really funny that the ring, which gets LITERALLY deus ex machina’d into the story via the author himself, is CONVENIENTLY found by tavros, and john CONVENIENTLY ends up with it in the story itself sjfnskdn true breath shenanigans, and incredibly fitting that vriska rejected it and played no part in it because there was no previously known indication that the ring would be important in any way until the two breath players started playing hot potato with it)

i’m still not sure if i have a good grasp on what exactly time does, because we have seen very different attitudes taken towards it by various different players AND the official description, and it’s hard to tell what, in each regard, comes from time as an aspect, from the classes of the characters, or from the characters themselves/both things; but for now i think my best guess is that time is kind of “things already happened, this is inmutable, let’s just cut to the chase”, more or less. like, the way this differs from light is that light still thinks of things more or less linearly, even when they UNDERSTAND this is not the case, whereas time tends to just not even concieve of things has “something that is happening”

like, example, vriska vs aradia; they both kind of enabled Big Bad Things that they already knew would happen via timeline shenanigans- but from what i recall, i don’t think aradia ever PERSONALLY set any of those events in motion, she simply didn’t correct any misunderstandings and thus allowed the wheels of time to turn smoothly; whereas vriska went “bec noir Will Happen = someone will make it happen anyways = i’m gonna make it happen myself, cause someone has to, and it might as well be me!!!” because of her compulsion to be the master of her own fate

aradia didnt so much see her actions as her *doing* anything, evil or good; she was pretty much just making sure things ended up where they were already going to end up/had already ended up, devoid of motivation or reason. similar to dave in the first five acts, just opening and closing loops Because He’s Gotta until he eventually runs out of steam and loops to close, because he really never had any motivations for doing what he was doing other than Well, I Already Did Them, So Obviously I Have To Do Them So I Can Have Already Done Them. no intent or motivation inherent to the actions themselves for half the story

a more childish example is caliborn getting fed up with the story and the Interpersonal Problems of the players and being like “fuck this, just skip to the good parts, they’re Going to happen so why do we have to sit through all of this shit!”. obv contrast to calliope, who seems to illustrate the kind of reader who would rather explore the status quo forever and imagine all the character interactions possible, playing in the *space* of the work in between the big status quo shifts and dreading said shifts, where caliborn wants to skip right past the status quo and have a story composed of nothing BUT the big shifts, the start and end of things

(neither of these are a sustainable way to tell a story, which is why you need at least a space and a time player)

[thelostmoongazer]

sooooo this is an au thats been in the works for a few weeks now! Ive been calling it the ForgetMeNot AU but @spudinacup​ has been calling them the Dust Bunnies and i just.... lets just say its an alternative name 

to put this au in the briefest description, this is a direct spin-off of the GONE WRONG AU (thank you spud for enabling me) where a divergence in events leads to Steven's body getting cremated and his ashes being spread over the hill where Steven died/where the injector landed, for ceremonial purposes. This au also incorporates a theory/au that @faranae​ has that involves the injector originally being used to create new gems/spinels. With this in mind, cremation ashes are commonly used to create diamonds to put in jewelry as memorabilia. So, with those two concepts in mind... i’m sure you can see where im going with this

(This au is based entirely around the events that will happen in the GW AU, events that I am in no way privy to how they occur so i’m just here for the ride, folks)

READ UNDER THE CUT FOR MORE DETAILED CHARACTER DESCRIPTIONS AND NOTES 

•Cloud•

   Pronouns: They/them (occasional he???)

   Age: Last to emerge

   Flaw: Twinning wisps (in layman’s terms, when too many outside elements interfere and stunt the growth of the diamond) (design more heavily based on this) 

   Symptoms: light projection is underdeveloped. Black misshapen “skin” is warped over crystalline “nursery clusters”. (I headcanon that in the early stages of gem growth, their entire form is nothing more than a small, light projection cluster of the gem their made of, but then this condenses into one spot, the gem, thus leaving behind the refined light projection and hardening the gem.) The underdeveloped skin is black/reddish because of the presence of other elements, receding it’s formation.

   Personality: All three are curious about the world, sure, but only Cloud is as forward with their intrigue. They have the mentality of “This interests me, I am going to learn more.” Which often leads them to invading boundaries and personal bubbles.    They are the most likely out of the three to ask questions and strike up conversation (that is, at least, when they learn English. Even though I can still see them trying to anyway even with broken English lol) making them very charismatic and friendly. This, in turn, makes Cloud act as the three’s door to learning more about this new world they’ve found themselves in.

   Other Notes:    - Representation of Pink Diamond. Poofy pants, Leotard over pants, Flats. Their Personality also reflects this, mimicking Pink Diamonds childlike curiosity and hunger for knowledge about life on earth.    - Meant to mimic Steven’s friendly nature.

•Sky•

   Pronouns: She/He/They

   Age: second to emerge

   Flaw: Clouding

   Symptoms: Pigment discoloration around eyes paired with iris colomba (poor vision)

   Personality: Sky is the grounding force of the group, they are the one to bring them back down to earth and be the calm when either of them go into their own heads too much. They are also fairly curious about the world but isn’t as direct about it, mostly preferring to observe from afar unless encouraged (or enabled) by the others (*coughcough* cloud *coughcough*) this isn’t to be confused with skittish, though. If sky were to be approached by someone unknown they wouldn’t run away, they’d most likely stay where they are and give you a funny look.    Sky will often need encouragement, direct or indirect, from the other two to make their own willing decisions, and will often parrot cloud or slug. Sky will often act as their dictionary or mental catalogue. If one of them forgets the word to something it’s likely sky will be the one to remember it.

   Other Notes:    -Representation of Rose Quartz. Shawl layer in the shape of RQ’s dress, loose ringlets, bare feet. Their personality reflects Rose Quartz’s mature and nurturing energy with the deep love for all those they hold dear.     - Meant to mimic Steven’s caring spirit    -due to iris colomba, her vision is very poor. But a symptom of iris colomba is the presence of floater spots in ones vision which, in children, can lead to a more developed use for peripheral vision. This is the case for Sky.

•Slug•

   Pronouns: He/They

   Age: First to emerge

   Flaw: Black Inclusions (bits of spinel?)

   Symptoms: Black splotches all over body, mental conflict (short temper, mild co-dependency)

   Personality: Being the first to emerge, Slug takes on the role of protector. This makes him very defensive and slightly possessive of the other sibling. He is the most antisocial of the group but can be easily swayed into any activity by the other two, especially when it comes to affection. He typically comes off as crass and rude to strangers (or anyone who isn’t sky or cloud), but if his trust is earned (with a lot of effort) he will show it rather than say it. Slug is the most visually observant and spatially aware out of the two and acts as their sharper set of eyes (this also going hand in hand with their role as protector).

   Other Notes:    - Representation of Steven. Jacket, (comparatively) shorter curly hair, sandals.    His personality reflects Stevens protective nature (and temper) and desire to help. Wanting nothing more than to be useful to those he cares about most.    - Meant to mimic Steven’s will to fight

•Overall Notes•

   • These gems emerge about 3-4 or so months after the current events of GONE WRONG (THIS IS LIKELY TO CHANGE) 

  • Each gems deformities/premature emergence all make these gems extremely brittle compared to a normal perfect cut diamond (or even a regular gem for that matter)

  • 3 gems instead of one was the fact that a pink diamond, in essence, is practically identical to a white diamond, as far as whats in it’s chemical compound to effect it’s color. With this in mind, its been explained before that White Diamond carries the essence of the entire spectrum. If this is true, then why wouldn’t a pink diamond if they’re practically identical? Therefore, the result of adding those residual properties of a pink diamond from within the ashes, would produce the “purest” forms of the spectrum. White, yellow, and blue. All of them tinted slightly with an ashy pinkish hue.

   • Many things were factors in their premature growth, but a main factor is the amount of injector fluid that was provided in the growing process. When spinel first lands the injector, its very apparent that there is plenty of fluid injected into the hill right upon impact. But in this circumstance, after the current events in Gone Wrong, the injector goes idle (or is possibly removed and relocated by/to Little Homeworld but that is completely up in the air and reliant on future events in GW.) and what little fluid was left behind by the injector was what was used to grow the three gems 

   • Currently, their vocabulary is very limited. They will normally speak in 1-3 word sentences unless they are parroting. Although, given that they are technically elite gem, albeit deformed, they do have the programming for an advanced ease of grasp on language. 

   • Because of their human influence, they have taken on specific traits of Steven. Yes, different physical aspects (facial features, body type, clothing, etc.) but they also gained instincts from Steven. Not to be confused with memories, but rather impressions of specific muscle memory.     Although they don’t need to, they will sometimes desire sleep or food, often unknowingly acting on human instincts. They will even find themselves drawn to specific things/places/people, finding them familiar or warming up to this thing/place/person with ease. (e.g. feeling familial attachment to Pink!Steven not long after first contact with him, with the exception of Slug (lol))     This can include, but is not limited to, other absent minded behaviors; such  as, inflections in speech, subtle ticks (i.e. humming, tapping feet, idle movements), specific hand gestures, ect.

[asleepinawell]

Book Recs

I was gonna do one of these at the end of the year, but I’ve somehow managed to read 26 books this year already (12 novellas, 14 novels), almost all featuring queer authors and/or characters so this is already a long list.

Note: There’s a few on here I was kind of meh about, but in most of those cases it was a ‘book might be good but it’s not for me so i’ll mention it to put it on people’s radar anyway’ type of thing. Insert the usual necessary tumblr disclaimer about all of this being only my opinion and your opinions are valid too etc etc.

In order of when I read them:

Princess Floralinda and the Forty-Flight Tower by Tamsyn Muir - Fantasy novella from the author of gideon the ninth that’s a twist on the classic princess trapped in a tower waiting for a prince story. Quite fun. (novella)

The Monster of Elendhaven by Jennifer Giesbrecht - Dark fantasy about revenge and magic. m/m couple but like I said it’s pretty dark and twisted all around so definitely not a happy queer romantic story. My opinion was interesting premise that could have been executed better and probably should have been a full novel to embellish on the world building potential. (novella)

A Memory Called Empire & A Desolation Called Peace - Arkady Martine - Probably tied with murderbot as the best things I read this year. Scifi, f/f couple, wonderfully done exploration of what it means to fall in love with a culture that is destroying your own. More of the many queer anti-imperialist books that have come out recently and certainly some of the best. The second one is a direct continuation of the first. (2 novels)

The Tyrant Baru Cormorant - Seth Dickinson - This is the third in the Baru Cormorant series (The Masquerade) and was my favorite so far. The second and third book were originally one book that got split I believe and the second book didn’t stand alone as well (though was still great), but the third book really made up for that. Dark fantasy world starring a queer woc whose country and culture is destroyed by the imperial forces of that world colonizing and assimilating them. She vows revenge and decides to work her way up within her enemy’s ranks to enact it from within and bring an empire to ruins. Really really fascinating study of so many different aspects of our own world and the systems which enable and allow bigotry and how bigoted and violent narratives are used to control minorities. This is definitely a darker series and I was particularly impressed with some of the commentary on the racism prevalent in non-intersectional feminism as depicted through a fantasy world. Can’t wait for the last one to come out! (3 novels, 1 forthcoming)

The Murderbot Diaries - Martha Wells - There’s six of them--5 novella and a novel--and the first is All Systems Red. Told from the point of view of a self-aware droid/android that is rented out by a corporation to provide protection in a dystopian capitalist hellhole future that isn’t that unlike our current capitalist dystopia but is in space. Muderbot hacked the chip that controlled it and instead of going rogue just wants to be left alone to watch its favorite tv shows. Murderbot is painfully relatable and the books are both funny and poignant. Highly recommended. (5 novellas and a novel).

Winter’s Orbit - Everina Maxwell - This was a m/m romance novel with a scifi backdrop of royal intrigue. Generally I’m more into scifi with a queer relationship in the background than vice versa, so it wasn’t my favorite, BUT I think it was still well written and someone looking for more of the romance angle would enjoy it. Has all your favorite romance tropes in it, especially the yearning. (novel)

The Divine Cities - Robert Jackson Bennett - Three book series. I’m very conflicted about this one. Set in a fantasy world where an enslaved nation overthrew the country enslaving them and now rules over them. It’s a story of what happens after the triumphant victory and within that it’s also a murder mystery tied into the dying magic of the conquered nation. It also has a six foot something naked oily viking man fist fight a cthulhu in a frozen river. The second book was by far my favorite, mostly due to the main character being brilliant. My conflict comes from the fact I don’t feel like the story treated its women and queer characters well. Like it had really great characters but it didn’t do great by them overall. That and the third book didn’t live up to the first two. But still definitely worth a read, can’t stress enough how cool some of the world building was. (3 novels)

Into the Drowning Deep - Mira Grant - This might be the only one on here I disliked. It’s got a doomed boat voyage and creepy underwater terror and monsters and a super diverse cast of characters, but I just didn’t enjoy the writing style. While having a diverse cast is great, there were a lot of moments where it felt like characters were pausing to explain things about themselves that felt like a tumblr post rather than a normal conversation you might have while actively being hunted by monsters. I also bounced off all the characters. But a lot of people seem to have liked it so if you’re into horror and want a book with a f/f main couple then maybe you’ll enjoy it. (novel)

Dead Djinn Universe - P. Djèlí Clark - Around the early 1900′s, a man in Egypt discovers a way to access another world and bring Djinn and mysterious clockwork beings called Angels through. As a result, Egypt tells the British to get fucked and Cairo becomes one of the most powerful cities in the world. So Egypt, magic, djinn, a steampunk-ish vibe, oh and the main character is a butch queer woman who enjoys wearing dapper suits and looking fabulous while she investigates supernatural events. Her girlfriend is also mysterious and badass. And she has a cat. There’s three novella (one of which technically might be considered a short story) and then the first novel. You should absolutely read the novellas first (A Dead Djinn in Cairo, The Angel of Khan el-Khalili, The Haunting of Tram Car 015). Super fun and imaginative series. (3 novellas and a novel, more forthcoming)

River of Teeth & Taste of Marrow - Sarah Gailey - From the book description

“In the early 20th Century, the United States government concocted a plan to import hippopotamuses into the marshlands of Louisiana to be bred and slaughtered as an alternative meat source. This is true. Other true things about hippos: they are savage, they are fast, and their jaws can snap a man in two. This was a terrible plan.”

Queer hippo riders!!!! Very much a western but with hippos. Main couple included a non-binary character. Loved the first one. The second one I was more meh about due to one of the characters I was supposed to like having obnoxious man pain that a woman had to take the brunt of the whole time. Also there were less hippos. But queer hippo riders! Definitely read the first one, and they’re both novellas so no reason not to read the second as well. (2 novellas)

A Psalm for the Wild-Built - Becky Chambers - I may be the only person who hasn’t read the long way to a small angry planet at this point, but I did grab her new novella and I loved it. It made me want to go sit out in the woods and feel peaceful. The world it’s set in feels like a peaceful post-apocalypse...or diverted apocalypse maybe. Humans built robots and robots gained sentience, but instead of rebelling they just up and left and went into the wilderness with a promise that the humans wouldn’t follow them.The remaining human society reshaped itself into something new and peaceful. It’s the story of a monk who leaves their habitual monking duties to go be a tea monk and then later wanders into the wilderness and becomes the first human in ages to meet a robot. Very sad there’s no fan art yet. (novella, more forthcoming)

The March North - Graydon Saunders - This was such a weird book that I’m not sure how to explain it. The prose style is hard to get used to and I suspect a lot of people will bounce off it in the first chapter. There’s no third person pronouns used at all and important events get mentioned once in passing and if you blink you’ll miss them. Set on a world where magic is extremely common to the point that rivers sometimes run with blood or fire and the local weeds are something out of a horror movie and most of the world is run by powerful sorcerer dictators, one country banded together (with the help of a few powerful sorcerers who were tired of all the bullshit) to form a free country where powerful sorcerers wouldn’t rule and the small magics of every day folks could be combined to work together. The story revolves around a Captain of the military force on the border who one day has three very powerful sorcerers sent to them by the main government with the hint that just maybe there’s about to be a big invasion (there is) with the implication of take these guys and go deal with this. The world building is extremely complex and very cool...when you can actually understand what the fuck is going on. There is also a murder sheep named Eustace who breathes fire and eats just about everything and is a Very Good Boy and belongs to the most terrifying sorcerer in the world who appears as a little old grandma with knitting. It had one of the most epic badass and wonderfully grotesque battles I’ve ever read. But yeah, it is not what I would call easy reading. Opinions may vary wildly. I did also read the second one (A Succession of Bad Days) in the series which was easier to follow and had a lot more details about the world, but overall I was more meh about it despite some cool aspects. The chapters and chapters of the extreme details of building a house that made up half the novel just weren’t my thing. (novels).

The Space Between Worlds - Micaiah Johnson - In this world parallels universes exist and we’ve discovered how to travel between them, but the catch is you can only go to worlds where the ‘you’ there is already dead. This turns into an uncomfortable look at who would be the people most likely to have died on many worlds and how things like class and race would fit into that and what we would actually use this ability for (if you guessed stealing resources and the stock market you’d be correct). The main character is a queer woc who travels between worlds with the assistance of her handler (another queer woc) who she has the hots for. She accidentally stumbles on a whole lot of mess and conspiracy and gets swept up in that. Really enjoyed it. (novel)

Witchmark - C.L. Polk - Fantasy world reminiscent of Victorian England (I think?) where a young man with magical gifts runs away from his powerful family to avoid being exploited by them. He joins the army and fights in a war and comes home to try and live a quiet life as a doctor, but a murder pulls him into a larger mystery that upturns his life. Also he’s extremely gay and there’s a prevalent m/m romance. This one was a fun-but-not-mind-blowing one for me. (novel, 2 more in the series I haven’t read)

The Priory of the Orange Tree - Samantha Shannon - This was one of those that everyone loved but I couldn’t get into for some reason. I tried twice and only got about halfway through the second time. It’s got dragons and queer ladies and fantasy world and all the things I like, but I wasn’t that invested in the main story (which included the f/f couple) and was more interested in the smaller story about a woman trying to become a dragon rider. There are few things that beat out a lady and her dragon friend story for me and that was the storyline that felt neglected and took a different turn right when we got to the part I’d been waiting for. But, I know a lot of people whose reading opinions I respect who loved it, and if you like epic fantasy with dragons and queens and treachery and pirates and queer characters then I’d say you should definitely give it a try. (novel)

Bonus: I didn’t read these series this year, but if you haven’t read them yet, you should.

Imperial Radch (Ancillary Justice) - Ann Leckie - Spaceship AI stuck in a human body out for revenge for their former captain, but that summary does not come close to doing it justice. Another one examining imperialism and also gender and race.(3 novels)

Kushiel's Legacy Series - Jacqueline Carey - This is two series, six books total, and starts with Kushiel's Dart. Alternate universe Renaissance-y Europe in a fantastical world where sex isn't shameful and sex workers are respected and prized. Lots of political intrigue and mystery. A lot of BDSM and kinky stuff too (the main character is a sexual masochist, oh and also bi!). I first read this series when I was fifteen or sixteen and it definitely made a big impression on me. Same author also wrote the Santa Olivia series which I’d also recommend. (6 novels)

The Locked Tomb (Gideon the Ninth) - Tamsyn Muir - I mean, if you follow me, you know. If you don’t follow me you still probably know. I’d have felt remiss to have left them off though. Lesbian Necormancers in Space. Memes! Skeletons! Biceps! Go read them. (2 novels, 2 forthcoming, 1 short story)

Books On My To Read List:

Fireheart Tiger - Aliette de Bodard

The Order of the Pure Moon Reflected in Water - Zen Cho

Black Sun - Rebecca Roanhorse

This Is How You Lose the TIme War - Amal El-Mohtar and Max Gladstone

Ninefox Gambit - Yoon Ha Lee

Also, if anyone has any recs for scifi/fantasy books starring queer men (not necessarily having to do with a queer relationship) and written by queer men I’d love them. There’s a lot written by women, and some of them are great, but I’d love to read a story about queer men from their own perspective.

[shihalyfie]

What are your feelings on the general tonal direction that the dub was given compared to the original?

I had this general feeling that the dub was always attempting way too hard to be funny. Like, jokes seemed to be shoved in at every opportunity. Establishing shot with nothing but the BG playing. Nope got to have a funny intercom moment about a jelly donut in the pool. Scene transition, nope got to have the kids running in the background call back to the donut.

I dunno. It was something that always seemed to bother me in hindsight. It was amusing, but out of place.

Preliminary point of disclaimer: I am absolutely not saying any of the following as an indictment of people who personally prefer the American English dub for any reason; I'm well aware that there's a lot going on in terms of accessibility, reasons of personal sentiment/attachment, and the fact that legally available subtitled versions of the earlier series range from limited accessibility to downright absent. I also fully admit to having my own attachments from the fact that said dub was what I technically got into the franchise via to begin with; I love the voice actors and I also have certain zinger lines from the dub I personally treasure, so please take everything I'm about to say with an understanding that there's a lot of extremely complicated personal sentiments mixed in with it.

I will say that, first of all, which dub we're talking about is important. There's a pretty huge difference between the Adventure/02 dubs and the Tamers/Frontier/Savers ones, and then of course the one for Xros Wars (although I think the majority of the fanbase is pretty critical of that last one, given that the "but my childhood" bias is out of the picture). There's also a mild difference between the Adventure and 02 ones, since the latter is probably the most aggressive in terms of how off-the-rails it could get with its changes (and I am confident in saying that I fully believe this is the case even outside my own bias for 02 as a series). I honestly never really had much to gripe about with Tamers through Savers; I think they were still fairly aggressive with the added jokes, but it wasn't to the level that I'm particularly bothered (even though I generally prefer watching with the Japanese version these days anyway). It's probably a matter of taste. The second 02 movie and the Tamers/Frontier movies were also dubbed during this era, and I have the same to say about those.

Adventure and 02 are a completely different story, and especially in regards to 02. I think added jokes are okay to a certain extent -- again, probably question of taste -- but I have problems when the desire to be funny starts actually cutting into characterization or story integrity. That definitely happened way too many times for my liking in Adventure and 02, and I have a lot of personal misgivings about it, especially since its definition of "funny" often overlapped with "these characters start insulting each other for no reason" to degrees that stop feeling like "comfortable friends" and more just "needlessly malicious". Certain characters (Mimi and Daisuke come most to mind) are very different to the point where I couldn't make sense of their intended character arcs, and actively disliked their characters as a kid for being rude, condescending, and obnoxious before I watched the Japanese version and realized how different they were. (I give my regards to everyone who saw the potential in them with the dub only, of which there are many, but please understand that I am not the only person in this camp, and that I feel the changes most certainly led to a statistical increase in people disliking them.) In the case of 02, I also think the insistence on being reckless about the changes adversely impacted the story and character arcs overall because a lot of things that were meant to be consistent in Japanese stopped making sense, a lot of the emotional depth and range of the characters got stripped out to make said jokes -- hard to believe Daisuke's nearly as emotionally pained and impacted at times when a joke has to be added in there, especially when most of his lines in the first half involve him dunking on others and others dunking on him for comedy purposes -- and in general, I'm not against adding jokes per se, but there are times I just really wish it could have learned to hold it back just once during some very important scenes that have vital story and character importance. I am personally very positive that this only contributed further to the stigma of 02 being a poorly written series with inconsistent character and story writing, especially when there was a lot of nuance lost in said character arcs.

I'm not a localization purist. I don't think changes are inherently bad. I'm fully aware that things were very different back then, and at the time it was considered that making those changes may have been necessary to reach the Anglosphere market. I don't personally know if it was actually true; nearly every other country got a significantly more accurate dub and they seem to be fine (and they're currently side-eyeing the Americans for being so weird about it, and I can't say I blame them for it, especially when Anglosphere fanbase denizens have this awful entitled attitude about acting like other dubs are lesser and that somehow "but my childhood" only applies if you've seen in American English, never mind that other people have childhoods too and the Southeast Asian English dub also exists). I wonder if it's really a good thing in the long run for Americans to be pinned as people who can't enjoy something unless you add a million jokes. I'm also disturbed by the fact a lot of people gave and still give passes to some sentiments that often feel like downright anti-Asian motives when it comes to dub changes, just because "my childhood". I completely understand that localization means that you have to alter certain cultural things lest they become difficult to relate to or understand, I cannot say I'm on board with the fact these kinds of dubs were and are often so aggressive about it that they feel like they're pathologically trying to scrub out the Asian scourge. I don't have any particular grudges against the dubbing staff for what they did on an individual level because, as someone who doesn't work in the localization industry, I don't know what pressures they had or what they had to consider in marketing this product, I think everyone has the right to judge which version of the product they prefer for themselves; I just am really uncomfortable with what kind of sentiment fuels the idea that these changes were necessary in the first place, I dislike the fact that I can't voice my concerns without being treated like I'm insulting a sacred cow, and I'm a bit frustrated that the "the dub didn't change anything significant" is still such a pervasive sentiment in this fanbase after 20 years, making discussion of this issue difficult and discussion of the series itself unproductive when we keep running into two people "arguing" about what's actually two very different things.

[sword-dad-fukuzawa]

Mars Red, Overview (1)

Welcome to the first episode of a series I'm calling "Vampire Anime Slapped Harder Than I Expected, Here's Why" /j. This is just an overview. No spoilers here.

Now, if you didn't know, I'm currently watching an anime called Mars Red. Here's the summary on My Anime List:

In the year 1923, a vampire crisis takes Tokyo by storm. Provoked by the illegal trade of "Ascra," an artificial blood source, the population of vampires begins to rapidly increase within the city. Under orders from Lieutenant General Sounosuke Nakajima, the Special Forces Unit 16 gathers vampires within the military to create a new undercover vampire-hunting unit known as Code Zero. Leading the unit is Colonel Yoshinobu Maeda. Responsible for locating the source of the Ascra trade as well as capturing and killing vampires, he is pressured into producing fruitful results amidst the growing criticism that threatens to decommission the unit. To make matters worse, the vampires within the unit are struggling to grasp their newfound powers and identities now that they are no longer human. With the world at odds against them, the members of Code Zero must find a way to curb the crisis or otherwise fall victim to their own demonic natures.

Now, this summary is technically true. But it's also...I wouldn't go so far as to call it misleading, but it's certainly not indicative of the latter half of the anime or the themes that overwrite it as a whole. Both this summary and the trailer market Mars Red as this battle-type anime, maybe something in the realm of Jujutsu Kaisen or Moriarty the Patriot in production, if not exactly aesthetic.

I expected epic vampire fights, basically. Some good plain fun, maybe a little bit of intrigue. Maybe some hamfisted conflict and self-loathing about "nooo I miss being human, I'm a mOnSTer".

...Does it deliver?

It did at the start, and then it subverted my expectations pretty spectacularly. If you do decide to watch it, it's very much a darker, somber thinkpiece rather than a battle anime. it has a lot of things it wants to say about the relationship between humanity and death (because vampires can't actually die of old age) and the shift from a militarized state to one more peace-oriented. There's a pretty striking metaphor for westernization used in the latter half the anime (thank you to Xue @scalpel-mom-mori for pointing this out to me).

So what's it like, really?

Mars Red is the kind of anime that isn't sanitized for western audiences. It's harder to digest. By sheer virtue of its setting, it's already really deeply entrenched in Japanese history, and rather than rejecting that, it leans into the historical and cultural context. The dialogue has a lot of worldplay in the original Japanese, for example.

And at the same time, it juggles references to a lot of western media. For example, episode one is thematically centered around Salome, a play by Oscar Wilde. So if you're not well-versed in plays (like I am) a lot of references are hard to catch.

Should you even watch it?

YES. See, despite the initial hurdle of cultural ignorance on my part and a sheer disinterest in plays that I've had since childhood, I still love this anime.

I'd say it's because of how clever the writing/direction is (see this post I made about two shots telling a whole story in episode 1), but it's also because the characters are genuinely likeable. They're funny, they have heart, they all stand out for different reasons, and their relationships with each other are written with a whole lot of care.

Like Suwa, for example, who I personally think is one of the best-written members of Code Zero. He could easily have fallen into the trope of "gruff, jaded soldier who hates humanity". And it looks like he falls into that trope pretty early on. He's prickly, kind of a lone wolf, and cynical.

But it's around episode 4 that Suwa starts to be more than just that trope. I couldn't find a clip of it anywhere, but he has this really powerful interaction with a 15-year old prostitute (no, it's not what you're thinking, stop it). It starts here, at 9:11 to about 12:05, and doesn't spoil anything about the plot.

It's my favorite scene from this anime and it's pretty indicative of the overall tone, writing, and direction of Mars Red as a whole. Give it a watch if anything I've said at all interests you, see what you think.

Not to mention, the art is gorgeous, the OP and ED are lovely, and it's a pretty short watch. It's currently got 11 episodes out and will end at 13, so you could binge it in a day if you wanted to.

Anyway. More essays will be forthcoming, though they'll probably be spoilery. It'll be a couple weeks before any of them get published though--just gotta wait for Mars Red to finish coming out. I hope you enjoyed the read if you stuck around this long. Have a wonderful day!

[jostenneil]

hi! Thank you so much for taking the time to recommend all those small town books and adding your thoughts and descriptions of them! It helps so much. I’m adding them to my list, I’m so excited! Also, if it’s no trouble, can you also recommend me dramas or tv shows with this narrative? I’ve been wanting a new show to watch :D

SOOO as i am sure you've seen over the course of the past few days,

hometown cha cha cha - a new gem that is absolutely fantastic to me. it's about a dentist who loses her job and takes a trip to a seaside city for some perspective, only to end up moving there and set up a dental clinic in semblance of a fresh start. the problem is that she's a city girl, and this isn't the city. there's a lot of preconceived notions that she has about the people in town, as do they about her, and so far the show has been a slow and steady practice in the kindness and patience we learn to emulate when meeting new people and understanding that they are as troubled and hopeful in their own lives as we are. also, the romance thus far is positively swoonworthy. i went into an emotional crisis last night over it

into the ring - another kdrama fave that i was positively obsessed with last year. it centers on the politics of a small town, and how a girl who is notorious for making (rightful) complaints to city hall ends up running as a district representative. initially this is only something she does bc she's in desperate need of money, but the mc has so much inherent love for her town that she ends up being a pretty proactive representative anyway. her relationship with one of the people who fields complaint calls at city hall is also a focus, and it's one of the most tenderly developed romances i've seen in a long time. there's just a lot of care and attention to detail in the show that makes your wholehearted investment worth it. every character brings something unique to the table

anne with an e - obviously if i was going to rec the book series then i was going to rec the show as well lol! if we are going to be completely technical then admittedly i do think the sullivan movies have the best portrayals of anne and gilbert as well as the best depiction of their romance (esp in the sense of accuracy, the third movie aside), but the more recent show i think does a better job of staying true to the books' nature of investing in a full cast. it really captures that homey, small town feel that i so love, and i think it expands on the cast in ways that other adaptations haven't really cared to

gilmore girls - admittedly i don't know that i need to include this bc i think everyone knows this is the go-to small town show. but nonetheless. there is a lot about the show that has aged poorly over the years (namely how enjoyable rory is as a character, which is. . . very little unfortunately as seasons go by) but i still think it possesses a lot of small town charm, esp in its comedy. the way everyone's lives just seamlessly interweave in stars hollow is both incredibly real but also ridiculously funny bc sometimes overlaps in episode plot points are so obscure as to be bizarre. i genuinely think it's a really enjoyable show up through the fourth season (the affair plot point aside)

sweet magnolias - this is a new show that started airing last year but oh my god! the level of invested i was as i watched it was so crazy. the plot touches on a lot of different characters but it centers itself in the friendship between three women who are each dealing with their own struggles and decide to open a spa together as a sort of healing project. the character arcs aren't particularly unique but everyone is nonetheless so endearing and i really appreciate how almost every character is human. like i think a lot of shows with teens can tend to make them out as unforgivable esp bc it's so common for adults to portray them these days, but the teens in this show are actually teens, and i like that they're given opportunities to grow and change in spite of mistakes they may make. i rly value those kind of narratives and overall the atmosphere of the show was just very healing. also heather headley is so damn pretty i was completely enamored with her the whole season

everwood - little to no one has heard of this show likely bc it started airing at around the same time as the oc and one tree hill and i mean. obv it was going to be overlooked in comparison. but personally i love it a lot! the initial plot's about this kid ephram who's just lost his mom and moves to colorado with his dad and sister. his dad worked a lot before his mom's death and as such ephram doesn't really have much of a relationship with him, so rebuilding that is a huge focus. there's also amy, aka the girl ephram likes, who's dealing with some trauma of her own bc her brother landed her boyfriend in a coma. there's a lot of baggage in this show re: death and i think there's a sadness that really permeates the atmosphere, but not in a way that's disconcerting per se. it's just real. it gets down to the ugliness and loneliness of trauma, esp wrt the teen characters, and i really appreciate that. the only major flaw is there's a plot point where ephram dates his college babysitter who is in college and gets her pregnant although his dad scares her off so he never finds out. but we ignore that

friday night lights - as someone who was in marching band and could still not for the life of me tell you what is what in football, this show is so damn good. it's about a rural texas town exclusively driven by its football team, except this year, the first game starts off with the star player being paralyzed from the waste down, putting a number of different people on the spot: the star player's girlfriend, his best friend, the new head coach, the runner-up qb who has never actually played a real game. i think anyone who watches the show ends up watching it for a specific character or dynamic but at the core it's just about the like. inherent goodness of people. like some of these people make mistakes due to pressure or grief but most of them are irrevocably human and that's what drives the show forward, as do the unlikely but endearing relationships formed between various people in the town. my personal favorite dynamic is between tim and lyla, who are in a bit of a unique place as the best friend and boyfriend of the injured star player

i hope you enjoy! let me know if you try any of them hehe

[m0e-ru]

eight months in somebody actually asked me abt visualive instead of me immediately annoying ppl about it without former notice. I might actually write properly for once 😳😳😳

OK OK!!!!! In this essay I will.... I will.... Visualive Adachi.... Visu/BURSTS INTO TEARS/

OKAY OKAY for real I just care Visualive so much (as someone who can’t fully understand Japanese AHAHA)

First I’ll add some foundation about what Visualive really is, then I talk abt Adachi in the latter parts of it because this is technically the first time I’m properly talking about this hehe 🐿

T....table of contents???

Visualive

Visualive the Evolution

Masami Itou

Visualive Adachi

Visualive the Evolution Adachi

Terms and Legend

VL - Visualive

VLE - Visualive the Evolution

stage - shortened for “stageplay”

面白い - omoshiroi (it’s just that specific)

Yuuya - VL Hero name

Hayato - VLE Hero name

Baba - Hero

Masami - Adachi

Taniguchi - Dojima

Saotome - Daisuke

Mamiya - Izanami

I add honorifics but sometimes I forget the hyphen intentionally or unintentionally I’m sorry if it makes it hard to read lol

all links have automatic timestamps for easy viewing. i mean. i hope the timestamps work

VISUALIVE “Persona 4.” A stage adaptation of SMT: Persona 4 by Atlus. It adapts the first part of the story, from the hero’s arrival to after recovering Mitsuo Kubo from the TV world. It also ends on a cliff hanger, showing a teaser of Shadow Naoto being projected on the screen.

It takes up a speedy recapitulation of the hero’s spring life, before slowing down and showing in depth his school life in summer. A day before Morooka-sensei’s death, there is a little skit with Kou, Daisuke and Adachi. The hero walks into the conversation before the two other boys leaving, and Morooka-sensei walking in on the student and detective. The next day follow’s the teacher’s death and the Investigation Team (IT) begin investigating their new lead.

From the words “visual” and “alive,” the niche of this stage was meant to be the fusion of live acting and visual digital projections. All seen from the stageplay with the colorful cast of actors and CG animations being projected on the screen. This offers an opportunity for characters to summon their personas, perform cool visual effects, change the backdrop, or even confront their own Shadows.

Performed in Sunshine Theater from the 15th to the 20th of March 2012. The screenplay was written and directed by Shintaro Asanuma from the theatrical group “bpm.” The video production produced by Shutaro Oku, a film director and visual planner. He later takes over as director for VISUALIVE THE EVOLUTION, the sequel stage. The stage music was produced by Shunsuke Wada, with a special show exclusive vocal track sung by Shihoko Hirata.

On this note, I haven’t seen any sort of original soundtrack released for any of the stages and I’m SO SAD. The last song in Mitsuo’s boss fight was such a BANGER and literally EVERYTHING ELSE Marvelous, Wadasan please take my MONEY

Regarding the cast, there were some special accommodations for Teddie, Rise, and Nanako, all of which did not have live actors at the time. During the casting, actors for the three characters could not be found or simply left the directors unsatisfied they couldn’t cast anybody. An exception for Rise, who was able to have a live actor in the sequel stage. It has been stated that there weren’t any “pretty boy” actors that fit the “Teddie Criteria.” While there weren’t any child actors that were believed to portray Nanako well.

Teddie was only ever seen in his bear costume while Rise was busy talking through a call, all voiced by their video game cast. Nanako has never appeared on stage, only being scarcely mentioned in the script. Again, this is different in the sequel stage where her role was extremely important and was shown as a screen projection.

VISUALIVE “Persona 4” THE EVOLUTION. A sequel stage. Beginning abruptly in the middle of Shadow Naoto’s boss fight, the story continues from there until the “true end” of the game’s original story. *Certain characters are introduced while others have been reintroduced. And on a personal note, when it’s all comedic in the beginning, it’s all for what’s coming right after.

I don’t know if I’m salty or just find it really funny AHAHA I might go talk abt it some other day with more context ehehe

Performed in The Galaxy Theater from the 3rd to the 9th of October 2012, only a few months after the PSVITA Persona 4 Golden release, which is July 2012. The screenplay was now written by Jun Kumagi while directed by Shutaro Oku. And music production finally taken over by Shoji Meguro himself.

---

HAHAHA this is starting to look like a wiki page. moving on. I might start rambling rn

(warning LONG !!!! aaa,,)

My thoughts on the stage adaptations. For the first Visualive (VL) I believe it’s pretty close to canon! I enjoy the characterization and how much love and care was present when handling the entire production.

Actors were busy playing the game itself, wherein a PS2 was present in the practice room. Along with magazines and game guides explaining the game’s story and the characters itself. Actors performing together and even improv acting together to get a grasp of their characters. All of them knowing well of Persona 4 as a well loved game, delicately handling their characters and hopefully performing them right while making the audience happy.

The staff taking care of each other while the director and video producer, Asanuma-san and Oku-san, working together well to make their vision into a reality.

The same thing happened with VL the Evolution (VLE) and literally every other good stage. Except... I feel the script kinda got out of hand with too much liberty where it feels a bit more disconnected from canon. But! It makes up for it in its content, whether comedic or (INCREDIBLY) dramatic! It’s great as its own story at that point. So in this case, I like to take the first VL and get to connect it canon, while I don’t know what the hell happened in VLE to the point I’ll just enjoy it as its own content.

These opinions deserve its own essay, post whatever bc I have SO much to say abt this. ANYWAY. VL ADACHI

---

Tohru Adachi is portrayed by Masami Itou (伊藤マサミ), a screenplay writer, director and an stage actor himself. He does have a single character voice role along with a fellow troupe member in the same franchise, but mostly works as the former three. He is part of Asanuma-san’s entertainment group “bpm.” On a similar note, Masashi Taniguchi, Dojima’s actor, was also part of their group from 2011 to 2016, which may explain their good synergy as the boss and the bumbling fool dynamic. I mean, somebody’s gotta get hit in the head every few skits.

With Masami-san being an important part of the cast, he doesn’t appear as often as Taniguchi-san in backstage content like the VL bonus disk or the official blog. Mentioned in his own personal blog, he had been busy with his roles as assistant director (I am assuming also for VL).

Also fun to note, because his role is mainly comic relief, he has been using his liberty to change up the material almost everyday making each performance exciting. This also leaves some other actors jealous of his freedom in his role, such as Saotome-san, Daisuke’s actor.

---

VL Adachi really has a... how do I say this? an adorable speech pattern (THE SAME SPEECH PATTERN THAT DROVE ME MAD TRYING TO DECIPHER I THOUGHT YOU WERE A CITY BOY OSSU OSSU MY ASS /shakes you violently/). Overall, he really fits the loose lipped bumbling fool, and his accent really makes him seem more casual and invested. What I’m saying is... VL Adachi either actually has genuine empathy or he actually has more energy to fake it (compared to some other edgelord. i mean you saw my p4ga analysis. I’m sick of him lol ahaha).

One of my favorite ways to explain this (OTHER THAN CHAIR CAR ADVENTURE MY BELOVED WE’LL GET TO THAT LATER) is the rice field scene with him and Dojima. It’s overanalyzation time 🎉

(43:04)

While investigating, Adachi whines about being tired while Dojima smacks him in the head. In this case, it’s established that Adachi doesn’t want to be there, yes? It’s the country, it’s hot and it smells like green.

"Ah... Dojima-san..! Why don't we take a break? (...) There really is nothing out here... Is the criminal still even here at all? (...) I wonder if I've passed being a rookie yet. Haha, but this city doesn't even have convenient transportation. I can't go to leisure lands (recreation, amusement parks, arcades, ect.) and head home at all."

Adachi then tries to tell Dojima a story. “when I got to this city after being newly assigned, I met an interesting guy (...) Yeah, I remember that the cherry blossoms haven't bloomed yet. So, I was driving my car and got near the station and--” Dojima gets a phone call.

Adachi politely puts his hands down waiting for his boss to finish so he can finish the story. Again and again, Adachi attempts to talk to Dojima about a story he’s so persistent trying to tell someone about. It was so 面白い that he would find someone to talk to about it. Even being polite and patient enough to wait for a chance to speak. He even gets fed up with it and blows up in front of his boss, clearly irritated he’s not given a chance to talk.

Sure, it could be Adachi feeling fed up like a normal person where someone agreed he to listen to him, before being constantly ignored. Or Adachi trying to be a more annoying whiny brat, depending on where you look at it.

If the story wasn’t too “interesting” to Adachi, he would’ve just brushed it off and stopped talking to Dojima entirely, or start up new small talk, or even complain some more. But no, he had a story he wanted to voice out so bad that he got irritated that the one person in the vicinity couldn’t listen to him.

Only after Dojima told him to continue their investigation elsewhere did Adachi finally stop and focus on something else. Maybe that story was for another day, or maybe it was never meant to be told.

What if it was just original (game) Adachi? He’d find a way to squirrel out of the investigation as usual, or push Dojima to “investigate” elsewhere. “Hey boss, don’t you think it’s hot? Why don’t we go elsewhere? We’ve seen this place too many times to count and I doubt anything new’ll turn up. How about we take a break at Junes, y’know? Where it’s cool? C’mon boss,” something like that.

og Adachi is just really annoying and silly to me. Some grown man thinking he can freeload because he never gets anything out of putting in more energy and effort? I don’t care how tall he is, I will smack him in the head.

Yeah VL Adachi whines, too, but at least it doesn’t look like he’s going to escape and waste his time somewhere else. He just sucks it up stops trying to leave the situation.

Or maybe I’m getting this all wrong and VL is exactly the same and my rage just gets dampened because of Masamisan’s execution of character hmm...

SO. What was his story about anyway? The one he really wanted to share to Dojima?

I mean... it’s obvious enough

First day in town? Spring? Actually mentioned driving a car when literally out of every single persona 4 media at the time was there not a SINGLE mention of Adachi having a car OTHER THAN the same stageplay it’s being mentioned in?

A story, from somewhere around uhh four? five months ago? was something that he remembered so dearly and was willing to share despite it obviously embarrassing him even if he puts the blame on a certain somebody in the same story?

Or maybe it’s because he really had nothing to talk about ever since he realized all his stories from the city weren’t actually that funny or interesting in the first place.

BUT then that would mean out of all the things he could talk about—more whining, complaining, complimenting, small talk—he insisted about talking about this story in particular.

Okay, look. I’m just. Just. As someone who talks too much, of course I have things I actually want people to hear out of all the bullshit that comes out of my mouth. And if the thing I actually want people to listen to doesn’t even get heard, I’d go mad.

Sure, Adachi’d be fine when his complaints or intentionally unfunny jokes get brushed off. But a story of a guy that he thought was so funny, interesting, 面白い gets ignored, he really blew up, even just for a split second, maybe.

And ALL the things that happened in that story—on his first day in Inaba! His car got dented, he had to deal with a weirdo dumbass employee that knew zero personal space, yelled in his ear, who didn’t know how to do their job, got his station reputation messed up on the first day, got his ass grabbed, got (unintentionally?) mocked for his lame stories, and got his car dented for the SECOND time. Probably MORE

And he STILL wanted to talk about it /punches through concrete wall/

yes I’m overthinking about this of course i am

This little tidbit of VL Adachi kinda makes me go insane sometimes—his entire characterization in VL in particular. It was really refreshing to see and how they included both of his characters in it, his facade and how irritated he is of a lot of things underneath. And how flexible his character is immediately working with other characters when there’s sudden improv to balance the situation. Like him and Dojima, Morooka, the attendant, or even Yuuya (hero) himself.

I’ll take Taniguchi-san’s messing around in the VL bonus backstage disc in place of Masami-san being so busy he couldn’t appear in it as often as other characters.

For stagetime that lasted for fifteen minutes or less, my appreciation for VL Adachi, even if he was just comic relief, really rocketed. I say VL, bc Adachi the edgelord he’s supposed to be in literally every other media is something I analyze separately.

I haven’t even gotten to VLE oh my GODDDDD

Like I said, I don’t really regard VLE close to canon but as something to be appreciated for what it is by itself. But the way Adachi was characterized there, in or out of character, still struck me.

---

Yes, there was his strange fan-agreed-canon which is,,, now canon obsession with cabbages (not that that’s a bad thing lmao). There was also him being a lot more jumpy and intimate in a clowny way, patting people on the shoulder or even downright hugging them just to mess around. Even FORGETTING who the same goddam loser who grabbed his ass almost a year ago is. But like, can’t blame him they literally changed their actor (and screenplay writer) AHAHAHA

ha... no more comedy, only dorky sword fights now

(speaking of sword fights I think it’s a fun thought how Mamiya-san [Izanami, also one of the youngest in the cast] admitted it was his first time doing sword fight choreography and even thanked Masami-san and other staff members for guiding him)

One thing unintentionally in character was Adachi accidentally nabbing the sushi overdosed in wasabi. Masami-san didn’t actually account for a joke sushi and didn’t immediately eat it—until Taniguchi-san (who also made Dojima go off his shits compared to VL) jokingly yelled at him and even riled up the audience for him to eat it. He even went off stage to get water just for him to eat the goddam sushi.

And Masami-san did! (kinda choked, but he’s fine).

Continuing from the same scene, while being overly giddy about sushi dinner (and I mean overly--he was singing about it while hopping to the Dojima residence), he tried to remind the two, Dojima and Hayato (hero), that Nanako was sleeping. Probably where she was sick if the scene was translated from the game.

(30:07)

And... the dramatic parts of VLE

Adachi was the one who reported to the IT that Dojima was chasing Namatame in the rain. While Naoto was discussing Namatame’s journal entries, Adachi, as giddy as he is, took it from Naoto’s hands and reveled in the discovery of evidence so childishly(?). He even ran to Dojima when he began regaining consciousness and immediately called the nurses to help him wheel Dojima to the ER.

Then, The Hospital Scene™️, right after Nanako flatlines.

(1:02:02)

Adachi, who recently walked into the scene, immediately worries about Dojima and IT who were ALL crying. He looks down, devastated—before yelling how Dojima’s heading to Namatame’s room.

He yells in terror and the same grief at his injured boss, all while running past and even jumping over children, who fell to the ground sobbing, to get to him. He continues yelling in a pained fashion while immediately reprimanding Dojima to stop. He gets carried by the collar before being tossed to the ground at Hayato’s feet, all while being pat by the same boy.

Dojima makes his speech about how unfair it is for the ‘killer’ to be alive when his daughter isn’t. When he finally falls to his knees, Adachi rises from the ground, humbly saying he’ll do his best to take care of Dojima (or something like that I’m in tears I literally can’t do VLE’s hospital scene i h8 this). He finally starts crying along with everyone else, being pushed away again but still tries again, trying to usher his boss away from the door.

With the help of the guard in front of the door, they all disappear off stage

please... I know this scene doesn’t need that much translation because of how important this scene is in the entire story. and I know my narratives aren’t enough so just,,,, just watch it please it’s so much more than this. everyone’s acting was just spectacular

(1:08:47)

So, after the IT (YOSUKE. JUST YOSUKE. good job Mae-chan) stop themselves from k wording Namatame, it was ADACHI who reported Nanako’s miracle recovery. He ran to the same corridor where they all cried in, even panting and falling to the ground in relief trying to report the good news. Then he pats Hayato on the shoulder and says he’s going to Dojima.

With this... /slaps roof of half of VLE/ ALL of this....adachi.... adachisan.... he Cares™️..... holy shit.....

now. comparing to the game. do you even remember what og Adachi did? did he.. even do anything?????

(56:39)

NO!!! he just stood there!!!! being a bumbling fool but.... inappropriately!!! man. he didn’t act concerned enough.

adachi: /walks into a bunch of kids crying outside a hospital room/ “lmao why tf are y’all crying? did uhhh what’s her face uhhh nanako. did she d word or something? rip, I guess lol” LIKE????? CAN YOU IMPLY FASTER

and then he’s like “wgat hmm Where’s Dojima-san Heading Because That’s Not The Way To His Room 🤔” and only when he’s asked he actually mentions he’s heading to Namatame’s room and still needs to get choked by a first year for the room number like..... zero consideration

and his boss??? where his daughter he loves so much just??? di*s???? and he’s so devastated he’s doing what he can that very moment while he’s so numbed of thinking of the consequences???? And adachi goes “uhh boss that’s illegal” LIKE. BITCH. /punches through a concrete wall but harder/

---

And??? His confrontation scene??? Like, I know they mashed it up w his tv confession scene to save stagetime for other scenes BUT IT WAS SO MMBMBMBMMGN /gestures in a good way/

(1:15:56)

UM?? guy behind everything??? in a vulnerable area where he could easily get physically assaulted bc hes not in the tv world w his persona?? Trash talks women like he absolute misogynist he is??? getting yelled at by a bunch of kids and YELLING BACK IN THE SAME AGITATED MANNER even TAUNTING THEM then and there to GET HIS ASS?????

og Adachi was such a pussy he got caught and just scurried off into the TV world where he ended up having powers like...ok....scared of getting beat down by a bunch of highschoolers unless you have powers...ok....

he only taunted them to get him when he was in the tv world too.....he rlly couldn’t say shit in the real world huh... lol

(yeah yeah this shows how VLE Adachi knew abt his TV world powers which would make you think if he ever went into the tv world and came back out alive. Or he’s really just a badass who doesnt give a shit abt anyone’s opinions and CAN beat anyone’s ass. i have a separate thing abt this but bc i like to laught at vle rather than overthink its own lore i might. not. idk lol)

and ??? VLE Adachi can??? He can swordfight??? he doesn’t even NEED a gun—he even reflects bullets w his blade (but apparently he can still get slapped by a flying fan more often than any other attack). His fight choreo was just...so poggers. He’s like short villains done good—like??? he’s short compared to everyone else!!! but he makes up for it for stuffing all the energy inside him while is bursts out making him him the over energetic gremlin he is!!! go VL adachi!!!!

(am I low key making fun of Madono-san in the TUUSH stageplay I’ve seen four minutes of? maybe)

OK!!! Yes I was gushing abt Masami-san again back to Adachi.

It’s portrayed that while not being afraid to admit his crimes, he also goes out of his way to be a bastard and have the gall to get a bunch of kids to fight him, one on eight. He can use a katana, probably a narrative dark reflection of the hero, Hayato which I thought was nice—and he can fight!!! It also shows his persona, yes, but...it doesn’t make it clear if he’s overwhelmed by his Shadow like in the game, where his eyes were yellow and he was emitting a dark aura.

But it gets interesting how he sees he’s getting overwhelmed and starting to lose his edge towards a bunch of kids. He falls to the ground even banging the floor like a whiny brat while literally the IT tries to tell him to turn himself in. Again, like a brat he tells everyone to shut up—before getting incapacitated. While some of the IT rejoice, he bolts up unaccepting of his defeat—before getting hit in the stomach.

(1:23:54)

And his words from when he drops his katana, “Why..?” He grabs the foldable chair against his stomach, and with a remorseful look in his eyes, he says “I’m sorry..!”

THEN HE BACKFLIPS—then Hayato slashes him.

In a tone of disbelief, he goes “no way...” and collapses to the ground, being possessed by Ame-no-Sagiri.

Blah blah blah then Teddie rockets himself into the eyeball spy cam and then they both explode aaaaa

Teddie survives but I really don’t know where Adachi went. Not even a mention by Dojima if he turned himself in or was ever found—or I need to review VLE for the 48274827482nd time hehe

WHOO then the whole cast appears for the dance number at the end of show YAHOO

[obviouslyelementary]

Detroit Evolution - my thoughts

Okay now that I have sceamed enough about the movie, I think I can put up my thoughts about Detroit Evolution here for everyone interested in discussing and talking about it because fuck, it’s good. Lemme tell you, it’s good. 

The most important aspect of the whole movie, I think, is the fact that it is a fan movie, made by fans, for fans. It’s something big companies like Disney and Universal try to pretend they do, but they never deliver, because their thoughts are only in the amount of tickets or amount of media their movies will get. Most of them don’t have the passion behind it. And I’m not saying fan movie makers shouldn’t think about teh money, quite the contrary, I would have bought Detroit Evolution for 50 dollars if it was for sale because that’s how good the movie is. It is well directed, well filmed, well scripted, well designed, well made... overall, a fucking fantastic film when you talk about the quality. Granted, I am not a movie maker, or a movie speciallist, so I am not able to analyse it with the whole technical parts, but from a watcher standpoint, it is incredible work and I absolutely loved it. I loved the soundtrack, the lighting, the script, the acting! It was all amazing!

It is incredible to me how much love can be put in a fandom that honestly didn’t have any material to begin with. From what I remember, back at the hype of Detroit: Become Human, the main reason Reed900 was made a ship to begin with was either because people wanted crack pairings, or because they didn’t want soft Connor to be shipped with asshole Reed. They wanted someone that could deal with his shitty personality, and thus, RK900 served the perfect role, since he was depicted in the game as a colder, more advanced version of Connor. And thus, Reed900 was created, Nines was created, and now we have a whole fanbase just for this crack ship that no one could have predicted. Fuck, it’s even the most written ship on Detroit’s AO3 tag!

Nevertheless, fandom or not, the movie as a standalone thing is amazing! It is able to give people who haven’t played the game some insight of DBH’s world, without entering too much on the narrative that would leave it confusing. I have had friends that have never played the game or even heard about it watching the movie and loving it, just for the amazing personality all the characters have. It is an amazing piece of art, and its funny, sad and romantic all at the same time, which kinda kills me inside because I love it so much. 

Now finally, we can talk about the acting and about the characters. First of all, I have been a part of this fandom since the game launched, I have seen many interpretations of Nines and Gavin, I myself have written a dozen fanfics about them, and yet, the movie kind of changed my view completely on these characters. I had always been a fan of stoic, cold Nines, and soft, disaster Gavin, but this movie gets those ideas and tosses them out of the window! I absolutely loved how they made Nines so much more human, with clear feelings, distressed moments, overshown happiness and anger! When you think about it, it is much more of a true interpretation of an android becoming deviant: they don’t know how to hide their feelings just yet, like a child that cries or giggles at any sign of happiness or sadness. He is learning, and he is a sweetheart doing it. And Gavin, while still being a fucking ass, was shown in this movie to be much more complex than other medias have portraited him as such. I was always a fan of Gavin having a tragic backstory, but the one the movie presented to me was never one I thought about, and it was one I will for fucking sure use to all my fanfics from now on because I absolutely loved it! Gavin is fragile, he is human, he is a mess, and yet he is captivating and sweet in some moments when you don’t expect him to be. He’s just a normal guy, and I fucking love him for it. 

Now Chris, Tina and Ada. Fuck. Oh my god, if they aren’t my favorites. Hold my tea sis because I have to fucking RANT about those AMAZING ANGELS!

Jokes aside, I absolutely fucking adored all of them! Tina was amazing! Gavin’s best friend, advisor and helper, she fucking steals the show whenever she is around! She's not only there to give him a hand, she's also there to say 'Gavin I swear to god if you don't act up I will slap you in the face'. She wants the best for her friends, and despite not getting too much into action, I just feel like she's such a badass! She has that vibe all around her, like she's able to stop a criminal with a single 'FREEZE' and win the fucking lottery afterwards! She's funny, she's a best friend that feels like a best friend, and she is surely a lazy ass wife which ugh amazing I love it. Chris, oh boy, he is my baby now. He's absolutely clueless, he is sorry for killing androids, he is a guilty mess and he is such a good friend! He tries at least! He wants Nines to 'get laid', or in other words, have a fun night with Ada, because he thinks she's into him and he just wants to help! He is sorry for all the androids he hurt, he treats Nines like a brother almost, and he is the comedy relief without getting too 'on your face' or doing stupid shit just for the jokes! He acts like a curious human friend and fuck if I didn't crack at his Pikachu surprised face when he realized he was shipping the wrong shit all along. He is surely the type of friend to make a surprise party for the newly formed couple and annoy them with shitty facebook posts about android and human partnerships. He's a good friend, just obnoxious sometimes!And Ada. Fuck. They fucked me up with Ada. I honestly did not think she was the killer at all until they got inside the alley. SHE WAS SO WELL WRITTEN! She was sweet, charismatic and scary as hell when she took over Nines' programming. She is intelligent, she was made to adapt, and it fascinated me how she passed as a deviant android without being one! That made me think about how many other androids could still be following their programming with no one noticing! And using the RK line as a plot point was so clever! Ada, Connor, Markus, Nines, all of them prototypes, experiments of Cyberlife, designed to be different from all others, that gives me so many feelings, I absolutely love it!Anyway, I have been writing for too long and this post is already too big, but I just wanted to do a quick mention to congratulate everyone that worked on the cameras, post edits, and the actors themselves, because you guys have a passion, you guys have great ideas, and I will be surely following you into all your next projects, fandom or not! I hope you guys keep the amazing work going! It's incredible! 

Thank you so much @octopunkmedia for doing such an amazing work of art! Please keep it going! You guys are awesome!

[venus-says]

Round of Randoms #1 - Shorties

The one with the skeleton, the cat boys, and the card game.

Look who's back!

After a much-needed break to cool off from the Aikatsu marathon, here I again to delight the world with my unnecessary opinions. XD

You may be asking yourself, what is this? Well, I was thinking of what to do to come back to the blog, but still on my break mindset and I didn't want to get back to my regular stuff. So I thought about it and decided to get back to my roots and one of the reasons why I created this blog in the first place and went down on my anime list and see what was there that I could watch and bring to here. I've made a huge list of things, divided them into categories, and I'm planning to watch them in between the regular shows I comment here. I was lazy and pretty much only picked stuff that came out this year, but is still a somewhat diverse range of the usual things I talk about here.

Since I wanted something quick and easy to do at first I went with my "shorties" category that is composed of shows with a run time of 15 minutes or less per episode, and "one-shot" OVAs, in other words, things that I could watch on a single day with not much trouble. These are "reviews" of the entire season so they won't be as detailed, but that was never the point of these to begin with, If there's a show on my list that I have a lot to talk about I'll probably do it on a separate post.

Anyway, let's begin.

MYSTERIA Friends

Starting off is MYSTERIA Friends (or Manaria Friends in the original). This wasn't a show that was on my list actually, but once I saw that it was only 10 episodes of 15 minutes each and that both Yoko and Nana were voicing characters on this show I was "okay, I need to watch this now". I had no previous knowledge of anything related to this show and I was kinda excited to see what it was about, I don't know what I was expecting from it, but in reality, I got really disappointed.

Like, the show technically is gorgeous, I think that because of the shorter airing time they could pay more attention to the drawing and animation and you get stunned by the visuals. The soundtrack is also pretty decent, there's nothing exceptional aside of maybe the insert song Nana's character sings in one the episodes, but the general background music is pretty effective on putting yourself on that world.

With that being said, this is probably where the positives end. The show has no plot, which in itself it's not a problem, most of this short shows are episodic anyway and that's one of the charms of this type of anime, but in this case it's a problem because it just seems empty, the show seems to be trying to talk about inter-species relationships, but it actually never touches on that what gives this "empty media" vibe. This ties in with another problem that is the fact that this fantastic, magical setting has no purpose of being there other than aesthetics, I feel that the excuse of going "magic medieval" was we gonna show how this human and this half-demon can get along and bring peace and harmony to this world, but they never touch on the topic and it becomes pretty obvious that they only went with that route because the author has a thing for girl dragons.

Which ties in with my biggest problem, the useless ecchi. Honestly, the amount of ecchi they got to put in such a short amount of time is unbelievable, like, right on the second episode Grea is pain because she's molting, but the scene is shot as like she's having sex and the moans are more like pleasure moans rather than moans of someone who's in pain, and is just so uncomfortable, and to add more into this weirdness Anne steals the shed skin of Grea's tail and in the final episode she's smelling that like those pervs smelling on panties and IT'S SO AWKWARD. This threw me off so much, I think I only got through because the show was very short and I know the suffering would be very low, otherwise I would definitely have dropped it right on episode 2.

Skull-face Bookseller Honda-san

Honda-san was that show that I had always seen people commenting on and was very interested in watching since the beginning, but I never did because I'm lazy, so when I decided to do this I knew I had to put the show on the list and finally watch it, and that's a decision I definitely don't regret making.

Honestly, this show is so good. It's not that comedy that will let you laughing your pants off, but it doesn't mean that it ain't funny. It's mentioned in the show that the manga that originated from this anime was written by Honda-san himself about his experiences working on a bookstore, I don't know how truthful the stories are, but is this sense of "damn this really happens irl" that makes everything way much funnier and it is a true joy to watch. The anime isn't ambitious, I don't think it's trying to convey a message or make a commentary or anything, but this doesn't come as a detriment for the show, this anime didn't need any of that and they don't try to make it be about something big. It's just a wholesome show about life that is really comforting, especially if you're an adult that already had some experience with retailing.

What else do I have to say? I love the style, I love the soundtrack, I love the weird situation that happens, and the characters are just amazing, aside of Honda-san I love manager Armor she's lots of fun, and Chief Pestmask (who's VA is, look at that, Hikasa Yoko once again) who doesn't appear a lot, but when she comes she sure leaves an impression on you. This show did crush my fantasies of working on a bookstore someday, but I loved every second of it anyway. XD

Hey, Your Cat Ears Are Showing! Season 2

So when I heard Hora Mimi was getting a second season, I was both excited and apprehensive. This one of the rare short shows that have an episodic narrative but that has an overall plot to the whole thing, and I was quite satisfied with the ending of season 1, it was sweet and heartwarming as the rest of the series was and I really didn't think a second season was needed, thus I really didn't watch it while it was airing. But this was the perfect opportunity for me to finally watch it.

And this season was a very good surprise, it expanded on what the first season had built and it became three times gayer by giving Dong Dong and Jin Zhu partners, Jin Zhu partner being an Ear People but from another species, which made this season even more fun and cute. The final arc of this season where they established that Da Shu and Miao had met each other before the events of season 1 is probably the only thing I don't like about this sequel because on my eyes it looks silly, but I wouldn't call it a negative that renders the show. Hora Mimi remains a very adorable, heartwarming show that everyone definitely should check it out.

The Girl From the Other Side

Totsukuni no Shoujo was never on my radar for mangas so I wasn't aware of its existence. A few months back I saw someone reblogging gifs from this OVA on my dash and I got really intrigued by it, the aesthetic was kinda similar to Ancient Magus Bridge but it was darker and it had this antique style to it that made me fall in love instantly.

Since I don't know the manga, I'm not familiar with the characters and their stories, but even though I was in the dark I could grasp the concept without major difficulties because the characters are very expressive, and the music is very well used on passing to was what is going on with those characters. I thought an anime with no dialogue would be boring, but this OVA was very captivating, not just by its visuals but also by the narrative and the music that got me hooked from beginning to end. I feel like this is a very shallow review of the thing, but I don't think I'm smart enough to elaborate more on what to say about this show.

I'm not familiar with the manga and I don't know how things work there, neither I know if such style could hold up for an entire season, but I definitely wanna see more, and I'll definitely look up the manga if I can make my tablet work again someday.

Zenonzard THE ANIMATION - Episode 0

And to wrap up we have Zenonzard, which was another show that I wasn't aware of until I decided to do this thing and it's only here because the poster looked cool, and it was officially available on youtube with subs and no region locks so I thought, "why not?"

This is probably the weirdest of the bunch since it's a show based on a card game, and I haven't watched one of these in ages, and it's weird, but I was kinda into it? Like, I don't like that most of the girls in this show have ginormous breasts and this thing of a female coming to an apparently normal boy saying "I choose you" seems that it's going to backfire and will create a huge mess in the future, but as the episode was progressing I was getting more and more into it?

The plot doesn't seem as good, if they even have a plot. It does a crap job at explaining what this game is and how it works, and also the CG used for the monsters is horrendous. But it got me interested, it had some great music playing and I think this is what caught me the most, even though there's one song, that I believe is sung by Nanase who did voices for Aikatsu, that I feel like it was very misplaced. I also like the futuristic aesthetic, I'm a sucker for these things and I was pleased for the most part of it.

I don't know if this will become a thing, but if they actually release an anime and if they publish it on youtube like what they've done with this ONA/Special/Prequel? I may keep watching it. Which comes to as a surprise to me.

And this was the first Round of Randoms (provisory name) of this blog. I quite enjoyed doing this thing, I think I'm gonna keep doing it to always have something different and new around here. What did you think of it? Have you watched any of these shows? What are your opinions about it? Is there any show you have to recommend? And what's a good name for this new thing I'm trying to do? Thank you so much for sticking with me until the end, and I'll see you guys at another time.

[unproduciblesmackdown]

let's see those Prime Numbers for the ask meme

2) favorite albums?

well i was Ready for kesha’s album Warrior to come out in iiii think it was the end of 2012 or early 2013?? i snuck out to that tour in dc that summer also. totally solid album and it was fun to have something so fun during a totally Not Fun period lol. i was also pretty into owl city at the exact same time lmao, that’s Blatantly for when you’re depressed lol...and i also eventually saw that guy on tour when a new album came out in 2015, and that was fun too, and was Enjoying Myself a factor in the tipping point of “ah jeez i gots 2 get outta here” that i had in the next month? maybe! and uhhh i listened a lot to the phoenix te amo album. that one wasnt tied to anything at all but i have heard it So much. super short and also rock solid and relistenable. and then here we are and the bmc obcr is a gift to the world b/c a) it exists and b) Cuz It All Slaps and c) it’s so fun to either sing or dance along, or cry along if it’s the agtikbi reprise and d) lgw... and e) all the eternal, well-mixed wroland vocals

3) favorite memes?

oh god lmao idk......real earlier 10s stuff was the I Say Hey he-man meme, and the “that really rustles my jimmies” meme which was real underrated......there’s been plenty of Memes where i’ve been like “this one is funny to me Every Time” but of course now looking back on it it’s like. what’s a meme??? Vine

(skipping 5 & 11 cuz that’s the Entirety of someone else’s ask and i don’t wanna just have to scrap theirs completely and i’ll get to it next!!)

11) favorite fanarts?

you know what, there’s continuously been a ton of amazing fanart where i’m like, i’m so glad i’m seeing this, & this is Artistic Fuel, and marge simpson anime has really been just this Standout Experience lmao like......idk for as Inspiring as it is, there’s only a couple things i’ve drawn that are Directly inspired, but i just flip for it all the time and like, it’s supremely expressive and like, comics that aren’t chronological but more like a Collage Of a Moment / Concept which i think is super cool and also i love when stuff reminds me that it doesn’t have to look ~super cleaned up~ to look great.

13) favorite people you know?

oh god this one really got out of control lol i started like, talking about everyone ever from this past decade. so for Convenience i’m interpreting this as “people *i* know, but they don’t know me” so that i can cheat and say will roland, voted person of the year 2019. by extension, essential supporting crew who helped us reach this point, like john simpkins or joe iconis. leave it at that!! it’s 5am and you know i’m not lying. who knew where going “wow, This guy” in late 2018 would have so much Value.

17) a fandom you wish more people were in/you had more people to talk to about?

oof hmm.......amnesia tdd didn’t really have a “fandom” even though it obviously got a lot of attention, it’dve been fun if it had though lol. it’s tricky to answer this one cuz i always prefer like, smaller fandoms and/or finding the Niche or some other way of just like, interacting with a small corner of things, so i’m never like wow god damn wish i’d been absolutely in the thick of it with this thing. i’ve been in Corners n Niches and it’s been fine by me, really

19) a fandom that you had the best time in?

HMM lol.........marble hornets sure was fun but like, a lot of that was just the content itself and not necessarily The Fan Experience, tho i sure got a lot out of it in a ton of ways. i mean tbh that’s true of each thing i’ve really Gotten Into majorly, i go hard af and then walk out the other side with these #connections or #experiences like whoa where’d these come from lol!! but really like, overall, i’m probably having the best time right now. the “fandom” is basically just our agenda lmao but like i said i’m always having the best time when it’s a pretty niche deal, And the sheer variety of Contents n Characters to draw from here is super nice, and the fact that it’s like, oh yeah and i’m finally recognizing this should’ve-been-obvious entire Passionne i’ve had since always, and that’s great too, and like, also just having the Variety Of Live / Current Unfoldings that go down.....like, everyone havin fun with the Joe Iconis Xmas Xtrav was entirely great. and just the Engagement level is basically the best, cuz like there’s the times where maybe i’ll get a zillion notes and that’s definitely fun in its own way but i always enjoy just the way smaller amount of ppl who are Particularly Enthusiastic, and like, there’s times where like, maybe i’m *technically* in this larger circle of ppl but like, totally more of like a Tangent or peripheral to that circle or whatever lol........this feels like a really solid balance of like, being sorta in this orbit of people in a chill way, but also definitely the direct interactions Existing, which is always important lol but hasn’t always been a constant throughout my Fandom Experiences at all

23) who were you at the beginning of this decade?

2009-2010 was a real distinct year lol i was in my second year of college in the middle of my teens, when i’d hardly really been getting to Explore My Interests Freely up to that point and still wasn’t, but all of a sudden it’s like goddamn i have to figure out my major???? and i’m like, obviously in the middle of only just now Really getting to figure out my identity in this deeper and more genuine way, thanks to being lucky enough to Live On Campus and be away from home like, 2/3 of the year, but i was just like, oh god i’m in Stress Hell now all the time cuz like. i’m trying to figure out my whole thing and what my ~Career~ should be and i just have no idea but am like, trying super hard all the time lol it was not successful and i was just really stressed about it all the time. i was def quieter back then.....pretty lonely at the time, i did not get into mh and gain the presence of any Online Friends until late 2010, and i hadn’t yet been sort of accepted by a small faction of theatre people via my roommate’s connections.....i wasn’t at all Out yet, and was def In Progress of figuring it all out.....i didn’t have nearly the Self-Esteem i have now lmao, it was Not a great time and in a lot of ways ‘09-’10 was the start of a downturn into Worse Than Usual Times, though in Other ways it was definitely an upturn lol like. the latter related to stuff that was important to me / who i am, the former tied to the situations i was in and the godawful morale that resulted

29) a time when the worst case scenario happened but you pulled through?

well by the end of 2012 i had my Wrath Parent deluxe mad at me big time, AND i was stuck at home all of thee time with that (not at all hours but. every day.) it was terrible!!! tf was going on in 2013, cuz that shit was definitely like, a gross blur of a lot of indistinct misery. and then, relatedly, when it was so shitty in 2015 that i was like fantastic, i am so officially sick of this i’m outta here. i revisited some Misery Posts from that period lately for someone stranger on twitter’s project or something, and boy i was having a bad time Summer Of ‘15 lol, things not getting better at home And a job that was so shitty that it was like..................bye. lol. and then i spent a year living out of a minivan. which was real lucky in ways b/c like. infinitely better than if i had not had that minivan. and when that broke down i was also then lucky enough to have this friend who was relatively nearby who’d also been willing to just like, set me up to Not have to ask the lgbt center where that trans-friendly forest zone a couple cities over was. nothing as dramatic as it could’ve been, fortunately

31) a time you were scared?

hmmm when leaving The Parents Home overnight, that was intimidating. bit of completely jumping into the unknown there, and also like, when you spend your lifetime assuming that Someone’s Arbitrary Wrath will be uponst you always, it’s hard to shake that sense of dread and doom, like ah jeez i am really potentially bringing hell on myself here........and like i mentioned with Start Of The Decade, there was just a ton of fear there all the time lol, trying to figure out virtually overnight The Whole Of Who I Am And What I Want when i’d only just even gotten to start......also i wanna say i maybe came out in 2011?? and i sort of also felt obligated to come out to my parents also (plus i think i was giving them like, one last chance to surprise me and be decent and kind of Grow Up themselves even tho i was the like, 16 y.o.) which yknow, kids you do not have to come out to anyone at all. someone was talking the other day abt how they didn’t think lgbtq “discourse” had evolved as much as you’d hope over the past decade, but idk about that, it's only a little bit of a wildly complex topic, and for starters Online Trans “Discourse” of a decade back was wayyyyyy in a vastly different place than it is now, leaps and strides really. so the way to ~really~ do it was presented kind of more rigidly i think. anyways i did it via email and was incredibly stressed to even open the reply a couple days later lol......which ended up being really weird and vague, and then there was a phone call where no one brought it up, and the only result was increased ire and resentment :( ........and then there was still like, cops encounters! near or not-as-bad-as-they-could’ve-been vehicular collisions! but tbh generally my reaction to the latter was underwhelming, except for one particular time when i was a passenger and also tense af for the rest of the ride. that’s it for Immediate fear really lol......oh wait one time i was at this decent sized Convention Panel Event and when i’m nervous i can Only talk more (it’s possible!!) and i snuck into line for the q&a and Right when i got to the mic (intimidating) they were like oop we’re low on time, lightning round!! :’] that was obviously more just a crapton of l’anxiete

37) a fashion that fell out of style that you wish would make a resurgence?

were Gladiator sandals this decade? the strappy deals that like, went up the ankles / calves? that was in fashion for a year or two and i’m into it. i like sandals and that kind of drama

41) something you learned a lot that not a lot of other people might know about?

i don’t know that i learned way a lot of anything that’s real in-depth knowledge and niche lore.........i have learned Nothing

43) an important relationship (of any kind) you had?

i had???? lmao well either way let’s say current relationships count and like, pretty much everyone in my Sphere i value a lot! i never like, have or have had a ~close~ ring of ppl around me lol like i thought it was lucky if i talked to someone Every Day (and not at all the Usual thing) and now it’s more likely that i talk to two people every day and maybe that sounds sarcastic but it’s not at all lol. i know my social stats aren’t impressive but i so appreciate what i get to enjoy and have. and other Connections might be way more like, we are friendly acquaintances, we talk on rare occasions, we haven’t talked at all in ages, we talk but only to trade cute pics of cats, Etc etc, but i seriously do appreciate all of everyone who’s cool who i get to interact with in any way and like, be in each other’s spheres and Not just like, absolutely on nobody’s radar. also obviously soph you are here in that list in case i wasn’t implying it good enough lol it is 5am and god knows deciphering what i say at any time can be its own challenge.....ur Epic Highs and Lows of bmc 3.0 is so good lmao

[malarkiness]

I have Thoughts on Frozen 2 because of course I do. Spoilers galore under the cut.

Just to recap my feelings on the first movie: I loved Elsa, thought Hans was hilarious as a villain, liked most of the songs, and enjoyed the “true love” twist at the end. 

Everything else? Pretty mediocre.

But I think Frozen 2 actually improved some things about the first movie in retrospect (while also being a good movie in its own right). Some things that I wanted but didn’t get from the first movie but got from the sequel were: 

No villain. Well, there technically is a villain, but Elsa and Anna’s grandfather is long dead in this movie and not an active participant in the plot. Instead, the characters (primarily Anna) are working to fix the results of the villain’s betrayal of the Northuldra. The story’s more about characters working through circumstances rather than fighting bad guys, which I like.

Less Kristoff and more Anna and Elsa interaction. This movie felt a lot more like a story about sisters than the first one did because I actually got to see their relationship in action and their personalities play off one another.

I remember being annoyed at how the “Let It Go” scene in the first movie cut away from Elsa’s face to focus on the ice palace, but her big transformation scene in the sequel showcases her expressions.

Characters of color with actual names and lines and active roles in the story. That shouldn’t really be notable in 2019 (or back in 2013, even), but here we are.

Olaf was still annoying, but also funny.

More interesting/creative/colorful imagery as opposed to lots and lots of white snowscapes. There were a couple of sequences that looked like someone handed Jennifer Lee a stack of rainbow scratch pages and just told her to go nuts.

I think I liked the soundtrack more from this movie, too:

Elsa gets two Oscar-bait songs in this movie: “Into the Unknown” (which is genuinely fantastic and gives me the same “I could fight a whole mastodon right now” feeling that Idina Menzel’s songs usually do) and “Show Yourself,” which is framed as the successor to “Let It Go.” I actually found the second one’s melody a little lackluster compared to the first when I watched the movie, but it’s really grown on me after a couple of relistens. I like how it starts off very gently and quietly, and then works its way up to a powerful reprise of Iduna’s lullaby. And it’s a good answer song to both “Into the Unknown” and “Let It Go,” as well as the movie’s overall theme about uncertainty and finding your path. The thing is, the main reason I loved “Let It Go” so much was that– taken out of context– it’s very easy to read it as a metaphor for coming out (especially with the pop version’s alternate lyrics). And I realize that that was probably purposefully baity as hell, and I fell for it like a total clown, but whatever. Anyway, you can’t really decontextualize “Show Yourself” in that way quite as easily. That’s not bad, really. Just a little disappointing for me personally. Oh, and I really want a goth metal cover of “Into the Unknown.” Someone page Evanescence or Within Temptation.

“The Next Right Thing” is incredible and a very effective song about grief (The line ”How to rise from the floor when it’s not you I’m rising for” hit me like a train.). I like how muted it was, and how simple the lyrics were. Kristen Bell’s singing voice is usually sweet and upbeat and sincere, so hearing how raw and tired she sounded in this song really left an impression.

I really liked Iduna’s lullaby (because I love a good lullaby in any musical).

Olaf’s song felt kind of jarring for the point it was at in the movie, and it has this really dopey melody that I feel like was conceived and written in the span of like twenty minutes tops, but it’s still genuinely funny. I liked the how it fit into his whole little subplot about growing older (and the movie’s overall theme).

Kristoff’s song was... a Choice. I guess if you really wanted to put a 80s pop ballad music video in this movie as a gag, "Lost in the Woods” is fine. I actually really like the song on its own, but there was just no reason for it to be as long as it was in the movie, lmao. Like I get that you have a Jonathan Groff and you want to use him, but I got the joke after we hit the chorus the first time; you don’t have to stretch it out. Just cut the song short in the movie and put the full version on the OST.

And lastly, the character arcs and overall storyline were better this time around:

I liked the movie’s theme of feeling lost and having the courage to find your footing and also yourself. “Into the Unknown” is Elsa’s song, but the rest of the movie’s soundtrack advances the themes from it. Olaf’s song is about assuming he’ll understand everything when he’s older highlights the point that there is no fixed time in your life where everything is clear and easy and you stop having to grow as a person. Anna’s “The Next Right Thing” is about picking yourself up after a harsh blow and making yourself keep going, simplifying it to just taking one step at a time. Even Kristoff’s song builds on this theme since it’s about feeling completely lost without someone, so it still fits the broader concept of being uncertain. And “Show Yourself” is about finally finding your path and feeling certain in spite of your fear.

Elsa’s character arc has a much more satisfying resolution than the one she had in Frozen. In the first movie, she accidentally reveals her powers, runs away in shame and then finds that she actually likes herself when she’s on her own and isn’t forced to hide who/what she is, is eventually brought back home against her will, and... that’s where she stays at the end of the story. In this one, she starts off safe at home, does the standard Hero Rejects the (Literal) Call to Adventure thing before finally deciding to follow it, ultimately finds the source of The Call, comes into her own, and stays with the Northuldra at the end to live out her life as the Avatar one half of the “fifth spirit” that connects humans to the elemental spirits. She still has Anna, understands who she is, and gets to stay where she’s happy and where she feels like she belongs. I kind of wish she’d just let Arendelle get destroyed, though. Not like anyone was home anyway. ¯\_(ツ)_/¯ 

I liked Anna a lot more in the sequel. I didn’t really care for her or Kristoff in the first movie (or their relationship because it was basically just a watered-down version of Rapunzel and Eugene’s), but I think it helped that she spent most of her screentime in this movie either with Elsa, Olaf, or alone. I like that she’s not clingy exactly, but she’s clearly very anxious about Elsa’s safety at all times. She follows Elsa everywhere, asks if she’s okay like a dozen different times, and only leaves her side when Elsa physically forces her to. I liked seeing how desperate she was to keep Elsa with her after being pushed away from her for so long. I liked watching her pick herself back up after she thought she’d lost her sister for good, and I loved how willing she was to destroy her own home to make things right with the Northuldra and the forest. Anna was very flawed and admirable in this movie, and just an all-around great character. And I definitely think she’s better suited as queen than Elsa. I wish we’d gotten a scene showing Elsa telling Anna that she was going to stay in the forest. It would’ve capped both their storylines a bit better to show both of them accepting this major change to their lives and their dual roles in their world. It seems like such a natural and obvious conclusion that I’m almost convinced that a scene depicting that very thing exists and was just cut for time.

I liked the snowman’s character arc, lmao. It was a nice microcosm of the movie’s themes, and the post-credits scene was a good way to end it.

I liked Mattias. He introduces the concept of doing “the next right thing” whenever you’re at a loss of how to proceed with your life. He’s also surprisingly willing to destroy Arendelle after Anna tells him why that needs to happen. I would’ve liked more dialogue there, or to see him struggle with the decision a little, but I guess there was just no time for it.

Aside from Iduna, the Northuldra characters weren’t in the movie quite as much as I think they should’ve been. There’s the tribe’s leader, who obviously has some (mutual) distrust of Mattias and what’s left of the Arendelle guard. There’s Honeymaren, who gives some useful exposition here and there, and she also gives you an idea of just how long the conflict between the Arendellians and the Northuldra has lasted since she’s lived her whole life without seeing the sky because of it. And then there’s Ryder, who... is basically Kristoff personality-wise, lmfao. Because we really needed two of him. I think you could’ve collapsed him and Honeymaren into one character without really losing anything crucial to the plot. But anyway, maybe they all could’ve played a part in guiding the rockbiters Earth Spirits to destroy the dam the way the Arendelle guard did. I get that that was meant to be a moment of reckoning for the Arendellian characters, but the Northuldra (and not just Anna) had a right to play a part in that, too. If nothing else, it would’ve been good to see the tribe’s leader watch the dam fall since she was alive to see it built in the first place.

As for Iduna... She’s an actual character in this movie. We learn that she’s part of the Northuldra tribe and that she apparently hid her identity from her husband all her life, I guess out of fear that he may harbor the same distrust of magic as his father (and given how he tried– however well-intentionally– to suppress Elsa’s magic after she accidentally hurt Anna, Iduna probably wasn’t wrong for that). At the same time, though, it makes you wonder why she never told Elsa about her heritage or the spirits while she was alive. She knew that humans and magic could coexist harmoniously; did she really keep that a secret just so her husband wouldn’t know who she was? Did King Husband just not suspect anything when his first kid was born a waterbender? I mean, I know the real reason for all this is that the writers just hadn’t thought this backstory up yet when the first movie came out, lol, but still. It throws the king and queen’s actions in the first movie in a more interesting context, but not one that really makes sense... I dunno, I guess it needed some more fine-tuning. A little more insight into Iduna’s rationale during Elsa’s childhood would’ve helped.

So to sum up: it’s not perfect, but I definitely think it was better written than the original (which I realize isn’t saying much, lol, but still). It does everything a sequel is supposed to do: it expands on the world the story takes place in, gives more depth to the characters (not just in giving them more backstory, but also in giving them new challenges to grow from), and tells a story that’s actually new. There are obviously things I think could’ve been done better, but it’s mostly stuff that would just improve something that already has a pretty good foundation (as opposed to the first movie, which almost needed to be completely reworked from the ground up). 

I liked the unified theming and how clearly it’s shown through the songs, the two leads’ character arcs, the OST, the visuals. I do wish it had followed through with some of the stakes it presented (like actually destroying Arendelle and just... letting Olaf stay dead lmfao), and that it’d developed a couple of the Northuldra characters a bit more, but yeah, overall? Not bad. Definitely an improvement from the original if nothing else.