at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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thinking about how death of the endless almost certainly knows by now that edwin payne and charles rowland run from her hand in hand each time she comes for a departing soul they've helped, and maybe she even lets them get a head start.
thinking about how both of them are so deserving of the peace her kind word and friendly face bring, but they are too terrified she'll separate them to ever receive the actual gift she could offer.
thinking about how it might just fix something in them both to just... sit in the office with death of the endless while she has a cuppa, or eats an apple, and tells her terrible corny jokes; and maybe it helps them realize that nothing would dare to ever part them in the afterlife or beyond— least of all death herself.
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Thought posed:
Danny does the college stuff and interning for stuff at Wayne Enterprises while living in Gotham, but he doesn’t catch the Bats attention because he simultaneously is both Just Normal Enough while the Bats are Slightly Out Of Step of normal long enough that things with Danny don’t catch their attention. (Gotham as a whole is a huge ‘well this might as well happen’ place and after however many years…the threshold is a bit off for weirdness. Pair that up with normal Batdrama and role-code-switching and minor things are likely going to be subconsciously overlooked if not clocked as Dangerous.)
(Does Danny know the Bats’ IDs? … He would deny it if asked. Not his circus business though. He does think it’s smart that they at least try to cover their faces, unlike when he played the hero. He meets Clark before Superman and feels like he’s on the Office or something.)
Danny moves on with the astro-stuff (whether an astronaut, an astrophysicist, or whatever else) in another city and catches the attention of another hero as Not Normal, What’s Up With That Guy?? (two parts coincidence, one part Danny’s willingness to trust for the better, one part Uncanny) and they track his history to Gotham/WE and decide to ask the Batclan if they knew anything.
They find out nothing really is wrong with Danny (…the JLD was not called or conferred with, unfortunately for all) but it does spark the reeducation refresher of the Gotham Clan for Human Weirdness (that also educated the rest in just how messed up Gotham can be).
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