#artistry audio

[krazetv]

MONOLITH by Artistry Audio PRESET PLAYTHROUGH | 67% Off Deal

[c-rowlesdraws]

I’ve started listening to The Magnus Protocol after dropping off TMA during the last season, and it’s fun so far, but that deliberately-awful-quality “characters talking in another room” part at the very end of episode three made me crank the volume on my phone all the way up to understand anything (I’m listening while tidying my room), and the transition from then to the SUPER LOUD MUSICAL SPOT that plays at the end took about five years off of my life

[umbrellacam]

Detective Comics (Vol. 1) #734 - Mark of Cain, pt 2

Oh, I love this, how the three bottom panels are descending and the silhouette of Gotham's skyline is rotating in the background to show they're falling, falling, falling, but the nameless girl and her father - the father she's desperately determined to stop, the father who does love her despite how complicated and terrible that love is - are timelessly still, as if the rest of the world has paused in this strange moment of re-connection. Shards of glass flying about them like a melancholy snowfall. Iconic.

[ceewritespoetry]

Welcome to this unstructured ramble of an audio diary where I talk about whatever I want; because, let's face it: making time to physically journal is HARD. I hope you laugh, learn, and grow with me toward radical authenticity. :)

MENTIONED MEDIA FOR THIS EP:

Fundie Fridays on YouTube:  @FundieFridays 

Jordan & McKay on YouTube:  @JordanandMcKay 

Gabs w/ Abigail on Youtube:  @gabswithabigail8321 

Jessie Hildebrandt's interview on Mormon Stories Pod: https://www.youtube.com/live/gCeK7sIP2Y0?si=TclyrCFKwEUYgM9Z

------------------------------------------------------------------------

Cee (she/they) is a Black queer “multimediartist” from Detroit. Her work is underwritten by her constant consumption of art, music, research, culture critiques, and video essays. Outside of full time graduate student things, Cee is a chronic overthinker. This is the brain dump zone. 🧠🤠

------------------------------------------------------------------------

More Cee: https://ceewritespoetry.tumblr.com/

Other Links: https://linktr.ee/ceeceefontaine

------------------------------------------------------------------------ Intro/outro instrumental prod. by slaying ibis on YT: https://slayingibis.beatstars.com/beat/-disappear-maggie-lindemann-x-post-hardcore-type-beat-13218383

[underbootsociety]

RAMBLING ABOUT WHITEPINE:

I've had to stop watching this several times bc I was terrified of what's gonna happen next! Nothing scary even happens!

Spoilers under cut, if you haven't please please please do yrself a favour and watch this. It's well- shot, well- paced, well- scored. It's stressful, and has no jumpscares. (And also the main character is gd autism rep imo)

I'll use the term wp!Ivory to refer to her character, and just Ivory to refer to Ivory the creator.

Watching this video I stressed out alot, often I found myself thinking: oh god what if wp!ivory screws up oh god what if someone finds out she screws up oh god i don't anyone to shout at her and throw her out- [mostly me projecting my own autistic anxieties onto wp!ivory lol]

And this sense of stress and horror is enhanced by the artistry behind this video:

1. Shots are often wide with a lot of negative space, making the characters seem tiny, this sense of small-ness further enhanced by the high ceilings of the house.

2. The show is comfortable holding shots for a long time without cutting, giving a sense of anticipation by forcing you to pay attention to the details in the set design and sound design. These long shots usually have minimal dialog which makes it easier to notice:

3. The constant white noise in the background. It adds an uncanny disconnect from the world of whitepine, by subtly reminding you that you're watching a video. It also adds a sense of anticipation- an auditory darkness of sorts, where it's harder to hear other background sounds because of the white noise. And where there isn't white noise, we get Ivory's soundtrack [incredibly effective, fits the vibes so well.]

And of course there's the set design that enhances the above points 1 and 2- it's absolutely gorgeous, filling in as much detail into the interior shots as possible in (mostly) vanilla Minecraft [no small feat! Making small interior design details using Minecraft's huge block sizes is hard!]

And finally, the ending of the episode. Woof. The close- up tracking shot with a shaking camera following the staff all rushing out, the audio design, the voice acting... guh. Really excited to see how the rest of this plays out. Really hope Ivory continues this! or other creative endeavors!

TLDR: Whitepine is really good. It is thrilling, subtle, well- made art.

[spacedimentio]

How many closeups does HAL 9000 get in 2001: A Space Odyssey?

Did a little thing, just short of 3 minutes of the total runtime are taken up by HAL’s ominous lens.

Edit: I have now added captions, also here’s a Google Drive upload just in case.

#23 is my favorite, I never noticed it fades directly into Dave marching out of the airlock to go deactivate him without changing color at all, what a great and poetic shot. 

Also of note are:

The way it zooms in closer and more unnervingly after the first handful of shots when HAL asks Dave his questions and is really beginning to malfunction, then stays at that distance for the rest of the movie. Some of the shots are identical and only vary in length and audio, which is why I included lead ins/outs to differentiate.

The way the light becomes drowned out by the red lighting of the logic memory center, leaving just the yellow dot and resembling a pupil contracted tightly in fear.

The slightly different brightness levels of the red light (can you say headcanon that he can purposefully and/or unconsciously change the brightness levels as a subtle form of computer body language).

The way the red lighting on the closeup of Dave marching out of the airlock implies that HAL can see him there despite there being no lens visible that I noticed.

And the fact that, if you look closely during the ones in the memory center, you can see that the viewpoint of the lens includes the white panel and the lens beside it, indicating that the POV lens is on the back wall, which seems a bit redundant design-wise but the artistry is very much worth it. This lens can never be seen, as Dave always “happens” to be blocking the spot it would likely be in. In the sequel, they simply do not point the camera toward that wall at all, much like they avoided having the characters go to the carousel area because they really didn’t want to rebuild that set.

[ds9promenade]

Podcast episode discussing DS9 "Past Tense" & "Far Beyond the Stars"!

My friend Laura invited me onto their podcast to unpack Deep Space Nine episodes 3x11 & 12: "Past Tense" and 6x13: "Far Beyond the Stars," using them for a broader discussion on the role of science fiction in dreaming better futures into reality.

In our conversation, we:

compare the 2024 of "Past Tense" to our 2024

share our theories about historical events that may have inspired both episodes, as well as their relationship to other works of speculative/science fiction

point out and offer revisions for parts of "Past Tense" that somewhat undercut the story's intended messages about the evils of capitalism, ableism, police / military violence, and anti-homeless laws

gush about the artistry of the filming and acting in "Far Beyond" (Avery Brooks monologues my beloved)

and more — with a dash of humor as we go!

Give "Sanctified Imagination Far Beyond the Stars" a listen wherever you get podcasts — or read along with the transcript!

(CW: Christianity) — please do go in forewarned that Laura's Autistic Liberation Theology podcast centers around reinterpreting the Bible from a trans & disabled lens. If you skip to 44 minutes in you'll miss most of the religious commentary, except for when it makes sense to bring it up re: Joseph Sisko's 1950s incarnation as a street preacher.

If you are interested the full episode, some of the places we go in our winding conversation are:

Womanist midrash & sanctified imagination, which enact this call to imagine possibilities for the oppressed — to "make a way out of no way"

How Jesus's use of parables to teach about his envisioned "Kingdom of God" —where there's access for all, oppressors reformed and oppressed liberated, all needs met and all gifts celebrated — invites people to engage their sanctified imaginations to join in the work for a more just world, here and now

AutScape's & Crip Camp’s modeled possibilities for a fully accessible, disability-centered world

various directors / show writers who, through writing, discovered something new about themselves (think the Wachowski sisters & The Matrix, Dan Harmon and Community)

If you give it a listen (or read), I'd love to hear what you think! Did you connect with the concept of imagining better futures into reality? Any other Star Trek episodes you think encapsulate that well?

____

Transcript of the above audio clip:

Avery: I definitely think the writers of this episode were thinking about how When Deep Space Nine was coming out, people's response to seeing Sisko was, Yeah, is, you can't have a black space captain. A black man can't be the hero of Star Trek!

Which just shows, like, for the viewers, like, Yeah, we've come a long ways here in the 90s. But we still think it's ridiculous to imagine a black space captain and it's only just becoming possible now.

Laura: yeah the um, , editor of the magazine says "put it in a drawer for like a couple of decades and might be--" it's like, yeah, that's

Avery: Yeah.

Laura: inside joke.

Avery: At the end, when, um, Benny Russell breaks down after being fired and everything, the street preacher comes back and, Benny says, "Tell me, please, who am I?"

Don't you know?" "Tell me." "You're the dreamer and the dream."

Laura: ah, this is so amazing.

Avery: And, like, yeah, that fits on so many different layers with, uh, Benny Russell is dreaming Sisko and dreaming Deep Space nine, and also Sisko is dreaming him, and also breaking the fourth wall,

Laura: yeah, because they're, neither of them are real, they're both fiction and yet they're, yeah. real.

Avery: Yeah. Yeah. Breaking the fourth wall, the writers and Avery Brooks are the dreamers, and the dream. This is, this is what, people have been dreaming of, this even the possibility of this. And they're making it true.

Laura: and at the end, you see him looking out the window and seeing Benny Russell in the reflection of the glass and

Avery: it's such a good shot. It's so good. It like gives me chills

Laura: you Have to cast something into the space you're not there yet to-- that becomes you.

Avery: Yeah. dream yourself into being.

[glngrbred]

Hot take, Elden ring is a really good souls like, but that doesn't mean its actually a good game.

within the subgenre, souls-likes have always had really huge issues with accessibility, and i don't mean for disability alone. Elden ring especially had extremely horrible performance issues at launch, which they did eventually fix. Even then you still have to get a 400 dollar PC. Aside from that there are some strange decisions made with teaching the player, like the tutorial is just a hole that players had to point out to each other, and On my barely stable first 20 minutes, i couldn't even find (my b i guess). Obviously alot of extremely experienced gamers would be able to handle themselves super well in Elden ring even without a tutorial. But there's another issue there with accessibility.

2 last things on accessibility. The game's audio is mixed like a movie, (so barely audible or ripping out your eardrums ;-;) witch is another accessibility issue, that you have to put a lot of work in to fix. And the graphics range from maxing out the brightness, to being completely black on bad screens. obviously an issue. I'm not going to go into the issues with explanations and the general tell don't show nature of alot of souls likes, because people have already complained about the text tunnels enough

I do really appreciate the artistry and just beautiful atmosphere Elden ring has, my only issue with the graphics is the performance requirements for them. Also if you never turned the graphics all the way down, it used to cause bit lag spikes just because it wanted to i guess :")

So, my argument is that a game can be a good version of the predecessors it bases itself off of, but if it doesn't actually deliver on playability and accessibility, I really don't think its deserving of the praise it gets. here are examples of games I think are flawless Unraveled/Unraveled 2 Hades Minecraft (Java edition only [cuz bedrock is completely broken somehow???) Never alone (a cool 2 player co op platformer that me and my brother played through when we were 6 and 8 or smthn, it was incredible, and i still think its worth playing as an adult) Spelunky 2 ***Monster Hunter (except for the extremely slow RPG elements) [takes 3 months to get 1 armor set built fully :)]

So i actually have some great news for the difficulty purists, You can actually do a hardcore game well, So long as you make failure quick and readable, Make trying immediate, and Make learning a part of the design. Spelunky is not my cup of tea, i have a bad time with reaction time, but spelunky is really great, in that your goal every attempt is simply to get as far as possible. In elden ring, you have the opposite problem, where instead of completing the objective being extraordinarily hard, getting from point a to point b is tediouse, saving the game takes time, occasionally you can be attacked without knowing why, and you dont get a clear read on what went wrong, ETC. If Elden ring was only the boss fights, I would say its almost a great game. Which is why I included Monster hunter on that list, despite its insufferable grind. Also BTW spelunky 2 has four fun minigames. a requirement for any game to be truly perfect is for there to be appeal for casual gamers, and i don't think adding casual elements makes a game worse, like, ever.

Anyways, last little thing, I really dislike it when People praise games for not catering to the needs of some players. Like everyone has heard dudebros or their friends be like "It doesn't have any difficulty settings! that's so sick!" But, like, Have you ever met someone with a motor function disability, or like, just someone who doesn't play games for 30000 hours every year? Difficulty settings and the ability to control your experience are important. and this isn't about Elden ring, But if you care about being an ally you should want your games to have accessibility features, they only benefit people. and if you're so worked up about about an extra tab being in the settings window, maybe you should like, go to therapy or something.

Also Elden ring's UI is so ass it gave my design teacher a heart attack and they hired a Pe*o as our sub.

[brokehorrorfan]

Tod Browning's Sideshow Shockers will be released on Blu-ray and DVD on October 17 via The Criterion Collection. The set collects three films directed by Tod Browning: Freaks, The Unknown, and The Mystic.

Freaks (also known as The Monster Story, Forbidden Love, and Nature's Mistake) is a 1932 horror film written by Willis Goldbeck and Leon Gordon. Wallace Ford, Leila Hyams, Olga Baclanova, and Roscoe Ates star.

The Unknown is a 1927 silent horror film written by Waldemar Young. Lon Chaney, Norman Kerry, Joan Crawford, and Nick De Ruiz star.

The Mystic is a 1925 silent drama film written by Browning and Young. Aileen Pringle, Conway Tearle, and Mitchell Lewis star.

Freaks has been digitally restored in 2K with uncompressed monaural sound. The Unknown has been digitally reconstructed and restored in 2K with a new score by composer Philip Carli. The Mystic has been digitally restored in 2K with a new score by composer Dean Hurley.

Raphael Geroni designed the cover art. Special features are detailed below.

Special features:

Freaks audio commentary by film scholar David J. Skal

The Unknown audio commentary by film scholar David J. Skal

The Mystic introduction by film scholar David J. Skal

Interview with author Megan Abbott about director Tod Browning and pre-Code horror (new)

Freaks archival documentary

"Spurs" - Reading of Tod Robbins' short story on which Freaks is based

Freaks prolgue, added to the film in 1947

Freaks alternate endings featurette

Freaks portrait video glalery

Essay by film critic Farran Smith Nehme

The most transgressive film produced by a major American studio in the 1930s, Tod Browning’s crowning achievement has haunted the margins of cinema for nearly one hundred years. An unforgettable cast of real-life sideshow performers portray the entertainers in a traveling circus who, shunned by mainstream society, live according to their own code—one of radical acceptance for the fellow oppressed and, as the show’s beautiful but cruel trapeze artist learns, of terrifying retribution for those who cross them. Received with revulsion by viewers upon its initial release, Freaks effectively ended Browning’s career but can now be seen for what it is: an audacious cry for understanding and a singular experience of nightmarish, almost avant-garde power.

The most celebrated and exquisitely perverse of the many collaborations between Tod Browning and his legendary leading man Lon Chaney, The Unknown features a wrenchingly physical performance from “the Man of a Thousand Faces” as the armless Spanish knife thrower Alonzo (he flings daggers with his feet) whose dastardly infatuation with his beautiful assistant (Joan Crawford)—a woman, it just so happens, who cannot bear to be touched by the hands of any man—drives him to unspeakable extremes. Sadomasochistic obsession, deception, murder, disfigurement, and a spectacular Grand Guignol climax—Browning wrings every last frisson from the lurid premise.

A fantastically atmospheric but rarely seen missing link in the development of Tod Browning’s artistry, set amid his favored milieu of shadowy sideshows and clever criminals, The Mystic provides a striking showcase for silent-era diva Aileen Pringle, who sports a series of memorably outré looks (courtesy of art-deco designer Erté) as Zara, a phony psychic in a Hungarian carnival who, under the guidance of a Svengali-like con man (Conway Tearle), crashes—and proceeds to swindle—American high society. Browning’s fascination with the weird is on full display in the eerie séance sequences, while his subversive moral ambiguity extends surprising sympathy to even the most seemingly irredeemable of antiheroes.

[mirisss]

Symphony of Souls

The Boyz OT11 x afab! reader

Wordcount ≈ 8.1k

Warnings: None I think, a little angsty but barely, 

Thank you for the request! I hope you like it!

Third Person POV

In the dazzling realm of K-pop, where talent and charisma converge, there exists a phenomenon that transcends the boundaries of mere musical synergy. Among the stars that illuminate this celestial stage, The Boyz stands as a testament to the extraordinary connections that fate weaves. Comprising eleven exceptional members, this group has captured the hearts of fans worldwide with their unparalleled performances and undeniable chemistry.

What the world may not yet comprehend is that beyond the mesmerizing choreography and harmonious melodies, The Boyz share a bond that goes beyond the surface—a bond forged in the fires of destiny and illuminated by the radiant glow of love. They are not just a group; they are soulmates, intricately linked by threads of fate that tie their destinies together in an ethereal dance.

However, amidst the cosmic harmony that envelops these eleven souls, a poignant emptiness lingers. As fate would have it, there exists a twelfth soulmate yet to be revealed—a missing piece in the intricate puzzle of their lives. Together, they navigate the boundless cosmos of stardom, seeking the one who will complete their constellation, filling the void with a celestial love that transcends the ordinary.

In the effervescent landscape of K-pop, where talents bloom like vibrant blossoms, a new luminary emerged—(Y/n), a freshly debuted actress and soloist whose ethereal presence bewitched hearts from the very first note. With her debut album, she painted sonic landscapes that echoed in the souls of many, capturing the attention of an adoring audience eager to embark on a journey through her musical realm.

What set (Y/n) apart wasn't merely her vocal prowess, but also her ability to weave tales with emotion and authenticity. The music video accompanying her debut single was a cinematic masterpiece, a visual symphony that showcased not only her musical prowess but also her flair for the dramatic. It was in this enchanting audio-visual tapestry that (Y/n) unveiled a multifaceted artistry, leaving an indelible mark on the hearts of those who witnessed her debut.

As if destiny itself were orchestrating her ascent, whispers of (Y/n)'s imminent foray into the world of acting began to circulate. The stage was set for a new chapter as it was announced that she would be gracing the small screen as the lead in a highly anticipated drama. Anticipation rippled through the industry, and fans eagerly awaited the convergence of her musical and dramatic talents in what promised to be a spellbinding performance.

With every step, (Y/n) was proving to be a rising star of exceptional luminosity, illuminating the K-pop world with her presence. The world eagerly awaited the unfolding chapters of her journey, both in the studio and on the screen, as (Y/n) embarked on a path destined for greatness in the realms of music and acting alike.

As the excitement swirled in the vibrant cosmos of The Boyz, a particular star within the constellation burned even brighter—Younghoon, the charismatic and talented third oldest member. The news of his successful audition for the male lead in the same drama that (Y/n) would be gracing was met with jubilation that echoed through the corridors of destiny.

Younghoon's joy radiated like a supernova, illuminating the faces of his fellow members—Sangyeon, Jacob, Hyunjae, Juyeon, Kevin, Changmin, Chanhee, Haknyeon, Sunwoo, and Eric. The air was charged with electric energy as they came together to celebrate this momentous occasion, recognizing that their constellation was expanding to encompass not only the musical realm but also the boundless horizon of acting.

Amidst the revelry, laughter, and shared excitement, Younghoon stood as a beacon of inspiration, a testament to the dreams that could manifest when talent, dedication, and opportunity converged. Each member, a vital thread in the intricate tapestry of The Boyz, contributed to the celebration, forging a bond that transcended the stage and studio.

As they raised a collective toast to Younghoon's triumph, the stars of The Boyz shone with pride and anticipation for the spectacular journey that lay ahead. 

As the first rays of dawn painted the sky in hues of soft pastels, (Y/n) awoke with a giddy excitement that bubbled within her like a fizzy elixir. Today held the promise of a meeting that stirred butterflies in the depths of her being—she was to meet Younghoon, the charismatic third oldest of The Boyz. The thought alone sent a delightful shiver down her spine, and she couldn't contain the joy that danced in her eyes.

A devoted deobi, (Y/n) had been a steadfast fan of The Boyz since the very inception of their journey with the effervescent anthem "Boy." Through the highs and lows, the stages, and the milestones, she had stood by them as a beacon of unwavering support. The music, the performances, and the camaraderie of the eleven stars had woven a tapestry of memories in her heart, and today marked a chapter where her path would intersect with one of those shining stars.

The excitement, palpable in the air, manifested in a radiant smile that adorned (Y/n)'s face as she prepared for the day. She felt a sense of kinship with Younghoon, a connection forged through the melodies that resonated in her soul. Today, that connection would take a tangible form, and the prospect thrilled her beyond measure.

With a heart brimming with anticipation and a deobi spirit ablaze, (Y/n) stepped into the day, ready to embark on an adventure that promised not only the joy of meeting Younghoon but also the continuation of a journey she had cherished since The Boyz's first notes had captivated her heart. 

The sunlit morning found Younghoon's eyes blinking open with an infectious excitement that mirrored the fluttering anticipation within his heart. Today held a special rendezvous with (Y/n), and the prospect of working together on the drama set ignited a joy that painted his smile with an extra layer of radiance.

As he shuffled through his morning routine, Kevin couldn't help but feel a twinge of jealousy, his eyes narrowing playfully as he teased Younghoon.

"Younghoon-hyung, you lucky guy! Getting to work with (Y/n) and all. I'd kill to be in your shoes," Kevin exclaimed, a mock pout on his face.

Younghoon chuckled, understanding Kevin's playful envy. "Come on, Kev. It's just work. But I get it; (Y/n)'s music is amazing. I'll make sure to tell her you're a big fan."

Kevin's eyes widened, a mischievous grin replacing his faux pout. "You would do that for me? You're the best, hyung! Hey, why don't you bring me to the set? Just for a day, please?"

Younghoon laughed, shaking his head. "As much as I'd love to have you there, Kev, it's not up to me. The schedules are tight, and you know how it is. But I promise to share all the juicy details and maybe get an autograph for you."

Kevin feigned a dramatic sigh. "Fine, fine. Just make sure to ask for an autograph on my favorite album, okay? And tell her I said hi!"

Younghoon nodded, already envisioning the playful banter he'd share with (Y/n) about Kevin's admiration. As the day unfolded, he carried with him the shared excitement of The Boyz and the knowledge that, while Kevin might not physically be on set, his enthusiasm would undoubtedly be present in spirit.

In the bustling pre-dawn hours, Sangyeon, the venerable leader and eldest among The Boyz, sought out Younghoon with a warm smile. As he approached, he clapped a supportive hand on Younghoon's shoulder, his eyes gleaming with genuine encouragement.

"Younghoon, you've got this. Knock 'em dead on set today. We're all rooting for you," Sangyeon said, his words carrying the weight of camaraderie and shared aspirations.

Younghoon nodded, grateful for the leader's words of encouragement. "Thanks, hyung. I'll do my best."

However, before Sangyeon could linger in the exchange, the distant sounds of a lively dispute reached their ears. With a knowing look, Sangyeon excused himself, patting Younghoon's back once more.

"Break a leg, and remember, we're a family. We've got your back," Sangyeon assured before heading towards the source of the commotion.

As he approached, the scene unfolded before him—Sunwoo, the mischievous troublemaker, had evidently found another opportunity for mischief. Chanhee, caught in the crossfire, looked more exasperated than angry as he realized that his clothes had fallen victim to Sunwoo's impromptu prank.

Sangyeon sighed, adopting a tone that blended authority with understanding. "Alright, boys, let's not turn the house into a battlefield. Sunwoo, give Chanhee his clothes back, and let's focus on supporting Younghoon and working today."

Sunwoo grinned, mischief dancing in his eyes, but he complied, returning Chanhee's clothes with an exaggerated bow. Sangyeon, with a bemused shake of his head, continued to play the role of the wise elder, smoothing out the ripples in the group dynamics before wishing everyone well for the day ahead. The drama both on and off the set promised to be as entertaining as The Boyz's performances themselves.

The film studio hummed with the quiet anticipation of creativity as (Y/n) stepped through its entrance. The air crackled with the promise of a new venture, and her senses were heightened, attuned to every nuance of the surroundings. Amidst the bustling activity, one figure stood out—Younghoon, his tall and commanding presence catching her eye.

As (Y/n) approached, the symphony of butterflies in her stomach played a melodic tune that mirrored the gentle thrumming of her heart. She couldn't help but feel a magnetic pull toward Younghoon, a force that drew her closer with each step. The air seemed charged with an unspoken energy, and when Younghoon turned around, their eyes met in a collision of fate.

Time seemed to slow as recognition sparked in Younghoon's eyes. In that moment, the world around them faded into the background, leaving only the two of them in a shared, suspended reality. The soulmate bond that connected their destinies clicked into place, resonating with an invisible force that enveloped them in a cocoon of connection.

(Y/n) felt as though only they existed in that singular moment. The studio, the crew, and the world beyond blurred into insignificance as their gaze lingered deepening the unspoken understanding that transcended the ordinary. It was a moment where souls touched, and the universe acknowledged the serendipity of their meeting.

As their hands touched, a subtle electric charge surged between Younghoon and (Y/n), and in that moment, an unspoken realization passed between them. Younghoon, his eyes gleaming with happiness, couldn't contain the bubbling joy within him. He took a step forward, his heart dancing with newfound lightness.

"Hi, I'm Younghoon," he grinned, the happiness radiating from him like a warm aura. "And, well, I guess I can't help but feel incredibly lucky to be your soulmate."

(Y/n)'s eyes widened, a mix of surprise and delight coloring her features. "Really?" she chuckled, charmed by Younghoon's sincerity. "Well, I'm (Y/n), and I guess that makes us quite the pair, doesn't it?"

As they shared introductions, the atmosphere around them seemed to shift, as if the universe itself acknowledged the significance of their meeting. The air buzzed with an unspoken connection, and the studio, for a fleeting moment, felt like their own private world.

Younghoon chuckled, his gaze holding a playful sparkle. "The Boyz are known for their visuals, but I have to say, meeting you in person, you're even more beautiful than I imagined."

(Y/n) blushed, a genuine smile gracing her lips. "Flattery will get you everywhere, Younghoon. But seriously, it's a pleasure to meet you. I've been a fan of The Boyz for a long time."

The exchange of words became a delightful dance, a symphony of laughter and connection that echoed within the studio walls. The shared recognition of their soulmate bond added a layer of magic to the encounter, setting the stage for a journey that promised to be as enchanting as the melodies sung by The Boyz themselves.

The enchanting moment shared between Younghoon and (Y/n) was abruptly punctuated by the discreet but pointed clearing of throats from their managers. The spell momentarily broken, they exchanged a sheepish glance before refocusing on the task at hand.

"Alright, let's get back to work," one of the managers announced with a businesslike tone, gently steering the atmosphere away from the lingering magic of the soulmate encounter.

Younghoon and (Y/n) nodded in unison, the shared understanding of the professional setting settling in. As the managers guided them back into the rhythm of the shoot, the studio once again hummed with the orchestrated movements of actors, crew, and the intricate dance of storytelling.

Despite the interruption, the connection forged between Younghoon and (Y/n) lingered in the air, infusing the set with a subtle warmth. They approached their roles with newfound energy, a shared secret glinting in their eyes as they delved into the world of their characters.

The managers satisfied that the brief interlude hadn't derailed the proceedings, observed the unfolding scenes with a watchful eye. As the cameras rolled and the drama unfolded, it was evident that the encounter between Younghoon and (Y/n) had added an unspoken layer to the narrative—a behind-the-scenes tale that would forever remain etched in the shared history of The Boyz and their newfound soulmate in the world of acting.

Seated together during a break on the bustling set, Younghoon and (Y/n) enjoyed a moment of reprieve. The camaraderie between them felt effortless as if they had been friends for much longer than the brief encounter suggested. As they delved into their lunch, Younghoon couldn't help but smile at (Y/n), his eyes reflecting the genuine connection they shared.

"By the way," Younghoon began a playful glint in his eyes, "I have a favor to ask. Kevin, one of our members, is a huge fan of yours. Mind signing an autograph for him? I promised I'd get one."

(Y/n) laughed, the gesture light and infectious. "Of course! I'd be honored. Just let me know where I can sign, and I'll make sure to add a little note for Kevin."

Younghoon, grateful for (Y/n)'s willingness, pointed to a corner of his script. "Right here should be perfect. Thanks a bunch, (Y/n). Kevin's going to flip when he sees this."

As (Y/n) took the script to jot down the autograph, Younghoon couldn't help but steer the conversation toward the unique bond they shared. "You know, (Y/n), being soulmates with me means you're soulmates with all eleven members of The Boyz. It's like a package deal."

(Y/n) chuckled, charmed by the notion. "A package deal, huh? I'm starting to feel like the luckiest soulmate in the world."

Younghoon grinned, a warmth spreading through him. "Well, you've got ten more awesome guys waiting to meet you properly. Who knows, maybe we can all hang out sometime."

The prospect of a shared connection with The Boyz beyond Younghoon added an intriguing layer to their budding friendship. As they continued their meal, the studio buzzed around them, but at that moment, it felt like the universe had carved out a little corner where soulmates, both singular and collective, could share laughter and camaraderie amidst the magic of filmmaking.

The door to The Boyz's shared residence swung open, and Younghoon entered, his face radiant with an unmistakable joy that couldn't be contained. His fellow members, gathered in the living room, turned their attention towards him, their curiosity piqued.

Sangyeon, the ever-watchful leader, couldn't help but grin. "Well, how was the first day on set? Spill the details, Younghoon!"

Younghoon practically beamed, unable to contain his excitement. "Guys, you won't believe what happened today. (Y/n), our soulmate is amazing! She's not only talented but also incredibly nice and down-to-earth. It's like we've known each other forever."

The room fell into stunned silence as the realization of Younghoon's words settled in. The members exchanged wide-eyed glances, and then, almost in unison, erupted into a chorus of exclamations.

"(Y/n) is our soulmate too?" Changmin questioned, not believing his ears.  

"No way, you're kidding, right?" Eric exclaimed loudly as he jumped up and down. 

"Younghoon-hyung, you've got to be messing with us!" Kevin shouted, he was certain he was dreaming. 

Younghoon laughed, reveling in the infectious astonishment of his fellow members. "No joke, guys! We're all connected through our soulmate bond. It's like fate brought us together in the most unexpected way."

Hyunjae, always quick with a teasing remark, chimed in, "So, what's she like? Is she as pretty in person as she is in her music videos?"

Younghoon nodded enthusiastically. "Even more so. And she's genuinely kind. I got her autograph for you, Kevin," Kevin took the paper from Younghoon’s hands, jumping with joy. 

As the news settled in, the members couldn't help but exchange excited glances. The living room buzzed with animated conversation as they eagerly delved into the details of Younghoon's day and looked forward to the possibility of getting to know (Y/n) better. Fate had woven another unexpected chapter into the tapestry of The Boyz's journey, and they embraced it with open hearts and wide smiles.

Haknyeon's playful interruption cast a brief shadow over the jubilant atmosphere, his mock teasing tone injecting a touch of humor into the room. "Come on, Younghoon, it's not fair that you get all the quality time with our soulmate. What about the rest of us? When do we get to meet her?"

The room erupted into laughter, the members playfully nudging Younghoon as if he held the secret to unlocking the mysteries of their shared soulmate bond. Jacob, the second oldest, decided to respond with a good-natured smile.

"Well, Haknyeon, it's all part of the cosmic plan, isn't it?" Jacob mused, his tone light. "Younghoon's just the trailblazer, paving the way for the rest of us to follow. Patience is a virtue, my friend."

Haknyeon exaggeratedly sighed, his hand on his heart. "Patience? Jacob, you make it sound like we're on a quest for some mystical treasure. I just want to meet our soulmate!"

The banter continued, the members exchanging banter and teasing as they navigated the uncharted territory of having a shared soulmate. Despite Haknyeon's faux complaints, there was an underlying excitement that permeated the air—an anticipation for the day when all of them would finally get to meet (Y/n) and discover the unique connection that fate had woven among them.

In the meantime, Younghoon, the unwitting pioneer, grinned amidst the good-natured ribbing, knowing that the shared joy of their newfound connection would only deepen as the days unfolded. The living room echoed with laughter, forging another chapter in The Boyz's journey, where friendship, fate, and a shared soulmate awaited on the horizon.

Younghoon’s POV

As I stepped onto the set the next day, my anticipation mingled with a sense of surreal wonder. The bustling activity around me seemed to fade into the background as my eyes landed on her—(Y/n), radiant in a beautiful pink dress that accentuated every curve. The makeshift wind from the fan tousled her hair, framing her like an ethereal halo, and the lights seemed to converge upon her, casting a gentle glow that transformed her into something beyond human.

Time froze for a fleeting moment as I watched her, the breath caught in my throat. She looked like a goddess, a celestial being gracing our earthly set with an otherworldly presence. The delicate swish of her dress, the way her hair danced in the invisible breeze—it was as if the universe conspired to enhance her beauty, painting a picture that transcended the ordinary.

I found myself frozen in my step, my heart pounding in awe. The world around me blurred as my gaze lingered on (Y/n), capturing every detail—the sparkle in her eyes, the grace in her movements. In that moment, she wasn't just our soulmate; she was a vision, a muse that could inspire the most enchanting tales.

As I approached, a profound appreciation settled within me. How lucky was I to have this incredible woman as our soulmate? The soft rustle of her dress, the way the lights caressed her features—it was a scene etched into my memory, a living masterpiece that only added to the magic of our shared connection.

With each step closer, the set transformed into a canvas where destiny and art converged. And in the presence of (Y/n), I couldn't help but marvel at the beauty that fate had woven into the tapestry of our lives, forever etching her as a celestial muse in the story of The Boyz.

Third Person POV

As the weeks rolled on, the culmination of their shared venture approached—MAMA, the prestigious award show (such a lie lol) that promised a dazzling celebration of talent and achievement. The drama had wrapped, leaving behind a trail of memories and a connection that had grown stronger. Now, fate had orchestrated a meeting on a grand stage—the convergence of (Y/n) and The Boyz at MAMA.

(Y/n), adorned in an elegant gown that radiated confidence, was nominated for Best Female Artist. Her heart swelled with a mix of excitement and hope, believing that The Boyz, who was nominated for Best Male Performance, truly deserved the recognition.

The Boyz, equally thrilled and ecstatic, was bubbling with anticipation at the prospect of finally meeting their soulmate. However, they knew the importance of playing it cool to avoid sparking unnecessary rumors. The camaraderie they had shared on the set, the unspoken connection as soulmates, now held the promise of being unveiled on a stage where dreams took flight.

As they walked the red carpet, the air was charged with an electric energy, a mix of nerves and exhilaration. (Y/n) carried herself with grace, a nominee and a fan in equal measure, secretly hoping for The Boyz to take home the trophy they so rightfully deserved.

Backstage, the members exchanged glances, a silent understanding passing between them. They were about to meet their soulmate, the artist who had inspired them and shared a unique connection with them. The challenge lay in keeping their excitement in check, their smiles were genuine but tempered to avoid any premature speculations.

(Y/n)’s POV

As I settled into my seat at MAMA, the air humming with anticipation, my heart began to race with the excitement of what was about to unfold. Glancing at the reserved seats beside me, I couldn't help but feel a surge of joy. This was it—the moment I had been waiting for. The moment when I would finally meet all eleven of my soulmates, The Boyz.

The auditorium buzzed with energy, but my focus was drawn to the approaching figures, each face etched in my memory from the countless times I had watched their performances. There they were, all eleven of them, their handsome faces unmistakable in the sea of people.

As they passed by, a wave of warmth enveloped me. Some of them waved, their smiles contagious, while others offered a quick hello. It felt surreal, as if a shared secret between us had now come to life in the most spectacular of settings. The casual greetings, the friendly waves—it was as if we were old friends finally meeting after a long-awaited reunion.

"Hey there, (Y/n)! We're so excited to finally meet you in person," Hyunjae exclaimed, the genuine enthusiasm evident in his voice.

I couldn't help but return the sentiment with a beaming smile. "Likewise! It's incredible to finally see you all face to face."

The brief exchange carried with it a sense of familiarity, a connection forged not just through the shared soulmate bond but through the journey of their music and performances. As they continued on to their seats, the excitement lingered in the air, a prelude to the unfolding night where destiny, music, and shared joy would intertwine in a celebration of their unique connection at MAMA.

As Juyeon and Changmin left their seats and ascended the stage, my eyes were immediately drawn to the two of them. The atmosphere shifted as they joined the other groups for a powerful dance performance, their presence commanding attention from every corner of the auditorium.

Changmin, with his ethereal grace, moved across the stage like a dancer in a dream. His every movement seemed to carry a poetic elegance, each step a testament to the artistry he brought to the performance. I couldn't tear my eyes away, captivated by the way he expressed emotion through his dance, the intensity in his eyes adding depth to the mesmerizing spectacle.

And then there was Juyeon, a force of nature on the stage. His powerful aura radiated confidence, and as he showcased his muscled body, every movement exuded strength and control. The energy he brought to the performance was palpable, and the audience was swept away by the sheer force of his presence.

Despite the other talented dancers surrounding them, in my eyes, Juyeon and Changmin were the only two up there. It wasn't just the technical brilliance of their movements; it was the way they infused each step with emotion, making the dance a powerful narrative that transcended the physicality of the performance.

As the music swelled and the dance reached its climax, I found myself caught in a spell woven by the artistry of Juyeon and Changmin. 

Sangyeon’s POV

As the leader, I stood there watching (Y/n) with a swelling sense of pride. Her unreleased song echoed through the venue, and I couldn't help but marvel at the depth of her artistry. Her vocals carried emotion, and the way she moved on stage was nothing short of captivating. It was a moment that transcended the stage—a promise fulfilled and a testament to her commitment to her craft. She was more than just a soulmate; she was an artist, a star in her own right, and seeing her shine on that stage filled me with a profound sense of joy.

Jacob’s POV

(Y/n)'s performance was like a dream unfolding before my eyes. Her unreleased song had a haunting beauty that lingered in the air, and her dancing was a graceful expression of the emotions woven into the melody. I couldn't help but be moved by the authenticity of her artistry. It was clear that she poured her heart into every note, every movement. As an artist, I felt a deep connection with her on that stage, and the cheers from the audience were a chorus of acknowledgment for her talent. It was a moment where the boundaries between performer and audience blurred, and I was privileged to witness it.

Younghoon’s POV

Watching (Y/n) take the stage was an experience that transcended words. The air in the auditorium seemed to change as the opening notes of her unreleased song filled the space. Her vocals carried a haunting beauty that resonated with every corner of the venue, and her dancing was a graceful embodiment of the emotions woven into the melody. As our soulmate, I felt a unique connection, a shared journey through the artistry of her performance. Her presence on stage was nothing short of enchanting, and I couldn't help but be captivated by the genuine smile she wore throughout. It was more than just a promise fulfilled; it was a moment where destiny, music, and the bond we shared converged into a beautiful symphony. The cheers and applause from the audience were not just for her talent; they were a celebration of the connection we all felt in that magical moment. As a member of The Boyz and her soulmate, seeing (Y/n) shine on that stage was a memory etched in my heart, a testament to the enduring power of music and destiny.

Hyunjae’s POV

(Y/n)'s performance was a revelation, and I found myself utterly captivated by her presence on stage. Her vocals resonated with a soulful quality that tugged at the heartstrings, and her dancing was a mesmerizing display of skill and emotion. The way she connected with the audience, with us, went beyond the mere performance—it was a shared experience, a moment of communion through music. As an artist, I couldn't help but be inspired by her, and the genuine smiles in the crowd were a testament to the impact she had on everyone present.

Juyeon’s POV

Watching (Y/n) on stage was like witnessing a celestial being sharing her magic with the world. Her unreleased song held a melody that seemed to echo through the very core of the venue, and her dancing was a powerful showcase of artistry. What struck me the most was the authenticity of her smile. It wasn't just about hitting the right notes or nailing the choreography; it was about the joy she found in the performance. It left an indelible mark on me, a reminder of the pure, unbridled passion that makes music so enchanting.

Kevin’s POV

(Y/n)'s performance was nothing short of breathtaking. Her unreleased song carried a melody that lingered in the air long after the last note, and her dancing was a beautiful expression of the emotions woven into the music. What struck me the most was the way she connected with the audience and, by extension, with us. It was a shared moment of celebration, and the cheers and applause were a testament to the impact of her artistry. As a fellow artist, I felt a kinship with her on that stage, and the experience was a reminder of the transformative power of music.

Chanhee’s POV

(Y/n)'s performance was a spectacle of talent and grace. The unreleased song she shared had a haunting beauty, and her dancing was like poetry in motion. I couldn't help but feel a surge of admiration for her artistry. Her presence on stage was magnetic, drawing everyone into the narrative she created with her music and movements. It was a moment that transcended the boundaries of language, where the universal language of music spoke volumes. As a member of The Boyz, I was honored to witness her shine on that stage.

Changmin’s POV

(Y/n)'s performance was a testament to the power of her artistry. The unreleased song she presented carried a unique and soulful melody, and her dancing was a masterclass in expression. What struck me the most was the way she commanded the stage with an effortless elegance. It was more than a performance; it was a journey through emotions, and the connection she forged with the audience was palpable. As an artist, I felt a deep resonance with her work, and her performance left an indelible mark on the canvas of MAMA.

Haknyeon’s POV

(Y/n)'s performance was like a symphony of emotions unfolding on stage. Her unreleased song resonated with a haunting beauty, and her dancing was a visual representation of the music's soul. What stood out to me was the genuine joy she exuded. It wasn't just about hitting the right notes; it was about sharing a piece of her heart with the audience. As a fellow performer, I couldn't help but be inspired by her passion, and the cheers from the crowd were a testament to the impact she had on everyone present.

Sunwoo’s POV

(Y/n)'s performance was a moment of sheer magic. The unreleased song she unveiled carried an emotional depth that resonated with everyone in the venue, and her dancing was a captivating display of skill and grace. What struck me the most was the connection she forged with the audience. It wasn't just about entertaining; it was about creating a shared experience through music. As a member of The Boyz, I felt a sense of pride watching her on that stage, knowing that she was not just a soulmate but an extraordinary artist.

Eric’s POV

(Y/n)'s performance was a revelation of talent and emotion. The unreleased song she presented was a melody that lingered in the air, and her dancing was a poetic expression of the music's soul. What resonated with me was the authenticity of her presence on stage. It wasn't a performance for the sake of performance; it was a genuine sharing of art and emotion. As a member of The Boyz, I felt a sense of connection with her on that stage, a shared journey through the language of music that went beyond words.

Third Person POV

The viral moments from MAMA featuring (Y/n) and The Boyz sparked a social media frenzy, capturing the attention of fans and onlookers alike. However, instead of fueling dating rumors, the prevailing narrative among most people was grounded in the belief that (Y/n) and Younghoon were simply friends who had shared the screen in the same drama.

The footage showcased heartwarming interactions between (Y/n) and The Boyz, moments that transcended the boundaries of celebrity camaraderie. Whether it was the genuine smiles exchanged, friendly waves, or shared laughter, the clips depicted a connection that went beyond the usual dynamics of actors and fellow artists. The audience's collective interpretation leaned towards the idea that the bond between (Y/n) and The Boyz was rooted in genuine friendship.

As the clips circulated on social media platforms, the comments section became a testament to the prevailing sentiment. Fans and casual observers alike celebrated the idea that (Y/n) had found friends in The Boyz beyond the confines of their professional collaborations. The absence of dating rumors was a testament to the maturity and understanding of the audience, who recognized the richness of platonic connections in the entertainment industry.

(Y/n) and The Boyz continued to navigate their newfound friendship in the public eye, and the viral moments served as a delightful reminder that genuine connections can flourish amidst the glamour of the entertainment world without necessarily giving rise to romantic speculations. The supportive responses from fans further solidified the understanding that sometimes, the most beautiful stories are those of friendship, shared dreams, and the magic of soulmates extending beyond the realms of on-screen narratives.

The break following MAMA brought a long-awaited opportunity for (Y/n) and The Boyz to meet up and forge deeper connections away from the public eye. Determined to enjoy each other's company without the scrutiny of prying eyes, they orchestrated a secret gathering, a clandestine rendezvous where the bonds of friendship could be nurtured without the weight of public expectations.

Choosing a secluded and intimate venue, (Y/n) and The Boyz gathered, relishing the freedom to simply be themselves in the company of newfound friends and soulmates. Laughter echoed through the air as they shared stories, dreams, and anecdotes, solidifying the connection that had begun to flourish during their collaboration on the drama and at MAMA.

The setting allowed for genuine interactions, unburdened by the external pressures of fame. Away from the spotlight, they could revel in the joy of camaraderie, discovering shared interests and quirks that transcended their roles as artists. The shared laughter, the ease with which conversations flowed, hinted at a bond that went beyond the constraints of the public gaze.

As the day unfolded, the secret meeting became a sanctuary where friendships deepened, and the foundation for a lasting connection was laid. The Boyz, each a distinct personality within the group, welcomed (Y/n) into their circle with open arms, and (Y/n) found herself embraced not just as a soulmate but as a cherished friend.

The break provided the perfect backdrop for this clandestine gathering—a chapter in their shared story that unfolded away from the glare of cameras and public scrutiny. In the warmth of their shared laughter and the genuine exchanges that took place, (Y/n) and The Boyz discovered the beauty of friendship that could thrive in the quiet moments, away from the orchestrated chaos of the entertainment industry.

Underneath the soft glow of fairy lights, Sangyeon and (Y/n) found themselves strolling through a quaint garden. The air was filled with the delicate scent of blooming flowers, and as they meandered through the winding paths, Sangyeon gently took (Y/n)'s hand in his. Their fingers intertwined naturally, and without saying a word, they reveled in the tranquility of the moment, basking in the shared warmth of their connection.

On a quiet rooftop overlooking the city, Jacob and (Y/n) sat side by side, their laughter blending with the distant hum of the urban landscape. As the evening breeze played with (Y/n)'s hair, Jacob's gaze met hers, and in that unspoken exchange, the world around them seemed to fade. With a tender smile, he reached for her hand, intertwining their fingers as they shared stories and dreams against the backdrop of the city lights.

In the soft glow of candlelight, Younghoon and (Y/n) found themselves sharing a quiet dinner. The ambiance was serene, and as their eyes met, a subtle understanding passed between them. Younghoon reached across the table, his fingers delicately tracing circles on (Y/n)'s hand. In that intimate exchange, time seemed to slow, and the flickering candles bore witness to the unspoken connection that continued to deepen between them.

Beneath the canopy of twinkling stars, Hyunjae and (Y/n) sat by a crackling bonfire. The warmth mirrored the connection between them, and as they exchanged playful banter, Hyunjae couldn't resist reaching out to gently brush a strand of hair from (Y/n)'s face. Their eyes locked, and in that fleeting moment, the crackling flames seemed to echo the warmth blossoming between their hearts.

On a moonlit beach, Juyeon and (Y/n) found solace in the gentle lull of the waves. The sand beneath their feet felt cool, and as Juyeon extended his hand, a silent invitation passed between them. Their barefoot steps created imprints in the sand, and with the rhythmic sound of the ocean as their backdrop, they danced under the moonlight, a serene and intimate moment etched in the canvas of the night.

Amidst the soft melodies of a private acoustic performance, Kevin and (Y/n) shared a quiet corner of a cozy venue. As the music wrapped around them, Kevin's eyes held an unspoken promise. With a gentle touch, he cupped (Y/n)'s cheek, his thumb tracing a gentle path. The world faded away, leaving only the tender notes of the guitar and the shared heartbeat of a moment steeped in quiet intimacy.

In the heart of a bustling city, Chanhee and (Y/n) found refuge in a rooftop garden, a hidden oasis above the urban chaos. Surrounded by lush greenery, Chanhee's eyes held a soft warmth as he handed (Y/n) a single flower. With a bashful smile, he tucked it behind her ear, a subtle gesture that spoke volumes in the language of shared secrets and unspoken feelings.

As the sun dipped below the horizon, Changmin and (Y/n) found themselves in a quiet bookstore, surrounded by the comforting scent of old books. The hushed atmosphere invited a sense of intimacy. Changmin, with a twinkle in his eyes, handed (Y/n) a book—a shared favorite from his collection. Their fingers brushed in the exchange, a gentle reminder that sometimes, love could be found in the simple act of sharing a story.

In a playful escape to an amusement park, Haknyeon and (Y/n) found themselves atop the Ferris wheel, the city lights stretching out beneath them. With a lighthearted grin, Haknyeon reached for (Y/n)'s hand, intertwining their fingers. The world below became a blur as they ascended into the night sky, their laughter dancing on the breeze—a carefree moment etched against the backdrop of twinkling lights.

In the serenity of a lakeside cabin, Sunwoo and (Y/n) found refuge from the demands of the world. The crackling fireplace cast a warm glow, and as Sunwoo strummed a gentle melody on his guitar, (Y/n) leaned against him. The quiet notes resonated in the cozy space, creating a haven where their souls connected through the shared language of music and unspoken emotions.

On a secluded balcony overlooking the city, Eric and (Y/n) found themselves wrapped in the soothing ambiance of a quiet night. The city lights below sparkled like a sea of stars, and with a gentle touch, Eric draped a soft blanket around (Y/n)'s shoulders. As they leaned against the railing, the world below seemed to disappear, leaving only the two of them—partners in a moment of quiet intimacy that transcended the bounds of ordinary romance.

The tranquility that (Y/n) and The Boyz had cherished in the private moments they shared was abruptly shattered when unauthorized pictures of their time together surfaced. The images, captured within the sanctuary of The Boyz's apartment, ignited a storm of controversies that swept through social media and news outlets. The invasion of their privacy fueled public discontent, and the narrative surrounding their friendship and bond as soulmates took an unexpected and unwarranted turn.

The public, hungry for sensationalism, expressed their displeasure at what they perceived as an intrusion into the personal lives of both (Y/n) and The Boyz. The comments sections became a battleground of opinions, with some condemning the breach of privacy, while others indulged in speculative discussions and criticisms.

The Boyz, known for their close-knit bond with each other and (Y/n), found themselves grappling with the unwanted attention. The camaraderie that had been celebrated just months ago was now scrutinized and distorted by public perception. (Y/n), too, faced the brunt of the controversy, as her genuine connection with The Boyz was overshadowed by the invasive snapshots that had made their way into the public domain.

The joint statement from (Y/n)'s and The Boyz's respective companies aimed to set the record straight, revealing the profound connection that bound them together—soulmates. The revelation of their shared destiny shed light on the authenticity of their relationship, turning the narrative away from invasive speculations to the undeniable force of fate that had brought them together.

The statement emphasized the importance of respecting personal boundaries and understanding the impact of invasive media coverage on artists. It called for empathy and acknowledgment of the unique connection shared by (Y/n) and The Boyz, urging the public to view their relationship with the same admiration and respect that soulmates inherently deserve.

For a portion of the general public, the acknowledgment of their soulmate bond transformed the narrative, adding a layer of beauty and depth to the relationship between (Y/n) and The Boyz. The realization that fate had intricately woven their destinies together resonated with many, fostering a newfound appreciation for the genuine connection that existed beyond the lens of public scrutiny.

However, as is often the case in the world of celebrities, a segment of the public remained resistant to change. Some individuals continued to direct hate and criticism towards (Y/n) and The Boyz, seemingly unaffected by the revelation of their soulmate bond. The dichotomy in public opinion underscored the complexities of navigating fame, personal relationships, and the constant gaze of an audience.

In the face of both support and adversity, (Y/n) and The Boyz stood united, finding strength in the shared understanding of their soulmate connection. The journey they embarked on together, from the serenity of private moments to the turbulent seas of public controversy, became a testament to the resilience of genuine connections in the face of external pressures.

The revelation of (Y/n) and The Boyz as soulmates ignited a fervor among their dedicated fanbases, with Deobis and (Y/n)'s fans eager for interactions that showcased the genuine bond between them. However, the intensity of the requests, including demands for displays of physical affection such as kissing, raised ethical concerns.

Both (Y/n)'s and The Boyz's agencies, recognizing the importance of maintaining respect for personal boundaries, released statements urging fans to appreciate the soulmate connection without pressuring the artists into intimate displays for public consumption. The agencies emphasized the need for a healthy and respectful fandom culture, where the artists' personal lives could be cherished without crossing the line into invasive requests.

Despite the agencies' pleas, the demands persisted on social media platforms. Some fans, in their enthusiasm and desire to see the depth of the soulmate connection, inadvertently contributed to an environment that pushed the boundaries of privacy and respect.

In response, (Y/n), The Boyz, and their agencies maintained a delicate balance, continuing to share glimpses of their relationship and collaborations in a way that celebrated their connection without compromising their personal boundaries. They reinforced the idea that soulmate connections were rooted in a deep understanding and shared journey, transcending the need for explicit public displays.

Navigating the delicate balance between fan expectations and personal privacy, (Y/n) and The Boyz found themselves at the center of a unique situation, where the genuine appreciation of their soulmate bond was sometimes overshadowed by the demands of an enthusiastic yet boundary-pushing fandom. The journey to strike this balance became a testament to the complexities of navigating fame and personal connections within the ever-evolving landscape of the entertainment industry.

A candid snapshot captured Juyeon enveloping (Y/n) in a warm embrace backstage after a successful joint performance. The genuine smiles on their faces radiated a shared joy, and the image quickly became a symbol of the affectionate camaraderie between them.

During a casual stroll through a park, Hyunjae and (Y/n) were photographed walking hand-in-hand. The simple yet heartwarming gesture showcased a connection that extended beyond the stage, resonating with fans who appreciated the authenticity of their friendship.

A video snippet from a behind-the-scenes moment at a music show revealed The Boyz surrounding (Y/n) in a spontaneous group hug. Laughter echoed as they playfully squeezed in, creating a heartwarming tableau that fans couldn't help but gush over on social media.

Changmin was spotted offering (Y/n) his hand to help her navigate a slightly uneven surface during an outdoor event. The small but chivalrous act became a viral sensation, highlighting the caring dynamics within their friendship.

In a lighthearted moment during a variety show appearance, Sunwoo playfully stole (Y/n)'s hat and placed it atop his own head. The teasing banter and infectious laughter that ensued quickly became a favorite among fans, showcasing the playful dynamics within the group.

On (Y/n)'s birthday, Jacob took to social media to share a heartfelt message accompanied by a picture of them sharing a laugh. The sincerity of his words and the captured moment of joy became a viral sensation, with fans celebrating the warmth of their friendship.

During a live performance, Sangyeon was captured giving (Y/n) an encouraging smile from across the stage as they shared a meaningful duet. The genuine expression of support resonated with fans, symbolizing the deep connection they had forged through their shared artistic endeavors.

In a quiet moment backstage, Younghoon was seen offering (Y/n) a reassuring squeeze of her hand before a crucial live interview. The quiet support and connection shared in that simple touch touched the hearts of fans, who admired the camaraderie between them.

A fun-filled video showed Chanhee engaging in playful banter with (Y/n) during a variety show appearance. Their easygoing dynamic and infectious laughter created a delightful atmosphere that resonated with fans, highlighting the carefree and enjoyable moments they shared.

A snippet from a special live performance captured Kevin and (Y/n) engaging in a heartfelt duet. The chemistry between their voices and the genuine smiles they exchanged became a viral sensation, with fans expressing admiration for the seamless collaboration between the soloist and The Boyz.

A candid moment backstage captured Haknyeon engaging in playful antics with (Y/n), showcasing their lighthearted friendship. The shared laughter and carefree gestures became a viral sensation, offering fans a glimpse into the joyous dynamics within The Boyz and (Y/n)'s interactions.

In a competitive game during a variety show, Eric was spotted cheering enthusiastically for (Y/n), embodying the spirit of camaraderie and friendly competition. The genuine encouragement and shared excitement became a favorite among fans, emphasizing the supportive dynamics within the group.

These moments, ranging from sincere gestures of support to playful interactions, contributed to the endearing narrative of (Y/n) and The Boyz's friendship. As these instances went viral on social media, fans celebrated the authenticity and warmth that defined the bond shared between the soloist and each member of The Boyz.

[krazetv]

STACCATO by Artistry Audio - Preset Playthrough | Synths in Motion

[l3m0ncyan]

Y/N does Ellie’s makeup (after begging to do so)

Note: I hope y’all know this Family Guy audio

Y/N: *taking in her artistry* Do you, or do you not feel bonita?

Ellie: *not liking it but going with it* I feel bonita

Y/N: *clapping* Wonderful! Because you look bonita!

[angstics]

the foundations of decay (2022) x vampires will never hurt you (2002)

FIRST SINGLE

Gerard Way: ["Vampires Will Never Hurt You"] will always be my favorite recording of the band, because it was the first. Having little money, or for that matter the songs, to complete a full-length album, we hopped in a van and headed to Nada Studios.

(may death never stop you booklet, march 2014)

["Vampires Will Never Hurt You"]'s recording was so passionate that, despite being intended as a demo, My Chemical Romance decided that they should use it on the album. It would go on to become the central cog of the record they were about to make, I Brought You My Bullets, You Brought Me Your Love. It would be the album that launched their career.

(not the life it seems, sept 2014)

[Under the /audio tab on mychemicalromance.com, there is a table of titles and downloadablable mp3s. At this time, there is only one audio file listed for "Vampires Will Never Hurt You". Below the table, it reads: "From our forthcoming full length album on Eyeball Recordings, due out this summer. This is a rough mix of the song. The final mix will appear on a summer sampler and the full length. Recorded March 3rd, 2002 at Nada Studios in upstate NY."]

(mychemicalromance.com, arch. june 2002)

[Alex Saavedra] gives a lot of the credit to the influential local DJ and scene stalwart the late Mario Comesanas. He used his Under the Stars slot on the South Orange, New Jersey college-radio station WSOU to air "Vampires" for the first time. Comesanas, who was also first to play Thursday on the radio, remembered the response was overwhelming. ‘The reaction was ridiculous – I knew that there was something special here,’ he said. ‘When we counted the requests, there was so much more for them than there was for any other band at that time.’

(not the life it seems, sept 2014)

Frank Iero: I think the first time we really recognized the power of social media was right around the time Thursday was being signed, Midtown was signed. Basically, all our friends from Jersey and Long Island were getting record deals. And My Chem had really just started. We recorded one song because that’s all we had the money for at that point. And we put it up on Myspace immediately and were like, “Hey listen, we’re gonna do a record soon once we get the money. But this is like a sneak preview kind of thing,” and once we put that up, there were literally major label A&Rs calling the practice studio. How they got the number for the practice studio, I have no idea.

(stereogum.com, march 2020)

Frank Iero: This is just something we figured out like... last week when I was hanging out with everybody. The first song we ever wrote and put out on the internet, like, our first single was a song called "Vampires Will Never Hurt You" and it was a song we wrote at the practice studio and recorded and put it out. And we were like, "If people like it, then... they'll let us know through this song and we'll get enough money that we can record," right? So that's what we did. That song was six minutes long. And the last song we put out ["The Foundations of Decay"] is six minutes long. Kinda crazy.

(two minutes to late night, august 2022)

Frank Iero: No one has bigger balls than us right now… I pulled out songs that like… Can you rip a song like a song that we did in 2001 and never released? […] You feel like a badass when you can do that. You feel like a musician then. Like the musicianship and the artistry, that can’t be fucked with."

(one life, one chance, oct 2022)

"favorite" / "couldn't be happier"

(mikey way and frank iero on instagram, may 2022)

STORM

Gerard Way, about recording "Vampires": We started moving the drums out to the van and I was surprised to see what it looked like outside. The sky had become dark blue and jet black and the wind was so strong we thought Mikey was going to blow away. Trees were whipping around and a huge storm was rolling in, but it was strangely warm and felt very comforting. Then I knew my vocals were going to come out just the way I wanted, I could feel this weird excitement.

(mychemicalromance.com, arch. may 2002)

(foundations of decay, may 2022)

SWARM

What's all this nonsense about bats??? The band likes bats. Who doesn't? If you've seen the band live you might have heard Gerard mention something about turning into one or unleashing some sort of swarm of them. "Unleash the fucking bats" is something they say to each other seconds before starting the set to get themselves pumped up. This all started back in Jan '02 when the band finally came together and started playing together with an intensity none of them had ever known. That fateful night they rocked together so hard that a "rock portal" opened up and out flew a swarm of giant bats. No shit.

(mychemicalromance.com, arch. may 2002)

Some rumours I have heard is that you guys like Bats, what's the fascination with them, is it the Will Haven song BATS, or you just like the species? Gerard Way: Haha...the whole bat thing came about at an early practice when Mikey joined and we finally gelled. Our energy just came together and a giant heavy metal vortex opened up and out flew a swarm of bats. We all saw it. It was like an awakening. After that we accepted bats into our lives. It was also while we were playing "Vampires Will Never Hurt You" so it probably had alot to do with that.

(anemicmagazine.com, 2002)

So, the whole vampires, bats, bloody stuff. Where did that all come from? Gerard Way: I probably haven’t ever said this in an interview, but the whole “unleash the bats” thing came from a Birthday Party song called “Release The Bats.” [...] The whole vampire thing [came up when I thought], “Man, nobody writes songs about vampires. How cool would it be?” I thought it was kind of risky or ballsy to play a rock song or a hardcore song that was about vampires.

(starsandscars.com, april 2004)

(foundations of decay, may 2022)

[accio-victuuri]

sharing this article from today about HB. 🤍

Nominated for "Best Feature Film" at the Golden Rooster Award: "Hidden Blade": a hidden arrow that breaks the unspoken rules of box office for literary and artistic films

A classic is a kind of work,

It continues to give rise to clouds of criticism of it,

And keep getting rid of it,

It never completes what it has to say.

Hidden Blade, whose global box office is still rising, is the box office ceiling for domestic literary and artistic films. The background of this performance is that serious films have encountered an era of shallow reading, the industry and the public have been torn apart, and box office has become an undercurrent sweeping everything. However, because literary films do not conform to the shallow entertainment psychology, their niche nature is predicted by bloodthirsty and crude evaluations, and they are ahead of schedule. They are killed by film placement rate.

The true mission of film︱Making culture visible

The turbulent clouds and red color in the broad field of vision are somewhat incompatible with the festive atmosphere of the Lunar New Year. Released on the first day of the Lunar New Year, it is a kind of performance art in itself... It is very cliché, and it is exactly the same as the self-deprecation of super commercial films. As a spy war literary film, "Hidden Blade" has achieved a breakthrough in innovative expression of Chinese films, and its heterogeneity is unique among domestic films.

The dramatic tension of too many movies relies entirely on scenes and special effects, which disappear once they leave the theater. "Hidden Blade" creates a huge psychological magnetic field, which is still exciting even if it is separated from the audio-visual environment. The tone threshold of "Hidden Blade" is not some kind of contempt for the audience, but the ultimate respect for the audience, history, and movies.

Literary films are a type of film relative to the concept of commercial films. They focus on artistic expression and cultural connotation, and try to pursue higher aesthetic values ​​and cultural significance. Their production is also different from commercial films: commercial films pursue commercial interests or mass entertainment, and take the movie box office as the main goal, while literary films focus on the artistry and cultural connotation of the film.

Transgressing norms and offending common sense, art films are pioneers of film. They often fail but expand the boundaries of film. There are two literary classics in the history of world cinema, "The Shawshank Redemption" and "Westward Journey". They failed miserably at the box office when they were first released. However, they accumulated a large number of die-hard fans through the later dissemination of images. After years of accumulation, they became indelible classics.

The core of the value counterattack between the two works is still that gold will always shine.The former's exploration of human nature and social systems has created a milestone in modern cinema, while the latter's postmodern deconstructive stream of consciousness has won resonance in an era of subversion of tradition.

As a cultural carrier, movies are the most intuitive and transparent value expression of the thoughts of the times. Although most of the classics handed down from ancient times are not the true understanding of the thinkers' era, they have been accepted by the public after years of precipitation. As a result, classics continue to increase in value over the course of history. This is the power of classics and the reason why we respect classics.

As early as in "The Death of Romance", Cheng Er used lines to express his feelings, "Movies are made for the audience of the next century." Look, for artists who break through the context of their times, the feedback they receive from the times is often lagging or misaligned, although this misalignment itself is precisely the connotation of the avant-garde. Yes, art films have always been a disadvantaged group in the industry that suffers at the box office.

In contrast to the tragic box office situation, the ambition and strength of literary films in film art awards. This is also the reason why "Hidden Blade" recently swept the 36th Golden Rooster Awards, with 8 major nominations and caused controversy among public opinion.

The existence of "Hidden Blade" is indeed an isolated example of a domestic literary film. With a box office of 931 million, it is not only the highest-grossing film in director Cheng Er's career, it is even several times the total box office of all his previous works! It's so stunning that "Hidden Blade" has always been criticized by the public, expelled from the art film camp by default in the name of "removing the highest score"!

"No one knows your name, but your achievements are immortal." The grand proposition of the unknown hero in "Hidden Blade" is more sentimental about family and country than any of Cheng Er's previous works. And does this main theme of "greatness, light, and justice" fit in with the art film's original understanding of "the world, society, and life" for individuals and the authorial expression of film language?

"Hidden Blade" is not the first of its kind to draw on commercial marketing for a literary film. At that time, "Fireworks in the Day" was announced as a romantic suspense film, and it received similar reviews and received double box office revenue. It can be seen that only true literature and art dare to joke about "super commercial films".

Cheng Er responded to this joke in an interview with "China News Weekly", "I was editing the film that day, and then they came in with their mobile phones to show me, and said that everyone still thought it was too literary, and I said let's just type a line. Come out - a super commercial film. This is a joke, and indeed no one put such a slogan in the trailer."

He said that he just found it interesting and that there was nothing to rebel about and it was not worth rebelling against. Confidence and relaxation are often qualities of an artist. These qualities make people stand out like fireflies in the dark, allowing the public to quickly pick them up from the crowd. And Cheng Er slowly titled a serious film "super commercial film" because of his humor.

Movies are not just an art of light and shadow | they are also an art that can cultivate people

Low box office is not the standard for art films. “When art is dressed in shabby clothes, it is easiest for people to recognize it as art.” However, this is not an essential representation of art, but the quality of the audience that needs to be improved. The complaints faced by "Hidden Blade" are the same as those faced by literary films as a whole, which is the contradiction between the film's authorial expression and public acceptance.

But does literature and art have to be a niche? Does it deserve to be obscure and slow-paced? Come to think of it, no one is more qualified to answer than "Hidden Blade", who has boiled the black water into a world of wealth and led the public's aesthetic appreciation with niche art!

The most representative narrative style of Cheng Er's films is "flashback narrative", which established his unique creative and imaging style. It invites the audience to participate, rely on brain supplements to build together, and gain the pleasure of decoding. It is a true "understanding", and it is easy to be confused if you don't understand. Such films pursue aesthetics and reflection, and are usually aimed at more mature and artistic audiences.

Movies are products of the cultural industry and are essentially consumed cultural products. In the context of the influx of capital and hot money into the film market and the industrialized mass production of film culture, commercial films are certainly high-return cultural snacks tailored for audiences. Even the creators of literary and artistic films are hard-pressed to avoid being judged by box office success . "The concept of influence or even kidnapping.

It is common for literary films to sell less than 5 million yuan. From Chen Zheyi softly asking the sky, "Why are elegant and gentle people scolded?" to Huang Xufeng angrily choking netizens, "I have no merit but hard work." There is no antidote in the world. The reason why literary and artistic films are criticized is often because in the fast-food era of shallow reading, literary and artistic films have to embrace the sinking market and attract non-target audiences in order to pursue box office.

But movies are just products? No, it is still a cultural expression and a carrier of social values. Comparing movies to products, then literary and artistic films are obviously not fast-moving consumer goods. When facing capital and the market, how can they be in line with the public while not losing their authorial nature? Cheng Er said, "Good-looking art films are also good commodities, and excellent commercial films are also a kind of art."

When it comes to art, most people may think that art is highbrow, aloof, and far away from daily life. And this is not the case. Yu Hua said in the roadshow of "The Mistake by the River", what does it mean to understand? In fact, it is whether it can overlap with our own life experience. If there is overlap, you can understand it. If there is no overlap, you can't understand it. That's normal.

In this explanation, understanding or not understanding is not profound. And Cheng Er has always said that the audience should not be underestimated. People who watch movies are influenced by their own likes and dislikes. Whatever they feel is what they have. Whether they understand or not is not that important.

The audience should not be too demanding to understand, and the artist should also be down-to-earth. Art for the sake of art is not true art. "Hidden Blade" is not only a literary film, but also a literary footnote to Chinese films, because it truly expresses the cruelty of history but is still full of artistic beauty. Cheng Er is very familiar with the history of the Republic of China and knows the intricate relationships between characters.

"Hidden Blade" is composed of real historical details as fine as twists and turns. When I say I can’t understand it, I’m not expressing disdain, but living in China, it’s difficult to understand the history of 5,000 years of civilization, but there is absolutely no threshold for mastering the history of the Anti-Japanese War! It is understandable that one cannot appreciate the narrative technique due to aesthetic differences, but the Internet atrocities of selling one’s soul for five cents and tainting the theme of the film are unforgivable.

There is no universal set of aesthetic rules in the world, but artists try to legislate aesthetics. Every era has its own branded dogma, until the next generation of artists establishes their own profession. Therefore, Gombrich exorcized art and said, "There is no art, only artists." He hoped that the world would stop enshrining art in shrines and use mystery and sacredness to Feeling separates oneself from the work.

There is also a similar "death of the author theory" in the literary field, which means that the author is as if dead when the work is born, and the interpretation and evaluation of the work are left to the readers. That is, there are a thousand Hamlets for a thousand readers, and there is no standard answer.

Just like we cannot require every movie to go straight to the international film festival awards, but also to hit the hearts of the audience and be a classic that will be passed down forever. We cannot require every movie viewer to have high film literacy from the beginning, and to be able to get the spiritual resonance of the creative intention. The growth of movies, filmmakers, and movie audiences requires more tolerant soil and space.

Of course, there is really little space left for literary and artistic films in theaters now! No matter at home or abroad, when the public unanimously agrees that "artistic films deserve low box office", please understand that the industry should leave some room for exploration for artistic films. Allow them to be ignorant of the customs, and only on the soil of tolerance can viable artistic flowers bloom.

Social aesthetic value orientation︱The purpose and driving force of movies

"A lame dog walks through the bombed street scene." One day, Cheng Er took a pen filled with ink and wrote this sentence on the paper. At that time, no one, including himself, knew it, but it was becoming the starting point for a movie called "Hidden Blade," and this moment of brutal aesthetics became the famous scene of the movie.

Personal aesthetics are free, but social aesthetics has a paradigm. Education and social culture will influence and standardize aesthetics and shape aesthetic orientation. Different eras and different environments have different aesthetic orientations, and different aesthetic orientations make people make different value choices. That is to say, no matter how free the aesthetics and how diverse the values ​​are, as long as the rice is sown, it will never grow into tares.

Art and commerce are the two legs of movies. Art movies are full of vitality, and commercial movies are lively. When the leg of literature and art is lame, it is not unfair that Chinese films have been reduced from regulars on the awards podium at international film festivals to regulars on the red carpet.

Yes, there is indeed a "silver-like pewter tip" in the name of art. When artistic conscience is marginalized by desire, the so-called art becomes only a barren and pale flower shelf that cannot withstand scrutiny and argumentation. But "Hidden Blade" allows us to see how an exquisite literary film is polished and shaped, and even simple film layouts contain shooting skills.

Generally, it is the director's habit to record the scene first, then the actors perform, and the cameraman follows the camera movement, but this is not the case on Cheng Er's set. Wang Yibo once mentioned that the crew respects the actors very much. The filming scene is very quiet. Once the mood enters the state, the photographer shoots directly. After the scene is finished, the filming will be finished. The filming will never interrupt the actors' brewing emotions.

In the later stage, Cheng Er slept directly in the studio and only did one thing every day, cut, cut, cut! Thanks to his almost fanatical work status, Cheng Er didn't even get exposed to the sun last year! It took seven years to sharpen a sword, just for a different Chinese movie. Incorporate the main melody into genre movies, and use the language and audio-visual rhythm of genre movies to achieve innovative expression of the main melody theme.

"A truly good movie must be more commercial than commercial and more artistic than art. For me, what I have always wanted to do is to be more commercial than commercial and more artistic than artistic." Cheng Er said this and did the same.

Cheng Er's images are full of subtle metaphors. Puppet Manchukuo, Shanghai, and Hong Kong, the spiritual narrative about the city in "Hidden Blade" permeates the architectural language of Rongzhai, No. 76, No. 567 Xiafei Road, Central Market, and Man Mo Temple; it is hidden in Japanese, Shanghai dialect, The mixture of pidgin and Cantonese arouses emotional resonance and deep thinking in the audience.

The Puppet Manchukuo, which only exists in the dialogue between Watanabe and Mr. Ye, is like a ghost with the chill of a daydream; the isolated island in Shanghai, which occupies the main part of the film, exudes luxury and inconsistency in its exquisiteness; and Hong Kong, as the hub of the international anti-Japanese united front, is full of human fireworks, revealing a simple and soothing world.

Dark clouds are pressing down, devastation is everywhere, and at the end of the tunnel, the historical information in the image of the current situation is compressed into a minimalist narrative, waiting to be decompressed. Until the dark wormhole of the theater, the historical words in the spy war narrative rushed towards us...

The anti-Japanese drama consumes misery, the anti-war themes are reproduced in large numbers, and the massacres cause psychological discomfort... In the past, expressions of the history of national suffering often followed the rules of exposing cruelty, exposing blood, and even exchanging violence for violence. What is shocking about "Hidden Blade" is that it uses beauty to overcome ugliness. It is amazing: It turns out that suffering can be interpreted calmly, with warmth and depth! "You can't get involved in the frame," is the domineering determination of the man behind the scenes.

Light and heavy, cold and warm, it completes the unfinished soul judgment on a country's sin of aggression in reality. In the sense of cultural export, "Hidden Blade" integrates the isolated history of China's anti-Japanese resistance into the world narrative of the great history of World War II.

It is a message from the times to the times. In the theater, "Hidden Blade" makes us feel the power of literature and art. After walking out of the theater, you will naturally understand what the merits of the unknown are!

[bifuriouswaterbender]

Can't Start A Fire (Without A Spark)

A Steddie Modern AU written by me and read by @aliteralgarbageheap for the @steddiebang

Steve claimed not to be a snob about different dance forms, but with his ballet background, he had a hard time looking at stripping as anything other than a money grab. He didn't see the beauty. Until Kas.

Rated E. ~21,000 words. No Archive Warnings Apply. Featuring Steve/Eddie and Robin/Chrissy.

Posting will begin on December 3 found in print form on my AO3 and in audio form on alitergarbageheap's. If you'd like to be notified when the story begins, feel free to subscribe to me.

For now, here's a teaser from Chapter One.

Someone was talking near him on the side with his earbud.

Steve looked up, taking it out as he turned around. “What?”

He took in a rather attractive man standing before him. Steve was good at spotting a dancer’s body, but he couldn’t tell if it was a sign or a coincidence with a man like this. His long curly hair hung down around his shoulders, and he sported a getup that looked as much like a costume as normal clothing thanks to the number of patches on his vest and holes in his pants. Steve had worn a jacket that was not dissimilar when he’d been cast as Riff in West Side Story in college—more for his ability to dance the dream ballet than his singing voice.

“I said this is quite the place to dance around like that,” the man said, a teasing smile sliding onto his face. “Most people save it for the stage or a pole.”

Steve frowned and squared his shoulders. “Excuse me?”

The man snorted and gestured toward Steve’s simple filming setup. “I’m sure your followers love it, but the park’s not really the best place, is it?”

This was a new one for Steve. “Are you trying to tell me I was dancing like a stripper?”

The man raised a brow. “Are you trying to tell me you weren’t? I’m sure it does well with viewers, but you could make a lot more if you took that to a club.”

Normally when people were dismissive of dance, Steve responded to them in his professor voice. He calmly explained to them the nuance, the skill, the history, and everything else that made dance an important tradition. Maybe it was the setting. Maybe it was because of the man’s tone, but Steve didn’t do that today.

“Fuck you,” he snapped. “If you don’t know what modern ballet looks like, you can look it up for yourself and leave dancers alone. What I was doing was a far cry from stripping.”

The man took a step back, mouth falling open. “Something wrong with stripping?”

And okay, Steve wasn’t proud for getting even madder, but he didn’t take well to people being dismissive and then taking the moral high ground.

“Nothing wrong, except that I don’t appreciate you comparing my highly technical training and background to a kind of dance that people do for the money. They’re a far cry from one another. Learn the difference.”

The man’s face went flat, but there was an edge to his expression Steve couldn’t read. “Just the money, huh? So you think your fancy pants dancing that includes some of the exact same moves is so much better? That you can’t have artistry when your skintight clothes are made out of spandex instead of tulle?”

“What is your problem?” Steve demanded, grabbing his tripod and starting to disassemble it to get out of there.

The man licked his lips but otherwise looked ready for a fight. “I was trying to have a conversation. Was even going to invite you to go to auditions next week at the Pearly Delight. Maybe you’re too scared. Maybe you think it’s too unskilled. But oh, show up some night. I dance. You’ll see what you’re missing.”

With that, he whirled around, leaving Steve standing speechless with his phone in one hand and the tripod in the other.

What the hell had just happened?