WHAT COLOUR DOES YOUR LOVE FEEL LIKE?
deep, staining red
Ripped out confessions, warm velvety whispers and a heart like an open wound. Your love flows out like dripping blood, beautiful, flawed and twisted. It's gut wrenching, the type of painfully dramatic feeling that makes you clutch your chest, picturing dramatic monologues about love and loving and big screen over the top scenes of sobbing into your pillow until you fall asleep. It rips out of you, clawing it's way up your throat more so than tumbling out. Sticky words that just need to be let out, feelings so big they don't fit inside you. Your love isn't easy, it's a true bloody mess, dripping and staining everything it touches in a desperate attempt to be seen, to be felt, to be loved back. And you, you love so hard, so deeply, so much for someone who carries all that pain. Atlas holding up the world, how are you? Is your love still flowing? Is your heart still open? Still pumping and bleeding and dripping with blood and tears? Still painting your beautiful pictures and writing your love letters in deeply personal red ink? Because I see them, I read them, I love them and you, you, you, you. Clench your chest, scream your love, cry it out. Spill your words of loving, keep your heart beating, keep your love coming and paint the entire world red with it. Make it in your image, keep going, it's okay. Maybe one day the whole world can be red and loved and beautiful just like you.
dark stormy blue
Sinking ships, raging seas and tumultuous hearts, love isn't easy for you. It's a struggle, a constant inner fight of should I? Can I? Do I? Feelings are hard and they rumble inside you in a dissatisfied mess that begs to be let out. Your heart screams and cries inside you and you... You can't, you won't. You're scared. And love is scary, it's hard and sometimes it just doesn't work out. People leave, people hurt, people change their minds. And you and your cold stormy heart yearn for the calmness, for the distance, to be allowed and able to simply not feel. And yet, you do. It rages, it fights and storms inside you and you try to keep it down, keep it quiet, to feel pretending not to. It's the burn of childhood friends growing apart, of parents that aren't quite there, of relationships that burn out. So you snuff it down with water, cold and calming and blue, blue, blue. But being loved by you is blue too, just not in that way. It's the soothing, embracing feeling of floating, the moment when you sink down bellow the waves and become one with the water, with everything. It's the balance, the dramatic yet calming sound of waves that crash against a rocky shore. You're the good and the bad, the violence of the storm and the watery peace right after. You're the blue, blue feeling and loving you is watery tears, yelled confessions that no one will hear and burying your feelings in a deep watery grave never to be found out about. Your love is dark stormy blue, it's vast and deep and all encompassing, it's safety in the surface of danger, it's trusting the unruly abyss and yet I'd gladly risk drowning just to feel what it's like being loved by you.
i stole this from my old blog when i did chrollo’s, so feel free to take it!
Chrollo’s under the cut bc, well i did his before.
cold stark gold
Fireworks, borrowed lighters and sparklers against a dark backdrop, yours is a love that burns stark and bright. It's scary though, like things that burn always tend to be, but for you it isn't the thrill of the open flames that gives pause and a slight stomach drop of terror, but rather the time when the flames go out, the sparkler ends and the night is cold and dark once again. Fireworks, borrowed lighters, a striken match, your love burns bright and fast and then maybe it passes, maybe the feeling dies out and you're left in the cold once again. And that's the feeling isn't it? Of being bored and waiting for someone to light you up again? To be fair, you do know you don't need it, but then again we don't often crave the things we need. And you crave and yearn and burn in the wait, restless in the knowledge that at some point someone will pass and rub you the right way, that some day you'll light up the night sky bright yet again. There's comfort in the darkness and solace in the predictable loneliness of the in between, but your heart still squirms inside you, waiting and willing and begging to burn up again. Your love might not be comfort, it's not one for the sick days, but then again, there's a reason why everyone waits for the shining lights in the sky during holidays.
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probably time for this story i guess but when i was a kid there was a summer that my brother was really into making smoothies and milkshakes. part of this was that we didn't have AC and couldn't afford to run fans all day so it was kind of important to get good at making Cool Down Concoctions.
we also had a patch of mint, and he had two impressionable little sisters who had the attitude of "fuck it, might as well."
at one point, for fun, this 16 year old boy with a dream in his eye and scientific fervor in heart just wanted to see how far one could push the idea of "vanilla mint smoothie". how much vanilla extract and how much mint can go into a blender before it truly is inedible.
the answer is 3 cups of vanilla extract, 1/2 cup milk alternative, and about 50 sprigs (not leaves, whole spring) of mint. add ice and the courage of a child. idk, it was summer and we were bored.
the word i would use to describe the feeling of drinking it would maybe be "violent" or perhaps, like. "triangular." my nose felt pristine. inhaling following the first sip was like trying to sculpt a new face. i was ensconced in a mesh of horror. it was something beyond taste. for years after, i assumed those commercials that said "this is how it feels to chew five gum" were referencing the exact experience of this singular viscous smoothie.
what's worse is that we knew our mother would hate that we wasted so much vanilla extract. so we had to make it worth it. we had to actually finish the drink. it wasn't "wasting" it if we actually drank it, right? we huddled around outside in the blistering sun, gagging and passing around a single green potion, shivering with disgust. each sip was transcendent, but in a sort of non-euclidean way. i think this is where i lost my binary gender. it eroded certain parts of me in an acidic gut ecology collapse.
here's the thing about love and trust: the next day my brother made a different shake, and i drank it without complaint. it's been like 15 years. he's now a genuinely skilled cook. sometimes one of the three of us will fuck up in the kitchen or find something horrible or make a terrible smoothie mistake and then we pass it to each other, single potion bottle, and we say try it it's delicious. it always smells disgusting. and then, cerimonious, we drink it together. because that's what family does.
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invisible scars (referenced previous talk here)
[ID: A colourless, digital Trigun comic of Vash and Wolfwood talking about Wolfwood's scars. They're both laying in bed and topless. Vash lays on top of Wolfwood, playing with the rosary around his neck. Then, Vash kisses a spot on Wolfwood's chest. Wolfwood asks, "What are you doing?" Vash smiles sadly, "You got shot here. In the last town we visited. You didn't even bother moving."
Vash props himself up over Wolfwood, who frowns slightly. Wolfwood is quiet for a moment before he says, "You remember that, huh?" Vash grabs Wolfwood's left wrist and brings it to his face. "And here." He kisses another spot there. "When you helped free the hostages from that robber..." Wolfwood dismissively says, looking away, "Was a lucky shot." Vash huffs, “Don’t brag. Jeez.”
Half of Wolfwood's expression is shown, eyes returning to Vash who is now sitting up, continuing to say, "And..." Vash goes on and kiss Wolfwood's right palm. "You got cut here, even though that girl was aiming at me." A moment from the past flashes, of Wolfwood grabbing a knife aimed at Vash, his hand bleeding.
At present, Vash moves down and puts another kiss on Wolfwood's right shoulder. "And here, from watching my back." Another memory flashes of Wolfwood and Vash back to back. Vash looks back as Wolfwood grins while holding Punisher, bleeding from multiple gunshots in his shoulder.
"And," Vash combs up Wolfwood's hair to reveal his forehead, "Here." A final memory shows Wolfwood with a regeneration vial in his mouth while getting shot on his temple. The next panel is framed in blood with Vash at the center, eyes wide and stunned in horror. The next panel is a closed up shot of Wolfwood's eye, locked on Vash's face.
Back to present, Vash’s head is bowed down as Wolfwood raises a hand to his nape and says, “Spikey.”
Wolfwood looks serious and frowns as he says, "We talked about this. Those were my decisions. They're not there anymore. Forget about them." Vash looks very sad before he smiles ruefully and says, "I still see them. All the time." He leans down so they touch foreheads. Wolfwood’s sorrowful expression can be seen as Vash says, "You protect so much. I could never forget what you've done to me. And many others..."
In the last image, they're drawn more cartoonishly. Wolfwood sweats and asks, "You don't actually remember every wound, right?" Vash points at a spot on his chest. "Kuroneko left a scratch here 7 times." Wolfwood, startled, says, "Why the hell are you keeping count—" End ID]
Credits for ID here and here
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Fernando 2012 Chair Lore (source: me)
So I've been thinking a lot about Fernando sitting in this particular chair in the Ferrari garage in 2012 for [redacted] reasons:
Originally I just wanted to find more pictures of it for reference, and then went down a rabbit hole of 2012 pictures, trying to figure out when exactly the chair came to be. There's so many pictures of him in it, and it's so funny to me to imagine them hauling this super villain chair all around the world for him. And so now I'm obsessed with the evolution of it:
Pre-Chair - Australia to Bahrain:
He just had this little stool, well I should say big because it somehow still manages makes him look small. Clearly not comfortable; to paraphrase @sweatyflytrap, it's not conducive to his inner Shakespeare villain monologues
The Chair Appears - Spain
He suddenly now has this, aforementioned, super villain chair. Several things, why is it like this. It looks like a sim chair almost ngl. And then the weird plexiglass support is confusing me, like where did they get that. It furthers my narrative they just had this chair that they couldn't put in a car so they put that clear bottom on it. Anyways yes good, now he has somewhere to brood
The Chair Evolves - Silverstone
Look!! They gave him a booster seat!!!
The Chair is Now Here to Stay :)
I downloaded a truly horrible amount of pics him in this chair, so now you all must also look at them >:)
*he still had the chair in 2013, but I think they took it away from him in 2014 :( Is nothing sacred in this world??? I hope he got to take it home hahaha
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no thoughts head empty the oppressive stagnancy of legacy in ever after high dragging me round the block yet again
it's such a shame that we get so little explanation about the actual mechanics of destiny, which is the entire premise of the show, bc it's so juicy. like what power does destiny hold when you rip away milton's lies and centuries of assumptions and traditions. esp bc despite raven signing herself as the evil queen in the real storybook of legends, when the snow white fairytale actually happens in dragon games she's playing one of the seven dwarves and her mother has reprised her role. like how much of that was because of the characters' actions and how much was destiny pulling on old, familiar threads. keeps me up at night.
a lot of this is probably just like, plot holes and writer hot potato but i like making it that deep, that's half of the fun. my personal interpretation is that fate is a wild thing that desires repetition and they developed the system of fairytale legacy bloodlines to keep those repetitions predictable and contained, instead of wreaking havoc whenever and wherever they please.
which lends itself to some really juicy exploration of how legacy is a duty as much as it is a privilege, and how to be a princess or a witch or a hero or a dragon is to be the same thing in the end: the lamb destiny slaughters on the altar to sate the ever-ravenous narrative. to keep the flock safe. keep the unknown that prowls beyond the beaten path at bay. because if a there is always a mother who will be cruel, or a maiden who will fall into a sleep like death, or a child who will become a bird, isn’t it better to know who, and how, and when? isn’t better if it’s you, who has known your whole life that you must be eaten, be poisoned, be stripped of your humanity, rather than anybody else, who wasn’t raised to see it as an honour instead of a great and terrible injustice?
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the fucking iron grip that KHR has on my ass is insane bc its such an EPITOME of found family - bc its not even the side effect of like a shared goal or mission the way found families tend to be - but because FOUND FAMILY IS THE ENTIRE POINT
its the end goal, its the journey, its the whole story
theres a wholeass emphasis on tsuna's big empty house getting more crowded and more noisy
and not only that, its found family and a found purpose - each of the vongola find an achor in tsuna and vice versa - like fuck everybody else, im with them type a way
its that bone gnawing loyalty where not even the hounds of hell could keep these assholes from having each other's back
not just their relation to tsuna - which is the primary focus of the story but their relation to each other - how they must learn to be together bc again
Found Family Is The Mission
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