#because i thought they'd be mean to me for not being good

[not-xpr-art]

Len and Tommy's life told through nine photos ~

A fanart based on the Inside no 9 episode 'Bernie Clifton's Dressing Room' because I loved it so much!

(09/2024)

See below for close ups and unnecessarily detailed explanations of each individual artwork lol

First wanna say that I spent wayy too long on these (like 25+ hours), especially trying to make them look like actual old photos lol... also trying to get their likeness right for the various ages was really bloody hard lol, but hopefully each photo has the essence of each character even if it might not look 100% right pfft...

Second thing is that the dates & locations are very much my own subjective thoughts on their life and not particularly rooted in the canon of the show lol

Also I did go really heavy with the colour symbolism lol...

Ravenhill School, 1965.

The year they met, both are around the age of 10 (give or take). Len is 3 from the left in the top row, Tommy 2 in from the left on the bottom row (also I tried to include references to the other 2 League Of Gentlemen guys... Though I think the only vaguely recognisable one is Jeremy pfft)

Also shout out to @lapis-lazuliie for the idea that they met at school!

(side note, this is the least detailed of all the paintings not just because I was too lazy to render all those children's faces pfft but ALSO because of the significance of them being less recognisable or prominent in each other's lives in this point...)

I was planning on making another childhood/early teen photo but couldn't really think of any good subject matter that could also fit thematically with the episode (also the fact both are coming from poor families who would have had limited access to cameras in this era means we can just pretend that there are just no photos that really exist of them at these ages pfft...)

Photo booth in Leeds, 1974.

Both in their late teens, they'd (well, mainly Tommy) gone to a photo booth in Leeds with the intention of getting some professional looking photos only for Len to immediately make Tommy laugh once they got in there lol

The middle photo is covered in lines as Tommy had planned on throwing it away, only to find he couldn't bring himself to do it in the end... Is it platonic? Romantic? Both? Who knows, you decide lol! I mainly wanted it to be a candid moment between two people that love each other lol

(final one is them play fighting because that's kinda just what 19 year olds are like pfft... also I think photo booths technically gave you 4 photos? so let's pretend there was another photo that they did throw away for whatever reason lol...)

Rehearsals, 1979.

Deep in the midst of practising their routine for some of their first performances!

I'll admit this photo was mainly me wanting to include something more episode specific lol and also to get in some much needed heavy handed symbolism (the crease in the photo separating them, the bottle in front of Len's face, etc)

Polaroids taken at Tommy's flat, 1985.

In-between shows the two often spent a lot of time at Tommy's place (featuring that god awful sofa the previous home owner had left). I did originally plan to have them in the sofa shot together, but was finding it hard to figure out who would have been taking that kind of photo so figured it made more sense to make it shots they took of each other.

Also marks the beginnings of Tommy's weariness (& Len's over drinking...)

Outside the Glasgow Pavilion, 1988.

The morning of that fateful performance...

Ok not much else I wanna say about this other than the reference I used for the pose had Reece sorta awkwardly clasping his hands in front of him which I really liked but unfortunately in my art it just looked like he was trying to cover his crotch so I had to change it pfft...

Tommy standing at Len's grave, 2024.

The sixth anniversary of Len's death, and the sixth time Tommy has travelled across from France to lay flowers at his grave. Photo taken by Leanne from the inside of a taxi (I'd like to have had more references to her in these photos but was unsure of dates/ages where it would have fitted...)

She couldn't get her phone to not focus on the raindrops on the window as she tried to take a picture of Tommy at her father's grave but then realised that she actually liked the pathetic fallacy and had it made into a print anyway lol (look I'll be the first to admit that this is the least 'realistic' in terms of a photo that people would take, but I couldn't resist the symbolism of it lol...)

There were a lot more ideas for photos I wanted to do but for obvious reasons had to keep it to just 9 lol

Also will be posting these on my ao3 with snippets of stories to go with each photo so keep an eye out for when I share that link!

[mariposakitten]

Something I find very interesting about Kaos is how we, the audience, perceive (and are meant to perceive) Dionysus, Persephone, and Hades.

Because... they know. They DO know about what I will call, for the sake of avoiding spoilers, The Great Deception. I thought maybe Dionysus didn't know, but no, the last episode makes it clear that no, he's in on it too. Hades and Persephone are actively complicit in it! And when they protest, it's not for the humans' sake, not because it's inherently cruel or unfair, but because it's unsustainable and about to blow up in their faces. Dionysus, for all that he genuinely likes humans, seems vaguely sad about the concept but doesn't speak against it. And yeah, Zeus is scary and powerful, but you'd think they'd at least try!

By any realistic, mortal sense of morality, they're just as much monsters as Zeus, Hera, and Poseidon.

And yet.

And yet we DO like them! And we DO see them as "the good guys." Despite knowing about their complicity in this betrayal, we want them to be happy, we want Dionysus to find love, we want Persephone to get some goddamn respect, we want Hades to get a good night's sleep, poor guy. We want them to survive whatever's coming as this prophecy comes to pass.

Maybe it's just because they don't indulge in petty cruelty (or at least not the permanent/fatal kind - Dionysus's trick at the pawn shop wasn't particularly kind, but we can forgive it for Dennis's sake) like the others do, or maybe it's because we see the other three being mean to them and we feel protective, or maybe it's just easier to sympathize with a party boy who wants to prove himself and a harried pair of overworked administrators than with the rich and powerful. Maybe we're just judging gods on a different standard from humans.

But I think it's interesting! And this isn't a criticism, please don't read this as me arguing that we SHOULD hate them - I love them too! It's just really neat how the narrative has sold us on these characters that we love them despite knowing what they're doing.

What I do wonder, though, is how the humans, living and dead, are going to react to them in-universe once the truth gets out.

[dontbesoweirdkira]

Hi! Are you still writing for Mortal Kombat? I have a little thought that won't let go of me: I started to wonder what kind of yandere family Blade and Cage are? What if the reader is an extremely radical rebel, who is not affected by threats or actions? (I remember how one of my family members almost killed me, but I didn't apologize and just went to school). If the reader has my stubbornness, who will be the first to give in (if that happens at all). Maybe they will go to other yandere to deal with the reader? All this is of course platonic.

A/N: First, let me say thank you for requesting again. It always, always warms my heart when I have reoccurring readers. It means the world that you like my stuff enough to request again. second, yesss! I literally have thought about being their adopted child again and just how dysfunctionally(?) perfect they'd be. I hope you'd enjoy thisss....

Warnings: trauma, dysfunctional family dynamics, toxicity, obession...ect

Characters: MK11 Johnny, Sonya, Jax, and no cassie because that complicates things lol.

Request: Always open for my babies..see masterlist

Dynamics and Motives

We all know that Johnny and Sonya have a rather rocky relationship themselves, I can definitely see them being a bit at odds with each other when it comes to parenting you. They are constantly pulling you in every direction of who they want you to be. There's so much pressure from them to be perfect that it's no wonder you started rebelling.

I think their parental dynamic is very much a good cop-bad cop situation. Johnny is the "good cop" while Sonya is the "Bad" one.

But Johnny is definitely more manipulative in his ways. Sonya is rather straightforward in her thoughts and feelings. Like if you were to ask her if she's trying to control your life, she'd answer you with absolutely no conviction. Johnny (obviously) loves pretending that he totally understands your rebellion and that he's on your side when in all actuality he's right there with Sonya.

Sonya has an authoritarian parenting style. She is speculated to have put work over family constantly while Johnny has to hold down the fort. (kind of refreshing tho because you'd expect that they'd make Johnny prioritize Hollywood and staying young over her.)

She loves you but she’s always absent. And when she is there, she's just so hard on you. She appears to mainly care about your academics, hobbies, and future careers but not really you…She has this idea in her mind about exactly who you need to be and you will be that. And that's just a mini version of her. You're forced to be an overachiever and to perfect any mistakes that she's made in her time...there's no room for error.

Johnny is a "smother mother" Johnny is a lot more involved and his drive as a yandere is to be your best friend. He so badly wants to be the cool dad. He wants his little girl to admire him and be an unstoppable daddy-daughter duo. He's also got this image in his head of who you are supposed to be. You're always supposed to stay his perfect little angel, never grow up, never date or do any wrong. WHo knows, maybe you'll become an actor just like him and follow in his footsteps. (without the womanizer claims and duis)

They both ultimately don't want their daughter to leave their supervision.. They have too much fear of letting go, you can't get hurt. They don't want you to go through what they did. Your parents don't wanna be forgotten while you go explore. Plus there's so much danger and evil lurking, why can't you just stay at home under their protection?? You'll never have to pay for anything or think for yourself. Stay their doll baby forever. Let them continue to feed you out of their silver spoon.

How it started

I think that to some degree Sonya and Johnny were always helicopter parents. You have a paranoid soldier and a celebrity with a crazed fanbase...it's not surprising that extreme precautions were taken.

But i will say things got worse as you got older and they started to realize that you no longer wanted to be suffocated in their home. You were originally an angel child, always doing what they wanted and never questioning anything....but then your eyes started opening to just how toxic and unhealthy they were.

So less and less did you spend time with them and stay away from home. I think Johnny would be the first to notice since he's home more often and closest to you. At first, he's playing it calmly. He knows all of your friends and doesn't really suspect too much. Johnny will of course pry about what you were doing and go through your things to confirm you're telling truths.

Then as you started bailing on tainings/classes they've forced you to take, switching up your style to something more edgy, and getting into trouble...some alarm bells started going off

Sonya was fairly pissed off when she found out you dropped a bunch of things and are off track of her plans for you. Johnny hates your new look and that you're getting into who knows what. Sonya wanted to readily go to some drastic measures to get you back in line but Johnny advised against it and decided to speak to you first since this all was new behavior. Maybe you just needed some gentle parenting?

Yeah..that didn't go as planned. Unexpectedly you couldn't give less of a care about anything that they said. You knew they wouldn't have taken your complaints about your upbringing seriously anyways,, so honestly, you ended up walking away when you had enough of their questioning and audibly trashed them to your friends for the rest of the night.

You just started a war

Antics

I think they would go light on you at first. Mainly because Johnny doesn't really want this to spiral so quickly. Sonya is like okay fine but only because she's slightly curious about your whole deal. How far are you willing to go and what are you trying to prove with all of this?

They're both overly critical and unsupportive of everything you do and relate it back to your rebelliousness.

They'd do small inconvenient things like removing your bedroom door, shutting off devices and wifi, taking away your car, and forcing you to drive with them.

They'd guilt trip you and threaten to take away more things if you don't behave but it'd all be tame in the grand scheme of things.

"Keep this up, Y/N and I will have I'll punish you like a real marine. You'll surely lean respect, then."

"..Come on...Just go back to how you were. This is causing such a strain on your mother and I's marriage."

yeah, they constantly blame you for their arguing and the decline of the family. Like no, ya'll been messed up.

but this grace period doesn't last long before they are crashing a hangout session with your friends, berating/embarrassing you, and then forcefully dragging you back home.

This is a common theme because it gets the most rise out of you. They'll find themselves at your school/campus embarrassing you and will monitor you and your friends. speaking of your friends/ They hate every single one of them. They're jealous of how much you prefer them over them, they're a threat. It doesn't matter that they're all on the dean's list/honor roll...those misfits have something to do with their poor little angel becoming corrupt (or maybe it's their parenting skills)

Isolation is a big thing. You wanna mess up your success by ditching the plans for your life? You wanna be away from them so badly? Fine. You aren't seeing anything. At. All

financial abuse and neglect are big things too. They are filthy rich but somehow there's never any food in the house anymore...and all your debit cards are declining. They want you to come begging for the things you need but only offer them in return for your obedience.

I don't think they'd get physical, but they'd keep going to more extremes with their abuse and threats to make you comply.

Would they get anyone else to step in?

Yes if nothing they seem to do is working. Plus they're anxious and impatient...this all is taking too long for you to break. Are they seriously going to lose their darling daughter? Definitely Jax. He's canon-ly a very close family friend to the couple and both Cassie and Jacqqui bond over their traumatic childhoods. It's implied that often they'd spent time at one another's house and that all parents were heavily involved with raising the girls. The same goes for you. You don't wanna listen to them? They're calling Uncle Jax and he's a freaking tank. okay.

Jax loves you like a daughter but he really doesn't have as much of a soft spot as they do for you. He's willing to do what they won't. Like this mf is Sonya's superior and you see how she turned out. You will be straightened out like you're a soldier, even if that means going to extremes. Jax doesn't want Jacqqui to see your rebellion and think that it's acceptable to behave like you. So he's more than happy to help his friends out. Having three parents ganging up on you and manipulating you is like hell. You're not escaping that damn house either, you are locked deownnnn.

With the help of Jax and military equipment, trackers, cameras, and government-grade security systems are emplaced. You will be knocked down, broken, and rebuilt into a whole new person.

Who would give in first?

You definitely would. I'm sorry but like you are NOT winning against them. No way a rebellious teen/young adult is conquering them. Your insults and tactics to get under their skin won't work. You will be stonewalled and denied of all civil liberties. It isn't worth it to keep fighting back, no matter how strong you are, you'd end up in asylum before you gain the upper hand.

"Okay, okay...you win. I'll go back to being who you want me to be just chill out.."

See..that wasn't so hard.

They are overjoyed to hear this and waste time destroying all your horribly edgy clothes and rearranging your classes. It's insanity because they act like none of this ever happened and Johnny instantly proposes a family movie night with takeout. You're back to being their perfect child and they're family is "healed". but just know some of their implements are staying and they will continue to keep a tight grip on you should you ever decide to pull a fast one again.

"See, you made this so difficult when all we really wanted was our happy family back..."

[grineerios]

i hope that every baby tenno ever knows that i'm not judging them for being new or not having a fancy fashionframe whenever i approach them in a relay or hub-

i promise i'm just looking at you and your profile with the widest most excited eyes ever, i'm just wayy too nervous to figure out what to say to you, and i don't want to be patronizing by asking if you want help ;w;

baby tenno, you are so so so cool- i'm so happy you're here, and i really hope you end up finding the same amount of enjoyment and community here that I have.

[luxlightly]

Doing for other people what you wish others did for you only works to an extent. I was thinking about that earlier today. I try my best to be the person I always wanted to interact with. But at some point it gets a little depressing. At some point I dedicate a lot of my life to being very good at giving the love and attention I want to receive but never have.

Like, I wish anyone would get as excited about the things I make as I get about the things others make. That someone would be as interested in my outfit as I am of others'. Analysze the themes of things I write the way I try to for others. Be as earnestly facinated by me as I am by others.

It's not that I do any of it because I expect reciprocation. I just deeply love other people. They make me so earnestly and excitedly happy and I'm so happy to have the skills of articulation and analysis to show it in a way that can make people so happy. I guess it's just hard to even imagine someone loving me half that much.

And that's kind of depressing.

[dandyshucks-moving]

woah rare other system part sighting lmao, here's a Guz drawn by not-Juno

[mosspapi]

Uncharacteristically upset about The Disabilities tonight. Thought I was over this by now. What the fuck

[mellowwillowy]

𝐒𝐮𝐠𝐚𝐫 𝐃𝐚𝐝𝐝𝐲 𝐭𝐮𝐫𝐧𝐞𝐝 𝐇𝐮𝐬𝐛𝐚𝐧𝐝

Yan! Sugar Daddy who fell in love with you at first sight in the cafe he often visited for his daily to-go coffee. He had seen lots of beauties but you were the first to catch his breath.

Yan! Sugar Daddy who tried to woo you, he tried his best to not scare you and subtly flirt with you. It took him a huge courage to approach you and ask for your number.

Yan! Sugar Daddy who found out you were still just a college student who was most likely to be struggling with financial issues, or so he assumed from how most of the students there were.

Yan! Sugar Daddy who took his time bonding with you before subtly offering an arrangement with you, a mutual arrangement of a sugar relationship. Instead of sex, fancy dates, or a plus one to those higher-ups events, he wanted your company all the time if he could.

You were wary and hesitant but his silver-tongued nature convinced you that this would change your life for the better.

While you were inexperienced in most of it, Yulian made sure to make you feel comfortable about it and him. The weekly allowance and PPM were enough to make you never lift a single finger to work anymore.

The more you spent time with him, the less it felt like an arrangement. It felt like a man treating you with utmost respect while spoiling you with luxuries you would never imagine to have.

But with such great benefits came a great price. You noticed that you had been seeing your friends less because of the attention you had on him.

You noticed the higher-ups never stopped sneering at you for being a commoner or his pet whenever you attended the fancy events with him as his plus one.

You noticed how you had almost less to none freedom, always heavily guarded by what seemed to be his bodyguards. Who was he and why did you even need this sort of protection?

One day you decided to trick his bodyguards with your flat-out white lies so that they'd leave you alone. They did not expect someone like you to ever lie and put them at risk so they left you alone.

All you did was wander around in awe, checking the grand balcony to go to the washroom as normal people would.

Yan! Sugar Daddy who was seething in rage when the bodyguards came to him, tricked by your childish lie. But there was no way something bad would happen with this slight mistake right? You were not his spouse by any means.

But oh did everyone know you were someone he fancied for the first time in his whole life. Part of his brain just tried to look at this mistake in a bright light and it backfired.

Yan! Sugar Daddy who had to be endlessly teased by his great-for-nothing cartel friend. He had to endure the stress of losing you and the risk of not being able to take you back.

It's not like the Drug Lord couldn't help him, it was simply humiliating for him to endanger you by not keeping a close eye on you.

Yan! Sugar Daddy who could track you down in less than a week and ordered a mass slaughter on the faction that imprisoned you. You were not wounded terribly but a wound was still a wound.

Yan! Sugar Daddy was just a confidant to the Drug Lord and an infamous lawyer. You only knew he was a lawyer but never the lurking threat of his other occupation. No wonder he was always wary of his surroundings.

How could someone from such a cold underground world have the heart to fall in love with you? That was what you thought when you woke up to his concerned face.

Weeks passed and it didn't take him so long to propose to you, for you to become his spouse.

"I truly love you, dear. I have never even once seen our arrangement as something strictly business instead." He showed you a velvety box with a diamond ring in it. "I admit, it was not the best approach but I thought I could work my way into your heart while profiting you with all the benefits and luxuries you could have from me."

He swallowed the lump in his throat, "I wanted you to see how capable I am."

Something told you that nothing good would come out of your refusal. And instead, logic swarm into your brain. You had been in an arrangement with him for almost a year already and had never even once felt any hardships.

He was nice to you, downright kind and loving even. He cared for you deeply and wouldn't hurt you in any way. It was your fault that you broke free from the barrier of protection he granted you.

With great fame and luxuries, came all sorts of threats. He wasn't disloyal like those higher-ups. He didn't belittle you like others would. He loved you.

Even if you didn't love him, you knew how great it felt to be loved by him. There was not a single loss from this arrangement which was a marriage, right?

[aberooski]

Exposing myself with my Spotify wrapped aksksk

[morganmnemonic]

I can't stop thinking about the relationship between Jon and Helen as perhaps one of the most important ones in the entire show. They are narrative parallels for each other, and they both know it. They've both known it from the very start!

Helen walks into the Archives, paranoid, unsure of who to trust, and Jon sees himself in her. And he thinks "If i can help her, maybe there's hope for me too." Then he can't save her. The next time they meet, she's a monster. They're both monsters. There was never any other way their stories could have gone, their fates entwined from the very start.

And Helen answers his original thought with one of her own: "Maybe if we can help each other, there's hope for us both." But Jon looks at her and sees everything that he fears becoming, and so he turns her away, and refuses to accept that their stories are still one and the same.

Helen went to the last person who was ever kind to her, the only person who both knew her as a human and had the context to understand what she'd become, and he hated her. He hated her because he liked Helen, and told her that she couldn't be Helen.

So she stopped trying to be Helen, and embraced being a monster. Reveled in it even. Then Jon wakes up from a six month coma, more monster than person, and tries so hard to cling to the things that mattered to him when he was human. Even with no support, even with the entire archives staff against him, he chooses humanity and compassion over and over again.

And this is a direct threat to Helen's world view. Their stories are entwined. If Jon can continue to be a person even after everything he's been through, then she could have clung to her humanity too, if only she'd tried a little harder. And that terrifies her! She wants to conceptualize herself as someone who was completely overwhelmed by forces beyond her control, who never had a choice but to become a monster. She want's to be an innocent victim. But Jon argues with his actions that they'd both had choices.

And, Jon, in turn, holds out hope that she might make better choices until the very end.

This is the conflict between them for all of season 4 and 5. Jon wants to prove that they can both be decent people, and Helen wants to prove that they were never going to be anything but monsters. This is why she's so devoted to trying to goad Jon into enjoying his newfound godhood. She knows that they are the same, and wants that to mean that he has a spark of evil inside of him, and not that she was always capable of doing good.

When Jon kills her, she loses her life, but wins the argument. Helen is nothing but a dangerous monster who needs to be killed for the good of everyone, and in the moment he decides that, Jon dooms himself to the same fate. Their stories are one and the same. "If i can help her, maybe there's hope for me too." he thought. But he couldn't help her, refused to, even, in the one moment when it actually mattered. And thus, there was never hope for him.

[enkvyu]

12:45am — gojo satoru ;

“cute earrings, where’d you get them?” shoko asks.

“hm?” still clinging to sleep, you absentmindedly reach up to caress the metal dangling from your ear. the sharp indents of its gem pricks you back into a memory. “oh, these. i got them from a friend last week.”

“friend? or do you mean boyfriend?”

shoko’s words are throwaway, her wandering eyes and yawn a clear indication yet your face warms despite yourself. shaking your head furiously, you exclaim, “a friend! just a friend."

shoko hums, shifting her cigarette to the other end of her mouth. her gaze flickers somewhere behind you and you almost look too, when her words pull you back. “come to think of it, i don’t think you’ve ever told me what your type was.”

“my type?” your mind blanks. “i’ve probably never told you because i’ve never thought about it myself. i mean, being a jujutsu sorcerer and all, romance is kind of off the table.”

shoko keeps looking at you, pressing you without words. you grimace and sigh.

"i mean, i guess, maybe someone good looking? someone who’s not boring? and now that we're talking about it, someone who is fit and athletic too. they'd have to be smart, but not book-smart, like, street-smart." the more you think of it, the more words seem to spill from your mouth. "and someone who has a good sense of humour, someone who will make me laugh.”

“someone good looking, interesting, sporty, smart and funny? that’s too greedy.”

you giggle. “you’re right, there’s no way there’s anyone that perfect. i guess i’ll have to be single forever.”

“you'll always have me.” shoko says, grinning.

you push her shoulder but don’t deny it.

yaga walks into the classroom, cutting your conversation short. you spin around in your seat to face the front, eyes accidentally meeting gojo’s. he turns around too, and you reason that he was probably looking out the window behind you. you see getou snicker and whisper something in his ear, but gojo seemed to be having none of it, blatantly ignoring him.

seeing his face makes you think. didn’t gojo kind of match your type? someone attractive, interesting, athletic and maybe not academic smart, but he definitely carried an air of confidence when it came to fighting. and it wasn't a secret that he lightened the air wherever he went, intentionally or not.

with a start, you look back at shoko. “and someone calm. someone with manners.”

“well-mannered and calm. what insane preferences.” shoko chuckles. “are there any more?"

yaga slams his hand on the table a few times, reluctantly drawing your attention back to the front.

your previous conversation dies and twiddles away into the background, overtaken by droning lectures and predictable missions. by the end of the day, you can't even remember what you had told shoko early that morning.

when you enter the classroom the next day, you’re surprised to find gojo already there, seated at his table. his sunglasses hangs lower on his nose than usual and most curiously of all, a book is held in his hands. you’re not sure if he’s actually reading or not considering that pages were being turned far too quickly for someone reading “ordinary objects” by amie thomasson.

his eyes flicker to yours as you head in. “good morning.”

“morning. what’s with you?”

gojo clears his throat. “what ever do you mean?”

your frown transitions to a grimace. “why are you talking like that? did you break something of mine? was it my potted plant, gojo i told you to take good care of it!”

“i am taking care of it! it’s not dead yet!” he exclaims before pausing uncharacteristically. he sits back in his chair and turns back to his book. “i mean, it’s fine.”

“you sure?”

“i am.”

you narrow your eyes before looking away, dropping into your seat. “it better be. shoko got me that one.”

“speaking of shoko, is she not coming today?”

“i think she stayed overnight at the morgue.”

“is that so? perhaps i should write notes for her. i wouldn’t want her to miss out on class.”

you turn to him horrified. “so you did kill my plant!”

“i said it’s not dead!” gojo bursts. another pause. he clears his throat, adjusting his glasses. “i simply worry for her.”

you stare at him and watch as he fidgets under your gaze. “are you feeling sick? did you eat something wrong?”

“i’m not sick. what part of me looks sick?"

“well you’re usually not this…” you watch him as you wrack your brain, trying to find a word to describe this situation. “c…”

gojo leans forward. “yes?”

“crazy.”

he falls back in his chair, groaning, book forgotten and placed harshly down on the table.

you tilt your head. “where's getou, you guys didn’t come to class together? don’t tell me you fought.”

gojo peers up and frowns. “no, can i not show up to class early just because i feel like it?”

“it would be extremely out of character, yeah.” you rest your chin on your hand as you watch gojo mutter to himself, his jaw jutted out and his nose scrunched.

he was clearly unhappy, it didn’t take a scholar to know. it might take a genius to figure out why though.

you had time to kill, might as well take up the challenge. maybe he hadn’t had his morning dose of sugar yet, or maybe his favourite anime had delayed it’s upcoming episode. maybe he didn't save properly on the new game he was playing, or maybe he simply didn't sleep well last night. or maybe he had lied to you and he had fought with getou, leading to this strange attitude.

the more you thought about it, the more it made sense. the way he was acting now was like a mockery to getou's usual behaviour.

“are you trying to be like getou?” you try.

gojo whirs around to face you. “what?”

“well, you’re trying to be composed.” he keeps staring at you and you clear your throat. “like more well-mannered. more calm.”

gojo remains silent but you watch as his jaw drops. you think that he might say something but then his mouth closes, only to open again.

gojo speechless, what a sight. but as good of a sight as it was, you were beginning to feel concerned.

“are you sure you’re alright? what did you eat yesterday?”

he doesn’t register your question. “you think getou is well-mannered?”

“yeah?”

“and calm?”

you nod. “more than you, at least.”

“do you think he’s interesting too? sporty? smart? funny?” he pauses. “good-looking?”

the questions throw you off guard and you sit up. “what? where is this coming from?”

“oh my god, you do.”

“no? i mean, i think getou’s great and everything—”

“you think getou’s great?”

“don’t you?”

“you think getou’s hot.” he concludes. “and you think getou’s great.”

"what are you even saying?"

"i don't know. why don't you tell me?"

baffled, you flail for words. “are you jealous of him? that's strange, i didn’t think either of you would ever feel jealous of each other.”

gojo grits his teeth and looks away. with a pout, he says, “me neither.”

the door to the classroom is thrown open and getou steps through, rubbing the back of his neck. he yawns on his way to his chair and it wakes him up, looking between you and gojo as you both watch him enter.

“what did you guys do?” he asks with a sigh.

“nothing!”

“nothing.” gojo says and glares at him.

getou blinks.

“okay.” he says slowly, sliding out his chair and sitting. “what did i do then? why are you both looking at me like that?”

“gojo’s being weird.” you snitch. “are you guys fighting?”

“how should i know? i thought we were doing okay. gojo, if i did something, use your words and tell me.”

"i'll use my words to tell you to suck my dick instead."

"so i did do something. you're so predictable, gojo."

you snicker as gojo huffs and glances away, looking away out the window behind your head. his train of sight cuts right past you but you can’t help but feel slightly flustered as he looks on, almost like he was looking at you, so determined to ignore getou’s pestering.

subconsciously, you drown getou out too, your traitorous mind observing the blue in gojo’s eyes. you had always thought it was just one colour, but looking at it now, it seemed more like a kaleidoscope of blues, the many shades sparkling and dimming as he watched birds flutter outside the window, and you watched their shadows through his eyes.

something shifts, in the air or in the skies you don't know, and gojo meets your eye. startled, you hold the gaze and he holds it too, just long enough for your lungs to run out of air.

you look away hastily and inhale.

gojo glances to the front, oddly fidgety.

getou looks between the two of you. “what the fuck was that?”

“nothing.” gojo says.

getou clearly doesn't buy it but though he tries to get an answer out of you, you don't give him one either. cupping your cheeks, your thoughts mirror his question. what was that? it was embarrassing, that's what it was and your realisation is only heightened as a silence fills all four corners of the classroom.

gojo clears his throat. “for me, i like someone who i'm already comfortable with. someone i already know.”

at his words, you look over at him and find him already staring. he frowns as you don't give him any other reaction.

yaga saves you from addressing his statement, walking into the room as the bell for class rang. "oh? you're all early, even you gojo. where's shoko?"

“she’s staying at the morgue because of the recent mission.”

“i see.” yaga nods. “then let’s start.”

your mind fails to work as you turn over gojo’s words, thinking them through. what did they mean? what was he talking about? did this weird confession have something to do with why he was acting so strange?

slowly, you draw connections between your conversation with gojo and the talk you had with shoko yesterday morning. an epiphany shoots through you and you cover your mouth to hide a gasp.

did that mean…?

someone he knew? acting strange? getting mad when you said you liked getou?

you watch gojo’s side profile, hoping he’d turn around. if what you thought was right, he’d turn.

seconds tick past. yaga’s voice drawls on and yet gojo doesn't even spare you a glance.

no, maybe you were wrong after all.

just as you were about to face yaga again, gojo’s head shifts and his eye flicks over to yours. they widen when he finds you, and you’re sure you’re in a similar shocked state.

oh my god, you think, eyes darting between him and the other boy in the room.

gojo has a crush on getou.

filler imagine based off of that One scene from the manga: "megane tokidoki yankee kun"

[buckyalpine]

18+ Minors dni. I'm currently obsessed with the thought of Bucky making his pretty girl take it. I'm talking him keeping you caged under him with your legs wrapped around his waist while his arm are wrapped tightly around your body. This type of energy comes out when he's pissed. Stressed. Jealous. He's going to remind you exactly who you belong to and my favourite thing about this is imagine you didn't even know what happened. Maybe he overheard some agents talking about how irresistible you are. So cute and pretty and they'd give anything to-

Nope. The thought alone of anytone touching what's his has him storming off, hauling you over to mark you in the most primal way possible. Remind everyone who you belong to. He plucks you up from whatever you're doing and carries you over his shoulder like a beast; you're naked on his bed seconds later. He plows into you, hips slamming his cock into your very soaked cunt, unapologetically fucking you with the deepest moans. He sounds so feral. He is feral.

"Feels-so-good, such a good girl, letting me put my big dick in you"

Those grunts and groans he lets out show just how selfish he's being because he's focused on how fucking good you're making his dick feel. You're so soft but you make his cock so hard. You're such an angel for him, spreading your legs for him the second he set you down. He'd been torn between wanting to ravish you immediately or taking a second to throw his clothes off. He decides he needs you to fucking smell like him when this is all over, have every bit of his scent covering your skin. He wants to feel every bit of you all over him.

No one else would ever get to have you like this. Feel your naked breasts on their chest. Feel your soft tummy press against theirs. Feel the plushness of your thighs squeezing their waist. Feel your silky walls squeeze and milk their cocks till they're all soft and sensitive.

They'd hear you though.

They'd hear every moan and Bucky would make sure of that.

"Whose cock is making you scream baby, tell me" He growls, your combined arousal making a mess on the bed.

"Y-OURS-" You hiccup, choking back a sob as he snakes his had to wrap around your throat. Damn right. His fucking cock. His dick in your pussy. Not the stupid little boys who think they have a chance to even breathe the same air. His pretty, pink, fat fucking cock destroying you to his heart's content, stretching you open as much as he wants. "J-JAMES"

"That's right, say my name baby, say the name of your man who fucks you this good, let everyone hear" He's already turned off all the sound proofing and maybe he left his door a crack open. Maybe.

"Jaamesss" You sound so gone, cockdrunk over the way the spongy head of his dick kisses that sensitive spot that makes you squirt cream with each of his thrusts. "Don't st-stop, please-fuck-me-Jamie" Your voices slurs and turns into a whine as your eyes roll back. For such a sweet princess, you sound like an absolute slut when he's inside you and he wouldn't have it any other way.

"Mhphhm, sound so pretty, gonna make me blow, let me empty my balls in you" He starts to fuck you faster causing the headboard to shake, the whole bed creaking with his movements. "M'gonna cum angel-oh shittt-"

He nearly whimpers when he feels your doe eyes looking up at him with your ankles locked around his waist; he knows exactly what that means.

"You want it inside you huh, want my cum in you baby, s'that it?"

"Want-it-please, can't hold it" you cling onto him tighter and Bucky can't last any longer.

"Cum with me, together, c'mon angel, cum with me, yes, fuck yes, can feel you-fuck-" He begs, needing those little boys who spoke about you to hear exactly what they're missing out on, "OH GOD, FUCKKK" He doesn't hold back as he gives into his orgasm, your name dripping of his lips while you sob and squeal.

I want him to give you the softest aftercare. Tell you what a good girl you were for him. How much he loves and adores you, how special you are to him.

I want him to have the most smug expression on his face when he goes back down. He's such a little shit. He passes by a cackling Tony and a wheezing Sam. Not one agent dares look him in the eye. Steve may be blushing but he'll give credit where credit is due. His best friend sent a very clear message. Bucky is a possessive, loving, horny little shit and I need it.

Need it now.

[maniculum]

Medieval Scorpions Effortpost

So yesterday I reblogged this post featuring an 11th-century depiction of the Apocalypse Locusts from Revelations, noting the following incongruity as another medieval scorpion issue:

The artist, as you can see, has interpreted "tails like scorpions" as meaning "glue cheerful-looking snakes to their butts".

Anyway, it occurred to me that the medieval scorpion thing might not be as widely known as I think it is, and that Tumblr would probably enjoy knowing about it if it isn't known already. So, finding myself unable to focus on the research I'm supposed to be doing, I decided to write about this instead. I'll just go ahead and put a cut here.

As we can see in the image above, at least one artist out there thought a "scorpion" was a type of snake. Which makes it difficult to draw "tails like scorpions", because a snake's tail is not that distinctive or menacing (maybe rattlesnakes, but they don't have those outside the Americas). So they interpreted "tails like scorpions" as "the tail looks like a whole snake complete with head".

Let me tell you. This is not a problem unique to this illustration.

See, people throughout medieval Europe were aware of scorpions. As just alluded to, they are mentioned in the Bible, and if the people producing manuscripts in medieval Europe knew one thing, it was Stuff In Bible. They're also in the Zodiac, which medieval Europe had inherited through classical sources. However, let's take a look at this map:

That's Wikipedia's map of the native range of the Scorpiones order, i.e., all scorpion species. You may notice something -- the range just stops at a certain northern latitude. Pretty much all of northern Europe is scorpion-free. If you lived in the north half of Europe, odds were good you had never seen a scorpion in your life. But if you were literate or educated at all, or you knew they were a thing, because you'd almost certainly run across them being mentioned in texts from farther south. And those texts wouldn't bother to explain what a scorpion was, of course -- everyone knows scorpions, right? When was the last time you stopped to explain What Is Spiders?

So medieval writers and artists in northern Europe were kind of stuck. There was all this scorpion imagery and metaphor in the texts they liked to work from, but they didn't really know what a scorpion was. Writers could kind of work around it (there's a lot of "oh, it's a venomous creature, moving on"), but sometimes they felt the need to break it down better. For this, of course, they'd have to refer to a bestiary -- but due to Bestiary Telephone and the persistent need of bestiary authors to turn animals into allegories, one of the only visual details you got on scorpions was that they... had a beautiful face, which they used to distract people in order to sting them.

And look. I'm not here to yuck anyone's yum, but I would say that a scorpion's face has significant aesthetic appeal only for a fairly small segment of the population. I'm sure you could get an entomologist to rhapsodize about it a bit, but your average person on the street will not be entranced by the face of a scorpion. So this did not help the medieval Europeans in figuring out how to depict scorpions. There was also some semantic confusion -- see, in some languages (such as Old and Middle English), "worm" could be a general term for very small animals of any kind. But it also could mean "serpent".* So there were some, like our artist at the top of the post, who were pretty sure a scorpion was a snake. This was probably helped along by the fact that "venomous" was one of the only things everyone knew about them, and hey, snakes are venomous. Also, Pliny the Elder had floated the idea that there were scorpions in Africa that could fly, and at least one author (13th-century monk Bartholomaeus Anglicus) therefore suggested that they had feathers. I don't see that last one coming up much, I just share it because it's funny to me.

*English eventually resolved this by borrowing the Latin vermin for very small animals, using the specialized spelling wyrm for big impressive mythical-type serpents, and sticking with the more specific snake for normal serpents.

Some authors, like the anonymous author of the Ancrene Wisse, therefore suggested that a scorpion was a snake with a woman's face and a stinging tail. (Everyone seemed to be on the same page with regards to the fact that the sting was in the tail, which is in fact probably the most recognizable aspect of scorpions, so good job there.) However, while authors could avoid this problem, visual artists could not. And if you were illustrating a bestiary or a calendar, including a scorpion was not optional. So they had to take a shot at what this thing looked like.

And so, after this way-too-long explanation, the thing you're probably here for: inaccurate medieval drawings of scorpions. (There are of course accurate medieval drawings of scorpions, from artists who lived in the southern part of Europe and/or visited places where scorpions lived; I'm just not showing you those.) And if you find yourself wondering, "how sure are you that that's meant to be a scorpion?" -- all of these are either from bestiaries or from calendars that include zodiac illustrations.

11th-century England, MS Arundel 60. (Be honest, without the rest of this post, if I had asked you to guess what animal this was supposed to be, would you have ever guessed “scorpion”?)

12th-century Germany, "Psalter of Henry the Lion". (Looks a bit undercooked. Kind of fetal.)

12th-century France, Peter Lombard's Sententiae. (Very colorful, itsy bitsy claws, what is happening with that tail?)

12th-century England, "The Shaftesbury Psalter". (So a scorpion is some sort of wyvern with a face like a duck, correct?)

13th-century France, Thomas de Cantimpré's Liber de natura rerum. (I’d give them credit for the silhouette not being that far off, but there’s a certain bestiary style where all the animals kind of look like that. Also note how few of these have claws.)

13th-century England, "The Bodley Bestiary". (Mischievous flying squirrel impales local man’s hand, local man fails to notice.)

13th-century England, Harley MS 3244. (A scorpion is definitely either a mouse or a fish. Either way it has six legs.)

13th-century England, Harley MS 3244. (Wait, no, it’s a baby theropod, and it has two legs. (Yes, this is the same manuscript, that’s not an error, this artist did four scorpions and no two are the same.))

13th-century England, Harley MS 3244. (Actually it’s a lizard with tiny ears and it has four legs.)

13th-century England, Harley MS 3244. (Now that we’re at the big fancy illustration, I think I’ve got it — it’s like that last one, but two legs, longer ears, and a less goofy face. Also I’ve decided it’s not pink anymore, I think that was the main problem.)

13th-century England, MS Kk.4.25. (A scorpion is a flat crocodile with a bear’s head.)

13th-century England, "The Huth Psalter". (Wyvern but baby! Does not seem to be enjoying biting its own tail.)

13th-century England, MS Royal 1 D X. (This triangular-headed gentlecreature gets the award for “closest guess at correct limb configuration”. If two of those were claws, I might actually believe this artist had seen a scorpion before, or at least a picture of one.)

13th-century England, "The Westminster Psalter". (A scorpion is the offspring of a wyvern and a fawn.)

13th-century England, "The Rutland Psalter". (Too many legs! Pull back! Pull back!)

13th or 14th-century France, Bestiaire d'amour rimé. (This is very similar to the fawn-wyvern, but putting it in an actual Scene makes it even more obvious that you’re just guessing.)

14th-century Netherlands, Jacob van Maerlant's Der Naturen Bloeme. (More top-down six-legged guys that look too furry to be arthropods.)

14th-century Germany, MS Additional 22413. (That is clearly a turtle.)

14th-century France, Matfres Eymengau de Beziers's Breviari d'amor. (Who came up with that head shape and what was their deal?)

15th-century England, "Bestiary of Ann Walsh". (Screw it, a scorpion is a big lizard that glares at you for trying to make me draw things I don’t know about.)

I've spent way too much time on this now. End of post, thank you to anyone who got all the way down here.

[odinsblog]

“One weird, silver lining positive from the WGA's strike has been a sense of calm over a reality that has plagued me with anxiety for years — the fact that despite having a great agent, manager, and lawyer, despite having been in hundreds of rooms with top execs and producers, despite having pitched countless networks, and despite having sold multiple pilots and pitches, I still work in food and bev. For so long, it felt like such an embarrassment in so many ways because it felt like I was the only one who was biding time in between sales with a side hustle. When I would tell people at work that I wrote television, they'd look at me like I had ten heads, or like I was delusional. They couldn't IMAGINE someone who *actually* wrote television would also be asking them what temp they wanted their salmon.

But the reality is, TV money goes fast, especially when it's just a pilot sale. And if shit doesn't get picked up to series, that money only lasts for so long. Being responsible meant swallowing my pride and keeping a job that was more consistent and steady but also gave me the ability to take pitch meetings, to write on my down time, do rewrites, answer e-mails, and take notes calls.

And for so long I thought I was a minority in that regard. Like I had done something wrong to not be successful enough to rely solely on my career as a writer.

Yet the strike has pushed SO many stories to the forefront of writers doing the exact same thing I've done, GOOD writers, great writers, writers who shit I watch all the time, whose names I instantly recognize, whose reputations in this industry precede them. So when the studios leaked that the goal was to bleed writers dry, to make it so we lost our homes, I had to laugh. Writers like me will literally do anything to keep the dream of writing alive. It's in us. It never goes away, no matter how many steaks you server, how many martinis you mix, how many cold calls you make, how many Uber passengers you pick up, how many pizzas you have to deliver. We always always always find a way to make it to that next great hope of a pitch, a sale, a green light.

And that's how you know that the CEOs are so fucking out of touch with reality. With the industry. With the POINT of the industry the point for most (not all, but most) has never been to be filthy rich, or own a yacht, or even have a membership to SoHo house. It's been to make something we love. To see it come to life, and make other people happy, or sad, or angry, or scared. To take this story you have kicking around your head and turn it into some epic journey. To be part of the process of making worlds and characters come to life. To tell stories.

The CEO's point has been to make as much money as humanly possible. And so they think that's all there is motivating writers. it's not. It never has been. Just because those CEO's wouldn't wait tables or mix drinks or drive a Lyft in order to keep a dream going, doesn't mean the rest of us wouldn't. The CEO's don't have a dream, they have a lifestyle. And I promise you a dream is a much better motivator than a yacht or a Porsche.

Try to bleed us dry, guys. Just because you'd let your own dream bleed to death, doesn't mean we would. We will always find a way to keep it alive.”

—Stefanie Williams, a tv writer on strike

[nezz-cringe-crib]

growing up is realizing that dipcifica was actually a pretty damn good ship and holy shit i totally misjudged this pairing.

i never really liked dipcifica mainly because of how it got represented by the fandom, but looking back on it, it would've made a lot of sense and it would've been beneficial for both of them to date each other. and even in a completely platonic sense, their dynamic worked well enough that they could've done a lot more together.

dipper is a very nerdy awkward guy, clearly. he likes solving mysteries and sometimes he gets a little in over his head because of it. and his silly little awkward teenage love life reflects all of these things. that little shrimp was disney's #1 simp, it's actually insane. whenever he'd start to fall for a girl it'd end up going pretty terribly because he'd have no idea how to just act like himself and he'd also become a little bit of a jerk. (i'm not trying to like dog on dipper btw. he's just a kid and these are all understandable flaws, especially at his age and at the time period gravity falls took place in). however, with pacifica, a lot of these flaws are manageable solely because of how they're introduced to each other. dipper hates pacifica at first and wants nothing to do with her, but eventually they're forced to work together and realize "huh. we actually make a really good team." for dipper, this gradual building of a relationship is really beneficial to him. he wouldn't just go head-first into simping for some random girl and he'd also learn to respect her as a person and realize when he's being a little bit of a dick. being with pacifica, platonically or romantically (though personally i think romantically would strengthen their pros more but thats just my personal taste), would've helped dipper become a better person.

this goes for pacifica as well. pacifica's homelife is extremely controlling and it's what groomed her into becoming the mean girl that she's first presented as. as the show continues though, it's clear that she doesn't really want to be mean to anybody. she only acts spoiled because she doesn't know what else she can act like. she wants to connect to people but she's been so forced into this fake rich life that she has no idea how to be genuine with anybody. that's why her having a connection to dipper is so important. dipper is a little blunt, and he especially won't hide that from pacifica because he initially hates her and her family's lifestyle, so this'll eventually help pacifica realize "oh shit. i'm kind of a dick. my family are kind of huge dicks." and we do end up seeing this from her in "Northwest Mansion Mystery". she learns how to be herself, learns who "herself" even means, and learns to stand up for who she is when she figures that out. also pacifica's pretty damn smart???? especially socially???? she could absolutely help dipper do a lot of things when it comes to mystery solving, and with her status it'll most likely be things that dipper could never pull off and never even thought about because that's just what he's used to. they'd both end up learning a lot from each other because they'd be dragged into environments that they're not familiar with, but the other is. and their different perspectives/lifestyles would help the other view their environment in a new light.

not only is their relationship genuinely really beneficial to the both of them, but i also just know that their dialogue and scenes with each other would be so damn silly i can't not say yes to it anymore. i also just personally like headcanoning them both as bisexual so that's a plus for me.

anyways, tldr: i was wrong about dipcifica and its actually really good, i just think people should really analyze their relationship more since the way the fandom presents it (or how ive personally seen the fandom present it) is a little icky and shallow at least in my opinion. yay for dipcifica being silly little goobers :3

[thebibliosphere]

With hindsight, I probably should have realized I was polyamorous/ambiamorous sooner than I did. (And to be clear, I realized it pretty young. I just didn't have the terminology for it.)

Ignoring the fact that five-year-old me used to watch Signing In The Rain! on a loop and was already making up stories about Don, Cosmo, and Kathy all living together in Don's big house and *gasp* holding hands (maybe kissing), I was never any good at shipwars.

Like someone would ask me, "What's your OTP?" and I'd be like, "Well, I guess I like X/Y, but also Y/Z is good too..."

And they'd be like, "No. I mean your one TRUE pairing," and I'd just blink at them like, I'm sorry, I don't understand the question.

I'm sure they thought I was trying to stir shit or being deliberately annoying, but I just... couldn't wrap my head around it. Why did I need to pick one thing? There were multiple options with different things that made them appealing. That's like going to an all-you-can-eat buffet and just drinking water. Which is fine! If water is all you want, great. But you don't get to go to an all-you-can-eat buffet and judge people for eating different foods...

And when I eventually found out multi-shipping was a thing, I was like, "oh neat, that's what I do!" and while there was a definite feeling of having found my people, it was weird having the moral judgment from other people who seemed to think multi-shipping was a symptom of a greater moral character flaw. Like my inability to settle on just one thing meant I was more likely to cheat irl.

This wasn't helped by the fact that I... kinda already didn't care about monogamy? Not the way my friends did. I didn't mind that my then-boyfriend liked Sarah, too. What I minded was that he went behind my back and kissed her when he'd told me I couldn't kiss anyone else.

It was the betrayal of the agreement that hurt. Because we'd agreed. He'd asked me to be exclusive with him, and I did. And then he... didn't. And my friends couldn't grasp that.

It was all, "How could he kiss someone else?!" and my chief complaint was, "Why didn't he tell me first?!"

Anyway, if I could go back in time, I'd tell teenage me, you're not weird and amoral, you're just queer, polyamorous, and have ADHD, lmao.