#because it’s driving me insane

[nightgoodomens]

Crowley: Star maker, Serpent of Eden, fell for not wanting to follow blindly, introduced free will, can stop time even in front of Satan, part of all the important events of history that are known as Lucifer tasks, fooled Hell and Heaven repeatedly, intelligent, sees through bullshit, has a soft heart for kids and animals. Protective of Aziraphale. Offered Duke of Hell job. Chooses freedom each time.

Some idiots: So he’s a dumb bitch who just wants to be controlled by Aziraphale.

Me: *breathes slowly and clicks block*

[fakish-audacity]

Ok I have no idea if someone else (whether on here or otherwise) has said this yet but. The figures in Imogen’s most recent dream. They bear an interesting similarity to the assassins that attacked Zephrah and murdered the Lumas Twins. And if they are the same people, then what the fuck does that mean?

[possamble]

hiii everybody are you normal about Falin showing Laios the same little spell that Marcille showed her? are you normal about Falin remembering it fondly enough that it was one of the first things she showed her brother while trying to teach him magic?

[americas-sass]

Using Lo-fi Study Nights at Seacaster Manor as a way to boost his popularity and help further the goals of his friends while also refusing to acknowledge that the actual purpose is to never have to be alone in that big empty house is PEAK Fabian behavior. Can anyone hear me?? Lou I am in your WALLS

[surprisearson]

The main critique I've seen leveraged at Saltburn is that is falls short of its message of "eat the rich". But like...I never saw it as as that. Saltburn (to me) is steeped in a specifically English class context of nobility. There is this gap that cannot be bridged. Oliver throughout the movie has this deep frustration that he does not permanently belong in the sphere of Saltburn. Multiple people specifically goad him with this fact. Oliver is privileged by most people's standards, but it isn't enough. It's not eat the rich as they're all terrible its eat the rich as consuming them, absorbing them, licking the plate clean. The film came across as less a class critique and a hornier knives out but rather a psychological horror story about desire and not being able to have what you want the most. Oliver will never belong truly at Saltburn. Oliver despite worming his way into the family never has physical intimacy with Felix. It's not skewering the rich, it's commenting on the deep desire to inhabit their skin.

[symphonyofsilence]

What drives me even more insane about this scene is how you'd expect Gojo to imagine High school era! Geto in the crowd. Or at least not the cult leader, worst of all the curse users Geto Suguru. But no, it's the cult leader Geto. It's Geto as Gojo last remembered him. As Geto last was. Whatever choices Geto made, wherever his choices led him and them, however he was, whoever he was, traumas and messed up ideas and bad choices and ill reputations and scorns and all. Gojo wanted Geto Suguru there. Not any ideal version. Not any "what if" version. Not any "at some point in time before things went downhill" version. Not any "when your hands weren't stained with innocent blood" version. He knew very well what he wanted. And he wanted it all the same. He wanted Geto Suguru. However he was. He just wanted him to be there. He just wanted him to be.

And he didn't want him to help him, he didn't want him to fight with him even if they were strongest together and always fought together for a while. He just wanted him to be there in the crowd and cheer him on. He just wanted him to stand there and give him one of his sweet, heartwarming smiles that shaped his eyes into crescent moons. He just wanted him to be. Then even if Gojo had died in the end anyway, he would have been satisfied. It would have been worth it. Only if Geto was there.

[mobius-m-mobius]

#just a wizard gentleman and his butler 🪄🎩

[txttletale]

all ill say is that its very funny for monsieur trances to say ''i got called a cryptoterf just for saying homestuck was racist :('' when like three months ago he and his merry band were accusing me and maia fucking crimew of being part of a top-secret pedophile friendgroup making coded statements of support for toonimals, a guy ive literally never spoken to. baby parakeet behaviour. total lack of object permanence. Did You Know: people remember things you did in the past

[nymphaforesta]

long time no see 🕯️🤍🌿

[r-aindr0p]

Magic jail for the first years

[saltpepperbeard]

Ed + 😬 Teef

[mummer]

just saw asteroid city last night, pls explain the proposed significance of the kiss!!

answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****

i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!

the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh

[archive-rat]

The four horsemen of the apocalypse

[beware-of-you-98]

Lord save me from being such an over analyzing person…. because this right here has driven me to near insanity

[stellaluna33]

Man, I miss the internet when you could just freely browse all sorts of niche blogs and fan sites without having to have an account anywhere... There was so much to explore! Now you need to have an account with Instagram and Tiktok before they'll let you see anything, or it's locked behind a paywall on someone's Patreon.

We used to "browse," like we were wandering free in a big pasture, and now it's a "feed," where someone keeps shoveling stuff into a trough in front of your face and you have to keep choking it down.

I miss "Free Range" internet is what I'm saying, I guess. Not this Content Factory Farming crap.

[otaku553]

Procrastination doodles