#because that's how tired he is

[littlefankingdom]

Dick who climbed on anything as a child. Even in public, especially in public. The moment Bruce looks away, he is climbing something to get as high as possible. The first times, it gave Bruce an heart attack. Now, it's just a headache.

People pass by and ask if they should call the firefighters, and Bruce tiredly tell them "He is fine, he can get down on his own.", like people with cats.

Imagine, you're walking out of some building, only to see a 10 years old standing on top of a lamppost, having a discussion with his dad guardian at the bottom.

"Dick, get down."

"Make me."

"Get down or you're grounded."

[gingermintpepper]

I think, perhaps one of the funniest things to come from EPIC popularising the Odyssey is that now a ton of people think Poseidon wanted to kill Odysseus.

In the Odyssey, Poseidon has no intention of killing Odysseus. In fact, part of the whole reason Zeus lets Poseidon do whatever he wants even though he thinks Odysseus is rad and should get to kiss his wife is explicitly because Poseidon had no intentions of killing Odysseus. Poseidon wanted to pay back the suffering/inconvenience blinding Polyphemus would have caused. It's a really abstract thing tbh. How do you pay back someone permanently disabling your son? Poseidon's solution was just to amputate Odysseus from his other half; i.e. Penelope. The end game was never murder, it was always an endurance race.

(Od. Book 1: Zeus reassuring Athena that he is not, in fact, a part of Odysseus Hater-Nation. Trans. Robert Fagles)

Also, for those wondering if there's any sort of in text reason for why Poseidon wasn't around in God Games - at the time in the Odyssey when Athena petitions Zeus to let Odysseus leave Calypso's island, Poseidon was -checks notes- on vacation in Ethiopia. Yep. He left to Ethiopia for a festival and thusly was very much absent for Athena's whole "please let Ody go? Please? 🥺" request.

(Od. Book 1: While Odysseus was suffering, Poseidon went to party in the east)

I am begging y'all to read the Odyssey. It's a comedy for everyone except Odysseus and Penelope who are, in fact, suffering 24/7 365.

[top7879]

DCxDP prompt 2

When Danny gets stronger, he's given more responsibility along with a change in forms. With this increase of responsibility comes with an increase of workload. How does he solve this? Duplicates, Duplicates and more duplicates. Eventually having so many reduces the individuality each can have but it's helpful having so many hands at once.

Duplicates fly around him, some little baby men, some who are just copies of him. Size corresponding to how much attention is being given to that specific task. The original him is a large being at the center watching and making gestures to whatever work needs to be done.

Occasionally, others will come to his area of work to either pass by or ask specific questions.

This hero goes up to the large walkway, led by one of the duplicates and instantly tries to (or accidentally) flirts with the giant being, which causes all the Dannys to sort of stall and recombine with the original body. All that is seen before he covers his face and drops into the floor is his face with a deep green blush.

[pucksandpower]

Charles Leclerc went from P8 to P4.

On a one-stop strategy.

By putting on an absolute masterclass in driver management.

I don’t think there are many other drivers on the grid (if any) who could have managed that.

Driver of the Day and it isn’t even close.

And Jules … I know he is so proud of Charles right now ❤️

[ruporas]

can’t talk about it

[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. The comic starts with the sounds "thud, thud, click". Vash, mid-action of peeling an apple, turns to the sound, noticing who it was that entered, and says, "Oh, Wolfwood, you're back." He resumes back to his apple in the next panel as he speaks, "Where'd you go? You snuck out of bed quickly this morning..." Wolfwood's hand then enters the panel, hovering over Vash's cheek and Vash looks up as Wolfwood asks, "Can I?" Vash responds, "Not going to talk about it?" while using a hand to gently hold Wolfwood's hovering hand and presses a kiss to his inner palm.

Vash then gets up fully, setting down the knife down on the table and the apple onto a plate, He leans into Wolfwood as Wolfwood explains, "Had to meet someone. Nothing interesting to talk about." Vash kisses Wolfwood's left cheek and a hand moves to cup his other cheek while muttering, "You're being vague." Wolfwood says neutrally, "If yer really that curious, keep askin'. We  can talk about that instead of doing this." Vash leans back and responds, "Let's talk after, since... You look so tired."

The panel pans to a close up of Wolfwood's downcast eyes, bags heavy underneath his eyes. He doesn't allow Vash to sit in that moment for long though, then saying, "Yer not helping, Spikey. Being all slow with it... I could fall asleep right now." He moves his hand to start unclasping Vash's coat, starting from his collar. Vash with red cheeks, responds briskly, "Oh, shut up. I'm worried about you. I can't be worried?"

The final shot shows Wolfwood's back to the viewer while Vash's softened expression can be seen as he holds gently onto the side of Wolfwood's face and a hand firm on his waist. Wolfwood responds, "I'm fine, seriously," pausing for a moment before continuing, "Is it okay to still..?" Vash responds, "Yeah, it's okay."

The next image is a shot from later that night after the previous comic. Vash and Wolfwood are now in bed, half naked. Wolfwood's buries his face into Vash's chest, his arms wrapped around him, while Vash is petting at his hair. Vash reminds him, "Hey. You said we'd talk about it." Wolfwood pauses for a moment before piping up, "In the morning? I'm sleepy." Vash says, "Okay..."

The next two pages start from the morning after. Wolfwood is already fully awake, pulling on his outer jacket as he says to Vash, whos' still bundled in his blankets, "Breakfast is on the table. Make sure to eat it. I'm going to grab some things in town and then we're leavin'. Got it?" Vash says, "Mh." Wolfwood responds, "Good. See ya in a bit." The dialogue starts to shift into Vash's inner thoughts now, as he gets up and eats toast, thinking, "Wait. Weren't we supposed to... talk about it?" The next shot then shows him fully up, meeting Wolfwood in town. He carries a half worried expression with him while Wolfwood slides on his glasses for him. A quick panel shows Wolfwood's tired expression from the night before and quickly juxtaposes with Wolfwood in front of him who's smiling gently, the shades covering his eye bags. Wolfwood asks him, "Still not awake yet?" Vash pauses, his thoughts stirring, thinking, "Oh. I guess I was getting ahead of myself... thinking you owe me that kind of honesty." He smiles at Wolfwood and responds, "I'm awake!" His thoughts continue, "Maybe one day, you'd trust me enough to share your burdens."

The final image shows Wolfwood pulling at Vash's cheek and Vash complains, "Owwwww why..." Wolfwood quickly says, "You were thinking something stupid, right? It's all over yer face." Vash mutters, "Nooo, I wasn't..." END ID]

[critter-covenant]

Class is in session!

Idea inspired from this that I've been meaning to draw for the past few days

[vigilskeep]

when you first start the cousland origin, you can have some conversations with arl howe, teyrn cousland, and duncan that shed some interesting light on the political situation in ferelden. it’s definitely the origin where you get the most context on the rebellion and on cailan and his father. while howe isn’t exactly the most trustworthy of sources, he is also one of the most openly critical of cailan that we have access to, which i think is worthy of interest

howe remembers maric with what the toolset describes as “genuine fondness”: “your father hasn’t spoken of our time with him? that man took care of his friends. as they say, he was large as life and twice as tall!” i think we should pay particular attention to that man took care of his friends.

what howe’s talking about is a really important aspect of kingship, where you win the consent and enthusiasm of the nobility for your rule by offering rewards like wealth, land, and prestige to the loyal. kingship is always less stable than it’s portrayed, and this is one of the ways that kings must essentially sell to the nobility that answering to them is worth their time, which would be especially important in ferelden given everything we know about its culture. fereldans believe someone only has power when it is given by the loyalty of those below them, who have the right to freely rescind that loyalty. the dao codex says that “the sight of [fereldan kings] asking for—and working to win—the support of ‘lesser’ men is a source of constant wonder to foreign ambassadors.”

i suspect howe is remembering a maric fresh from the victories of the rebellion, who was able to reward those who had followed him with the spoils of those victories. at the end of the stolen throne, we see that in the final days of the rebellion, maric was killing those who had betrayed his mother to the orlesians even when they arrived under truce to meet him on holy ground. in dao, we see no lingering orlesian nobility except for those who married in and continue to be met with marked hostility. i think we can safely surmise that maric elected to make no conciliatory measures and give everything to those who had followed him; with the orlesians on the run and his people out for blood, he was in a strong enough position to do so, and it certainly served to win the fond memories of men like howe.

by contrast, howe goes on to say, “it’s too bad cailan isn’t half that.” the toolset notes establish very clearly that it’s the same issue, elaborating on howe’s thoughts: “bitter turn, i don’t get as much from the current king”, and “disdainful, i have no use for him, he does me no favours”. this isn’t a minor character detail, if howe’s last words when killed by the player are anything to go by. “maker spit on you... i deserved... more...” whatever it is that howe feels he should have been given, by the crown or anyone else, it characterises his actions and his defining treachery.

it’s in these same conversations that we see another side of this demonstrated. there are two points where howe can openly criticise the king, and bryce immediately admonishes him for both. one even has the toolset note: “speaks sharply, as a lord to a lesser man, not a friend to an equal”. it definitely comes across that way; the way he tells howe “that’s enough” is not far off the voice he uses when the player, his child, displeases him. bryce can’t tolerate any criticism of cailan, as the couslands in dao are ardent supporters of the king. to venture some hc, i suspect that this is not merely royalist fervour, and that howe’s resentment for having been given less is matched by bryce’s awareness of the precariousness of having more.

over the centuries, the theirins have consolidated their power and eradicated almost all the teyrns (the noble rank that is second only to the king). with the only other lingering teyrn being loghain, who is essentially part and parcel of the royal family, the couslands stand alone as the only real rivals to theirin power within ferelden. there are rumours that bryce was once considered for king instead of the theirins; he too could have decided to believe he “deserved more”. but unlike howe, and perhaps understandably given his strong position and happy growing family, he is satisfied with what he has. he will not take the risk of even the slightest challenge being made within his hall

(i expect that bryce’s satisfaction with the current situation further spurred howe’s dissatisfaction to its heights, given the complicated cousland-howe history and the fact that he was expected to accept a friend he had fought beside as a superior for the rest of his life.)

i don’t think howe’s judgement on cailan is likely to be without basis. we don’t hear about any victories the young king has to his name, from which he could have passed around spoils. (to be fair, cailan had harder luck than maric in this regard. a king who raises a successful rebellion gets to bring glory and prestige to everyone who follows him, whereas a king trying to rebuild after that rebellion mostly gets to bring, uh, taxes probably. especially on wealthy centres of trade like howe’s amaranthine, one might assume.) cailan also takes a far more diplomatic approach to the question of orlais, which perhaps predictably did not win over many nobles of howe’s generation. it makes sense that cailan’s strongest supporters would instead be men like bryce who hope for things to simply continue, peacefully, as they are. perhaps in another world where cailan had won the battle of ostagar, he might have earned wider respect. (you could actually argue on this basis that there’s more sense and purpose to cailan’s glory-seeking than he usually gets credit for.) but howe already acts before ostagar, which can only demonstrate his certainty in cailan’s failings at this point: his belief that even if cailan could win, he would not be stable enough to pursue justice for the couslands

[art-is-kayos]

AU where Ayin Fucking Died so Angela had to make him a mini boxbot out of scrap.

[sctumsempra]

androgynous summer snape but make them sleepy!!!

[deoidesign]

Wearing your boyfriend's jacket

[screwpinecaprice]

They won the lottery and inspired by Mr. Greg, they spent it all in one day by committing identity fraud.

Idk I took a second job and my brain is so fried right now. 😭

[nothingtoseehere00-00]

Just imagine Steve figuring out he's bisexual and realizing that when he dates a girl, at a certain point into dating them, he's gonna have to tell them that he's also into men. Of course since it's the 80s, the chances of them being okay with that is probably slim. They might think he's disgusting or that he's just gay playing straight.

So he tries dating guys instead, thinking that's safer. And he ends up meeting a great guy named John at a gay bar who he really likes. Things are going strong until they started talking about past crushes and first loves. Steve casually mentions celebrity crushes on women and having loved Nancy. And thus Steve gets his first ever experience of the rampant biphobia in queer spaces. John accuses Steve of being confused and trying to hold onto his "straightness". Steve tries to explain himself by saying that, no, he really does like women, but that only makes things worse. John now believes that Steve is just going to eventually leave him for a woman, if he hasn't already been cheating on him. John ends up storming out leaving Steve devastated.

He goes crying to Robin and explains what happened. He's horrified to realize that no matter who he dates, there's always going to be the risk of them not accepting him, guy or girl. But he can't hide that part of himself, it's too big. It's who he is. Robin is there to reassure him that if someone can't accept him being bi than they don't deserve him. It's able to cheer him up a little, but the damage has been done.

Steve is now very reluctant to date anyone. And if he does manage to bring himself to go on one, he gets complaints of being very emotionally distant or having a fear of commitment.

When Steve inevitably falls for Eddie, he's scared out of his mind. It's clear that Eddie is gay based on his hanky, but, again, that doesn't mean he'll accept Steve's bisexuality. One night, while the two get so high in Eddie's trailer that Steve has to stay over, they argue about sleeping arrangements. Eddie keeps insisting that Steve would probably be more comfortable with Eddie sleeping in another room for some cryptic reason and Steve, who gets incredibly clingy while high, keeps shooting back with them sharing a bed being fine. When Steve keeps asking why they can't over and over again, Eddie blurts out that it's because he's gay. Without hesitation, Steve's says he knows and points at the hanky on the dresser by the bed. Staring at Steve for a moment, Eddie then asks how he knows about the hanky code. This time Steve hesitates. For awhile. It honestly scares Eddie for a moment, thinking he's been vecnad. If Steve hadn't been high, he maybe would have been able to think of an excuse, some way to get out of this conversation, but he can't. So he admits that he likes guys.

Eddie very excitedly starts asking a bunch of questions and talking about how they finally found something they have in common, who knew? When he notices the tears in Steve's eyes, he stops, confused, and asks what's wrong. So Steve tells him. He's not like Eddie. He's bisexual. And he braces himself for the backlash. For loosing his best friend and crush.

But then he feels a hand grab his. Eddie tells him that they still have something in common because he's also bi. Steve points out that he said he was gay, though. Eddie asks if he has ever told anyone that he was bi before, specifically gay men. Steve nods. Then he asks if it went well. Steve shakes his head. Eddie tells him that's why he said that. He's explains how tiring it is to have to explain his existence to people who won't get it and/or react badly to it. So he just tells guys that he's also gay. It just makes things easier. And Steve gets it. By God, does he get it. They spend the whole night exchanging stories and experiences, for the first time able to talk freely about their love life.

And by the end of the night, they stumble over each other trying to ask the other out. They laugh and both say yes.

[flying-cat]

people who undermine the importance of izuku and katsuki's relationship throughout bnha because of "annoying shippers" or because they just don't like katsuki are insane because their relationship is literally so? important??? to the entire story???? katsuki is the deuteragonist of bnha. he was one of the first characters to show up. he was the first other person to know about OFA. so much of the manga is spent showing his development. if you deny his character development and relationship development ("relationship" does not always mean romantic relationship) with izuku, you are quite literally denying a massive part of the series. the manga starts with them and ends with them. you're allowed to dislike him but if you dislike him so much that you, in turn, start hating how izuku is a "punching bag" or a "doormat" for the entire series because he doesn't stay angry and vengeful at people even though a massive part of his character is that he's compassionate and kind even to people who aren't to him or used to not be, and you seriously think that that makes him weak, and you just start to dislike the main two characters of the series, i think you should. idk. stop reading, probably. read the revenge fantasy shit that you obviously want to read. there are like seven million manhwa available to you where the character gets the revenge you so desperately want to see.

[nicollekidman]

buffy knows spike loves her during season five. buffy knows spike loves her when she comes back and seeks comfort/silence in his presence. and as she comes back to herself and tries to make peace with the fact that she’s Here Again, she still knows he loves her. and i think part of the Big Bad Grabbing The Slayer For The Darkness routine they both cling to is that it allows them to pretend this huge thing isn’t between them so they can get what they both want (someone to stay).

and like obviously buffy cannot allow herself to believe that he loves her for many reasons, but she DOES believe it, she can’t make herself unknow it even though she tries so hard. which is partially where the breakdown with tara in 6.13 comes from because the cognitive dissonance of soulless spike loving her as if he has a soul while she is so lost within herself that the only way she can reach for him is to use him (which would be fine if he was the big bad grabbing the slayer for the darkness) which is hurting him! unfathomably! but he’s supposed to be the corruption! how can he??? any of it???

meanwhile spike has watched the woman he loves be brought back as a shell and he wants to see the light in her eyes and he can touch her now and sometimes that’s enough to make her laugh but he can’t linger in those moments or she’ll go away again! so he can play the role he needs to play so she’ll stay, as if he could keep her anywhere she didn’t want to be. as if he wants her to be in the dark instead of bringing him into the light. but how could he ask for anything more when he already got her back and he didn’t even need to kill her afterwards.

and so they hurt each other and he forgets himself and asks her if she even likes him and it’s too honest and he’s asking too much (he asks for nothing) so before she can throw her life away like it’s nothing, he puts the game face on, makes himself a target, and swallows it all. and she can’t unknow. and it would all be fine except he’s a vampire and she’s the slayer and how can he just say it like it’s nothing when she needs to beat his face in just to keep from screaming.

[littlecrittereli]

ougghhh guysssssss

Thinking about this AU idea again

(Dont worry I'm not done with Reprogrammed yet BUT THIS HAS SO MUCH POTENTIAL IT HAS NOT LEFT MY BRAIN)

I can smell the dramatic "YOU'RE NOT MY DAD!!!" exclamation from here

[sesamenom]

saw this shirt thing and just had to put it on finrod

(aka maedhros and feanor are Not Cooperating so i am doodling around with some less difficult characters lol)