#because them becoming explicitly canon is a joke

[phantasmicfish]

So I saw Dune Part 2 yesterday and I was initially super crushed because of the deviation from book canon but the more I think about it the more I sorta like it…

So without further ado here’s a list of stuff I liked about Dune Part 2:

- all the scenes initially of Paul growing closer to the Fremen. You can clearly see that they become friends, accept him as a Feydakin, that they’re laughing, joking, hanging out. (And contrast that to the end of the movie, where Paul has no more Fremen friends, only followers. In the book, this is echoed, where Paul recognizes that he has lost his friends to the Muad’Dib religion. Take book Stilgar, who truly embodies this… by the end of the book, Paul says: “I have seen a friend [Stilgar] become a worshipper.”

- giving Chani explicit rejection of Paul’s messiah status was an interesting choice. Chani’s main thought over part 2 is that they don’t need religion to save them, that through Fremen power and desert power, the Fremen can save themselves. She recognizes that this fanatical worship can be a vehicle to control and enslave her people, and I sorta wish we saw Paul lean into that more… that they found a way to stay together and ‘fight’ the prophecy together based on Chani’s ideals…

- also, I love how engrained this rejection of religion and prophecy is in her character. Book Chani takes no issue with her Fremen name, Sihaya (desert spring), but movie Chani hates it “because it’s part of some prophecy.” Later, we see that despite her rejection of prophecy and religion, that the prophecy does indeed come to pass— the tears of desert spring save Him aka, Chani saving Paul after he drinks The Water of Life. (Interesting how Jessica has to force Chani to save Paul using the Voice… another example of Jessica explicitly forcing Paul to become the messiah).

- adding more depth to Fremen culture— the South being the more religious fundamentalist tribes vs the North being more secular. Early on, the movie paints this immediate divide between the tribes of Fremen who accept Paul and Jessica versus those who treat them as offworlders (who murdered Jamis). In the books everyone accepts Paul and Jessica after Paul bests Jamis and Jessica quotes some scripture, but I think it makes more logical sense that there’d be friction over these two random offworlders coming in

- I love love loved Paul speaking at the meeting of the Fremen tribe leaders in the South. He fully accepts his messiah status, exercises his power of the Voice + his prescience as a way to command all the Fremen under his name

- I’m a big fan of omitting the two-year time skip, so with that I’m glad Leto II was skipped over entirely. I always felt that Leto II was an unnecessary character addition to the book, especially when he just dies and everyone sort of goes “oh well” and moves on, so I’m glad it’s omitted.

- another interesting choice was to paint Jessica as a straight up villain in comparison to the way her book counterpart was not. The movie Jessica we see here is seemingly corrupted by the Water of Life: she walks around talking to herself (Alia) and scheming Paul’s ascent to Lisan-Al Gaib. She knows about the Holy War, which is the very thing Paul is trying to prevent, yet she expresses no concern about bringing it to fruition. (Probably because Jessica knows it’s impossible to prevent, but still.) The very last line of the movie, where Alia asks Jessica what’s going on and Jessica says “The Holy War has begun” is just total villain in my mind— explicit acceptance of the Holy War, like it’s just another stepping stone in her plan. Plus, the fact that Paul has visions of Jessica leading him into this period of great starvation totally cements her as a villian.

- going off of that, I like that we see Jessica undergoing actual agony when she takes The Water of Life. When book Jessica and Paul take The Water of Life they accept it calmly and without obvious pain (book Jessica was sitting with her eyes closed, as if sleeping), so this physical reaction that Jessica has to the poison adds to the idea that The Water of Life did change her in a negative way.

- I feel like so far we’ve been introduced to Alia as just a weird talking fetus who’s been consorting with Jessica, so Paul’s vision where Alia says “I love you” really strikes home, that she really does care for Paul which we might not have understood otherwise

[blossomthepinkbunny]

Vivzepops fetishization of queer men and the lack of Sapphic content in HH and HB

I found it a bit dissapointing that Charlie and Vaggie had very little interactions that could be read as romantic or sexual, especially since they are the supposedly the main couple of Hazbin Hotel and have been together the longest out of most of the couples in HH and HB.

Of course having more casual representation is also fine but the most memorable thing about their relationship was the quickly resolved argument they had when Charlie found out about Vaggies past. I've seen different opinions about how they were handled as a pair.

I understand when someone says that they enjoyed a more relaxed couple with subtle, realistic interactions, interactions that are often overlooked just because both characters are female.

But I can also agree, that they were really not a stand-out couple (wich is weird since Charlie is the main Character) and that it was a bit dissapointing to not see a lot of content for them.

Now the main issue I found with this is that in Vivzepops stories there is a definitive lack of sapphic content. It sometimes seems like women are sexless unless they are with a man. But two men can be sexual and openly affectionate (romantically too). At first I didn't really understand why I felt weird about Chaggie as a couple, so I looked at all the implied/canon ships in Helluva and Hazbin (including past relationships).

Implied/canon couples between a man and a woman:

-Millie and Moxxie

-Blitzø and Verosika

-Stolas and Stella

-Millie and Chaz

-Beelzebub and Vortex

-Sir Pentious and Cherry Bomb

-Adam and Lute

-Lucifer and Lilith

Implied/canon couples between two men:

-Stolas and Blitzø

-Asmodeus and Fizzarolli

-Moxxie and Chaz

-Angel Dust and Husk

-Vox and Valentino

Implied/canon couples between two women:

-Charlie and Vaggie

Now please tell me if I missed any, but these were the ones I could think of.

Honorable mentions include Loona & Vortex, Blitzø & Striker, Blitzø & Chaz and Blitzø & Fizzarolli. But I didn't put these on there because they're either one-sided or don't have enough romantic content.

Now it's very easy to see the difference between representation for queer men in comparison to queer women in these shows. The only relevant (im not counting Background characters) Sapphic relationship there is, is Chaggie. And it's completely underrepresented when compared to the content the man x woman or man x man ships get (not to mention the total absence of gender-queer characters).

One of Millie's and Moxxie's jokes is that they're so in love, that they're almost always cuddling, holding hands, talking sweet or just straight up making out with eachother (I'll talk about Millie a bit later). Sir Pentious had multiple scenes dedicated to him trying to confess to Cherry Bomb or just crushing on her in general.

Stolas' and Blitzø's relationship has become one of the main topics of Helluva Boss and they get a Backstory and explicit aswell as dramatic scenes for them as a couple. The same goes for Asmodeus and Fizzarolli (except that their love isn't as important). Angel Dust and Husk get a song and part of an episode for their relationship to develop.

Here i'd also have to mention that by the list I made Vivzepop's fetish for queer men is very prevalent. Most of the couples between men and women are either past relationships or they get very little attention to them. The only ships that often get special focus, development or explicitly romantic/sexual focus are ships with two men (no matter if their dynamics are even good, healthy etc.).

Now for Millie there are different ways you could talk about her situation with relationships. In general I think that everyone can agree that Millie lacks Character and is a good representation for the neglect of the female characters. Most of her moments revolve around Moxxie in a way and she hasn't had precise characterization so far.

Millie's relationship with Moxxie is sweet and simple and is generally one of the better things about Helluva Boss (if you ignore Millies lack of personality wich really pulls the couple down for me). Now the Episode "Exes and Oohs" shows the mutual Ex of Millie and Moxxie. Chaz dated both of them and as we see in the episode affected both of them very negatively. At the start we literally see Millie freak out and destroy a bunch of stuff, just because she saw Chaz on the street.

Yet Millie's relationship with him is never explored further. All we know is that she dislikes him and that he's a giant asshole. Whereas Moxxie get's a whole Backstory and episode plot about him and Chaz. No focus is given to Millie at all even though Chaz is the ex of BOTH of them.

Another thing that I wanna point out is Millie's possible Bisexuality. Now im not so sure for this point because I couldn't find genuine confirmation on wether Millie is actually confirmed to be Bisexual or if it's just a headcannon. So take this with a grain of salt BUT if Millie is Bisexual then she perfectly shows how little Vivzepop cares about Sapphic representation. What does Moxxie get to confirm him as Bisexual? An ex of the same gender (also multiple explicit flashbacks with him), a whole discussion about his queer identity and a scene where he literally says that he's Bisexual. Moxxie is pretty good Bisexual representation in that regard.

What does Millie get? Nothing. Again I don't know if she's genuinely also Bisexual or if it's ever been confirmed but it'd also be pretty weird if Vivzepop apparently cares so much about queer representation and then doesn't confirm any female characters as actually queer.

I think a lot of people have talked about her blatant fetishization of queer men and I think that that's also mainly why I feel weird by the lack of attention on Vaggie and Charlie as a couple.

I sorta wish I could enjoy a more toned-down and realistic couple in these shows, but when I see that a ship like Vox and Alastor (wich isn't canon nor would it even happen since Alastor is Aroace) is talked about more than the actual main character's relationship I just don't like it.

There's so much more you could say about poor queer representation by Vivzepop (like the fact that she's fine with people ignoring Alastors Aroace identity, and the stereotypes etc) I mainly wanted to talk about the neglect of her female cast in terms of sexuality.

[quasi-normalcy]

Every "Nu Trek" (2017- ) Series Ranked from Worst to Best:

Very Short Treks (2023): There's really no words for just how terrible this series is. I mean, I know that it only barely counts because it's explicitly not canon and has a total combined run time of about 15 minutes, but *my god* is it bad! Only one of its episodes is remotely funny, and even that manages to feel like it's driven its main joke into the ground by the end of its 2-minute runtime. The only thing that I can say for it is that is that it gives me an easy, uncontroversial choice for worst Star Trek series, not only of the last 7 years, but of all time.

Picard (2020-2023): Listen; I know that this series is unpopular with the Tumblr Trek fandom, but it actually breaks my heart to have to put it so low on the list. It has, in my own opinion, the best dramatic acting of any Trek series and among the best directing, and almost every individual scene, in isolation, is compellingly watchable. More than that, it has fascinating worldbuilding choices, you can really *see* the passion of the writers for what they're creating (at least in the first and third seasons), and Agnes in particular is among my favourite characters in anything ever. It's got a lot of great moments, too! Picard and Seven bonding over shared Borg trauma; Soji uncovering the truth of her identity; Jurati hacking the Borg Queen's brain; Picard's final farewell to Q; Shaw's Wolf 359 monologue; Geordi's reunion with Data...I could go on. And yet, it just feels like so much *less* than the sum of its parts! Incredible ideas are introduced and then just shrugged off to pursue much more boring ones. Story arcs feel pointless if not actively offensive. Absolutely baffling writing choices are made throughout, with no indication as to why. And the nostalgia baiting , particularly in the final season, becomes so intense that it just chokes the plot to death. One comes away haunted by the feeling that this series should be so much better than it is.

Discovery (2017-2024): Really, this is two separate series: a twisty, grimdark, sci-fi war drama and a gentle queer coffeeshop AU about scientists who talk about their feelings. Both of them have their moments, but they each fall down in the same way: a focus on epic, high-stakes mystery box storytelling that undermines one's ability to really get invested in the characters, or even know who they are when they aren't off saving the universe. Without that, while I liked many of the characters and loved seeing them science the shit out of things using teamwork and the power of math, it's kind of difficult to get invested in this series one way or another. In spite of its absolutely gorgeous visuals, it comes off feeling weirdly...flat.

Short Treks (2018-2020): Not a lot to talk about here; just kind of an anthology series of short films adjacent to Discovery, Picard, and Strange New Worlds. Mostly they're varying shades of mediocre, but a few of them are as brilliant as any episode of Star Trek ever made, so the series gets to be relatively high on the list.

Strange New Worlds (2022- ): This is the first entry on this list that, in my opinion, belongs on the top shelf with some of the best of the older series. And it achieves it basically by adopting the same formula as the original series or the next generation--socially conscious planet-of-the-week adventures with enough wit, cleverness and joie-de-vivre to keep it interesting. I remember in 2017, there was plenty of discussion of how it's possible to update Star Trek's formula for prestige television; how funny that the solution turned out to be "don't change it at all, just give it modern special effects and actual character arcs." That said, the series is a bit *too* beholden to the original, with focus primarily on a bunch of characters who aren't allowed to grow or change too much because we already know how they'll turn out. It would be even better if it were about a new ship and a new crew full of nobodies who we can come to love. Which brings us to...

Lower Decks (2020-2024): Above, I said that Picard felt like it should have been so much better than it was. Lower Decks, frankly, should have been so much worse. How is an adult animated sitcom with Rick and Morty style animation and constant memberberries this freaking good!?! Every episode is a master class in efficient storytelling, with 22 minute runtimes often feeling like they contain as much story and character work as episodes twice as long. And the characters are incredible--like TOS and TNG, they feel almost archetypal, and even though you've never seen them before, they slide so seamlessly into the Star Trek universe that it's hard to believe that they weren't just *always* there; that there was ever a time when you could imagine the Star Trek universe without just intrinsically knowing that Tendi and Shaxs and Mariner were off somewhere in the background. It's greatest success though, the reason why it's comedy works when it really shouldn't, is that it's only *slightly* sillier than the serious series. What we end up with a fantastic series with an ethos that is pure Star Trek, and in fact, if I had written this list a month ago, it would certainly be in the #1 spot. However...

Prodigy (2021-2024?): The first season of Prodigy is...charming. It's got some fun characters, some spectacular visuals, some interesting premises. And if the plots tend to be a little too simplistic to be engaging to an adult, hey, it's a kids' show. It's good. Solid. Above average. And if I had only the first season to go on, it would probably be in third position on this list. But then, a few weeks ago, it went ahead and dropped the best season of Star Trek in a quarter-century, and I really...I just cannot recommend this series highly enough. The sheer, ambitious scope of the narrative; the arcs it puts its character through; the cleverness of the writing; the fricking GORGEOUSNESS of it! And it does all this while redeeming deeply unpopular characters and plot points from other series, in a way that never feels forced or pandering. Not only is it the best Star Trek series of the 21st century, it's one of the best children's animated series since AtLA. Go. Go! Watch it! Watch it now!

[bougiebutchbinch]

"But Lucius is physically disabled and he survived, so it's fine to kill Izzy -"

As most of you know, I am physically disabled. Have to use a lot of very visible mobility aids, get stared at in the street, have kids asking uncomfortable questions, etc.

If you are also physically disabled and cannot see that there is a WORLD of difference between Lucius losing his finger in a way that was played as a joke and really didn't impact his character or plot, and Izzy having a hugely traumatic, majorly life-changing disability thrust upon him, becoming suicidal, using alcohol to cope, crawling along the floor, hating himself and feeling useless and worthless, thinking he's a burden to the people he cared about because of his physical inability to protect them...

Then getting built up again by that same crew, given a beautiful prosthetic that they made for him, accepted and loved, and learning to accept and love himself specifically as a queer disabled man....

THEN SAYING EXPLICITLY THAT HE WANTS TO DIE, AFTER ALL OF THAT BEAUTIFUL GROWTH

If you cannot see how that might be JUST A LITTLE upsetting to other disabled cripplepunk folks....

I honestly do not know what to say to you.

His WHOLE ARC was about self-acceptance and self-love as a disabled queer man. To have him declare that he wanted to die after coming to terms with his disability and queerness is, in fact, going to upset a lot of disabled queer people.

If you are not physically disabled, feel free to reblog but don't say a word unless it's in support.

[Edited to remove the parts about Ed being canonically disabled, as someone kindly pointed out to me that they were incorrect. I hadn't realised that his knee brace was just fanon! The creators shouldn't get credit for creating a 'disabled' main character if the disability is only really acknowledged by fans.]

[gnome-adjacent-vagabond]

Psst hey *pulls you closer* Canon middle-aged queer relationships and multiple canon queer/queer-coded characters. *lets you go* Go watch Venture Bros.

There are WAY more than these but I can't put em all up here because queer coding is up to interpretation. I say that everyone in Venture Bros is queer until proven straight but that's just me.

I wrote a whole-ass essay and then accidentally deleted it so the wording on this will probably be off, but it feels important so I'm gonna try be succinct.

Minor spoilers ahead! Skip paragraph three if you don't want those, then resume on paragraph four.

Full disclosure, this is a show that started in the early 2000s and has a LOT of issues in the first few seasons as well as a couple in the later seasons. There are transphobic and homophobic jokes, ableism, racism, and sexism. Sergeant Hatred is a walking trigger warning for about three seasons straight. It goes without saying but I'll say it anyway: DON'T watch this show if you have multiple triggers or are easily offended.

Having said that, these writers realized the problems with what they were writing and have worked to remedy those issues through commentary, retconning, and public acknowledgement of the early seasons' failings. Their opinions evolve and so does the show.

Shore Leave is a flamboyantly gay man who was initially intended to be a one-off joke about the G.I. Joe series and the Village People. Instead he has morphed into a three-dimensional character who presents comfortably as both masculine and feminine. He's in a loving relationship with another gay man, Al, who is flamboyant but tends to be a little less flashy. Steve Summers and Sasquatch have been a happy couple for years now--and all because the epitome of toxic masculinity, Brock Samson, helps them find a quiet cabin away from the government hunting them. Brock's mentor, Hunter Gathers, is a canonically detransitioned trans woman who struggles with her identity throughout the show (I'm still waiting for her to retransition despite the show's cancellation). Hank is perfectly at ease in a hyperfeminine strength suit, and Dean also goes through identity struggles that are never played for laughs and are heavily if not explicitly queer-coded. Vendata's queerness is understated and exists simply as a fact rather than being joked about. Sky Pilot is similar, though slightly more in Shore Leave's camp in terms of presentation. Sheila and the Monarch are self-proclaimed swingers and could be read to be in a poly relationship with Gary, their henchman. Debbie St. Simone has a rather homoerotic obsession with Sheila and is almost definitely bisexual.

The Venture Bros universe is full of queer rep, and the creators of the show write it in with intention. Doc Hammer and Jackson Publick talk about wanting it to be treated as fact rather than completely defining each of their characters--they talk about how few women are in the show and why (Johnny Quest and G.I. Joe, the inspirations for Venture Bros, are heavily malecentric and there's constant homoeroticism in them for that reason). They acknowledge the flaws and work to improve themselves and their writing. This has culminated in a surprisingly moving series about love, death, grief, trauma, and change that radiates queer subtext from any angle--especially Dean's journey.

Try the show at least up to season 4. The first three seasons are on Netflix and the rest are on Adult Swim. If you still don't like it, that's fine. Thank you for trying! Just know that it's out there and that it's an example of how human beings can change and become better people. Doc Hammer and Jackson Publick aren't perfect and neither is the Venture Bros, but for what it is it's a damn fun (shockingly so) show.

[cuubism]

more dreamling fic tropes that hit so good every time:

dream thinking he has to repay hob somehow for saving him. hob being like bitch what the fuck. we are friends

hob encountering dream in eldritch nightmare form and instead of being afraid he just like. pets the eldritch creature on the head.

(alternatively. dream is like 'you won't like my Nightmare form.' hob's like 'jokes on you i'm into that shit')

dream just. appearing in hob's living room. or in his bedroom. or on his bed.

the absolutely feral rage of hob when he sees dream in the fishbowl.

dream yelling at desire because how dare they make him have feelings for hob???? desire just like ?????????????

Desire trying to seduce hob. Dream being like I will punt you to the other end of the earth do not test me

hob's students being deeply deeply confused by hob's cryptid goth boyfriend like what the fuck is this relationship actually?

hob and death becoming bffs. perhaps through their combined power they can get dream to practice basic self care.

hob built the new inn for dream. (i frequently forget this isn't explicitly canon).

relatedly - the new inn as a temple.

hob as dream's knight in the dreaming. the king & his loyal knight dynamic generally speaking.

hob calling dream 'my king,' 'my lord' or some variation thereof and dream just bluescreening.

hob defending dream from some innocuous threat he definitely didn't need help with. dream deeply charmed by hob coming to his defense.

on the flip side. someone saying something mean to hob and dream yeets them into outer space. ("that was a bit of an overreaction." "it was not")

Hob doesn't get nightmares anymore because the nightmares are afraid of being unmade by Dream

meowpheus. in all incarnations

Hob making Dream finally eat something ("you didn't eat for like a hundred ten years." "Ughhhhhhhh")

Hob beating the crap out of people at the Burgess manor

That moment at the new inn reunion when oh my god. Their hands. TOUCHED

Hob wrapping his coat around Dream's shoulders after rescuing him.

Pressing their hands together through the glass.

Hob's friends/coworkers etc seeing him making heart eyes at this random goth and being like ????🤔😳??🤔??😳

The Dreaming residents seeing Dream mooning over this incredibly average guy and being like !!!!😑😑🙃🙃???🤨🤨??

"So then I went to hell." "Oh ok-- hang on hell is REAL?"

Hob: oh hey cool raven. Matthew: thanks. Hob: oh it talks too hahaha *dies*

Hob making friends with all the dreaming residents. dream's feeling a little personally attacked by the way they all gang up on him now

Dream just Chillin in Hob's classroom while he teaches. Hob definitely not Sweating at all

Hob giving Dream some of his clothes. But making sure they're black

[ivorsblocksleeve]

the mcsm fandom fuckin sucks dude

As a long time member of the furry, danganronpa, and BNHA fandom im not the type of person who likes to generalize entire fandoms based off of experiences i hear about or have with other people in said fandoms. but the MCSM fandom is such a filthy stain on the internet and so many people in the community have gotten WAY out of hand. the constant racism and whitewashing of characters. people publicly talking about NSFW topics in numerous discord servers that have children in them, sometimes with people under 13 years old. the ridiculous amount of drama surrounding character headcanons among other things. its RIDICULOUS

im a black guy. i can care less about the "issue of blackwashing", it does not exist and never has existed. i care a LOT about the whitewashing in this community. there are multiple jesse skins for a reason, to represent a ton of different peoples races! red suspenders jesse is literally WHITE! if you want to draw white jesse draw HIM! why are people whitewashing the other jesse skins? why are people whitewashing characters like radar, stella, olivia, etc?? MCSM as a game has blessed its community with a wide range of characters of different ethnicities and races (even if not directly stated) and none of them are stereotyped, theyre all incredibly well written and have great characterizations but unappreciative morons are choosing to whitewash the shit out of them :/. the characters are so easy to colorpick. theyre minecraft characters. literally pixels. coloring people of different skin colors is NOT a difficult thing. have some common sense and use references properly.

im an adult who likes adult things. as an adult i understand boundaries and that talking to minors about sexual headcanons is NOT a good thing! woah! some of you dont understand how important it is to tag certain shit on different sites correctly or how to keep conversations about NSFW topics away from people who are WAY younger than you. vague jokes are one thing but time after time ive either heard or seen myself that grown ass people are describing explicitly sexual things with minors. gross much???? and PUBLICLY of all things. its one thing to have your own friend group or whatever, its fine to discuss things in private so long as its with someone in your fucking age range but JESUS CHRIST! MCSM discord servers have become BREEDING GROUNDS for these kinds of adult NSFW discussions with minors and it only creates a domino effect where they too start sharing that in OTHER MCSM servers with OTHER minors. ITS GROSS!!

(whole paragraph above also applies to headcanons and aus that are also potentially triggering. jesus christ some things should just be kept in private convos on the internet)

and my god the DRAMA over characters its insane. its completely fine to dislike certain headcanons and to have certain opinions on them. you can publicly voice your opinions in a RESPECTFUL manner. it really is not hard.?? at all. there are a ton of headcanons i hate personally, i rant about them in private and if i ever feel like voicing about them in public ill say it in a respectful manner. if someone dislikes a headcanon you like it is not a personal attack on your entire being. relax dude. i will always agree with the statement that fiction affects reality but my god they are just FICTIONAL CHARACTERS that you do not know personally and you do NOT need to go on a rampage and witch-hunt people because people say things like "i think xyz character has a different body type!" or "i think xyz character is a certain sexuality!". this especially applies to age headcanons. ages are NOT CANON, sure there are characters that appear to be older than others but ages are always up for speculation. not everyone is going to agree with your "minor coded" headcanons, dont attack and throw proshipper/pedo accusations on people who dont? id go into the infantilization of the characters who get this kinda treatment but different problem different day. point is, headcanons are headcanons and sending swarms of people after people who disagree with them is DUMB and STUPID and NOT NICE! stop doing that

in general this fandom harbors horrible mindsets and even more horrible people who i will not name and frankly its getting very frustrating seeing how the people in this fandom treat each other. have some respect for others and also yourselves. fix up your behaviors, dont make your bad attitudes everyones problem, and spend some time off the internet. have a good day yall

[jellyveesh]

oh, paw-lease!

fandom ## hazbin hotel (dog-sinner reader)

characters ## charlie morningstar, vaggie, alastor, angel-dust, husker, lucifer morningstar

prompt ## it would seem a new sinner has arrived at the hotel, sporting a set of bouncy ears and an eagerly swaying tail. how will this new canine companion fit into the dynamics of the hazbin hotel?

contains ## SHOW SPOILERS, gender-neutral reader, canon-typical character behaviours/habits, reader is annoyingly bubbly but in a puppy-dog way, reader is gen z, no one in this show is morally good (obviously), NO ROMANCE, autistic-coded lucifer, fan theories are used, stereotypical 'dog' characteristics, brief mention of valentino (cringe)

masterlist part two potential - open to writing for more characters

when you first arrived at the hotel, you were pretty much fresh-meat in hell, and definitely of a different generational variety to the other residents (much to their confusion and mutual horror).

charlie welcomes you to the hotel with open arms and a huge smile - and everyone is blinded by the two balls of sunshine chatting happily in the doorway. vaggie convinces her to let you in, and you settle into the hotel extremely well.

you get along well with everyone... well, nearly everyone!

CHARLIE MORNINGSTAR

for obvious reasons, charlie adores you - your bubbly nature sharply contrasts the mellowed nature of husker, the over-the-top nature of nifty and the sneakiness that alastor maintains

but charlie isn't stupid and she obviously knows you're down here for one sinful reason or another, so she doesn't think you're harmless...

no matter how much that fluffy tail thumps against the floor, YOU ARE NOT HARMLESS

she enjoys using you as the focus point of redemption exercises - mainly because most of the residents like/are indifferent to you, and you just like everyone

planned a group fetch session one time, ended up with you passed out in the entryway the second they entered the hotel

you are her therapy dog sinner at this point, whenever she feels like she's bordering a panic attack you just poof magically appear and comfort her - using some very interesting jokes (gen z humour is honestly more traumatising than comforting, but it works in charlie's case), and allowing her to play with your tail and ears.

bought you tons of squeaky toys...

overall, is extremely happy you arrived at the hotel, and wouldn't change you for the world

VAGGIE

vaggie enjoys your presence - especially considering you seem to be about as sane as you can be, considering you're in hell and you're a sinner

like, she can have an intelligent conversation with you and then NOT feel the sudden urge to smash her head into the nearest wall (*cough* alastor *cough*)

you're her excuse to get out of the hotel, even if it's for five minutes

"i need to walk the dog" type excuse - you go along with it, because like... who doesn't enjoy walks?

despite you being a sinner, you have a lot of dog features - it's honestly hard to tell you were ever even human once upon a time, under all that fluff and fur - and you LOVE those shitty little squeaky dog toys

vaggie hates those squeaky dog toys

definitely hides them around the hotel so you can't find them

too bad you've got a sensitive sniffer and find them everytime

you stayed outside hers and charlie's room the first time she hid them, obnoxiously squeaking the toy just to be petty and kept her awake

now you just enjoy it looking for the toys, it's like a game

overall, vaggie enjoys your company - you can be very energetic and sometimes overwhelming, but you can be equally as soft and silent

she thinks she wouldn't mind you hanging around for a little while longer

ALASTOR

alastor can't stand you.

you're a dog, he HATES dogs - for many obvious reasons, of course

not that you've explicitly done anything to him, so he tolerates you - just keep an adequate distance between the two of you, and you'll be just peachy

overtime, you become accustomed to the fact that alastor will probably never like you - and you definitively become softer around him in order to accommodate to his needs

you don't necessarily know WHY he doesn't like you, but the way his eyes shift tell you that he's uncomfortable

you soften your tone of voice, make all of your movements extremely predictable and slow, and make sure to keep your pesky tail in check

overtime, this 'submissive' tactic (it's not really, but it's better to say that than to say alastor is fearful of this cheery little puppy) begins to break down alastor's carefully crafted walls

the first breakthrough was when alastor invited you to go to the library with him - you had to physically hold your tail down as it began wagging excitedly

you guys sat in the library for hours, mere inches apart from each other - your tail softly thumping against the couch, and the soft static of alastor's radio filling the air as you both read your respective books

you guys cook together (more like he cooks and you just watch excitedly, having no thoughts behind those beady puppy-dog eyes) - you have so many questions, and he answers each one with endless patience, and tells you you're a 'good dog' whenever you hand him a kitchen tool he needs

you love being called a good dog :3

overall, he's not used to you yet - but he's getting there

complete avoidance has turned into greetings, light touches here and there, and invitations to join him in his endeavours

i'd say that's a job well done

ANGEL DUST

angel had a temporary urge to taint your giddiness - it didn't last long, but long enough that the guilt of it eats him alive most days

but he adores you, and you quickly become fast friends - you act as an escape from his job, your personality so contrasting from his day-to-day

angel buys you tons of cute outfits, most of which contain chokers or pendants after you expressed that you used to wear them when you were alive - and wearing them brings you a strange sense of comfort

definitely got you a charm that said 'if lost, call angel dust xxx-xxx' and hooked it onto a little doggy collar as a gag gift

you still wore it though, and he just became absolute putty at the way your tail wagged

angel sometimes wakes up to you curled up at his side, with fat nuggets mirroring you on his other side - he doesn't mind, he actually loves the fact that he's your first comfort-call

no one snitch, but he wraps all of his arms around you and your tail thumps softly against the comforter in your sleep

in regards to angel's job, you're extremely understanding - hell is hell, and people get by in different ways

but you are FIERCELY protective of your newly found friend

in the episode where angel stands up to valentino for nifty's sake, you are trembling at husker's side - not out of fear, but out of pure anger and the desire to protect your own

however, when valentino lays hands on your precious friend? you're between them in seconds, teeth bared, ears flat against your scalp and low rumbling growls coming from your mouth

you make it very apparent you are no bark and all bite when valentino tries to bypass you to approach angel, snapping your jaws at him, and watch with mixed triumph and disgust as the moth-man scoffs and turns away

as soon as valentino is no longer in 'threat' distance, you turn to help angel to his feet - no words needed, and simply pressed your cold snout to his cheek as you felt his trembling hands in yours

from that day onwards, you pick angel up from work everyday without fail - even if it means sprinting across pentagram city just to get there on time

your consistent presence discourages valentino from keeping angel overnight, which fills you with pride - at least you rattled the fugly moth during your last encounter

overall, you're best friends - angel would burn the world for you, and you'd do the same for him, and that mutual respect for one another makes you a force to be reckoned with

you'd be surprised at how downright dirty the 'innocent' little pup could get when with the spider

HUSKER

frenemies through and through - but it's more like one-sided frenemies, because you simply have no enemies (except valentino. fuck you valentino.)

you and husker were not close AT ALL when you first arrived at the hotel, and instead opted for the stereotypical dog-cat relationship... a relationship built on pure contempt just for each others species, and spent a good portion of the first few days growling and hissing at one another

so, how did you two become fast friends considering your clear hate?

you.

you did the one thing that proved to husker you understood how cats functioned...

you brought him a mouse!

a dead one. a dead hell mouse.

now, to everyone else in the hotel, the display was disgusting - and several of them scrambled away from the bar with shrill screams - but, to husker, it was a sign of peace

and, from that point onwards, you became friends

that's literally it

husker wouldn't mention it to anyone, but he is an absolute cuddle bug - and having you, someone with no regard for personal space, around and jumping into hugs actually soothed his stolen soul

oftentimes, you two are found comfortably lounging on the couch - limps tangled together (and tails coiled around each others)

the two of you have a habit of falling into your more animalistic urges when it's just the two of you - so mutual grooming is not uncommon, and you've woken up several times to husker's tongue dragging across your head

he definitely pretends it doesn't happen after, but you both know

you make sure to return the favour, much to his distress - considering you just kind of... slobber, everywhere

when you two fight though it's actually vicious - biting, scratching, clawing, etc. absolutely scaring the hell out of everyone

but then after like two minutes you two are like "well, that was fun!"

husker is ultimately more playful in your presence, but he's still grumpy and if he asks you to go away - you will listen, because you understand not everyday is a cuddle day

overall, husker hate-loves you - you're a solid consistent in his day-to-day afterlife now, and he can actively become more relaxed with you around... and whilst that's why he loves you, it's also why he hates you, because you make him weak

LUCIFER MORNINGSTAR

lucifer has definitely hyperfixated on several animals during all of his years in heaven and hell - so i have no doubt he hyperfixated on dogs, or some kind of canine, at one point

and you're about as humanoid-ly doggy as it gets, or as humanoid-ly doggy as he's seen

and when you show interest in his hyperfixation on ducks, you instantly become his new favourite sinner at the hotel - although you enjoy ducks simply for dog-related reasons, you also enjoy how happy lucifer seems to get when speaking about them

you make a note to yourself to never harm another duck in your entire afterlife

with lucifer being autistic, and you seemingly having adhd qualities, you perfectly compliment each other

your friendship is the definition of "he asked for no pickles" with a tiny lucifer all teary eyed in the background

after lilith left, lucifer has had difficulty in maintaining his wings - and, much to his displeasure, you walked in on him trying to preen them, and struggling to reach the harder to get places

i mean, he has 6 wings, i wouldn't look after them either

but when you offer to help, he melts - guiding and directing you on what to do and what not to do, smiling adoringly at the look of concentration on your face and the way you stick your tongue out the corner of your mouth

as a reward, he preens you in return, expressing his thanks through the subtle gesture

preening is a sign of affection with birds, and i feel he would give into those mannerisms the more he hyperfixates on ducks

overall, lucifer absolutely adores you - and although the goal for the hotel is to redeem sinners, he lowkey hopes you're never redeemed

he'd simply miss you too much

and he definitely treats you like a little kid sometimes (theoretically, you are the youngest, generationally...)

[sleepingdeath-light]

relationship hcs ; jax

requested by ; anonymous (26/10/23) & anonymous (27/10/23)

fandom(s) ; the amazing digital circus

fandom masterlist(s) ; here

character(s) ; jax

outline ; “i'm so excited you're doing requests for TADC!!!!! do you have any general dating hcs for jax?”

&

“I saw that you now do The Amazing Digital Circus requests!

Soooo how about Jax relationship headcanons?”

note ; characterisation may be shaky as we only have the pilot episode out so far

warning(s) ; canon typical asshole behaviour from jax, mostly fluff!

first and foremost, jax is an asshole and that will not change when the two of you start flirting or when you become an ‘official’ couple — he’s not outright malicious towards you anymore, sure, but he’ll keep on teasing and messing with you at every opportunity (he’s also very unlikely to apologise unless he feels like you’re genuinely upset with him and he can’t sweet talk his way out of it)

pranks and teasing are a big part of your relationship, especially if you’re able to match his mischievousness — whether that’s him leaving things in your room for you to find later that he knows will startle you, using nicknames for you that are more amusing than intimate (e.g. something poking fun at your avatar’s height, an inside joke, or just generally teasing you for something you’ve done in front of him that he refuses to let you live down)

he’s a massive flirt and always finds a way to work around caine’s rules and regulations — he leaves just enough unsaid to get the real message across and absolutely loves watching you process what he’s said and then get flustered or frustrated once you realise what he really means (even if you playfully smack him on the chest or arm because it’s more than worth it for him)

physical affection with jax only really occurs on his terms with very few exceptions — such as when he wraps an arm around your shoulders and pulls you against his side, or (if your avatar has hair) when he messes up your hair right after you’ve finished the introduction song — the main exception to the rule is if you’re really not doing too well and need to be grounded or comforted because of it (i.e. you’re experiencing a mental break due to your circumstances or are starting to get close to the point of abstraction for whatever reason — he might be an ass, but he cares and he doesn’t want to lose you)

during caine’s missions he generally prefers to hang out with you if possible, whether that means going off and doing your own thing, watching the inevitable chaos unfold from a safe distance, or actually participating (usually because you’re bored and he just wants to see funny things happen to people) — but that doesn’t mean you’re safe if he decides he’s bored, and he has on several occasions pushed you straight into the ‘line of fire’ of whatever you’re meant to be fighting just to see what you’ll do

(he wouldn’t do it if you could actually get hurt, mind you, but as you’re all physically safe no matter what you’re facing he’s willing to take the risk and the time in the ‘dog rabbit house’ for a laugh)

you’re just about the only person he’ll listen to if ever you tell him to ‘tone it down’… but only for a short while — yeah he can stop teasing pomni for ten minutes to let the poor jester get her bearings, and sure he’ll lay off the bugs in ragatha’s room for a week, but things always return to normal after that because he’s remarkably stubborn, a bit of an ass, and endlessly amused by the ‘suffering’ of others in the circus

if a new character or npc tries to flirt with you then he’s going to go from sassy and sarcastic to outright malicious — more openly so if it’s an npc (at least until caine gets the hint and decommissions them) but if it’s a new character trying to intrude on your relationship then he’s going to make it explicitly clear that (a) you’re taken, (b) you’re exclusive with him, and (c) he will make their time in the circus even more unpleasant if they continue down that path (especially if it’s actively making you uncomfortable in addition to just being disrespectful)

(he might not be able to cause them any harm, but he has keys to everyone’s room and little regard for the safety of others during ‘missions’ so he’s more than able to make them regret flirting with you if he wants)

[major-comet]

one of the things that’s most interesting to me about red vs blue

[and this is true of a lot of the shows i’ve watched over the years (here’s looking at you, star trek and rwby volumes 1-3), but i find it particularly true for rvb]

is that the writers seem to have very little grasp on what some of the most interesting and compelling parts of the show actually are, especially from a character perspective

so much stuff only gets kind of brought up, or honestly never even really touched on that would fully be enough to compel me as a character plot for an entire season At Least

like the whole “sarge is apparently some kind of robotics/surgery Wizard because not only did all of simmons’ cyborg parts not get rejected, none of the bits of simmons that grif now has rejected either. this is a medical miracle and it’s something about the pair that is almost Never brought up” thing. they barely even acknowledged that simmons has a whole ass robot arm, much less that grif is physically almost as much simmons as simmons himself is

or the “hey actually epsilon kind of just taking over as “church” actually has a lot of potential for body snatchers-esque horror that they never ever lean into” that i was talking about the other day

or how they only really explore the deeper effects of ai-human integration from a negative aspect - o’malley and the meta and such, but don’t *really* dive in on the effects it might have on a pair that works really well together. epsilon and carolina kind of get the closest to that, but even then it’s still pretty surface level. where’s the weird shit about a pair slowly becoming more of a *we* and those boundaries of human and ai blurring into human&ai in a way that feels not parasitic, but symbiotic? where both parties are not only aware of what’s happening, but perfectly content with it? like maybe i just have venom on the brain, but the ai are like the coolest shit burnie ever wrote and i feel like even though they drive the plot for huge chunks of the show they were barely explored. (i’m saying that delta and york should have had weird freaky mind sex. hello is this thing on-)

or the implication (confirmation? idk man it’s been a long time) that sarge may have been an ODST is actually a Massive addition to rvb’s underlying (and i think sometimes only dubiously intentional) themes of “once a soldier has outweighed their perceived usefulness, the government will not hesitate to cast them aside completely, no matter what they sacrificed for the cause, and this has negative lasting effects not just on that veteran but on society as a whole” that they do kind of sort of explore with locus a bit, but the implication that sarge was highly specialized and did a lot of particularly risky shit for the unsc only for him to, unbeknownst to him, wind up as a training dummy for soldiers perceived as “better” than him (and not even really that, picked explicitly because florida thought he would be totally harmless to the alpha) is INSANE and “sarge was an odst” mostly exists in rvb canon just as a joke but Jesus H Christ, man

there’s so much great material here that just got totally ditched for something else and it makes me SAD sometimes

[mangoshorthand]

Love your fics so much good lord 🫶🏻 especially your latest smut one. Which made me remember how S3 had some kinda unnecessary sex jokes.. like when Klaus told Five about Lila and Diego doing it one the stairs and Five said yeah I get it everybody was banging everybody last night 😭 kinda had to imagine Five and his wife drinking and spending the night together as well and getting the love he deserves. Not sure if its a smut request you’re interested in but i loved the wedding episode.

Awh- thanks. You're a sweetie! ❤️ I stuck a little twist on this one- I hope that's ok! I have a quirk as an author in that I don't like to explicitly contradict canon plus I would like Five to be physically 18+ canonically when I write about him. We have fluff and mild, romantic smut. Schmaltzier than I'd usually produce, but we all need a little schmaltz now and again.

If Tonight Was Our Last | Five Hargreeves/ F Reader 2.4k words, Rated M

All in all, Diego and Lila’s wedding had been like them: informal, loud and chaotic. The ceremony part was executed in the courthouse as quick as humanly possible in order to get to the important part: dancing and partying in the punk nightclub they’d hired for the evening. 

Five hovered awkwardly by the bar. He was wearing what, on reflection, was an entirely inappropriate tuxedo and was becoming uncomfortably sweaty. He watched the crowd dancing to The Sex Pistols, Lila jumping and headbanging with a crazed look in her eye and Diego drinking shot after shot with Luther. He himself ordered a martini and was stirring it with his olive awkwardly, wondering when he could justify leaving. 

There was a joy in being part of this family that Five didn’t always appreciate: it presented him countless opportunities to exercise his brain with a conundrum. He knew that spending over forty years in the apocalypse was preferable to both, but whether Lila and Diego's wedding was worse than Luther and Sloane’s, he couldn’t yet decide. 

But when his eyes found you, screaming along with Johnny Rotten about how the queen of England wasn’t a human being, he knew that this sweaty, musty club was the only place in the world he’d choose to be right now. You caught his eye, face lighting up and worked your way across the dancefloor towards him. On the way, you stole a tequila slammer off the tray beside Luther and presented it to Five. 

Before you pulled him onto the dancefloor with you, he knocked back the shot and chased it with his remaining half martini. Perhaps it was the booze or maybe your hyperactive vibes were infectious, because Five let loose and spent the rest of the night dancing along with The Clash.  He got bashed and buffeted by the crowd and his siblings. Since then, Five had drunk heavily. Even if he had a slow start, he more than caught up with the rest of you. 

He kissed you several times throughout the evening, when his adrenaline was high and the music pumped with it through his veins. The kisses were hard, boisterous and joy-filled. Once, he lifted you off your feet with the force of it, earning him a small shove from Diego for ‘lowering the tone of the evening’. 

Viktor, the only one of you who stayed sober enough to be responsible, had shepherded first Lila and Diego to their hotel room, and then everyone else back to the Academy. He left you and Five still drinking in one of the lesser-used sitting rooms that was occupied by Reginald in years gone by.

A large order of fries and the journey home had sobered you up, but Five’s hand swayed as he tried to pour a glass of his father’s cognac, spilling it all over the side table.

“Ah shit. That was Hennesy,” he murmured, regretfully, wiping it up with a bar towel. He’d already discarded his jacket and now his hand fumbled at his bow tie, removing it and tucking into his pants pocket.

“You shouldn’t have any more,” you said, from the armchair. Your voice was slightly hoarse from having to shout to be heard all night, “you’ve been drinking like it’s your last night on earth.”

Five returned to the handsome chaise lounge with the little drink he’d managed to successfully pour, laughing softly.

“No I haven’t. That was the last wedding I went to.”

“Luther and Sloane’s?” you asked, tentatively. 

Five nodded. 

He didn’t like to talk about it often. The period following his return to 2019 was a chaotic tumble through timelines and apocalypses. You knew Luther and Sloane got married under the impression that they would all die the next day, but you hadn’t ever asked Five for details. Tonight, however, he seemed open to it. 

“When you got twenty-four to forty-eight hours left to live,” he said, laughing reminiscently,  “there’s no point in holding back.

I sorta remember making this…punch out of vodka, gin, coconut rum and god knows what else. I drank the whole bowl," he laughed, "Well, wouldn’t you? ” he asked, catching your disapproving eye.

You rocked your head from side to side, weighing it up.

“Probably,” you admitted, “I just don’t like to think about it. As it turned out, you all survived anyway. But that would have been no good if you died from alcohol poisoning.”

He took your hand in the gap between the two pieces of furniture. 

“Well, I’m glad I didn’t, but right then it seemed like a good option.”

You caught his eyes, deep tonight, and saw that he wasn’t as drunk as you thought. His lips twitched into a sad smile as he continued.

“I guess I had nothing else to do. They were all pairing off: Luther and Sloane, Lila and Diego, Klaus and alternate Ben-” he caught your expression and amended himself, “-I don’t mean boning, necessarily…” and then he looked nauseated, “oh god, I really hope not, anyway.”

“You’re a weird family,” you said, matter-of-factly.

“That we are.” he agreed, “At least four of them were going at it, anyway, and there I was trapped in the body of an extra from Bugsy Malone: hormonal, horny as hell and living the last few hours of my life. What is a self-respecting guy supposed to do?”

“Drink and jerk off?”

“Drink and jerk off, correct. You know me so well.”

You smiled, leaned over and poured yourself a small cognac.

“Sounds lonely for your last night on earth.”

He shrugged, reciprocating your raised glass to him before you took a sip. The honey-smelling warmth of the cognac went down nice and easy, even after the tequila and fries.

Five looked into his drink.

“What would you do?” he said, almost too quietly to hear, “on your last night on earth, I mean.”

You don’t hesitate, “I’d spend it with you.”

He smiled down into his glass. It’s one of his arrogant smiles masking the real emotion beneath.

“Of course you would.”

You could always tell when he was hiding emotion by the spots of  delicate color he developed high in his cheeks.

“And what about you?” you asked, gently.

He considered, the smile still playing around his lips.

“I’d probably drink and jerk off.”

You laughed and stretched out in the chair, closing your eyes and enjoying the feeling of being there with him. After a quiet minute, his voice sounded again.

smut below cut

“I’d make love to you.”

You turned your head to look at him, still starting into his drink. It’s not a term you’d ever heard him use before. In day-to-day conversation, he referred to sex as ‘boning’, ‘banging’ or occasionally used a trite metaphor like ‘making the beast with two backs.’ Even in the throes of passion, you’d only ever heard him say that he wanted to ‘fuck’ you.

He looked at you, eyes speaking a depth of feeling you hoped you would never be able to fully share. The look in his eyes brought home the weight of what he was saying: Five knew what it was to face the end of everything. He was saying this with that experience behind him. 

“If tonight was our last, I’d want you to know what you mean to me…except words can be blunt instruments, so I’d want to show you…”

He trailed off.

You put down your drink and, drawn like a magnet to his bared vulnerability, joined him on the couch. Eyes not leaving this, you raised your hand to cup his face. As he closed his eyes, you kissed him on the corner of his mouth, hoping that the touch of your lips against him conveyed what you were feeling. 

With his eyes still closed, he leaned into your touch almost wearily, rubbing his cheek against your hand and letting out a long breath through his nose.

“Show me now,” you whispered, “as if tonight was our last night.”

Slowly, his eyes fluttered open, and he fixed you with his unwavering gaze. Though the room was dimly lit, what little light there was reflected in his eyes. Without another word, he leaned in and pressed his mouth to yours in a soft, tender kiss. His warm lips brushed yours, feather-light. You responded to him eagerly, meeting his affection with your own and wrapping your arms tightly around his neck. 

He deepened the kiss, hands beginning to roam. He caressed you, palms exploring the contours of your body; the landscape of hills and valleys. Though he’d done this countless times before, his touch felt somehow new: sending trembling, fluttering energy across your body. His breath was sweet, tasting of the cognac: you felt and savored the warmth of his mouth on yours 

As the kiss reached its peak, you felt a rush of emotion you hadn’t expected: though he was gentle, cherishing and loving, you could nevertheless feel a flavor of desperation behind this kiss. It was as if this really was it; as if tonight really was the last night. He was right: words weren’t enough, and this was the most important thing you and he would ever say to each other. 

His fingers became more urgent, slipping beneath your shirt to feel the warmth of your skin beneath. You raised your arms and he lifted it carefully over your head, unable to resist leaning in and peppering your newly exposed skin with kisses before he fully removed it.

Meanwhile, one of your hands popped open the buttons of his shirt while the other traced the lines of his chest and pectorals. When his stomach was revealed, you pulled the fabric apart and snaked both hands in, reveling in his warmth and the soft smattering of hair disappearing into his pants.

Your hands moved in unison, undressing each other with sensual eagerness: not too fast, not too slow, only keen to feel each new inch of flesh as it was exposed. As he reached around to unhook your bra, you worked on freeing him from his pants. You could already feel the arousal beneath. 

Before you could remove the fabric around him, he leaned in and captured your newly bared nipple, gently licking and sucking on it. You couldn’t help but moan, even despite the necessity of keeping your voice low. His hand came to rub and softly press your other breast, feeling your shape in the palm of his hand. 

At last, you pulled him from his pants, stroking his shaft gently and feeling him grow even harder at your touch. His breath stuttered around your breast. 

At last, you sat beside each other naked. His kisses felt like moths’ wings across your breasts, your collarbone, your neck. He leaned towards you, urging you gently backwards until your back hit the velvet of the chaise. You pulled him to you and kissed him again, caressing his lips with your own. When he pulled back, you were surprised to see tears pricking the corner of his eyes. 

When he spoke, looking at you with those earnest, sad eyes, it was in a whisper. You had the sense that he didn’t trust his voice any louder.

“If tonight were our last night, I’d want to kiss you like that.”

You stroked his face again and he briefly closed his eyes, one of the tears forming into a drop and running slowly down his cheek. When he opened them, he shifted his kneeling position and you spread your thighs to accommodate him. 

“What else would you do?” you asked, your own voice not much more than a whisper. 

He lowered himself so that your bodies were pressed together, skin on skin and warmth on warmth. 

“I’d want you like this,” he said, “I’d want to be inside you.”

You wrapped your legs around him, pulling him gently to you and entwining your body with his. He entered you slowly and you let out identical exhales. It was a feeling like coming home after a long day. Five gave a pleasurable wince as the clenching of your walls had its effect on him: perfect intensity.

As he moved in you, as you moved together, every caress was a whispered affirmation of love; every twinge of pleasure a promise kept. Each of his slow, sensual thrusts was a pledge of undying devotion. The slow build of your orgasm was a life of love and loyalty spent together.

He buried his head in your neck, simultaneously breathing you in and hiding his tears. Your arms wrapped themselves over his back, your hand finding the back of his head and holding him safely to you as, inside you, the twin heats of love and of pleasure bloomed.

“I’ve got you, baby.” you whispered, inhaling the clean smell of his hair. 

With your arms and legs wrapped around him this way, you met his hips with your own, giving him the same promises he gave to you. You kissed his temple, wrapping yourself around him more snugly. Wrapped in the warmth of your shared love, your bodies writhed together. From his stuttering breath and increasing tension, you could tell he was nearing his peak. You could feel his heart beating against your chest like that of a small animal. 

He gave an ecstatic cry and exploded inside you, body shuddering in the current of his release. As he came, he kissed and licked at your neck, unrefined and uncontrolled but desperate to taste some part of you. Finally, he collapsed onto the couch, his full weight upon you, trying to catch his breath in short gasps. 

“If tonight was our last night,” he mumbled, after a few moments to compose himself, “I’d want to savor it. I'd hope not to come after two minutes like that.”

You smiled into his hair.

“Lucky tonight isn’t our last night,” you said. 

Responding to the pang of shame in his voice, however, you continued more seriously.

“If tonight was our last night, I’d die happy after that. No, really,” you said, responding to his disbelieving snort, “that was…”

You didn’t need to finish. The awe and love in your tone was enough of a balm.

You could lie here forever with his warm weight on top of you, your bodies still connected with him still inside you. You could be happy here, with his breath in your ear and your hand in his hair. If tonight was your last night, you would have lived a whole lifetime in it.

Request Masterlist >> HERE

NOTE: I take Five requests, I'm fairly versatile in what I write (fluff, smut, angst, psychological character study- I'll try it all) but I will consider them on a case by case basis. See masterlist for request status and more.

[mysterycitrus]

favorite headcanons about roy harper and/or barbara gordon?

my two fave bitchy gingers who have kissed dick grayson on the mouth. i wish they interacted more in canon because babs is a lot like bruce in some ways but with none of the bat baggage and roy is capable of being very annoying to any bat he meets. also, their most notorious appearances in comics are both groundbreaking for different reasons (killing joke + snowbirds) but also portray their ability to overcome hardship and become something so much greater.

my favourite hc vein for roy is his dynamic as an adult with the other titans. one of the persephone sequels is about this cause i think it’s so much fun — especially with garth and wally. in titans99, despite his history of leadership and experience on the team, roy is still very much considered secondary to dick. wally “i picked a favourite child” west explicitly says he doesn’t want roy in a leadership position. roy is a dedicated single father, but garth “sees his kid every other weekend” gives him grief for being a goof. all the titans love each other, would die for each other, but that doesn’t mean they’re an incredibly well adjusted adults. they’re so messy, and i think roy as an emotional rock for them is an under-utilised part of the relationship. roy was the only thing tethering dick to the mortal plane after donna died!! he’s actually quite emotionally intelligent when he wants to be!

same kinda deal with babs — her network is so much more interesting when u divorce her from the cave. she’s so mean, and can be so terrible, but it all comes from a place of such deep caring. i really really want her and vic stone to hang out more because they have so much in common — a total lack of autonomy for something out of their control, then regaining their power through technological connection. it’d be a great narrative about disability! i don’t like when babs gets too entrenched in the titans in favour of ignoring vic’s spot on the team, so this would be a good counter balance

but more than that — i want roy to know that babs and dinah are fucking (engaging in ethical non monogamy) and i want dinah and babs to know that roy knows that they’re fucking (engaging in ethical non monogamy) and i want there to be a series of very awkward brunch dates with dick where everyone talks very loudly at each other and no one makes eye contact

[crystallizsch]

The First Kiss (?)

yuusha tala x jamil viper (oc x canon) word count: 800+ cw: pure angst

(awajkjfsdkjl omg some writing reveal about their relationship dynamic? 😳 ALSO THIS ENDED UP BEING LONGER THAN INTENDED AAHH and there are bound to be typos in here but uhhh anyways—)

At last, they found themselves alone, wrapped in each other's arms, savoring the calm evening air.

Yuu smiled and raised her bare hands to cup Jamil’s cheeks gently. It was rare for the prefect to have her gloves off. So Jamil’s face heated up at the touch.

“Haha. Your face is warm, Jamil.”

“Whose fault is that I wonder?”

“Couldn’t be me.”

They joked, feeling their breathy giggles against one another and realizing their lips were almost touching.

Was this… Was this finally the moment?

Sure, she was already incredibly lax with him before — being affectionately touchy with him and constantly giving him quick and casual kisses on the cheek (as she does with basically her closest friends). But they seemed to have become close in a way that was more than Yuu’s “overly friendly” nature.

So what about a kiss on the lips?

A sudden wave of uncertainty hit the magicless prefect. Her hands dejectedly slid back down Jamil’s chest as they curled into fists.

The implications of a first kiss on the lips felt a lot heavier on her than she thought.

They have both been dancing around their feelings about one another. They both knew what they felt about one another and even made a show of teasing each other for it. But neither explicitly stated what those feelings even were.

Yuu felt much more guilty in that regard, considering her more than a flagrant expression of that affection toward him. One would think she was leading him on, but that was never the case.

And she really, truly liked him but—

Jamil tightened his arms around her waist when he felt the hesitation in her body. This subtle move caused Yuu to look deep into Jamil’s eyes again. Her heart squeezed at the sight of a soft and gentle look as she looked back with a distinctly sorry expression on her face.

It was bizarre that these were once the dangerous eyes that brought her pure hatred toward him. Now that they looked so kind and genuine, they admittedly felt more dangerous. How unfair.

“…..We don’t have to, you know,” Jamil said in a low voice. It sounded vague enough that even he did not know if he was only referring to them sharing a kiss or having a relationship overall. He also tried to be reassuring, but he was aware of the slightly sad and disappointed tone he let slip in his voice.

Yuu gulped and then felt her breath hitch in her throat. It was as if Jamil had read her mind.

Damn you, she wanted to say to him. At this point, she did not know what to say. Yuu felt like she was caught in a lie and wanted to prove him wrong. But she can’t. It wasn’t that she felt anything less for him; she simply felt conflicted about finally sealing her feelings with a kiss. The prefect just wasn’t ready. She doesn’t know when she will be. And she did not want to admit that.

Meanwhile, Jamil was relatively ready to receive that kiss. Of course, he would not say that out loud. From his perspective, Yuu would have to act first if there was truly something more to their relationship. But it seems like today was still not that day.

“I’m sorry…” Yuu whispered under her breath.

Jamil did not answer. Instead, he gave a quick peck on the prefect’s nose, which caused her face to flush. She quickly buried her face on his shoulder with a shaky sigh, her hands gripping his clothing. The vice housewarden half-heartedly laughed at her reaction as he snaked his hands higher around Yuu’s back, giving her a gentle hug instead.

There were no words exchanged between them for a period of time. They simply rested in each other’s embrace.

Still, this indeterminate name to their relationship weighed heavily on both of them.

Jamil couldn’t even say that he would wait for her. Because that would be a lie. As painful as that realization may be, he knows he wouldn’t. Why would he? Yuu repeatedly expressed her homesickness anyway.

Besides, Jamil was used to it. All good things were never permanent. That was what he was telling himself at least... Somehow this time, it was getting harder and harder to convince himself that he could simply accept losing something — her specifically.

And for Yuu’s part, she was also aware of this — that she knows she’ll be leaving all of this behind one day. The prefect had her own plans for the future, and she assumed that the vice housewarden would have his own.

There was no point in committing to anything. Because if they dare even act upon their true feelings, or heavens forbid say it out loud, it will make the inevitable separation even harder.

this was the vibe when i was writing this btw hgffjhklj

[psychic-refugee]

Wenclair as a ship in itself I understand. It can be fun, and interpretation is up to the fan content creator. Wyler, Wenvier, Enjax, Wenclay and AroAce Wednesday I think are all equally valid interpretations. Just as any other combination.

Shipping non canon relationships is a choice made by personal preference.

I less understand the expectations of Wenclair being actually possible to become canon. I feel like it’s only possible in the sense that “anything is possible” because no one can ever truly predict the future.

However,

Tim Burton does not have a history of producing LGBTQ+ focused projects. There are barely any background characters that are prominently and explicitly queer in his long CV.

The Ottingers are outliers and background characters with a second of screentime. I have doubts we’ll ever see them again, and honestly, they are the farthest I think Burton is willing to go.

Millar also doesn’t have a history of writing main cast LGBTQ+. He and Gough only reference the relationship between Enid and Wednesday as “friendship” and “sisterhood” when confronted with the idea of Wenclair. (NME, 24 Dec 2023).

Netflix has a documented poor history of treatment of shows with prominent lesbian leads (First Kill, I Am Not OK With This, and Warrior Nun).

Given all of that, I’m also not in the writers’ room, so time will ultimately tell if my skepticism is warranted.

Nonetheless, there is overwhelming evidence that Wenclairs have detrimentally affected Jenna and Emma. I don’t see them wanting Wenclair to happen and they certainly aren’t entertaining the mere possibility of it any longer.

Jenna has not mentioned Wenclair in a positive light since that one interview in Teen Vogue, 9 Dec 2022. It’s been over a year since; a lot of stuff has happened. Plenty of reasons for Jenna to have changed her mind.  

Emma made a non-committal comment about “how anything is possible” when it comes to S2 and Wenclair. (Variety, 30 Jan 2023)  But, again, that was over a year ago and a lot of toxic behaviour has happened since then.

Just as with Jenna, Emma has a lot of motivation now to not support Wenclair becoming canon.

Emma also pushed off the possibility of Wenclair beyond S2, she gave the excuse of Wednesday needing a “season of singleness.” Id. Wednesday WAS single in S1, she never claimed anyone as an SO. It sounds more like Emma was a hostage trying to appease her kidnappers by telling them what they wanted to hear. She pushed off the idea of Wenclair to a season that’s not guaranteed to materialize. That’s called passing the buck. If S3 never happens, then she’s not responsible for adhering to an implied promise of Wenclair being possible at all.

Now, Emma has made it a point to stress that shipping is fine as long as it doesn’t cross over into real people. (NME, 27 June 2024).

Wenclairs failed to do that in a spectacular fashion.

Emma admits that Wenclair was a joke they told amongst themselves when it first became apparent it was a popular ship. Id. Wenclair is “funny” to them because they never intended for it to be a ship, but fans choose to interpret it that way.

People ran with Jenna’s comments, but I believe she was supporting it in jest in the way Emma reported in June. Jenna even framed Wenclair only happening in “a perfect world.” (9 Dec 2022) She said it would only happen in an impossible circumstance. I don’t get how people took that to mean she was trying behind the scenes to make it happen, or that it was a secret interpretation fans were meant to figure out on their own.

I think if she knew how much her “fans” would sexually harass her and Emma with the idea of Wenclair, she would not have said it at all. I think with how careful Jenna is with what she posts now, she knows better to say things off the cuff or in jest.

Wenclairs have taught her harsh lessons on how to interact with social media and interviews.

I think it says a lot that Jenna has only been photographed with her stylist in the past several years. She has had plenty of opportunities to do pictures with the cast since filming started, specifically Emma and yet…

Wenclairs have been so rabid and hostile to anyone challenging their fantasy that she only feels safe being seen with Enrique Melendez, her employee, or her family. That’s not normal.

I think there’s a reason why Wenclairs hyperfocus on Jenna making the ship happen and not Emma.

Jenna clearly doesn’t mind doing roles that involve sapphic elements (Miller’s Girl and The Fallout). The same cannot be said about Emma. Wenclairs are so quick to jump on Jenna’s CV of “kissing women” and pointing to that as proof of her queerness. By THEIR same logic, what does it mean if Emma has not done any role where she kisses women?

Jenna’s a great actress and I think could have chemistry and a rapport with a tree if the script called for it. I think she didn’t mind the idea of Wenclair at the time (regardless of how farfetched the possibility was or that it was never originally or seriously considered), but I don’t think she ever intended for people to interpret her characterization of Wednesday that way.

I think both Jenna and Emma regret implying or joking about the possibility of Wenclair as the fans started to sexually harass them on IG with comments on how they are for sure lesbians (neither have stated so) under their posts that have nothing to do with the other as well as everywhere else. Neither can celebrate their own separate accomplishments without Wenclairs mentioning the ship or obnoxiously asking “Where’s Jenna/Emma?”

Wenclairs also post explicit art of Jenna and Emma’s likeness in public forums such as Twitter/IG (and tag them or send it to them directly), and harass male coworkers Jenna has romantic scenes with (Finest Kind). Emma’s male co-star in AGGGTM has also experienced harassment.  

Jenna has outright said she quit Twitter because she was sent explicit AI art of herself right after Wednesday took off.

I 100% believe it was sent by a Wenclair account and it was sexual Wenclair art, given the timing and their appalling behaviour to date.

“I ended up deleting [Twitter] about two, three years ago because of the influx after [Wednesday] had come out, these absurd images and photos, and I already was in a confused state that I just deleted it…It was disgusting, and it made me feel bad. It made me feel uncomfortable” (Entertainment Weekly, 25 Aug 2024) (emphasis added).

I think Jenna coming out and specifically saying there would be no romance for Wednesday (Digital Spy, 8 June 2023) after the December 2022 article is another direct consequence of Wenclair harassment. She changed her tune very explicitly and Netflix has not contradicted her, nor have the showrunners, writers, or Burton ever shown committed support for Wenclair. At most it’s “we’re open to it,” and that was before the harassment got as bad as it is.

Jenna’s playfulness is completely absent in all these interviews since Wenclairs started to harass her. Whatever they were “open to,” the Wenclairs shut it violently.

I wasn’t aware until recently that the Wenclairs were so creepy, invasive, and lacking even the barest of social graces that they were also harassing Jenna’s family.

Here is Aliyah, Jenna’s sister, scoffing and clearly exasperated by the shipping. I highly doubt this frustration comes from being asked just once, she’s probably fielded this question way too many times. She no longer follows Emma on IG.

There are also reports of other IG Lives by Aliyah outright stating that the shipping was out of control and detrimental to their family. Of course Wenclairs are completely crickets about this.

It’s bad enough Wenclairs shove their personal fantasies in Jenna and Emma’s face, but they do it to their siblings? Likely when the siblings were minors or barely adults as Aliyah is only 20.

Emma in the Variety, 30 Jan 2023 article also says her sister would show her stuff, meaning her family was also getting exposed to it.

The latest Vanity Fair article states that Jenna won’t ever make any romantic relationship public. (6 August 2024). She states that her relationships are “hers” and that her fans can’t separate the real her and the celebrity they have built up in her head. Id.

She makes an effort to use gender neutral terms when it comes to a romantic partner. I respect that she doesn’t want to come out as either heterosexual, homosexual, or anywhere in between or outside of the binary. That is her choice, I think there’s a vast difference between keeping things private and being in the closet. Either way it’s also NONE OF ANYONE’S BUSINESS.

But I think it’s undeniable that even though she would get a lot of support if she were queer, Wenclairs have made it so unbearable that she won’t reveal a partner or come out at all.

Wenclairs have made it unsafe and hostile for her to acknowledge her own sexuality publicly, much less a partner.

I think it’s too late for Wenclairs to back off, it looks like they already ruined the friendship or at best drove it underground if the total lack of social media content of them together is indicative of anything.

If they are still friends, then they don’t trust Wenclairs with knowing about it and don’t want to share it with them. It looks like Jenna doesn’t want to share any friendship publicly anymore.

Unless it’s to promo movies or a brand deal, she rarely posts pictures on social media anymore. It’s very rare she posts personal pictures of herself doing non-work outings. She’s keeping her personal life extremely close to her chest.

How exactly do Wenclairs expect a friendship to survive constant, sexual harassment? How can they hang out together when everything they do together is sexualized? Why would anyone think the actresses would encourage a storyline that would invite more?

How do they expect Jenna to support Wenclair to become canon if it means her future male coworkers will be harassed? If it means any romantic partner who isn’t Emma in the future will be harassed? If it means that if she were indeed involved with Emma, that there would probably be a bigger explosion of porn that is shoved in their face?

How do they expect Jenna or Emma to support Wenclair if their families are being harassed about it?

Wenclair has been a curse upon them, and I wouldn’t wish it on anyone.

[trans-luis-serra-navarro]

Ok I’ll be totally completely honest I’ve been WEIRDLY nervous about posting this and I DONT KNOW WHY

But here is FINALLY. FINALLY the long awaited somewhat joke somewhat serious analysis/theory that Bitores Méndez and Luis’ Grandfather had something going on between them

Again just take this post with a grain of salt, I’m just here to have a little bit of fun but ANYWAYS

My first point; It’s canon that Luis grew up with and almost treated Bitores Méndez as somewhat of a father figure; this was apparently true for most if not all of the children in the village, but Mendéz seemed to have had a particular fondness of Luis, even going as far as to encourage his love for science and fictional literature from a very very young age. Which by itself is definitely worth noting- Valdelobos was a very very devout Catholic village before Saddler arrived (as stated by the design team as well as through visual clues such as rosaries and bibles being scattered around, Luis signing the cross after he kills a villager, the location of the village itself etc etc) which I IMAGINE wouldn’t be very fond of their youth engaging in fantasy and science as that goes against a lot of super hardcore Catholic beliefs. But not only does Méndez encourage it; so does Luis’ Grandfather. Why else would Méndez be so willing to excuse Luis’ interests if it weren’t for a fondness of his Grandfather???

And circling back to Méndez’ relationship with Luis- we get told that Luis would be told by his grandfather to stay behind and, presumably, be taken care of by Méndez while he went away on hunting trips. Who knows if Méndez did this for ALL the children in the village, or JUST Luis, but we know from the fact that (again, presumably) the only reason Luis’ Grandfather was attacked by wolves was because he was distracted by Luis’ presence that Méndez most likely kept a pretty close eye on him on behalf of his Grandfather. Plus!! Méndez was the village chief!!!!! The fact that he took the time out of his day to specifically take care of Luis AND engage and foster his interests is very telling!! He clearly had a lot of respect and/or fondness for his Grandfather on SOME level to do that for him.

And then of course we get to the infamous fire; Luis’ Grandfathers notes describing his slowly worsening state is just devastating and culminates in him telling Méndez; ‘You know what to do.’ He trusted and knew the man well enough to know that HE’D know what to do when worst came to worst. He didn’t even have to SAY, ‘light the house on fire’, he just knew Méndez would understand instinctually. Luis’ Grandfather even explicitly asks Méndez to take care of Luis after he’s gone!!! That’s so telling in my extremely humble opinion!!!!!! Like yes, sure, absolutely you could just assume that it’s his natural trust in the village chief, but Luis is all he had left- and I personally think it’s very poignant of him to pick Méndez specifically to take care of him.

Again, could this all be just regular old fondness of Méndez being the village chief and/or just them being good friends?? Well sure absolutely!!!! This is all just my personal interpretation!!!!! But I think it’s very interesting that Luis himself is a somewhat queer-coded character as well the fact that him being raised by healthy father figures in his childhood affects who he becomes when he’s an adult. He’s a gentleman at heart and is always always putting others first before himself- again, his childhood directly affects how he acts when he’s older and I just think it’s super fascinating to see a character having grown up with father figures that were there and active in their life their ENCOURAGED their interests carry that along with them and have that encourage the actions they make. It’s little things like that that make Luis such a beautifully crafted character to me at least.

And also I think it’d be funny if being gay ran in the family HDNWNENDJ

AGAIN. Again. Don’t take this post too seriously. You don’t have to agree with it I’m just having a bit of fun and I hope you had some fun too

[fishing-lesbian-catgirl]

kinda fucked up for you to see a gender non conforming woman (samsus) and automatically make them trans. you get what i mean about how thats just reinforcing gender stereotypes (that cis women are feminine and would never commit genocide even a little while transwomen would do masculine evil things like shoot gun (because they’ve kept their man vibes) or whatever

yeah

I can’t tell if this is like a shitpost or a really poorly worded commentary because I have no idea who you are. Frankly I would normally assume the worst block you, buuuuut since I like talking about it I’d love to explain why Samus Aran is extremely transgender.

Tbh I am still tempted to block you but the terrible grammar, spelling error, and nonsensical nature of the ask almost make it seem like a shitpost

First of all Samus being trans-coded was very core to her character from the very beginning. Regardless of the reasons they did it, the original Metroid was intentionally made and marketed to have people assume she was a man. This isn’t even just because people would see a person in a power suit and assume they were a man, the games manual explicitly refers to Samus with he/him pronouns. The immediate assumption that she’s a man because she’s tall, broad shouldered, badass, and wears a power suit that obscures her feminine features until the big reveal is inherently a trans theme. Taking that away makes her a less compelling character. It’s also continued in that Metroid media has continually joked that a lot of the Galaxy assumes that Samus Aran, the greatest bounty hunter in the Galaxy, is a man.

Secondly there was that one Metroid dev who said in an interview that Samus was transgender. The terminology used was outdated and it was explicitly a transphobic joke, but it’s too late she’s ours now.

Thirdly she is (was) built like one of us. That is, prior to the later zero suit designs trying way too hard to be sexy. Like seriously when I first found this image a few years ago I was the same height and weight as her. I miss the big buff broad shouldered Samus design so much and her later redesigns are honestly kinda pathetic by comparison

Fourth, Samus was raised by the Chozo and trained to become a powerful warrior. Part of what they did to make her strong was body modification via Chozo DNA splicing to make her stronger and more agile than a normal human. This is a sci-fi setting where she was raised by an extremely advanced alien race who could change her very DNA, acting like she couldn’t look like she does and be a trans woman is simply not even an argument.

Now, of course, you could refute all this by saying “but Cordelia, we know what Samus looked like as a kid from Metroid Zero Mission and the manga and she was clearly a little girl not a boy.” Now even without addressing the fact that it’s very possible for people to realize they are transgender as children and that children don’t even really have secondary sex characteristics to make it easy to tell what their gender is, this what Samus actually looked as a child:

The combination of all of this gives us trans women a lot of good reasons to believe she is transgender. But also, literally none of this is necessary for me to headcanon a character as trans. Trans women come in all shapes and sizes with all different stories and not a single thing in Metroid canon even remotely suggests that Samus Aran has to be cisgender. And if you try to say “but Samus has no bulge in canonical zero suit Samus depictions!” you’d have to be intentionally dense. Samus Aran is a chimera with a cocktail of human, Chozo, and Metroid DNA and, again, was raised by a race of super advanced aliens. Not only could they have easily given her bottom surgery, but they could’ve even changed her fucking sex chromosomes if she wanted them to. There is literally nothing in Metroid canon that even remotely gives me a reason not to insist that she’s transgender. To be honest, there is more evidence for her being trans than against.

To anyway anyone who actually read this far, I hope you understand the truth. Nintendo’s redesigns are too afraid to show us, but you and I both know that her cock is huge